Tag Archives: Robert Duncan

R.C. Lion

Envisioned as the monthly newsletter of The Rhymers Club at U.C. Berkeley, R.C. Lion ran for three issues from 1966 to 1967. Editors of the newsletter included Ron Loewinsohn, David Bromige, Sherril Jaffe, and David Schaff.

The Club was open to all, “the hope being how a place might come into fact where a writer can give and take heart and impetus among his fellows, exchange information pertinent or otherwise, tell lies, insist on his visions, and hear readings, taped or live, by writers unlikely to be available.”

further reading…

R.C. Lion

Envisioned as the monthly newsletter of The Rhymers Club at U.C. Berkeley, R.C. Lion ran for three issues from 1966 to 1967. Editors of the newsletter included Ron Loewinsohn, David Bromige, Sherril Jaffe, and David Schaff.  The Club was open to all, “the hope being how a place might come into fact where a writer can give and take heart and impetus among his fellows, exchange information pertinent or otherwise, tell lies, insist on his visions, and hear readings, taped or live, by writers unlikely to be available.”

1. R.C. LION, No. 1, edited by Ron Loewinsohn, David Bromige, Sherril Jaffe, and David Schaff
Berkeley: R.C. Lion, May 1966
First edition, side-stapled printed wrappers, 8.5″ x 11″, 22 pages, mimeograph.

Contributors: Karen Claussen, Sherril Jaffe, Alice Parsons, David Bromige, Martin MacClain, Ron Loewinsohn, David Schaff, Ken McKeon, David Cole, Red Baron.

2. OUR SEA LION, The Magazine That Submerges Periodically, No. 2, edited by  David Bromige, Sherril Jaffe, David Schaff, and Ron Loewinsohn
Berkeley: R.C. Lion, 1966
First edition, side-stapled printed wrappers, 8.5″ x 11″, 54 pages, mimeograph.

Contributors: Anselm Hollo, Richard Brautigan, David Schaff, Jo Marston, Ted Berrigan, David Bromige, Ross Angier, Sherril Jaffe, Bob May, Red Baron, Johannes Amicus, Jim St. Jim, Ron Loewinsohn.

3. R.C. LION, No. 3, edited by David Bromige, Sherril Jaffe, and David Schaff
Berkeley: R.C. Lion, 1967
First edition, side-stapled, illustrated wrappers, 8.5″ x 11″, 60 pages, mimeograph.

Contributors: Fred Wah, David Schaff, David Bromige, Gail Dusenberry, Don Schenker, Ken McKeon, Bob May, Sherril Jaffe, Karen Claussen, Harvey Goldner, Tim Reynolds, Richard Sassoon, Doug Palmer, Scott Smiley, Charla Stark, Phil Sidney, Robert Duncan, Gene Fowler, Martin MacClain.

Auerhahn Press: Broadsides

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This index includes Auerhahn Press broadsides from 1959 through 1965.

B. Auerhahn Press: Broadsides

1. Whalen, Philip. SELF-PORTRAIT FROM ANOTHER DIRECTION
San Francisco: Auerhahn Press, 1959
First edition, folded broadside tipped into printed wrappers, broadside measures 9″ x 19.5″ unfolded. Whalen’s first book and the third from Auerhahn. Handset and printed by Jay McIlroy and Dave Haselwood.

2. Page, David. BABYWHIPLAND
San Francisco: Auerhahn Press, 1961
First edition, broadside folded once as issued, 5.25″ x 7.5″ (5.25″ by 15″ when open), 350 copies.




3. Duncan, Robert. A BOOK OF RESEMBLANCES
San Francisco: Auerhahn Press, n.d.
First edition, broadside, 8″ x 15.5″, illustrated by Jess





4. Blaser, Robin. APPARITORS
San Francisco: Auerhahn Press 1963
First edition, broadside, 13″ x 20″, 300 copies, illustrated by Fran Herndon, signed by the author and artist.



5. Shelley, Percy Bysshe. A VALENTINE FROM THE AUERHAHN
San Francisco: Auerhahn Press, [1964]
First edition, broadside, 7.25″ x 4″.


6. Whalen, Philip. GODDESS
(San Francisco): Auerhahn Press, December 1964
First edition, broadside, 8 1/2″ x 12″, 125 copies.





7. Welch, Lew. RICHER THAN THE RICHEST FALCONER
(San Francisco): Auerhahn Press, (1965)
First edition, broadside, 9.5″ by 15.5″, 125 copies printed for Don Carpenter.

