Tag Archives: Charles Olson

Fuck You/ a magazine of the arts

Fuck You/ a magazine of the arts ran for thirteen issues from 1962 to 1965. Considered one of the most influential underground magazines of the early sixties, Ed Sanders’ Fuck You was a deliberately fypprovocative mimeographed journal, at first emphasizing poetry and later expanding to include other writing. Each issue is illustrated with line drawings by Sanders.

Contributors include Sanders, Tuli Kupferberg, Carol Bergé, John Wieners, Andy Warhol, Ray Bremser, Lenore Kandel, Charles Olson, Joel Oppenheimer, Peter Orlovsky, Philip Whalen, Allen Ginsberg, Herbert Huncke, Julian Beck, Frank O’Hara, Leroi Jones, Diane DiPrima, William Burroughs, Gary Snyder, Robert Kelly, Judith Malina, Carl Solomon, Gregory Corso, Robert Duncan, Robert Creeley, Michael McClure, Ted Berrigan, Joe Brainard, Gilbert Sorrentino, and many others — a virtual “who’s who” of avant garde poetry in the Sixties.


1. Fuck You, No. 1, edited by Ed Sanders
New York: February 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

2. Fuck You, No. 2, edited by Ed Sanders
New York: April 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

3. Fuck You, No. 3, edited by Ed Sanders
New York: June 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

4. Fuck You, No. 4, edited by Ed Sanders
New York: August 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

5. Fuck You, No. 5, Vol. 1, edited by Ed Sanders
fy51New York: December 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

“Dedicated to pacificism, national defense thru nonviolent resistence, total assault on the culture, vaginal zapping, multilateral indiscriminate apertural conjugation, Hole Cons, Crotch Lake, Peace Eye, mad bands of stompers for peace, & all those gropped by J. Edgar Hoover in the silent halls of congress.”

6. Fuck You, No. 5, Vol. 2, edited by Ed Sanders
New York: December 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

7. Fuck You, Number 5, Volume 3, edited by Ed Sanders
New York: May 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

“Dedicated to pacificism, National Defense thru Nonviolent Resistance, Anarchia the Goddess, Orlovsky’s long Egyptian finger, Peace Eye, Hole Cons, Peace Walk Dicking, dope thrill Banana rites, Acapulco Gold, Panamanian Red, Honduras Brown, windowbox freak grass, the anarcho-commio-greaser conspiracy, submarine boarders, mad bands of stompers for Peace, and all those groped by J. Edgar Hoover in the silent halls of Congress”.

8. Fuck You, Number 5, Volume 4, edited by Ed Sanders
New York: Summer 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

9. Fuck You, Number 5, Volume 5, edited by Ed Sanders
New York: December 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

10. Fuck You, Number 5, Volume 6, edited by Ed Sanders
New York: April/May 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

11. Fuck You, Number 5, Volume 7, edited by Ed Sanders
New York: September 1964
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

12. Fuck You, Volume 5, Number 8, edited by Ed Sanders
New York: March 1965
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover artwork by Andy Warhol.

13. Fuck You/ a magazine of the arts, Volume 5, Number 9

Measure

wieners


“The three simple, almost starkly working-class issues of Measure followed glorious and overlooked “underground” poet John Wieners from Black Mountain College home to Boston, across country to San Francisco, and back to Boston again. In his years in San Francisco, from 1958 to 1960, Wieners attended (sometimes serving as host at his Scott Street apartment) the legendary Sunday afternoon poetry workshops of the charismatic poets Robert Duncan and Jack Spicer. Also present at the workshops were George Stanley, Harold Dull, Robin Blaser (The Pacific Nation), and many others…”
— from A Secret Location on the Lower East Side (Granary Books, 1998)

Measure, No. 1, edited by John Wieners
mags_measure01Boston: Measure, Summer 1957
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 48 pages, letterpress printed at the Press of Villiers Publications..

“Measure is edited by John Wieners. It will be issued with the four seasons only through your support… Please understand that the opinions expressed in this magazine do not necessarily reflect those of the city.”

Contributors:
Tom Balas – “Le Fou”
Charles Olson – “Le Bonheur!”, “The Charge”, “Spring”
Edward Marshall – “One:”, “Two:”
Robin Blaser – “Poem”, “Letters to Freud”, “Poem by the Charles River”
Edward Dorn – “The Rick of Green Wood”
Larry Eigner – “Millionem”, “Brink”
Frank O’Hara – “section 9 from Second Avenue”
Fielding Dawson – “Two Drawings”
Stephen Jonas – “Word on Measure”, “Expanded Word on Measure”
Michael Rumaker – “Father”
Gavin Douglas – “The Blanket”
Jack Spicer – “Song for Bird and Myself”
Jonathan Williams – “Two Poems for Whitman, the Husbandman”
Robert Duncan – “The Propositions”

Measure, No. 2, edited by John Wieners
mags_measure2San Francisco: Measure, Winter 1958
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 64 pages, letterpress printed at the Press of Villiers Publications.

“Magick is for the ones who ball, i.e. throw across”

Contributors:
Michael Rumaker – “The use of the Unconscious”
Robin Blaser – “The Hunger of Sound”
Robert Creeley – “Juggler’s Thot”
Michael Rumaker – “8 Dreams”
Jack Kerouac – “4 Choruses”
Charles Olson – “Descensus Spiritus No. 1”
Robert Duncan – “The Maiden”
Robert Creeley – “They Say”, “She Went to Say”
Jack Kerouac – “235th Chorus”
Edward Dorn – “Notes from the Fields”
Robert Duncan – “The Dance”
Stuart Z. Perkoff – “Feats of Death, Feasts of Love”
V. R. Lang – “The Recidivists”
Gregory Corso – “Yaaaah”
James Broughton – “Feathers or Lead”
Michael McClure – “The Magazine Cover”, “One & Two”
Robert Creeley – “The Tunnel”, “Just Friends”
Richard Duerden – “Musica No. 3”
Stephen Jonas – “Books 3 & 4 from a Long Poem”

Measure, No. 3, edited by John Wieners
mags_measure03Milton: Measure, Winter 1962
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 36 pages, letterpress printed at the Press of Villiers Publications.

“THE CITY / 1 AM – Unreasonable fear, of the shadows of Harry Lime, of the dead reappearing”

Contributors:
James Schuyler – “Shed Market”, “Joint”
Gerrit Lansing – “Explorers”
Barbara Guest – “Safe Flights”, [untitled] “Once when he was a small boy…”,  “Abruptly, as if a Forest Might Say”
Helen Adam – “Anaid si Taerg (Great is Diana)”
Madeline Gleason – “Wind Said, Marry”
Robert Duncan – “What do I Know of the Old Lore?”
Jack Spicer – “Central Park West”
Larry Eigner – “Poem”
Tom Field – [untitled] “Form is never more than the extension…”
Edward Marshall – “Times Square”, “2”, “3”
John Wieners – “The Imperatrice”
Philip Lamantia – “Opus Magnum”
Sheri Martinelli – “Ruth Gildenberg”
Michael Rumaker – “The River at Night”
Charles Olson – “The Year is a Great Circle…”, The Post Virginal”, [untitled] “Desartes, age 34…”
John Haines – “Poem”, “Pawnee Dust”

Jess Collins

jess1956Jess Collins (August 6, 1923 – January 2, 2004) was born Burgess Franklin Collins in Long Beach, California. He was initially educated as a chemist, having received his B.S. at the California Institute of Technology in 1948, and in his career worked on the production of plutonium for the Manhattan Project.  In 1949 he abandoned his scientific career and moved to San Francisco where he enrolled in the California School of Fine Arts  (now the San Francisco Art Institute) and began referring to himself simply as “Jess”. He met Robert Duncan in 1951, a relationship  that lasted until the poet’s death in 1988.

jess002
Alternative cover for O!, 1959

In 1952 Jess, Duncan, and Harry Jacobus opened the King Ubu Gallery, which became an important venue for alternative art in San Francisco. And it remained so when it was  reopened as the Six Gallery in 1954 by Wally Hedrick, Deborah Remington, John Ryan, Jack Spicer, Hayward King, and David Simpson.

A celebrated painter and collage artist, Jess was a leading light of the San Francisco art scene from the 1950s until his death in 2004, and one of the most original artists of the second half of the 20th century.

Jess was a quietly independent artist who in his paintings, collages, and sculptures developed a complex synthesis of art and literary history. Jess’ unique imagery, evolved from mythology and fables both playful and profound, has long been admired by critics, curators and writers. Using paper collage or his eccentric painting techniques, Jess’ pictures referenced ancient stories and invented symbols. Jess constructed a private world of delicate beauty and gentle absurdity. 


A. Books and Broadsides

1. Artists View #8
Tiburon: Artist’s View, 1954
Poems and paste-ups, folded broadside, entire issue devoted to the work of Jess.

2. O!
New York: Hawks Well Press, 1960
Paste-ups and poems, stapled wrappers, with a preface by Robert Duncan.

3. The Dios Kuroi
Off-print from The Northwest Review, 1963
Paste-up sequence.


B. Contributions to Books and Other Publications

1. Jess Collins and Robert Duncan. Boob #1
jess_boob01San Francisco: [privately printed], 1952
Broadside. Paste-up.




2. Jess Collins and Robert Duncan. Boob #2
jess_boob02San Francisco: [privately printed], 1952
Broadside. Paste-up.




3. Duncan, Robert. Caesar’s Gate
Mallorca: Divers Press, 1955.
Cover and 16 paste-ups.

4. Jonas, Steve. The Poem, The Sea & Other Pieces Examined.
jonas_loveSan Francisco: White Rabbit Press, 1957.
Cover illustration and titling. (Johnston A1)





5. Spicer, Jack. AFTER LORCA
spicer_lorcaSan Francisco: White Rabbit Press, 1957
Cover illustration. (Johnston A2)





6. Levertov, Denise. FIVE POEMS
levertov_fiveSan Francisco: White Rabbit Press, 1958
Cover illustration. (Johnston A3)





7. Adam, Helen. The Queen O’ Crow Castle
adam_queenSan Francisco: White Rabbit, 1958
Cover illustration, titling, and six drawings. (Johnston A9)




8. Olson, Charles. O’Ryan 2 4 6 8 10
olson_oryanSan Francisco: White Rabbit, 1958
Cover illustration. (Johnston A10)





9. Spicer, Jack. Billy The Kid
spicer_billyStinson Beach: Enkidu Surrogate Press, 1959
Cover illustration and seven drawings.





10. Duncan, Robert. The Opening of The Field
New York: Grove Press, 1960
Frontispiece drawing.

11. Adam, Helen and Pat. San Francisco’s Burning
Berkeley: Oannes Press, 1963
Cover illustration and six drawings.

12. Duncan, Robert. Unkingd by Affection 
San Francisco: San Francisco Arts Festival, 1963
Illustrated broadside.

13. Adam, Helen. Ballads
New York: Acadia Press, 1964
Cover illustration, titling, title page, and 15 drawings. Two additional drawings included in limited edition with hand-tinted cover.

