Tag Archives: Four Seasons Foundation

Michael McClure: Books and Broadsides

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This index includes books and broadsides beginning with McClure’s first book through the end of the 1960’s…

A. Books and Broadsides

1. McClure, Michael. PASSAGE
mcclure_passageBig Sur: Jonathan Williams – Publisher, June 1956
First edition, sewn wrappers, 7.25″ x 10.75″, 12 pages, 200 copies. Cover by Jonathan Williams. Published as Jargon 20. Printed by the Windhover Press.
(Clements A1)

2. McClure, Michael. PEYOTE POEM
(San Francisco): Wallace Berman, 1958.
First edition, folded broadside tipped into folder, 9″ x 12″, 200 copies. Published as SEMINA 3.
(Clements A2)


3. McClure, Michael. FOR ARTAUD
mcclure_forartaudNew York: Totem Press, June 1959
First edition, illustrated wrappers, 5.5″ x 8.5″, 12 pages, (750 copies). Published as Blue Plate #2. (Clements A3)



4. McClure, Michael. WE’RE IN THE MIDDLE OF A DEEP CLOUD
(San Francisco): (Wallace Berman), (1959)
First edition, broadside, 3.5″ x 4.25″. Laid into Semina 4.




5. McClure, Michael. HYMNS TO ST. GERYON AND OTHER POEMS
mcclure_hymnsSan Francisco: Auerhahn Press, October 1959
First edition, perfect-bound illustrated wrappers, 7.25″ x 10″, 62 pages, (950 copies). Cover illustration by McClure.
(Clements A4, Auerhahn 4)


6. McClure, Michael. FUCK DEATH
(San Francisco): privately printed, 1959
First edition, folded card, 5″ x 3.5″.
(Clements A5)

7. McClure, Michael. !THE FEAST!
San Francisco: The Batman Gallery, 1960
First edition, stapled sheets, 8.5″ x 11″, mimeograph. A working script of the play.
(Clements A6)

8. McClure. Michael. WE ARE IMPERVIOUS AS THE SKIN OF OUR DREAMS
(Los Angeles): (Wallace Berman), (1960)
First edition, broadside, 4″ x 6.25″. Laid into Semina 5.




9. McClure, Michael. THE NEW BOOK / A BOOK OF TORTURE
New York: Grove Press, August 1961
First edition, perfect-bound wrappers, 64 pages, (4,000 copies). Photo of McClure on rear wrapper by Wallace Berman.
(Clements A7)


10. McClure, Michael. PILLOW
New York: New York Poets Theatre, 1961.
First edition, stapled sheets, 8.5″ x 11″, 7 pages. A working script of the play.
(Clements A8)

11. McClure, Michael. SPONTANEOUS HYMN TO KUNDALINI
(New Orleans): (Loujon Press), (Fall 1961)
First edition, broadside, 5.75″ x 9″. An offprint from The Outsider, Vol. 1, No.1.




12. McClure, Michael. DARK BROWN
mcclure_darkbrownSan Francisco: Auerhahn Press, Winter 1961
— A. First edition, perfect-bound printed wrappers, 6″x 9″, 56 pages, 725 copies.
— B. First edition, hardcover, 6″ x 9″, 56 pages, 25 numbered and signed copies, bound by the Schuberth Bindery.
Printed announcement issued.
(Clements A9, Auerhahn 13)

13. McClure, Michael. MEAT SCIENCE ESSAYS
San Francisco: City Lights Books, June 1963
First edition, perfect-bound wrappers, 84 pages, (3,000 copies). (Clements A10, Cook 41)




14. McClure, Michael. GRAHHR SHEET
(San Francisco): privately printed, (1963)
First edition, broadside, 6.25″ x 2″. According to Clements, copies were given away by the author as tickets at readings in San Francisco and at the University of California at Berkeley.
(Clements A11)
[not in archive]

15. McClure, Michael. TWO FOR BRUCE CONNER
(San Francisco): Oyez Press, 1964
First edition, broadside, 500 copies. Published as Oyez #1, printed by Auerhahn Press.
(Clements A12)

16. McClure, Michael. POERTRY IS A MUSCULAR PRINCIPLE
(Los Angeles): privately printed, 1964
First edition, broadside, 8.5″ x 5.5″. Announces a reading by McClure. Photograph of McClure by Wallace Berman; make up by Robert LaVigne. Beneath the photo is a statement by McClure beginning “Poetry is a muscular principle…”
(Clements A13)

17. McClure, Michael. BLUE-BLACK...
(Los Angeles): privately printed, (Summer 1964)
First edition, broadside, 7.5″ x 2.5″. Contains one-line poem: “BLUE-BLACK SPACE RAINBOW GRAHHR”.
(Clements A14)

18. McClure, Michael. THE BLOSSOM: OR BILLY THE KID
mcclure_blossomNew York: American Theatre for Poets, June 1964
First edition, stapled sheets, 8.5″ x 11″, 26 pages. A working script of the play.
(Clements A15)


19. McClure, Michael. GHOST TANTRAS
San Francisco:  privately printed, 1964
— A. First edition, perfect-bound illustrated wrappers, 108 pages, 1480 copies.
— B. First edition, hardcover in illustrated dust wrapper, 109 pages, 20 copies signed. Issued with a copy of BLUE BLACK… (see A17) laid in.
Cover photo of McClure by Wallace Berman.
(Clements A16)

20. McClure, Michael. DOUBLE MURDER! VAHROOOOOOOHR!
(Los Angeles): (Wallace Berman), 1964
First edition, broadside, 3″ x 4.75″, (200 copies). Contained in a small manila envelope bearing an altered photograph of Jack Ruby at the point of murdering Lee Harvey Oswalk. Published as SEMINA 9.
(Clements A17)

21. McClure, Michael. LOVE LION, LIONESS
mcclure_lovelion(San Francisco):  privately printed, (December 1964)
— A. First edition, poster, 28″ x 22″, 350 copies printed in red and blue in the style of a boxing poster.
— B. First edition, broadside, 11″ x 8.5″, 70 copies printed in black in the style of a boxing poster.
Tickets measuring 5.5″ x 2.25″ were printed for the fictitious event.
(Clements A18)

