Tag Archives: San Francisco

Auerhahn Press: Commissioned Publications

>> return to AUERHAHN PRESS main page >>

This index includes commissioned publications printed by Auerhahn Press for various publishers and private parties from 1961 through 1965.

C. Commissioned Publications

1. SAN FRANCISCO TRIBUTE TO KENNETH PATCHEN
patchen_tributeSan Francisco: (Auerhahn Press), 1961
First edition, hand-sewn printed wrappers, 5.5″ x 8″, 8 pages, printed at the Auerhahn Press. Program for memorial service, includes illustrated Patchen poem.
(Auerhahn 9)

2. Pomeroy, Ralph. STILLS & MOVIES
pomeroy_stillsSan Francisco: Gesture Press, 1961
First edition, perfect-bound illustrated wrappers, 6.25″ x 9″, 41 pages, 500 copies printed at the Auerhahn Press. Cover art by Harold Bruder. Printed announcement issued.
(Auerhahn 11)

3. Suffin, Arnold. RESURRECTION
suffin_resurrectionSan Francisco: Arnold Suffin, 1961
First edition, saddle-stapled printed wrappers, 5.25″ x 8″, 40 pages, 200 copies, printed at the Auerhan Press.
(Auerhahn 12)


4. Racine, Jean. BRITTANICUS
racine_britannicusSan Francisco: Folio 1, 1962
First edition, hardcover, 6.25″ x 8.25″, 87 pages, 300 numbered copies, printed at the Auerhahn Press, bound by the Schuberth Bindery. Block prints by Tanya Lohman. Printed announcement issued.
(Auerhahn 16)

5. Magistretti, Paul. NOTES OF WHAT I CAN’T BE, OF WHAT I AM
magistretti_notesSan Francisco: The New Gnu Press, 1962
First edition, perfect-bound printed wrappers, 4.25″ x 7″, 40 pages, 400 numbered copies, printed at the Auerhahn Press. Printed anncounement issued.
(Auerhahn 25)


6. Hillsborough Garden Club. PLANTS FOR PICKING
San Francisco: Auerhahn Press, 1963
(Auerhahn 26)

7. Magowan, Robin. VOYAGE NOIR
magowan_voyageSeattle: Robin Magowan, 1962
First edition, hand-sewn printed wrappers, 6″ x 8.5″, 36 pages, 500 copies, printed at the Auerhahn Press. Cover illustration by Hervé Télémaque.
(Auerhahn 27)

8. Powell, Roxie. DREAMS OF STRAW
powell_dreamsSan Francisco: Roxie Powell,1963
First edition, hand-sewn printed wrappers, 4.5″ x 6.75″, 16 pages, 250 copies, printed by Dave Haselwood and Charles Plymell at the Auerhahn Press.
(Auerhahn 28)

9. Black, M. Graham. M. GRAHAM BLACK SENDS HIS OWN VERSES…
San Francisco: Auerhahn Press, 1963
(Auerhahn 29)

10. Elvin, Steve. DRAWINGS OF A PEYOTE BOY
elvin_drawingsSan Francisco: Batman Gallery, (1963)
First edition, printed envelope containing 8 sheets printed with line cuts (one tinted), 9″ x 11″, printed at the Auerhahn Press.
(Auerhahn 30)


11. Blackley, R. John. BEYOND DUST
blackley_beyondSan Francisco: n.p., 1964
First edition, perfect-bound printed wrappers, 8″ x 10.25″, 64 pages, 175 numbered and signed copies, printed at the Auerhahn Press.
(Auerhahn 31)


12. KOSHIRO ONCHI, 1891-1955: WOODCUTS
San Francisco: Achenbach Foundation for Graphic Arts, 1964
(Auerhahn 32)

13. Corrington, John William. THE ANATOMY OF LOVE…
corrington_anatomyFort Lauderdale: Roman Books, 1964
— A. First edition, perfect-bound printed wrappers, 6.5″ x 9″, 86 pages, 1000 copies, printed at the Auerhahn Press. Introduction by Richard Whittington.
— B. First edition, hardcover, 6.5″ x 9″, 86 pages, 50 numbered and signed copies, printed at the Auerhahn Press, bound by the Schuberth Bindery. Introduction by Richard Whittington.
(Auerhahn 33)