14. Borregaard, Ebbe. When Did Morning Wind Rip Callow Flowers in May… 
San Francisco, San Francisco Arts Festival, 1964
Illustrated broadside.

15. Duncan, Robert. A Book of Resemblances
New Haven: Henry Wenning, 1966
Illustrations in two colors.

16. Duncan, Robert. The Cat and The Blackbird
San Francisco: White Rabbit Press, 1967
Cover illustration, titling, and drawings.

17. Duncan, Robert. Names of People
Los Angeles: Black Sparrow Press, 1968
Illustrations.

18. Dunn, Joe. Better Dream House
San Francisco: White Rabbit Press, 1968
Cover and 11 paste-ups.

19. Morgenstern, Christian. Gallowsongs 
Los Angeles: Black Sparrow Press 1970
Illustrations.


C. Contributions to Periodicals

1. Artists View #0. Tiburon, 1952. Paste-up poem

2. Artists View #5. Tiburon, 1953. Cover illustration.

3. Poems & Pictures #1. 1954. Poem

4. Black Mountain Review #4. 1956. Paste-up poem.

5. Black Mountain Review #6. 1956. Paste-ups

6. Ark II, Moby I. 1956. Translations.

7. J #2. 1959. Notes on painting.

8. J #5. 1959. Cover illustration and comic strip.

9. J #6. 1959. Comic strip.

10. Chelsea #7. 1960. Translations.

11. An Apparition of The Late J. 1960. Poem.

12. Folio 3. Bloomington, Summer 1960. Paste-up.

13. Foot #1. 1960. Poem.

14. Foot #2. 1962. Poem.

15. The Northwest Review 4. Eugene, Winter 1963. Paste-up sequence.

16. Semina 8. Los Angeles, 1963. Paste-up.

17. The Rivoli Review #1. 1964. Cover illustration.

18. The Rivoli Review #2. 1964. Poem.

19. Writing 3. 1964. Cover illustration and five drawings.

20. Open Space #1. 1964. Dream record.

21. Open Space #2. 1964. Dream record and letter.

22. Open Space #Twin 4. 1964. Dream record.

23. Open Space #6. 1964. Dream record and drawing.

24. Open Space #7. 1964. Cover illustration and dream record.

25. Open Space #8. 1964. Paste-up.

26. Open Space #9. 1964. Drawing.

27. Open Space #10. 1964. Cover illustration and paste-up.

28. Open Space #12. 1964. Drawing.

29. Floating Bear #31. 1965. Cover illustration.

30. Insect Trust Gazette #2. 1965. Paste-up.

31. Some / Thing #8. 1966. Paste-up.

32. The Tenth Muse #14. 1967. Cover illustration.

33. The Tenth Muse #15. 1967. Cover illustration.

34. The Tenth Muse #21. 1968. Cover illustration.

35. The Tenth Muse #26. 1969. Cover paste-up.


Further Reading

Hyperallergic
The Paris Review
Siglio Press

Oyez Press

Oyez Press was founded in 1964 by Robert Hawley and Stevens van Strum in Berkeley, California. Its inaugural run was a series of 10 broadsides featuring poems by Michael McClure, Brother Antoninus, Josephine Miles, Robert Duncan, Robert Creeley, David Meltzer, Denise Levertov, Charles Olson, Gary Snyder and William Bronk. These broadsides were printed by Dave Haselwood’s Auerhahn Press based in San Francisco.

Oyez would continue to publish books for over 20 years by poets primarily from the Black Mountain school and the Bay Area Renaissance; publishing over 80 books in addition to numerous keepsakes and broadsides, featuring authors such as David Meltzer, Josephine Miles, Lew Welch, Philip Lamantia, and many others.

The first Oyez book was a collection of poetry by David Meltzer. It was during this period that Hawley began his business relationship with printer Graham Mackintosh. The Oyez poetry editions were well regarded for the simplicity and elegance of their designs. Although not all Oyez books were designed by Mackintosh, several of his designs did receive awards, including an edition of William Everson’s Single Source that was selected as one of the 50 books of the year by the American Institute of Graphic Arts.


1. McClure, Michael. TWO FOR BRUCE CONNOR
Berkeley: Oyez, 1964
First edition, broadside, 12″ x 17″, 500 copies, printed by The Auerhahn Press. Published as Oyez 1. (Clements A12)

2. Everson, William. THE ROSE OF SOLITUDE
Berkeley: Oyez 1964
First edition, broadside, 13″ x 17.5″, printed by The Auerhahn Press. Published as Oyez 2.

3. Miles, Josephine. IN IDENTITY
San Francisco: Oyez, 1964
First edition, broadside, 11.5″ x 17″, Printed by The Auerhahn Press. Published as Oyez 3.

4. DUNCAN, Robert. WINE
San Francisco: Oyez, 1964
First edition, broadside, 11.5″ x 17″, Printed by The Auerhahn Press. Published as Oyez 4.

5. Creeley, Robert. TWO POEMS
[San Francisco]: Oyez, 1964
First edition, broadside, 11.25″ x 16.5″, 423 copies (27 signed in a portfolio), printed by The Auerhahn Press. Published as Oyez 5. (Novik 15)

6. Meltzer, David. THE BLACKEST ROSE
Berkeley: Oyez, 1964
First edition, broadside, 10.75″ x 17.5″, printed by The Auerhahn Press. Published as Oyez 6.

7. Levertov, Denise. CITY PSALM
Berkeley: Oyez, 1964
First First edition, broadside, 11.5″ x 17.5″, 300 copies, printed by The Auerhahn Press. Published as Oyez 7. (Wilson A8)

8. Olson, Charles. SIGNATURE TO PETITION
San Francisco: Oyez 1964.
First edition, broadside, 11″ x 17.25″, printed by The Auerhahn Press.Published as Oyez 8.

9. Snyder, Gary. HOP, SKIP, AND JUMP
(San Francisco): Oyez, 1964
First edition, broadside, 11″ x 17.5″, 350 copies, Printed by The Auerhahn Press. Published as Oyez 9.

10. Bronk, William. THE CIPHER
Berkeley: Oyez, 1965
First edition, broadside, 10.75″ x 17.5″, printed by The Auerhahn Press. Published as Oyez 10.

11. Meltzer, David. THE PROCESS
Berkeley: Oyez, 1965
A. First edition, paperback, 37 pages, 500 copies
B. First edition, hardcover, 37 pages, 25 copies

 

Dijkstra, Bram. FACES IN SKIN
Berkeley: Oyez, 1965
First edition, stapled wrappers in dust jacket, 32 pages, 500 copies.

Duncan, Robert. MEDEA AT KOLCHIS: THE MAIDEN HEAD
Berkeley: Oyez, 1965
A. First edition, stapled wrappers, 44 pages, 500 copies.
B. First edition, hardcover, 44 pages, 28 copies, numbered and signed.

Kherdian, David. DAVID MELTZER: A SKETCH AND CHECKLIST
Berkeley: Oyez, 1965
First edition, paperback, 9 pages, 500 copies

Kherdian, David. GARY SNYDER: A BIOGRAPHICAL SKETCH AND DESCRIPTIVE CHECKLIST
Berkeley: Oyez, 1965
First edition, paperback, 30 pages, 500 copies

McClure, Michael. THE BEARD
Berkeley: Oyez, 1965
First edition, paperback, 70 pages, 330 copies

McClure, Michael. POISONED WHEAT
Berkeley: Oyez, 1965
First edition, paperback, 14 pages, 1000 copies

McGaugh, Lawrence. A FIFTH SUNDAY
Berkeley: Oyez, 1965
First edition, paperback, 26 pages, 500 copies

Alexander, D. NOT A WORD
Berkeley: Oyez, 1966
First edition, stapled wrappers, 58 pages, 500 copies.

Duncan, Robert. THE YEAR AS CATCHES
Berkeley: Oyez, 1966
A. First edition, paperback, 93 pages, 1800 copies.
B. First edition, hardcover, 93 pages, 30 copies, numbered and signed.

Duncan, Robert. OF THE WAR PASSAGES, 22-27
Berkeley: Oyez, 1966
A. First edition, paperback, 11 pages, 500 copies.
B. First edition, paperback, 11 pages, 100 copies, numbered and signed.
C. First edition, hardcover, 11 pages, 6 copies, numbered and signed.

Everson, William. SINGLE SOURCE: THE EARLY POEMS OF WILLIAM EVERSON (1934-1940)
Berkeley: Oyez, 1966
A. First edition, hardcover, 105 pages, 1000 copies
B. First edition, hardcover, 105 pages, 25 copies, numbered and signed

Fabilli, Mary. THE OLD ONES
Berkeley: Oyez, 1966
A. First edition, paperback, 28 pages, 500 copies
B. First edition, hardcover, 28 pages, 3 copies

Hogg, Robert. THE CONNEXIONS
Berkeley: Oyez, 1966
First edition, paperback, 40 pages, 500 copies

Lamantia, Philip. TOUCH OF THE MARVELOUS
Berkeley: Oyez, 1966
A. First edition, paperback, 65 pages, 1450 copies
B. First edition, hardcover, 65 pages, 50 copies, numbered and signed.

Miles, Josephine. CIVIL POEMS
Berkeley: Oyez, 1966
First edition, paperback, 16 pages, 500 copies

Miles, Josephine. FIELDS OF LEARNING
Berkeley: Oyez, 1966
First edition, paperback, 25 pages, 500 copies

Dusenbery, Gail. THE MARK
Berkeley: Oyez, 1967
A. First edition, paperback, 68 pages, 1200 copies.
B. First edition, hardcover, 68 pages, 26 copies, numbered and signed.

Everson, William. IN THE FICTIVE WISH
Berkeley: Oyez, 1967
First edition, hardcover, 22 pages, 200 copies, numbered and signed.

Korte, Mary Norbert. HYMN TO THE GENTLE SUN
Berkeley: Oyez, 1967
A. First edition, paperback, 45 pages, 900 copies
B. First edition, hardcover, 45 pages, 26 copies, numbered and signed

Meltzer, David. JOURNAL OF THE BIRTH
Berkeley: Oyez, 1967
First edition, paperback, 19 pages, 1000 copies

Meltzer, David. THE DARK CONTINENT
Berkeley: Oyez, 1967
A. First edition, paperback, 94 pages, 1000 copies
B. First edition, hardcover, 94 pages, 26 copies

Antoninus, Brother (William Everson). ROBINSON JEFFERS: FRAGMENTS OF AN OLDER FURY
1968
Hardcover, 173 pages, 2600 copies

Charters, Ann. OLSON/MELVILLE: A STUDY IN AFFINITY
1968
A. paperback, 90 pages, 1000 copies
B. hardcover, 90 pages, 500 copies

Fabilli, Mary. AURORA BLIGH & EARLY POEMS
Berkeley: Oyez, 1968
A. First edition, paperback, 108 pages, 500 copies
B. First edition, hardcover, 108 pages, 250 copies

Korte, Mary Norbert. BEGINNING OF LINES
Berkeley: Oyez, 1968
A. First edition, paperback, 37 pages, 500 copies
B. First edition, hardcover, 37 pages, 200 copies, numbered and signed

Antoninus, Brother. THE LAST CRUSADE
Berkeley: Oyez, 1969
First edition, hardcover, 18 pages, 165 numbered and signed copies

Boar, Gerard (Ebbe Borregaard). SKETCHES FOR 13 SONNETS
Berkeley: Oyez, 1969
First edition, paperback, (12 pages), 1600 copies

Charters, Samuel. TO THIS PLACE
Berkeley: Oyez, 1969
A. wrappers, 50 pages, 750 copies
B. hardcover, 50 copies, 250 copies

McGaugh, Lawrence. VACUUM CANTOS
Berkeley: Oyez, 1969
A. First edition, paperback, 30 pages, 500 copies
B. First edition, hardcover, 30 pages, 30 copies

Blazek, Douglas. FLUX & REFLUX
Berkeley: Oyez, 1970
Paperback, 57 pages, 1000 copies

Chiarrello, Gail (Gail Dusenbery). THE BHANGRA DANCE
Berkeley: Oyez, 1970
First edition, paperback, 34 pages, 485 copies.

