Tag Archives: Michael McClure

Dave Haselwood Books

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This index includes books and other items printed by Dave Haselwood from 1965 to 1970.

D. Dave Haselwood Books

1. McClure, Michael. UNTO CAESAR
mcclure_unto(San Francisco): (Dave Haselwood), (1965)
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  24 pages, circa 60 copies.
(Haselwood 1)

2. Hoyem, Andrew. THE MUSIC ROOM
San Francisco: Haselwood, 1965
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  16 pages, circa 100 copies. Illustrated by Bruce Conner.
(Haselwood 2)

3. Wieners, John. CHINOISERIE
San Francisco: Dave Haselwood, 1965
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  20 pages, circa 100 copies.
(Haselwood 3)

4. Wieners, John. THE HOTEL WENTLEY POEMS
San Francisco: Dave Haselwood, 1965
Second edition revised, saddle-stapled illustrated wrappers, 6″ x 8.5″, 28 pages. Illustration by Robert La Vigne. These are the “original versions” of the poems.
(Haselwood 4)

5. McClure, Michael. DREAM TABLE
San Francisco: Dave Haselwood, 1965
First edition, 30 double-sided printed cards, 2.5″ x 3.5″, 200 sets (30 signed). Each card is printed with a Lion and a Tree ornament on one side and two words on the other.
(Haselwood 5)

6. Williams, Jonathan. PAEAN TO DVORAK, DEEMER & McCLURE
San Francisco: Dave Haselwood, 1966
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  32 pages, circa 100 copies.
(Haselwood 6)

7. Johnson, Ronald. ASSORTED JUNGLES: ROUSSEAU
San Francisco: Dave Haselwood, 1966
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  32 pages, circa 100 copies.
(Haselwood 7)

8. Hoyem, Andrew. CHIMERAS
San Francisco: Dave Haselwood, 1966
First edition, hand-sewn printed wrappers, 6.25″ x 9.5″,  28 pages.
(Haselwood 8)

9. Plymell, Charles. APOCALYPSE ROSE
San Francisco: Dave Haselwood, 1966
First edition, saddle-stapled printed wrappers, 6″ x 9″,  52 pages. Introduction by Allen Ginsberg.
(Haselwood 9)

10. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
(San Francisco): (Dave Haselwood), (1966)
First edition, 24 cards in printed envelope, 2″ x 2″, envelope measures 4.5 x 5.75″. Each card is printed with  four words one side and a hallucinogram on the other. Illustrated by Bruce Conner.
(Haselwood 10)

11. McClure, Michael and Bruce Conner. MANDALAS
San Francisco: Dave Haselwood, 1966
First edition, saddle-stapled printed wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. Printed announcement issued.
(Haselwood 11)

12. Ferlinghetti, Lawrence. AFTER THE CRIES OF THE BIRDS
San Francisco: Dave Haselwood: 1967
First edition, saddle-stapled printed wrappers, 6″ x 8″, 16 pages.
(Haselwood 12)

13. Whalen, Philip. T/O
San Francisco: Dave Haselwood, 1967
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  32 pages, circa 80 copies.
(Haselwood 13)

14. Burroughs, William S. and Brion Gysin. THE EXTERMINATOR
San Francisco: Dave Haselwood, 1967
First edition, second printing, perfect-bound printed wrappers.
(Haselwood 14)

15. McClure, Michael. DARK BROWN
First edition, second printing, perfect-bound printed wrappers, 5.5″ x 8.5″.
(Haselwood 15)

16. Brown, Geoffrey. TENDING BAR AT THE FILLMORE AUDITORIUM ON ARTISTS’ LIBERATION FRONT BENEFIT NIGHT
San Francisco: Dave Haselwood Books, 1967
First edition, folded broadside, 8.6″ x 10.75″.





17. Welch, Lew. COURSES
San Francisco: Dave Haselwood, 1968
First edition, hand-sewn suede wrappers, 6.5″ x 4.25″, 28 pages, 50 copies. (Haselwood 16)

18. McClure, Michael. THE SERMONS OF JEAN HARLOW & THE CURSES OF BILLY THE KID
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
— A. First edition, saddle-stapled wrappers, 6″ x 9.25″, 24 pages, 1200 copies.
— B. First edition, hardcover, 6″ x 9.25″, 24 pages, 50 copies signed.
(Haselwood 17)

19. Ginsberg, Allen. INDIAN JOURNALS
San Francisco: City Lights Books with Dave Haselwood Books, 1970
— A. First edition, perfect bound wrappers, 5.5″ x 8.25″, 212 pages.
— B. First edition, hardcover, 5.5″ x 8.25″, 212 pages.
(Haselwood 18)

Auerhahn Press: Books & Pamphlets

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This index includes Auerhahn Press publications from 1958 through 1965: from Dave Haselwood’s first publishing venture through the dissolution of his partnership with Andrew Hoyem and the end of Auerhahn Press.

A. Auerhahn Press: Books & Pamphlets

1. Wieners, John. THE HOTEL WENTLEY POEMS
wieners_wentley1
San Francisco: Auerhahn Press, 1958
First edition, saddle-stapled illustrated wrappers, 6.25″ x 7.75″, 20 pages, circa 500 copies. Printed and edited without prior notice to Dave Haselwood by East West Printers. Cover photo by Jerry Burchard. Illustration by Robert La Vigne. Printed announcement issued.
(Auerhahn 1)

2. Wieners, John. THE HOTEL WENTLEY POEMS
wieners_wentley2
San Francisco: Auerhahn Press, 1959
Second revised edition, saddle-stapled illustrated wrappers, 6.25″ x 7.75″, 20 pages, 500 copies. Cover photo by Jerry Burchard. Illustration by Robert La Vigne.
(Auerhahn 2)

3. Lamantia, Philip. EKSTASIS
lamantia_ekstasisSan Francisco: Auerhahn Press, 1959
First edition, perfect-bound wrappers, 5.75″ x 7″48 pages, circa 950 copies. Titling by Robert La Vigne. Printed announcement issued.
(Auerhahn 3)


4. McClure, Michael. HYMNS TO ST. GERYON…
mcclure_hymnsSan Francisco: Auerhahn Press, 1959
First edition, perfect-bound illustrated wrappers, 7.25″ x 10″, 62 pages, 950 copies. Cover illustration by McClure.
(Clements A4, Auerhahn 4)


5. Lamantia, Philip and Antonin Artaud. NARCOTICA
lamantia_narcotica
San Francisco: Auerhahn Press, 1959
First edition, saddle-stapled illustrated wrappers, 6.25″ x 8.5″, 16 pages, 750 copies. Cover photographs by Wallace Berman. Published as “Auerhahn Pamphlet No. 1”. Printed announcement issued.
(Auerhahn 5)

6. Whalen, Philip. MEMOIRS OF AN INTERGLACIAL AGE
whalen_memoirsSan Francisco: Auerhahn Press, 1960
— A. First edition, perfect-bound in illustrated wrappers, 8.75″ x 11.25″, 64 pages, (1250 copies). Cover illustration by Robert La Vigne.
— B. First edition, hardcover, 8.75″ x 11.25″, 64 pages,  (60 copies with 25 signed and another 15 signed with holograph poem and illustration), bound by the Schuberth Bindery. Cover illustration by Robert La Vigne.
Printed announcement issued.
(Auerhahn 6)

7. Welch, Lew. WOBBLY ROCK
lew_wobblySan Francisco: Auerhahn Press, 1960
First edition, saddle-stapled printed wrappers, 6″ x 8″, 12 pages, 500 copies, illustrated by Robert LaVigne. Dedication: for Gary Snyder / “I think I’ll be the Buddha of this place” / and sat himself / down
(Auerhahn 7)

