Tag Archives: Jonathan Williams

Cleft, Edinburgh University

CLEFT, Vol. 1, No. 1, edited by Bill McArthur. Edinburgh, June 1963

Bill McArthur studied drawing and painting at Edinburgh College of Art, then took a degree in Fine Art at Edinburgh University. At Edinburgh he became known as an illustrator and cartoonist in the student press, and editor of the student magazines Gambit and Cleft.

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Cleft

Bill McArthur studied drawing and painting at Edinburgh College of Art, then took a degree in Fine Art at Edinburgh University. At Edinburgh he became known as an illustrator and cartoonist in the student press, and editor of the student magazines Gambit and Cleft.

Following his involvement in Gambit, McArthur went on to edit Cleft magazine from 1963 to 1964. With an irreverent sweep he downplayed the very function of small magazine in the first issue’s editorial:

” The field of the small literary magazine is, generally speaking, one of sequestered obscurity. It emanates a wilful negation of commercial contact; an opting out of the monetary contract. Drabness of intention and presentation characterize the production. Little attempt is made at communication and they tend to reflect, to a crippling extent, the particular predilections of the current editor. This opting out of the commercial aspect of magazine production has a useful side-kick in that it ensures the brevity of their existence. As a medium of communication they are of doubtful value.”

While McArthur’s prophecy may have been fatefully correct in certain respects, as the magazine itself was only to survive two issues, the publication was certainly anything but drab. The first issue contained contributions from a range of international writers including Norman Mailer, Eugene Ionesco, William Burroughs, Andrei Voznesensky, Anselm Hollo, and Louis Zukofsky. The second issue once again contained work by Burroughs and Mailer, as well as the first two paragraphs from the Noigandres Group’s Pilot Plan for Concrete Poetry.

1. CLEFT, Vol. 1, No. 1, edited by Bill McArthur 
Edinburgh: Cleft, June 1963
First edition, saddle-stapled in printed and photo-illustrated wrappers, 7” x 9.5”, 36 pages.

Contents:
Kenneth White. “The Real Climate” – 1:1, 5
Norman Mailer. “Four Poems” – 1:1, 11
Eugene Ionesco. “The Motor Show” – 1:1, 14
William Burroughs. “Martin’s Folly” (M&M C60) – 1:1, 18
Giles Gordon. “The Milkman” – 1:1, 21
Andrei Vosnesensky (translated by Edwin Morgan). “Three Poems” – 1:1, 22
Hugh MacDiarmid. “The Poet We Hope For” – 1:1, 24
Astrid Gillis. “Same Rain” – 1:1, 27
Anselm Hollo. “The Seventh Lady” – 1:1, 28
Iain Inglis. “The Sook” – 1:1, 31
Alex Neish. “Leaving for Buenos Aires” – 1:1, 34
L. Zukofsky. “Poem 29 (1938) from Anew” – 1:1, 35

2. CLEFT, Vol. 1, No. 2, edited by Bill McArthur
Edinburgh: Cleft, May 1964
First edition, saddle-stapled in printed and photo-illustrated wrappers, 7” x 9.5”, 32 pages.

Contributors:
Henry Miller. “O Lake of Light” – 1:2, 3
William Burroughs. “A Distant Hand Lifted” (M&M C74) – 1:2, 4
Norman Mailer. “Greasing the Radar”, “A Study of Cancer” – 1:2, 8
Robert Garioch. “At Robert Fergusson’s Grave” – 1:2, 10
Mike McClure. “Ghost Tantra 50” (Clements C49) – 1:2, 10
Anselm Hollo. “Mucho Malo”, “The Bees” – 1:2, 11
Keith Howell. “Washington Square” – 1:2, 12
Gary Snyder. “The Old Dutch Woman” – 1:2, 14
Edwin Morgan. “Breath of Corruption”, “Chinese Cat”, “Siesta of a Hungarian Snake” – 1:2, 16
Ian Hamilton Finlay. “The Practice” – 1:2, 17
Jonathan Williams. “The Wreck on the A222 in Ravensbourne Valley”, “Besides Buttercups” – 1:2, 18
Andrei Vosnesensky (translated by Edwin Morgan). “Earth” – 1:2, 19
Kenneth White. “Ten Thousand Yellow Buds” – 1:2, 20
Alex Neish. “The Loneliness of it All” – 1:2, 26


Online Resources:

Reality Studio – Cleft 

References Consulted:

Clements, Marshall. A Catalog Of Works By Michael Mcclure, 1956-1965
New York: The Phoenix Book Shop, 1965

Maynard, Joe and Barry Miles. William S. Burroughs: A Bibliography, 1953-73
Charlottesville: University Press of Virginia, 1978

Loujon Press

Jon and Louise “Gypsy Lou” Webb. Photographer unknown.

In the Fall of 1961, Jon and Louise “Gypsy Lou” Webb published the first issue of their avant-garde poetry and prose magazine, The Outsider. Handset and letterpress printed, the journal straddled the line between traditional books and modern works of art, and the journal made an outsized impact on the literary world, shining a light on the talents of Beat Generation, Black Mountain and other avant-garde and counterculture poets, writers, and artists of the era.

In all, Loujon Press published three issues of The Outsider (one a double issue), and two books each by poet Charles Bukowski and novelist Henry Miller. These publications received at least as much praise for their quality as physical artifacts as they did for the poems and prose that made up their editorial matter. It seems like a small catalogue, but the remarkable artistry, craftsmanship, and pioneering spirit have earned the press a much larger place in history.

As art writer Nathan Martin commented, “Loujon operated during a particular moment in the history of artistic publishing in America … and remains a distinctive and compelling entity at the intersection of fine-press publishing, counterculture literature, and the French Quarter from which it emerged.”


Loujon Press Checklist:

1. The Outsider, Vol. 1, No. 1, edited by Jon Edgar Webb
New Orleans: Loujon Press, Fall 1961
First edition, side-stapled and bound into printed and photo-illustrated wrappers, 6” x 9”, 101 pages, 3100 copies, letterpress printed with handset type on a C&P handpress by Jon and Louise Webb. Associate Editor: Louise “Gypsy Lou” Webb; Advisory Editors: Marvin Bell, Margaret Randall, Jory Sherman, Edwin Morgan, Melville Hardiment, Sinclair Beiles; Consultant: Walter Lowenfels; illustrations: F. Salantrie.

  1. Ephemera:
        1. Prospectus. 5.75” x 17.75” sheet folded once to make four pages, lists contributors and includes order form.
  • Offprints:
      1. Corso, Gregory. “The American Way” [offprint of page 9] [1]
      2. Bukowski, Charles. “A Charles Bukowski Album” [offprint of pages 47-54] (Krumhansl 6)
      3. Miller, Henry. Letters To Lowenfels. [offprint of pages 63-66] [2] (Shifreen & Jackson A140)
      4. Burroughs, William S. Operation Soft Machine. [offprint of pages 73-77] [3]
      5. McClure, Michael. Spontaneous Hymn To Kundalini [offprint of page 46] [4]
  • Contents:
    1. Edson, Russell. “Editorial” – 1:1, 3
    2. Webb, Jon Edgar. “The Editor’s Bit: Public Square” – 1:1, 4
    3. Beiles, Sinclair. “Metabolic C Movies” – 1:1, 5
    4. Gordon, Stuart. “Metabolic C Movies” – 1:1, 5
    5. Corso, Gregory. “The American Way” – 1:1, 9
    6. Webb, Jr., Jon Edgar. “A Peek Over The Wall” – 1:1, 15
    7. Giudici, Ann. untitled [“Be careful when you step…”] – 1:1, 17
    8. Giudici, Ann. untitled [“I was a child…”] – 1:1, 17
    9. Giudici, Ann. untitled [“Can you pause and stay…”] – 1:1, 18
    10. Di Prima, Diane. “Lord Jim” – 1:1, 19
    11. Grant, John. “On The Dot” – 1:1, 20
    12. Haines, Paul. “…Had Spent Laughing” – 1:1, 23
    13. Snyder, Gary. “Xrist” – 1:1, 24
    14. Turnbull, Gael. “A Hill” – 1:1, 25
    15. Olson, Charles. untitled [“Borne down by…”] – 1:1, 26
    16. Dorn, Edward. “Like A Message On Sunday” – 1:1, 27
    17. Ginsberg, Allen. “The End (to Kaddish)” – 1:1, 28
    18. Orlovsky, Peter. “Snale Poem” – 1:1, 29
    19. Hughes, Langston. “Doorknobs” – 1:1, 30
    20. Martinez, Juan. “Work Song” – 1:1, 31
    21. Sorrentino, Gilbert. “Ave Atque Vale” – 1:1, 35
    22. Lowenfels, Walter. “Good-Bye Jargon, Elegy for a Small Press” – 1:1, 36
    23. Lowenfels, Walter. “Welcome Home to Cubby” – 1:1, 37
    24. Corman, Cid. “Post Mortem” – 1:1, 38
    25. Corman, Cid. “Sempre D’amore” – 1:1, 38
    26. Ferlinghetti, Lawrence. “Underwear” – 1:1, 39
    27. Bremser, Ray. “On Prevalence” – 1:1, 42
    28. Randall, Margaret. “Series of Seven” – 1:1, 43
    29. Brand, Millen. “Swinging Off Swamp Creek” – 1:1, 44
    30. Creeley, Robert. “The End of the Day” – 1:1, 45
    31. Creeley, Robert. “Mind’s Heart” – 1:1, 45
    32. Creeley, Robert. “The Bird” – 1:1, 45
    33. McClure, Mike. “Spontaneous Hymn to Kundalini” – 1:1, 46
    34. Bukowski, Charles. “Hooray Say The Roses” – 1:1, 48
    35. Bukowski, Charles. “Pay Your Rent or Get Out” – 1:1, 48
    36. Bukowski, Charles. “Shoes” – 1:1, 49
    37. Bukowski, Charles. “I Am With the Roots of Flowers” – 1:1, 50
    38. Bukowski, Charles. “Go With the Rockets & the Blondes” – 1:1, 51
    39. Bukowski, Charles. “A Real Thing, a Good Woman” – 1:1, 51
    40. Bukowski, Charles. “To a High Class Whore I Refused” – 1:1, 52
    41. Bukowski, Charles. “Old Man, Dead in a Room” – 1:1, 52
    42. Bukowski, Charles. “Love in a Back Room on the Row” – 1:1, 53
    43. Bukowski, Charles. “Nothing Subtle” – 1:1, 53
    44. Bukowski, Charles. “And Then: Age” – 1:1, 53
    45. Sward, Robert. “Momma–, Mountain” – 1:1, 55
    46. Ristau, Harland. “M’sippi Town” – 1:1, 56
    47. Wilson, Colin. “Some Comments On The Beats & Angries” – 1:1, 57
    48. Sherman, Jory. “Dear Liz” – 1:1, 60
    49. Hedley, Leslie Woolf. “Naked In My Century” – 1:1, 62
    50. Miller, Henry. “Letters To Lowenfels” – 1:1, 62
    51. Jones, LeRoi. “The Southpaw” – 1:1, 67
    52. Jones, LeRoi. “Bo Peep” – 1:1, 67
    53. Jones, LeRoi. “X” – 1:1, 67
    54. Jones, LeRoi. “Boswell” – 1:1, 68
    55. Jones, LeRoi. “Dr. Jive” – 1:1, 68
    56. Bell, Marvin. “Portrait of a Skeleton” – 1:1, 69
    57. Bell, Marvin. “Winter Poem” – 1:1, 69
    58. Epstein, Lester. “Demonstrate Your Culture…” – 1:1, 70
    59. Epstein, Lester. “Moment” – 1:1, 71
    60. Epstein, Lester. “Cold Coffee” – 1:1, 71
    61. Zahn, Curtis. “Reprimand For A Compromised Love-Object” – 1:1, 72
    62. Burroughs, William S. “Operation Soft Machine” – 1:1, 74
    63. Kaja. “from: The Emerald City, For Gregory Corso” – 1:1, 78
    64. Crews, Judson. “Rel Bore Speng Lule” – 1:1, 79
    65. Crews, Judson. “Pastoral” – 1:1, 79
    66. Thompson, Tracy. “Stranger” – 1:1, 79
    67. Carroll, Paul. “What Did Your Face Look Like…” – 1:1, 80
    68. Oden, G. C. “Lay Your Head Here” – 1:1, 81
    69. May, James Boyer. “The Salutary Snare, for Colin Wilson” – 1:1, 82
    70. Schleifer, Marc D. “Here & There, for Marian’s Show” – 1:1, 82
    71. Pfisterer III, Frederick. “Dolorous Somewhere Behind” – 1:1, 83
    72. Frumkin, Gene. “The Fat Pigeon” – 1:1, 84
    73. Williams, Jonathan. “The Big House, For Sherwood Anderson” – 1:1, 84
    74. Corrington, William. “Hard Man” – 1:1, 85
    75. Boyle, Kay. “Print from a Lucite Block” – 1:1, 85
    76. Blackburn, Paul. “Death Watch: Veille D’hiver” – 1:1, 86
    77. Eshleman, Clayton. “Red Shoes (from Songs For Exile)” – 1:1, 86
    78. Kupferberg, Tuli. “Great” – 1:1,87
    79. Moraff, Barbara. “A Little Spur” – 1:1, 88
    80. Abrams, Sam. “Bodies Only” – 1:1, 88
    81. McGuire, Terence. “Mid-Morning” – 1:1, 88