22. McClure, Michael. 13 MAD SONNETS
mcclure_13madMilan: East 128, 1964
First edition, saddle-stapled sheets in printed dust jacket, 8.5″ x 11″, 28 pages, 315 copies (299 numbered for sale). Photographs of McClure by Ettore Sotsass Jr.
(Clements A19)

23. McClure, Michael. THE BEARD
(San Francisco):  privately printed, April 1965
First edition, perfect-bound wrappers, 71 pages, 350 copies planned, 330 produced. (Clements A20)



24. McClure, Michael. POISONED WHEAT
mcclure_poisoned(San Francisco):  (Oyez Press), April 1965
— A. First edition, saddle-stapled illustrated wrappers. 5.75″ x 7.75″, 16 pages, 576 copies.
— B. First edition, hardcover in printed dust wrapper, 5.75″ x 7.75″, 16 pages, 24 copies lettered alpha through omega and signed by the author. Bound by Dorothy Hawley.
(Clements A21)

25. McClure, Michael. UNTO CAESAR
mcclure_unto(San Francisco): (Dave Haselwood), (1965)
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  24 pages, circa 60 copies.
(Haselwood 1)

26. McClure, Michael. DREAM TABLE
San Francisco: Dave Haselwood, 1965
First edition, 30 double-sided printed cards, 2.5″ x 3.5″, 200 sets (30 signed). Each card is printed with a Lion and a Tree ornament on one side and two words on the other.
(Haselwood 5)


27. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
(San Francisco): (Dave Haselwood), (1966)
First edition, 24 cards in printed envelope, 2″ x 2″, envelope measures 4.5″ x 5.75″. Each card is printed with  four words one side and a hallucinogram on the other. Illustrated by Bruce Conner.
(Haselwood 10)

28. McClure, Michael and Bruce Conner. MANDALAS
San Francisco: Dave Haselwood, 1966
First edition, saddle-stapled printed wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. Printed announcement issued.
(Haselwood 11)

29. McClure, Michael. LOVE LION BOOK
San Francisco: Four Seasons Foundation, 1966
— A. First edition, saddle-stapled printed wrappers, 1000 copies.
— B. First edition, hardcover, 40 copies numbered and signed.
Published as Writing 11.

30. McClure, Michael. POISONED WHEAT
mcclure_poisonedSan Francisco:  Coyote, 1966
First edition thus, second printing, saddle-stapled illustrated wrappers. 5.75″ x 7.75″, 16 pages, 5000 copies.



31. McClure, Michael. MEAT SCIENCE ESSAYS
San Francisco: City Lights Books, June 1966
Second expanded edition, perfect-bound wrappers, 120 pages. This expanded edition contains three essays not found in the 1963 publication: “Phi Upsilon Kappa”, “Defense of Jayne Mansfield”, and “Reason”. (not in Cook)

32. McClure, Michael. THE BEARD
San Francisco: Coyote, 1967

33. McClure, Michael. THE BEARD
New York: Grove Press, 1967

34. McClure, Michael. WAR IS DECOR IN MY CAVERN CAVE
(San Francisco): Communication Company, (1967)

35. McClure, Michael. THE BLOSSOM, OR BILLY THE KID
Milwaukee: Great Lakes Books, 1967

36. McClure, Michael. FREEWHEELIN FRANK
New York: Grove Press, 1967






37. McClure, Michael. HAIL THEE WHO PLAY
Los Angeles: Black Sparrow Press, August 1968
— A. First edition, perfect-bound printed wrappers, 233 numbered and signed copies.
— B. First edition, hardcover, 75 numbered and signed copies, each with an original drawing by the author.

38. McClure, Michael. LITTLE ODES: Jan – March 1961
New York: Poets Press, 1968

39. McClure, Michael. THE SERMONS OF JEAN HARLOW AND THE CURSES OF BILLY THE KID
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
— A. First edition, saddle-stapled wrappers, 6″ x 9.25″, 24 pages, 1200 copies.
— B. First edition, hardcover, 6″ x 9.25″, 24 pages, 50 copies signed.
(Haselwood 17)

40. McClure, Michael. MUSCLED APPLE SWIFT
Los Angeles: Love Press, 1968

41. McClure, Michael. GRAHHR APRIL GRHARRR APRIL
(Buffalo): (Gallery Upstairs Press), (1968)
First edition, broadside, 28.5″ x 21.25″.

42. McClure, Michael. GREETINGS
London: Cape Goliard Press, 1968
First edition, broadside, 11″ x 12″.

43. McClure, Michael. HYMNS TO ST. GERYON & DARK BROWN
London: Cape Goliard, 1969
— A. First edition thus, perfect-bound illustrated wrappers.
— B. First edition thus, hardcover in illustrated dust jacket.
Two titles previously published by Auerhahn Press, published here dos-a-dos. Illustrated and with cover art by Wallace Berman.

44. McClure, Michael. LITTLE ODES AND THE RAPTORS
Los Angeles: Black Sparrow Press,  March 1969
— A. First edition, perfect-bound illustrated wrappers, 6.25″ x 9.25″, 43 pages, 1000 copies.
— B. First edition, hardcover in cloth with paper label, 6.75″ x 9.5″, 43 pages, 200 copies numbered and signed.
— C. First edition, hardcover in gold stamped leather, 6.75″ x 9.5″, 43 pages, 26 copies lettered and signed with each with an original drawing by the author.
Cover illustration by the author.

45. McClure, Michael. THE SURGE
Columbus, OH: Frontier Press, 1969

46. McClure, Michael. LION FIGHT
New York: Pierrepont Press, 1969
First edition, 28 cards housed in a hinged plastic box covered in a cream-colored silk drawstring bag with a white satin cord,.
— A. 330 copies numbered and signed
— B. 26 copies lettered and signed
— C. 4 hors commerce copies signed.

47. McClure, Michael. GHOST TANTRAS
San Francisco: Four Seasons Foundation, 1969
First edition thus, second printing preceded by the privately published edition from 1964, perfect-bound illustrated wrappers, 106 pages. Cover photo of McClure by Wallace Berman.