Foot

Poet Richard Duerden was born in Utah and raised in the San Francisco Bay Area. He joined the Merchant Marines and the Marine Corps and was educated at the University of California.

A member of the San Francisco Renaissance poetry movement, Duerden founded the literary journals Foot and the Rivoli Review. His books of poetry include The Fork (1965), The Left Hand & The Glory of Her (1967), and The Air’s Nearly Perfect Elasticity (1979). His poetry was anthologized in The New American Poetry, 1945–1960 (1960, edited by Donald Allen). A selection of his manuscripts and correspondence is archived in the Stanford University Libraries and a smaller selection of his correspondence with poet Philip Whalen is archived at the Reed College Library.


Foot, No.1, edited by Richard Duerdan
mags_foot01San Francisco, September 1959
First edition, hand-sewn illustrated wrappers, 6.75″ x 8.5″, 56 pages. Cover illustration by Robert Duncan.

Contributors: Ebbe Borregaard, Richard Brautigan, Jess Collins, Richard Duerden, Robert Duncan, Larry Eigner, Eloise Nixon, Philip Whalen, Gary Snyder.

Foot, No. 2, edited by Richard Duerden and William Brown
mags_foot02San Francisco, 1962
First edition, saddle-stapled illustrated wrappers, 6.75″ x 8.75″, 80 pages. Illustrations by Philip Roeber and Philip Whalen.

Contributors: Philip Whalen, Philip Roeber, Joanne Snyder, Richard Duerden, Robert Duncan, Jack Spicer, Kenneth Rexroth, William Brown, Lew Welch, Leslie Thompson, Jess Collins, Gary Snyder, Michael McClure, Suzanne Duerden.

Foot, No. 3, edited by Richard Duerden
mags_foot03San Francisco, Spring 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.5″, 12 pages. Cover illustration by Robert Duncan.

Contributors: Robert Creeley, Duncan McNaughton, Richard Duerden, John Thorpe, Lawrence Kearney.

Foot, No. 4, edited by Richard Duerden
mags_foot04San Francisco, Summer 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.75″, 16 pages. Cover illustration by Terry Bell.

Contributors: Lawrence Kearney, Jerry Ratch, Duncan McNaughton,   Don Cushman, James Koller.

Foot, No. 5, edited by Richard Duerden
mags_foot05San Francisco, Fall 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.5″, 12 pages. Cover illustration by Leslie Scalapino.

Contributors: Leslie Scalapino, Richard Duerden, Michael Wolfe, Ron Loewinsohn.

Foot, No. 6, edited by Leslie Scalapino and Richard Duerden
mags_foot06Berkeley, 1978
First edition, perfect bound illustrated wrappers, 7″ x 9″, 40 pages. Cover illustration by Diane Sophia.

Contributors: Diane Sophia, Leslie Scalapino, Larry Kearney, John Thorpe, Philip Whalen, Diane Sophia, Don Cushman, Sherril Jaffe, Michael Davidson, Michael Wolfe, Duncan McNaughton, Robert Duncan, Norman Fischer, Bernadette Mayer, Peter Rabbit, Richard Duerden.

Foot, No. 7, edited by Richard Duerden
mags_foot07Berkeley, 1979
First edition, perfect bound illustrated wrappers, 7″ x 5.5″, 40 pages. Cover illustration by Terry Bell.

Contributors: Lawrence Kearney

Foot, No. 8, edited by Leslie Scalapino and Richard Duerden
mags_foot08Berkeley, 1980
First edition, perfect bound illustrated wrappers, 7″ x 9″, 52 pages.

Contributors: Keith Shein, Leslie Scalapino, Diane Sophia, Norma Smith, Sarah Menefee, Don Cushman, Joanne Kyger, Larry Eigner, Bill Berkson, Bob Grenier, Jackie Cantwell, Ted Pearson, Marc Lecard, Lawrence Kearney, Jeanne Lance, Duncan McNaughton, Michael Wolfe, Carla Harryman.

Ebbe Borregaard

Ebbe Borregaard 1970Ebbe Borregaard’s work was published in the first run of White Rabbit Press in 1958 and then by Oyez using the name “Gerard Boar”, the anagrammatic pseudonym of his last name. He also appeared in several periodicals over the years and self-published some poetry and letters.