Edelman, Richard Wayne. THE WEDDING FEAST
Berkeley: Oyez, 1970
First edition, paperback, 37 pages, 1000 copies. Introduction by Denise Levertov.

Hottel, Christopher. THE KNIVES OF DAWN
Berkeley: Oyez, 1970
First edition, paperback, 37 pages, 1000 copies

Korte, Mary Norbert. THE MIDNIGHT BRIDGE
Berkeley: Oyez, 1970
First edition, paperback, 44 pages, 1000 copies

Levertov, Denise. SUMMER POEMS, 1969
Berkeley: Oyez, 1970
A. First edition, paperback, 10 pages, 300 copies
B. First edition, hardcover, 10 pages, 50 copies

Olson, Charles. THE SPECIAL VIEW OF HISTORY
Berkeley: Oyez, 1970
A. First edition, paperback, 61 pages, 1000 copies
B. First edition, hardcover, 61 pages, 500 copies

Charters, Samuel. SOME POEMS POETS
Berkeley: Oyez, 1971
A. paperback, 118 pages, 1000 copies
B. hardcover, 118 pages, 500 copies

Di Prima, Dianne. KERHONKSON JOURNAL, 1966
Berkeley: Oyez, 1971
First edition, paperback, 39 pages, 1000 copies

Everson, William. EARTH POETRY
Berkeley: Oyez, 1971
First edition, paperback, 4 pages

Brugnola, Orlanda. KING OF THORNBUSHES
Berkeley: Oyez, 1972
A. First edition, paperback, 39 pages, 500 copies
B. First edition, hardcover, 39 pages, 20 copies, numbered and signed

Charters, Samuel. FROM A SWEDISH NOTEBOOK
Berkeley: Oyez, 1972
A. First edition, paperback, 60 pages, 500 copies
B. First edition, 60 pages, 500 copies

Eigner, Larry. SELECTED POEMS
Berkeley: Oyez, 1972
A. First edition, paperback, 125 pages, 1000 copies
B. First edition, hardcover in dust jacket, 125 pages, 500 copies

Horsley, James. GOD’S NAKED DAUGHTER
Berkeley: Oyez, 1972
A. First edition, paperback, 38 pages, 850 copies
B. First edition, hardcover, 38 pages, 150 copies, numbered and signed.

Hooker, Craig Michael. HONOR AWAKENS AGAIN
Berkeley: Oyez, 1973
First edition, paperback, 34 pages, 500 copies

Palmer, Doug.  IN QUIRE
Berkeley: Oyez, 1973
First edition, paperback, 56 pages, 650 copies

Cebulski, F.J. CORM
Berkeley: Oyez, 1974
A. Paperback, 59 pages, 750 copies
B. Hardcover, 59 pages, 250 copies

Hill, Lindsay. AVELAVAL
Berkeley: Oyez, 1974
A. First edition, paperback, 59 pages, 500 copies
B. First edition, hardcover, 59 pages, 250 copies

Meltzer, David. BLUE RAGS
Berkeley: Oyez, 1974
A. First edition, paperback, 25 pages, 1000 copies
B. First edition, hardcover, 25 pages, 250 copies

Everson, William. ARCHETYPE WEST: THE PACIFIC COAST AS A LITERARY REGION
Berkeley: Oyez, 1975
A. First edition, paperback, 181 pages, 1000 copies
B. First edition, hardcover, 181 pages, 500 copies

Fabilli, Mary. THE ANIMAL KINGDOM: POEMS & DRAWINGS
Berkeley: Oyez, 1975
First edition, paperback, 69 pages, 500 copies

Meltzer, David. HARPS
Berkeley: Oyez, 1975
A. First edition, paperback, 28 pages, 500 copies
B. First edition, hardcover, 28 pages, 500 copies

Alvarado de Ricord, Elsie; Lucha Corpi, and Concha Michel. FIREFLIGHT
Berkeley: Oyez, 1976
Paperback, 109 pages, 1000 copies. Translated by Catherine Rodriguez-Nieto.

Charters, Samuel. IN LAGOS
Berkeley: Oyez, 1976
First edition, paperback, 15 pages, 600 copies.

Everson, William. RIVER-ROOT
Berkeley: Oyez, 1976
A. First edition, paperback, 45 pages, 1000 copies
B. First edition, hardcover, 45 pages 250 copies, numbered and signed

Garcia, Luis. BEANS
Berkeley: Oyez, 1976
First edition, paperback, 67 pages, 1000 copies

Morrison, Rusane. SUMMER PATCHWORK
Berkeley: Oyez, 1976
First edition, paperback, 24 pages, 500 copies

Meltzer, David. TWO-WAY MIRROR
Berkeley: Oyez, 1977
A. First edition, paperback, 149 pages, 1000 copies
B. First edition, hardcover, 149 pages, 500 copies

Canan, Janine. OF YOUR SEED
Berkeley: Oyez, 1977
Paperback, 60 pages, 500 copies.

Clark, Naomi. BURGLARIES AND CELEBRATIONS
Berkeley: Oyez, 1977
A. First edition, paperback, 80 pages, 750 copies.
B. First edition, hardcover, 80 pages, 250 copies.
Foreword by William Everson.

Dean, Robert. DINNER AT MME
Berkeley: Oyez, 1977
A. First edition, paperback, 40 pages, 1000 copies.
B. First edition, hardcover, 40 pages, 50 copies, numbered and signed

Gitin, David. LEGWORK
Berkeley: Oyez, 1977
A. First edition, paperback, 59 pages, 950 copies
B. First edition, hardcover, 59 pages, 50 copies, numbered and signed

Lummis, Dayton. CLOSETS OF MERCY
Berkeley: Oyez, 1977
First edition, paperback, 33 pages, 500 copies

Korn, Richard. THE JUDGMENT OF THE CONDOR
Berkeley: Oyez, 1978
A. First edition, paperback, 80 pages, 500 copies
B. First edition, hardcover, 80 pages, 250 copies

Korte, Mary Norbert. MAMMALS OF DELIGHT
Berkeley: Oyez, 1978
A. First edition, paperback, 37 pages, 550 copies
B. First edition, hardcover, 37 pages, 50 copies, numbered and signed

Charters, Samuel. OF THOSE WHO DIED
Berkeley: Oyez, 1980
First edition, paperback, 22 pages, 1000 copies.

Everson, William. EARTH POETRY
Berkeley: Oyez, 1980
A. First edition, paperback, 251 pages, 1000 copies
b. First edition, hardcover, 251 pages, 500 copies

Hiller, Tobey. CROSSINGS
Berkeley: Oyez, 1980
First edition, paperback, 17 pages, 600 copies

Korn, Richard and Brugnola Orlanda. JOB
Berkeley: Oyez, 1981
First edition, paperback, 22 pages, 1000 copies

Hiller, Tobey. CERTAIN WEATHERS
Berkeley: Oyez, 1987
First edition, paperback, 62 pages, 500 copies

Charters, Samuel. A COUNTRY YEAR
Berkeley: Oyez, 1992
First edition, paperback, 140 pages, 1000 copies.

 

Four Seasons Foundation

Donald Merriam Allen (Iowa, 1912 – San Francisco, August 29, 2004) was an influential editor, publisher, and translator of contemporary American literature. He is perhaps best known for his project The New American Poetry 1945-1960 (Grove Press, 1960), a seminal anthology that introduced a revolutionary new generation of postwar poetry that was to change the course of American literature.

In 1960, Allen moved from New York to San Francisco, where he established Grey Fox and the Four Seasons Foundation, two significant literary presses where he continued to publish work from Beat, San Francisco Renaissance, Black Mountain, and New York School writers, as well as younger new voices.  Among the authors were Richard Brautigan, Robert Creeley, Edward Dorn, Robert Duncan, Jack Kerouac, Joanne Kyger, Philip Lamantia, Frank O’Hara, Charles Olson, John Rechy, Aaron Shurin, Gary Snyder, Jack Spicer, Lew Welch, and Philip Whalen.


Four Seasons Foundation, A Preliminary Checklist

Welch, Lew. STEP OUT ONTO THE PLANET
San Francisco: Four Seasons Foundation 1963
First edition, broadside, 9.5″ x 12.5″, 300 copies, signed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964

Whalen, Philip. THREE MORNINGS
San Francisco: Four Seasons Foundation 1963
First edition, broadside, 9.5″ x 12.5″, 300 copies, signed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964

Snyder, Gary. NANAO KNOWS
San Francisco: Four Seasons Foundation 1964
First edition, broadside, 9.5″ x 12.5″, 300 copies, signed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964

Olson, Charles. A BIBLIOGRAPHY ON AMERICA FOR ED DORN
San Francisco: Four Seasons Foundation (1964)
First edition, saddle-stapled wrappers, 6″ x 8″, 16 pages.
Published as Writing 1

Dorn, Edward; Rumaker, Michael; Tallman, Warren. PROSE 1
San Francisco: Four Seasons Foundation, 1964
First edition, saddle-stapled wrappers, 36 pages
Published as Writing 2

[anthology]. 12 Poets & 1 Painter
San Francisco: Four Seasons Foundation, 1964
First edition, saddle-stapled wrappers, 32 pages. Contributors include: LeRoi Jones, Joanne Kyger, Robert Creeley, Denise Levertov, Lawrence Ferlinghetti, Robert Duncan, Gary Snyder, Lew Welch, Allen Ginsberg, Charles Olson, Max Finstein, Bruce Boyd, and Jess Collins
Published as Writing 3

Loewinsohn, Ron. AGAINST THE SILENCES TO COME
San Francisco: Four Seasons Foundation, 1965
A. stapled wrappers, 7.75″ x 9.75″, (16 pages), 1000 copies
B. stapled wrappers, 7.75″ x 9.75″, (16 pages), 26 lettered and signed copies
Published as Writing 4

Kyger, Joanne. THE TAPESTRY AND THE WEB
San Francisco: Four Seasons Foundation, 1965
A. paperback, 61 pages
B. hardcover, 61 pages
Published as Writing 5

Olson, Charles. PROPRIOCEPTION
San Francisco: Four Seasons Foundation, 1965
First edition, saddle-stapled wrappers, 18 pages
Published as Writing 6

Snyder, Gary. RIPRAP & COLD MOUNTAIN POEMS
San Francisco: Four Seasons Foundation, 1965
stapled wrappers, 7.75″ x 9.75″, 50 pages
Published as Writing 7

Welch, Lew. HERMIT POEMS
San Francisco: Four Seasons Foundation, 1965
A. First edition, saddle-stapled wrappers, 16 pages, 974 copies
B. First edition, saddle-stapled wrappers, 16 pages, 26 numbered and signed copies
Published as Writing 8

Snyder, Gary. SIX SECTIONS FROM MOUNTAINS AND RIVERS WITHOUT END
San Francisco: Four Seasons Foundation, 1965
stapled wrappers, 42 pages, 1000 copies
Published as Writing 9

Koller, James. THE DOGS & OTHER DARK WOODS
San Francisco: Four Seasons Foundation, 1966
A. stapled wrappers, 33 pages, 1000 copies
B. hardcover, 33 pages, 26 copies, numbered signed
Published as Writing 10

McClure, Michael. LOVE LION BOOK
San Francisco: Four Seasons Foundation, 1966
A. stapled wrappers, 24 pages, 1000 copies
B. hardcover, 24 pages, 40 copies, numbered, signed
Published as Writing 11

Writing 12 [?]