8. Burroughs, William S. and Brion Gysin. THE EXTERMINATOR
burroughs_exterminator
San Francisco: Auerhahn Press, 1960
First edition, perfect-bound in illustrated wrappers, 6.25″ x 9.25″, 64 pages, (1000 copies). Illustrated by Brion Gysin. Printed announcement issued.
(Maynard & Miles A4, Auerhahn 8)

9. Marshall, Edward. HELLAN, HELLAN
marshall_hellanSan Francisco: Auerhahn Press, 1960
First edition, saddle-stapled illustrated wrappers, 6″ x 8.75″, 24 pages, (750 copies). Illustrated by Robert Ronnie Branaman. Printed announcement issued.
(Auerhahn 10)

10. McClure, Michael. DARK BROWN
mcclure_darkbrownSan Francisco: Auerhahn Press, 1961
— A. First edition, perfect-bound printed wrappers, 6″x 9″, 56 pages, 725 copies.
— B. First edition, hardcover, 6″ x 9″, 56 pages, 25 numbered and signed copies, bound by the Schuberth Bindery.
Printed announcement issued.
(Clements A9, Auerhahn 13)

11. Olson, Charles. MAXIMUS FROM DOGTOWN
olson_maximusSan Francisco: Auerhahn Press, 1961
First edition, hand-sewn printed wrappers, 9″ x 11.25″, 12 pages, 500 copies. Foreword by Michael McClure.
(Auerhahn 14)


12. Reps, Paul. GOLD FISH SIGNATURES
San Francisco: Auerhahn Press, 1961
— A. First edition, Japanese binding, 8.5″ x 11″, 84 pages, (1000 copies).
— B. First edition, Japanese binding, 8.5″ x 11″, 84 pages, (50 copies in slipcase), signed.
Printed announcement issued.
(Auerhahn 15)

13. THE AUERHAHN PRESS CATALOGUE
auerhahn_catalogueSan Francisco: Auerhahn Press, 1962
First edition, saddle-stapled printed wrappers, 4″x 5″, 16 pages includes poems by Wieners and Meltzer.
(Auerhahn 17)


14. Lamantia, Philip. DESTROYED WORKS
lamantia_destroyedSan Francisco: Auerhahn Press, 1962
— A. First edition, perfect-bound illustrated wrappers, 7″ x 8.75″, 48 pages, 1250 copies.
— B. First edition, hardcover, 7″ x 8.75″, 48 pages, 50 numbered and signed copies, bound by the Schuberth Bindery.
(Auerhahn 18)

15. Meltzer, David. WE ALL HAVE SOMETHING TO SAY…
meltzer_weSan Francisco: Auerhahn Press, 1962
First edition, saddle-stapled illustrated wrappers, 6.25″ x 8.5″, 12 pages, 750 copies. Published as “Auerhahn Pamphlet No. 2”.
(Auerhahn 19)


16. Williams, Jonathan. IN ENGLAND’S GREEN &
williams_englandsSan Francisco: Auerhahn Press, 1962
First edition, hand-sewn printed wrappers, 6.5″ x 9.25″, 20 pages, 750 copies. Illustrated by Philip Van Aver.
(Auerhahn 20)


17. Spicer, Jack. THE HEADS OF THE TOWN UP TO THE AETHER
spicer_headsSan Francisco: Auerhahn Press, 1962
— A. First edition, perfect-bound illustrated wrappers, 4.75″ x 6.75″, 109 pages, 750 copies. Illustrated by Fran Herndon.
— B. First edition, hardcover, signed by the author and artist, with an original drawing, 4.75″ x 7.25″, 109 pages, 50 copies, bound by the Schuberth
Bindery. Illustrated by Fran Herndon.
Printed announcement issued. (Auerhahn 21)

18. Hoyem, Andrew. THE WAKE
hoyem_wakebSan Francisco: Auerhahn Press, 1963
— A. First edition, perfect-bound printed wrappers, 6″ x 8.5″, 30 pages, 750 copies.
— B. First edition, hardcover, signed, 6″ x 9″, 30 pages, 35 copies, bound by the Schuberth Bindery.
Three printed announcements issued.
(Auerhahn 22)

19. di Prima, Diane. THE NEW HANDBOOK OF HEAVEN
diprima_newSan Francisco: Auerhahn Press, 1963
— A. First edition, perfect-bound printed wrappers, 5.25″ x 7.5″, 48 pages, 1000 copies.
— B. First edition, hardcover, signed, 6″ x 9″, 30 pages, 30 copies, bound by the Schuberth Bindery.
(Auerhahn 23)

20. Brother Antoninus. THE POET IS DEAD
antoninus_poetSan Francisco: Auerhahn Press, 1964
First edition, hardcover, 8.25″ x 10.5″, 28 pages, 205 copies. Printed announcement issued. (Auerhahn 24)



21. Deemer, Bill. POEMS
deemer_poemsbSan Francisco: Auerhahn Press, 1964
— A. First edition, saddle-stapled illustrated wrappers, 6.25″ x 9.25″, 20 pages, 500 copies. Introduction by Andrew Hoyem.
— B. First edition, hardcover, signed, 6.5″ x 9.25″, 20 pages, 25 copies, bound by the Schuberth Bindery. Introduction by Andrew Hoyem.
Printed announcement issued.
(Auerhahn 37)

22. Davis, William. JANUS
davis_janusSan Francisco: The Auerhahn Society, Spring 1965
First edition, perfect-bound printed wrappers, 6.5″ x 9.75″, 64 pages,  750 copies.
(Auerhahn 38)



23. Van Buskirk, Alden. LAMI
San Francisco: The Auerhahn Society, 1965
(Auerhahn 39)

24. Olson, Charles. HUMAN UNIVERSE AND OTHER ESSAYS
olson_humanSan Francisco: The Auerhahn Society, 1965
First edition, hardcover, 7.75″ x 11″, 160 pages, 250 copies, bound by the Schuberth Bindery. Cover art by Robert La Vigne. Author photo by Kenneth Irby. Edited by Donald Allen.
(Auerhahn 40)

 

Foot

Poet Richard Duerden was born in Utah and raised in the San Francisco Bay Area. He joined the Merchant Marines and the Marine Corps and was educated at the University of California.

A member of the San Francisco Renaissance poetry movement, Duerden founded the literary journals Foot and the Rivoli Review. His books of poetry include The Fork (1965), The Left Hand & The Glory of Her (1967), and The Air’s Nearly Perfect Elasticity (1979). His poetry was anthologized in The New American Poetry, 1945–1960 (1960, edited by Donald Allen). A selection of his manuscripts and correspondence is archived in the Stanford University Libraries and a smaller selection of his correspondence with poet Philip Whalen is archived at the Reed College Library.


Foot, No.1, edited by Richard Duerdan
mags_foot01San Francisco, September 1959
First edition, hand-sewn illustrated wrappers, 6.75″ x 8.5″, 56 pages. Cover illustration by Robert Duncan.

Contributors: Ebbe Borregaard, Richard Brautigan, Jess Collins, Richard Duerden, Robert Duncan, Larry Eigner, Eloise Nixon, Philip Whalen, Gary Snyder.

Foot, No. 2, edited by Richard Duerden and William Brown
mags_foot02San Francisco, 1962
First edition, saddle-stapled illustrated wrappers, 6.75″ x 8.75″, 80 pages. Illustrations by Philip Roeber and Philip Whalen.

Contributors: Philip Whalen, Philip Roeber, Joanne Snyder, Richard Duerden, Robert Duncan, Jack Spicer, Kenneth Rexroth, William Brown, Lew Welch, Leslie Thompson, Jess Collins, Gary Snyder, Michael McClure, Suzanne Duerden.

Foot, No. 3, edited by Richard Duerden
mags_foot03San Francisco, Spring 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.5″, 12 pages. Cover illustration by Robert Duncan.

