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Auerhahn Press: Books & Pamphlets

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This index includes Auerhahn Press publications from 1958 through 1965: from Dave Haselwood’s first publishing venture through the dissolution of his partnership with Andrew Hoyem and the end of Auerhahn Press.

A. Auerhahn Press: Books & Pamphlets

1. Wieners, John. THE HOTEL WENTLEY POEMS
wieners_wentley1
San Francisco: Auerhahn Press, 1958
First edition, saddle-stapled illustrated wrappers, 6.25″ x 7.75″, 20 pages, circa 500 copies. Printed and edited without prior notice to Dave Haselwood by East West Printers. Cover photo by Jerry Burchard. Illustration by Robert La Vigne. Printed announcement issued.
(Auerhahn 1)

2. Wieners, John. THE HOTEL WENTLEY POEMS
wieners_wentley2
San Francisco: Auerhahn Press, 1959
Second revised edition, saddle-stapled illustrated wrappers, 6.25″ x 7.75″, 20 pages, 500 copies. Cover photo by Jerry Burchard. Illustration by Robert La Vigne.
(Auerhahn 2)

3. Lamantia, Philip. EKSTASIS
lamantia_ekstasisSan Francisco: Auerhahn Press, 1959
First edition, perfect-bound wrappers, 5.75″ x 7″48 pages, circa 950 copies. Titling by Robert La Vigne. Printed announcement issued.
(Auerhahn 3)


4. McClure, Michael. HYMNS TO ST. GERYON…
mcclure_hymnsSan Francisco: Auerhahn Press, 1959
First edition, perfect-bound illustrated wrappers, 7.25″ x 10″, 62 pages, 950 copies. Cover illustration by McClure.
(Clements A4, Auerhahn 4)


5. Lamantia, Philip and Antonin Artaud. NARCOTICA
lamantia_narcotica
San Francisco: Auerhahn Press, 1959
First edition, saddle-stapled illustrated wrappers, 6.25″ x 8.5″, 16 pages, 750 copies. Cover photographs by Wallace Berman. Published as “Auerhahn Pamphlet No. 1”. Printed announcement issued.
(Auerhahn 5)

6. Whalen, Philip. MEMOIRS OF AN INTERGLACIAL AGE
whalen_memoirsSan Francisco: Auerhahn Press, 1960
— A. First edition, perfect-bound in illustrated wrappers, 8.75″ x 11.25″, 64 pages, (1250 copies). Cover illustration by Robert La Vigne.
— B. First edition, hardcover, 8.75″ x 11.25″, 64 pages,  (60 copies with 25 signed and another 15 signed with holograph poem and illustration), bound by the Schuberth Bindery. Cover illustration by Robert La Vigne.
Printed announcement issued.
(Auerhahn 6)

7. Welch, Lew. WOBBLY ROCK
lew_wobblySan Francisco: Auerhahn Press, 1960
First edition, saddle-stapled printed wrappers, 6″ x 8″, 12 pages, 500 copies, illustrated by Robert LaVigne. Dedication: for Gary Snyder / “I think I’ll be the Buddha of this place” / and sat himself / down
(Auerhahn 7)

8. Burroughs, William S. and Brion Gysin. THE EXTERMINATOR
burroughs_exterminator
San Francisco: Auerhahn Press, 1960
First edition, perfect-bound in illustrated wrappers, 6.25″ x 9.25″, 64 pages, (1000 copies). Illustrated by Brion Gysin. Printed announcement issued.
(Maynard & Miles A4, Auerhahn 8)

9. Marshall, Edward. HELLAN, HELLAN
marshall_hellanSan Francisco: Auerhahn Press, 1960
First edition, saddle-stapled illustrated wrappers, 6″ x 8.75″, 24 pages, (750 copies). Illustrated by Robert Ronnie Branaman. Printed announcement issued.
(Auerhahn 10)

10. McClure, Michael. DARK BROWN
mcclure_darkbrownSan Francisco: Auerhahn Press, 1961
— A. First edition, perfect-bound printed wrappers, 6″x 9″, 56 pages, 725 copies.
— B. First edition, hardcover, 6″ x 9″, 56 pages, 25 numbered and signed copies, bound by the Schuberth Bindery.
Printed announcement issued.
(Clements A9, Auerhahn 13)

