Tag Archives: Jack Spicer

Jack Spicer – Miscellaneous Prose

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Section E:
This index collects contributions of essays, letters to editors, and prose to periodicals and other publications

1947

1. THE OCCIDENT, edited by Charlotte McCord
Berkeley, Fall 1947
“Miller: Remember to Remember” [essay]

1949

2. THE OCCIDENT, edited by Lynne Brown
mags_occidentfall49Berkeley, Fall 1949
“The Poet and Poetry: A Symposium” [essay]





1952

3. LANGUAGE: JOURNAL OF THE LINGUISTIC SOCIETY OF AMERICA, Vol. 28, No. 3, Part 1
Baltimore, July-September 1952
“Correlation Methods of Comparing Ideolects in a Transition Area” [essay] [co-authored with David W. Reed]



1957

4. THE BOSTON PUBLIC LIBRARY QUARTERLY, Vol. 9, No. 1, edited by Zoltan Haraszti
Boston: Trustees of the Public Library of the City of Boston, January 1957
“A Correction” [commentary] “Wimpfeling’s Adolescentia, 1505” [commentary]

5. THE BOSTON PUBLIC LIBRARY QUARTERLY, Vol. 9, No. 4, edited by Zoltan Haraszti
Boston: Trustees of the Public Library of the City of Boston, October 1957
“The Legend of St. Meinrad, 1567” [commentary]

1962

6. FOOT, No. 2, edited by Richard Duerden and William Brown
mags_foot02San Francisco: Foot Magazine, 1962
“Correspondence (Jack Spicer)” [letter]





1977

7. BOUNDARY 2, Vol. 6, No. 1,  edited by William V. Spanos
Binghamton: SUNY, Fall 1977
“A Plan for a Book on Tarot” [prose]

1987

8. LINE, No. 9, edited by Roy Miki
Burnaby: Simon Fraser University, Spring 1987
“Letters to Robin Blaser 1955-1958” [letters]





—

Jack Spicer – Contributions to Periodicals

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Section D:
This index collects contributions of poems, stories, letters (poetic), and a play to periodicals

1946

1. THE OCCIDENT, edited by Jocelyn Willat
mags_occidentwint46Berkeley, Winter 1946
“To the Semanticists” [poem], “The Chess Game” [poem], “A New Testament” [poem]




1947

2. CONTOUR QUARTERLY, Vol. 1, No. 1, edited by Chris Maclaine
mags_contour01Berkeley, April 1947
[untitled] “After the ocean, shattering with equinox…” [poem], “4 A.M.” [poem], “Chinoiserie” [poem]



1948

3. BERKELEY MISCELLANY, No. 1, edited by Robert Duncan
mags_miscellany01Berkeley, 1948
“A Night in Four Parts” [poem], “Troy Poem” [poem], “Sonnet” [poem]




1949

4. BERKELEY MISCELLANY, No. 2, edited by Robert Duncan
mags_miscellany02Berkeley, 1949
“The Scroll-Work on the Casket” [story]





1954

5. OCCIDENT, edited by Richard Rummonds
Berkeley: Associated Students of the University of California, Spring 1954
“On Reading Last Year’s Love Poems” [poem], “The Inheritance: Palm Sunday” [poem]
[not in Dorbin checklist]


1955

6. CITY LIGHTS, No. 5, edited by Peter Martin
San Francisco: City Lights, Spring 1955
“On Watching a TV Boxing Match in October” [poem]




1956

7. AUDIENCE, Vol. 4, Number 2
Cambridge: Audience, 1956
“Five Words for Joe Dunn on his 22nd Birthday” [poem]

1957

8. EVERGREEN REVIEW, Vol. 1, No. 2, edited by Barney Rosset and Donald Allen
mags_evergreen0102New York City, 1957
“Berkeley in Time of Plague” [poem], “The Dancing Ape…” [poem], “Troy Poem” [poem], “The Scroll-Work on the Casket” [story], “Hibernation – After Morris Graves” [poem], “Psychoanalysis: An Elegy” [poem], “The Song of the Bird in the Loins” [poem]

9. MEASURE, No. 1, edited by John Wieners
mags_measure01Boston, Summer 1957
“Song for Bird and Myself” [poem]
[not in Dorbin checklist]




1959

10. BEATITUDE, No. 3, published by John Kelly
mags_beatitude03San Francisco, 23 May 1959
“Fifteen False Propositions about God” [poem]





11. BEATITUDE, No. 6, published by John Kelly
San Francisco, [June] 1959
“Epithalamium” [poem] [co-authored with Bruce Boyd, Ronald Primack, and George Stanley]




12. J, No. 1, edited by Jack Spicer
mags_j01San Francisco, 1959
“Hokkus” [poem]
[not in Dorbin checklist]




13. J, No. 2, edited by Jack Spicer
San Francisco, 1959
[untitled] “Down to new beaches where the sea…” [poem], “Epilog for Jim” [poem]
[not in archive]



14. J, No. 3, edited by Jack Spicer
San Francisco, 1959
[untitled] “The slobby sea where you float in…” [poem], “Last Hokku” [poem]




15. J, No. 4, edited by Jack Spicer
mags_j04San Francisco, [October] 1959
“Jacob” [poem]





16. J, No. 5, edited by Jack Spicer
mags_j05San Francisco, 1959
“Fifth Elegy” [poem]





1960

17. BEATITUDE, No. 17, edited by Bob Kaufman
mags_beatitude17San Francisco: City Light Books, Oct-Nov 1960
[untitled] “When I hear the word Ferlinghetti…” [poem]




1961

18. J, No. 8, edited by Harold Dull
San Francisco, 1961
“A Translation for Jim” [poem], “A Translation for Jeorge” [poem]

1962

19. THE SAN FRANCISCO CAPITALIST BLOODSUCKER – N, edited by George Stanley
mags_capitalistSan Francisco, Spring 1962
“Three Marxist Essays” [poem]





20. MEASURE, No. 3, edited by John Wieners
mags_measure03Boston, Summer 1962
“Central Park West” [poem]
[not in Dorbin checklist]




1964

21. OPEN SPACE, No. 0, edited by Stan Persky
San Francisco, January 1964
[untitled] “This ocean, humiliating in its disguises…” [poem] [collected in Language]




22. OPEN SPACE, No. 1, edited by Stan Persky
San Francisco, February 1964
“Sporting Life” [poem] [collected in Language]





23. OPEN SPACE, No. 2, edited by Stan Persky
San Francisco, February 1964
“This is Submitted for your Valentine Contest”  [poem], [untitled] “I hear a banging on the door of night…” [poem] [collected in Language]



24. OPEN SPACE, No. 3, edited by Stan Persky
mags_openspace03San Francisco, March 1964
[untitled] “Just because baseball is not poetry…” [statements], “Predictions” [collected in Language], [untitled] “The log in the fire…” [poem] [collected in Language], [untitled] “Finally the messages penetrate…” [poem] [collected in Language], “Dear Ferlinghetti” [letter]