2. The Outsider, Vol. 1, No. 2, edited by Jon Edgar Webb
New Orleans: Loujon Press, Summer 1962
First edition, side-stapled and bound into printed and photo-illustrated wrappers, 6” x 9”, 112 pages, 3100 copies, letterpress printed on a 8″ x 12″ C&P new series motorized press by Jon and Louise Webb. Associate Editor: Louise “Gypsy Lou” Webb; illustrations: Ben Tibbs, Frank Salantrie, Malcolm Paul Newman.

  • Offprints:
      1. Burroughs, William S. Wilt Caught In Time. [offprint of pages 3-4] [4]
      2. Miller, Henry. The Henry Miller To Lowenfels Letters. [offprint of pages 73-80] 2 (Shifreen & Jackson A140)
  • Contents:
    1. Burroughs, William S. “Wilt Caught In Time” – 1:2, 3
    2. Masters, R. E. L. “Editorial” – 1:2, 5
    3. Webb, Jon Edgar. “The Editor’s Bit” – 1:2, 6
    4. Bukowski, Charles. “Sick Leave” – 1:2, 7
    5. Johnson, Kay. “from: The Fourth Hour” – 1:2, 8
    6. Oppenheimer, Joel. “A Long Way” – 1:2, 10
    7. Oppenheimer, Joel. “The Present” – 1:2, 11
    8. Nemerov, Howard. “The Iron Characters” – 1:2, 13
    9. Edson, Russell. “There Was” – 1:2, 14
    10. Eigner, Larry. untitled [“the sky cross the desert…”] – 1:2, 15
    11. Eigner, Larry. untitled [“visiting yesterday…”] – 1:2, 16
    12. Eigner, Larry. untitled [“An easy death…”] – 1:2, 17
    13. Eigner, Larry. untitled [“all these cripples…”] – 1:2, 18
    14. Eigner, Larry. untitled [“that’s odd…”] – 1:2, 19
    15. Dorn, Edward. “The Argument Is” – 1:2, 20
    16. Corso, Gregory. “Poems From Berlin, First Week’s
    17. Impression” – 1:2, 21
    18. Bremser, Ray. “On The Nature” – 1:2, 24
    19. Mayes, Richard. “Lament” – 1:2, 28
    20. Johnson, Kay. “Poems From Paris” – 1:2, 29
    21. Frumkin, Gene. “The Poet On His Lunch Hour” – 1:2, 34
    22. Morgan, Edwin. “Jean Genet: A Legend, To Be Legible” – 1:2, 35
    23. Hollo, Anselm. “They Fatted The Calf” – 1:2, 40
    24. Stoloff, Carolyn. “Something Diseased” – 1:2, 42
    25. Jacobson, David B. “Lecture” – 1:2, 42
    26. Bukowski, Charles. “To A Lady Who Believes Me Dead” – 1:2, 43
    27. Johnson, Kay. “Quick, Someone’s Coming” – 1:2, 44
    28. Webb, Jon Edgar. “Suddenly Over” – 1:2, 45
    29. Major, Clarence. “Dream In Ruins” – 1:2, 45
    30. Field, Edward. “Ah, Linger A While, Thou Art So Fair” – 1:2, 46
    31. Mason, Mason Jordan. “Mysterious As Any Woman Be” – 1:2, 47
    32. Hazard, Geoffrey. “The Dubliner” – 1:2, 47
    33. Moraff, Barbara. “Dear Solomon” – 1:2, 48
    34. Musial, Frank. “Room” – 1:2, 48
    35. Giudici, Ann. “Remember?” – 1:2, 49
    36. Oden, G. C. “Low Calvary” – 1:2, 49
    37. Bell, Marvin. “Pipecleaner, For Thin Dorothy” – 1:2, 50
    38. Kaja. “from: The Emerald City, For Gregory Corso” – 1:2, 50
    39. Genet, Jean. “from: Le Pecheur Du Suquet” – 1:2, 52
    40. Purdy, A. W. “Love Poem” – 1:2, 53
    41. Madaio, Louise. “The Wine Is Red (from Black Olives)” – 1:2, 55
    42. McGrath, Thomas. “from: Letter To An Imaginary Friend” – 1:2, 59
    43. Corrington, William. “Surreal For Lorca” – 1:2, 61
    44. Williams, Jonathan. “The Anchorite” – 1:2, 62
    45. Lowenfels, Walter. “Editorial” – 1:2, 64
    46. Lamantia, [Philip]. “Last Days Of San Francisco” – 1:2, 66
    47. Kerouac, Jack. “Sept. 19, 1961 Poem” – 1:2, 68
    48. Margoshes, Dave. “Denise Levertov” – 1:2, 71
    49. Margolis, William J. “from: The Mendicant Notebook, Vi (For Maxine)” – 1:2, 72
    50. Miller, Henry. “The Henry Miller To Lowenfels Letters” – 1:2, 73
    51. Finlay, Ian Hamilton. “Art Student” – 1:2, 81
    52. Tagliabue, John. “Now And Then In The Fluorescence A Slight Jerking Motion” – 1:2, 82
    53. Tagliabue, John. “’I Got Important Contacts’ Willy Loman Says” – 1:2, 82
    54. Tagliabue, John. “Side Show / U.S.A.” – 1:2, 83
    55. Tagliabue, John. “Those Mysterious Events That Stir Us” – 1:2, 83
    56. Tagliabue, John. “Tall Blonde Girl And Ballet Dancer – 1:2, 83
    57. Patchen, Kenneth. “letter to the editor and untitled paintings” – 1:2, 84
    58. Micheline, Jack. “Street Call New Orleans” – 1:2, 94
    59. Allen, Richard B. “Oldest of the Living Old” – 1:2, 97
    60. Borenstein, Larry. “Oldest of the Living Old” – 1:2, 103
    61. Jaffee, Allan & Sandra. “Oldest of the Living Old” – 1:2, 103
    62. Russell, Bill. “Oldest of the Living Old” – 1:2, 104
    63. Hentoff, Nat. “Oldest of the Living Old” – 1:2, 104
    64. Wilson, John S. “Oldest of the Living Old” – 1:2, 107
    65. Sperling, Jr., Godfrey. “Oldest of the Living Old” – 1:2, 107
    66. Hobson, Wilder. “Oldest of the Living Old” – 1:2, 107
    67. Giudici, Ann. “Didn’t He Ramble, For Steve Angrum” – 1:2, 111

3. The Outsider, Volume 1, Number 3, edited by Jon Edgar Webb
New Orleans: Loujon Press, Spring 1963
First edition, side-stapled and bound into printed and photo-illustrated wrappers, 6” x 9”, 138 pages, 2100 copies, letterpress printed by Jon and Louise Webb. . Associate Editor: Louise “Gypsy Lou” Webb; illustrations: Jackson Hensley, Ben Tibbs, Frank Salantrie.

