Tag Archives: San Francisco

Richard Brautigan

Richard Gary Brautigan (January 30, 1935 – ca. September 14, 1984) was an American novelist, poet, and short story writer. brautigan_01Writing about nature, life, and emotion, his work often employs 
comedy, parody, and satire; his singular imagination provided the unusual settings for his themes. He is best known for his 1967 novel TROUT FISHING IN AMERICA.

Robert Novak wrote in Dictionary of Literary Biography that “Brautigan is commonly seen as the bridge between the Beat Movement of the 1950s and the youth revolution of the 1960s.”

Considered one of the primary writers of the “New Fiction,” Brautigan at first experienced difficulty in finding a publisher; thus his early work was only published by small presses.

About the body of Brautigan’s work, Guy Davenport commented in the Hudson Review: “Mr. Brautigan locates his writing on the barricade which the sane mind maintains against spiel and bilge, and here he cavorts with a divine idiocy, thumbing his nose. But he makes clear that at his immediate disposal is a fund of common sense he does not hesitate to bring into play. He is a kind of Thoreau who cannot keep a straight face.” (more…)

Richard Brautigan

Richard Gary Brautigan (January 30, 1935 – ca. September 14, 1984) was an American novelist, poet, and short story writer. brautigan_01Writing about nature, life, and emotion, his work often employs 
comedy, parody, and satire; his singular imagination provided the unusual settings for his
themes. He is best known for his 1967 novel TROUT FISHING IN AMERICA.

Robert Novak wrote in Dictionary of Literary Biography that “Brautigan is commonly seen as the bridge between the Beat Movement of the 1950s and the youth revolution of the 1960s.”

Considered one of the primary writers of the “New Fiction,” Brautigan at first experienced difficulty in finding a publisher; thus his early work was only published by small presses.

About the body of Brautigan’s work, Guy Davenport commented in the Hudson Review: “Mr. Brautigan locates his writing on the barricade which the sane mind maintains against spiel and bilge, and here he cavorts with a divine idiocy, thumbing his nose. But he makes clear that at his immediate disposal is a fund of common sense he does not hesitate to bring into play. He is a kind of Thoreau who cannot keep a straight face.”

* The bibliographic notes here focus on Brautigan’s earliest publications of poetry.


A. Books and Broadsides

1. THE RETURN OF THE RIVERS
brautigan_returnSan Francisco: Inferno Press, May 1957
First edition, broadside tipped into wrappers, 100 copies.
Brautigan poem: “The Return of the Rivers”
(Barber 4)
[not in archive]

2. THE GALILEE HITCH-HIKER
brautigan_galileeSan Francisco: White Rabbit Press, 1958
First edition, sewn illustrated wrappers, 6.5″ x 8.5″, 16 pages, 200 copies, cover illustration by Kenn Davis.
Brautigan poem: “The Galilee Hitch-Hiker”
(Barber 7)

3. LAY THE MARBLE TEA
brautigan_laySan Francisco: Carp Press, 1959
First edition (second printing issued in 1960), stapled illustrated wrappers, 5.5″ x 8.5″, 16 pages, (c. 500 copies), cover illustration by Kenn Davis.
Brautigan poems: “Portrait of the Id As Billy The Kid”, “Sonnet”, “The Chinese Checker Players”, “Portrait of a Child-Bride on Her Honeymoon”, “Hansel and Gretel”, “April Ground”, “The Ferris Wheel”, “Night”, “Cyclops”, “The Escape of the Owl”, “In a Cafe”, “Fragment”, “Herman Melville in Dreams, Moby Dick in Reality”, “Kafka’s Hat”, “Yes, the Fish Music”, “Cantos Falling”, “The Castle of the Cormorants”, “Feel Free to Marry Emily Dickinson”, “Cat”, “A Childhood Spent in Tacoma”, “To England”, “A Boat”, “Geometry”, “The Twenty-Eight Cents for My Old Age”
(Barber 11)