25. OPEN SPACE, No. 4, edited by Stan Persky
mags_openspace04tSan Francisco, 1964
[untitled] “Heroes eat soup…” [poem] [collected in Language], [untitled] “Smoke signals…” [poem], [untitled] “A redwood forest…” [poem] [collected in Language], [untitled] “The whorship of beauty…” [poem] [collected in Language]

26. OPEN SPACE, No. 5, edited by Stan Persky
San Francisco, 1964
[untitled] “Pull down the shade of ruin, rain verse…” [poem], [untitled] “If your mother’s mother had not riven, mother…” [poem], [untitled] “What in sight do I have…” [poem], [untitled] “It comes May and the summers renew themselves…” [poem], [untitled] “Thanatos, the death-plant in the skull…” [poem] [collected in Language]

27. OPEN SPACE, No. 6, edited by Stan Persky
San Francisco, June 1964
[untitled] “1st SF home rainout since. Bounce…” [poem] [collected in Language], [untitled] “The country is not very well defined…” [poem] [collected in Language], [untitled] “I squint my eyes to cry…” [poem] [collected in Language], [untitled] “The metallurgical analysis of the stone that…” [poem] [collected in Language]

28. OPEN SPACE, No. 7, edited by Stan Persky
San Francisco, July 1964
“Love Poems” [poem] [collected in Language], “Protestant Letter” [letter]




29. OPEN SPACE, No. 8, edited by Stan Persky
mags_openspace08San Francisco,  August 1964
“Intermission I-III” [poem] [collected in Language], “Transformations I- III” [poem] [collected in Language]



30. OPEN SPACE, No. 9, edited by Stan Persky
San Francisco, September 1964
“Morphemicks, 1-4” [poem] [collected in Language]




31. OPEN SPACE, No. 10, edited by Stan Persky
San Francisco, October 1964
“Phonemics” [poem] [collected in Language]





32. OPEN SPACE, No. 11, edited by Stan Persky
San Francisco, November 1964
“Graphemics, 1-5” [poem] [collected in Language]




1965

33. THE WIVENHOE PARK REVIEW, No. 1, edited by Thomas Clark and Andrew Crozier
mags_wivenhoe01Essex: University of Essex, Winter 1965
“15 False Propositions about God” [poem]





34. WORK, No. 2, edited by John Sinclair
Detroit: Artists Workshop Press, Fall 1965
“Graphemics, 10” [poem] [collected in Language]
[not in Dorbin checklist]




35. COW, No. 1, edited by Luther T. Cupp
mags_cow01San Francisco: Cow, 1965
“Dear Sister Mary” [letter]





1966

36. WHE’RE, No.1, edited by Ron Caplan
Detroit: Artists’ Workshop, Summer 1966
“Dover Beach” [poem] [collected in Lament for the Makers], “The Birds” [poem] [collected in Lament for the Makers], “The Birth of Venus” [poem] [collected in Lament for the Makers], “Lament for the Makers” [poem] [collected in Lament for the Makers], “Postscript” [story] [collected in Lament for the Makers], “The Scroll-Work on the Casket” [story]

37. O’ER, No. 2, edited by David Sandberg
mags_oar02San Francisco, December 1966
“Buster Keaton Rides Again: A Sequel” [poem] [collected in After Lorca]




1967

38. THE PACIFIC NATION, No. 1, edited by Robin Blaser
mags_pacific01Vancouver, June 1967
“A Poem to the Reader of the Poem” [poem]





39. FLOATING BEAR, No. 33, edited by Diane di Prima
Brooklyn, 1967
“The Bridge Game” [poem], “Lives of the Philosophers: Diogenes” [poem]




40. FLOATING BEAR, No. 34, edited by Diane di Prima
Brooklyn, 1967
“The Day Five Thousand Fish Died in the Charles River” [poem]




WINE BUTTON, edited by Dave Fraser, Robert Serling, Dick Sweeney
mags_winebuttonHighland Park: Wine Button, n.d. [c.1967]
“Correspondence” [letter], “The Day Five Thousand Fish Died along the Charles River”






1968

41. COLLECTION, No. 1, edited by Peter Riley
mags_collection01Sussex, March 1968
“The Red Wheelbarrow” [poem]





42. TISH, No. 42, edited by Brad Robinson and Dan McLeod
Vancouver, March 1968
“Three Poems for Tish” [poem] [collected in The Book of Magazine Verse]
[not in Dorbin checklist]



43. IRON, No. 4
North Vancouver: Iron, April 1968
“A Textbook of Poetry” [poem] [collected in The Heads of the Town Up to the Aether], “7 Poems for the Vancouver Festival” [poem] [collected in The Book of Magazine Verse]

1969

44. IRON, No. 7, edited by Brian Fawcett
British Columbia, 1969
“Ode for Walt Whitman” [poem] [collected in After Lorca]




45. TISH, No.44, Issue D, edited by Karen Tallman
Vancouver, February 1969
“Five Variations on the Earth” [poem]





46. LAMPETER MUSE, Vol. 3, No. 4, edited by Norman Weinstein
Annandale-on-Hudson: Bard College, Spring 1969
“The Book of Gwenivere” [poem] [collected in The Holy Grail]

1970-1979

47. WRITING, No. 2, edited by Stan Persky
Vancouver: Georgia Straight, January-February 1970
“Admonitions” [poems] [collected in Admonitions]


48. BOSS, No. 4, edited by Reginald Gay
New York: Boss Books, 1970
“Indian Summer: Minneapolis 1950” [poem]

[note: published as a broadside in 1970 as Portents 16]


49. CATERPILLAR, No. 12, edited by Clayton Eshleman
New York, July 1970
“The Dancing Ape…” [poem], “Berkeley in Time of Plague” [poem], “Psychoanalysis: An Elegy” [poem], “Troy Poem” [poem], “A Dialogue Between Intellect and Passion” [poem], “All Hallows Eve” [poem], “At a Party” [poem], “A Night in Four Parts” [poem], “Orpheus after Eurydice” [poem], “Orpheus in Hell” [poem], “Orpheus’ Song to Apollo” [poem], “The Song of the Bird in the Loins” [poem], “On Reading Last Year’s Love Poems” [poem], “Watching a TV Boxing Match in October” [poem], “The Day Five Thousand Fish Died along the Charles River” [poem], “A Heron for Mrs. Altrocchi” [poem], “Song for the Great Mother” [poem], “Song for Bird and Myself” [poem], “A Poem to the Reader of the Poem” [poem], “Five Words for Joe Dunn on his 22nd Birthday” [poem], “A Prayer for Pvt. Graham Mackintosh on Halloween” [poem], “Letters to Graham Mackintosh” [prose], “Pentheus and the Dancers” [drama], “From a Detective Novel” [fiction], “Letters to Jim Alexander” [prose], “From the Vancouver Lectures” [prose]