  • Offprints:
      1. Miller, Henry. The Henry Miller To Lowenfels Letters. [offprint of pages 79-85] [5]
  • Contents:
    1. Webb, Jon Edgar. “Editorial: The Editor’s Bit” – 1:3, 0
      Patchen, Miriam. “Letters to the editors” – 1:3, 2
      Patchen, Kenneth. “Editorial” – 1:3, 3
      Johnson, Kay. “The White Room” – 1:3, 7
      Snyder, Gary. “Some Square Comes” – 1:3, 15
      Snyder, Gary. “Madly Whirling Downhill” – 1:3, 15
      Kearns, Lionel. “Stress-Axis Poems” – 1:3, 16
      Creeley, Robert. “More On Kearns” – 1:3, 20
      Woolf, Douglas. “Visitation” – 1:3, 22
      McClure, Michael. ” -Three Mad Sonnets (from 13 Mad Sonnets)” – 1:3, 29
      Sward, Robert. “Donna Is Her Name” – 1:3, 31
      Sward, Robert. “Museum” – 1:3, 32
      Sward, Robert. “Mr Attis & Lady C” – 1:3, 31
      Burroughs, William. “Take It To Cut City – U.S.A.” – 1:3, 35
      Boyd, Sue Abbott. “Journey” – 1:3, 40
      Boyd, Sue Abbott. “The Following Morning” – 1:3, 40
      Weeks, Robert Lewis. “Grand Opening” – 1:3, 41
      Layton, Irving. “On Re-Reading The Beats” – 1:3, 42
      Genet, Jean. “A Colloquy (from Le Pecheur Du Suquet)” – 1:3, 44
      Fisher, Roy. “Chirico” – 1:3, 46
      Fisher, Roy. “Something Unmade” – 1:3, 47
      Webb, Jon Edgar. “The Girl There” – 1:3, 49
      Wakowski, Diane. “The First Day” – 1:3, 54
      Norse, Harold. “The Pine Cone” 1:3, 55
      Solomon, Carl. “The Madman In The Looking Glass” – 1:3, 56
      Cuscaden, R. R. “Charles Bukowski: Poet In A Ruined Landscape” – 1:3, 62
      Corrington, William. “Charles Bukowski: Three Poems” – 1:3, 66
      Bukowski, Charles. “The Tragedy Of The Leaves” – 1:3, 67
      Bukowski, Charles. “The Priest And The Matador” – 1:3, 68
      Bukowski, Charles. “Old Man, Dead In A Room” – 1:3, 71
      Bukowski, Charles. “The House” – 1:3, 72
      Bukowski, Charles. “Event” – 1:3, 73
      Bukowski, Charles. “Dinner, Rain & Transport” – 1:3, 74
      Bukowski, Charles. “Letters to the editors” – 1:3, 77
      Miller, Henry. “The Henry Miller Lowenfels Letters” – 1:3, 79
      Eigner, Larry. “Then:” – 1:3, 86
      Corrington, William. “Communion (from Prayers For Mass In The Vernacular)” – 1:3, 87
      Jouffroy, Alain. “Fatherland” – 1:3, 88
      Hollo, Anselm. “Thalidomide” – 1:3, 90
      Moraff, Barbara. “Two For Syd” – 1:3, 97
      Motley, Willard. “The Burial” – 1:3, 98
      Miller, Raeburn. “The Drowned Boy” – 1:3, 101
      Rubin, Larry. “Etiquette For Americans” – 1:3, 102
      Neish, Alex. “Review: Naked Lunch” – 1:3, 104
      Charters, Samuel B. “Jazz In New Orleans: 1899 To 1957” – 1:3, 109
      Borenstein, E. L. “Jazz In New Orleans: 1957 To 1963” – 1:3, 117

4. Bukowski, Charles. It Catches My Heart In Its Hands / New & Selected Poems 1955-1963
New Orleans: Loujon Press, October 1963
First edition, sewn signatures in printed wraparound jacket, designed and printed by Jon Edgar Webb and Louise Webb, introduction by William Corrington, illustration by Frank Salantrie, dedicated to “Gypsy Lou” Webb, 7.5” x 10”, 102 pages, 777 copies, letterpress printed, published as Gypsy Lou Series #1.
(Dorbin A5)

  1. Ephemera:
      1. Publication announcement: 5” x 10.25”, with Miller quote (Shifreen & Jackson B145)
  • Contents:
    1. “The Tragedy Of The Leaves”, “I Cannot Stand Tears”, “Shoes”, “A Real Thing, A Good Woman”, “To The Whore Who Took My Poems”, “Worm”, “The State Of World Affairs From A 3rd Floor Window”, “The Japanese Wife”, “For Marilyn M.”, “The Life Of Borodin”, “Winter Comes In A Lot Of Places In August”, “No Charge”, “Truth’s A Hell Of A Word”, “The Sun Wields Mercy”, “A Literary Romance”, “Reprieve And Admixture”, “Conversation In A Cheap Room”, “Letter From The North”, “Okay, But Later”, “A Minor Impulse To Complain”, “The Dog”, “Nothing Subtle”, “The Twins”, “The Day It Rained At The Los Angeles County Museum”, “2 P.M. Beer”, “Hooray Say The Roses”, “The Sunday Artist”, “Old Poet”, “To A High Class Whore I Refused”, “Dinner, Rain And Transport”, “Poem For These 4”, “Regard Me”, “I Am With The Roots Of Flowers”, “The Race”, “Vegas”, “Pay Your Rent Or Get Out”, “Love Is A Piece Of Paper Torn To Bits”, “The House”, “I Wait In The White Rain”, “The Kings Are Gone”, “It Is Not Much”, “Side Of The Sun”, “The Talkers”, “A Pleasant Afternoon In Bed”, “9 Rings”, “Blasted”, “A Song For Sadists With A Place To Sit Down”, “The Priest And The Matador”, “Love And Fame And Death”, “My Father”, “People Come Thru…”, “The Gift”, “The Bird”, “The Singular Self”, “Counsel”, “The Ox”, “Wrong Number”, “Sundays Kill More Men Than Bombs”, “A Farewell Thing While Breathing”, “A Rat Rises”, “A 350 Dollar Horse And A Hundred Dollar Whore”, “Bull”, “I Write This Upon The Last Drink’s Hammer”, “The Virgins Of Christmas”, “I Think Of Hemingway”, “Old Man, Dead In A Room”

5. Bukowski, Charles. Crucifix In A Deathhand / New Poems 1963-65
New York: Lyle Stuart, April 1965
First edition, sewn signatures in printed wraparound jacket, designed and printed by Jon Edgar Webb and Louise Webb, etchings by Noel Rockmore, dedicated to Marina Louise Bukowski, 8.5” x 12.25”, 102 pages, 3100 copies, letterpress printed, published as Gypsy Lou Series #2.
(Dorbin A6)

  1. Ephemera:
      1. Publication announcement: 5.25” x 10”, with Miller quote (Shifreen & Jackson B164)
      2. Order form: 5” x 8.25”
  • Contents:
    1. “Sound Down the Street”, “I Think of Mice Cooling It”, “Butterfly”, “Sing to Gods or Kangaroos”, “View from the Screen”, “Not with Boldness”, “Crucifix in a Deathhand”, “When the Berry Bush Dies I’ll Swim Down the Green River with My Hair on Fire”, “Mother and Son”, “Sunflower”, “Grass”, “Fuzz”, “Seahorse”, “A Report upon the Consumption of Myself”, “No Lady Godiva”, “The Workers”, “Beans with Garlic”, “Mama”, “Machineguns, Towers and Timeclocks”, “Good Morning, Brother, How Are You?”, “Something for the Touts, the Nuns, the Grocery Clerks and You”, “The Loss, The Loss, The Loss”, “Sway with Me”, “Lack of Almost Everything”, “No Argument”, “No. 6”, “This”, “Don’t Come Round but if You Do”, “Startled Into Life like Fire”, “Stew”, “Qp”, “Lilies in My Brain”, “Itch, Come and Gone”, “I Am Dead but I Know the Dead Are Not Like This”, “Swept Away in Orangepeel And Whistle Yowl”, “At the End of Feet The Blackbird Walks”, “Let Them Go”, “Like a Violet in the Snow”, “All I Ask Is a Faint Chance”, “Letter from Too Far”, “See this Flower!”, “Pansies”, “I Was Born to Hustle Roses Down the Avenues of the Dead”, “Farewell, Foolish Objects”, “Man in the Sun”, “I Kneel”, “The Swans Walk my Brain in April it Rains”, “The Girls on Sunset Blvd.”, “Woman”, “Confession for those Who Do Not Breathe at Funerals”, “Like All The Years Wasted”, “They, all of Them, Know”, “A Nice Day”.