Contributors: Robert Creeley, Duncan McNaughton, Richard Duerden, John Thorpe, Lawrence Kearney.

Foot, No. 4, edited by Richard Duerden
mags_foot04San Francisco, Summer 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.75″, 16 pages. Cover illustration by Terry Bell.

Contributors: Lawrence Kearney, Jerry Ratch, Duncan McNaughton,   Don Cushman, James Koller.

Foot, No. 5, edited by Richard Duerden
mags_foot05San Francisco, Fall 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.5″, 12 pages. Cover illustration by Leslie Scalapino.

Contributors: Leslie Scalapino, Richard Duerden, Michael Wolfe, Ron Loewinsohn.

Foot, No. 6, edited by Leslie Scalapino and Richard Duerden
mags_foot06Berkeley, 1978
First edition, perfect bound illustrated wrappers, 7″ x 9″, 40 pages. Cover illustration by Diane Sophia.

Contributors: Diane Sophia, Leslie Scalapino, Larry Kearney, John Thorpe, Philip Whalen, Diane Sophia, Don Cushman, Sherril Jaffe, Michael Davidson, Michael Wolfe, Duncan McNaughton, Robert Duncan, Norman Fischer, Bernadette Mayer, Peter Rabbit, Richard Duerden.

Foot, No. 7, edited by Richard Duerden
mags_foot07Berkeley, 1979
First edition, perfect bound illustrated wrappers, 7″ x 5.5″, 40 pages. Cover illustration by Terry Bell.

Contributors: Lawrence Kearney

Foot, No. 8, edited by Leslie Scalapino and Richard Duerden
mags_foot08Berkeley, 1980
First edition, perfect bound illustrated wrappers, 7″ x 9″, 52 pages.

Contributors: Keith Shein, Leslie Scalapino, Diane Sophia, Norma Smith, Sarah Menefee, Don Cushman, Joanne Kyger, Larry Eigner, Bill Berkson, Bob Grenier, Jackie Cantwell, Ted Pearson, Marc Lecard, Lawrence Kearney, Jeanne Lance, Duncan McNaughton, Michael Wolfe, Carla Harryman.

Semina

seminaSEMINA, edited by Wallace Berman
 Los Angeles, San Francisco, Larkspur: 1955-1964
Nine issues in various limitations (<200 copies), letterpress printed, tipped photgraphs, contributors include Berman, John Altoon, Antonin Artaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, and John Weiners, amongst many others.

(facsimile edition) SEMINA, edited by Wallace Berman and compiled by George Herms
Venice: Love Press (George Herms), 1992
First edition thus, 1/300 copies signed by George Herms, individual facsimile reproductions of SEMINA magazine issues 1-9, plus a loose colophon signed and numbered by George Herms laid into a printed chipboard box, as issued. This meticulous facsimile recreation of Wallace Berman’s legendary (and legendarily scarce) handmade Beat literary/art magazine from the late 1950s early 60s took four years to bring to fruition, contributors include Berman, John Altoon, Antonin Artaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, and John Weiners, amongst many others. This edition has been assembled in the fashion of the originals: handset letterpress on scraps of colored paper, photos, pastedowns, etc. The project was edited and overseen by Berman’s friend and fellow collage/assemblage artist George Herms.

Fuck You/ a magazine of the arts

Fuck You/ a magazine of the arts ran for thirteen issues from 1962 to 1965. Considered one of the most influential underground magazines of the early sixties, Ed Sanders’ Fuck You was a deliberately fypprovocative mimeographed journal, at first emphasizing poetry and later expanding to include other writing. Each issue is illustrated with line drawings by Sanders.

Contributors include Sanders, Tuli Kupferberg, Carol Bergé, John Wieners, Andy Warhol, Ray Bremser, Lenore Kandel, Charles Olson, Joel Oppenheimer, Peter Orlovsky, Philip Whalen, Allen Ginsberg, Herbert Huncke, Julian Beck, Frank O’Hara, Leroi Jones, Diane DiPrima, William Burroughs, Gary Snyder, Robert Kelly, Judith Malina, Carl Solomon, Gregory Corso, Robert Duncan, Robert Creeley, Michael McClure, Ted Berrigan, Joe Brainard, Gilbert Sorrentino, and many others — a virtual “who’s who” of avant garde poetry in the Sixties.


1. Fuck You, No. 1, edited by Ed Sanders
New York: February 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

2. Fuck You, No. 2, edited by Ed Sanders
New York: April 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

3. Fuck You, No. 3, edited by Ed Sanders
New York: June 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

4. Fuck You, No. 4, edited by Ed Sanders
New York: August 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

5. Fuck You, No. 5, Vol. 1, edited by Ed Sanders
fy51New York: December 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

“Dedicated to pacificism, national defense thru nonviolent resistence, total assault on the culture, vaginal zapping, multilateral indiscriminate apertural conjugation, Hole Cons, Crotch Lake, Peace Eye, mad bands of stompers for peace, & all those gropped by J. Edgar Hoover in the silent halls of congress.”

6. Fuck You, No. 5, Vol. 2, edited by Ed Sanders
New York: December 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

7. Fuck You, Number 5, Volume 3, edited by Ed Sanders
New York: May 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

“Dedicated to pacificism, National Defense thru Nonviolent Resistance, Anarchia the Goddess, Orlovsky’s long Egyptian finger, Peace Eye, Hole Cons, Peace Walk Dicking, dope thrill Banana rites, Acapulco Gold, Panamanian Red, Honduras Brown, windowbox freak grass, the anarcho-commio-greaser conspiracy, submarine boarders, mad bands of stompers for Peace, and all those groped by J. Edgar Hoover in the silent halls of Congress”.

8. Fuck You, Number 5, Volume 4, edited by Ed Sanders
New York: Summer 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

9. Fuck You, Number 5, Volume 5, edited by Ed Sanders
New York: December 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

10. Fuck You, Number 5, Volume 6, edited by Ed Sanders
New York: April/May 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

11. Fuck You, Number 5, Volume 7, edited by Ed Sanders
New York: September 1964
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

12. Fuck You, Volume 5, Number 8, edited by Ed Sanders
New York: March 1965
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover artwork by Andy Warhol.

13. Fuck You/ a magazine of the arts, Volume 5, Number 9

Measure

wieners


“The three simple, almost starkly working-class issues of Measure followed glorious and overlooked “underground” poet John Wieners from Black Mountain College home to Boston, across country to San Francisco, and back to Boston again. In his years in San Francisco, from 1958 to 1960, Wieners attended (sometimes serving as host at his Scott Street apartment) the legendary Sunday afternoon poetry workshops of the charismatic poets Robert Duncan and Jack Spicer. Also present at the workshops were George Stanley, Harold Dull, Robin Blaser (The Pacific Nation), and many others…”
— from A Secret Location on the Lower East Side (Granary Books, 1998)

Measure, No. 1, edited by John Wieners
mags_measure01Boston: Measure, Summer 1957
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 48 pages, letterpress printed at the Press of Villiers Publications..

“Measure is edited by John Wieners. It will be issued with the four seasons only through your support… Please understand that the opinions expressed in this magazine do not necessarily reflect those of the city.”

Contributors:
Tom Balas – “Le Fou”
Charles Olson – “Le Bonheur!”, “The Charge”, “Spring”
Edward Marshall – “One:”, “Two:”
Robin Blaser – “Poem”, “Letters to Freud”, “Poem by the Charles River”
Edward Dorn – “The Rick of Green Wood”
Larry Eigner – “Millionem”, “Brink”
Frank O’Hara – “section 9 from Second Avenue”
Fielding Dawson – “Two Drawings”
Stephen Jonas – “Word on Measure”, “Expanded Word on Measure”
Michael Rumaker – “Father”
Gavin Douglas – “The Blanket”
Jack Spicer – “Song for Bird and Myself”
Jonathan Williams – “Two Poems for Whitman, the Husbandman”
Robert Duncan – “The Propositions”

Measure, No. 2, edited by John Wieners
mags_measure2San Francisco: Measure, Winter 1958
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 64 pages, letterpress printed at the Press of Villiers Publications.