4. THE OCTOPUS FRONTIER
brautigan_octopusSan Francisco: Carp Press, 1960
First edition, stapled pictorial wrappers, 5″ x 7″, 20 pages, cover photograph by Gui de Angulo.
Brautigan poems: “The Sawmill”, “1942”, “The Wheel”, “The Pumpkin Tide”, “The Sidney Greenstreet Blues”, “The Quail”, “The Symbol”, “A Postcard from Chinatown”, “Sit Comma and Creeley Comma”, “The Rape of Ophelia”, “The Last Music Is Not Heard”, “The Octopus Frontier”, “The Potato House of Julius Caesar”, “The Fever Monument”, “The Winos on Potrero Hill”, “Mike”, “Horse Race”, “The Old Folk’s Home”, “The Postman”, “Surprise”, “The Nature Poem”, “Private Eye Lettuce”
(Barber 12)

5. SEPTEMBER CALIFORNIA
San Francisco: San Francisco Arts Festival Commission, 1964
First edition, broadside, 12.75″ x 20″, 300 copies. Broadside laid in a portfolio entitled SAN FRANCISCO ARTS FESTIVAL: A POETRY FOLIO: 1964. Printed by East Wind Printers. Ilustrated by Richard Correll.
Brautigan poem: “September California” [uncollected]
(Barber 15)


B. Contributions to Books and Anthologies

1. FOUR NEW POETS, edited by Leslie Woolf Hedley

brautigan_fourSan Francisco: Inferno Press, 1957
First edition, perfect-bound illustrated wrappers, 5.5″ x 8″, 34 pages, Brautigan’s first book appearance. Contributors include Martin Hoberman, Carl Larsen, and James M. Singer.
Brautigan poems: “The Meek Shall Inherit the Earth’s Beer Bottles”, “The Mortuary Bush”, “Twelve Roman Soldiers and an Oatmeal Cookie”, “Gifts”
(Barber 3)

2. EPOS ANTHOLOGY 1958, edited by Will Tullos and Evelyn Thorne
mags_eposanth1958Lake Como: New Athenaeum Press, 1958
Brautigan poem: “The Second Kingdom”





3. BEATITUDE ANTHOLOGY, edited by Bob Kaufman and John Kelly
San Francisco: City Lights Books, 1960
Brautigan poems: “The American Submarine”, “A Postcard from the Bridge”, “That Girl”, “The Whorehouse at the Top of Mount Rainer”, “Swandragons”
(Barber 13)


C. Contributions to Periodicals


1. Flame, Vol. 2, No. 3, edited by Lilith Lorraine

mags_flame0203Alpine, Autumn 1955
Brautigan poem: “Someplace in the World a Man is Screaming in Pain” [uncollected]
(not in Barber)



2. Epos, Vol. 8, No. 2, edited by Evelyn Thorne and Will Tullos
mags_epos0802Lake Como: Epos, Winter 1956
Brautigan poem: “The Second Kingdom” [uncollected]
(Barber 1)



3. Epos, Vol. 8, No. 4, edited by Evelyn Thorne and Will Tullos
mags_epos0804Lake Como: Epos, Summer 1957
Brautigan poem: “A Young Poet” [uncollected]
(Barber 2)




4. Mainstream, Vol. 2, No. 2, edited by Robin Raey Cuscaden and Ronald Often
Palatine, Summer-Autumn 1957
Brautigan poem: “The Final Ride” [uncollected]
(not in Barber)

5. Existaria, a Journal of Existant Hysteria, No. 7, Edited by Carl Larsen
mags_existaria07Hermosa Beach, September-October 1957
Brautigan poems: “The Daring Little Guy on the Burma Shave Sign” [uncollected], “The World Will Never End” [uncollected]
(not in Barber)


6. Danse Macabre, Vol. 1, No. 1, edited by R.T. Baylor
Manhattan Beach, 1957
Brautigan poems: “They Keep Coming Down the Dark Streets” [uncollected], “15 Stories in One Poem” [uncollected]
(not in Barber)

7. Hearse, No. 2, edited by E.V. Griffith
mags_hearse02Eureka: Hearse Press, 1958
Brautigan poem: “15 Stories in One Poem” [previously published in DANSE MACABRE]
(Barber 5)