6. Miller, Henry. Order And Chaos Chez Hans Reichel
Tucson: Loujon Press, December 1966
First edition, perfect bound in printed wraparound jacket in printed slipcase, leather editions bound by the Schuberth Bookbindery of San Francisco, introductory statement by Karl Shapiro, introduction by Lawrence Durrell, photograph of Miller by Ina Paulandre tipped in, 9” x 9.75”, 87 pages, 1425 copies, letterpress printed, published as Gypsy Lou Series #3.
(Shifreen & Jackson A157a-g)

  1. Variant Issues:
      1. Crimson Oasis limited issue: 26 lettered copies signed, quarter leather binding (Shifreen & Jackson A157a)
      2. Blue Oasis limited issue: 99 copies signed, quarter leather binding (Shifreen & Jackson A157b)
      3. Cork issue: 1399 copies (Shifreen & Jackson A157c)
      4. Orange Oasis limited issue: 3 copies (Shifreen & Jackson A157d)
      5. Black Oasis limited issue: 11 copies lettered using letters to spell HENRY MILLER, quarter leather binding, bound in postcard from Miller to Jon Webb (Shifreen & Jackson A157e)
      6. Green Oasis limited issue: 11 copies lettered using letters to spell HENRY MILLER, quarter leather binding (Shifreen & Jackson A157f)
      7. Cork issue: 26 lettered copies (Shifreen & Jackson A157g)
  1. Ephemera:
      1. Publication announcement: 20” x 26” featuring a photograph of Miller and his bicycle (Shifreen & Jackson B181)
      2. Award announcement: 8.5” x 10”, printed in brown ink, TDC [Type Director’s Club] awards for typography, type direction, and design (see Shifreen & Jackson A157c)
      3. Award announcement: 8.5” x 9”, same as above but printed in blue ink and with slightly different text

7. The Outsider, Vol. 2, No. 4/5, edited by Jon Edgar Webb
New Orleans: Loujon Press, Winter 1968-69
First edition, issued in both wrappers and hardcover in printed dust-wrapper and photo-illustrated paper wrappers, 7.25” x 10.25”, 200 pages, 500 copies. Associate Editor: Louise “Gypsy Lou” Webb, illustrations: Ben Tibbs, Frank Salantrie, Kelsie Harder. Laid into this edition is “a sprig of flora from within a mile of Geronimo’s grave”, picked by Gypsy Lou and sealed in wax paper with letterpress printed partial wrap-around band.

  1. Ephemera:
      1. Order form: 5” x 8.25”
  • Contents:
    1. Kaprow, Allan. “Moving, A Happening” – 2:4/5, 0
      Goodger-Hill, Trevor. “Editorial” – 2:4/5, 1
      Plymell, Charles. “In Kansas” – 2:4/5, 2
      Taylor, David. “Panda” – 2:4/5, 3
      Edson, Russell. “The Toy Maker” – 2:4/5, 19
      Edson, Russell. “The Cult” – 2:4/5, 19
      Perchik, Simon. untitled [“He Wants To Know…”] – 2:4/5, 20
      Perchik, Simon. untitled [“The Kids Were First…”] – 2:4/5, 20
      Major, Clarence. “Weak Dynamite” – 2:4/5, 22
      Wantling, William. “That Night” – 2:4/5, 24
      Bartlett, Elizabeth. “The Walnut Tree” – 2:4/5, 26
      Greenberg, Alvin. “Taking A Stand” – 2:4/5, 27
      Severy, Bruce. “How We Do Things” – 2:4/5, 28
      Severy, Bruce. “Mud” – 2:4/5, 28
      Severy, Bruce. “From 400 Yards” – 2:4/5, 28
      Goodger-Hill, Trevor. “A Personal History” – 2:4/5, 30
      Creighton, John. “Green Hides, Lines To A Pale Lady” – 2:4/5, 32
      Eigner, Larry. untitled [“March The Route…”] – 2:4/5, 35
      Eigner, Larry. untitled [“The Great American Ballot-Box…”] – 2:4/5, 36
      Bukowski, Charles. “Kaakaa & Other Imolations” – 2:4/5, 37
      Bukowski, Charles. “Beef Tongue, for J.T.” – 2:4/5, 39
      Bukowski, Charles. “Like A Flyswatter” – 2:4/5, 41
      Bukowski, Charles. “The Last Round” – 2:4/5, 42
      Di Prima, Diane. “From: Spring and Autumn Annals: A Celebration for Freddie” – 2:4/5, 45
      Levertov, Denise. “Late June 1968” – 2:4/5, 51
      Levertov, Denise. “Not to Have” – 2:4/5, 51
      Durrell, Lawrence. “?” – 2:4/5, 52
      Mccord, Howard. “Descent into Birth” – 2:4/5, 53
      Meltzer, David. “This is a Nation of Keepers Who Had No Time to Become Gods” – 2:4/5, 54
      Cooperman, Stanley. “New York: February, 1968” – 2:4/5, 55
      Cooperman, Stanley. “Cappelbaum’s Halloween” – 2:4/5, 56
      Katz, Steve. “One Kind of Tune” – 2:4/5, 58
      Katz, Steve. “& A More Similar Tune” – 2:4/5, 58
      Randall, Margaret. “Erongaricuaro, for My Friends at the Molino” – 2:4/5, 59
      Wright, Jay. “Pastel” – 2:4/5, 60
      Morris, Richard. “Foreword to Keslie Artwork” – 2:4/5, 61
      Harder, Kelsie. untitled [“Cartoons”] – 2:4/5, 61
      Hamburger, Michael. “Travelling” – 2:4/5, 77
      Stoloff, Carolyn. “Wind and the Earth” – 2:4/5, 79
      Grapes, Marcus J. untitled [“It Came on Me…”] – 2:4/5, 80
      Grapes, Marcus J. untitled [“An Old House…”] – 2:4/5, 80
      Grapes, Marcus J. untitled [“Oh It Wasn’t So Much…”] – 2:4/5, 81
      Grapes, Marcus J. untitled [“Too Many Years Pass…”] – 2:4/5, 82
      Grapes, Marcus J. untitled [“Leaving This Clumsy Town…”] – 2:4/5, 82
      Grapes, Marcus J. untitled [“Could I Believe…”] – 2:4/5, 83
      Grapes, Marcus J. untitled [“Heaped Between The Letters The Postcards…”] – 2:4/5, 83
      Grapes, Marcus J. untitled [“The Madness Is Power And What…”] – 2:4/5, 83
      Grapes, Marcus J. untitled [“I Spoke To Jenny…”] – 2:4/5, 84
      Grapes, Marcus J. untitled [“Legendary Men In The Forest…”] – 2:4/5, 84
      Grapes, Marcus J. untitled [“And When They Killed Him…”] – 2:4/5, 84
      Grapes, Marcus J. untitled [“Finding New Bones…”] – 2:4/5, 85
      Grapes, Marcus J. untitled [“Some Jerk With Baltic-Brained…”] – 2:4/5, 86
      Grapes, Marcus J. untitled [“This Tender Minute…”] – 2:4/5, 86
      Grapes, Marcus J. untitled [“Some Of Us…”] – 2:4/5, 87
      Haines, John. “Under The Barracks” – 2:4/5, 88
      Haines, John. “In The Styrofoam Mountains” – 2:4/5, 88
      Haines, John. “From The Rooftops” – 2:4/5, 89
      Kelly, Robert. “Landing Cod (From The Common Shore)” – 2:4/5, 90
      Gast, David K. “Teresa” – 2:4/5, 93
      Patchen, Miriam. untitled [“Letter To The Editors”] – 2:4/5, 94
      Sandberg, David. untitled [“Please Do Not Ring Or Knock…”] – 2:4/5, 96
      Thomas, Norman. untitled [“If You Visit Patchen…”] – 2:4/5, 97
      Antoninus, Brother. untitled [“Word Of The Outsider’s Homage…”] – 2:4/5, 98
      Ginsberg, Allen. untitled [“I Met Kenneth Patchen At City Lights…”] – 2:4/5, 99
      May, James Boyer. untitled [“Kenneth Patchen’s Physical Presence…”] – 2:4/5, 100
      Norse, Harold. untitled [“He Is Part Of Youth…”] – 2:4/5, 105
      Brand, Millen. untitled [“I Used To Know Kenneth In The Village…”] – 2:4/5, 106
      Macdiarmid, Hugh. untitled [“I Have Been To The United States…”] – 2:4/5, 108
      Glover, David. untitled [“I Recall The First Thing I Ever Read…”] – 2:4/5, 109
      Rexroth, Kenneth. untitled [“Kenneth Patchen Is One Of…”] – 2:4/5, 112
      Corrington, John William. untitled [“I Still Remember…”] – 2:4/5, 113
      Porter, Bern. untitled [“Kenneth’s Monumental…”] – 2:4/5, 116
      Detro, Gene. “Interview: Patchen Interviewed” – 2:4/5, 117
      Ferlinghetti, Lawrence. untitled [“Kenneth Patchen & E.E. Cummings…”] – 2:4/5, 129
      Yates, Peter. untitled [“Know Him, This Man…”] – 2:4/5, 129
      Meltzer, David. untitled [“Here Is A Man Speaking…”] – 2:4/5, 130
      Young, Lafe. untitled [“Now, Nostalgically, I Realize…”] – 2:4/5, 131
      Conroy, Jack. untitled [“Since My Friend Webb…”] – 2:4/5, 132
      Eckman, Frederick. untitled [“A Decade Ago In A Review…”] – 2:4/5, 133
      Miller, Henry. untitled [“The First Thing One Would Remark…”] – 2:4/5, 134
      Blazek, Douglas. “A Few Small Things” – 2:4/5, 138
      Enslin, Ted. untitled [“As If It Were My Eye…”] – 2:4/5, 139
      Purdy, Al. “The Jackhammer Syndrome” – 2:4/5, 140
      Shelton, Richard. “The Crossing” – 2:4/5, 142
      Shelton, Richard. “& The Scars Will Be Covered” – 2:4/5, 143
      Wild, Peter. “Engine” – 2:4/5, 144
      Wild, Peter. “Snake Skin” – 2:4/5, 144
      Wild, Peter. “Saturday Afternoon On Sugar Loaf Mtn” – 2:4/5, 145
      Miller, Brown. “The Dark Oval” – 2:4/5, 146
      Duberstein, Helen. “Joke” – 2:4/5, 147
      Flaherty, Douglas. “Mrs. Godkin’s Son” – 2:4/5, 148
      Wilson, Keith. “All The Vanished Faces” – 2:4/5, 149
      Wilson, Keith. “The Wind Dragon in Spring” – 2:4/5, 150
      Holland, Barbara A. “Dust-Devil Man” – 2:4/5, 151
      Fowler, Gene. “The Natural History of Woman” – 2:4/5, 152
      Frumkin, Gene. “Poem for Childhood” – 2:4/5, 157
      levy, d.a. “For The Pigs, Rats & Adorable other Beasts of Saintly Cleveland, O” – 2:4/5, 157a
      Merton, Thomas. “Tibud Maclay” – 2:4/5, 158
      Bly, Robert. “Blown-Up German Fortifications Near Collioure” – 2:4/5, 159
      Norse, Harold. “Return to Pompeii” – 2:4/5, 160
      Gardien, Kent. “Poem Based on a List by Luis Bunel” – 2:4/5, 161
      Higgins, Dick. “Four Degrees” – 2:4/5, 164
      Antin, David. “Sociology” – 2:4/5, 166
      Hollo, Anselm. “Bouzouki Music” – 2:4/5, 168
      Krauss, Ruth. “Drunk Boat” – 2:4/5, 169
      Kryss, T.L. “Circus” – 2:4/5, 170
      Kryss, T.L. “The Withered Lemming of the River” – 2:4/5, 170
      Dowden, George. “Morning Song for My Girl by the Sea” – 2:4/5, 171
      Brown, Michael. “The Seventh Month” – 2:4/5, 172
      Kandel, Lenore. “Muir Beach Mythology / September” – 2:4/5, 173
      Perchik, Simon. “Four Photo-Poems” – 2:4/5, 174
      Shustak, Larence. untitled photography – 2:4/5, 175
      Knowles, Allison. “Journal of the Identical Lunch” – 2:4/5, 182
      Williams, Emmett. untitled [“North is this Way…”] – 2:4/5, 184
      Mac Low, Jackson. untitled [“Peace of Resembling…”] – 2:4/5, 186
      Johnson, Kay. “The Emerald City, For Gregory Corso” – 2:4/5, 188
      Cocteau, Jean. “Creation Before Life” – 2:4/5, 190
      Johnson, Ray. “Face Collage” – 2:4/5, 192
      Hansen, Al. “Gat” – 2:4/5, 193