50. NINE QUEEN BEES, Zero Issue, edited by Jim Chapson, James Liddy, and Bill Siverly
Honolulu: Nine Queen Bees, Summer 1970
“Dover Beach” [poem] [collected in Lament for the Makers], “The Birds” [poem] [collected in Lament for the Makers], “The Birth of Venus” [poem] [collected in Lament for the Makers], “Lament for the Makers” [poem] [collected in Lament for the Makers], “Postscript” [story] [collected in Lament for the Makers]

51. IS, No. 8, edited by Victor Coleman
Toronto: Coach House Press, 1970

52. THE HARRIS REVIEW, edited by Harris Schiff
New York: Harris Review, 1971
[untitled] “The oaks…” [poem], [untitled] “With fifteen cents and that I could get a…” [poem]




53. IO, No. 10 Baseball Issue, edited by Richard Grossinger 
Cape Elizabeth, ME: IO Publications, 1971
“Unfinished Translation” [poem]

[note: prepared for, but no included in After Lorca]



54. STOOGE, No. 6, Editor: Geoff Young and Allen Schiller
Albuquerque, 1972
[untitled] “These big trucks drive…” [poem]





55. SHOCKS, Double Issue 3/4, edited by Stephen Vincent
San Francisco: Momo’s Press, March 1974
“Dear Lorca” [letter] [collected in After Lorca]





56. MANROOT, No. 10, edited by Paul Mariah
South San Francisco: Man-Root, Fall-Winter 1974
“To the Semanticists” [poem], “The Chess Game” [poem], “A New Testament” [poem], [untitled] “After the ocean, shattering with equinox…” [poem], “4 A.M.” [poem], “Chinoiserie” [poem], “The Scroll-Work on the Casket” [story], “Indian Summer: Minneapolis 1950” [poem], “Christmas Eve: 1952” [poem], “All Hallows Eve” [poem], “Watching a TV Boxing Match in October” [poem], “Lyric for Gary” [poem], “Sonnet for Gary” [poem], “Portrait of an Artist” [poem], “The Inheritance: Palm Sunday” [poem], “A Postscript to the Berkeley Renaissance” [poem], “The Gardener’s Son” [poem], “Manhattan” [poem], [untitled] “These woods, so fit for emperors…” [poem], “Admonitions” [poem] [collected in Admonitions], “15 False Propositions about God” [poem] [collected in 15 False Propositions about God], “Billy the Kid” [poem] [collected in Billy the Kid], “Hokkus” [poem], [untitled] “Down to new beaches where the sea…” [poem], “Epilog for Jim” [poem], [untitled] “The slobby sea where you float in…” [poem], “Last Hokku” [poem], “Jacob” [poem], “Fifth Elegy” [poem], “Three Marxist Essays” [prose], “Central Park West” [poem], [untitled] “This is an ode to Horace Stoneham…” [poem], “Dear Lew” [letter], “This is Submitted for your Valentine Contest”  [poem], “Protestant Letter” [letter], “Dear Sister Mary” [letter], “The Red Wheelbarrow” [poem], “Epithalamium” [poem] [co-authored with Bruce Boyd, Ronald Primack, and George Stanley]

57. ADVENTURES IN POETRY, No. 12, edited by Larry Fagin
mags_adventuresp12New York: The Poetry Project, Summer 1975
“Babel” [poem], “Dardenella” [poem], “Lives of the Philosophers: Diogenes” [poem], [untitled] “Lack of oxygen…” [poem], [untitled] “In- / Visible zombies…” [poem], “Spider Song” [poem]


58. THE CAPILANO REVIEW, No. 8/9, edited by Pierre Coupey
Vancouver: Capilano College, Fall 1975
“The Dancing Ape…” [poem], “Psychoanalysis: An Elegy” [poem], “The Song of the Bird in the Loins” [poem]



59. TELEPHONE, No. 10, edited Maureen Owen
New York: Telephone Books Press, 1975
“Five Variations for K.” [poem]





60. IO, No. 24, edited by Kevin Kerran and Richard Grossinger
Ann Arbor: North Atlantic Books, 1977
“Love Poem 1” [poem] [collected in Language], [untitled] “It comes in May…” [poem] [collected in Language], “Four Poems for the St. Louis Sporting News” [poem]


61. BOUNDARY 2, Vol. 6, No. 1,  edited by William V. Spanos
Binghamton: SUNY, Fall 1977
“An Exercise” [poems]

1980-1989

62. ACTS, No. 6, A Book of Correspondences for Jack Spicer, edited by David Levi Straus and Benjamin Hollander
San Francisco: Acts, 1986

63. LINE, No. 7/8, edited by Roy Miki
Burnaby: Simon Fraser University, Spring-Fall 1986
“Poems for the Vancouver Festival” [poems]

64. IRONWOOD, Vol. 14, Issue 2, No. 28, edited by Michael Cuddihy
Tucson: Ironwood Press, Fall 1986
[untitled] “As if the Chinese vase…” [poem]

1990+

65. O-BLEK, No. 10, edited by Peter Gizzi and Connell McGrath
Stockbridge: The Garlic Press, Fall 1991
“For Kids” [poem], “Spider Song” [poem]

66. LIFT, Nos. 10/11, edited by Joseph Torra
Somerville: Lift, 1992

67. EXACT CHANGE YEARBOOK, No. 1, edited by Michael Palmer
Boston: Exact Change, 1994

68. AMERICAN POETRY REVIEW, Vol. 17, No. 1, edited by Stephen Berg
Philadelphia: World Poetry, January-February 1998
“A Poem without a Single Bird in it” [poem]

69. NO: A JOURNAL OF THE ARTS, No. 3, edited by by Deb Klowden and Ben Lerner
New York: Lost Roads Publishers, 2004
“Troilus” [play]

—

Jack Spicer – Contributions to Books

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Section C:
This index collects contributions to books and other publications

1. THE NEW AMERICAN POETRY, 1945-1960, edited by Donald Allen
a. First edition, paperback copies:
New York: Grove Press, 1960
“Imaginary Elegies I-IV”

b. First edition, hardcover copies:
New York: Grove Press, 1960
“Imaginary Elegies I-IV”

2. THE SPICER-FERLINGHETTI CORRESPONDENCE
spicer_ferlingFirst edition:
San Francisco: White Rabbit Press, 1964
(Johnston A18)



3. THE NEW WRITING IN THE U.S.A., edited by Donald Allen and Robert Creeley
First edition:
Harmondsworth: Penguin, 1967
“Love Poems”

Note: First appeared in Open Space, No. 7 (San Francisco, July 1964)

4. POETICS OF THE NEW AMERICAN POETRY, edited by Donald Allen
First edition:
New York: Grove Press, 1973

5. Spicer, Jack and Robert Duncan. AN ODE AND ARCADIA
First edition:
Berkeley: Ark Press, 1974

Jack Spicer – Broadsides

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Section B:
This index collects broadsides, posters, and postcards

1. A REDWOOD FOREST
spicer_redwoodFirst edition:
San Francisco: White Rabbit Press, 1965
First edition, broadside, 8″ x 10.25″, letterpress printed. (Johnston B1)

Note: first appeared in Open Space, No. 4 (San Francisco, 1964), collected in Language.

