Edited by Beat poet LeRoi Jones and Hettie Cohen, Yugen was devoted to “A New Consciousness in the Arts and Letters”. Bringing together the Beats, Black Mountain poets, and the New York School poets of the late 1950s, Yugen took its name from the Japanese aesthetic term meaning “a profound mysterious sense of the beauty of universe … and the sad beauty of human suffering.” Cohen, later Hettie Jones, had worked at the Partisan Review and brought with her a background in little-magazine design that gave Yugen an air of respectability and professionalism. The contents represented a new and untraditional approach to poetry. Jones and Cohen also founded Totem Press, which published important early books by Gary Snyder, Philip Whalen, Allen Ginsberg, Michael McClure, Diane di Prima, Jack Kerouac, and many others. Like Yugen, Totem Press books typically feature calligraphic covers that mix American abstract expressionism and Japanese Zen painting.

1. YUGEN, No. 1, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1958
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages. Printed in New York by Troubador Press. Cover art by Peter Schwartzburg with calligraphy by Rachel Spitzer. Illustrations by Hector Stewart, Peter Schwartzburg, Tomi Ungerer, and Allen Ginsberg. Titles and composition by Rachel Spitzer and Michael Aleshire

• Contents:
  1. Philip Whalen – “Further Notice”
     Philip Whalen – “Takeout, 4:II:58”
     Philip Whalen – “Takeout, 15:IV:57”
     Ed James – [untitled] “Mother, be soft and unremembered…”
     Ed James – [untitled] “Hawks will cry…”
     Judson Crews – “Potaphor in a Wretched Wind”
     Judson Crews – “When We Were Young”
     Tom Postell – “Gertrude Stein Rides The Town Down El to New York City”
     Tom Postell – “I Want a Solid Piece of Sunlight and a Yardstick to Measure it with”
     Allen Polite – “Beg Him to Help”
     Allen Polite – “Touching Air”
     Stephen Tropp – “Early Poem for 2 People”
     Bobb Hamilton- “Judgement Day”
     LeRoi Jones – “Slice of Life”
     LeRoi Jones – “Lines to Garcia Lorca”
     Diane Di Prima – “Poem”
     Diane Di Prima – “For Pound, Cocteau & Picasso”
     Ernest Kean – “The Glass is Shattered”
     Jack Micheline – “Steps”
     Allen Ginsberg – [untitled] “We rode on a lonely bus…”
     Allen Ginsberg – “Hitch-Hiking Key West”
     Allen Ginsberg – “In a Red Bar”
     Allen Ginsberg – “On Burroughs’ Work”

2. YUGEN, No. 2, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1958
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages. Printed in New York by Troubador Press. Cover art and titles by Tomi Ungerer. Illustrations by Peter Schwarzburg.

• Contents:
  1. Gregory Corso – “A Spontaneous Requiem for the American Indian”
     Tuli Kupferberg – “4 Haiku”
     Thomas Postell – “Harmony”
     LeRoi Jones – “Suppose Sorrow was a Time Machine”
     Barbara Ellen Moraff – “Poem for Theo”
     Ron Loewinsohn – “The Colossus of Havana”
     Ron Loewinsohn – “The Trucks”
     Diane Di Prima – “The Lovers”
     Oliver Pitcher – “Tango”
     James Boyer May – “The Back of Mind”
     Harold Briggs – “Being”
     Bobb Hamilton – “A Sentence”
     Gary Snyder – “Chion-in”
     Ben Spellman – “Fool”
     George Stade – “To a Candidate for the Ph.D in Seventeenth Century Literature”

3. YUGEN, No. 3, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1958
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages. Cover art by Peter Schwartzburg. Illustrations by Stanley Fisher.

• Contents:
  1. Gary Snyder – “Praise for Sick Women”
     Gary Snyder – “Another for the Same”
     William S. Burroughs – “Have You Seen Pantapon Rose?”
     Charles Farber – “Morning Highway”
     Barbara Moraff – “Poem for Tamara”
     Barbara Moraff – “In a Hospital Room from a Halfclosed Lid”
     Barbara Moraff – “Wednesday Understands That”
     C. Jack Stamm – “Now When I Hear”
     Philip Whalen – “Soufflé”
     Gilbert Sorrentino – “The Darkness Surrounds Us”
     Allen Ginsberg – “A New Cottage in Berkeley”
     Mason Jordan Mason – “The Curse of Ham”
     Diane Di Prima – “Lullaby”
     George Stade – “To the White Goddess”
     George Stade – “Advice to the Lovelorn”
     Peter Orlovsky – “First Poem”
     Fivos Delfis – ”A Bird” (trans. Charles Guenther)
     Ray Bremser – “Part III (Poems of the City Madness)”
     Robin Blaser – “Quitting a Job”
     Thomas Jackrell – “Got Them”

4. YUGEN, No. 4, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1958
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 28 pages. Cover art by Fielding Dawson.