Olson, Charles. STOCKING CAP: A STORY
San Francisco: Four Seasons Foundation, 1966
stapled wrappers, 15 pages
Published as Writing 13

Brautigan, Richard. TROUT FISHING IN AMERICA
San Francisco: Four Seasons Foundation, 1967
paperback
Published as Writing 14

Hadley, Drummond. THE WEBBING
San Francisco: Four Seasons Foundation, 1967
stapled wrappers, 52 pages, 500 copies
Published as Writing 15

McClure, Michael. THE SERMONS OF JEAN HARLOW & THE CURSES OF BILLY THE KID
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
A. First edition, saddle-stapled wrappers, 1200 copies

Olson, Charles. CAUSAL MYTHOLOGY
San Francisco: Four Seasons Foundation, 1969
A. paperback, 40 pages
B. hardcover, 40 pages
Published as Writing 16

Blaser, Robin. CUPS
San Francisco: Four Seasons Foundation, 1968
A. stapled wrappers, 24 pages, 1000 copies
B. hardcover, 24 pages, 40 copies, numbered, signed
Published as Writing 17

McClure, Michael. GHOST TANTRAS
San Francisco: Four Seasons Foundation, 1969
paperback

Writing 18 [?]

Upton, Charles. TIME RAID
San Francisco: Four Seasons Foundation, 1969
stapled wrappers, 30 pages
Published as Writing 19

Brautigan, Richard. THE PILL VERSUS THE SPRINGHILL MINE DISASTER
San Francisco: Four Seasons Foundation, 1968
A. paperback, 108 pages
B. hardcover, 108 pages, 50 copies, numbered, signed
Published as Writing 20

Brautigan, Richard. IN WATERMELON SUGAR
San Francisco: Four Seasons Foundation, 1968
A. paperback, 138 pages
B. hardcover, 138 pages, 50 copies, numbered, signed
Published as Writing 21

Creeley, Robert. A Quick Graph: Collected Notes & Essays
San Francisco: Four Seasons Foundation, 1969
A. paperback, 365 pages, 1000 copies
B. hardcover, 365 pages
C. hardcover in dust jacket, 365 pages
Published as Writing 22.

Creeley, Robert. THE CHARM: EARLY AND UNCOLLECTED POEMS
San Francisco: Four Seasons Foundation, 1969
A. paperback, 97 pages
B. hardcover, 97 pages
C. hardcover, 97 pages, 100 copies, numbered, signed
Published as Writing 23

Whalen, Philip. SEVERANCE PAY
San Francisco: Four Seasons Foundation, 1970
A. paperback, 51 pages
B. paperback, 51 pages, 50 copies, numbered, signed
Published as Writing 24

Lamantia , Philip. THE BLOOD OF THE AIR
San Francisco: Four Seasons Foundation, 1970
A. paperback, 45 pages
B. hardcover, 45 pages, 50 copies, numbered, signed
Published as Writing 25

Millward, Pamela. MOTHER: A NOVEL OF REVOLUTION
San Francisco: Four Seasons Foundation, 1970
A. paperback, 57 pages
Published as Writing 26

Olson, Charles. POETRY AND TRUTH
San Francisco: Four Seasons Foundation, 1971
A. paperback, 75 pages
B. hardcover, 75 pages
Published as Writing 27

Schaff, David. THE MOON BY DAY
San Francisco: Four Seasons Foundation, 1971
paperback, 114 pages
Published as Writing 28

Herd, Dale. EARLY MORNING WIND AND OTHER STORIES
San Francisco: Four Seasons Foundation, 1972
paperback
Published as Writing 29

Snyder, Gary. MANZANITA
San Francisco: Four Seasons Foundation, 1972
paperback

Creeley, Robert. CONTEXTS OF POETRY: INTERVIEWS 1961-1971
San Francisco: Four Seasons Foundation, 1973
paperback, 214 pages
Published as Writing 30

Olson, Charles. ADDITIONAL PROSE: A BIBLIOGRAPHY ON AMERICA, PROPRIOCEPTION, & OTHER NOTES & ESSAYS
Bolinas: Four Seasons Foundation, 1974
A. paperback, 109 pages
B. hardcover, 109 pages
Published as Writing 31

Lamantia, Philip. TOUCH OF THE MARVELOUS
Bolinas: Four Seasons Foundation, 1974
A. paperback, 47 pages
B. hardcover, 47 pages
Published as Writing 32

Whalen, Philip. THE KINDNESS OF STRANGERS: POEMS 1969-1974
Bolinas: Four Seasons Foundation, 1976
paperback, 57 pages
Published as Writing 33

Dorn, Edward. THE COLLECTED POEMS 1956-1974
Bolinas: Four Seasons Foundation, 1975
A. paperback, 277 pages
B. hardcover, 277 pages
Published as Writing 34

Olson, Charles. MUTHOLOGOS; COLLECTED LETTERS & INTERVIEWS 
Bolinas: Four Seasons Foundation, 1979
A. paperback, 230 pages, 2 volumes
B. hardcover, 230 pages, 2 volumes
Published as Writing 35

Olson, Charles. THE FIERY HUNT AND OTHER PLAYS
Bolinas: Four Seasons Foundation, 1977
paperback, 125 pages
Published as Writing 36

Whalen, Philip. OFF THE WALL: INTERVIEWS WITH PHILIP WHALEN
Bolinas: Four Seasons Foundation, 1978
paperback, 88 pages
Published as Writing 37

Dorn, Edward. INTERVIEWS
Bolinas: Four Seasons Foundation, 1980
paperback, 117 pages
Published as Writing 38

Creeley, Robert. WAS THAT A REAL POEM & OTHER ESSAYS
Bolinas: Four Seasons Foundation 1979
A. paperback, 149 pages
B. hardcover, 149 pages
Published as Writing 39

Dorn, Edward. VIEWS
Bolinas: Four Seasons Foundation, 1980
A. paperback, 142 pages
B. hardcover, 142 pages
Published as Writing 40

Gluck, Robert. ELEMENTS OF A COFFEE SERVICE
San Francisco: Four Seasons Foundation, 1982
paperback, 97 pages
Published as Writing 41

Whalen, Philip. HEAVY BREATHING: POEMS 1967-1980
San Francisco: Four Seasons Foundation, 1983
paperback, 207 pages
Published as Writing 42

Shurin, Aaron. THE GRACES
San Francisco: Four Seasons Foundation, 1983
paperback, 72 pages


References consulted:

Bohn, Dave. OYEZ: THE AUTHORIZED CHECKLIST
Berkeley: n.p., 1997

Hawley, Bob. CHECKLISTS OF SEPARATE PUBLICATIONS OF POETS AT THE FIRST BERKELEY POETRY CONFERENCE 1965
Berkeley: Oyez/Cody’s, 1965

Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS
Berkeley: Poltroon Press, 1976

Lepper, Gary M. A BIBLIOGRAPHICAL INTRODUCTION TO SEVENTY-FIVE MODERN AMERICAN AUTHORS
Berkeley: Serendipity Books, 1976

White Rabbit Press

IMG_3062From 1957-1968, the White Rabbit Press published sixty-three books and ten broadsides. It was the primary publisher of the work of Spicer, Robin Blaser, and Robert Duncan—the three central figures of the literary movement first known as the Berkeley Renaissance, and later as the San Francisco Renaissance. 

Founded by Joe Dunn in 1957 to print the poetry of the Jack Spicer Circle, the first ten books were printed surreptitiously on a multilith at the Greyhound Bus offices on 7th street in San Francisco. These early books were illustrated by Jess, Robert Duncan, and Kenn Davis.

After a four-year hiatus, the imprint was revived in 1962 by Graham Mackintosh with Spicer’s LAMENT FOR THE MAKERS, which was published in a small edition of less than 100 copies and illustrated by Mackintosh.  (more…)

Ark

“ARK II, MOBY I, is the successor to THE ARK, a collection of verse, drawings, and articles published in San Francisco in 1947. This was probably the first coherent expression of a new aesthetic and social freedom, which as the years have gone by is now seen to be the characteristic approach of the post war II generation.

“This new gathering has concentrated on poetry and drawings because we feel that the social message has long since been taken for granted by those likely to be interested.”

-From the introduction to ARK II, MOBY I


THE ARK
San Francisco, Spring 1947
First edition, stapled sheets glued into printed wrappers, 72 pages including Contents and Notes on Contributors, letterpress printed, artwork by Ronald Bladen.

Contributors:
Patchen, Kenneth. Excerpt from SLEEPERS AWAKE. page 5
Boodson, Alison. Three Poems. page 12
Rexroth, Kenneth. Advent 1946. page 14
Laughlin IV, James. Now Love Speaks. page 15
Eberhart, Richard. At the End of War. page 16
Woodcock, George. What is Anarchism? page 19
Duncan, Robert. Four Poems. page 23
Goodman, Paul. The “Horace” of Corneille. page 32
Everson, William. If I Hide My Hand. page 38
Cummings, E. E. Four Poems. page 40
Hennacy, Ammon A. Christian Anarchism. page 42
Russell, Sanders. Six Poems. page 48
Lamantia, Philip. Another Autumn Coming. page 51
Stock, Robert. Poem on Holy Saturday. page 52
Rambo, Christopher. Peace To the Doomed Idol. page 54
Williams, William Carlos. Inquest. page 55
Russell, Sanders. E. E. Cummings and the Idea of Actuality. page 59
Duncan, Robert. Reviewing View, an Attack. page 62
Parkinson, Thomas. September Elegy. page 68
Moore, Richard. A Mediation. page 72 


ARK II, MOBY I
San Francisco, 1956-1957
First edition, stapled wrappers, 46 pages including Notes on Contributors and advertisements for The Pocket Poets Series, Jargon, and Black Mountain Review, edited by Michael McClure and James Harmon, letterpress printed at the Press of Villiers Publications, artwork by Ronald Bladen..