8. Miller, Henry. INSOMNIA OR THE DEVIL AT LARGE
Albuquerque, Loujon Press, 1970
First edition, portfolio case with photo-illustrated sliding lid and housing 12 printed reproductions of Miller watercolors and a spiral bound book, 7 separate issues planned but far fewer were reportedly produced, published as Gypsy Lou Series #4.
(Shifreen & Jackson A175a-h)

  1. Variant Issues:
      1. Issue A: 12 copies, with 12 prints plus an original watercolor and book all signed by Miller (Shifreen & Jackson A175a)
      2. Issue B: 26 lettered copies, with 12 prints inscribed to the buyer and the book signed by Miller (Shifreen & Jackson A175b)
      3. Issue C: 192 copies [planned but likely that no more than 10 were published], with 12 prints and the book signed by Miller (Shifreen & Jackson A175c)
      4. Issue D: 192 copies [planned but likely that no more than 10 were published], with 9 of 12 prints and the book signed by Miller (Shifreen & Jackson A175d)
      5. Issue E: 192 copies [planned but likely that no more than 10 were published], with 6 of 12 prints and the book signed by Miller (Shifreen & Jackson A175e)
      6. Issue F: 192 copies [planned but likely that no more than 65 were published], with 3 of 12 prints and the book signed by Miller (Shifreen & Jackson A175f)
      7. Issue G: 192 copies [planned but later increased to 385], with 12 prints unsigned and the book signed by Miller (Shifreen & Jackson A175g)
      8. Economy Issue: 199 copies, with 12 prints and the book without the box (Shifreen & Jackson A175h)
  1. Ephemera:
      1. Publication announcement: 19” x 25” (Shifreen & Jackson B213)

Notes:
[1] Though not present in Robert Wilson’s Corso bibliography, this offprint has been examined.
[2] According to a Ken Lopez catalog entry, his copy of the Miller offprint is seven unbound leaves printed on both sides from volumes 1 and 2 of The Outsider and published in a set of 200 in 1963. However, Shifreen & Jackson describe the sets as 13 unbound leaves printed on rectos only.
[3] Listed in Michael McClure’s own online bibliography and confirmed by Denise Enck of Empty Mirror Books, though not present in any printed bibliography to date.
[4] First reference to the Burroughs offprints appear in Jon Edgar Webb: The Editor’s Bit and Obit by Nicky Drumbolis and are further discussed in Signatures, also by Nicky Drumbolis. Subsequent research turns up no extant copies and in later correspondence with Drumbolis, he adds, “In my Signatures study, I infer that the Burroughs piece ‘Operation Soft Machine/Cut’ may have been issued, based on layout; acknowledging further, that no copy had been recorded by Maynard and Miles.”
[5] While the existence of this offprint and another containing the full set of Miller letters from the first 3 issues of The Outsider are noted in Jon Edgar Webb: The Editor’s Bit and Obit, no evidence of these offprints has been identified.


References consulted

Dorbin, Sanford. A Bibliography of Charles Bukowski
Los Angeles: Black Sparrow Press, 1969

Drumbolis, Nicky. Jon Edgar Webb: The Editor’s Bit & Obit
Toronto: ECS, 1993

Drumbolis, Nicky. Signatures
Toronto: Letters, n.d.

Krumhansl, Aaron. A Descriptive Bibliography of The Primary Publications of Charles Bukowski
Santa Rosa: Black Sparrow Press, 1999

Maynard, Joe and Barry Miles. William S. Burroughs: A Bibliography, 1953-73
Charlottesville: University Press of Virginia, 1978

Shifreen, Lawrence J. and Roger Jackson. Henry Miller: A Bibliography of Primary Sources
Ann Arbor: Roger Jackson, 1993

Wilson, Robert. A Bibliography of Works By Gregory Corso 1954-1965
New York: The Phoenix Bookshop, 1966

The Outsider and Loujon Press

The Outsider, No. 1, edited by Jon and Louise Webb. New Orleans, Fall 1961.

In the Fall of 1961, Jon and Louise “Gypsy Lou” Webb published the first issue of their avant-garde poetry and prose magazine, The Outsider. Hand-set and letterpress printed, the journal straddled the line between traditional books and modern works of art, and the journal made an outsized impact on the literary world, shining a light on the talents of Beat Generation, Black Mountain and other avant-garde and counterculture poets, writers, and artists of the era…

>>> further reading >>>

Robert Creeley: Books & Broadsides

>> return to ROBERT CREELEY main page >>

Section A:
Books & Broadsides

1. LE FOU
First edition:
Columbus: Golden Goose Press, October 1952
Saddle-stapled and bound into printed and illustrated wrappers with rear french-fold in opalescent tissue dust jacket, 6” x 7.5”, 32 pages, 500 copies. Frontispiece drawing by Ashley Bryan. Creeley’s first book. Designed and printed by Richard Wirtz Emerson from type set by Frederick Eckman at the Golden Goose Press. (Novik A1)

2. THE KIND OF ACT OF
First edition:
Palma de Mallorca: The Divers Press, May 1953
Hand-sewn and bound into illustrated wrappers, 6.25” x 7.25”, 24 pages, 250 copies, hand-set and printed by Mossén Alcover. Cover by René Laubiès. (Novik A2)

3. THE IMMORAL PROPOSITION
First edition:
Karlsruhe-Durlach: Jonathan Williams, Autumn 1953
String-bound in illustrated wrappers, 9″ x 6.5″, 16 pages, 200 copies. Illustrated by René Laubiès. Printed by Verlagsdruckerei Gebr. Tron KG. Published as Jargon 8. (Novik A3)

4. THE GOLD DIGGERS
First edition:
Palma de Mallorca: The Divers Press, February 1954
Sewn and perfect-bound in illustrated wrappers, 144 pages, 5” x 6.75”, 500 copies, hand-set and printed by Mossén Alcover. Cover by René Laubiès. (Novik A4)

Second edition:
expanded edition published as The Gold Diggers and Other Stories, J. Calder, 1965.

5. A SNARLING GARLAND OF XMAS VERSE
First edition:
Palma de Mallorca: The Divers Press, 1954
100 copies, published anonymously (Novik A5)

6. ALL THAT IS LOVELY IN MEN
First edition:
Asheville: Jonathan Williams, 1955
Perfect bound in printed and illustrated wrappers, 6″ x 8″, 44 pages, 200 copies. Drawings by Dan Rice, photograph by Jonathan Williams. Signed by Creeley and Rice on the colophon page. Printed by the Biltmore Press in Asheville. Published as Jargon 10. (Novik A6)

7. IF YOU
First edition:
San Francisco: Porpoise Bookshop, 1956
Loose leaves measuring 9.5” x 12.5” in printed portfolio, 200 copies, printed by Henry Evans at the Peregrine Press. Illustrated by Fielding Dawson. Published as Poems & Pictures 8. (Novik A7)

8. THE WHIP
a. First edition, regular copies:
Worchester: Migrant Books, Summer 1957
Perfect-bound in printed and illustrated wrappers, 5″ x 6.75″, 49 pages, 500 copies. Cover design by René Laubiès. Printed by Mossén Alcover in Palma de Mallorca. Published as Jargon 26 (Novik A8)

b. First edition, hardcover copies:
Worchester: Migrant Books, Summer 1957
Cloth-covered boards with printed spine, 5″ x 6.75″, 49 pages, 100 copies. Printed by Mossén Alcover in Palma de Mallorca. Illustrated by Kirsten Hoeck. Published as Jargon 26 (Novik A8)

9. A FORM OF WOMEN
First edition:
New York: Jargon Books|Corinth Books, 1959
Perfect-bound in printed and illustrated wrappers, 5.5″ x 8″, 64 pages, 2000 copies. Cover photograph by Robert Schiller. Printed by Heritage Printers in Charlotte. Published as Jargon 33. (Novik A9)