48. McClure, Michael. PLANE POMES
New York: Phoenix Book Shop, 1969
First edition, hand-sewn wrappers with printed label.
A. 100 numbered and signed copies.
B. 26 lettered and signed copies.

49. McClure, Michael. THE SHELL
London: Cape Goliard, 1969
First edition, broadside in a tube.
— A. 250 copies numbered.
— B. 50 copies numbered and signed by the author.

50. McClure, Michael. MUSCLED APPLE SWIFT
Sacramento: Runcible Spoon, 1969
First edition thus, second printing following the 1968 edition by Love Press, side-stapled illustrated wrappers, 350 copies.

51. McClure, Michael. TO JAMES B. RECTOR
San Francisco: Privately Published, 1969
First edition, broadside,
A. trade edition, total number published unknown.
B. 30 copies numbered and signed by the author.

52. McClure, Michael. LIBERATION
Oakland: Mills College Tape Music Center, 1969
First edition, broadside, issued in a large bag labeled “Free,” along with 8 broadsides by other contributors.

Dave Haselwood Books

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This index includes books and other items printed by Dave Haselwood from 1965 to 1970.

D. Dave Haselwood Books

1. McClure, Michael. UNTO CAESAR
mcclure_unto(San Francisco): (Dave Haselwood), (1965)
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  24 pages, circa 60 copies.
(Haselwood 1)

2. Hoyem, Andrew. THE MUSIC ROOM
San Francisco: Haselwood, 1965
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  16 pages, circa 100 copies. Illustrated by Bruce Conner.
(Haselwood 2)

3. Wieners, John. CHINOISERIE
San Francisco: Dave Haselwood, 1965
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  20 pages, circa 100 copies.
(Haselwood 3)

4. Wieners, John. THE HOTEL WENTLEY POEMS
San Francisco: Dave Haselwood, 1965
Second edition revised, saddle-stapled illustrated wrappers, 6″ x 8.5″, 28 pages. Illustration by Robert La Vigne. These are the “original versions” of the poems.
(Haselwood 4)

5. McClure, Michael. DREAM TABLE
San Francisco: Dave Haselwood, 1965
First edition, 30 double-sided printed cards, 2.5″ x 3.5″, 200 sets (30 signed). Each card is printed with a Lion and a Tree ornament on one side and two words on the other.
(Haselwood 5)

6. Williams, Jonathan. PAEAN TO DVORAK, DEEMER & McCLURE
San Francisco: Dave Haselwood, 1966
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  32 pages, circa 100 copies.
(Haselwood 6)

7. Johnson, Ronald. ASSORTED JUNGLES: ROUSSEAU
San Francisco: Dave Haselwood, 1966
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  32 pages, circa 100 copies.
(Haselwood 7)

8. Hoyem, Andrew. CHIMERAS
San Francisco: Dave Haselwood, 1966
First edition, hand-sewn printed wrappers, 6.25″ x 9.5″,  28 pages.
(Haselwood 8)

9. Plymell, Charles. APOCALYPSE ROSE
San Francisco: Dave Haselwood, 1966
First edition, saddle-stapled printed wrappers, 6″ x 9″,  52 pages. Introduction by Allen Ginsberg.
(Haselwood 9)

10. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
(San Francisco): (Dave Haselwood), (1966)
First edition, 24 cards in printed envelope, 2″ x 2″, envelope measures 4.5 x 5.75″. Each card is printed with  four words one side and a hallucinogram on the other. Illustrated by Bruce Conner.
(Haselwood 10)

11. McClure, Michael and Bruce Conner. MANDALAS
San Francisco: Dave Haselwood, 1966
First edition, saddle-stapled printed wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. Printed announcement issued.
(Haselwood 11)

12. Ferlinghetti, Lawrence. AFTER THE CRIES OF THE BIRDS
San Francisco: Dave Haselwood: 1967
First edition, saddle-stapled printed wrappers, 6″ x 8″, 16 pages.
(Haselwood 12)

13. Whalen, Philip. T/O
San Francisco: Dave Haselwood, 1967
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  32 pages, circa 80 copies.
(Haselwood 13)

14. Burroughs, William S. and Brion Gysin. THE EXTERMINATOR
San Francisco: Dave Haselwood, 1967
First edition, second printing, perfect-bound printed wrappers.
(Haselwood 14)

15. McClure, Michael. DARK BROWN
First edition, second printing, perfect-bound printed wrappers, 5.5″ x 8.5″.
(Haselwood 15)

16. Brown, Geoffrey. TENDING BAR AT THE FILLMORE AUDITORIUM ON ARTISTS’ LIBERATION FRONT BENEFIT NIGHT
San Francisco: Dave Haselwood Books, 1967
First edition, folded broadside, 8.6″ x 10.75″.





17. Welch, Lew. COURSES
San Francisco: Dave Haselwood, 1968
First edition, hand-sewn suede wrappers, 6.5″ x 4.25″, 28 pages, 50 copies. (Haselwood 16)

18. McClure, Michael. THE SERMONS OF JEAN HARLOW & THE CURSES OF BILLY THE KID
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
— A. First edition, saddle-stapled wrappers, 6″ x 9.25″, 24 pages, 1200 copies.
— B. First edition, hardcover, 6″ x 9.25″, 24 pages, 50 copies signed.
(Haselwood 17)

19. Ginsberg, Allen. INDIAN JOURNALS
San Francisco: City Lights Books with Dave Haselwood Books, 1970
— A. First edition, perfect bound wrappers, 5.5″ x 8.25″, 212 pages.
— B. First edition, hardcover, 5.5″ x 8.25″, 212 pages.
(Haselwood 18)

Four Seasons Foundation

Donald Merriam Allen (Iowa, 1912 – San Francisco, August 29, 2004) was an influential editor, publisher, and translator of contemporary American literature. He is perhaps best known for his project The New American Poetry 1945-1960 (Grove Press, 1960), a seminal anthology that introduced a revolutionary new generation of postwar poetry that was to change the course of American literature.

