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Judson Crews: Contributions to Periodicals

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SECTION C:
This index includes contributions to periodicals; entries within years are listed alphabetically

1948

BERKELEY: A Journal of Modern Culture, No. 4, edited by James Schevill
Berkeley: Bern Porter, 1948

1950

GRYPHON, No. 1, edited by Richard Rubenstein
San Francisco: Gryphon, Spring 1950
“The Asphodel’s Rebuttal”

1951

BELOIT POETRY JOURNAL, edited Chad Walsh and Robert H. Glauber
Beloit: Beloit College, Spring 1951

EPOS, Vol. 3, No. 1, edited by Will and Evelyn Thorne
Branson: Epos, Fall 1951

1952

GOLDEN GOOSE, Vol. 4, No. 5, edited by Richard Wirtz Emerson and Frederick Eckman
Sausalito: Golden Goose Press, October 1952
“Desolate Condor” [poem]

1953

DIFFERENT, Vol. 7, No. 7, edited by Lilith Lorraine
Long Island: Avalon World Arts Academy, Winter 1953

1954

THE ARCHER, Vol. 4, No. 2, edited by Wilfred Brown and Elinor Henry Brown
North Hollywood: Summer (Aug) 1954
“No Weal Like Mighty Adam Gave” [poem]

EMBRYO, No. 1, edited by E. E. Walters
Louisville: Spring 1954

ZEBRA: A Monthly Collection of Original Writing, No. 10
Bristol, November 1954

POETRY, Vol. 83, No. 5, edited by Karl Shapiro
Chicago: Modern Poetry Association, February 1954

1955

CLIMAX, Vol. 1, No. 1, edited by Robert Cass
New Orleans: The Climax Jazz, Art & Pleasure Society of Lower Bourbon Street, 1955

FLAME, Vol. 2, No. 2, edited by Lilith Lorraine
Alpine: Flame Quarterly, Summer 1955

FLAME, Vol. 2, No. 4, edited by Lilith Lorraine
Alpine: Flame Quarterly, Winter 1955

SHEAF, No. 2, edited by E.V. Griffith
Eureka: Sheaf, November 1955
“Rounding the Horn” [poem], “Econdom Eccle Haine” [poem], “Dan Hatch Once T’Sung” [poem]

UNUSUAL, Vol. 1, No. 3
New York: Sidney E. Porcelain, 1955

WHETSTONE: A Literary Quarterly, Vol. 1, No. 1, edited by Jack Lindeman and Edgar H. Schuster
Philadelphia: Whetstone, Spring 1955

1956

POETRY, Vol. 88, No. 1, edited by Henry Rago
Chicago: The Modern Poetry Association, April 1956

1957

EXISTARIA, No. 7, edited by Carl Larsen
Hermosa Beach: Existaria, September-October 1957
“Tital-Tattle-Ation” [poem], “Of the Feather Floating There” [poem]

HEARSE, No. 1, edited by E.V. Griffith
Eureka: Hearse Press, 1957
“Pseudo Pleuronectes Americanus” [poem]

1958

CARAVEL: A Magazine of Verse, edited by Ben Hagglund
Palo Alto, First Quarter 1958

COASTLINES, Vol. 3, No. 3, Issue 11, edited by Gene Frumkin
Hollywood: California Quarterly, Autumn 1958

HEARSE, No. 3, edited by E.V. Griffith
Eureka: Hearse Press, 1958
“Within a High Building Overlooking the Brazos Valley” [poem]

ODYSSEY, Vol. 1, No. 1, edited by R.R. Cuscaden and Ronald Offen
Chicago: Odyssey Spring 1958

POETRY, Vol. 93, No. 3, edited by Henry Rago
Chicago: The Modern Poetry Association, December 1958

1959

COERCION, No. 2, edited by Clarence Major
Chicago: Coercion, Spring 1959
“Marina with Orange” [poem]

THE GALLEY SAIL REVIEW, Vol. 1, No. 2, edited by Stanley McNail
San Francisco: Galley Sail Publications, Spring 1959

THE GRECOURT REVIEW, Vol. 2, No. 2
Northampton: The Grecourt Review, February 1959
“The Complexion of Triumph”

VIGIL, Vol. 1 No. 2
Chicago: Roosevelt University, 1959

THE WHITE DOVE REVIEW, Vol. 1, No. 3, edited by Ron Padgett
Tulsa: White Dove Press, 1959
“An Unspecial Mirth” [poem], “Spots of Lone West” [poem]

1960

FRESCO, Vol. 1, No. 1, edited by William F. Dwyer and Jeorme L. Mazzaro
Detroit: University of Detroit, 1960

INLAND, edited by John Rackham
Salt Lake City: Inland, Autumn 1960
“Aquacade” [poem]

TARGETS, No. 4, edited by W.L. Garner
Sandia Park: Targets, December 1960
“Cut-Throat in Terror Reign” [poem]

1961

HEARSE, No. 6, edited by E.V. Griffith
Eureka: Hearse Press, 1961
“Fair Thoughtful Be Good” [poem], “Leave It In” [poem]

HEARSE, No. 7, edited by E.V. Griffith
Eureka: Hearse Press, 1961
“A Leopard Sleek as Night” [poem]

THE OUTSIDER, No. 1, edited by Jon Edgar and Gypsy Lou Webb
New Orleans: Loujon Press, Fall 1961
“Pastoral” [poem], “Rel Bore Speng Lule” [poem]

TARGETS, No. 5, edited by W.L. Garner
Sandia Park: Targets, April 1961
“A Ribbon of Callow Gain” [poem]