2. THE DAY FIVE THOUSAND FISH DIED IN THE CHARLES RIVER
First edition:
Pleasant Valley: Kriya Press, 1967
First edition, broadside, 11″ x 16″, 100 numbered copies, offset printed.
[not in archive]


3. INDIAN SUMMER: MINNEAPOLIS 1950
First edition:
Brooklyn: Samuel Charters, 1970
First edition, broadside, 8″ x 18″, 100 copies. Published as Portents 16

4. BALLAD OF THE DEAD WOODCUTTER
First edition:
Berkeley: Arif Press, 1973
Single sheet folded twice to make a four-page booklet, 6″ x 3.5″ (when folded), letterpress printed by Wesley Tanner.

5. POSTSCRIPT
First edition:
Albuquerque: Billy Goat Press, 1973
First edition, broadside, 11″ x 17″, 100 numbered copies

Note: collected in Lament for the Makers

6. BERKELEY IN A TIME OF PLAGUE
a. First edition, grey stock copies:
Berkeley: Arif Press, 1974
First edition, broadside, 9.25″ x 11.5″, 100 copies on grey stock.  Printed by Alastair Johnston at the Arif Press.

b. First edition, white stock copies:
Berkeley: Arif Press, 1974
First edition, broadside, 9.25″ x 11.5″, 50 copies on white stock. Printed by Alastair Johnston at the Arif Press.

7. THE OAKS WEEP
First edition:
Berkeley: Poltroon Press, 1986
First edition, postcard, 4″ x 6″, letterpress printed.

8. JACK SPICER 1925-1965
First edition:
Berkeley: Arif Press, 1986
First edition, broadside, 16″ x 10″, letterpress printed.

Note: An excerpt from the second of three “lectures” that Spicer gave in Vancouver in 1965.

9. LAMENT FOR THE MAKERS
First edition:
n.p.: White Rabbit Press, 2009
Prints an excerpt from Lament for the Makers. Issued as a keepsake for The Book Club of California.

Jack Spicer – Books

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Section A:
This index collects books, chapbooks, and pamphlets

1. Spicer, Jack. AFTER LORCA
spicer_lorcaa. First edition, regular copies:
San Francisco: White Rabbit Press, November-December 1957
Saddle-stapled in illustrated wrappers, 6.5″ x 8.5″, 76 pages, 474 copies, multilith printed by Joe Dunn. Jack Spicer’s first book of poetry. Cover illustration by Jess Collins. Introduction by Federico Garcia Lorca. (Johnston A2)

b. First edition, lettered and signed copies:
San Francisco: White Rabbit Press, November-December 1957
Saddle-stapled in illustrated wrappers, 6.5″ x 8.5″, 76 pages, 26 copies lettered and signed with a drawing by the author, multilith printed by Joe Dunn. Jack Spicer’s first book of poetry. Cover illustration by Jess Collins. Introduction by Federico Garcia Lorca. (Johnston A2)

c. First edition, second issue:
San Francisco: White Rabbit Press, November-December 1957
Unbound (but collated and folded) without wrappers issued in mailing envelope at a later date. (Johnston A2)

d. First UK edition:
London: Aloes Books, 1969

e. Second edition:
n.p.: Marco Polio, 1974

2. Spicer, Jack. HOMAGE TO CREELEY 
spicer_homageFirst edition:
Annapolis: Harold and Dore Dull, Summer 1959
Side-stapled in printed covers, 8.5″ x 11″, 33 pages, 100 copies, spirit-mimeo printed. Incorporated into A4.


3. Spicer, Jack. BILLY THE KID
spicer_billya. First edition, first state:
Stinson Beach: Enkidu Surrogate, October 1959
Saddle-stapled in illustrated wrappers, 6.5″ x 8.5″, 16 pages, 750 copies, offset printed.  Illustrations by Jess Collins.

b. First edition, second state:
The second state includes holograph corrections to text on page 8; holograph addition of ‘Face’ at end of section VI.

c. Second edition:
Dublin: New Writers’ Press, 1969

d. Third edition
n.p.: Oyster Press, March 1975

4. Spicer, Jack. THE HEADS IF THE TOWN UP TO THE AETHER
spicer_headsa. First edition, regular copies:
San Francisco: Auerhahn Press, 1962
Perfect-bound in illustrated  and printed wrappers, 4.75″ x 6.75″, 109 pages, 750 copies, letterpress printed by Dave Haselwood. Illustrated by Fran Herndon. (Auerhahn 21)

b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1962
Hardcover in cloth-bound boards, 4.75″ x 7.25″, 109 pages, 50 copies signed by the author and artist, with an original drawing by Spicer, letterpress printed by Dave Haselwood, bound by the Schuberth Bindery. Illustrated by Fran Herndon. (Auerhahn 21)

Note: Printed announcement issued.

5. Spicer, Jack. LAMENT FOR THE MAKERS
spicer_lamenta. First edition:
Oakland: White Rabbit Press, 1962
Hand-sewn in illustrated wrappers, 5.5″ x 8″, 16 pages, 100 copies, offset printed. Illustrated by Graham Mackintosh. (Johnston A11)

Note: According to Johnston, “Back of title page has a fictitious acknowledgments list (by Graham Mackintosh) taken from Robert Duncan’s The Opening of the Field.”

b. First UK edition:
London: Aloes, 1971

6. Spicer, Jack. THE HOLY GRAIL
spicer_holya. First edition, regular copies:
San Francisco: White Rabbit Press, 1964
Saddle-stapled and glued into illustrated wrappers, 6.25″ x 8.5″, 80 pages, offset printed. Illustrated by Graham Mackintosh. (Johnston A19)

b. First edition, hardcover copies:
San Francisco: White Rabbit Press, 1964
Hardcover, 6.25″ x 8.5″, 80 pages, 13 copies signed (4 were reportedly destroyed during signing), offset printed. Illustrated by Graham Mackintosh. (Johnston A19)

spicer_holy2c. Second, Pirated edition:
Berkeley: Jolly Roger Press, February 1969
Side-stapled printed and illustrated sheets, 8.5″ x 11″, 20 pages, 500 copies. Published anonymously by Richard Krech and John Oliver Simon at the Undermine Press.