In 1960, Allen moved from New York to San Francisco, where he established Grey Fox and the Four Seasons Foundation, two significant literary presses where he continued to publish work from Beat, San Francisco Renaissance, Black Mountain, and New York School writers, as well as younger new voices.  Among the authors were Richard Brautigan, Robert Creeley, Edward Dorn, Robert Duncan, Jack Kerouac, Joanne Kyger, Philip Lamantia, Frank O’Hara, Charles Olson, John Rechy, Aaron Shurin, Gary Snyder, Jack Spicer, Lew Welch, and Philip Whalen.


Four Seasons Foundation, A Preliminary Checklist

Welch, Lew. STEP OUT ONTO THE PLANET
San Francisco: Four Seasons Foundation 1963
First edition, broadside, 9.5″ x 12.5″, 300 copies, signed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964

Whalen, Philip. THREE MORNINGS
San Francisco: Four Seasons Foundation 1963
First edition, broadside, 9.5″ x 12.5″, 300 copies, signed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964

Snyder, Gary. NANAO KNOWS
San Francisco: Four Seasons Foundation 1964
First edition, broadside, 9.5″ x 12.5″, 300 copies, signed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964

Olson, Charles. A BIBLIOGRAPHY ON AMERICA FOR ED DORN
San Francisco: Four Seasons Foundation (1964)
First edition, saddle-stapled wrappers, 6″ x 8″, 16 pages.
Published as Writing 1

Dorn, Edward; Rumaker, Michael; Tallman, Warren. PROSE 1
San Francisco: Four Seasons Foundation, 1964
First edition, saddle-stapled wrappers, 36 pages
Published as Writing 2

[anthology]. 12 Poets & 1 Painter
San Francisco: Four Seasons Foundation, 1964
First edition, saddle-stapled wrappers, 32 pages. Contributors include: LeRoi Jones, Joanne Kyger, Robert Creeley, Denise Levertov, Lawrence Ferlinghetti, Robert Duncan, Gary Snyder, Lew Welch, Allen Ginsberg, Charles Olson, Max Finstein, Bruce Boyd, and Jess Collins
Published as Writing 3

Loewinsohn, Ron. AGAINST THE SILENCES TO COME
San Francisco: Four Seasons Foundation, 1965
A. stapled wrappers, 7.75″ x 9.75″, (16 pages), 1000 copies
B. stapled wrappers, 7.75″ x 9.75″, (16 pages), 26 lettered and signed copies
Published as Writing 4

Kyger, Joanne. THE TAPESTRY AND THE WEB
San Francisco: Four Seasons Foundation, 1965
A. paperback, 61 pages
B. hardcover, 61 pages
Published as Writing 5

Olson, Charles. PROPRIOCEPTION
San Francisco: Four Seasons Foundation, 1965
First edition, saddle-stapled wrappers, 18 pages
Published as Writing 6

Snyder, Gary. RIPRAP & COLD MOUNTAIN POEMS
San Francisco: Four Seasons Foundation, 1965
stapled wrappers, 7.75″ x 9.75″, 50 pages
Published as Writing 7

Welch, Lew. HERMIT POEMS
San Francisco: Four Seasons Foundation, 1965
A. First edition, saddle-stapled wrappers, 16 pages, 974 copies
B. First edition, saddle-stapled wrappers, 16 pages, 26 numbered and signed copies
Published as Writing 8

Snyder, Gary. SIX SECTIONS FROM MOUNTAINS AND RIVERS WITHOUT END
San Francisco: Four Seasons Foundation, 1965
stapled wrappers, 42 pages, 1000 copies
Published as Writing 9

Koller, James. THE DOGS & OTHER DARK WOODS
San Francisco: Four Seasons Foundation, 1966
A. stapled wrappers, 33 pages, 1000 copies
B. hardcover, 33 pages, 26 copies, numbered signed
Published as Writing 10

McClure, Michael. LOVE LION BOOK
San Francisco: Four Seasons Foundation, 1966
A. stapled wrappers, 24 pages, 1000 copies
B. hardcover, 24 pages, 40 copies, numbered, signed
Published as Writing 11

Writing 12 [?]

Olson, Charles. STOCKING CAP: A STORY
San Francisco: Four Seasons Foundation, 1966
stapled wrappers, 15 pages
Published as Writing 13

Brautigan, Richard. TROUT FISHING IN AMERICA
San Francisco: Four Seasons Foundation, 1967
paperback
Published as Writing 14

Hadley, Drummond. THE WEBBING
San Francisco: Four Seasons Foundation, 1967
stapled wrappers, 52 pages, 500 copies
Published as Writing 15

McClure, Michael. THE SERMONS OF JEAN HARLOW & THE CURSES OF BILLY THE KID
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
A. First edition, saddle-stapled wrappers, 1200 copies

Olson, Charles. CAUSAL MYTHOLOGY
San Francisco: Four Seasons Foundation, 1969
A. paperback, 40 pages
B. hardcover, 40 pages
Published as Writing 16

Blaser, Robin. CUPS
San Francisco: Four Seasons Foundation, 1968
A. stapled wrappers, 24 pages, 1000 copies
B. hardcover, 24 pages, 40 copies, numbered, signed
Published as Writing 17

McClure, Michael. GHOST TANTRAS
San Francisco: Four Seasons Foundation, 1969
paperback

Writing 18 [?]

Upton, Charles. TIME RAID
San Francisco: Four Seasons Foundation, 1969
stapled wrappers, 30 pages
Published as Writing 19

Brautigan, Richard. THE PILL VERSUS THE SPRINGHILL MINE DISASTER
San Francisco: Four Seasons Foundation, 1968
A. paperback, 108 pages
B. hardcover, 108 pages, 50 copies, numbered, signed
Published as Writing 20

Brautigan, Richard. IN WATERMELON SUGAR
San Francisco: Four Seasons Foundation, 1968
A. paperback, 138 pages
B. hardcover, 138 pages, 50 copies, numbered, signed
Published as Writing 21

Creeley, Robert. A Quick Graph: Collected Notes & Essays
San Francisco: Four Seasons Foundation, 1969
A. paperback, 365 pages, 1000 copies
B. hardcover, 365 pages
C. hardcover in dust jacket, 365 pages
Published as Writing 22.