8. Hearse, No. 3, edited by E.V. Griffith
mags_hearse03Eureka: Hearse Press, 1958
Brautigan poems: “The Mortuary Bush” [previously published in FOUR NEW POETS], “Twelve Roman Soldiers and an Oatmeal Cookie” [previously published in FOUR NEW POETS]



9. Epos, Vol. 9, No. 3, edited by Will Tullos and Evelyn Thorne
mags_epos0903Lake Como: Epos, Spring 1958
Brautigan poem: “Kingdom Come” [uncollected]
(Barber 9)




10. San Francisco Review, No. 2, edited by R.H. Miller
mags_sfreview02
San Francisco, Spring 1959
Brautigan poem: “Psalm” [uncollected]
(Barber 10)




11. Beatitude, No. 1, edited by Bob Kaufman, John Kelly, and William J. Margolis
San Francisco, 9 May 1959
Brautigan poem: “The Whorehouse at the Top of Mount Rainer” [collected in BEATITUDE ANTHOLOGY]

12. Beatitude, No. 4, edited by Bob Kaufman, John Kelly, and William J. Margolis
San Francisco, 30 May 1959
Brautigan poems: “The American Submarine”, “A Postcard from the Bridge”, “That Girl”, “The Sink” [all collected in BEATITUDE ANTHOLOGY]

13. Beatitude, No. 9, edited by Bob Kaufman, John Kelly, and William J. Margolis
San Francisco, 18 September 1959
Brautigan poem: “Swandragons” [collected in BEATITUDE ANTHOLOGY]

14. J, No. 1, edited by Jack Spicer
mags_j01
San Francisco, September 1959
Cover illustration by Fran Herndon
Brautigan poem: “The Fever Monument” [collected in THE OCTOPUS FRONTIER]



15. Foot, No.1, edited by Richard Duerdan
mags_foot01San Francisco, September 1959
Cover illustration by Robert Duncan
Brautigan poem: “The Rape of Ophelia”, “Postcard from Chinatown”, “The Nature Poem”, “Horse Race”, “The Last Music is Not Heard” [all collected in THE OCTOPUS FRONTIER]

16. J, No. 4, edited by Jack Spicer
mags_j04San Francisco, November 1959
Cover illustration by Fran Herndon
Brautigan poem: “The Pumpkin Tide”, “The Sidney Greenstreet Blues”, “Surprise” [all collected in THE OCTOPUS FRONTIER]



17. J, No. 5, edited by Jack Spicer
mags_j05San Francisco, December 1959
Cover illustration by Fran Herndon
Brautigan poem: “1942” [collected in THE OCTOPUS FRONTIER]




18. Hearse: A Vehicle Used to Convey the Dead, No. 9, edited by E.V. Griffith
mags_hearse09Eureka: Hearse Press, 1961
Brautigan poem: “The Rain” [uncollected]





19. Sum, No. 3, Edited by Fred Wah
Albuquerque, May 1964
Brautigan poem: “September California” [collected in Revenge of the Lawn]

20. San Francisco Keeper’s Voice, Vol. 1, No. 4, edited by Alexander Weiss
San Francisco, April 1965
Brautigan poem: “October 2, 1960” [uncollected]

21. Wild Dog, No. 18, edited by Joanne Kyger, contributing editor Edward Dorn
mags_wilddog18San Francisco, 17 July 1965
Brautigan poems: “The Buses” [uncollected], “Period Piece” [uncollected]



22. O’er, No. 2, edited by David Sandberg
mags_oar02San Francisco, December 1966
Brautigan poems: “The House” [uncollected], “My Nose is Growing Old” [collected in All Watched Over by Machines of Loving Grace], “November 3” [collected in All Watched Over by Machines of Loving Grace]


References consulted:
Barber, John F. Richard Brautigan: An Annotated Bibliography.
Jefferson: McFarland, 1990

Philip Lamantia

lamantia
photo by Harry Redl

 

Philip Lamantia was born to Sicilian immigrants in San Francisco in 1927. His father was a produce broker in the old Embarcadero. He began writing poetry in elementary school and was later inspired by the paintings of Miro and Dali at the San Francisco Museum of Art. After being expelled for “intellectual delinquency” at age sixteen, he dropped out of high school and moved to New York City, where he lived for several years and where he was associated with Andre Breton and other exiled European artists such as Max Ernst and Yves Tanguy. During these years he worked as an assistant editor of View magazine and his poems were published in View as well as in publications like Hemispheres, which was being published by another French ex-patriot Yvan Goll.