Pirate’s Note: “I only heard Jack Spicer read once, at the the Berkeley poetry conference in july 65. an hour after he read THE HOLY GRAIL, the last copy was gone from the avenue bookstores… this free pirate edition is distributed to make the poem available to those who need it.”

d. Third edition:
Watertown: Augtwofive, 1970





e. Fourth edition:
Portland: Timeworn (Poor Claudia at Revolution Publishing), 2014

7. Spicer, Jack. LANGUAGE
spicer_languagea. First edition:
San Francisco: White Rabbit Press, June 1965
Perfect-bound illustrated wrappers, 6.25″ x 10″, 72 pages, 950 copies, letterpress printed by Graham Mackintosh. (Johnston A30)

Note: Most poems first appeared in OPEN SPACE.

b. First edition, second printing:
San Francisco: White Rabbit Press, 1970
Perfect-bound illustrated wrappers, 6.25″ x 10″, 72 pages, 950 copies, offset printed from the first edition. Text added to the colophon: “Second printing 1970”. (Johnston A54)

8. Spicer, Jack. BOOK OF MAGAZINE VERSE
spicer_magazinea. First edition:
San Francisco: White Rabbit Press, 1966
Perfect-bound printed and illustrated wrappers, 5.5″ x 7.75″, 56 pages, 1500 copies, letterpress printed by Graham Mackintosh. Prepared for publication from the original manuscript by Stan Persky. Illustrated by Graham Mackintosh.  (Johnston A33)

According to Johnston, “The cover is a parody of the cover of Poetry (Chicago). The poems are arranged in groups intended for various little magazines and newspapers, each section printed on a stock appropriate to that publication, so that for example, the poems for Tish are on blue mimeo paper, those for the St. Louis Sporting News on newsprint.”

b. First edition, second printing
San Francisco: White Rabbit Press, 1970
Perfect-bound printed and illustrated wrappers, 5.5″ x 7.75″, 56 pages, 1500 copies, letterpress printed by Graham Mackintosh. Prepared for publication from the original manuscript by Stan Persky. Illustrated by Graham Mackintosh. (Johnston A33)

9. Spicer, Jack. A BOOK OF MUSIC
spicer_musica. First edition, regular copies:
San Francisco: White Rabbit, 1969
Saddle-stapled illustrated wrappers, 6.25″ x 9.25″, 20 pages, 1800 copies designed and printed by Ron and Graham Mackintosh from a typescript made available by Peter Howard. The cover was one decided upon by the author. Illustrated by Graham Mackintosh. (Johnston A48)

b. First edition, variant copies:
Variant copies include additional printed text on the front leaf: “150 copies printed Christmas, 1969 / for friends of White Rabbit, Oyez, / and the author”. (Johnston A48a)

10. Spicer, Jack. THE RED WHEELBARROW
a. First edition, regular copies:
Berkeley: Arif Press, June 1971
Hand-sewn printed and illustrated wrappers, 5.5″ x 5.5″, 24 pages, 475 copies, letterpress printed. Illustrated by  Wesley Tanner. Printed by Wesley Tanner at Cranium Press.

b. First edition, numbered copies:
Berkeley: Arif Press, June 1971
Hand-sewn printed and illustrated wrappers, 5.5″ x 5.5″, 24 pages, 25 copies with hand-colored frontispiece, signed by the illustrator, letterpress printed. Illustrated by  Wesley Tanner. Printed by Wesley Tanner at Cranium Press.

Note: Printed announcement issued.

11. Spicer, Jack. SOME THINGS FROM JACK
First edition:
Verona: Plain Wrapper Press, 1972
Wrappers, 6.5″ x 10.25″, 11 pages, 91 numbered copies, printed letterpress. Introduction by Richard Rummonds. Linocut by Miroslav Zahradka.

12. Spicer, Jack. ADMONITIONS
First edition:
New York: Adventures in Poetry, 1974
Side-stapled printed wrappers, 8.5″ x 11″, 44 pages, mimeograph printed.



13. Spicer, Jack. QUARTUS 1: A LOST POEM
First edition:
Verona: Plain Wrapper Press, 1974
Hardcover in cloth-bound boards, 9.5″ x 11.5″, 8 pages, 114 numbered copies signed by the artist, letterpress printed. Postscript by Richard-Gabriel Rummonds. Illustrated with two etchings by Ariel Parkinson.

14. Spicer, Jack. FIFTEEN FALSE PROPOSITIONS ABOUT GOD
First edition:
South San Francisco: Manroot, September 1974
Saddle-stapled printed and illustrated wrappers, 6.5″ x 8.5″, 16 pages, offset printed.

Poem first appeared in Beatitude, No. 3 (San Francisco, May 1959)

15. Spicer, Jack. THE COLLECTED BOOKS OF JACK SPICER
a. First edition, paperback copies:
Los Angeles: Black Sparrow Press, May 1975
Perfect-bound printed wrappers, 6.25″ x 8.75″, 382 pages including bibliography of first editions, 1000 copies. Edited and with commentary by Robin Blaser. Typography by Graham Mackintosh/White Rabbit.

b. First edition, hardcover copies: 
Los Angeles: Black Sparrow Press, May 1975
Hardcover in acetate dust jacket, 6.5″ x 9″, 382 pages including bibliography of first editions, 1000 copies. Edited and with commentary by Robin Blaser. Typography by Graham Mackintosh/White Rabbit.

c. First edition, hardcover, numbered and signed copies:
Los Angeles: Black Sparrow Press, May 1975
Hardcover in acetate dust jacket and slipcase, 6.5″ x 9″, 382 pages including bibliography of first editions, 100 copies, numbered and signed by Robin Blaser. Edited and with commentary by Robin Blaser. Typography by Graham Mackintosh/White Rabbit.

16. Spicer, Jack. ONE NIGHT STAND & OTHER POEMS
First edition:
San Francisco: Grey Fox Press, 1980
Hardcover in cloth-bound boards without dust jacket as issued, 98 pages. Edited by Donald Allen. Preface by Robert Duncan.

17. Spicer, Jack. COLLECTED POEMS, 1945-46
First edition:
Berkeley: Oyez/White Rabbit Press, 1981
Saddle-stapled printed wrappers, 7″ x 9″, 32 pages, lithographed from the author’s typescript.


18. Spicer, Jack. THE TOWER OF BABEL
First edition:
Hoboken, N.J: Talisman House, 1994
Perfect-bound photo-illustrated wrappers, 170 pages. Chapter one of Jack Spicer’s Detective Novel, edited by Ed Foster and Kevin Killian.

Described by Lewis Ellingham and Kevin Killian as “a satiric look at the private world of poetry gone public in the wake of the Six Gallery HOWL reading of October, 1955.”