10. FOUR POEMS FROM A FORM OF WOMEN
First edition:
New York: Eighth Street Bookshop, 1959
Saddle-stapled in printed wrappers, 4.25” x 6.25”, 4 pages, 300 copies. Privately printed for the friends of the Eighth Street Bookshop to celebrate the New Year, December 1959. Designed by Jonathan Williams. (Novik 10)

[n.b. notes have not been made about inclusion of items in archive]

Joel Oppenheimer: Contributions to Books and Anthologies

>> return to JOEL OPPENHEIMER main page >>

Section B:
Contributions to Books and Anthologies

1. 14 POETS, 1 ARTIST, edited by Jonathan Williams
New York: Jonathan Williams, 1958
“Blue Funk” [collected in A4]  (Butterick B1)


2. JAN 1ST 1959: FIDEL CASTRO
New York, Totem Press, 1959
“For the Barbers” [collected in A4] (Butterick B2)

3. THE NEW AMERICAN POETRY, edited by Donald M. Allen
New York: Grove Press, 1960
“The Bath” [first appeared in A3], “The Bus Trip” [first appeared in A3], “The Feeding” [first appeared in A3], “Mare Nostrum” [first appeared in C19], “Blue Funk” [first appeared in B1], Autobiograhical statement (Butterick B3)

4. THE DARKNESS SURROUNDS US, by Gilbert Sorrentino
First edition:
Highlands: Jonathan Williams, October 1960
Saddle stapled in printed and photo-illustrated dust jacket, 6? x 9?, 48 pages, 1000 copies, printed by Heritage Printers in Charlotte. Introduction by Joel Oppenheimer. Collage and drawings by Fielding Dawson. (McPheron A1)

5. POEMS FOR MARLYN, edited by Ed Sanders
New York: Fuck You Press, 1962
“Dear Miss Monroe” [collected in A9]. (Butterick B5)

6. A CONTROVERSY OF POETS, edited by Paris Leary and Robert Kelly
Garden City: Doubleday, 1965
Autobiographical statement (Butterick B6)

7. POEMS NOW, edited by Hettie Jones
New York: Kulchur Press, 1966
“Happy New Year” [collected in A11], “Sirventes on a Sad Occurence” [reprinted separately in A6 and collected in A9] (Butterick B7-B8)

8. ARTISTS AND WRITERS PROTEST AGAINST THE WAR IN VIETNAM: POEMS
New York: Artists & Writers Protest, 1967
“Viet Nam” (Butterick B9)

9. WHERE IS VIETNAM? AMERICAN POETS RESPOND, edited by Walter Lowenfels
Garden City: Doubleday, 1967
“The Present” (Butterick B10)

10. THE ZODIAC
New York: Brownstone Press, 1968
“in February the / waters run slow…” [collected in A9 as “Aquarius” (Butterick B11)

11. THE EAST SIDE SCENE: AN ANTHOLOGY OF A TIME AND A PLACE, edited by Allen De Loach
Buffalo: University Press, 1968
Autobiographical statement (Butterick B12)

12. AN ACTIVE ANTHOLOGY, edited by George Quasha
Fremont: Sumac Press, 1974
“Gettin’ There” (Butterick B13)

[n.b. notes have not been made about inclusion of items in archive]

Joel Oppenheimer: Books & Broadsides

>> return to JOEL OPPENHEIMER main page >>

Section A:
Books and Other Separate Publications

1. THE DANCER
First edition:
Highlands: Jonathan Williams, 1951
Single sheet measuring 10″ x 7″ folded once to make a 4-page booklet, 5.75″ x 7″, 150 copies. Illustration by Robert Rauschenberg. Printed at the The Sad Devil Press by Joel Oppenheimer at Black Mountain College. Published as Jargon 2. (Butterick A1)

2. FOUR POEMS TO SPRING
First edition:
Black Mountain: Joel Oppenheimer, May 1951
Printed wrappers, 4 pages. Hand-set, printed and bound by the author at the Black Mountain College print shop. (Butterick A2)

3. THE DUTIFUL SON
a. First edition, regular issue:
Highlands: Jonathan Williams, 1956
Hand-sewn and bound into french-fold wrappers with printed label tipped on, 6.5″x 10″, 36 pages, 200 copies, letterpress printed and bound by the Windhover Press in Short Hills. Frontispiece by Joseph Fiore. Printed announcement. Published as Jargon 16. (Butterick A3)

b. First edition, “author’s edition”:
Highlands: Jonathan Williams, 1956
Hand-sewn and bound into french-fold lithographed wrappers, 6.5″x 10″, 36 pages, 30 copies, letterpress printed and bound by the Windhover Press in Short Hills. Frontispiece and cover art by Joseph Fiore. Printed announcement. Published as Jargon 16. (Butterick A3)

4. THE LOVE BIT, AND OTHER POEMS
First edition:
New York: Totem Press / Corinth Books, 1962
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8″, 48 pages. Cover by Dan Rice. (Butterick A4)


5. THE GREAT AMERICAN DESERT
First edition:
New York: Grove Press, 1966
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8″, 40 pages, Published as Evergreen Playscript #3. (Butterick A5)


6. A TREATISE
New York: Brownstone Press, 1966
(Butterick A6)

7. SIRVENTES ON A SAD OCCURRENCE
First edition:
Madison: The Perishable Press Limited, Spring 1967
Hand-sewn in printed dust jacket 6.5″ x 7.25″, 20 pages, 130 signed copies. Letterpress printed by Walter Hamady. (Butterick A7)

8. WHEN THE DRUMS STOPPED
Kriya Press, Pleasant Valley 1967
Broadside, 100 copies. (Butterick A8)

9. IN TIME: POEMS 1962-1968
Indianapolis: Bobbs Merrill 1969
Hardcover issue only. (Butterick A9)

10. 17-18 APRIL 1961
Sommerville: Press of The Black Flag Raised, 1970
Folded broadside. Published as Press of The Black Flag Raised No. 5. (Butterick A10)

11. ON OCCASION
Indianapolis: Bobbs-Merrill Company 1973
Paperback and hardcover issues. (Butterick A11)

12. THE WRONG SEASON
Indianapolis: Bobbs-Merrill 1973
Hardcover issue only. (Butterick A12)

13. PAN’S EYES: STORIES
Amherst, Mulch Press, 1974
Paperback and hardcover numbered and signed issues. (Butterick A13)

14. THE LESSON; ART; HYACINTHS; NATURE
Kent: Zephyrus Image, 1974
Broadside. Printed for Kent State Arts Festival by Holbrook Teter. (Butterick A14)

15. THE WOMAN POEMS
Indianapolis: Bobbs-Merrill 1975
Hardcover issue only. (Butterick A15)

[n.b. notes have not been made about inclusion of items in archive]

Joel Oppenheimer

Portrait of Joel Oppenheimer by Jonathan Williams

Joel Oppenheimer Checklist:

Section A: Books and Broadsides
Section B: Contributions to Books and Anthologies
Section C: Contributions to Periodicals


Having been a student at Black Mountain College from 1950 to 1953, taking courses with Charles Olson and publishing in The Black Mountain Review edited by Robert Creeley, Joel Oppenheimer is one of those writers most legitimately a part of the group known in recent literary history as the Black Mountain Poets, and is included as such in Donald Allen’s famous anthology, The New American Poetry. Oppenheimer’s writing is hardly restricted to representing a literary movement, however, and his subsequent reputation is as much a result of his life and literary activities in New York as it is due to his Black Mountain connections — especially, since 1972, his regular column in the Village Voice. He has also been project director for the St. Mark’s Poetry Project as well as director of New York City’s Teachers and Writers Collaborative, and served as Poet in Residence at the City College of New York. Oppenheimer was born in 1930 in Yonkers, N.Y. [and died at 58 of lung cancer in Henniker, New Hampshire on October 11, 1988.] His papers are among the literary archives in the Special Collection of The University of Connecticut Library.

—George F. Butterick, Joel Oppenheimer, A Checklist of his Writings


References Consulted:

Butterick, George F. JOEL OPPENHEIMER: A CHECKLIST OF HIS WRITINGS
Storrs: University of Connecticut Library, 1975

Gilmore, Lyman. DON’T TOUCH THE POET: THE LIFE AND TIMES OF JOEL OPPENHEIMER
New Jersey: Talisman House, 1998

Michael McClure: Books and Broadsides

>> return to MICHAEL MCCLURE main page >>

Section A:
This index includes books and broadsides, and focuses primarily on the entries found in the Clements bibliography.