Creeley, Robert. THE CHARM: EARLY AND UNCOLLECTED POEMS
San Francisco: Four Seasons Foundation, 1969
A. paperback, 97 pages
B. hardcover, 97 pages
C. hardcover, 97 pages, 100 copies, numbered, signed
Published as Writing 23

Whalen, Philip. SEVERANCE PAY
San Francisco: Four Seasons Foundation, 1970
A. paperback, 51 pages
B. paperback, 51 pages, 50 copies, numbered, signed
Published as Writing 24

Lamantia , Philip. THE BLOOD OF THE AIR
San Francisco: Four Seasons Foundation, 1970
A. paperback, 45 pages
B. hardcover, 45 pages, 50 copies, numbered, signed
Published as Writing 25

Millward, Pamela. MOTHER: A NOVEL OF REVOLUTION
San Francisco: Four Seasons Foundation, 1970
A. paperback, 57 pages
Published as Writing 26

Olson, Charles. POETRY AND TRUTH
San Francisco: Four Seasons Foundation, 1971
A. paperback, 75 pages
B. hardcover, 75 pages
Published as Writing 27

Schaff, David. THE MOON BY DAY
San Francisco: Four Seasons Foundation, 1971
paperback, 114 pages
Published as Writing 28

Herd, Dale. EARLY MORNING WIND AND OTHER STORIES
San Francisco: Four Seasons Foundation, 1972
paperback
Published as Writing 29

Snyder, Gary. MANZANITA
San Francisco: Four Seasons Foundation, 1972
paperback

Creeley, Robert. CONTEXTS OF POETRY: INTERVIEWS 1961-1971
San Francisco: Four Seasons Foundation, 1973
paperback, 214 pages
Published as Writing 30

Olson, Charles. ADDITIONAL PROSE: A BIBLIOGRAPHY ON AMERICA, PROPRIOCEPTION, & OTHER NOTES & ESSAYS
Bolinas: Four Seasons Foundation, 1974
A. paperback, 109 pages
B. hardcover, 109 pages
Published as Writing 31

Lamantia, Philip. TOUCH OF THE MARVELOUS
Bolinas: Four Seasons Foundation, 1974
A. paperback, 47 pages
B. hardcover, 47 pages
Published as Writing 32

Whalen, Philip. THE KINDNESS OF STRANGERS: POEMS 1969-1974
Bolinas: Four Seasons Foundation, 1976
paperback, 57 pages
Published as Writing 33

Dorn, Edward. THE COLLECTED POEMS 1956-1974
Bolinas: Four Seasons Foundation, 1975
A. paperback, 277 pages
B. hardcover, 277 pages
Published as Writing 34

Olson, Charles. MUTHOLOGOS; COLLECTED LETTERS & INTERVIEWS 
Bolinas: Four Seasons Foundation, 1979
A. paperback, 230 pages, 2 volumes
B. hardcover, 230 pages, 2 volumes
Published as Writing 35

Olson, Charles. THE FIERY HUNT AND OTHER PLAYS
Bolinas: Four Seasons Foundation, 1977
paperback, 125 pages
Published as Writing 36

Whalen, Philip. OFF THE WALL: INTERVIEWS WITH PHILIP WHALEN
Bolinas: Four Seasons Foundation, 1978
paperback, 88 pages
Published as Writing 37

Dorn, Edward. INTERVIEWS
Bolinas: Four Seasons Foundation, 1980
paperback, 117 pages
Published as Writing 38

Creeley, Robert. WAS THAT A REAL POEM & OTHER ESSAYS
Bolinas: Four Seasons Foundation 1979
A. paperback, 149 pages
B. hardcover, 149 pages
Published as Writing 39

Dorn, Edward. VIEWS
Bolinas: Four Seasons Foundation, 1980
A. paperback, 142 pages
B. hardcover, 142 pages
Published as Writing 40

Gluck, Robert. ELEMENTS OF A COFFEE SERVICE
San Francisco: Four Seasons Foundation, 1982
paperback, 97 pages
Published as Writing 41

Whalen, Philip. HEAVY BREATHING: POEMS 1967-1980
San Francisco: Four Seasons Foundation, 1983
paperback, 207 pages
Published as Writing 42

Shurin, Aaron. THE GRACES
San Francisco: Four Seasons Foundation, 1983
paperback, 72 pages


References consulted:

Bohn, Dave. OYEZ: THE AUTHORIZED CHECKLIST
Berkeley: n.p., 1997

Hawley, Bob. CHECKLISTS OF SEPARATE PUBLICATIONS OF POETS AT THE FIRST BERKELEY POETRY CONFERENCE 1965
Berkeley: Oyez/Cody’s, 1965

Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS
Berkeley: Poltroon Press, 1976

Lepper, Gary M. A BIBLIOGRAPHICAL INTRODUCTION TO SEVENTY-FIVE MODERN AMERICAN AUTHORS
Berkeley: Serendipity Books, 1976

Philip Lamantia

lamantia
photo by Harry Redl

 

Philip Lamantia was born to Sicilian immigrants in San Francisco in 1927. His father was a produce broker in the old Embarcadero. He began writing poetry in elementary school and was later inspired by the paintings of Miro and Dali at the San Francisco Museum of Art. After being expelled for “intellectual delinquency” at age sixteen, he dropped out of high school and moved to New York City, where he lived for several years and where he was associated with Andre Breton and other exiled European artists such as Max Ernst and Yves Tanguy. During these years he worked as an assistant editor of View magazine and his poems were published in View as well as in publications like Hemispheres, which was being published by another French ex-patriot Yvan Goll.

In 1943, when Lamantia was only fifteen years old, Breton heralded him as being “a voice that rises once in a hundred years.” In 1946, at the age of nineteen, his first book of poems Erotic Poems was published by Bern Porter Books in Berkeley, California, followed by two collections (Narcotica and Ekstasis) published in 1959 by Auerhahn Press. A literary prodigy whose poems delved into the worlds of the subconscious and dreams, his love of Surrealism had a major influence on the Beats and other American poets. On March 7, 2005 he died of heart failure in his North Beach, San Francisco apartment at age seventy-seven.

–Thomas Rain Crowe


Section A: Books and Broadsides

1. Lamantia, Philip. EROTIC POEMS
(Berkeley): Bern Porter, 1946
First edition, hardcover issued without dust jacket, 42 pages.