Along with his wife Joy, Ebbe owned and operated Borregaard’s Museum and Art Gallery. The idea behind establishing the venue in 1960 was to showcase the creative achievement of the Spicer circle. Helen Adam’s play SAN FRANCISCO’S BURNING was performed by Adam and her sister Pat in that first year. The following year the museum hosted a show of Jess’s work as well as a series of lectures by Duncan.

Borregaard also ran Oannes Press, publishing two titles: Helen and Pat Adam’s SAN FRANCISCO’S BURNING and James Alexander’s ETURNATURE, the latter in conjunction with Open Space.

Moving to Bolinas in 1969, Borregaard was later included in ON THE MESA: AN ANTHOLOGY OF BOLINAS WRITING published in 1971 by City Lights.


Section A:
Books and Broadsides

A1. Borregaard, Ebbe. THE WAPITIS
borregaard_wapitisFirst edition:
San Francisco: White Rabbit Press, January 1958
Hand-sewn illustrated wrappers, 6.5″ x 8.5″, 12 pages, (200 copies). Ebbe Borregaard’s first book. Cover illustration by Robert Duncan. (Johnston A4)

A2. Borregard, Ebbe. LEANTO: THE JOURNAL EXTRACT FROM THE ORIGINAL BY THE AUTHOR
First edition:
San Francisco: privately published, 1960
Illustrated french-fold wrappers, 125 copies, mimeograph. Illustrated by J. Alexander.

A3. Borregaard, Ebbe. [LETTERS TO SPRACH]
First edition:
Berkeley: privately published, 1963
Side-stapled sheets in unprinted card covers, 7″ x 10″, 58 pages, 20 copies. Preface by Ebbe Borregaard dated Christmas 1963.

Title supplied from Serendipity Books Catalogue 35, item no. 36 which also states that no more than 20 copies were printed.

A4. Borregaard, Ebbe. WHEN DID MORNING WIND RIP CALLOW FLOWERS IN MAY
First edition:
San Francisco: Arts Festival, 1964
Illustrated broadside, 12.5″ x 20″,  300 copies. Illustrated by Jess Collins.

A broadside issued as part of the 1964 San Francisco Arts Festival portfolio: A POETRY FOLIO, which contained 11 broadsides.

A5. Borregaard, Ebbe. CHILDHOOD OF DWARF CHRIST 1

First edition:
Sussex: Collection, 1969
Side-stapled illustrated wrappers, 9 copies, off-print of pages  25-36 from Collection 3 edited by Peter Riley.

A6. Boar, Gerard. SKETCHES FOR 13 SONNETS 
a. First edition, regular copies:
Berkeley: Oyez, 1969
Saddle-stapled printed wrappers, 7.75″ x 9.75″, 1600 copies, designed and printed by Graham Mackintosh.

b. First edition, hardcover copies:
Berkeley: Oyez, 1969
Hardcover, number of copies unknown, designed and printed by Graham Mackintosh.

A7. Borregaard, Ebbe. FRIDAY NIGHT PROVERBS
First edition:
Bolinas, n.d.
Broadside.


Section B:
Contributions to Periodicals and Anthologies

B1. J, No. 1, edited by Jack Spicer
mags_j01San Francisco, 1959
“Ballad for Billy Swan”, “Ballad for SAD”





B2. FOOT, No.1, edited by Richard Duerdan
mags_foot01San Francisco, September 1959






B3. LOCUS SOLUS, No. 1
1961
“Other stories of the beauty wapiti”, “wapiti 3”, “From ‘Sprach'”

B4. M, No. 2, edited by Lew Ellingham
mags_m02San Francisco: M, 1962
“October Seventh Poem”





B5. ANGEL HAIR, No. 3, edited by Lewis Warsh and Anne Waldman
New York: Angel Hair, Summer 1969

B6. COLLECTION, No. 3, edited by Peter Riley
Sussex, January 1969
“Childhood of Dwarf Christ 1”

B7. ANGEL HAIR, No. 6, edited by Lewis Warsh and Anne Waldman
New York: Angel Hair, Spring 1969

B8. EPHEMERIS, No. 2, edited by David Schaff
San Francisco, c. 1969
“Eros in Error”

B9. WRITING, No. 4, edited by Stan Persky and Dennis Wheeler
Vancouver: Georgia Straight, 1970

B10. WRITING, No. 7, edited by Stan Persky and Dennis Wheeler
Vancouver: Georgia Straight, 1971

B11. SESHETA, No. 2, edited by Andi Wachtel and Richard Downing
Surrey: Sesheta Press, Spring 1972

B12. ADVENTURES IN POETRY, No. 11, edited by Larry Fagin
New York: The Poetry Project, Spring 1974
“October Seventh Poem”


References consulted:

Alastair Johnston. A BIBLIOGRAPHY OF THE WHITE RABBIT PRESS
Berkeley: Poltroon Press in association with Anacapa Books, 1985

Enkidu Surrogate

spicer_billyannouce
Announcement for Billy the Kid, circa 1959. Collage on paper

 

From Stinson Beach in the late 1950s, Jess Collins and Robert Duncan published just two books under their Enkidu Surrogate imprint.