19. Spicer, Jack. TRAIN OF THOUGHT
First edition:
Gran Canaria: Zasterle Press, 1994
Perfect-bound in illustrated wrappers, 62 pages, 300 numbered copies. Edited with an introduction by Lewis Ellingham and Kevin Killian.
Chapter three of Jack Spicer’s unpublished detective novel

20. Spicer, Jack. MAP POEMS
First edition:
Berkeley: The Bancroft Library Press, 2005
Thirty-five copies printed: bound in brown paper wrappers. Introduction by Kevin Killian and Peter Gizzi

Black Mountain, San Francisco Renaissance

Robert Duncan

Described by Kenneth Rexroth as “one of the most accomplished, one of the most influential” of the postwar American poets, Robert Duncan was an important part of both the Black Mountain school of poetry, led by Charles Olson, and the San Francisco Renaissance, whose other members included poets Jack Spicer and Robin Blaser. A distinctive voice in American poetry, Duncan’s idiosyncratic poetics drew on myth, occultism, religion—including the theosophical tradition in which he was raised—and innovative writing practices such as projective verse and composition by field.

further reading…

Auerhahn Press: Books & Pamphlets

>> return to AUERHAHN PRESS main page >>

Section A:
This index collects Auerhahn Press publications from 1958 through 1965: from Dave Haselwood’s first publishing venture through the dissolution of his partnership with Andrew Hoyem and the end of Auerhahn Press.

1. Wieners, John. THE HOTEL WENTLEY POEMS
wieners_wentley1First edition:
San Francisco: Auerhahn Press, 1958
Saddle-stapled in illustrated wrappers, 6.25″ x 7.75″, 20 pages, circa 500 copies. Printed (and edited without prior notice to Dave Haselwood) by East West Printers. Cover photo by Jerry Burchard. Illustration by Robert La Vigne. (Auerhahn 1)

Note: Printed announcement issued.

2. Wieners, John. THE HOTEL WENTLEY POEMS
wieners_wentley2Second revised edition:
San Francisco: Auerhahn Press, 1959
Saddle-stapled in illustrated wrappers, 6.25″ x 7.75″, 20 pages, 500 copies. Cover photo by Jerry Burchard. Illustration by Robert La Vigne. (Auerhahn 2)

Note: this edition has the original text restored.

3. Lamantia, Philip. EKSTASIS
lamantia_ekstasisFirst edition:
San Francisco: Auerhahn Press, 1959
Perfect-bound in printed wrappers, 5.75″ x 7″48 pages, circa 950 copies. Titling by Robert La Vigne. (Auerhahn 3)

Note: Printed announcement issued.

4. McClure, Michael. HYMNS TO ST. GERYON…
mcclure_hymnsFirst edition:
San Francisco: Auerhahn Press, 1959
Perfect-bound in illustrated wrappers, 7.25″ x 10″, 62 pages, 950 copies. Cover illustration by McClure. (Auerhahn 4)


5. Lamantia, Philip and Antonin Artaud. NARCOTICA
lamantia_narcoticaFirst edition:
San Francisco: Auerhahn Press, 1959
Saddle-stapled in illustrated wrappers, 6.25″ x 8.5″, 16 pages, 750 copies. Cover photographs by Wallace Berman. Published as “Auerhahn Pamphlet No. 1”. (Auerhahn 5)

Note: Printed announcement issued.

6. Whalen, Philip. MEMOIRS OF AN INTERGLACIAL AGE
whalen_memoirsa. First edition, regular copies:
San Francisco: Auerhahn Press, 1960
Perfect-bound in illustrated wrappers, 8.75″ x 11.25″, 64 pages, (1250 copies). Cover illustration by Robert La Vigne. (Auerhahn 6)

b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1960
Hardcover in printed paper-covered boards with leather spine, 8.75″ x 11.25″, 64 pages,  60 copies with 25 signed and another 15 signed with holograph poem and illustration, bound by the Schuberth Bindery. Cover illustration by Robert La Vigne. (Auerhahn 6)

Note: Printed announcement issued.

7. Welch, Lew. WOBBLY ROCK
lew_wobblyFirst edition:
San Francisco: Auerhahn Press, 1960
Saddle-stapled in printed wrappers, 6″ x 8″, 12 pages, 500 copies, illustrated by Robert LaVigne. (Auerhahn 7)

Note: Dedication: “for Gary Snyder / ‘I think I’ll be the Buddha of this place’ / and sat himself / down”

8. Burroughs, William S. and Brion Gysin. THE EXTERMINATOR
burroughs_exterminatorFirst edition:
San Francisco: Auerhahn Press, 1960
Perfect-bound in illustrated wrappers, 6.25″ x 9.25″, 64 pages, (1000 copies). Illustrated by Brion Gysin. (Auerhahn 8)

Note: Printed announcement issued.

9. Marshall, Edward. HELLAN, HELLAN
marshall_hellanFirst edition:
San Francisco: Auerhahn Press, 1960
Saddle-stapled in illustrated wrappers, 6″ x 8.75″, 24 pages, (750 copies). Illustrated by Robert Ronnie Branaman. (Auerhahn 10)

Note: Printed announcement issued.

10. McClure, Michael. DARK BROWN
mcclure_darkbrowna. First edition, regular copies:
San Francisco: Auerhahn Press, 1961
Perfect-bound in printed wrappers, 6″x 9″, 56 pages, 725 copies. (Auerhahn 13)

b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1961
Hardcover in cloth-bound boards, 6″ x 9″, 56 pages, 25 numbered and signed copies, bound by the Schuberth Bindery. (Auerhahn 13)

Note: Printed announcement issued.

11. Olson, Charles. MAXIMUS FROM DOGTOWN
olson_maximusFirst edition:
San Francisco: Auerhahn Press, 1961
Hand-sewn in printed wrappers, 9″ x 11.25″, 12 pages, 500 copies. Foreword by Michael McClure. (Auerhahn 14)


12. Reps, Paul. GOLD FISH SIGNATURES
a. First edition, regular copies:
San Francisco: Auerhahn Press, 1961
Japanese binding, 8.5″ x 11″, 84 pages, (1000 copies). (Auerhahn 15)

b. First edition, signed copies:
San Francisco: Auerhahn Press, 1961
Japanese binding, 8.5″ x 11″, 84 pages, (50 copies in slipcase), signed. (Auerhahn 15)

Note: Printed announcement issued.