14. Williams, Jonathan. LINES ABOUT HILLS ABOVE LAKES
williams_linesFort Lauderdale: Roman Books, 1964
— A. First edition, perfect-bound printed wrappers, 6.25″ x 9″, 27 pages, 750 copies, printed at the Auerhahn Press. Illustrated by Barry Hall. Foreword by John Wain.
— B. First edition, hardcover, 6.25″ x 9″, 27 pages, 50 numbered and signed copies, printed at the Auerhahn Press, bound by the Schuberth Bindery. Illustrated by Barry Hall. Foreword by John Wain.
(Auerhahn 34)

15. Johnson, Ronald. A LINE OF POETRY, A ROW OF TREES
johnson_lineHighlands: The Nantahala Foundation, 1964
— A. First edition, perfect-bound illustrated french-fold wrappers, glassine dust jacket, errata slip noting the omitted dedication to Olson laid in,  6.5″ x 10″, 80 pages, 500 copies, printed at the Auerhahn Press. Illustrated by Thomas George. The author’s first book. Published as Jargon 42.
— B. First edition, hardcover, unprinted dust jacket, 6.5″ x 10″, 80 pages, 50 numbered and signed copies, printed at the Auerhahn Press, bound by the Schuberth Bindery. Illustrated by Thomas George. The author’s first book. Published as Jargon 42.
(Auerhahn 35)

16. THE NEXUS CATALOGUE
nexus_catalogLa Jolla: The Nexus, 1964-65
First edition, saddle-stapled printed wrappers, 4″ x 8.75″, 16 pages, printed at the Auerhahn Press.
(Auerhahn 36)

Ebbe Borregaard

Ebbe Borregaard 1970Ebbe Borregaard’s work was published in the first run of White Rabbit Press in 1958 and then by Oyez using the name “Gerard Boar”, the anagrammatic pseudonym of his last name. He also appeared in several periodicals over the years and self-published some poetry and letters.

Along with his wife Joy, Ebbe owned and operated Borregaard’s Museum and Art Gallery. The idea behind establishing the venue in 1960 was to showcase the creative achievement of the Spicer circle. Helen Adam’s play SAN FRANCISCO’S BURNING was performed by Adam and her sister Pat in that first year. The following year the museum hosted a show of Jess’s work as well as a series of lectures by Duncan.

Borregaard also ran Oannes Press, publishing two titles: Helen and Pat Adam’s SAN FRANCISCO’S BURNING and James Alexander’s ETURNATURE, the latter in conjunction with Open Space.

Moving to Bolinas in 1969, Borregaard was later included in ON THE MESA: AN ANTHOLOGY OF BOLINAS WRITING published in 1971 by City Lights.


A. Books and Broadsides

1. Borregaard, Ebbe. THE WAPITIS
borregaard_wapitisSan Francisco: White Rabbit Press, January 1958
First edition, sewn printed wrappers, 6.5″ x 8.5″, 12 pages, (200 copies). Ebbe Borregaard’s first book. Cover illustration by Robert Duncan. (Johnston A4)

2. Borregard, Ebbe. LEANTO
San Francisco: n.p., 1960
First edition, printed french-fold wrappers, 125 copies, mimeograph. Illustrated by J. Alexander.

3. Borregaard, Ebbe. CHILDHOOD OF DWARF CHRIST 1

Sussex: Collection, 1969
First edition, side-stapled illustrated wrappers, 9 copies, off-print of pages  25-36 from Collection 3 edited by Peter Riley.