“Magick is for the ones who ball, i.e. throw across”

Contributors:
Michael Rumaker – “The use of the Unconscious”
Robin Blaser – “The Hunger of Sound”
Robert Creeley – “Juggler’s Thot”
Michael Rumaker – “8 Dreams”
Jack Kerouac – “4 Choruses”
Charles Olson – “Descensus Spiritus No. 1”
Robert Duncan – “The Maiden”
Robert Creeley – “They Say”, “She Went to Say”
Jack Kerouac – “235th Chorus”
Edward Dorn – “Notes from the Fields”
Robert Duncan – “The Dance”
Stuart Z. Perkoff – “Feats of Death, Feasts of Love”
V. R. Lang – “The Recidivists”
Gregory Corso – “Yaaaah”
James Broughton – “Feathers or Lead”
Michael McClure – “The Magazine Cover”, “One & Two”
Robert Creeley – “The Tunnel”, “Just Friends”
Richard Duerden – “Musica No. 3”
Stephen Jonas – “Books 3 & 4 from a Long Poem”

Measure, No. 3, edited by John Wieners
mags_measure03Milton: Measure, Winter 1962
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 36 pages, letterpress printed at the Press of Villiers Publications.

“THE CITY / 1 AM – Unreasonable fear, of the shadows of Harry Lime, of the dead reappearing”

Contributors:
James Schuyler – “Shed Market”, “Joint”
Gerrit Lansing – “Explorers”
Barbara Guest – “Safe Flights”, [untitled] “Once when he was a small boy…”,  “Abruptly, as if a Forest Might Say”
Helen Adam – “Anaid si Taerg (Great is Diana)”
Madeline Gleason – “Wind Said, Marry”
Robert Duncan – “What do I Know of the Old Lore?”
Jack Spicer – “Central Park West”
Larry Eigner – “Poem”
Tom Field – [untitled] “Form is never more than the extension…”
Edward Marshall – “Times Square”, “2”, “3”
John Wieners – “The Imperatrice”
Philip Lamantia – “Opus Magnum”
Sheri Martinelli – “Ruth Gildenberg”
Michael Rumaker – “The River at Night”
Charles Olson – “The Year is a Great Circle…”, The Post Virginal”, [untitled] “Desartes, age 34…”
John Haines – “Poem”, “Pawnee Dust”

Oyez Press

Oyez Press was founded in 1964 by Robert Hawley and Stevens van Strum in Berkeley, California. Its inaugural run was a series of 10 broadsides featuring poems by Michael McClure, Brother Antoninus, Josephine Miles, Robert Duncan, Robert Creeley, David Meltzer, Denise Levertov, Charles Olson, Gary Snyder and William Bronk. These broadsides were printed by Dave Haselwood’s Auerhahn Press based in San Francisco.

Oyez would continue to publish books for over 20 years by poets primarily from the Black Mountain school and the Bay Area Renaissance; publishing over 80 books in addition to numerous keepsakes and broadsides, featuring authors such as David Meltzer, Josephine Miles, Lew Welch, Philip Lamantia, and many others.

The first Oyez book was a collection of poetry by David Meltzer. It was during this period that Hawley began his business relationship with printer Graham Mackintosh. The Oyez poetry editions were well regarded for the simplicity and elegance of their designs. Although not all Oyez books were designed by Mackintosh, several of his designs did receive awards, including an edition of William Everson’s Single Source that was selected as one of the 50 books of the year by the American Institute of Graphic Arts.


1. McClure, Michael. TWO FOR BRUCE CONNOR
Berkeley: Oyez, 1964
First edition, broadside, 12″ x 17″, 500 copies, printed by The Auerhahn Press. Published as Oyez 1. (Clements A12)

2. Everson, William. THE ROSE OF SOLITUDE
Berkeley: Oyez 1964
First edition, broadside, 13″ x 17.5″, printed by The Auerhahn Press. Published as Oyez 2.

3. Miles, Josephine. IN IDENTITY
San Francisco: Oyez, 1964
First edition, broadside, 11.5″ x 17″, Printed by The Auerhahn Press. Published as Oyez 3.

4. DUNCAN, Robert. WINE
San Francisco: Oyez, 1964
First edition, broadside, 11.5″ x 17″, Printed by The Auerhahn Press. Published as Oyez 4.

5. Creeley, Robert. TWO POEMS
[San Francisco]: Oyez, 1964
First edition, broadside, 11.25″ x 16.5″, 423 copies (27 signed in a portfolio), printed by The Auerhahn Press. Published as Oyez 5. (Novik 15)

6. Meltzer, David. THE BLACKEST ROSE
Berkeley: Oyez, 1964
First edition, broadside, 10.75″ x 17.5″, printed by The Auerhahn Press. Published as Oyez 6.

7. Levertov, Denise. CITY PSALM
Berkeley: Oyez, 1964
First First edition, broadside, 11.5″ x 17.5″, 300 copies, printed by The Auerhahn Press. Published as Oyez 7. (Wilson A8)

8. Olson, Charles. SIGNATURE TO PETITION
San Francisco: Oyez 1964.
First edition, broadside, 11″ x 17.25″, printed by The Auerhahn Press.Published as Oyez 8.

9. Snyder, Gary. HOP, SKIP, AND JUMP
(San Francisco): Oyez, 1964
First edition, broadside, 11″ x 17.5″, 350 copies, Printed by The Auerhahn Press. Published as Oyez 9.

10. Bronk, William. THE CIPHER
Berkeley: Oyez, 1965
First edition, broadside, 10.75″ x 17.5″, printed by The Auerhahn Press. Published as Oyez 10.

11. Meltzer, David. THE PROCESS
Berkeley: Oyez, 1965
A. First edition, paperback, 37 pages, 500 copies
B. First edition, hardcover, 37 pages, 25 copies

 

Dijkstra, Bram. FACES IN SKIN
Berkeley: Oyez, 1965
First edition, stapled wrappers in dust jacket, 32 pages, 500 copies.

Duncan, Robert. MEDEA AT KOLCHIS: THE MAIDEN HEAD
Berkeley: Oyez, 1965
A. First edition, stapled wrappers, 44 pages, 500 copies.
B. First edition, hardcover, 44 pages, 28 copies, numbered and signed.

Kherdian, David. DAVID MELTZER: A SKETCH AND CHECKLIST
Berkeley: Oyez, 1965
First edition, paperback, 9 pages, 500 copies

Kherdian, David. GARY SNYDER: A BIOGRAPHICAL SKETCH AND DESCRIPTIVE CHECKLIST
Berkeley: Oyez, 1965
First edition, paperback, 30 pages, 500 copies

McClure, Michael. THE BEARD
Berkeley: Oyez, 1965
First edition, paperback, 70 pages, 330 copies

McClure, Michael. POISONED WHEAT
Berkeley: Oyez, 1965
First edition, paperback, 14 pages, 1000 copies

McGaugh, Lawrence. A FIFTH SUNDAY
Berkeley: Oyez, 1965
First edition, paperback, 26 pages, 500 copies

Alexander, D. NOT A WORD
Berkeley: Oyez, 1966
First edition, stapled wrappers, 58 pages, 500 copies.

Duncan, Robert. THE YEAR AS CATCHES
Berkeley: Oyez, 1966
A. First edition, paperback, 93 pages, 1800 copies.
B. First edition, hardcover, 93 pages, 30 copies, numbered and signed.