In 1943, when Lamantia was only fifteen years old, Breton heralded him as being “a voice that rises once in a hundred years.” In 1946, at the age of nineteen, his first book of poems Erotic Poems was published by Bern Porter Books in Berkeley, California, followed by two collections (Narcotica and Ekstasis) published in 1959 by Auerhahn Press. A literary prodigy whose poems delved into the worlds of the subconscious and dreams, his love of Surrealism had a major influence on the Beats and other American poets. On March 7, 2005 he died of heart failure in his North Beach, San Francisco apartment at age seventy-seven.

–Thomas Rain Crowe


Section A: Books and Broadsides

1. Lamantia, Philip. EROTIC POEMS
(Berkeley): Bern Porter, 1946
First edition, hardcover issued without dust jacket, 42 pages.

2. Lamantia, Philip. EKSTASIS
lamantia_ekstasisSan Francisco: Auerhahn Press, 1959
First edition, perfect-bound wrappers, 5.75? x 7?48 pages, (circa 950 copies). Titling by Robert La Vigne. Printed announcement issued.
(Auerhahn 3)

3. Lamantia, Philip. NARCOTICA
lamantia_narcoticaSan Francisco: Auerhahn Press, 1959
First edition, saddle-stapled illustrated wrappers, 6.25? x 8.5?, 16 pages, (750 copies). Cover photographs by Wallace Berman. Published as Auerhahn Pamphlet No. 1. Printed announcement issued.
(Auerhahn 5)

4. Lamantia, Philip. DESTROYED WORKS
lamantia_destroyedSan Francisco: Auerhahn Press, 1962
A. First edition, perfect-bound illustrated wrappers, 7? x 8.75?, 48 pages, 1250 copies. (pictured)
B. First edition, hardcover, 7? x 8.75?, 48 pages, 50 numbered and signed copies, bound by the Schuberth Bindery.
(Auerhahn 18)

5. Lamantia, Philip. TOUCH OF THE MARVELOUS
(Berkeley): Oyez, 1966
a. First edition, hardcover, 65 pages, 50 copies on handmade Tovil paper, numbered, signed by the author, bound by Dorothy Hawley.
b. First edition, sewn and glued into wrappers, 65 pages, 1450 copies.

6. Lamantia, Philip. SELCETED POEMS 1943-1966
(San Francisco): City Lights Books, (1967)
First edition, wrappers, 100 pages, published as Pocket Poets Series Number 20. (Cook 61)

7. Lamantia, Philip. THE BLOOD OF THE AIR
lamantia_bloodSan Francisco: Four Seasons Foundation, 1970
a. First edition, hardcover , 45 pages, 50 copies, numbered, signed by the author, published as Writing 25. (pictured)
b. First edition, wrappers, 45 pages, published as Writing 25.

8. Lamantia, Philip. TOUCH OF THE MARVELOUS
Bolinas: Four Seasons Foundation, 1974
Second, expanded edition, wrappers, 47 pages, includes three poems not in the original edition: “Celestial Estrangement”, “Submarine Languor”, and “To You Henry Miller”.

9. Lamantia, Philip. BECOMING VISIBLE
San Francisco: City Lights Books, 1981
a. First edition, hardcover, 96 pages, published as Pocket Poet Series No. 39.
b. First edition, wrappers, 96 pages, published as Pocket Poet Series No. 39.
(Cook 146)

10. Lamantia, Philip. MEADOWLARK WEST
San Francisco: City Lights Books, 1986
First edition, wrappers, 73 pages. (Cook 171)

11. Lamantia, Philip. BED OF SPHINXES: NEW AND SELECTED POEMS, 1943-1993
San Francisco: City Lights Books, 1997
First edition, wrappers, 141 pages.