13. THE AUERHAHN PRESS CATALOGUE
auerhahn_catalogueFirst edition:
San Francisco: Auerhahn Press, 1962
Saddle-stapled in printed wrappers, 4″x 5″, 16 pages includes poems by Wieners and Meltzer.
(Auerhahn 17)


14. Lamantia, Philip. DESTROYED WORKS
lamantia_destroyeda. First edition, regular copies:
San Francisco: Auerhahn Press, 1962
Perfect-bound in illustrated wrappers, 7″ x 8.75″, 48 pages, 1250 copies. (Auerhahn 18)

b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1962
Hardcover in cloth-bound boards, 7″ x 8.75″, 48 pages, 50 numbered and signed copies, bound by the Schuberth Bindery. (Auerhahn 18)

15. Meltzer, David. WE ALL HAVE SOMETHING TO SAY…
meltzer_weFirst edition:
San Francisco: Auerhahn Press, 1962
Saddle-stapled in illustrated wrappers, 6.25″ x 8.5″, 12 pages, 750 copies. Published as “Auerhahn Pamphlet No. 2”. (Auerhahn 19)


16. Williams, Jonathan. IN ENGLAND’S GREEN &
williams_englandsFirst edition:
San Francisco: Auerhahn Press, 1962
Hand-sewn in printed wrappers, 6.5″ x 9.25″, 20 pages, 750 copies. Illustrated by Philip Van Aver.
(Auerhahn 20)


17. Spicer, Jack. THE HEADS OF THE TOWN UP TO THE AETHER
spicer_headsa. First edition, regular copies:
San Francisco: Auerhahn Press, 1962
Perfect-bound in illustrated wrappers, 4.75″ x 6.75″, 109 pages, 750 copies. Illustrated by Fran Herndon. (Auerhahn 21)

b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1962
Hardcover in cloth-covered boards with leather spine, 4.75″ x 7.25″, 109 pages, 50 copies signed by the author and artist, with an original drawing, bound by the Schuberth Bindery. Illustrated by Fran Herndon. (Auerhahn 21)

Note: Printed announcement issued.

18. Hoyem, Andrew. THE WAKE
hoyem_wakeba. First edition, regular copies:
San Francisco: Auerhahn Press, 1963
Perfect-bound in printed wrappers, 6″ x 8.5″, 30 pages, 750 copies. (Auerhahn 22)

b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1963
Hardcover in paper-covered boards and leather spine, 6″ x 9″, 30 pages, 35 copies signed, bound by the Schuberth Bindery. (Auerhahn 22)

Note: Three printed announcements issued.

19. di Prima, Diane. THE NEW HANDBOOK OF HEAVEN
diprima_newa. First edition, regular copies:
San Francisco: Auerhahn Press, 1963
Perfect-bound in printed wrappers, 5.25″ x 7.5″, 48 pages, 1000 copies. (Auerhahn 23)

b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1963
Hardcover in printed paper-covered boards with cloth spine, 6″ x 9″, 30 pages, 30 copies signed, bound by the Schuberth Bindery. (Auerhahn 23)

20. Brother Antoninus. THE POET IS DEAD
antoninus_poetFirst edition:
San Francisco: Auerhahn Press, 1964
Hardcover in paper-covered boards with leather spine with paper label in plain paper dust jacket, 8.25″ x 10.5″, 28 pages, 205 copies signed. Bound by Jane Grabhorn and Sally Hoyem. (Auerhahn 24)

Note: Printed announcement issued.

21. Deemer, Bill. POEMS
deemer_poemsba. First edition, regular copies:
San Francisco: Auerhahn Press, 1964
Saddle-stapled in illustrated wrappers, 6.25″ x 9.25″, 20 pages, 500 copies. Introduction by Andrew Hoyem. (Auerhahn 37)

b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1964
Hardcover in printed paper-covered boards with leather spine, 6.5″ x 9.25″, 20 pages, 25 copies signed, bound by the Schuberth Bindery. Introduction by Andrew Hoyem. (Auerhahn 37)

Printed announcement issued.

22. Davis, William. JANUS
davis_janusFirst edition:
San Francisco: The Auerhahn Society, Spring 1965
Perfect-bound in printed wrappers, 6.5″ x 9.75″, 64 pages,  750 copies. (Auerhahn 38)



23. Van Buskirk, Alden. LAMI
First edition:
San Francisco: The Auerhahn Society, 1965
Perfect-bound in printed wrappers, 7.75″ x 9.75″, 91 pages, 1000 copies. (Auerhahn 39)



24. Olson, Charles. HUMAN UNIVERSE AND OTHER ESSAYS
olson_humanFirst edition:
San Francisco: The Auerhahn Society, 1965
Hardcover in silk-screened cloth-covered boards with leather spine, 7.75″ x 11″, 160 pages, 250 copies, bound by the Schuberth Bindery. Cover art by Robert La Vigne. Author photo by Kenneth Irby. Edited by Donald Allen. (Auerhahn 40)

—

Foot

Poet Richard Duerden was born in Utah and raised in the San Francisco Bay Area. He joined the Merchant Marines and the Marine Corps and was educated at the University of California.

A member of the San Francisco Renaissance poetry movement, Duerden founded the literary journals Foot and the Rivoli Review. His books of poetry include The Fork (1965), The Left Hand & The Glory of Her (1967), and The Air’s Nearly Perfect Elasticity (1979). His poetry was anthologized in The New American Poetry, 1945–1960 (1960, edited by Donald Allen). A selection of his manuscripts and correspondence is archived in the Stanford University Libraries and a smaller selection of his correspondence with poet Philip Whalen is archived at the Reed College Library.

Foot, No.1, edited by Richard Duerdan
mags_foot01San Francisco, September 1959
First edition, hand-sewn illustrated wrappers, 6.75″ x 8.5″, 56 pages. Cover illustration by Robert Duncan.

Contributors: Ebbe Borregaard, Richard Brautigan, Jess Collins, Richard Duerden, Robert Duncan, Larry Eigner, Eloise Nixon, Philip Whalen, Gary Snyder.

Foot, No. 2, edited by Richard Duerden and William Brown
mags_foot02San Francisco, 1962
First edition, saddle-stapled illustrated wrappers, 6.75″ x 8.75″, 80 pages. Illustrations by Philip Roeber and Philip Whalen.

Contributors: Philip Whalen, Philip Roeber, Joanne Snyder, Richard Duerden, Robert Duncan, Jack Spicer, Kenneth Rexroth, William Brown, Lew Welch, Leslie Thompson, Jess Collins, Gary Snyder, Michael McClure, Suzanne Duerden.

Foot, No. 3, edited by Richard Duerden
mags_foot03San Francisco, Spring 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.5″, 12 pages. Cover illustration by Robert Duncan.

Contributors: Robert Creeley, Duncan McNaughton, Richard Duerden, John Thorpe, Lawrence Kearney.

Foot, No. 4, edited by Richard Duerden
mags_foot04San Francisco, Summer 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.75″, 16 pages. Cover illustration by Terry Bell.

Contributors: Lawrence Kearney, Jerry Ratch, Duncan McNaughton,   Don Cushman, James Koller.

Foot, No. 5, edited by Richard Duerden
mags_foot05San Francisco, Fall 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.5″, 12 pages. Cover illustration by Leslie Scalapino.