Duncan, Robert. OF THE WAR PASSAGES, 22-27
Berkeley: Oyez, 1966
A. First edition, paperback, 11 pages, 500 copies.
B. First edition, paperback, 11 pages, 100 copies, numbered and signed.
C. First edition, hardcover, 11 pages, 6 copies, numbered and signed.

Everson, William. SINGLE SOURCE: THE EARLY POEMS OF WILLIAM EVERSON (1934-1940)
Berkeley: Oyez, 1966
A. First edition, hardcover, 105 pages, 1000 copies
B. First edition, hardcover, 105 pages, 25 copies, numbered and signed

Fabilli, Mary. THE OLD ONES
Berkeley: Oyez, 1966
A. First edition, paperback, 28 pages, 500 copies
B. First edition, hardcover, 28 pages, 3 copies

Hogg, Robert. THE CONNEXIONS
Berkeley: Oyez, 1966
First edition, paperback, 40 pages, 500 copies

Lamantia, Philip. TOUCH OF THE MARVELOUS
Berkeley: Oyez, 1966
A. First edition, paperback, 65 pages, 1450 copies
B. First edition, hardcover, 65 pages, 50 copies, numbered and signed.

Miles, Josephine. CIVIL POEMS
Berkeley: Oyez, 1966
First edition, paperback, 16 pages, 500 copies

Miles, Josephine. FIELDS OF LEARNING
Berkeley: Oyez, 1966
First edition, paperback, 25 pages, 500 copies

Dusenbery, Gail. THE MARK
Berkeley: Oyez, 1967
A. First edition, paperback, 68 pages, 1200 copies.
B. First edition, hardcover, 68 pages, 26 copies, numbered and signed.

Everson, William. IN THE FICTIVE WISH
Berkeley: Oyez, 1967
First edition, hardcover, 22 pages, 200 copies, numbered and signed.

Korte, Mary Norbert. HYMN TO THE GENTLE SUN
Berkeley: Oyez, 1967
A. First edition, paperback, 45 pages, 900 copies
B. First edition, hardcover, 45 pages, 26 copies, numbered and signed

Meltzer, David. JOURNAL OF THE BIRTH
Berkeley: Oyez, 1967
First edition, paperback, 19 pages, 1000 copies

Meltzer, David. THE DARK CONTINENT
Berkeley: Oyez, 1967
A. First edition, paperback, 94 pages, 1000 copies
B. First edition, hardcover, 94 pages, 26 copies

Antoninus, Brother (William Everson). ROBINSON JEFFERS: FRAGMENTS OF AN OLDER FURY
1968
Hardcover, 173 pages, 2600 copies

Charters, Ann. OLSON/MELVILLE: A STUDY IN AFFINITY
1968
A. paperback, 90 pages, 1000 copies
B. hardcover, 90 pages, 500 copies

Fabilli, Mary. AURORA BLIGH & EARLY POEMS
Berkeley: Oyez, 1968
A. First edition, paperback, 108 pages, 500 copies
B. First edition, hardcover, 108 pages, 250 copies

Korte, Mary Norbert. BEGINNING OF LINES
Berkeley: Oyez, 1968
A. First edition, paperback, 37 pages, 500 copies
B. First edition, hardcover, 37 pages, 200 copies, numbered and signed

Antoninus, Brother. THE LAST CRUSADE
Berkeley: Oyez, 1969
First edition, hardcover, 18 pages, 165 numbered and signed copies

Boar, Gerard (Ebbe Borregaard). SKETCHES FOR 13 SONNETS
Berkeley: Oyez, 1969
First edition, paperback, (12 pages), 1600 copies

Charters, Samuel. TO THIS PLACE
Berkeley: Oyez, 1969
A. wrappers, 50 pages, 750 copies
B. hardcover, 50 copies, 250 copies

McGaugh, Lawrence. VACUUM CANTOS
Berkeley: Oyez, 1969
A. First edition, paperback, 30 pages, 500 copies
B. First edition, hardcover, 30 pages, 30 copies

Blazek, Douglas. FLUX & REFLUX
Berkeley: Oyez, 1970
Paperback, 57 pages, 1000 copies

Chiarrello, Gail (Gail Dusenbery). THE BHANGRA DANCE
Berkeley: Oyez, 1970
First edition, paperback, 34 pages, 485 copies.

Edelman, Richard Wayne. THE WEDDING FEAST
Berkeley: Oyez, 1970
First edition, paperback, 37 pages, 1000 copies. Introduction by Denise Levertov.

Hottel, Christopher. THE KNIVES OF DAWN
Berkeley: Oyez, 1970
First edition, paperback, 37 pages, 1000 copies

Korte, Mary Norbert. THE MIDNIGHT BRIDGE
Berkeley: Oyez, 1970
First edition, paperback, 44 pages, 1000 copies

Levertov, Denise. SUMMER POEMS, 1969
Berkeley: Oyez, 1970
A. First edition, paperback, 10 pages, 300 copies
B. First edition, hardcover, 10 pages, 50 copies

Olson, Charles. THE SPECIAL VIEW OF HISTORY
Berkeley: Oyez, 1970
A. First edition, paperback, 61 pages, 1000 copies
B. First edition, hardcover, 61 pages, 500 copies

Charters, Samuel. SOME POEMS POETS
Berkeley: Oyez, 1971
A. paperback, 118 pages, 1000 copies
B. hardcover, 118 pages, 500 copies

Di Prima, Dianne. KERHONKSON JOURNAL, 1966
Berkeley: Oyez, 1971
First edition, paperback, 39 pages, 1000 copies

Everson, William. EARTH POETRY
Berkeley: Oyez, 1971
First edition, paperback, 4 pages

Brugnola, Orlanda. KING OF THORNBUSHES
Berkeley: Oyez, 1972
A. First edition, paperback, 39 pages, 500 copies
B. First edition, hardcover, 39 pages, 20 copies, numbered and signed

Charters, Samuel. FROM A SWEDISH NOTEBOOK
Berkeley: Oyez, 1972
A. First edition, paperback, 60 pages, 500 copies
B. First edition, 60 pages, 500 copies

Eigner, Larry. SELECTED POEMS
Berkeley: Oyez, 1972
A. First edition, paperback, 125 pages, 1000 copies
B. First edition, hardcover in dust jacket, 125 pages, 500 copies

Horsley, James. GOD’S NAKED DAUGHTER
Berkeley: Oyez, 1972
A. First edition, paperback, 38 pages, 850 copies
B. First edition, hardcover, 38 pages, 150 copies, numbered and signed.

Hooker, Craig Michael. HONOR AWAKENS AGAIN
Berkeley: Oyez, 1973
First edition, paperback, 34 pages, 500 copies

Palmer, Doug.  IN QUIRE
Berkeley: Oyez, 1973
First edition, paperback, 56 pages, 650 copies

Cebulski, F.J. CORM
Berkeley: Oyez, 1974
A. Paperback, 59 pages, 750 copies
B. Hardcover, 59 pages, 250 copies

Hill, Lindsay. AVELAVAL
Berkeley: Oyez, 1974
A. First edition, paperback, 59 pages, 500 copies
B. First edition, hardcover, 59 pages, 250 copies

Meltzer, David. BLUE RAGS
Berkeley: Oyez, 1974
A. First edition, paperback, 25 pages, 1000 copies
B. First edition, hardcover, 25 pages, 250 copies

Everson, William. ARCHETYPE WEST: THE PACIFIC COAST AS A LITERARY REGION
Berkeley: Oyez, 1975
A. First edition, paperback, 181 pages, 1000 copies
B. First edition, hardcover, 181 pages, 500 copies

Fabilli, Mary. THE ANIMAL KINGDOM: POEMS & DRAWINGS
Berkeley: Oyez, 1975
First edition, paperback, 69 pages, 500 copies

Meltzer, David. HARPS
Berkeley: Oyez, 1975
A. First edition, paperback, 28 pages, 500 copies
B. First edition, hardcover, 28 pages, 500 copies

Alvarado de Ricord, Elsie; Lucha Corpi, and Concha Michel. FIREFLIGHT
Berkeley: Oyez, 1976
Paperback, 109 pages, 1000 copies. Translated by Catherine Rodriguez-Nieto.