11. Olson, Charles. MAXIMUS FROM DOGTOWN
olson_maximusSan Francisco: Auerhahn Press, 1961
First edition, hand-sewn printed wrappers, 9″ x 11.25″, 12 pages, 500 copies. Foreword by Michael McClure.
(Auerhahn 14)


12. Reps, Paul. GOLD FISH SIGNATURES
San Francisco: Auerhahn Press, 1961
— A. First edition, Japanese binding, 8.5″ x 11″, 84 pages, (1000 copies).
— B. First edition, Japanese binding, 8.5″ x 11″, 84 pages, (50 copies in slipcase), signed.
Printed announcement issued.
(Auerhahn 15)

13. THE AUERHAHN PRESS CATALOGUE
auerhahn_catalogueSan Francisco: Auerhahn Press, 1962
First edition, saddle-stapled printed wrappers, 4″x 5″, 16 pages includes poems by Wieners and Meltzer.
(Auerhahn 17)


14. Lamantia, Philip. DESTROYED WORKS
lamantia_destroyedSan Francisco: Auerhahn Press, 1962
— A. First edition, perfect-bound illustrated wrappers, 7″ x 8.75″, 48 pages, 1250 copies.
— B. First edition, hardcover, 7″ x 8.75″, 48 pages, 50 numbered and signed copies, bound by the Schuberth Bindery.
(Auerhahn 18)

15. Meltzer, David. WE ALL HAVE SOMETHING TO SAY…
meltzer_weSan Francisco: Auerhahn Press, 1962
First edition, saddle-stapled illustrated wrappers, 6.25″ x 8.5″, 12 pages, 750 copies. Published as “Auerhahn Pamphlet No. 2”.
(Auerhahn 19)


16. Williams, Jonathan. IN ENGLAND’S GREEN &
williams_englandsSan Francisco: Auerhahn Press, 1962
First edition, hand-sewn printed wrappers, 6.5″ x 9.25″, 20 pages, 750 copies. Illustrated by Philip Van Aver.
(Auerhahn 20)


17. Spicer, Jack. THE HEADS OF THE TOWN UP TO THE AETHER
spicer_headsSan Francisco: Auerhahn Press, 1962
— A. First edition, perfect-bound illustrated wrappers, 4.75″ x 6.75″, 109 pages, 750 copies. Illustrated by Fran Herndon.
— B. First edition, hardcover, signed by the author and artist, with an original drawing, 4.75″ x 7.25″, 109 pages, 50 copies, bound by the Schuberth
Bindery. Illustrated by Fran Herndon.
Printed announcement issued. (Auerhahn 21)

18. Hoyem, Andrew. THE WAKE
hoyem_wakebSan Francisco: Auerhahn Press, 1963
— A. First edition, perfect-bound printed wrappers, 6″ x 8.5″, 30 pages, 750 copies.
— B. First edition, hardcover, signed, 6″ x 9″, 30 pages, 35 copies, bound by the Schuberth Bindery.
Three printed announcements issued.
(Auerhahn 22)

19. di Prima, Diane. THE NEW HANDBOOK OF HEAVEN
diprima_newSan Francisco: Auerhahn Press, 1963
— A. First edition, perfect-bound printed wrappers, 5.25″ x 7.5″, 48 pages, 1000 copies.
— B. First edition, hardcover, signed, 6″ x 9″, 30 pages, 30 copies, bound by the Schuberth Bindery.
(Auerhahn 23)

20. Brother Antoninus. THE POET IS DEAD
antoninus_poetSan Francisco: Auerhahn Press, 1964
First edition, hardcover, 8.25″ x 10.5″, 28 pages, 205 copies. Printed announcement issued. (Auerhahn 24)



21. Deemer, Bill. POEMS
deemer_poemsbSan Francisco: Auerhahn Press, 1964
— A. First edition, saddle-stapled illustrated wrappers, 6.25″ x 9.25″, 20 pages, 500 copies. Introduction by Andrew Hoyem.
— B. First edition, hardcover, signed, 6.5″ x 9.25″, 20 pages, 25 copies, bound by the Schuberth Bindery. Introduction by Andrew Hoyem.
Printed announcement issued.
(Auerhahn 37)