12. Lamantia, Philip. WHAT IS NOT STRANGE?
San Francisco: City Lights, 2005
First edition, broadside.


 Section B: Contributions to Books and Anthologies, Selected

sequence within years is alphabetical

BEATITUDE ANTHOLOGY. San Francisco: City Lights, 1960

THE BEATS, edited by Seymour Krim. Greenwich: Gold Medal, 1960

THE BEAT SCENE, edited by Elias Wilentz, photographs by Fred McDarrah. New York: Corinth Books, 1960

THE NEW ORLANDO POETRY ANTHOLOGY. New York: New Orlando Publication, 1963

PENGUIN MODERN POETS, 13. London: Penguin, 1969

AERO INTO THE AETHER. Philip Lamantia, Clark Ashton Smith.  Black Swan Press, 1980

FREE SPRITS: ANNALS OF THE INSURGENT IMAGINATION. San Francisco: City Lights, 1980. First edition, wrappers, 223 pages

WHITMAN’S WILD CHILDREN, edited by Neeli Cherkovski. Venice: Lapis Press, 1988

TAU & JOURNEY TO THE END. Philip Lamantia, John Hoffman. San Francisco: City Lights, 2008

CITY LIGHTS POCKET POETS ANTHOLOGY, edited by Lawrence Ferlinghetti. San Francisco: City Lights, 2009


Section C: Contributions to Periodicals, Selected

sequence within years is alphabetical

VIEW, Series III, Number 2. New York, June 1943

VIEW, Series III, Number 3. New York, 1943

VIEW, Series IV, Number 2. New York, Summer 1944

VVV, Number 4. New York, 1944

HEMISPHERES, Number 5. New York, 1945

VIEW, Series V, Number 2. New York, 1945

NEW DIRECTIONS, Number 9. New York, 1946

CONTOUR QUARTERLY, Volume 1, Number 1. Berkeley, 1947

NOW, Number 7. London, February-March 1947

CITY LIGHTS, Number 4. San Francisco, Fall 1953

NEW DIRECTIONS, Number 14. New York, 1953

BEATITUDE, Number 9. San Francisco, September 1959

SEMINA, Number 4. San Francisco, 1959

SEMINA, Number 5. San Francisco, 1959

EVERGREEN REVIEW, Volume 4, Number 11. New York, January-February 1960

THE GALLEY SAIL REVIEW, Number 5. San Francisco, Winter 1960

YUGEN, 6. New York, 1960

DAMASCUS ROAD, Number 1. Allentown, 1961

POEMS FROM THE FLOATING WORLD, Volume 3. New York, 1961

MEASURE, Number 3. Milton, Summer 1962

THE OUTSIDER, Number 2. New Orleans, Summer 1962

TOBAR, Number 4. New York, 1962

EL CORNO EMPLUMADO, Number 9. Mexico City, 1964

FUCK YOU: A MAGAZINE OF THE ARTS, Volume 5, Number 7. New York, September 1964

DAMASCUS ROAD, Number 2. Allentown, 1965

RESIDU, Volume 1, Number 1. Athens, Spring 1965

THE PARIS REVIEW, Number 36. Paris, 1966

THE FLOATING BEAR, Number 33. New York, February 1967

THE FLOATING BEAR, Number 34. New York, 1967

THE FLOATING BEAR, Number 35. New York, April 1968

CATERPILLAR, 10. New York, January 1969

CATERPILLAR, 17. Sherman Oaks, October 1971

INTREPID, Number 20. Buffalo, 1971

ANTAEUS, 6. Tangier, Summer 1972

THE LAMP IN THE SPINE, Number 4. Iowa City, Spring 1972

THE SEVENTIES, Number 1.  Madison, Spring 1972

ARSENAL, Number 2. Chicago, Summer 1973

CULTURAL CORRESPONDENCE, Number 12-14. Providence, Summer 1981

ZYZZYVA, Volume 1, Number 4. San Francisco, Winter 1985

CITY LIGHTS REVIEW, 1. San Francisco, 1987

CALIBAN, 7. Ann Arbor, 1989

CITY LIGHTS REVIEW, 4. San Francisco, 1990


Section D: Ephemera

THE AUERHAHN PRESS CATALOG, 1962
San Francisco: Auerhahn Press, 1962. First edition, wrappers