Charters, Samuel. IN LAGOS
Berkeley: Oyez, 1976
First edition, paperback, 15 pages, 600 copies.

Everson, William. RIVER-ROOT
Berkeley: Oyez, 1976
A. First edition, paperback, 45 pages, 1000 copies
B. First edition, hardcover, 45 pages 250 copies, numbered and signed

Garcia, Luis. BEANS
Berkeley: Oyez, 1976
First edition, paperback, 67 pages, 1000 copies

Morrison, Rusane. SUMMER PATCHWORK
Berkeley: Oyez, 1976
First edition, paperback, 24 pages, 500 copies

Meltzer, David. TWO-WAY MIRROR
Berkeley: Oyez, 1977
A. First edition, paperback, 149 pages, 1000 copies
B. First edition, hardcover, 149 pages, 500 copies

Canan, Janine. OF YOUR SEED
Berkeley: Oyez, 1977
Paperback, 60 pages, 500 copies.

Clark, Naomi. BURGLARIES AND CELEBRATIONS
Berkeley: Oyez, 1977
A. First edition, paperback, 80 pages, 750 copies.
B. First edition, hardcover, 80 pages, 250 copies.
Foreword by William Everson.

Dean, Robert. DINNER AT MME
Berkeley: Oyez, 1977
A. First edition, paperback, 40 pages, 1000 copies.
B. First edition, hardcover, 40 pages, 50 copies, numbered and signed

Gitin, David. LEGWORK
Berkeley: Oyez, 1977
A. First edition, paperback, 59 pages, 950 copies
B. First edition, hardcover, 59 pages, 50 copies, numbered and signed

Lummis, Dayton. CLOSETS OF MERCY
Berkeley: Oyez, 1977
First edition, paperback, 33 pages, 500 copies

Korn, Richard. THE JUDGMENT OF THE CONDOR
Berkeley: Oyez, 1978
A. First edition, paperback, 80 pages, 500 copies
B. First edition, hardcover, 80 pages, 250 copies

Korte, Mary Norbert. MAMMALS OF DELIGHT
Berkeley: Oyez, 1978
A. First edition, paperback, 37 pages, 550 copies
B. First edition, hardcover, 37 pages, 50 copies, numbered and signed

Charters, Samuel. OF THOSE WHO DIED
Berkeley: Oyez, 1980
First edition, paperback, 22 pages, 1000 copies.

Everson, William. EARTH POETRY
Berkeley: Oyez, 1980
A. First edition, paperback, 251 pages, 1000 copies
b. First edition, hardcover, 251 pages, 500 copies

Hiller, Tobey. CROSSINGS
Berkeley: Oyez, 1980
First edition, paperback, 17 pages, 600 copies

Korn, Richard and Brugnola Orlanda. JOB
Berkeley: Oyez, 1981
First edition, paperback, 22 pages, 1000 copies

Hiller, Tobey. CERTAIN WEATHERS
Berkeley: Oyez, 1987
First edition, paperback, 62 pages, 500 copies

Charters, Samuel. A COUNTRY YEAR
Berkeley: Oyez, 1992
First edition, paperback, 140 pages, 1000 copies.

 

Four Seasons Foundation

Donald Merriam Allen (Iowa, 1912 – San Francisco, August 29, 2004) was an influential editor, publisher, and translator of contemporary American literature. He is perhaps best known for his project The New American Poetry 1945-1960 (Grove Press, 1960), a seminal anthology that introduced a revolutionary new generation of postwar poetry that was to change the course of American literature.

In 1960, Allen moved from New York to San Francisco, where he established Grey Fox and the Four Seasons Foundation, two significant literary presses where he continued to publish work from Beat, San Francisco Renaissance, Black Mountain, and New York School writers, as well as younger new voices.  Among the authors were Richard Brautigan, Robert Creeley, Edward Dorn, Robert Duncan, Jack Kerouac, Joanne Kyger, Philip Lamantia, Frank O’Hara, Charles Olson, John Rechy, Aaron Shurin, Gary Snyder, Jack Spicer, Lew Welch, and Philip Whalen.


Four Seasons Foundation, A Preliminary Checklist

Welch, Lew. STEP OUT ONTO THE PLANET
San Francisco: Four Seasons Foundation 1963
First edition, broadside, 9.5″ x 12.5″, 300 copies, signed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964

Whalen, Philip. THREE MORNINGS
San Francisco: Four Seasons Foundation 1963
First edition, broadside, 9.5″ x 12.5″, 300 copies, signed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964

Snyder, Gary. NANAO KNOWS
San Francisco: Four Seasons Foundation 1964
First edition, broadside, 9.5″ x 12.5″, 300 copies, signed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964

Olson, Charles. A BIBLIOGRAPHY ON AMERICA FOR ED DORN
San Francisco: Four Seasons Foundation (1964)
First edition, saddle-stapled wrappers, 6″ x 8″, 16 pages.
Published as Writing 1

Dorn, Edward; Rumaker, Michael; Tallman, Warren. PROSE 1
San Francisco: Four Seasons Foundation, 1964
First edition, saddle-stapled wrappers, 36 pages
Published as Writing 2

[anthology]. 12 Poets & 1 Painter
San Francisco: Four Seasons Foundation, 1964
First edition, saddle-stapled wrappers, 32 pages. Contributors include: LeRoi Jones, Joanne Kyger, Robert Creeley, Denise Levertov, Lawrence Ferlinghetti, Robert Duncan, Gary Snyder, Lew Welch, Allen Ginsberg, Charles Olson, Max Finstein, Bruce Boyd, and Jess Collins
Published as Writing 3

Loewinsohn, Ron. AGAINST THE SILENCES TO COME
San Francisco: Four Seasons Foundation, 1965
A. stapled wrappers, 7.75″ x 9.75″, (16 pages), 1000 copies
B. stapled wrappers, 7.75″ x 9.75″, (16 pages), 26 lettered and signed copies
Published as Writing 4

Kyger, Joanne. THE TAPESTRY AND THE WEB
San Francisco: Four Seasons Foundation, 1965
A. paperback, 61 pages
B. hardcover, 61 pages
Published as Writing 5

Olson, Charles. PROPRIOCEPTION
San Francisco: Four Seasons Foundation, 1965
First edition, saddle-stapled wrappers, 18 pages
Published as Writing 6

Snyder, Gary. RIPRAP & COLD MOUNTAIN POEMS
San Francisco: Four Seasons Foundation, 1965
stapled wrappers, 7.75″ x 9.75″, 50 pages
Published as Writing 7

Welch, Lew. HERMIT POEMS
San Francisco: Four Seasons Foundation, 1965
A. First edition, saddle-stapled wrappers, 16 pages, 974 copies
B. First edition, saddle-stapled wrappers, 16 pages, 26 numbered and signed copies
Published as Writing 8

Snyder, Gary. SIX SECTIONS FROM MOUNTAINS AND RIVERS WITHOUT END
San Francisco: Four Seasons Foundation, 1965
stapled wrappers, 42 pages, 1000 copies
Published as Writing 9

Koller, James. THE DOGS & OTHER DARK WOODS
San Francisco: Four Seasons Foundation, 1966
A. stapled wrappers, 33 pages, 1000 copies
B. hardcover, 33 pages, 26 copies, numbered signed
Published as Writing 10

McClure, Michael. LOVE LION BOOK
San Francisco: Four Seasons Foundation, 1966
A. stapled wrappers, 24 pages, 1000 copies
B. hardcover, 24 pages, 40 copies, numbered, signed
Published as Writing 11

Writing 12 [?]