2. Lamantia, Philip. EKSTASIS
lamantia_ekstasisSan Francisco: Auerhahn Press, 1959
First edition, perfect-bound wrappers, 5.75? x 7?48 pages, (circa 950 copies). Titling by Robert La Vigne. Printed announcement issued.
(Auerhahn 3)

3. Lamantia, Philip. NARCOTICA
lamantia_narcoticaSan Francisco: Auerhahn Press, 1959
First edition, saddle-stapled illustrated wrappers, 6.25? x 8.5?, 16 pages, (750 copies). Cover photographs by Wallace Berman. Published as Auerhahn Pamphlet No. 1. Printed announcement issued.
(Auerhahn 5)

4. Lamantia, Philip. DESTROYED WORKS
lamantia_destroyedSan Francisco: Auerhahn Press, 1962
A. First edition, perfect-bound illustrated wrappers, 7? x 8.75?, 48 pages, 1250 copies. (pictured)
B. First edition, hardcover, 7? x 8.75?, 48 pages, 50 numbered and signed copies, bound by the Schuberth Bindery.
(Auerhahn 18)

5. Lamantia, Philip. TOUCH OF THE MARVELOUS
(Berkeley): Oyez, 1966
a. First edition, hardcover, 65 pages, 50 copies on handmade Tovil paper, numbered, signed by the author, bound by Dorothy Hawley.
b. First edition, sewn and glued into wrappers, 65 pages, 1450 copies.

6. Lamantia, Philip. SELCETED POEMS 1943-1966
(San Francisco): City Lights Books, (1967)
First edition, wrappers, 100 pages, published as Pocket Poets Series Number 20. (Cook 61)

7. Lamantia, Philip. THE BLOOD OF THE AIR
lamantia_bloodSan Francisco: Four Seasons Foundation, 1970
a. First edition, hardcover , 45 pages, 50 copies, numbered, signed by the author, published as Writing 25. (pictured)
b. First edition, wrappers, 45 pages, published as Writing 25.

8. Lamantia, Philip. TOUCH OF THE MARVELOUS
Bolinas: Four Seasons Foundation, 1974
Second, expanded edition, wrappers, 47 pages, includes three poems not in the original edition: “Celestial Estrangement”, “Submarine Languor”, and “To You Henry Miller”.

9. Lamantia, Philip. BECOMING VISIBLE
San Francisco: City Lights Books, 1981
a. First edition, hardcover, 96 pages, published as Pocket Poet Series No. 39.
b. First edition, wrappers, 96 pages, published as Pocket Poet Series No. 39.
(Cook 146)

10. Lamantia, Philip. MEADOWLARK WEST
San Francisco: City Lights Books, 1986
First edition, wrappers, 73 pages. (Cook 171)

11. Lamantia, Philip. BED OF SPHINXES: NEW AND SELECTED POEMS, 1943-1993
San Francisco: City Lights Books, 1997
First edition, wrappers, 141 pages.

12. Lamantia, Philip. WHAT IS NOT STRANGE?
San Francisco: City Lights, 2005
First edition, broadside.


 Section B: Contributions to Books and Anthologies, Selected

sequence within years is alphabetical

BEATITUDE ANTHOLOGY. San Francisco: City Lights, 1960

THE BEATS, edited by Seymour Krim. Greenwich: Gold Medal, 1960

THE BEAT SCENE, edited by Elias Wilentz, photographs by Fred McDarrah. New York: Corinth Books, 1960

THE NEW ORLANDO POETRY ANTHOLOGY. New York: New Orlando Publication, 1963

PENGUIN MODERN POETS, 13. London: Penguin, 1969

AERO INTO THE AETHER. Philip Lamantia, Clark Ashton Smith.  Black Swan Press, 1980

FREE SPRITS: ANNALS OF THE INSURGENT IMAGINATION. San Francisco: City Lights, 1980. First edition, wrappers, 223 pages

WHITMAN’S WILD CHILDREN, edited by Neeli Cherkovski. Venice: Lapis Press, 1988

TAU & JOURNEY TO THE END. Philip Lamantia, John Hoffman. San Francisco: City Lights, 2008

CITY LIGHTS POCKET POETS ANTHOLOGY, edited by Lawrence Ferlinghetti. San Francisco: City Lights, 2009