• Contents:
  1. Charles Olson – “The Librarian”
     Peter Orlovsky – “Second Poem”
     Frank O’Hara – “To Hell with It”
     Frank O’Hara – “Music”
     Max Finstein – “The Deception”
     Max Finstein – “Savonarola’s Tune”
     Fielding Dawson – “My Old Buddy, for Leonard”
     Allen Ginsberg – “A Crazy Spiritual”
     Ray Bremser – “Penal Madness (Part 1)”
     Edward Marshall – “Jonah at Danbury”
     Edward Marshall – “At Tudor City”
     Joel Oppenheimer – “In the Clutch, for M.F.”
     Joel Oppenheimer – “Fugue”
     Judson Crews – “White Hollyhocks”
     Michael McClure – “The Chamber”
     Ron Loewinsohn – “7.20.58 – for Sue”
     Gary Snyder – “from Myths & Texts”
     Jack Kerouac – “2 Blues and 4 Haikus”
     John Wieners – “Spring 1956”
     Robert Creeley – “New Year’s”
     Robert Creeley – “Saturday Afternoon”
     Gregory Corso – “Away One Year”
     LeRoi Jones – “Parthenos”
     Gilbert Sorrentino – “A Fixture”
     Mason Jordan Mason – “Yes Yes Yes”
     Gregory Corso – “For Black Mountain”

5. YUGEN, No. 5, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1959
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 40 pages. Cover art by Basil King. Illustration by Fielding Dawson.

• Contents:
  1. William Carlos Williams, – “A Formal Design”
     Allen Ginsberg – “from Kaddish”
     Barbara Guest – “Sunday Evening”
     Barbara Guest – “The Crisis”
     David Meltzer – “15th Raga / for Bela Lugosi”
     David Meltzer – “from Night Before Morning / Book One”
     Max Finstein – “A Blue Whale’s Heart”
     Paul Blackburn – “Ramas, Divendres, Diumenga”
     Paul Blackburn – “A Purity Defined”
     Philip Whalen – “I Return to San Francisco”
     Diane Di Prima – “Earthsong”
     John Wieners – “A Poem for Virgins (excerpt)”
     Walter Lowenfels – “The Nightingale, for D.H. Lawrence”
     Michael McClure – “Rant Block”
     Rainer Gerhardt – “Fragment” (trans. Jerome Rothenberg)
     Rainer Gerhardt – “Voices” (trans. Jerome Rothenberg)
     Frank O’Hara – “Ode on Causality”
     César Vallejo – “Black Stone on a White Stone” (trans. Lillian Lowenfels)
     Bruce Fearing – “Scenic Viewpoint”
     Jack Kerouac – “Sitting Under Tree Number Two”
     Barbara Moraff – [untitled] “Like a bowlegged woman…”
     Gregory Corso – “Food”
     Larry Eigner – [untitled] “No-one here…”
     Joel Oppenheimer – “The Issue at Hand”
     Gilbert Sorrentino – letter to the editor

6. YUGEN, No. 6, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1960
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 52 pages. Cover art by Basil King.

• Contents:
  1. Michael McClure – “The Column”
     Charles Olson – “As of Bozeman”
     Charles Olson – “The Distances”
     Charles Olson – “Letter, May 2, 1959”
     Ron Loewinsohn – “Trees / 6”
     Ron Loewinsohn – “Etude, with Chair”
     Philip Lamantia – “Blank Poem for Poe”
     Paul Blackburn – “Song of the Wires”
     Robin Blaser – “Out to Dinner”
     Hubert Selby, Jr. – “Episode from Landsend”
     David Meltzer – “4th Raga / for John Kelly Reed”
     Ray Bremser – “Backyards & Deviations”
     Ed Dorn – “The 6th”
     Ed Dorn – “The 7th”
     Rochelle Owens – “Groshl Monkeys Horses”
     Paul Carroll – “By Its Familiar Accent We Recognize The Ghost”
     Robert Creeley – “The Joke”
     Robert Creeley – “Letter”
     Robert Creeley – “What’s for Dinner”
     Tristan Tzara – “Wheat” (trans. Daisy Aldan)
     Gary Snyder – “A Walk”
     Gary Snyder – “Wild Horses”
     Gary Snyder – “After Work”
     Gary Snyder – “On Vulture Peak”
     Edward Marshall – [untitled] “We as scoffers undercut the sea…”
     LeRoi Jones – “Node”
     LeRoi Jones – “The A, B, C’s”
     Jack Kerouac – “Rimbaud”
     David Wang – “II. Invocation”
     Kenneth Koch – “From a Book of Poetry”
     Larry Eigner – [untitled] “Night. Everything falls flat…”
     Edward Dahlberg – “On Passions and Asceticism”
     Frank O’Hara – “Personal Poem”