22. Davis, William. JANUS
davis_janusSan Francisco: The Auerhahn Society, Spring 1965
First edition, perfect-bound printed wrappers, 6.5″ x 9.75″, 64 pages,  750 copies.
(Auerhahn 38)



23. Van Buskirk, Alden. LAMI
San Francisco: The Auerhahn Society, 1965
First edition, perfect-bound printed wrappers, 7.75″ x 9.75″, 91 pages, 1000 copies.
(Auerhahn 39)



24. Olson, Charles. HUMAN UNIVERSE AND OTHER ESSAYS
olson_humanSan Francisco: The Auerhahn Society, 1965
First edition, hardcover, 7.75″ x 11″, 160 pages, 250 copies, bound by the Schuberth Bindery. Cover art by Robert La Vigne. Author photo by Kenneth Irby. Edited by Donald Allen.
(Auerhahn 40)

 

Fuck You/ a magazine of the arts

Fuck You/ a magazine of the arts ran for thirteen issues from 1962 to 1965. Considered one of the most influential underground magazines of the early sixties, Ed Sanders’ Fuck You was a deliberately fypprovocative mimeographed journal, at first emphasizing poetry and later expanding to include other writing. Each issue is illustrated with line drawings by Sanders.

Contributors include Sanders, Tuli Kupferberg, Carol Bergé, John Wieners, Andy Warhol, Ray Bremser, Lenore Kandel, Charles Olson, Joel Oppenheimer, Peter Orlovsky, Philip Whalen, Allen Ginsberg, Herbert Huncke, Julian Beck, Frank O’Hara, Leroi Jones, Diane DiPrima, William Burroughs, Gary Snyder, Robert Kelly, Judith Malina, Carl Solomon, Gregory Corso, Robert Duncan, Robert Creeley, Michael McClure, Ted Berrigan, Joe Brainard, Gilbert Sorrentino, and many others — a virtual “who’s who” of avant garde poetry in the Sixties.


1. Fuck You, No. 1, edited by Ed Sanders
New York: February 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

2. Fuck You, No. 2, edited by Ed Sanders
New York: April 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

3. Fuck You, No. 3, edited by Ed Sanders
New York: June 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

4. Fuck You, No. 4, edited by Ed Sanders
New York: August 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

5. Fuck You, No. 5, Vol. 1, edited by Ed Sanders
fy51New York: December 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

“Dedicated to pacificism, national defense thru nonviolent resistence, total assault on the culture, vaginal zapping, multilateral indiscriminate apertural conjugation, Hole Cons, Crotch Lake, Peace Eye, mad bands of stompers for peace, & all those gropped by J. Edgar Hoover in the silent halls of congress.”

6. Fuck You, No. 5, Vol. 2, edited by Ed Sanders
New York: December 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

7. Fuck You, Number 5, Volume 3, edited by Ed Sanders
New York: May 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

“Dedicated to pacificism, National Defense thru Nonviolent Resistance, Anarchia the Goddess, Orlovsky’s long Egyptian finger, Peace Eye, Hole Cons, Peace Walk Dicking, dope thrill Banana rites, Acapulco Gold, Panamanian Red, Honduras Brown, windowbox freak grass, the anarcho-commio-greaser conspiracy, submarine boarders, mad bands of stompers for Peace, and all those groped by J. Edgar Hoover in the silent halls of Congress”.

8. Fuck You, Number 5, Volume 4, edited by Ed Sanders
New York: Summer 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

9. Fuck You, Number 5, Volume 5, edited by Ed Sanders
New York: December 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

10. Fuck You, Number 5, Volume 6, edited by Ed Sanders
New York: April/May 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

11. Fuck You, Number 5, Volume 7, edited by Ed Sanders
New York: September 1964
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

12. Fuck You, Volume 5, Number 8, edited by Ed Sanders
New York: March 1965
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover artwork by Andy Warhol.