Contributors:
Levertov, Denise. Central Park, Winter, After Sunset. Page 1
Levertov, Denise. A Song. Page 1
Levertov, Denise. The Springtime. Page 2
Levertov, Denise. The Third Dimension. Page 3
Levertov, Denise. Laying the Dust. Page 4
McClure, Michael. Canoe: Explication. Page 4
McClure, Michael. Logos: Knout. Page 5
Zukofsky, Louis. Michtam. Page 6
Zukofsky, Louis. George Washington. Page 7
Rexroth, Kenneth. 140 Syllables. Page 8
Russell, Sanders. Two Poems. Page 8
Duncan, Robert. The Law I Love is Major Mover. Page 10
Olson, Charles. As the Dead Prey Upon Us. Page 12
Kerouac, Jack. 230th Chorus from MEXICO CITY BLUES. Page 19
Ginsberg, Allen. The Trembling of the Veil. Page 20
Snyder, Gary. Groves, 12 fromMYTHS & TEXTS. Page27
Williams, Jonathan. The Switch Blade (or, John’s Other Wife). Page 27
Williams, Jonathan. Catullus: Carmen XVI. Page 28
Williams, Jonathan. Greque Musique d’Ameublement (Bar-Fixtures Dept.). Page 28
Perkoff, Stuart. The Recluses. Page 29
Creeley, Robert. Ballad of the Despairing Husband. Page 30
Dorn, Edward. The Revival. Page 32
Dorn, Edward. Lines from a Sitting Position. Page 32
Dorn, Edward. The Common Site. Page 33
Patchen, Kenneth. Another Hamlet is Heard From. Page 34
Patchen, Kenneth. The Most Hen. Page 35
Cox, Paul. Reclame. Page 35
Collins, Jess & Christian Morgenstern. Gallowbrother’s Song to Sophie; The Hangman’s Maiden. Page 36
Collins, Jess & Christian Morgenstern. Moonmatters. Page 36
Collins, Jess & Christian Morgenstern. Goat and Stalker. Page 37
Collins, Jess & Christian Morgenstern. How the Gallowschild Remembers the Names of the Months. Page 37
Whalen, Philip. Martyrdom of Two Pagans. Page 38
Ferlinghetti, Lawrence. Untitled: “Constantly risking absurdity…”. Page 39
Eberhart, Richard. Clocks. Page 40
Eberhart, Richard. Snow. Page 40
Hawthorne, Clive. Four Poems and Notes. Page 40
Harmon, James. Silver Fox Island. Page 42
Harmon, James. Hawk Inlet. Page 42
Harmon, James. The Wind on Market Street. Page 43
Harmon, James. For H. H. Page 44
Turnbull, Gael. A Self-Portrait. Page 44
Turnbull, Gael. Why Don’t You Answer? Page 45


ARK III
San Francisco, Winter 1957
First edition, stapled wrappers, 48 pages including Notes on Contributors and advertisements for New Directions, and City Lights Books, edited by James Harmon, letterpress printed at the Press of Villiers Publications, artwork by Ronald Bladen.

Contributors:
Zukofsky, Louis. Barely and Widely. Page 3
Parkinson, Thomas. Two Vineyards. Page 4
Rexroth, Kenneth. Untitled: “I am fifty-two years old…”. Page 6
Hawthorne, Clive. Greeting, Sweets, The Dog. Page 7
Hawthorne, Clive. Art Blakey. Page 7
Hawthorne, Clive. Love Song. Page 8
Hawthorne, Clive. Night. Page 8
Hawthorne, Clive. Poem. Page 8
Fall, Donald. Caprice. Page 9
Fall, Donald. Eddy Street, San Francisco, 10.30 A.M. Page 9
Fall, Donald. To H. L. Page 10
Fall, Donald. A Respectful Statement on Sex in Unsettled Times. Page 10
Fall, Donald. Postcard. Page 10
Fall, Donald. Abstract Celebration. Page 11
Roskolenko, Harry. Images of Disorder. Page 11
Roskolenko, Harry. My Father’s Profession. Page 12
Roskolenko, Harry. The Streets of Home. Page 12
Roskolenko, Harry. Charlie. Page 13
Boyd, Bruce. Nocturne for the West. Page 13
Perkoff, Stuart Z. Utter Fascinations. Page 14
Sanzenbach, Nicole. Consider Children in the Street. Page 16
Sanzenbach, Nicole. To Allen. Page 16
Whalen, Philip. A Dim View of Berkeley in the Spring. Page 17
Snyder, Gary. What I Think About When I Meditate. Page 18.
Ginsberg, Allen. An Atypical Affair. Page 19
Ginsberg, Allen. A Typical Affair. Page 20
Ginsberg, Allen. How Come He Got Canned at the Ribbon Factory. Page 21
Kerouac, Jack. San Francisco Blues (two excerpts). Page 21
Margolis, William J. Use Your Imagination (no one else does). Page 22
Ferlinghetti, Lawrence. Frame This Picture. Page 23
Wallick, Philip. My Apartment is a Pastoral Apartment. Page 25
Maclaine, Christopher. Three. Page 26
DeJong, David Cornel. Hour of Damnation. Page 27
DeJong, David Cornel. White Collar Class. Page 27
Orlovitz, Gil. The Beggar. Page 28
Lifton, Mitchell. Song. Page 28
Galler, David. Thoughts in the Ward. Page 30
Wernham, Guy. Nature Loves to Hide Herself. Page 32
Wernham, Guy. L’Homme Arraignee. Page 32
Larsen, Carl. The Work of Hands. Page 34
Eberhart, Richard. Hockey. Page 35
Eberhart, Richard. Dogs. Page 35
Uronivitz, Laura. How St George Met The Dragon. Page 36
Gilbert, Jack. Who Cried Love. Page 37
Romero, Idell Tarlow. Message on a Tree Trunk. Page 37
Romero, Idell Tarlow. Written on a Curbstone. Page 38
Corman, Cid. Agamemnon. Page 38
Turnbull, Gael. October. Page 39
Turnbull, Gael. The War. Page 40
Lipton, Lawrence. End of The Nile. Page 41

The San Francisco Renaissance

[excerpt from Steve Clay and Rodney Phillips’ A SECRET LOCATION ON THE LOWER EAST SIDE. Granary Books, 1998]

The San Francisco Renaissance, a timeline of events

1951

1953

      • City Lights Bookstore opens in North Beach

1955

1956

      • Allen Ginsberg’s Howl published by City Lights

1957

      • Howl confiscated by customs; Lawrence Ferlinghetti and Shigeyoshi Murao arrested
      • Jack Spicer‘s Poetry as Magic Workshop, San Francisco Public Library
      • Charles Olson reads and lectures in San Francisco
      • First book from White Rabbit Press, Steve Jonas’s Love, the Poem, the Sea & Other Pieces Examined

1958

1959

      • Philip Lamantia‘s Ekstasis published by Auerhahn Press
      • Bob Kaufman’s The Abomunist Manifesto published by City Lights
      • J, edited by Jack Spicer
      • Cid Corman’s Origin Press publishes Gary Snyder’s first book, Riprap

1960

      • Gary Snyder’s Myths and Texts published by Corinth Books
      • Lew Welch‘s Wobbly Rock published by Auerhahn Press
      • William S. Burroughs and Brion Gysin’s The Exterminator published by Auerhahn Press

1962

      • White Rabbit Press revived by Graham Mackintosh with Spicer’s LAMENT FOR THE MAKERS, which was published in a small edition of less than 100 copies and illustrated by Mackintosh

1963

      • Vancouver Poetry Conference

1964

      • Open Space publishes Robin Blaser’s first book, The Moth Poem

1965

1966

      • Lenore Kandel’s The Love Book published by Stolen Paper Editions
      • Philip Lamantia‘s Touch of the Marvelous published by Oyez Press
      • John Martin’s Black Sparrow Press begins in Los Angeles

1967

      • The Pacific Nation, edited by Robin Blaser in Vancouver

1968

      • Janine Pommy-Vega’s Poems to Fernando published by City Lights

1969

      • Gary Snyder’s book of essays Earth House Hold published by New Directions

1975

      • Jack Spicer‘s Collected Books published by Black Sparrow

 

In San Francisco, the commingling of several activities helped to prepare the ground for the remarkable literary explosion that was soon to take place. The Libertarian Circle held regular literary events; poet members included Kenneth Rexroth, Muriel Rukeyser, William Everson, Robert Duncan, Jack Spicer, and Thomas Parkinson. Rexroth also ran a literary program on KPFA, the country’s first listener-sponsored radio station. Madeline Gleason (assisted by Rexroth and Duncan) founded the San Francisco Poetry Center, housed at San Francisco State College and managed by Ruth Witt-Diamant. The magazines Circle, Ark, City Lights, Goad, Inferno, and Golden Goose helped to consolidate the growing literary underground.

The famous reading at Six Gallery on Fillmore Street was publicized by Allen Ginsberg (via a hundred mailed postcards and a few flyers) thus:

mcclure_sixgallery

On October 7, 1955, in a room measuring 20 x 25 feet with a dirt floor, Ginsberg “read Howl and started an epoch.”(1) Gary Snyder, Philip Lamantia, Michael McClure, and Philip Whalen shared the bill and, by all reports, also read brilliantly. Aside from Rexroth and Whalen, all the readers were in their twenties. Again, in the words of Kenneth Rexroth, “What started in SF and spread from there across the world was public poetry, the return of a tribal, preliterate relationship between poet and audience.”(1)

These events, along with the flourishing of Lawrence Ferlinghetti’s City Lights Bookshop and publishing house, helped to inaugurate and consolidate what has become known as the San Francisco Renaissance. City Lights published Howl in 1956 (Ferlinghetti asked Ginsberg for the manuscript the same night it was read at the Six Gallery) as Number Four in the Pocket Poets Series. (It had been preceded by an extremely rare mimeographed edition, typed by Martha Rexroth and mimeographed by none other than Robert Creeley. Ginsberg’s Siesta in Xbalba had been mimeographed by the man himself on a freighter in the Alaskan Ocean.) Among the audience members that night was one who added his own chant, the young novelist Jack Kerouac, whose On the Road, published in 1957, was to make this reading and its readers legendary. It was also in 1957 that Charles Olson, rector of the experimental Black Mountain College, visited San Francisco and gave a series of lectures on Alfred North Whitehead at the Portrero Hill home of Robert Duncan and his companion, the painter Jess Collins. Among the attendees at the lectures were, of course, Duncan himself, but also Michael McClure, Gary Snyder’s Reed College friend Philip Whalen, Jack Spicer, and Richard Duerden. The same year saw the “San Francisco Scene” issue of Evergreen Review. Poet Helen Adam’s flamboyant 1961 ballad opera, entitled San Francisco’s Burning, epitomized the time, outrageous both aesthetically and socially. Other writers associated with the San Francisco Renaissance included James Broughton, Lew Welch, Ron Loewinsohn, Madeline Gleason, David Meltzer, Kirby Doyle, and Lenore Kandel.