4. Boar, Gerard. SKETCHES FOR 13 SONNETS 
Berkeley: Oyez, 1969
First edition, saddle-stapled printed wrappers, 1600 copies, designed and printed by Graham Mackintosh

5. Borregaard, Ebbe. FRIDAY NIGHT PROVERBS
Bolinas, n.d.
First edition, broadside.


B. Contributions to Periodicals and Anthologies

1. J, No. 1, edited by Jack Spicer
mags_j01San Francisco, 1959
“Ballad for Billy Swan”, “Ballad for SAD”





2. Collection, No. 3, edited by Peter Riley
Sussex, January 1969
“Childhood of Dwarf Christ 1”

3. Adventures in Poetry, No. 11, edited by Larry Fagin
New York: The Poetry Project, Spring 1974
“October Seventh Poem”

David Meltzer

beatphotolg
Wallace Berman, Papa’s Got a Brand New Bag, 1964. Mixed-media collage

 

 

David Meltzer was born in Rochester, New York, and raised in Brooklyn. He began his literary career during the San Francisco Beat and Berkeley Renaissance period in California, and his work was included in the anthology, The New American Poetry 1945-1960. At the age of 20 he recorded his poetry with jazz musicians in Los Angeles and also became a singer-songwriter and guitarist for several bands during the 1960s, including The Serpent Power. He is the author of over 40 volumes of poetry, and has also published fiction and essays, and has edited numerous anthologies and collections of interviews.

Meltzer taught in the humanities and poetics programs at the New College of California in San Francisco for 30 years. In 2008, he received the Foundation for Contemporary Arts Grants to Artists Award. He was also given the Bay Area Guardian’s Lifetime Achievement Award, and in 2012 was nominated for the Northern California Book Award in Poetry.

Diane di Prima has said, “David Meltzer is a hidden adept, one of the secret treasures on our planet. Great poet, musician, comic; mystic unsurpassed, performer with few peers.”


A. Books and Broadsides

1. Meltzer, David. POEMS
San Francisco: Donald & Alice Shenker, [1957]
First edition, side-stapled sheets in printed wrappers with library tape binding, 25 copies, offprint of David Meltzer / Donald Shenker book comprising only the Meltzer section and with a variant cover omitting Shenker’s name and a revised colophon.

2. Meltzer, David. RAGAS
San Francisco: Discovery Books, 1959
First edition, saddle-stapled printed wrappers, 52 pages, (1500 copies). Cover design by Peter LeBlanc.

3. Meltzer, David. THE CLOWN
Larkspur: Semina, 1960
First edition, printed sheets laid into printed folder, 335 copies.

4. Meltzer, David. WE ALL HAVE SOMETHING TO SAY TO EACHOTHER
San Francisco: Auerhahn Press, 1962
First edition, saddle-stapled illustrated wrappers, 6.25″ x 8.5″, 12 pages, 750 copies. Published as Auerhahn Pamphlet No. 2.
(Auerhahn 19)

5. Meltzer, David. BAZASCOPE MOTHER
Los Angeles: Drekfesser Press, [1964]
First edition, single sheet folded once, 250 copies

6. Meltzer, David. STATION
San Francisco: San Francisco Arts Festival Commission / East Wind Printers, 1964
First edition, broadside, 13″ x 20″, 300 copies. Illustrated by Peter Bailey.

7. Meltzer, David. THE BLACKEST ROSE
Berkeley: Oyez, 1964
First edition, broadside, 11″ x 17.5″, 350 copies, printed by Auerhahn Press and published as Oyez 6.

8. Meltzer, David. THE PROCESS
Berkeley: Oyez, 1965
First edition, saddle-stapled printed french-fold wrappers, 44 pages, 500 copies (25 numbered and signed in boards and dust jacket), the first Oyez book designed by Dave Haselwood and printed by Graham Mackintosh. Cover illustration by  Peter LeBlanc.