Section C: Contributions to Periodicals, Selected

sequence within years is alphabetical

VIEW, Series III, Number 2. New York, June 1943

VIEW, Series III, Number 3. New York, 1943

VIEW, Series IV, Number 2. New York, Summer 1944

VVV, Number 4. New York, 1944

HEMISPHERES, Number 5. New York, 1945

VIEW, Series V, Number 2. New York, 1945

NEW DIRECTIONS, Number 9. New York, 1946

CONTOUR QUARTERLY, Volume 1, Number 1. Berkeley, 1947

NOW, Number 7. London, February-March 1947

CITY LIGHTS, Number 4. San Francisco, Fall 1953

NEW DIRECTIONS, Number 14. New York, 1953

BEATITUDE, Number 9. San Francisco, September 1959

SEMINA, Number 4. San Francisco, 1959

SEMINA, Number 5. San Francisco, 1959

EVERGREEN REVIEW, Volume 4, Number 11. New York, January-February 1960

THE GALLEY SAIL REVIEW, Number 5. San Francisco, Winter 1960

YUGEN, 6. New York, 1960

DAMASCUS ROAD, Number 1. Allentown, 1961

POEMS FROM THE FLOATING WORLD, Volume 3. New York, 1961

MEASURE, Number 3. Milton, Summer 1962

THE OUTSIDER, Number 2. New Orleans, Summer 1962

TOBAR, Number 4. New York, 1962

EL CORNO EMPLUMADO, Number 9. Mexico City, 1964

FUCK YOU: A MAGAZINE OF THE ARTS, Volume 5, Number 7. New York, September 1964

DAMASCUS ROAD, Number 2. Allentown, 1965

RESIDU, Volume 1, Number 1. Athens, Spring 1965

THE PARIS REVIEW, Number 36. Paris, 1966

THE FLOATING BEAR, Number 33. New York, February 1967

THE FLOATING BEAR, Number 34. New York, 1967

THE FLOATING BEAR, Number 35. New York, April 1968

CATERPILLAR, 10. New York, January 1969

CATERPILLAR, 17. Sherman Oaks, October 1971

INTREPID, Number 20. Buffalo, 1971

ANTAEUS, 6. Tangier, Summer 1972

THE LAMP IN THE SPINE, Number 4. Iowa City, Spring 1972

THE SEVENTIES, Number 1.  Madison, Spring 1972

ARSENAL, Number 2. Chicago, Summer 1973

CULTURAL CORRESPONDENCE, Number 12-14. Providence, Summer 1981

ZYZZYVA, Volume 1, Number 4. San Francisco, Winter 1985

CITY LIGHTS REVIEW, 1. San Francisco, 1987

CALIBAN, 7. Ann Arbor, 1989

CITY LIGHTS REVIEW, 4. San Francisco, 1990


Section D: Ephemera

THE AUERHAHN PRESS CATALOG, 1962
San Francisco: Auerhahn Press, 1962. First edition, wrappers

A KIND OF BEATNESS: PHOTOGRAPHS OF A NORTH BEACH ERA 1950-1965
San Francisco: Focus Gallery, 1975. First edition, wrappers


References Consulted:

Bohn, Dave. OYEZ: THE AUTHORIZED CHECKLIST
Berkeley: n.p., 1997

Cook, Ralph T. CITY LIGHTS: A DESCRIPTIVE BIBLIOGRAPHY
Metuchen: The Scarecrow Press, 1992

Duncan, Michael and Kristine McKenna. SEMINA CULTURE: WALLACE BERMAN & HIS CIRCLE
New York: Distributed Art Publishers, 2005

Harter, Christopher. AN AUTHOR INDEX TO LITTLE MAGAZINES OF THE MIMEOGRAPH REVOLUTION
Lanham: Scarecrow Press, 2008

Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS
Berkeley: Poltroon Press, 1976

Lepper, Gary M. A BIBLIOGRAPHICAL INTRODUCTION TO SEVENTY-FIVE MODERN AMERICAN AUTHORS
Berkeley: Serendipity Books, 1976

Marx, Jake. “Index to Fuck You: A Magazine of the Arts” in THE SERIF: QUARTERLY OF THE KENT STATE UNIVERSITY LIBRARIES, Volume VIII, Number 3
Kent: The Kent State University Libraries, September 1971

Lew Welch

lew_haiku

Lew Welch was born August 16, 1926 in Phoenix, Arizona, and moved with his family to California in 1929. At Reed College in the late 1940s, Welch lived with Gary Snyder and Philip Whalen. In the fall of 1949 Welch was co-editor of the school’s literary magazine and was writing constantly; he wrote his senior thesis on Gertrude Stein and graduated in 1950.

Donald Allen included one of Welch’s poems in The New American Poetry anthology published in 1960. That same year Welch’s first book, Wobbly Rock, was published by Auerhahn Press. For a time he lived in Reno, Nevada, and then in a cabin in the Trinity Alps. He moved back to San Francisco in 1963, and in 1965 published three books.

In 1965, Welch began teaching a poetry workshop offered through the extension program of the University of California at Berkeley. In 1971 Welch returned to the mountains. On May 23, 1971, Gary Snyder went up to Welch’s campsite and found a suicide note in Welch’s truck. Despite an extensive search, Welch’s body was never recovered.


A. Books & Broadsides

1. Welch, Lew. WOBBLY ROCK
lew_wobblySan Francisco: Auerhahn Press, 1960
First edition, saddle-stapled printed wrappers, 6″ x 8″, 12 pages, 500 copies, illustrated by Robert LaVigne. Dedication: for Gary Snyder / “I think I’ll be the Buddha of this place” / and sat himself / down
(Auerhahn 7)

2. Welch, Lew. EARLY SUMMER HERMIT SONG
(San Francisco: San Francisco Arts Commission, 1963)
First edition, broadside, 13” x 20”, 300 copies, signed by author and illustrator, illustrated by W. Weber. Laid into portfolio entitled San Francisco Arts Festival: A Poetry Folio: 1963, which included Robin Blaser, Helen Adam, Phillip Whalen, Lawrence Ferlinghetti, Allan Ginsberg, Robert Duncan, And Lew Welch.

3. Welch, Lew. STEP OUT ONTO THE PLANET
(San Francisco: Four Seasons Foundation, 1964)
First edition, broadside, 9.5” x 12.5”, 300 copies, signed by the author. Printed for the occasion of a reading by Welch, Philip Whalen, and Gary Snyder at the Longshoremen’s Hall in San Francisco on June 12, 1964 known as the Free Way Reading.

4. Welch, Lew. RICHER THAN THE RICHEST FALCONER
(San Francisco): Auerhahn Press, (1965)
First edition, broadside, 9.5″ by 15.5″, 125 copies printed for Don Carpenter.




5. Welch, Lew. ON OUT
lew_onoutBerkeley: Oyez, 1965
First edition, stapled sheets bound into printed wrappers, 6″ x 9.25″, 36 pages, 500 copies. Printed by Graham Mackintosh, photograph of poet by Jim Hatch. Dedication: This book is for Magda.


6. Welch, Lew. HERMIT POEMS
San Francisco: Four Seasons Foundation, 1965
First edition, wrappers, 14 pages, 974 trade copies and 26 copies numbered and signed by the author. Published as Writing 8.

7. Welch, Lew. “AT TIMES WE’RE ALMOST ABLE TO SEE…”
(San Francisco): Don Carpenter, December 1965
First edition, broadside, 7.5″ x 6.25″, 125 copies. Printed by Andrew Hoyem.


8. Welch, Lew. A MOVING TARGET IS HARD TO HIT
San Francisco: Communication Company, 1967
First edition, broadside

9. Welch, Lew. THE BASIC CON
(Santa Barbara: Unicorn Press, 1967)
First edition, wrappers, 450 copies of the trade edition and 26 copies lettered and signed by the author, two variants printed in brown and black and red and black, printed by Nicolas Muska. Printed on the occasion of Welch’s reading on April 22, 1967 at the Unicorn Book Shop.