Experimentation with forms of literature and lifestyle had long been an attractive characteristic of life in San Francisco. But the tolerance felt in Northern California was not as evident in Los Angeles. In 1957, an exhibit of work by assemblage artist Wallace Berman at the Ferus Gallery was closed by the Los Angeles Police Department, and Berman was jailed on charges of exhibiting “lewd and lascivious pornographic art.” Found guilty (by the same judge who ruled against Henry Miller), Berman and family left L.A. for San Francisco that year. Berman edited and published a fascinating assemblage magazine called Semina. After the raid of his exhibit at Ferus, he announced in Semina 2 that “I will continue to print Semina from locations other than this city of degen-erate angels.” Berman’s friend, artist George Herms, designed his own books and provided the artwork for others, including Diane di Prima. Herms had likewise found the political climate in L.A. intolerable and had preceded the Bermans to Northern California.

In the mid-1960s, John Martin’s Black Sparrow Press began publishing broadsides and booklets and has, over the years, published a wide variety of experimental and alternative poetry and prose, including work by Duncan, Olson, Spicer, and Creeley among very many others. 

Because of the previous associations of house printer/designer Graham Mackintosh, Black Sparrow is linked to earlier literary small presses of Northern California, particularly White Rabbit Press (at the urging of Jack Spicer, Mackintosh resurrected the press in 1962, printing Spicer’s own Lament for the Makers); Robert Hawley’s Oyez Press (Mackintosh had printed its first book in 1963); and Dave Haselwood’s Auerhahn Press, which flourished during the 1960s and early 70s in San Francisco. Auerhahn published a wide variety of well-designed books, including The Exterminator, an early example of William S. Burroughs and Brion Gysin’s cut-up technique, in 1960. Auerhahn also published John Wieners’s first book, The Hotel Wentley Poems. Oyez published many memorable volumes including Philip Lamantia‘s Touch of the Marvelous. Joe Dunn’s White Rabbit Press, which had begun publishing in 1957 with Steve Jonas’s rough work Love, the Poem, the Sea & Other Pieces Examined, produced books somewhat less elegant than Auerhahn’s or Oyez’s but with a beauty all their own.

The editorial genius behind White Rabbit was the irrepressible Jack Spicer, who published his own remarkable mimeographed magazine, J. Spicer emphasized the inclusion of writers who were not well published elsewhere, and accepted contributions for consideration in a box that was kept in one of three bars in the North Beach area of San Francisco. J is representative of the best of the mimeograph revolution: an uncompromising editorial stance combined with a playful, even colorful, formal character thanks to Fran Herndon, who edited the artwork for the magazine. Spicer’s model for J was Beatitude, which had begun publication in San Francisco slightly before J. And a recalcitrant model it was, since Spicer was not a fan of the Beats and carried on a running war against Ferlinghetti in particular. He imagined Ferlinghetti had become commercial and financially successful, thereby, in Spicer’s mind, “selling out” to the establishment. Magnificently consistent with his principles, Spicer never copyrighted his own work, anticipating the “no copyright, no nuthin” statements of Tom Clark’s London-based Once Series. The performative aspects of Spicer’s poetics as well as his personality also prefigured the rise of poetry readings in the 1950s, particularly those sponsored by the Poetry Center at San Francisco State, which featured mimeographed programs and booklets printing selections from the poets who were reading, among them, Charles Olson, Denise Levertov, and Louis Zukofsky.

Although Spicer’s J didn’t publish the works of “established” poets, Spicer did include the work of Robert Duncan in four issues of his magazine. Duncan and Jess Collins (whose work adorned the cover of many magazines and books of the period, including Open Space, Caterpillar, and The Floating Bear) were important influences on the literary and artistic scene in San Francisco in the 60s. Duncan’s early work was published in Berkeley or North Carolina (his Song of the Border-Guard was published by the Black Mountain College Press with a cover by Cy Twombly in 1952). Other earlier works were multilithed (Fragments of a Disordered Devotionin San Francisco in 1952) or mimeographed (the first hundred copies of Faust Foutu were mimeographed by Duncan himself, and the next 150 or so of one act of the play were multilithed by Joe Dunn of White Rabbit Press at his place of employment, the Greyhound Bus offices in San Francisco). The multilithed third edition of Faust Foutu, although also produced by Dunn, was published under Duncan’s own imprint, Enkidu Surrogate, of Stinson Beach. Duncan’s work was published by an amazing variety and number of publishers, including Oyez, Auerhahn, White Rabbit, Black Sparrow, Divers Press, Jargon, Perishable Press, City Lights, Grove Press, New Directions, and Scribners.

Slightly outside the Spicer circle (although some of his own poems were published in J) was Donald Allen, who, after the publication of The New American Poetry, 1945-1960 and before his removal to New York, established the Four Seasons Foundation in San Francisco, which published the work of a number of the writers from the anthology, including Charles Olson, Ed Dorn, Ron Loewinsohn, Philip Lamantia, Michael McClure, Joanne Kyger, Robin Blaser, and Robert Creeley. Among the early Four Seasons publications were two important works by poet Gary Snyder (the Reed College roommate of Lew Welch and Philip Whalen and the “Japhy Ryder” of Kerouac’s The Dharma Bums): Six Sections from Rivers and Mountains Without End and Riprap and Cold Mountain Poems, both published in 1965. Riprap, it should be noted, was originally published in 1959 as a booklet by Cid Corman’s Origin Press. Snyder’s Myths and Textswas published in 1960 by Corinth Books. Snyder was out of the country on an extended stay in Japan, and the text used for the Corinth publication was probably from a manuscript that LeRoi Jones had hand-copied from one that Robert Creeley had received from Snyder in 1955 or 1956. Snyder’s poetry was extremely popular in the 60s and was often used as text for broadsides by small presses, particularly those whose owners were ecologically minded. For instance, Snyder’s poem “Four Changes” was published in 1969 by Earth Read Out, a Berkeley environmental protection group, as four mimeographed pages, as well as in a folded, printed version in 200,000 copies by environmentalist Alan Shapiro for free distribution to schools and citizens’ groups.

Literary scenes with strong affiliations to the New American Poetry were in evidence elsewhere in California — most notably Bolinas in the 1970s, when that somewhat remote hippie village north of San Francisco became home to many poets. In particular, the transplanted easterner and Poetry Project veteran Bill Berkson and his press Big Sky flourished there in the decade, publishing both a magazine and a series of books. Bolinas residents of the period also included Robert Creeley, Bobbie Louise Hawkins, David Meltzer, Lewis Warsh, Tom Clark, Lewis MacAdams, Philip Whalen, Aram Saroyan, Joanne Kyger, Jim Carroll, and Duncan McNaughton, among others. Ted Berrigan, Alice Notley, and Joe Brainard were among many occasional visitors, with Joe Brainard’s Bolinas Journal providing an interesting record of one such extended stay.


(1) Kenneth Rexroth. AMERICAN POETRY IN THE TWENTIETH CENTURY (New York: Herder and Herder, 1971), p. 141.

White Rabbit Press

IMG_3062From 1957-1968, the White Rabbit Press published sixty-three books and ten broadsides. It was the primary publisher of the work of Spicer, Robin Blaser, and Robert Duncan—the three central figures of the literary movement first known as the Berkeley Renaissance, and later as the San Francisco Renaissance. 

Founded by Joe Dunn in 1957 to print the poetry of the Jack Spicer Circle, the first ten books were printed surreptitiously on a multilith at the Greyhound Bus offices on 7th street in San Francisco. These early books were illustrated by Jess, Robert Duncan, and Kenn Davis.

After a four-year hiatus, the imprint was revived in 1962 by Graham Mackintosh with Spicer’s LAMENT FOR THE MAKERS, which was published in a small edition of less than 100 copies and illustrated by Mackintosh.


1. Jonas, Steve. LOVE, THE POEM, THE SEA AND OTHER PIECES EXAMINED
jonas_loveSan Francisco: White Rabbit Press, November 1957
First edition, sewn printed wrappers, 6.5″ x 8.5″, 12 pages, 200 copies. Cover illustration by Jess. (Johnston A1)


2. Spicer, Jack. AFTER LORCA
spicer_lorcaSan Francisco: White Rabbit Press, November & December 1957
First edition, saddle-stapled printed wrappers, 6.5″ x 8.5″, 76 pages, 500 copies (26 lettered and signed). Jack Spicer’s first book. Cover illustration by Jess. Introduction by Federico Garcia Lorca. (Johnston A2)

3. Levertov, Denise. FIVE POEMS
levertov_fiveSan Francisco: White Rabbit Press, January 1958
First edition, sewn printed wrappers, 6.5″ x 8.5″, 12 pages, (200 copies). Cover illustration by Jess. (Johnston A3)


4. Borregaard, Ebbe. THE WAPITIS
borregaard_wapitisSan Francisco: White Rabbit Press, January 1958
First edition, sewn printed wrappers, 6.5″ x 8.5″, 12 pages, (200 copies). Ebbe Borregaard’s first book. Cover illustration by Robert Duncan. (Johnston A4)

5. Stanley, George. THE LOVE ROOT
stanley_loveSan Francisco: White Rabbit Press, January 1958
First edition, sewn printed wrappers, 6.5″ x 8.5″, 12 pages, (200 copies). George Stanley’s first book. Cover illustration by Robert Duncan. (Johnston A5)

6. Duncan, Robert. FAUST FOUTU ACT 1
duncan_faustSan Francisco: White Rabbit Press, March 1958
First edition, sewn printed wrappers, 6.5″ x 8.5″, 20 pages, 300 copies. (Johnston A6)




7. Dull, Harold. THE BIRD POEMS
dull_birdSan Francisco: White Rabbit Press, May 1958
First edition, sewn printed wrappers, 6.5″ x 8.5″, 16 pages, 200 copies. Harold Dull’s first book. Cover illustration by Nugent. (Johnston A7)



8. Brautigan, Richard. THE GALILEE HITCH-HIKER
brautigan_galileeSan Francisco: White Rabbit Press, May 1958
First edition, sewn printed wrappers, 6.5″ x 8.5″, 6 pages, 200 copies. Cover illustration by Kenn Davis. (Johnston A8)



9. Adam, Helen. THE QUEEN O’CROW CASTLE
adam_queenSan Francisco: White Rabbit Press, 1958
First edition, sewn printed wrappers, 6.5″ x 8.5″, 20 pages, (200 copies). Cover illustration by Jess. (Johnston A9)



10. Olson, Charles. O’RYAN 2 4 6 8 10
olson_oryanSan Francisco: White Rabbit Press, September 1958
First edition, sewn printed wrappers, 6.5″ x 8.5″, 16 pages, 300 copies. Cover illustration by Jess. (Johnston A10)