Olson, Charles. STOCKING CAP: A STORY
San Francisco: Four Seasons Foundation, 1966
stapled wrappers, 15 pages
Published as Writing 13

Brautigan, Richard. TROUT FISHING IN AMERICA
San Francisco: Four Seasons Foundation, 1967
paperback
Published as Writing 14

Hadley, Drummond. THE WEBBING
San Francisco: Four Seasons Foundation, 1967
stapled wrappers, 52 pages, 500 copies
Published as Writing 15

McClure, Michael. THE SERMONS OF JEAN HARLOW & THE CURSES OF BILLY THE KID
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
A. First edition, saddle-stapled wrappers, 1200 copies

Olson, Charles. CAUSAL MYTHOLOGY
San Francisco: Four Seasons Foundation, 1969
A. paperback, 40 pages
B. hardcover, 40 pages
Published as Writing 16

Blaser, Robin. CUPS
San Francisco: Four Seasons Foundation, 1968
A. stapled wrappers, 24 pages, 1000 copies
B. hardcover, 24 pages, 40 copies, numbered, signed
Published as Writing 17

McClure, Michael. GHOST TANTRAS
San Francisco: Four Seasons Foundation, 1969
paperback

Writing 18 [?]

Upton, Charles. TIME RAID
San Francisco: Four Seasons Foundation, 1969
stapled wrappers, 30 pages
Published as Writing 19

Brautigan, Richard. THE PILL VERSUS THE SPRINGHILL MINE DISASTER
San Francisco: Four Seasons Foundation, 1968
A. paperback, 108 pages
B. hardcover, 108 pages, 50 copies, numbered, signed
Published as Writing 20

Brautigan, Richard. IN WATERMELON SUGAR
San Francisco: Four Seasons Foundation, 1968
A. paperback, 138 pages
B. hardcover, 138 pages, 50 copies, numbered, signed
Published as Writing 21

Creeley, Robert. A Quick Graph: Collected Notes & Essays
San Francisco: Four Seasons Foundation, 1969
A. paperback, 365 pages, 1000 copies
B. hardcover, 365 pages
C. hardcover in dust jacket, 365 pages
Published as Writing 22.

Creeley, Robert. THE CHARM: EARLY AND UNCOLLECTED POEMS
San Francisco: Four Seasons Foundation, 1969
A. paperback, 97 pages
B. hardcover, 97 pages
C. hardcover, 97 pages, 100 copies, numbered, signed
Published as Writing 23

Whalen, Philip. SEVERANCE PAY
San Francisco: Four Seasons Foundation, 1970
A. paperback, 51 pages
B. paperback, 51 pages, 50 copies, numbered, signed
Published as Writing 24

Lamantia , Philip. THE BLOOD OF THE AIR
San Francisco: Four Seasons Foundation, 1970
A. paperback, 45 pages
B. hardcover, 45 pages, 50 copies, numbered, signed
Published as Writing 25

Millward, Pamela. MOTHER: A NOVEL OF REVOLUTION
San Francisco: Four Seasons Foundation, 1970
A. paperback, 57 pages
Published as Writing 26

Olson, Charles. POETRY AND TRUTH
San Francisco: Four Seasons Foundation, 1971
A. paperback, 75 pages
B. hardcover, 75 pages
Published as Writing 27

Schaff, David. THE MOON BY DAY
San Francisco: Four Seasons Foundation, 1971
paperback, 114 pages
Published as Writing 28

Herd, Dale. EARLY MORNING WIND AND OTHER STORIES
San Francisco: Four Seasons Foundation, 1972
paperback
Published as Writing 29

Snyder, Gary. MANZANITA
San Francisco: Four Seasons Foundation, 1972
paperback

Creeley, Robert. CONTEXTS OF POETRY: INTERVIEWS 1961-1971
San Francisco: Four Seasons Foundation, 1973
paperback, 214 pages
Published as Writing 30

Olson, Charles. ADDITIONAL PROSE: A BIBLIOGRAPHY ON AMERICA, PROPRIOCEPTION, & OTHER NOTES & ESSAYS
Bolinas: Four Seasons Foundation, 1974
A. paperback, 109 pages
B. hardcover, 109 pages
Published as Writing 31

Lamantia, Philip. TOUCH OF THE MARVELOUS
Bolinas: Four Seasons Foundation, 1974
A. paperback, 47 pages
B. hardcover, 47 pages
Published as Writing 32

Whalen, Philip. THE KINDNESS OF STRANGERS: POEMS 1969-1974
Bolinas: Four Seasons Foundation, 1976
paperback, 57 pages
Published as Writing 33

Dorn, Edward. THE COLLECTED POEMS 1956-1974
Bolinas: Four Seasons Foundation, 1975
A. paperback, 277 pages
B. hardcover, 277 pages
Published as Writing 34

Olson, Charles. MUTHOLOGOS; COLLECTED LETTERS & INTERVIEWS 
Bolinas: Four Seasons Foundation, 1979
A. paperback, 230 pages, 2 volumes
B. hardcover, 230 pages, 2 volumes
Published as Writing 35

Olson, Charles. THE FIERY HUNT AND OTHER PLAYS
Bolinas: Four Seasons Foundation, 1977
paperback, 125 pages
Published as Writing 36

Whalen, Philip. OFF THE WALL: INTERVIEWS WITH PHILIP WHALEN
Bolinas: Four Seasons Foundation, 1978
paperback, 88 pages
Published as Writing 37

Dorn, Edward. INTERVIEWS
Bolinas: Four Seasons Foundation, 1980
paperback, 117 pages
Published as Writing 38

Creeley, Robert. WAS THAT A REAL POEM & OTHER ESSAYS
Bolinas: Four Seasons Foundation 1979
A. paperback, 149 pages
B. hardcover, 149 pages
Published as Writing 39

Dorn, Edward. VIEWS
Bolinas: Four Seasons Foundation, 1980
A. paperback, 142 pages
B. hardcover, 142 pages
Published as Writing 40

Gluck, Robert. ELEMENTS OF A COFFEE SERVICE
San Francisco: Four Seasons Foundation, 1982
paperback, 97 pages
Published as Writing 41

Whalen, Philip. HEAVY BREATHING: POEMS 1967-1980
San Francisco: Four Seasons Foundation, 1983
paperback, 207 pages
Published as Writing 42

Shurin, Aaron. THE GRACES
San Francisco: Four Seasons Foundation, 1983
paperback, 72 pages


References consulted:

Bohn, Dave. OYEZ: THE AUTHORIZED CHECKLIST
Berkeley: n.p., 1997

Hawley, Bob. CHECKLISTS OF SEPARATE PUBLICATIONS OF POETS AT THE FIRST BERKELEY POETRY CONFERENCE 1965
Berkeley: Oyez/Cody’s, 1965

Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS
Berkeley: Poltroon Press, 1976

Lepper, Gary M. A BIBLIOGRAPHICAL INTRODUCTION TO SEVENTY-FIVE MODERN AMERICAN AUTHORS
Berkeley: Serendipity Books, 1976

Ark

“ARK II, MOBY I, is the successor to THE ARK, a collection of verse, drawings, and articles published in San Francisco in 1947. This was probably the first coherent expression of a new aesthetic and social freedom, which as the years have gone by is now seen to be the characteristic approach of the post war II generation.

“This new gathering has concentrated on poetry and drawings because we feel that the social message has long since been taken for granted by those likely to be interested.”