The books were distributed by White Rabbit Press.

 

 

 

A1. Spicer, Jack. BILLY THE KID
spicer_billya. First edition, first state:
Stinson Beach: Enkidu Surrogate, October 1959
Saddle-stapled in illustrated wrappers, 6.5? x 8.5?, 16 pages, 750 copies, offset printed.  Illustrations by Jess Collins.

b. First edition, second state:
The second state includes holograph corrections to text on page 8

A2. Duncan, Robert. FAUST FOUTU
duncan_faust03a. First edition, regular copies:
Stinson Beach: Enkidu Surrogate, November 1959
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 71 pages, 750 copies. Illustrated by Robert Duncan. (Bertholf A7c)

b. First edition, numbered and signed copies:
Stinson Beach: Enkidu Surrogate, November 1959
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 71 pages, 50 copies numbered and signed with a drawing. Illustrated by Robert Duncan. (Bertholf A7d)

This is the first complete printing of the play, after a privately printed mimeographed first printing in 1953, and a second from White Rabbit Press in 1958. 

Fuck You/ a magazine of the arts

Fuck You/ a magazine of the arts ran for thirteen issues from 1962 to 1965. Considered one of the most influential underground magazines of the early sixties, Ed Sanders’ Fuck You was a deliberately fypprovocative mimeographed journal, at first emphasizing poetry and later expanding to include other writing. Each issue is illustrated with line drawings by Sanders.

Contributors include Sanders, Tuli Kupferberg, Carol Bergé, John Wieners, Andy Warhol, Ray Bremser, Lenore Kandel, Charles Olson, Joel Oppenheimer, Peter Orlovsky, Philip Whalen, Allen Ginsberg, Herbert Huncke, Julian Beck, Frank O’Hara, Leroi Jones, Diane DiPrima, William Burroughs, Gary Snyder, Robert Kelly, Judith Malina, Carl Solomon, Gregory Corso, Robert Duncan, Robert Creeley, Michael McClure, Ted Berrigan, Joe Brainard, Gilbert Sorrentino, and many others — a virtual “who’s who” of avant garde poetry in the Sixties.


1. Fuck You, No. 1, edited by Ed Sanders
New York: February 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

2. Fuck You, No. 2, edited by Ed Sanders
New York: April 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

3. Fuck You, No. 3, edited by Ed Sanders
New York: June 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

4. Fuck You, No. 4, edited by Ed Sanders
New York: August 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

5. Fuck You, No. 5, Vol. 1, edited by Ed Sanders
fy51New York: December 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

“Dedicated to pacificism, national defense thru nonviolent resistence, total assault on the culture, vaginal zapping, multilateral indiscriminate apertural conjugation, Hole Cons, Crotch Lake, Peace Eye, mad bands of stompers for peace, & all those gropped by J. Edgar Hoover in the silent halls of congress.”

6. Fuck You, No. 5, Vol. 2, edited by Ed Sanders
New York: December 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

7. Fuck You, Number 5, Volume 3, edited by Ed Sanders
New York: May 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

“Dedicated to pacificism, National Defense thru Nonviolent Resistance, Anarchia the Goddess, Orlovsky’s long Egyptian finger, Peace Eye, Hole Cons, Peace Walk Dicking, dope thrill Banana rites, Acapulco Gold, Panamanian Red, Honduras Brown, windowbox freak grass, the anarcho-commio-greaser conspiracy, submarine boarders, mad bands of stompers for Peace, and all those groped by J. Edgar Hoover in the silent halls of Congress”.

8. Fuck You, Number 5, Volume 4, edited by Ed Sanders
New York: Summer 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

9. Fuck You, Number 5, Volume 5, edited by Ed Sanders
New York: December 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

10. Fuck You, Number 5, Volume 6, edited by Ed Sanders
New York: April/May 1963
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

11. Fuck You, Number 5, Volume 7, edited by Ed Sanders
New York: September 1964
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

12. Fuck You, Volume 5, Number 8, edited by Ed Sanders
New York: March 1965
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover artwork by Andy Warhol.