11. Spicer, Jack. LAMENT FOR THE MAKERS
spicer_lamentOakland: White Rabbit Press, 1962
First edition, sewn printed wrappers, 5.5″ x 8″, 16 pages, 125 copies. Cover illustration by Graham Mackintosh. (Johnston A11)



12. Andrews, Jr., Lyman. FUGUTIVE VISIONS
andrews_fugitiveOakland: White Rabbit Press, 1962
First edition, sewn sheets bound into printed wrappers, 5.5″ x 8″, 24 pages. Illustrations by Graham Mackintosh. (Johnston A12)



13. Dull, Harold. THE WOOD CLIMB DOWN OUT OF
dull_woodSan Francisco: White Rabbit Press, 1963
First edition, saddle-stapled illustrated wrappers, 5.5″ x 8.25″, 12 pages. (Johnston A13)




14. Primack, Ronnie. FOR THE LATE MAJOR HORACE BELL OF THE LOS ANGELES RANGERS
primack_lateSan Francisco: White Rabbit Press, 1963
First edition, side-stapled sheets bound into printed wrappers, 6″ x 9″, 32 pages. Illustrated by Graham Mackintosh. (Johnston A14)



15. Stanley, George. TETE ROUGE / PONY EXPRESS RIDERS
stanley_teteSan Francisco: White Rabbit Press, 1963
First edition, sheets laid into printed unbound wrappers, 6″ x 8.25″, 54 pages. Illustrated by Paul Alexander.
(Johnston A15)


16. Kearney, Lawrence. FIFTEEN POEMS
San Francisco: White Rabbit Press, 1964
(Johnston A16)

17. Thorman, Janet. THE TAROT SUITE
thorman_tarotSan Francisco: White Rabbit Press, 1964
First edition, saddle-stapled sheet in printed wrappers, 5.5″ x 8.5″, 24 pages. According to Johnston, “A supplement to OPEN SPACE magazine”.
(Johnston A17)


18. Spicer, Jack and Lawrence Ferlinghetti. DEAR FERLINGHETTI
spicer_ferlingSan Francisco: White Rabbit Press, 1964
First edition, single 8.5″ x 14″ sheet folded once, letterpress.
(Johnston A19)


19. Spicer, Jack. THE HOLY GRAIL
spicer_holySan Francisco: White Rabbit Press, 1964
First edition, saddle-stapled sheets glued into printed wrappers, 6.25″ x 8.5″, 80 pages. (Johnston A19)



20. Duncan, Robert. AS TESTIMONY
duncan_testimonySan Francisco: White Rabbit Press, 1964
First edition, saddle-stapled printed wrappers, 6″ x 9″, 24 pages, letterpress.
Second printing in 1965
(Johnston A20, A31)


21. Blaser, Robin. THE MOTH POEM
San Francisco: Open Space, 1964
second printing in 1965
(Johnston A21, A23)

22. Dull, Harold. THE DOOR
dull_doorSan Francisco: Open Space, 1964
First edition, side-stapled sheets with printed cover sheet, 8.5″ x 11″, 58 pages.
(Johnston A22)



23. Duerden, Richard. THE FORK
duerden_forkSan Francisco: Open Space, 1964
First edition, saddle-stapled sheets glued into printed french-fold wrappers, 6.75″ x 8.5″, 92 pages, 500 copies, errata sheet tipped in, letterpress.
(Johnston A24)

24. Alexander, James. ETERNATURE
alexander_eturnatureSan Francisco: Oannes-Open Space, 1965
First edition, side stapled sheets glued into printed french-fold wrappers, 7.25″ x 10.25″, 104 pages, 250 copies. Illustrated by Paul Alexander.
(Johnston A25)


25. Olson, Charles. O’RYAN 1-10
olson_oryan02San Francisco: White Rabbit Press, 1965
First edition, saddle stapled printed wrappers, 6.25″ x 8.75″, 16 pages, 1026 copies (26 lettered copies in boards), letterpress. Illustrated by Jess.
(Johnston A26)


26. Blaser, Robin. LES CHIMERES
San Francisco: Open Space, 1965
(Johnston A27)

27. Stanley, George. FLOWERS
stanley_flowersSan Francisco: White Rabbit Press, 1965
First edition, saddle-stapled printed wrappers, 5.75″ x 8.75″, 32 pages, 500 copies (26 lettered and signed in boards), letterpress.
(Johnston A28)


28. Dull, Harold. THE NIGHT OF THE PERSEIDS
San Francisco: White Rabbit Press, 1965
(Johnston A29)

29. Spicer, Jack. LANGUAGE
spicer_languageSan Francisco: White Rabbit Press, 1965
First edition, perfect-bound printed wrappers, 6.25″ x 10″, 72 pages. (Johnston A30)




30. Duncan, Robert. THE SWEETNESS AND GREATNESS OF DANTE’S DIVINE COMEDY
San Francisco: Open Space, 1965
(Johnston A32)

31. Spicer, Jack. BOOK OF MAGAZINE VERSE
spicer_magazineSan Francisco: White Rabbit Press, 1966
First edition, perfect-bound printed wrappers, 5.5″ x 7.75″, 56 pages, 1500 copies, letterpress.
(Johnston A33)



32. Ryan, John Allen. RUT
(San Francisco): Graham Mackintosh, 1966
(Johnston A34)

33. Alexander, James. THE JACK RABBIT POEM
alexander_jackSan Francisco: White Rabbit-Open Space, 1966
First edition, saddle-stapled printed wrappers, 5.5″ x 9″, 20 pages, 750 copies (26 numbered and signed in boards), letterpress.
(Johnston A35)


34. Perksy, Stan. LIVES OF THE FRENCH SYMBOLIST POETS
San Francisco: White Rabbit Press, 1966
(Johnston A36)

35. Showers, J. Anthony. THE ALIENS
San Francisco: White Rabbit Press, 1967
(Johnston A37)

36. Miles, Josephine. SAVING THE BAY
San Francisco: Open Space, 1967
(Johnston A38)

37. Dull, Harold. THE STAR YEAR
dull_starSan Francisco: White Rabbit Press, 1967
First edition, saddle-stapled printed wrappers, 6″ x 9″, 48 pages, 500 copies, letterpress. Cover illustration by Fran Herndon.
(Johnston A39)


38. Duncan, Robert. THE CAT AND THE BLACKBIRD
San Francisco: White Rabbit Press, 1967
(Johnston A40)

39. Dunn, Joe. BETTER DREAM HOUSE
dunn_betterSan Francisco: White Rabbit Press, 1968
First edition, saddle-stapled illustrated wrappers, 6.75″ x 9.25″, 32 pages, 1000 copies. Collages by Jess.
(Johnston A41)

 

40. Stanley, George. BEYOND LOVE
(Johnston A42)

41. Brautigan, Richard. PLEASE PLANT THIS BOOK
(Johnston A43)

42. Thibeau, John. AN OPEN LETTER TO CHE GUEVARA
(Johnston A44)

 


References consulted:

Alastair Johnston. A BIBLIOGRAPHY OF THE WHITE RABBIT PRESS
Berkeley: Poltroon Press in association with Anacapa Books, 1985

Auerhahn Press

Dave Haselwood founded the Auerhahn Press in 1958. Printing many of the key poets of the era in San Francisco, the press’s first title was The Hotel Wentley Poems by John Wieners.

Auerhahn went on to print books by Michael McClure, Jack Spicer, William S. Burroughs, Philip Lamantia, Diane Di Prima, Ronald Johnson, Lew Welch, and Charles Olson, among many others.

Haselwood was also able to incorporate the talents of local artists into his publishing. The cover art and illustrations were provided by Wallace Berman, Bruce Conner, Philip Van Aver, Fran Herndon, Bryon Gysin, and Robert LaVigne.


A. Auerhahn Press Publications

1. Wieners, John. THE HOTEL WENTLEY POEMS
wieners_wentley1
San Francisco: Auerhahn Press, 1958
First edition, saddle-stapled illustrated wrappers, 6.25″ x 7.75″, 20 pages, (circa 500 copies). Cover photo by Jerry Burchard. Illustration by Robert La Vigne. Printed announcement issued.
(Auerhahn 1)

2. Wieners, John. THE HOTEL WENTLEY POEMS
wieners_wentley2
San Francisco: Auerhahn Press, 1959
Second revised edition, saddle-stapled illustrated wrappers, 6.25″ x 7.75″, 20 pages, (500 copies). Cover photo by Jerry Burchard. Illustration by Robert La Vigne.
(Auerhahn 2)

3. Lamantia, Philip. EKSTASIS
lamantia_ekstasisSan Francisco: Auerhahn Press, 1959
First edition, perfect-bound wrappers, 5.75″ x 7″48 pages, (circa 950 copies). Titling by Robert La Vigne. Printed announcement issued.
(Auerhahn 3)

4. McClure, Michael. HYMNS TO ST. GERYON
mcclure_hymnsSan Francisco: Auerhahn Press, 1959
First edition, perfect-bound illustrated wrappers, 7.25″ x 10″, 62 pages, (950 copies). Cover illustration by McClure.
(Clements A4, Auerhahn 4)


5. Lamantia, Philip and Antonin Artaud. NARCOTICA
lamantia_narcotica
San Francisco: Auerhahn Press, 1959
First edition, saddle-stapled illustrated wrappers, 6.25″ x 8.5″, 16 pages, (750 copies). Cover photographs by Wallace Berman. Published as Auerhahn Pamphlet No. 1. Printed announcement issued.
(Auerhahn 5)

6. Whalen, Philip. MEMOIRS OF AN INTERGLACIAL AGE
whalen_memoirsSan Francisco: Auerhahn Press, 1960
A. First edition, perfect-bound in illustrated wrappers, 8.75″ x 11.25″ (1250 copies).
B. First edition, hardcover, 8.75″ x 11.25″ (60 copies, 15 signed), bound by the Schuberth Bindery. (pictured)
Cover illustration by Robert La Vigne. Printed announcement issued.
(Auerhahn 6)

7. Welch, Lew. WOBBLY ROCK
lew_wobbly(San Francisco): Auerhahn Press, 1960
First edition, saddle-stapled printed wrappers, 6″ x 8″, 12 pages, (500 copies), illustrated by Robert LaVigne.
(Auerhahn 7)


8. Burroughs, William S. and Brion Gysin. THE EXTERMINATOR
burroughs_exterminator
San Francisco: Auerhahn Press, 1960
First edition, perfect-bound in illustrated wrappers, 6.25″ x 9.25″, 64 pages, (1000 copies). Illustrated by Brion Gysin. Printed announcement issued.
(Auerhahn 8)

9. Marshall, Edward. HELLAN, HELLAN
marshall_hellanSan Francisco: Auerhahn Press, 1960
First edition, saddle-stapled illustrated wrappers, 6″ x 8.75″, 24 pages, (750 copies). Illustrated by Robert Ronnie Branaman. Printed announcement issued.
(Auerhahn 9)