13. Fuck You/ a magazine of the arts, Volume 5, Number 9

Auerhahn Press

 

 

 

 

 

 

A. Auerhahn Press: Books & Pamphlets 1958-1965
B. Auerhahn Press: Broadsides 1959-1965
C. Auerhahn Press: Commissioned Publications 1961-1965
D. Dave Haselwood Books 1965-1969

While stationed with the U.S. Army in Germany during the 1950s, David Haselwood conceived the idea of becoming a publisher. At the time he was corresponding with his friend Michael McClure (also a native of Wichita, Kansas) who was living in San Francisco. McClure’s first book of poems, Passage (1956), was being published by Jonathan Williams’ Jargon Press. “Jonathan was having books printed in Germany because of the high quality and low cost,” Haselwood says, “and I began looking into things.”

When Haselwood was released from the Army, he came to live in San Francisco. According to Haselwood, “During the summer of 1958 I drifted around San Francisco talking endlessly with painters such as Robert LaVigne and Jesse Sharpe and poets [Philip] Lamantia, [Michael] McClure, [John] Wieners, and reading all the live poetry and prose I could get my hands on. It was at this time that it occurred to me that the press could mean a great many things … ” From this intense exposure to the active literary scene in the Bay Area grew the desire to see these writers published without the great delays imposed by larger printing establishments.

A short while later in 1958 appeared the first publication of the Auerhahn Press, John Wieners’s The Hotel Wentley Poems. After this initial experience, in which the actual printing was done by a commercial printer (and edited by the printer without Haselwood’s knowledge), Haselwood was convinced that he should not only design all future books himself, but also print them: “The first and final consideration in printing poetry is the poetry itself. If the poems are great they create their own space, the publisher is just a midwife during the final operation…” With this ideal in mind, Haselwood tackled the publication of Philip Lamantia’s Ekstasis, and went on to the printing of Michael McClure’s Hymns to St. Geryon.

Though its limited financial resources were drained by this last publication, the press continued its publication of controversial and avant-garde works, such as Lamantia’s pamphlet Narcotica.

Haselwood took on a partner, Andrew Hoyem, in 1961. By then, a number of Kansans had arrived in San Francisco — including Robert Branaman, who shared living quarters with Haselwood for a time, and Glenn Todd, who later worked as a pressman and editor at Arion Press, which Hoyem founded after an amicable dissolution of his Auerhahn interests in 1964. Todd remembers the partners at work at 1334 Franklin Street: “The Auerhahn was a small press in a small room. Andrew would be setting type, and Dave running the press, passing single sheets of paper through. They’d be in their blue printer’s aprons.” Branaman adds, “Dave looked like someone out of Dickens to me. His shop was a center for artists. It was a well-known center of the culture.”

Another of San Francisco’s cultural hot spots was the Batman Gallery, first owned by William Jahrmarkt, a.k.a. Billy Batman, whose art interests leaned to the visionary, the experimental and the mystical. According to Jack Foley in O Her Blackness Sparkles! The Life and Times of the Batman Art Gallery, 1960-65 (1995), the opening of the gallery was a “spectacular affair” and featured 99 pieces of Bruce Conner’s work. Auerhahn produced the announcement. In 1962, the gallery was sold to Michael Agron, a psychiatrist and University of California Medical Center associate professor who researched LSD as a therapeutic tool. Collaborating with Haselwood, Agron conceived of each exhibition’s announcement as a work of art. The first Agron show, Master-Bat, showcased the works of, among others, Conner and Branaman.

As the Beat scene faded with the ascent of Hippie culture, Haselwood continued to collaborate with artists on Dave Haselwood Books projects. He worked for a time at Arion Press and designed books for other presses, but his interest in publishing had waned by the close of the ’60s. It was time, he says, to choose another path.


References consulted:

Clay, Steven and Rodney Phillips. A SECRET LOCATION ON THE LOWER EAST SIDE: Adventures in Writing, 1960-1980
New York: New York Public Library / Granary Books, 1998

Clements, Marshall. A CATALOG OF WORKS BY MICHAEL MCCLURE, 1956-1965
New York: The Phoenix Book Shop, 1965

Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS
Berkeley: Poltroon Press, 1976

Lepper, Gary M. A BIBLIOGRAPHICAL INTRODUCTION TO SEVENTY-FIVE MODERN AMERICAN AUTHORS
Berkeley: Serendipity Books, 1976