-From the introduction to ARK II, MOBY I


THE ARK
San Francisco, Spring 1947
First edition, stapled sheets glued into printed wrappers, 72 pages including Contents and Notes on Contributors, letterpress printed, artwork by Ronald Bladen.

Contributors:
Patchen, Kenneth. Excerpt from SLEEPERS AWAKE. page 5
Boodson, Alison. Three Poems. page 12
Rexroth, Kenneth. Advent 1946. page 14
Laughlin IV, James. Now Love Speaks. page 15
Eberhart, Richard. At the End of War. page 16
Woodcock, George. What is Anarchism? page 19
Duncan, Robert. Four Poems. page 23
Goodman, Paul. The “Horace” of Corneille. page 32
Everson, William. If I Hide My Hand. page 38
Cummings, E. E. Four Poems. page 40
Hennacy, Ammon A. Christian Anarchism. page 42
Russell, Sanders. Six Poems. page 48
Lamantia, Philip. Another Autumn Coming. page 51
Stock, Robert. Poem on Holy Saturday. page 52
Rambo, Christopher. Peace To the Doomed Idol. page 54
Williams, William Carlos. Inquest. page 55
Russell, Sanders. E. E. Cummings and the Idea of Actuality. page 59
Duncan, Robert. Reviewing View, an Attack. page 62
Parkinson, Thomas. September Elegy. page 68
Moore, Richard. A Mediation. page 72 


ARK II, MOBY I
San Francisco, 1956-1957
First edition, stapled wrappers, 46 pages including Notes on Contributors and advertisements for The Pocket Poets Series, Jargon, and Black Mountain Review, edited by Michael McClure and James Harmon, letterpress printed at the Press of Villiers Publications, artwork by Ronald Bladen..

Contributors:
Levertov, Denise. Central Park, Winter, After Sunset. Page 1
Levertov, Denise. A Song. Page 1
Levertov, Denise. The Springtime. Page 2
Levertov, Denise. The Third Dimension. Page 3
Levertov, Denise. Laying the Dust. Page 4
McClure, Michael. Canoe: Explication. Page 4
McClure, Michael. Logos: Knout. Page 5
Zukofsky, Louis. Michtam. Page 6
Zukofsky, Louis. George Washington. Page 7
Rexroth, Kenneth. 140 Syllables. Page 8
Russell, Sanders. Two Poems. Page 8
Duncan, Robert. The Law I Love is Major Mover. Page 10
Olson, Charles. As the Dead Prey Upon Us. Page 12
Kerouac, Jack. 230th Chorus from MEXICO CITY BLUES. Page 19
Ginsberg, Allen. The Trembling of the Veil. Page 20
Snyder, Gary. Groves, 12 fromMYTHS & TEXTS. Page27
Williams, Jonathan. The Switch Blade (or, John’s Other Wife). Page 27
Williams, Jonathan. Catullus: Carmen XVI. Page 28
Williams, Jonathan. Greque Musique d’Ameublement (Bar-Fixtures Dept.). Page 28
Perkoff, Stuart. The Recluses. Page 29
Creeley, Robert. Ballad of the Despairing Husband. Page 30
Dorn, Edward. The Revival. Page 32
Dorn, Edward. Lines from a Sitting Position. Page 32
Dorn, Edward. The Common Site. Page 33
Patchen, Kenneth. Another Hamlet is Heard From. Page 34
Patchen, Kenneth. The Most Hen. Page 35
Cox, Paul. Reclame. Page 35
Collins, Jess & Christian Morgenstern. Gallowbrother’s Song to Sophie; The Hangman’s Maiden. Page 36
Collins, Jess & Christian Morgenstern. Moonmatters. Page 36
Collins, Jess & Christian Morgenstern. Goat and Stalker. Page 37
Collins, Jess & Christian Morgenstern. How the Gallowschild Remembers the Names of the Months. Page 37
Whalen, Philip. Martyrdom of Two Pagans. Page 38
Ferlinghetti, Lawrence. Untitled: “Constantly risking absurdity…”. Page 39
Eberhart, Richard. Clocks. Page 40
Eberhart, Richard. Snow. Page 40
Hawthorne, Clive. Four Poems and Notes. Page 40
Harmon, James. Silver Fox Island. Page 42
Harmon, James. Hawk Inlet. Page 42
Harmon, James. The Wind on Market Street. Page 43
Harmon, James. For H. H. Page 44
Turnbull, Gael. A Self-Portrait. Page 44
Turnbull, Gael. Why Don’t You Answer? Page 45


ARK III
San Francisco, Winter 1957
First edition, stapled wrappers, 48 pages including Notes on Contributors and advertisements for New Directions, and City Lights Books, edited by James Harmon, letterpress printed at the Press of Villiers Publications, artwork by Ronald Bladen.

Contributors:
Zukofsky, Louis. Barely and Widely. Page 3
Parkinson, Thomas. Two Vineyards. Page 4
Rexroth, Kenneth. Untitled: “I am fifty-two years old…”. Page 6
Hawthorne, Clive. Greeting, Sweets, The Dog. Page 7
Hawthorne, Clive. Art Blakey. Page 7
Hawthorne, Clive. Love Song. Page 8
Hawthorne, Clive. Night. Page 8
Hawthorne, Clive. Poem. Page 8
Fall, Donald. Caprice. Page 9
Fall, Donald. Eddy Street, San Francisco, 10.30 A.M. Page 9
Fall, Donald. To H. L. Page 10
Fall, Donald. A Respectful Statement on Sex in Unsettled Times. Page 10
Fall, Donald. Postcard. Page 10
Fall, Donald. Abstract Celebration. Page 11
Roskolenko, Harry. Images of Disorder. Page 11
Roskolenko, Harry. My Father’s Profession. Page 12
Roskolenko, Harry. The Streets of Home. Page 12
Roskolenko, Harry. Charlie. Page 13
Boyd, Bruce. Nocturne for the West. Page 13
Perkoff, Stuart Z. Utter Fascinations. Page 14
Sanzenbach, Nicole. Consider Children in the Street. Page 16
Sanzenbach, Nicole. To Allen. Page 16
Whalen, Philip. A Dim View of Berkeley in the Spring. Page 17
Snyder, Gary. What I Think About When I Meditate. Page 18.
Ginsberg, Allen. An Atypical Affair. Page 19
Ginsberg, Allen. A Typical Affair. Page 20
Ginsberg, Allen. How Come He Got Canned at the Ribbon Factory. Page 21
Kerouac, Jack. San Francisco Blues (two excerpts). Page 21
Margolis, William J. Use Your Imagination (no one else does). Page 22
Ferlinghetti, Lawrence. Frame This Picture. Page 23
Wallick, Philip. My Apartment is a Pastoral Apartment. Page 25
Maclaine, Christopher. Three. Page 26
DeJong, David Cornel. Hour of Damnation. Page 27
DeJong, David Cornel. White Collar Class. Page 27
Orlovitz, Gil. The Beggar. Page 28
Lifton, Mitchell. Song. Page 28
Galler, David. Thoughts in the Ward. Page 30
Wernham, Guy. Nature Loves to Hide Herself. Page 32
Wernham, Guy. L’Homme Arraignee. Page 32
Larsen, Carl. The Work of Hands. Page 34
Eberhart, Richard. Hockey. Page 35
Eberhart, Richard. Dogs. Page 35
Uronivitz, Laura. How St George Met The Dragon. Page 36
Gilbert, Jack. Who Cried Love. Page 37
Romero, Idell Tarlow. Message on a Tree Trunk. Page 37
Romero, Idell Tarlow. Written on a Curbstone. Page 38
Corman, Cid. Agamemnon. Page 38
Turnbull, Gael. October. Page 39
Turnbull, Gael. The War. Page 40
Lipton, Lawrence. End of The Nile. Page 41