10. McClure, Michael. DARK BROWN
mcclure_darkbrownSan Francisco: Auerhahn Press, 1961
A. First edition, perfect-bound printed wrappers, 6″x 9″, 56 pages, 725 copies. (pictured)
B. First edition, hardcover, 6″ x 9″, 56 pages, 25 numbered and signed copies, bound by the Schuberth Bindery.
Printed announcement issued.
(Clements A9, Auerhahn 13)

11. Olson, Charles. MAXIMUS FROM DOGTOWN
olson_maximusSan Francisco: Auerhahn Press, 1961
First edition, hand-sewn printed wrappers, 9″ x 11.25″, 12 pages, 500 copies. Foreword by Michael McClure.
(Auerhahn 14)


12. Reps, Paul. GOLD FISH SIGNATURES
San Francisco: Auerhahn Press, 1961
First edition, Japanese binding, (1000 copies, 50 in slipcase). Printed announcement issued.
(Auerhahn 16)

13. THE AUERHAHN PRESS CATALOGUE
auerhahn_catalogueSan Francisco: Auerhahn Press, 1962
First edition, saddle-stapled printed wrappers, 4″x 5″, 16 pages includes poems by Wieners and Meltzer.
(Auerhahn 17)


14. Lamantia, Philip. DESTROYED WORKS
lamantia_destroyedSan Francisco: Auerhahn Press, 1962
A. First edition, perfect-bound illustrated wrappers, 7″ x 8.75″, 48 pages, 1250 copies. (pictured)
B. First edition, hardcover, 7″ x 8.75″, 48 pages, 50 numbered and signed copies, bound by the Schuberth Bindery.
(Auerhahn 18)

15. Meltzer, David. WE ALL HAVE SOMETHING TO SAY TO EACHOTHER
meltzer_weSan Francisco: Auerhahn Press, 1962
First edition, saddle-stapled illustrated wrappers, 6.25″ x 8.5″, 12 pages, 750 copies. Published as Auerhahn Pamphlet No. 2.
(Auerhahn 19)


16. Williams, Jonathan. IN ENGLAND’S GREEN &
williams_englandsSan Francisco: Auerhahn Press, 1962
First edition, hand-sewn printed wrappers, 6.5″ x 9.25″, 20 pages, 750 copies. Illustrated by Philip Van Aver.
(Auerhahn 20)


17. Spicer, Jack. THE HEADS OF THE TOWN UP TO THE AETHER
spicer_headsSan Francisco: Auerhahn Press, 1962
A. First edition, perfect-bound illustrated wrappers, 4.75″ x 6.75″, 109 pages, 750 copies. (pictured)
B. First edition, hardcover, signed by the author and artist, with an original drawing, 4.75″ x 7.25″, 109 pages, 50 copies, bound by the Schuberth
Bindery.
Illustrated by Fran Herndon. Printed announcement issued. (Auerhahn 21)

18. Hoyem, Andrew. THE WAKE
hoyem_wakebSan Francisco: Auerhahn Press, 1963
A. First edition, perfect-bound printed wrappers, 6″ x 8.5″, 30 pages, 750 copies.
B. First edition, hardcover, signed, 6″ x 9″, 30 pages, 35 copies, bound by the Schuberth Bindery. (pictured)
Three printed announcements issued.
(Auerhahn 22)

19. di Prima, Diane. THE NEW HANDBOOK OF HEAVEN
diprima_newSan Francisco: Auerhahn Press, 1963
A. First edition, perfect-bound printed wrappers, 5.25″ x 7.5″, 48 pages, 1000 copies.
B. First edition, hardcover, signed, 6″ x 9″, 30 pages, 30 copies, bound by the Schuberth Bindery. (pictured)
(Auerhahn 23)

20. Brother Antoninus. THE POET IS DEAD
antoninus_poetSan Francisco: Auerhahn Press, 1964
First edition, hardcover, 8.25″ x 10.5″, 28 pages, 205 copies. Printed announcement issued. (Auerhahn 24)



21. Deemer, Bill. POEMS
deemer_poemsbSan Francisco: Auerhahn Press, 1964
A. First edition, saddle-stapled illustrated wrappers, 6.25″ x 9.25″, 20 pages, 500 copies.
B. First edition, hardcover, signed, 6.5″ x 9.25″, 20 pages, 25 copies, bound by the Schuberth Bindery. (pictured)
Introduction by Andrew Hoyem. Printed announcement issued.
(Auerhahn 37)

22. Davis, William. JANUS
davis_janusSan Francisco: The Auerhahn Society, 1965
First edition, perfect-bound printed wrappers, 6.5″ x 9.75″, 64 pages,  750 copies.
(Auerhahn 38)



23. Van Buskirk, Alden. LAMI
San Francisco: The Auerhahn Society, 1965
(Auerhahn 39)

24. Olson, Charles. HUMAN UNIVERSE AND OTHER ESSAYS
olson_humanSan Francisco: The Auerhahn Society, 1965
First edition, hardcover, 7.75″ x 11″, 160 pages, 250 copies, bound by the Schuberth Bindery. Cover art by Robert La Vigne. Author photo by Kenneth Irby. Edited by Donald Allen.
(Auerhahn 40)



B. Commissioned Publications

1. SAN FRANCISCO TRIBUTE TO KENNETH PASCHEN
patchen_tributeSan Francisco: (Auerhahn Press), 1961
First edition, hand-sewn printed wrappers, 5.5″ x 8″, 8 pages, printed at the Auerhahn Press. Program for memorial service, includes illustrated Patchen poem.
(Auerhahn 9)

2. Pomeroy, Ralph. STILLS & MOVIES
pomeroy_stillsSan Francisco: Gesture Press, 1961
First edition, perfect-bound illustrated wrappers, 6.25″ x 9″, 41 pages, 500 copies printed at the Auerhahn Press. Cover art by Harold Bruder. Printed announcement issued.
(Auerhahn 11)

3. Suffin, Arnold. RESURRECTION
suffin_resurrectionSan Francisco: Arnold Suffin, 1961
First edition, saddle-stapled printed wrappers, 5.25″ x 8″, 40 pages, 200 copies, printed at the Auerhan Press.
(Auerhahn 12)


4. Racine, Jean. BRITTANICUS
racine_britannicusSan Francisco: Folio 1, 1962
First edition, hardcover, 6.25″ x 8.25″, 87 pages, 300 numbered copies, printed at the Auerhahn Press, bound by the Schuberth Bindery. Block prints by Tanya Lohman. Printed announcement issued.
(Auerhahn 16)

5. Magistretti, Paul. NOTES OF WHAT I CAN’T BE, OF WHAT I AM
magistretti_notesSan Francisco: The New Gnu Press, 1962
First edition, perfect-bound printed wrappers, 4.25″ x 7″, 40 pages, 400 numbered copies, printed at the Auerhahn Press. Printed anncounement issued.
(Auerhahn 25)


6. Magowan, Robin. VOYAGE NOIR
magowan_voyageSeattle: Robin Magowan, 1962
First edition, hand-sewn printed wrappers, 6″ x 8.5″, 36 pages, 500 copies, printed at the Auerhahn Press. Cover illustration by Hervé Télémaque.
(Auerhahn 27)

7. Powell, Roxie. DREAMS OF STRAW
powell_dreamsSan Francisco: Roxie Powell,1963
First edition, hand-sewn printed wrappers, 4.5″ x 6.75″, 16 pages, 250 copies, printed by Dave Haselwood and Charles Plymell at the Auerhahn Press.
(Auerhahn 28)

8. Elvin, Steve. DRAWINGS OF A PEYOTE BOY
elvin_drawingsSan Francisco: Batman Gallery, (1963)
First edition, printed envelope containing 8 sheets printed with line cuts (one tinted), 9″ x 11″, printed at the Auerhahn Press.
(Auerhahn 30)


9. Blackley, R. John. BEYOND DUST
blackley_beyondSan Francisco: n.p., 1964
First edition, perfect-bound printed wrappers, 8″ x 10.25″, 64 pages, 175 numbered and signed copies, printed at the Auerhahn Press
(Auerhahn 31)


10. Corrington, John William. THE ANATOMY OF LOVE & OTHER POEMS
corrington_anatomyFort Lauderdale: Roman Books, 1964
A. First edition, perfect-bound printed wrappers, 6.5″ x 9″, 86 pages, 1000 copies, printed at the Auerhahn Press.
B. First edition, hardcover, 6.5″ x 9″, 86 pages, 50 numbered and signed copies, printed at the Auerhahn Press, bound by the Schuberth Bindery. (pictured)
Introduction by Richard Whittington.
(Auerhahn 33)

11. Williams, Jonathan. LINES ABOUT HILLS ABOVE LAKES
williams_linesFort Lauderdale: Roman Books, 1964
A. First edition, perfect-bound printed wrappers, 6.25″ x 9″, 27 pages, 750 copies, printed at the Auerhahn Press.
B. First edition, hardcover, 6.25″ x 9″, 27 pages, 50 numbered and signed copies, printed at the Auerhahn Press, bound by the Schuberth Bindery. (pictured)
Illustrated by Barry Hall. Foreword by John Wain.
(Auerhahn 34)

12. Johnson, Ronald. A LINE OF POETRY, A ROW OF TREES
johnson_lineHighlands: The Nantahala Foundation, 1964
First edition, perfect-bound illustrated french-fold wrappers, 6.5″ x 10″, 80 pages, 500 copies, printed at the Auerhahn Press. Illustrated by Thomas George. Published as Jargon 42
(Auerhahn 35)

13. THE NEXUS CATALOGUE
nexus_catalogLa Jolla: The Nexus, 1964-65
First edition, saddle-stapled printed wrappers, 4″ x 8.75″, 16 pages, printed at the Auerhahn Press.
(Auerhahn 36)




C. Dave Haselwood Books

1. McClure, Michael. UNTO CAESAR.

2. Hoyem, Andrew. THE MUSIC ROOM. 1965

3. Wieners, John. CHINOISERIE. 1965

4. Wieners, John. THE HOTEL WENTLEY POEMS ORIGINAL VERSIONS. 1965

5. McClure, Michael. DREAM TABLE. 1965

6. Williams, Jonathan. PAEAN TO DVORAK, DEEMER & McCLURE. 1966

7. Johnson, Ronald. ASSORTED JUNGLES: ROUSSEAU. 1966

8. Hoyem, Andrew. CHIMERAS. 1966

9. Plymell, Charles. APOCALYPSE ROSE. 1966

10. McClure, Michael and Bruce Conner. LOBE KEY STILLED LIONMAN… 1966

11. McClure, Michael and Bruce Conner. MANDALAS. 1966

12. Ferlinghetti, Lawrence. AFTER THE CRIES OF THE BIRDS. 1967

13. Whalen, Philip. T/O. 1967

14. Burroughs, William S. and Brion Gysin. THE EXTERMINATOR. 1967

15. McClure, Michael. DARK BROWN. 1967

16. Welch, Lew. COURSES. 1968

17. McClure, Michael. THE SERMONS OF JEAN HARLOW & THE CURSES OF BILLY THE KID. 1968

18. Ginsberg, Allen. INDIAN JOURNALS. 1962


References consulted:

Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS.
Berkeley: Poltroon Press, 1976