Contributors: Leslie Scalapino, Richard Duerden, Michael Wolfe, Ron Loewinsohn.

Foot, No. 6, edited by Leslie Scalapino and Richard Duerden
mags_foot06Berkeley, 1978
First edition, perfect bound illustrated wrappers, 7″ x 9″, 40 pages. Cover illustration by Diane Sophia.

Contributors: Diane Sophia, Leslie Scalapino, Larry Kearney, John Thorpe, Philip Whalen, Diane Sophia, Don Cushman, Sherril Jaffe, Michael Davidson, Michael Wolfe, Duncan McNaughton, Robert Duncan, Norman Fischer, Bernadette Mayer, Peter Rabbit, Richard Duerden.

Foot, No. 7, edited by Richard Duerden
mags_foot07Berkeley, 1979
First edition, perfect bound illustrated wrappers, 7″ x 5.5″, 40 pages. Cover illustration by Terry Bell.

Contributors: Lawrence Kearney

Foot, No. 8, edited by Leslie Scalapino and Richard Duerden
mags_foot08Berkeley, 1980
First edition, perfect bound illustrated wrappers, 7″ x 9″, 52 pages.

Contributors: Keith Shein, Leslie Scalapino, Diane Sophia, Norma Smith, Sarah Menefee, Don Cushman, Joanne Kyger, Larry Eigner, Bill Berkson, Bob Grenier, Jackie Cantwell, Ted Pearson, Marc Lecard, Lawrence Kearney, Jeanne Lance, Duncan McNaughton, Michael Wolfe, Carla Harryman.

Ebbe Borregaard

Ebbe Borregaard 1970Ebbe Borregaard’s work was published in the first run of White Rabbit Press in 1958 and then by Oyez using the name “Gerard Boar”, the anagrammatic pseudonym of his last name. He also appeared in several periodicals over the years and self-published some poetry and letters.

Along with his wife Joy, Ebbe owned and operated Borregaard’s Museum and Art Gallery. The idea behind establishing the venue in 1960 was to showcase the creative achievement of the Spicer circle. Helen Adam’s play SAN FRANCISCO’S BURNING was performed by Adam and her sister Pat in that first year. The following year the museum hosted a show of Jess’s work as well as a series of lectures by Duncan.

Borregaard also ran Oannes Press, publishing two titles: Helen and Pat Adam’s SAN FRANCISCO’S BURNING and James Alexander’s ETURNATURE, the latter in conjunction with Open Space.

Moving to Bolinas in 1969, Borregaard was later included in ON THE MESA: AN ANTHOLOGY OF BOLINAS WRITING published in 1971 by City Lights.

Section A:
Books and Broadsides

A1. Borregaard, Ebbe. THE WAPITIS
borregaard_wapitisFirst edition:
San Francisco: White Rabbit Press, January 1958
Hand-sewn illustrated wrappers, 6.5″ x 8.5″, 12 pages, (200 copies). Ebbe Borregaard’s first book. Cover illustration by Robert Duncan. (Johnston A4)

A2. Borregard, Ebbe. LEANTO: THE JOURNAL EXTRACT FROM THE ORIGINAL BY THE AUTHOR
First edition:
San Francisco: privately published, 1960
Illustrated french-fold wrappers, 125 copies, mimeograph. Illustrated by J. Alexander.

A3. Borregaard, Ebbe. [LETTERS TO SPRACH]
First edition:
Berkeley: privately published, 1963
Side-stapled sheets in unprinted card covers, 7″ x 10″, 58 pages, 20 copies. Preface by Ebbe Borregaard dated Christmas 1963.

Title supplied from Serendipity Books Catalogue 35, item no. 36 which also states that no more than 20 copies were printed.

A4. Borregaard, Ebbe. WHEN DID MORNING WIND RIP CALLOW FLOWERS IN MAY
First edition:
San Francisco: Arts Festival, 1964
Illustrated broadside, 12.5″ x 20″,  300 copies. Illustrated by Jess Collins.

A broadside issued as part of the 1964 San Francisco Arts Festival portfolio: A POETRY FOLIO, which contained 11 broadsides.

A5. Borregaard, Ebbe. CHILDHOOD OF DWARF CHRIST 1

First edition:
Sussex: Collection, 1969
Side-stapled illustrated wrappers, 9 copies, off-print of pages  25-36 from Collection 3 edited by Peter Riley.

A6. Boar, Gerard. SKETCHES FOR 13 SONNETS 
a. First edition, regular copies:
Berkeley: Oyez, 1969
Saddle-stapled printed wrappers, 7.75″ x 9.75″, 1600 copies, designed and printed by Graham Mackintosh.

b. First edition, hardcover copies:
Berkeley: Oyez, 1969
Hardcover, number of copies unknown, designed and printed by Graham Mackintosh.

A7. Borregaard, Ebbe. FRIDAY NIGHT PROVERBS
First edition:
Bolinas, n.d.
Broadside.

Section B:
Contributions to Periodicals and Anthologies

B1. J, No. 1, edited by Jack Spicer
mags_j01San Francisco, 1959
“Ballad for Billy Swan”, “Ballad for SAD”





B2. FOOT, No.1, edited by Richard Duerdan
mags_foot01San Francisco, September 1959






B3. LOCUS SOLUS, No. 1
1961
“Other stories of the beauty wapiti”, “wapiti 3”, “From ‘Sprach'”

B4. M, No. 2, edited by Lew Ellingham
mags_m02San Francisco: M, 1962
“October Seventh Poem”





B5. ANGEL HAIR, No. 3, edited by Lewis Warsh and Anne Waldman
New York: Angel Hair, Summer 1969

B6. COLLECTION, No. 3, edited by Peter Riley
Sussex, January 1969
“Childhood of Dwarf Christ 1”

B7. ANGEL HAIR, No. 6, edited by Lewis Warsh and Anne Waldman
New York: Angel Hair, Spring 1969

B8. EPHEMERIS, No. 2, edited by David Schaff
San Francisco, c. 1969
“Eros in Error”

B9. WRITING, No. 4, edited by Stan Persky and Dennis Wheeler
Vancouver: Georgia Straight, 1970

B10. WRITING, No. 7, edited by Stan Persky and Dennis Wheeler
Vancouver: Georgia Straight, 1971

B11. SESHETA, No. 2, edited by Andi Wachtel and Richard Downing
Surrey: Sesheta Press, Spring 1972

B12. ADVENTURES IN POETRY, No. 11, edited by Larry Fagin
New York: The Poetry Project, Spring 1974
“October Seventh Poem”

References consulted:

Alastair Johnston. A BIBLIOGRAPHY OF THE WHITE RABBIT PRESS
Berkeley: Poltroon Press in association with Anacapa Books, 1985