The Dark Continent (1967)
Round the Poem Box (1969)
Yesod (Trigram, 1969)
Greenspeech (1970)
Luna (Black Sparrow, 1970)
Hero/Lil (Black Sparrow, 1973)
Bark, A Polemic (Capra Press, 1973)
The Eyes, The Blood (Mudra / Cranium Press, 1973)
Blue Rags (Oyez, 1974)
Harps (Oyez, 1975)
Six (Black Sparrow, 1976)
Arrows: Selected Poetry, 1957-1992 (Black Sparrow Press, 1994)
No Eyes: Lester Young, (Black Sparrow, 2000)
David’s Copy, (Penguin Group Press, 2005)
When I Was a Poet,” (City Lights, June 2011)
Two-Way Mirror City Lights


B. Contributions to Periodicals

1. PENINSULA
Gainesville: University of Florida, 1956
“4 July”

2. SEMINA, No. 1
Los Angeles: Wallace Berman, 1956
“An Unpublished Letter to Some Lost Relatives”

3. DAZZLE
San Francisco: Playgirl Publishing, 1957
“Kick Me Deadly”

4. SEMINA, No. 2
San Francisco: Wallace Berman, 1957
“Upon a Time”

5. SEMINA, No. 4
San Francisco: Wallace Berman, 1959
“Sampson Agonistes”

6. SPREE, Vol. 1, No. 7
Los Angeles: New Publishing Company, 1959
“Judgement Day”

7. PENNY POEMS, No. 27
New Haven: Penny Poems, 1959
“24th Raga/ For Tina”

 

Beatitude

Beatitudethe quintessential Beat magazine—was “edited & produced on a kick or miss basis by a few hardy types who sneak out of alleys near Grant Avenue—the only responsible party being: John Kelly, publisher….” The magazine was founded in 1958 by Kelly, William J. Margolis, and jazz/surrealist poet Bob Kaufman, who said it “was designed to extol beauty and promote the beatific life among the various mendicants, neo-existentialists, christs, poets, painters, musicians and other inhabitants and observers of North Beach.”

Beatitude was initially printed on a mimeo machine at Pierre Delattre’s Bread and Wine Mission. Contributors included Allen Ginsberg, Lenore Kandel, ruth weiss, Philip Lamantia, Gregory Corso Richard Brautigan, and the editors, among dozens of others. There are 34 issues in the magazine’s first incarnation.

Semina

seminaSEMINA, edited by Wallace Berman
 Los Angeles, San Francisco, Larkspur: 1955-1964
Nine issues in various limitations (<200 copies), letterpress printed, tipped photgraphs, contributors include Berman, John Altoon, Antonin Artaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, and John Weiners, amongst many others.

(facsimile edition) SEMINA, edited by Wallace Berman and compiled by George Herms
Venice: Love Press (George Herms), 1992
First edition thus, 1/300 copies signed by George Herms, individual facsimile reproductions of SEMINA magazine issues 1-9, plus a loose colophon signed and numbered by George Herms laid into a printed chipboard box, as issued. This meticulous facsimile recreation of Wallace Berman’s legendary (and legendarily scarce) handmade Beat literary/art magazine from the late 1950s early 60s took four years to bring to fruition, contributors include Berman, John Altoon, Antonin Artaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, and John Weiners, amongst many others. This edition has been assembled in the fashion of the originals: handset letterpress on scraps of colored paper, photos, pastedowns, etc. The project was edited and overseen by Berman’s friend and fellow collage/assemblage artist George Herms.

THE SAN FRANCISCO CAPITALIST BLOODSUCKER-N

mags_capitalist

 

 

Published during the so-called “magazine wars” of the early 1960s, George Stanley’s THE SAN FRANCISCO CAPITALIST BLOODSUCKER-N lasted just one issue. Stan Persky, Lew Ellingham, and Gail Chugg edited M, gathering contributions from a box at  Gino & Carlo’s Bar in San Francisco’s North Beach. Richard Duerden was editing FOOT; with Ron Loewinsohn he was also editing THE RIVOLI REVIEW, produced in Duerden’s apartment on Rivoli Street in the Haight-Ashbury district. Loewinsohn and Richard Brautigan soon produced another magazine, CHANGE.

As Ron Loewinsohn recalled, “Everybody seemed to have access to a mimeograph machine. You could then put out your own magazine. This was marvelous: it meant instant publication, instant reaction from people.”