1. McClure, Michael. PASSAGE
mcclure_passageFirst edition:
Big Sur: Jonathan Williams – Publisher, June 1956
Hand-sewn in printed wrappers, 7.25″ x 10.75″, 12 pages, 200 copies, letterpress printed by the Windhover Press. Cover by Jonathan Williams. Published as Jargon 20.
(Clements A1)

2. McClure, Michael. PEYOTE POEM
First edition:
(San Francisco): Wallace Berman, 1958.
Broadside folded and tipped into printed and  photo-illustrated folder, 9″ x 12″, (200 copies), printed by Wallace Berman. Published as Semina 3.
(Clements A2)

3. McClure, Michael. FOR ARTAUD
mcclure_forartaudFirst edition:
New York: Totem Press, June 1959
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 12 pages, (750 copies). Published as Blue Plate #2.
(Clements A3)

4. McClure, Michael. WE’RE IN THE MIDDLE OF A DEEP CLOUD
First edition:
(San Francisco): (Wallace Berman), (1959)
Broadside, 3.5″ x 4.25″, letterpress printed by Wallace Berman. Laid into Semina 4.
(Clements C14)


5. McClure, Michael. HYMNS TO ST. GERYON AND OTHER POEMS
mcclure_hymnsFirst edition:
San Francisco: Auerhahn Press, October 1959
Perfect-bound in printed and illustrated wrappers, 7.25″ x 10″, 62 pages, (950 copies), letterpress printed by Dave Haselwood. Cover illustration by McClure.
(Clements A4, Auerhahn 4)

6. McClure, Michael. FUCK DEATH *
First edition:
(San Francisco): privately printed, (1959)
Folded card, 5″ x 3.5″.
(Clements A5)

7. McClure, Michael. !THE FEAST!
First edition:
San Francisco: The Batman Gallery, 1960
Side-stapled printed sheets, 8.5″ x 11″, 14 pages, mimeograph [?] printed. A working script of the play performed at The Batman Gallery on Thursday, December 22, 1960.
(Clements A6)

8. McClure. Michael. WE ARE IMPERVIOUS…
First edition:
(Los Angeles): (Wallace Berman), (1960)
Broadside, 4″ x 6.25″, letterpress printed by Wallace Berman. Laid into Semina 5.
(Clements C17)


9. McClure, Michael. THE NEW BOOK / A BOOK OF TORTURE
First edition:
New York: Grove Press, August 1961
Perfect-bound in printed and illustrated wrappers, 64 pages, (4,000 copies). Photo of McClure on rear wrapper by Wallace Berman.
(Clements A7)

10. McClure, Michael. PILLOW *
First edition:
New York: New York Poets Theatre, October 1961
Side-stapled in printed wrapper, 8.5″ x 11″, 7 pages, photocopy printed. A working script of the play produced by the New York Poets Theatre at the Off-Bowery Gallery in New York City in October and November 1961.
(Clements A8)

11. McClure, Michael. SPONTANEOUS HYMN TO KUNDALINI
First edition:
(New Orleans): (Loujon Press), (Fall 1961)
Broadside, 5.75″ x 9″, letterpress printed by Jon and Louise Webb. An offprint from The Outsider, Vol. 1, No.1.
(not in Clements)

12. McClure, Michael. DARK BROWN
mcclure_darkbrowna. First edition, regular copies:
San Francisco: Auerhahn Press, Winter 1961
Perfect-bound in printed wrappers, 6″x 9″, 56 pages, 725 copies, letterpress printed by Dave Haselwood and Andrew Hoyem.
(Clements A9, Auerhahn 13)

b. First edition, numbered and signed copies:
San Francisco: Auerhahn Press, Winter 1961
Hardcover in gilt-stamped cloth-bound boards, 6″ x 9″, 56 pages, 25 numbered and signed copies, letterpress printed by Dave Haselwood and Andrew Hoyem, bound by the Schuberth Bindery. (Clements A9, Auerhahn 13)

c. Prospectus:
San Francisco: Auerhahn Press,  (1961)
Postcard announcement, 6″ x 3.25″, letterpress printed.
(not in Clements)

13. McClure, Michael. MEAT SCIENCE ESSAYS
First edition:
San Francisco: City Lights Books, June 1963
Perfect-bound in printed and photo-illustrated wrappers, 84 pages, (3,000 copies).  Author photo by Ettore Sotsass.
(Clements A10, Cook 41)

14. McClure, Michael. GRAHHR SHEET
First edition:
(San Francisco): privately printed, (1963)
Broadside, 6.25″ x 2″, letterpress printed.
(Clements A11)

Note: according to Clements, copies were given away by the author as tickets at readings in San Francisco and at the University of California at Berkeley. [These were used as tickets for the performance of ¡The Feast! at the Batman Gallery in 1960.]

15. McClure, Michael. TWO FOR BRUCE CONNER
First edition:
(San Francisco): Oyez Press, 1964
Broadside, 12″ x 17.5″, 500 copies, letterpress printed by Dave Haselwood at the Auerhahn Press. Published as Oyez #1.
(Clements A12)

16. McClure, Michael. POETRY IS A MUSCULAR PRINCIPLE
First edition:
(Los Angeles): privately printed, 1964
Broadside, 8.5″ x 5.5″. Photograph of McClure by Wallace Berman; make-up by Robert LaVigne. Beneath the photo is a statement by McClure beginning “Poetry is a muscular principle…”
(Clements A13)

17. McClure, Michael. BLUE-BLACK... *
First edition:
(Los Angeles): privately printed, (Summer 1964)
Broadside, 7.5″ x 2.5″. Contains one-line poem: “BLUE-BLACK SPACE RAINBOW GRAHHR”.
(Clements A14)

18. McClure, Michael. THE BLOSSOM: OR BILLY THE KID
mcclure_blossomFirst edition:
New York: American Theatre for Poets, 1964
Side-stapled sheets in printed cover, 8.5″ x 11″, 26 pages, mimeograph printed. A working script of the play.
(Clements A15)

19. McClure, Michael. GHOST TANTRAS
a. First edition, regular copies:
San Francisco:  privately printed, 1964
Perfect-bound in printed and illustrated wrappers, 108 pages, 1480 copies, cover photo of McClure by Wallace Berman.
(Clements A16)

b. First edition, signed copies: 
Hardcover in gilt-stamped cloth-bound boards in illustrated dust jacket, 109 pages, 20 numbered and signed copies, cover photo of McClure by Wallace Berman.
(Clements A16)

20. McClure, Michael. DOUBLE MURDER! VAHROOOOOOOHR!
First edition:
(Los Angeles): (Wallace Berman), 1964
Broadside, 3″ x 4.75″, (200 copies). Contained in a small manila envelope bearing an altered photograph of Jack Ruby at the point of murdering Lee Harvey Oswald. Published as Semina 9.
(Clements A17)

21. McClure, Michael. LOVE LION, LIONESS *
a. First edition, poster:
(San Francisco):  privately printed, (1964)
Poster, 28″ x 22″, 350 copies printed in the style of a boxing poster.
(Clements A18)

b. First edition, flyer:
(San Francisco):  privately printed, (1964)
Flyer, 11″ x 8.5″, 70 copies printed in black in the style of a boxing poster.
(Clements A18)

c. First edition, tickets:
(San Francisco):  privately printed, (1964)
Tickets, 5.5″ x 2.25″, printed in the style of theater tickets for the fictitious event.
(Clements A18)

22. McClure, Michael. 13 MAD SONNETS
mcclure_13madFirst edition:
Milan: East 128, 1964
Saddle-stapled and tipped in to printed dust jacket, 8.5″ x 11″, 28 pages, 299 numbered copies (plus 16 for the author’s use). Author photo by Ettore Sotsass Jr.
(Clements A19)

23. McClure, Michael. THE BEARD
First edition:
(San Francisco):  privately printed, April 1965
Perfect-bound in printed and photo-illustrated wrappers, 8.5″ x 13″, 71 pages, 350 copies planned, 330 produced (only 75 for sale).
(Clements A20)

24. McClure, Michael. POISONED WHEAT
mcclure_poisoneda. First edition, regular copies:
(San Francisco):  (Oyez Press), April 1965
Saddle-stapled in printed and photo-illustrated wrappers, 5.75″ x 7.75″, 16 pages, 576 copies.
(Clements A21)

b. First edition, signed copies:
Hardcover in cloth-bound boards in photo-illustrated dust jacket, 5.75″ x 7.75″, 16 pages, 24 copies lettered alpha through omega and signed by the author. Bound by Dorothy Hawley.
(Clements A21)

25. McClure, Michael. UNTO CAESAR
mcclure_untoFirst edition:
(San Francisco): (Dave Haselwood), (1965)
Hand-sewn in printed and collaged wrappers, 6.5″ x 4″,  24 pages, (60 copies), letterpress printed by Dave Haselwood.
(Haselwood 1)

26. McClure, Michael. DREAM TABLE
First edition:
San Francisco: Dave Haselwood, 1965
Thirty double-sided printed and illustrated cards, 2.5″ x 3.5″, 200 sets (30 signed), letterpress printed. Each card is illustrated with a Lion and a Tree on one side and two words on the other.
(Haselwood 5)

27. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
First edition:
(San Francisco): (Dave Haselwood), (1966)
Twenty-four printed and illustrated cards in printed envelope, cards measure 2″ x 2″, envelope measures 4.5″ x 5.75″. Each card is printed with  four words one side and a “hallucinogram” by Bruce Conner on the other.
(Haselwood 10)

28. McClure, Michael and Bruce Conner. MANDALAS
First edition:
San Francisco: Dave Haselwood, 1966
Saddle-stapled in printed and illustrated wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. Printed announcement issued.
(Haselwood 11)

29. McClure, Michael. LOVE LION BOOK
a. First edition, regular copies:
San Francisco: Four Seasons Foundation, 1966
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 21 pages, 1000 copies. Published as Writing 11.

b. First edition, numbered and signed copies:
San Francisco: Four Seasons Foundation, 1966
Hardcover in printed paper-bound boards with gilt-stamped cloth backstrip, 6″ x 9″, 21 pages, 40 numbered and signed copies.
Published as Writing 11.

30. McClure, Michael. POISONED WHEAT
mcclure_poisonedFirst edition, second printing:
San Francisco:  Coyote, 1966
Saddle-stapled in illustrated wrappers. 5.75″ x 7.75″, 16 pages, 5000 copies. Distributed by City Lights Books.


31. McClure, Michael. MEAT SCIENCE ESSAYS
Second expanded edition:
San Francisco: City Lights Books, June 1966
Perfect-bound in printed and photo-illustrated wrappers, 120 pages.
(not in Cook)

Note: This expanded edition contains three essays not found in the 1963 publication: “Phi Upsilon Kappa”, “Defense of Jayne Mansfield”, and “Reason”.

32. McClure, Michael. THE BEARD *
a. First Coyote edition, regular copies:
San Francisco: Coyote, 1967
Perfect-bound in printed and photo-illustrated wrappers, 82 pages,  4960 copies, cover art by Wes Wilson, introduction by Norman Mailer.

b. First Coyote edition, numbered and signed copies:
Specially-bound, 82 pages,  40 numbered and signed copies, cover art by Wes Wilson, introduction by Norman Mailer.