7. YUGEN, No. 7, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1961
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 65 pages. Cover art by Norman Bluhm.

• Contents:
  1. LeRoi Jones – “Putdown of the Whore of Babylon”
     Gilbert Sorrentino – “2 Book Reviews”
     Bruce Boyd – “Summer Nightmusic”
     Bruce Boyd – “This is How the Wind Sings…”
     Bruce Boyd – “A Quarrel of Minstrels”
     Bruce Boyd – “Water”
     Bruce Boyd – “Song”
     Bruce Boyd – “Poem”
     Robert Creeley – “The New World”
     Kenneth  Koch – “Guinevere, or The Death of the Kangaroo”
     George Stanley – “Parallels”
     George Stanley – “Winter”
     George Stanley – “Shapes”
     Frank O’Hara – “Personism: A Manifesto”
     Gregory Corso – “On Chessman’s Crime”
     Gregory Corso – “For Black Mountain-2”
     B. Smith  – “Empty Bed Blues”
     Stuart Z Perkoff, – “To Orpheus”
     Stuart Z Perkoff – “Poem”
     Stuart Z Perkoff – “Pithecanthropus Erectus”
     Gilbert Sorrentino – “Some Notes…”
     John Ashbery – “From a Comic Book”
     John Ashbery – “Leaving the Atocha Station”
     Philip Whalen  – “Literary Life in the Golden West”
     Philip Whalen – “Sincerity Shot, 23:III:58”
     Philip Whalen – “A Manuscript in Several Hands 3:III:60”
     Larry Eigner – “K in the USA”
     Larry Eigner – letter to the editor
     Max Finstein – “For Fair Eleanor”
     Joel Oppenheimer – “Morning Song”
     Diane Di Prima – “The Jungle”
     Charles Olson – “Theory of Society”
     Edward Marshall – “Sept. 1957”
     Joel Oppenheimer – letter to the editor
     Allen Ginsberg – “The End”
     LeRoi Jones – “Public Notice”
     Norman Bluhm – untitled drawing
     Frank O’Hara – “Denouement”

8. YUGEN, No. 8, edited by LeRoi Jones and Hettie Cohen-Jones
New York: Totem Press, 1962
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 66 pages. Cover art by Basil King. Illustration by Aaron Roseman.

• Contents:
  1. George Stanley – “The Message Held up to the Speeding Train on a Willow Hoop”
     George Stanley – “Punishment”
     George Stanley – “The Meteor”
     George Stanley – “The Implicit Acknowledgements”
     George Stanley – [untitled] “The larks…”
     George Stanley – “Valentine”
     George Stanley – “A False Start”
     Gilbert Sorrentino – book reviews of Duncan and Spicer
     Steve Jonas – “No. IV Orgasms”
     Steve Jonas – “Tensone with Relent”
     Steve Jonas – “Discourse”
     Steve Jonas – “To a Strayed Cat”
     Steve Jonas – “A Long Poem for Jack Spicer”
     William Burroughs – “The Cut Up Method of Brion Gysin”
     Speckled Red – “Red’s Dozens”
     George Stanley – book reviews of Finstein and Sorrentino
     Gilbert Sorrentino – “The Meeting”
     Gilbert Sorrentino – “The Memory”
     Edward Dorn – “Notes about Working and Waiting Around”
     Robert Creeley – “Some Notes on Olson’s Maximus”
     Edward Marshall – [untitled] “One writes when…”
     Edward Marshall – “Memory as Memorial in the Last”
     LeRoi Jones – “The Largest Ocean in the World”
     Charles Olson – “Place; & Names”
     Charles Olson – “Book ii, Chapter 37”

Online Resources:

· From a Secret Location – Yugen

· Reality Studio – Yugen