10. Welch, Lew. COURSES
lew_coursesSan Francisco: Dave Haselwood, 1968
First edition, hand-sewn suede wrappers, 6.5″ x 4″, 28 pages, 50 copies, letterpress printed. (Haselwood 16)

11. Welch, Lew. COURSES
San Francisco: Cranium Press, 1968
Second “facsimile” edition, hand-sewn printed wrappers, 6.5″ x 4″, 28 pages, letterpress printed.

12. Welch, Lew. SAUSALITO TRASH PRAYER
(San Francisco): n.p., July 1969
First edition, broadside, 3.5” x 6”, letterpress. According to Lepper this was preceded by a photocopied edition of 40 done by Welch at the Public Library in Sausalito and given away.


13. Welch, Lew. THE SONG MT. TAMALPAIS SINGS
lew_thesongSan Francisco: Maya, 1969
First edition, hand-sewn wrappers with printed label, 7.5″ x 10″, 16 pages, 250 trade copies and 50 copies numbered and signed by the author. Published as Maya Quarto Five. Designed and printed by Clifford Burke at Cranium Press.

14. Welch, Lew. FROM WOBBLY ROCK
(San Francisco: Cranium Press, 1969)
First edition, broadside

15. Welch, Lew. THE SONG MT. TAMALPAIS SINGS
lew_the song2Berkeley: Sand Dollar,  December 1970
Second expanded edition, side-stapled printed wrappers, 6″ x 8″, 20 pages, 1000 copies. Published as Sand Dollar 3 and contains three  additional poems not included in the first edition. Published by Jack Shoemaker and designed by Clifford Burke.

14. Welch, Lew. INFLATION FOR NEIL DAVIS, INNKEEPER
(Portland): Yes Press, 1970
First edition, broadside, 5” x 11”

15. Welch, Lew. GETTING BALD
(San Francisco): (Cranium Press), March 1970
First edition, postcard, 4” x 6”.


16. Welch, Lew. SOMETIMES I TALK TO KEROUAC…
Portland: Yes Press, 1971
First edition, broadside, 7″ x 6″.




17. Welch, Lew. SPRINGTIME IN THE ROCKIES, LICHEN
San Francisco: Cranium Press, 1971
First edition, broadside, 8.5” x 14”, variants on pink, grey, and green stock.




18. Welch, Lew. REDWOOD HAIKU & OTHER POEMS
lew_redwoodSan Francisco: Cranium Press, 1972
First edition, hand-sewn printed wrappers, 5.75″ x 5.75″, 20 pages, 250 copies. Printed by Clifford Burke and Nancy Lehman.



19. Welch, Lew. RING OF BONE: SELECTED POEMS 1950-1971
Bolinas: Grey Fox Press, 1973
First edition, wrappers and hardcover issued, 233 pages with index.

20. Welch, Lew. HOW I WORK AS A POET
Bolinas: Grey Fox Press, 1973
First edition, wrappers and hardcover issued, 139 pages.

21. Welch, Lew. A GREETING FOR THE SPRING SOLSTICE
Albany: Sand Dollar, 1976
First edition, Single sheet, folded to make 4 pages. Printed by Wesley Tanner and James Monday at the Arif Press.



22. Welch, Lew. SELECTED POEMS
Bolinas: Grey Fox Press, 1976
First edition, wrappers, 94 pages including index, preface by Gary Snyder.

23. Welch, Lew. I, LEO: AN UNFINISHED NOVEL
Bolinas: Grey Fox Press, 1977
First edition, wrappers, 82 pages.

24. Welch, Lew. INFLATION FOR NEIL DAVIS, INNKEEPER
(Buffalo): White Pine Press, 1979
Second edition, broadside, 4” x 6”.





25. Welch, Lew. I REMAIN – THE LETTERS OF LEW WELCH & THE CORRESPONDENCE OF HIS FRIENDS (Volume 1: 1949-1960)
Bolinas: Grey Fox Press, 1980
First edition, wrappers and hardcover issued, 200 pages.

26. Welch, Lew. I REMAIN – THE LETTERS OF LEW WELCH & THE CORRESPONDENCE OF HIS FRIENDS (Volume 2: 1960-1971)
Bolinas: Grey Fox Press, 1980
First edition, wrappers and hardcover issued, 200 pages.

27. Welch, Lew. HOW I READ GERTRUDE STEIN
Bolinas: Grey Fox Press, 1995
First edition, wrappers, originally written late-1940’s

28. Welch, Lew. LETTERS FROM LEW WELCH
Coventry: The Beat Scene Press, 2010
First edition, wrappers, 125 copies


B. Contributions to Books and Other Publications (selected)

1. THE NEW AMERICAN POETRY: 1945 – 1960, edited by Donald Allen
New York: Grove Press, 1960

2. 12 POETS & 1 PAINTER
San Francisco: Four Seasons Foundation, 1964

3. THE SAN FRANCISCO POETS, edited by David Meltzer
New York: Ballantine Books, 1971

4. SOME POEMS/POETS: Studies in American Underground Poetry Since 1945, edited by Charters, Samuel
Berkeley: Oyez Press,1971

5. The Yes! Press Anthology
Santa Barbara: Christopher’s Books, 1972

6. Trip Trap: Haiku on the Road: Jack Kerouac, Albert Saijo, and Lew Welch
Bolinas: Grey Fox Press, 1973

7. On Bread and Poetry: A Panel Discussion Between Gary Snyder, Lew Welch, and Philip Whalen, edited Donald Allen
Bolinas: Grey Fox Press, 1977


References consulted:

Bohn, Dave. OYEZ: THE AUTHORIZED CHECKLIST
Berkeley: n.p., 1997

Hawley, Bob. CHECKLISTS OF SEPARATE PUBLICATIONS OF POETS AT THE FIRST BERKELEY POETRY CONFERENCE 1965
Berkeley: Oyez/Cody’s, 1965

Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS
Berkeley: Poltroon Press, 1976

Lepper, Gary M. A BIBLIOGRAPHICAL INTRODUCTION TO SEVENTY-FIVE MODERN AMERICAN AUTHORS
Berkeley: Serendipity Books, 1976