33. McClure, Michael. THE BEARD *
First Grove Press edition:
New York: Grove Press/Black Cat, 1967
Perfect-bound in printed and photo-illustrated wrappers, 96 pages.

Note: two different covers were issued.

34. McClure, Michael. WAR IS DECOR IN MY CAVERN CAVE *
First edition:
San Francisco: Communication Company, 1967
Broadside, 8.5″ x 11″, mimeograph printed.




35. McClure, Michael. THE BLOSSOM, OR BILLY THE KID *
First edition:
Milwaukee: Great Lakes Books, 1967
Saddle-stapled in printed and illustrated wrappers, 32 pages, 500 numbered copies (the first 10 signed).


36. McClure, Michael. FREEWHEELIN FRANK
First edition:
New York: Grove Press, 1967
Hardcover in gilt-stamped cloth bound board in illustrated dust jacket, 7.75″ x 9.75″, 160 pages.

Note: First hand account of the Hell’s Angels as told by their secretary Frank Reynolds.

37. McClure, Michael. HAIL THEE WHO PLAY *
a. First edition, regular copies:
Los Angeles: Black Sparrow Press, August 1968
Perfect-bound in printed wrappers, 233 numbered and signed copies.

b. First edition, hardcover copies:
Los Angeles: Black Sparrow Press, August 1968
Hardcover in printed paper-bound boards with cloth backstrip with printed paper label, 75 numbered and signed copies, each with an original drawing by the author.

38. McClure, Michael. LITTLE ODES: Jan – March 1961 *
First edition:
New York: Poets Press, 1968
Hand-sewn in printed and illustrated wrappers, 150 numbered and signed copies.

39. McClure, Michael. THE SERMONS OF JEAN HARLOW AND THE CURSES OF BILLY THE KID
a. First edition, regular copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
Saddle-stapled in printed wrappers, 6″ x 9.25″, 24 pages, 1200 copies, letterpress printed by Dave Haselwood.
(Haselwood 17)

b. First edition, numbered and signed copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Hardcover in printed paper-bound boards, 6″ x 9.25″, 24 pages, 50 copies signed.
(Haselwood 17)

40. McClure, Michael. MUSCLED APPLE SWIFT
First edition:
Los Angeles: Love Press, 1968
Hand-sewn in illustrated wrappers, 16 pages, 150 copies (63 of which are numbered and signed), cover art by George Herms.

41. McClure, Michael. GRAHHR APRIL GRHARRR APRIL
First edition:
(Buffalo): (Gallery Upstairs Press), (1968)
Broadside, 28.5″ x 21.25″, offset lithography printed.

42. McClure, Michael. GREETINGS
First edition:
London: Cape Goliard Press, 1968
Broadside, 11″ x 12″.

43. McClure, Michael. HYMNS TO ST. GERYON & DARK BROWN
a. First edition, regular copies:
London: Cape Goliard, 1969
Perfect-bound in printed wrappers.

b. First edition, hardcover copies:
London: Cape Goliard, 1969
Hardcover in gilt-stamped cloth-bound boards in illustrated dust jacket.

Note: two titles previously published by Auerhahn Press, published here dos-a-dos. Illustrated and with cover art by Wallace Berman.

44. McClure, Michael. LITTLE ODES AND THE RAPTORS *
a. First edition, regular copies:
Los Angeles: Black Sparrow Press,  March 1969
Perfect-bound illustrated wrappers, 6.25″ x 9.25″, 43 pages, 1000 copies.

b. First edition, numbered copies:
Hardcover in paper-covered boards with cloth backstrip and paper label, 6.75″ x 9.5″, 43 pages, 200 copies numbered and signed.

c. First edition, lettered copies:
Hardcover in gold stamped leather-bound boards, 6.75″ x 9.5″, 43 pages, 26 copies lettered and signed with each with an original drawing by the author.

45. McClure, Michael. THE SURGE *
Columbus, OH: Frontier Press, 1969

46. McClure, Michael. LION FIGHT *
New York: Pierrepont Press, 1969

47. McClure, Michael. GHOST TANTRAS
San Francisco: Four Seasons Foundation, 1969

48. McClure, Michael. PLANE POMES *
New York: Phoenix Book Shop, 1969

49. McClure, Michael. THE SHELL *
London: Cape Goliard, 1969

50. McClure, Michael. MUSCLED APPLE SWIFT *
Sacramento: Runcible Spoon, 1969

51. McClure, Michael. TO JAMES B. RECTOR *
San Francisco: Privately Published, 1969

52. McClure, Michael. LIBERATION *
Oakland: Mills College Tape Music Center, 1969

[* not in archive]

Dave Haselwood Books

>> return to AUERHAHN PRESS main page >>

Section D:
This index collects books and other items printed by Dave Haselwood from 1965 to 1970.


1. McClure, Michael. UNTO CAESAR
mcclure_untoFirst edition:
(San Francisco): (Dave Haselwood), (1965)
Hand-sewn in printed wrappers, 6.5″ x 4″,  24 pages, circa 60 copies. (Haselwood 1)

2. Hoyem, Andrew. THE MUSIC ROOM
First edition:
San Francisco: Haselwood, 1965
Hand-sewn in printed wrappers, 6.5″ x 4″,  16 pages, circa 100 copies. Illustrated by Bruce Conner. (Haselwood 2)

3. Wieners, John. CHINOISERIE
First edition:
San Francisco: Dave Haselwood, 1965
Hand-sewn in printed wrappers, 6.5″ x 4″,  20 pages, circa 100 copies. (Haselwood 3)

4. Wieners, John. THE HOTEL WENTLEY POEMS
Second edition revised:
San Francisco: Dave Haselwood, 1965
Saddle-stapled in illustrated wrappers, 6″ x 8.5″, 28 pages. Illustration by Robert La Vigne. These are the “original versions” of the poems. (Haselwood 4)

5. McClure, Michael. DREAM TABLE
First edition:
San Francisco: Dave Haselwood, 1965
30 double-sided printed cards, 2.5″ x 3.5″, 200 sets (30 signed). Each card is printed with a Lion and a Tree ornament on one side and two words on the other. (Haselwood 5)

6. Williams, Jonathan. PAEAN TO DVORAK, DEEMER & McCLURE
First edition:
San Francisco: Dave Haselwood, 1966
Hand-sewn in printed wrappers, 6.5″ x 4″,  32 pages, circa 100 copies. (Haselwood 6)

7. Johnson, Ronald. ASSORTED JUNGLES: ROUSSEAU
First edition:
San Francisco: Dave Haselwood, 1966
Hand-sewn in printed wrappers, 6.5″ x 4″,  32 pages, circa 100 copies. (Haselwood 7)

8. Hoyem, Andrew. CHIMERAS
First edition:
San Francisco: Dave Haselwood, 1966
Hand-sewn in printed wrappers, 6.25″ x 9.5″,  28 pages. (Haselwood 8)



9. Plymell, Charles. APOCALYPSE ROSE
First edition:
San Francisco: Dave Haselwood, 1966
Saddle-stapled in printed wrappers, 6″ x 9″,  52 pages. Introduction by Allen Ginsberg. (Haselwood 9)


10. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
First edition:
(San Francisco): (Dave Haselwood), (1966)
24 cards in printed envelope, 2″ x 2″, envelope measures 4.5 x 5.75″. Each card is printed with  four words one side and a “hallucinogram” on the other. Illustrated by Bruce Conner. (Haselwood 10)

11. McClure, Michael and Bruce Conner. MANDALAS
First edition:
San Francisco: Dave Haselwood, 1966
Saddle-stapled in printed wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. (Haselwood 11)

Note: Printed announcement issued.

12. Ferlinghetti, Lawrence. AFTER THE CRIES OF THE BIRDS
First edition:
San Francisco: Dave Haselwood: 1967
Saddle-stapled in printed wrappers, 6″ x 8″, 16 pages. (Haselwood 12)



13. Whalen, Philip. T/O
First edition:
San Francisco: Dave Haselwood, 1967
Hand-sewn in printed wrappers, 6.5″ x 4″,  32 pages, circa 80 copies. (Haselwood 13)

14. Burroughs, William S. and Brion Gysin. THE EXTERMINATOR
First edition, second printing:
San Francisco: Dave Haselwood, 1967
Perfect-bound in illustrated and printed wrappers, 6″ x 9″, 51 pages, 1000 copies. (Haselwood 14)



15. McClure, Michael. DARK BROWN
First edition, second printing:
Perfect-bound in illustrated and printed wrappers, 5.5″ x 8.5″. (Haselwood 15)

16. Brown, Geoffrey. TENDING BAR AT THE FILLMORE AUDITORIUM ON ARTISTS’ LIBERATION FRONT BENEFIT NIGHT
First edition:
San Francisco: Dave Haselwood Books, 1967
Folded broadside, 8.6″ x 10.75″.




17. Welch, Lew. COURSES
First edition:
San Francisco: Dave Haselwood, 1968
Hand-sewn in printed suede wrappers, 6.5″ x 4.25″, 28 pages, 50 copies. (Haselwood 16)

18. McClure, Michael. THE SERMONS OF JEAN HARLOW & THE CURSES OF BILLY THE KID
a. First edition, regular copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
Saddle-stapled in printed wrappers, 6″ x 9.25″, 24 pages, 1200 copies. (Haselwood 17)

b. First edition, hardcover, signed copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
Hardcover in printed paper-covered boards, 6″ x 9.25″, 24 pages, 50 copies signed. (Haselwood 17)

19. Ginsberg, Allen. INDIAN JOURNALS
a. First edition, regular copies:
San Francisco: City Lights Books with Dave Haselwood Books, 1970
Perfect bound in illustrated and printed wrappers, 5.5″ x 8.25″, 212 pages. (Haselwood 18)

b. First edition, hardcover, signed copies:
San Francisco: City Lights Books with Dave Haselwood Books, 1970
Hardcover in cloth-covered boards in printed and illustrated dust jacket, 5.5″ x 8.25″, 212 pages. (Haselwood 18)