A KIND OF BEATNESS: PHOTOGRAPHS OF A NORTH BEACH ERA 1950-1965
San Francisco: Focus Gallery, 1975. First edition, wrappers


References Consulted:

Bohn, Dave. OYEZ: THE AUTHORIZED CHECKLIST
Berkeley: n.p., 1997

Cook, Ralph T. CITY LIGHTS: A DESCRIPTIVE BIBLIOGRAPHY
Metuchen: The Scarecrow Press, 1992

Duncan, Michael and Kristine McKenna. SEMINA CULTURE: WALLACE BERMAN & HIS CIRCLE
New York: Distributed Art Publishers, 2005

Harter, Christopher. AN AUTHOR INDEX TO LITTLE MAGAZINES OF THE MIMEOGRAPH REVOLUTION
Lanham: Scarecrow Press, 2008

Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS
Berkeley: Poltroon Press, 1976

Lepper, Gary M. A BIBLIOGRAPHICAL INTRODUCTION TO SEVENTY-FIVE MODERN AMERICAN AUTHORS
Berkeley: Serendipity Books, 1976

Marx, Jake. “Index to Fuck You: A Magazine of the Arts” in THE SERIF: QUARTERLY OF THE KENT STATE UNIVERSITY LIBRARIES, Volume VIII, Number 3
Kent: The Kent State University Libraries, September 1971

Wallace Berman

 berman_arranged

Wallace Berman was born in 1926 in Staten Island, New York. In the 1930s, his family moved to the Jewish district (Boyle Heights) in Los Angeles. After being expelled from high school for gambling in the early 1940s, Berman immersed himself in the growing West Coast jazz scene. During this period, he briefly attended the Jepson Art School and Chouinard Art School, but departed when he found the training too academic for his needs.

In 1949, while working in a factory finishing antique furniture, he began to make sculptures from unused scraps and reject materials. By the early 1950s, Berman had become a full-time artist and an active figure in the beat community in Los Angeles and San Francisco. Many art historians consider him to be the ‘father’ of the California assemblage movement. Moving between the two cities, Berman devoted himself to his mail art publication SEMINA, which contained a sampling of beat poetry and images selected by Berman.

In 1963, permanently settled in Topanga Canyon in the Los Angeles area, Berman began work on verifax collages (printed images, often from magazines and newspapers, mounted in collage fashion onto a flat surface, sometimes with solid bright areas of acrylic paint). He continued creating these works, as well as rock assemblages, until his death in 1976.

A. Solo and Select Group Exhibitions
B. Posters and Prints
C. Cover and Book Art
D. Semina

Further reading and reference:

ART AS A MUSCULAR PRINCIPLE, 10 Artists and San Francisco 1950-1965
Mount Holyoke College, 1975

ART IN LOS ANGELES: SEVENTEEN ARTISTS IN THE SIXTIES
Los Angeles: LACMA, 1981

ASSEMBLAGE IN CALIFORNIA: WORKS FROM THE LATE 50’S AND EARLY 60’S
Alhambra: Cunningham Press, 1968

DIFFERENT DRUMMERS, edited by Frank Gettings
Washington DC: Smithsonian Hirshhorn Museum and Sculpture Garden, 1988

LA POP IN THE SIXTIES, edited by Anne Ayres
Newport Beach: Newport Harbor Art Museum, 1989

SAN FRANCISCO RENAISSANCE PHOTOGRAPHS OF THE ’50S AND ’60S, edited and with an introduction by Merril Greene
NY: Gotham Book Mart Gallery, 1975

SECRET EXHIBITION: SIX CALIFORNIA ARTISTS OF THE COLD WAR ERA, edited by Rebecca Solmit
San Francisco: City Lights, 1990

SUPPORT THE REVOLUTION, edited by Tosh Berman, Michael McClure, David Meltzer, Colin Gardner, Walter Hopps, Christopher Knight, Eduardo Lipschutz-Villa, Charles Brittin
Amsterdam: Institute of Contemporary Art, 1992

THIRD RAIL, Issue 9, edited by Uri Hertz
Los Angeles: Third Rail, 1988

UTOPIA AND DISSENT: ART, POETRY, AND POLITICS IN CALIFORNIA, by Richard Cándida Smith
Berkeley: University of California Press, 1995)