It wasn’t until 1964, that Stan Persksy’s OPEN SPACE took up the publishing necessary to the Jack Spicer circle and its friends…

further reading…

The San Francisco Capitalist Bloodsucker-N

Published during the so-called “magazine wars” of the early 1960s, George Stanley’s THE SAN FRANCISCO CAPITALIST BLOODSUCKER-N lasted just one issue. Stan Persky, Lew Ellingham, and Gail Chugg edited M, gathering contributions from a box at  Gino & Carlo’s Bar in San Francisco’s North Beach. Richard Duerden was editing FOOT; with Ron Loewinsohn he was also editing THE RIVOLI REVIEW, produced in Duerden’s apartment on Rivoli Street in the Haight-Ashbury district. Loewinsohn and Richard Brautigan soon produced another magazine, CHANGE.

As Ron Loewinsohn recalled, “Everybody seemed to have access to a mimeograph machine. You could then put out your own magazine. This was marvelous: it meant instant publication, instant reaction from people.”

It wasn’t until 1964, that Stan Persksy’s OPEN SPACE took up the publishing necessary to the Jack Spicer circle and its friends…

THE SAN FRANCISCO CAPITALIST BLOODSUCKER-N, edited by George Stanley
mags_capitalistSan Francisco: n.p., 1962
First edition, corner stapled printed wrappers, 8.5″ x 11″, 19 pages, mimeograph. Cover art by Fran Herndon (?)

Contributors: Albert J. Rutaro, Richard Duerden, Robin Blaser, Larry Fagin, Ron Loewinsohn, Tony Sherrod, Maxwell Bodenheim, John Allen Ryan, James Keilty, Bob Wrobel, George Stanley, Robert Reinstein, Fran Herndon, Jack Spicer.

COW (the magazine)

Inspired by Stan Persky’s OPEN SPACE, Luther T. Cupp edited COW, which ran for three issues from 1965-1966. Cupp was nicknamed “Link” by Jack Spicer and went by the name Link Martin.

mags_cow01

 

Contributors to this short-lived North Beach magazine include:  Lawrence (Larry) Fagin, Stan Persky, Robin Blaser, George Stanley, Harold Dull, Joanne Kyger, Jack Spicer, Ronnie Primack, and others.
(further reading…)

Cow

Inspired by Stan Persky’s OPEN SPACE, Luther T. Cupp edited COW, which ran for three issues from 1965-1966. Cupp was nicknamed “Link” by Jack Spicer and went by the name Link Martin.

1. COW, The San Francisco Magazine of Livestock, No. 1, Cow Soup Issue, edited by Luther T. Cupp
mags_cow01(San Francisco): (Cow) (1965)
First edition, side stapled printed wrappers, 8.5″ x 11″, 11 pages, mimeograph.

Contributors: Doug Palmer, Deneen Brown, Lawrence Fagin, Stan Persky, Robin Blaser, J. Mac Innis, George Stanley, Harold Dull, Joanne Kyger, Jack Spicer, Ronnie Primack, Link.

2. COW, The Magazine of Afro-Judeo Culture, No. 2, The Un-escalation Issue, edited by Luther T. Cupp
mags_cow02(San Francisco): (Cow) (1965)
First edition, side stapled printed wrappers, 8.5″ x 11″, 11 pages, mimeograph.

Contributors: Jim Thurber, Robin Blaser, Stan Persky, Bill Brodecky, Mike Hannon, Larry Fagin, Geoff Brown, Michael Ratcliffe, Joanne Kyger, Jamie MacInnis, Luis Garcia, J.C. Alexander, Gail Dusenbery, Hune Voelcker, George Stanley.

3. COW, No. 3, Pregnant Cow Issue, edited by Luter T. Cupp
mags_cow03(San Francisco): (Cow) (1966)
First edition, side stapled printed wrappers, 8.5″ x 11″, 11 pages, mimeograph.

Contributors: Bill Deemer and Andrew Hoyem, Stephen Mindel, Marga NewComb, Robin Blaser, Michael Ratcliffe, H.M. Wickenheiser, Jim Semark, Helen Adam, Gordon Gatom, Mike Hannon, SMN.