13. Fuck You/ a magazine of the arts, Volume 5, Number 9

Measure

wieners


“The three simple, almost starkly working-class issues of Measure followed glorious and overlooked “underground” poet John Wieners from Black Mountain College home to Boston, across country to San Francisco, and back to Boston again. In his years in San Francisco, from 1958 to 1960, Wieners attended (sometimes serving as host at his Scott Street apartment) the legendary Sunday afternoon poetry workshops of the charismatic poets Robert Duncan and Jack Spicer. Also present at the workshops were George Stanley, Harold Dull, Robin Blaser (The Pacific Nation), and many others…”
— from A Secret Location on the Lower East Side (Granary Books, 1998)

Measure, No. 1, edited by John Wieners
mags_measure01Boston: Measure, Summer 1957
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 48 pages, letterpress printed at the Press of Villiers Publications..

“Measure is edited by John Wieners. It will be issued with the four seasons only through your support… Please understand that the opinions expressed in this magazine do not necessarily reflect those of the city.”

Contributors:
Tom Balas – “Le Fou”
Charles Olson – “Le Bonheur!”, “The Charge”, “Spring”
Edward Marshall – “One:”, “Two:”
Robin Blaser – “Poem”, “Letters to Freud”, “Poem by the Charles River”
Edward Dorn – “The Rick of Green Wood”
Larry Eigner – “Millionem”, “Brink”
Frank O’Hara – “section 9 from Second Avenue”
Fielding Dawson – “Two Drawings”
Stephen Jonas – “Word on Measure”, “Expanded Word on Measure”
Michael Rumaker – “Father”
Gavin Douglas – “The Blanket”
Jack Spicer – “Song for Bird and Myself”
Jonathan Williams – “Two Poems for Whitman, the Husbandman”
Robert Duncan – “The Propositions”

Measure, No. 2, edited by John Wieners
mags_measure2San Francisco: Measure, Winter 1958
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 64 pages, letterpress printed at the Press of Villiers Publications.

“Magick is for the ones who ball, i.e. throw across”

Contributors:
Michael Rumaker – “The use of the Unconscious”
Robin Blaser – “The Hunger of Sound”
Robert Creeley – “Juggler’s Thot”
Michael Rumaker – “8 Dreams”
Jack Kerouac – “4 Choruses”
Charles Olson – “Descensus Spiritus No. 1”
Robert Duncan – “The Maiden”
Robert Creeley – “They Say”, “She Went to Say”
Jack Kerouac – “235th Chorus”
Edward Dorn – “Notes from the Fields”
Robert Duncan – “The Dance”
Stuart Z. Perkoff – “Feats of Death, Feasts of Love”
V. R. Lang – “The Recidivists”
Gregory Corso – “Yaaaah”
James Broughton – “Feathers or Lead”
Michael McClure – “The Magazine Cover”, “One & Two”
Robert Creeley – “The Tunnel”, “Just Friends”
Richard Duerden – “Musica No. 3”
Stephen Jonas – “Books 3 & 4 from a Long Poem”

Measure, No. 3, edited by John Wieners
mags_measure03Milton: Measure, Winter 1962
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 36 pages, letterpress printed at the Press of Villiers Publications.

“THE CITY / 1 AM – Unreasonable fear, of the shadows of Harry Lime, of the dead reappearing”

Contributors:
James Schuyler – “Shed Market”, “Joint”
Gerrit Lansing – “Explorers”
Barbara Guest – “Safe Flights”, [untitled] “Once when he was a small boy…”,  “Abruptly, as if a Forest Might Say”
Helen Adam – “Anaid si Taerg (Great is Diana)”
Madeline Gleason – “Wind Said, Marry”
Robert Duncan – “What do I Know of the Old Lore?”
Jack Spicer – “Central Park West”
Larry Eigner – “Poem”
Tom Field – [untitled] “Form is never more than the extension…”
Edward Marshall – “Times Square”, “2”, “3”
John Wieners – “The Imperatrice”
Philip Lamantia – “Opus Magnum”
Sheri Martinelli – “Ruth Gildenberg”
Michael Rumaker – “The River at Night”
Charles Olson – “The Year is a Great Circle…”, The Post Virginal”, [untitled] “Desartes, age 34…”
John Haines – “Poem”, “Pawnee Dust”