 

Bibliographic Checklists and Notes

The categorization of the writers, poets, artists, printers and their work here isn’t meant to be definitive, rather it’s a way to simply organize an enormous amount of information and help form some sort of storyline. Certainly there are folks here whose work started before some of the categories existed in the common lexicon and continued long after a ‘scene’ faded away. It’s not the intent of this listing to presuppose intent or oversimplify the efforts of these folks. As new pieces are added, parts will be reorganized, edited and rearranged… stay tuned…

* Aside from primary resources, references consulted can be found here


A brief history of the mimeograph “revolution”


California and The San Francisco Renaissance
     plus the Beats, Beatniks, Hippies, and others

Artists:
>> Jess Collins
>> Wallace Berman
>> Fran Herndon

Poets & Writers:
>> Charles Bukowski

>> Ebbe Borregaard
>> Richard Brautigan
>> Jack Spicer

>> Philip Lamantia
>> Michael McClure
>> David Meltzer
>> Lew Welch

>> Richard Krech

Presses:
>> City Lights (1955-)
>> Hearse Press (1957-1970)
>> White Rabbit Press (1957-1972)
>> Auerhahn Press (1958-1963)
>> Enkidu Surrogate (1959)
>> Oannes Press (1963)
>> Oyez Press (1963-1968)
>> Four Seasons Foundation (1964-1985)
>> Black Sparrow Press (1966-2002)
>> Capricorn Press (1969-1972)

Periodicals:
>> Ark (Nos. 1-3, 1947-1957)
>> Avalanche (Nos. 1-6, 1966-1969)
>> Beatitude (Nos. 1-34, 1959-1987)
>> Berkeley Miscellany (Nos. 1-2, 1948-1949)
>> Caterpillar
>> Change (No. 1, 1963)
>> Circle (Nos. 1-10, 1944-1948)
>> City Lights (Nos. 1-5, 1952-1955)
>> City Lights Journal (Nos. 1-4, 1963-1966)
>> Contour (Nos. 1-4, 1947-1948)
>> Cow (Nos. 1-3, 1965-1966)
>> Dust (Nos. 1-17
>>Ephemeris (Nos. 1-3, c.1969-1970)
>> Foot (Nos. 1-8, 1962-1980)
>> Gryphon (Nos. 1-3, 1950-1951)
>> Hearse (Nos. 1-17, 1957-1972)
>> J (Nos. 1-8, 1959-1961)
>> M (Nos. 1-2, 1962)
>> Measure (Nos. 1-3, 1957-1962)
>> Mithrander (No. 1, 1963)
>> The Needle (Nos. 1-3, 1956)
>> Now (Nos. 1-3, 1963-1965)
>> Open Space (Nos. 0-12, 1964)
>> Out of Sight (nos. 1-2, 1966)
>> The Pacific Nation (Nos. 1-2, 1967-1969)
>> R.C. Lion (Nos. 1-3, 1966-1967)
>> Renaissance (Nos. 1-4, 1961-1962)
>> The Rivoli Review (Nos. 1-2, 1963-1964)
>> The San Francisco Capitalist Bloodsucker-N (No. 1, 1962)
>> Semina (Nos. 1-9, 1955-1962)
>> Wild Dog (Nos. 1-21, 1963-1966)

Galleries:
>> Batman Gallery
>> Six Gallery


Cleveland, the Midwest and South…

Poets & Writers:
The so-called Cleveland School
>> Russell Atkins
>> d.a. levy
>> Kent Taylor

>> Douglas Blazek

>> Frank Stanford

Presses:

Periodicals:
>> The Eight Pager (Nos. 1-4, 1966)
>> Grist (Nos. 1-12, 1964-1966)


Other places and people

 The UK, Ireland, and…
>> Ian Hamilton Finlay & The Wild Hawthorn Press
>> Stuart Mills & Tarasque Press
>> Cavan McCarthy & Tlaloc

Elsewhere…

>> Jonathan Williams and Jargon

>> Piero Heliczer and The Dead Language

>> Judson Crews and company