THE WORMWOOD REVIEW, Vol. 1, No. 3, edited by Marvin Malone and Alexander Taylor
Storrs: Wormwood Review Press, 1961
“Seeker” [poem], “The Mountain Penial” [poem]

THE WORMWOOD REVIEW, Vol. 1, No. 4, edited by Alexander Taylor and Marvin Malone
Storrs: Wormwood Review Press, 1961
“Love Poem” [poem]

1962

BITTEROOT
Fall 1962

MICA, No. 6, edited by Helmut Bonheim and Raymond Federman
Santa Barbara: Mica, June 1962
“The Cross Let Captive” [poem]

RENAISSANCE, Vol. 1, No. 2, edited by John Bryan
San Francisco: Renaissance Publications, January 1962
“Staid” [poem]

SIGNET, Vol. 4, No. 11, edited by S.T. Friedman
Alamo: Signet, November 1962

TARGETS, No. 10, edited by W.L. Garner
Sandia Park: Targets, June 1962
“Long Lost Precisions” [poem]

THE WORMWOOD REVIEW, Vol. 2, No. 3, Issue 7, edited by Marvin Malone and Alexander Taylor
Storrs: Wormwood Review Press, 1962
“We Have Known” [poem]

1963

THE BLACK CAT REVIEW, No. 2, edited by Neeli Cherry
San Bernardino: The Black Cat Review, March 1963
“Exploratory” [poem], “No Poor Loss Like This” [poem]

EVERGREEN REVIEW, Vol. 7, No. 28, edited by Barney Rosset
New York: Grove Press, 1963

GENESIS WEST, Vol. 1, No. 3, edited by Gordon Lish
Burlingame: Chrysalis West Foundation, Spring 1963
“Of Deathless Law” [poem]

SUM, No. 1, edited by Fred Wah
Albuquerque: Sum, December 1963
“Slade Slatter in a Down-Draft Drizzle” [poem], “Sutter’s Canyon in Half Day Light” [poem]

TARGETS, No. 14, edited by W.L. Garner
Sandia Park: Targets, June 1963
“I Heard Her Song” [poem]

WILD DOG, No. 2, edited by Geoffrey Dunbar
Pocatello: Wild Dog, April 1963
“A Wattle” [poem], “Coast at Clear” [poem], “The Bridal Path” [poem]

WILD DOG, No. 4, edited by John Hoopes
Pocatello: Wild Dog, July 1963
“A Fortification” [poem], “Dorm Dorm the Winter Grain” [poem]

THE WORMWOOD REVIEW, Vol. 3, No. 2, Issue 10, edited by Marvin Malone and Alexander Taylor
Storrs: The Wormwood Review Press, 1963
“Lobotomy” [poem], “The Lash” [poem], “Winter Vacation” [poem]

1964

ANTE, No. 1, edited by William Harris
Los Angeles: Echo Press, Summer 1964

A POETRY NEWSLETTER, No. 2, edited by Richard Morris
Albuquerque: Desert Review Press, 1964

BLUE BEAT, No. 1, edited by George Montgomery and Erik Kiviat
New York: Yowl Publications, March 1964
“Love Without Courage” [poem], “Wake” [poem]

THE DESERT REVIEW, No. 1, edited by Ward Abbott and Bryant Cashion
Albuquerque: The Desert Review Press, Spring 1964
“Concerning Particulars” [poem], “Epithalmia” [poem], “Mountain Winter” [poem], “She Loves Me Not” [poem]

THE FIDDLEHEAD, No. 62
Fredericton: University of New Brunswick, Fall 1964

GRANDE RONDE REVIEW, No. 1, edited by Michael Andrews and Ben L. Hiatt
La Grande: Grande Ronde Review, Fall 1964
“Contemporary Ballad” [poem], “Thing and Essence” [poem]

GRIST, Vol. 1, No. 4, edited by Robert Rusk and John Fowler
Lawrence: Abington Book Shop, December 1964
“Red Cunning and Creme de Minthe” [poem], “The Blood on Our Hands” [poem]

INTREPID, No. 3, edited by Allen De Loach
New York: Intrepid, July 1964
“Spring Betime” [poem]

KAURI, No. 3, edited by Will Inman
New York: Kauri, July-August 1964
“Pastoral” [poem]

KAURI, No. 4, edited by Will Inman
New York: Kauri, August-September 1964
“A Day in the Sun” [poem], “Please Court Dumb” [poem]

KAURI, No. 5, edited by Will Inman
New York: Kauri, November-December 1964

MARRAHWANNAH QUARTERLY, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1964
“Medical Science” [poem]

OLE, No. 1, edited by Douglas Blazek
Bensenville: The Mimeo Press, 1964
“A Leopard Sleek as Night” [poem], “Abe Went with the Roman Clan” [poem]

POETRY REVIEW, No. 2, edited by Duane Locke
Tampa: University of Tampa, August 1964
“To Put a Rose Upon It” [poem]

POTPOURRI, No. 2, edited by Carlos Reyes
Seattle: Body Press, 1964

THE SILVER CESSPOOL, No. 4, edited by d.a. levy
Cleveland: Renegade Press, 1964
“The Brain in the Weather” [poem], “Thoughts on Returning” [poem]

SUM, No. 2, edited by Fred Wah
Albuquerque: Sum, February 1964
“Fruit Juice” [poem]

THEO, Vol. 1, No. 1, edited by Frank Murphy and Jonas Kover
New York: Theo Publications, 1964
“Kind, No Winsome Maid Would Question” [poem], “Whisper No Loon is Gear” [poem]

THEO, Vol. 1, No. 2, edited by Frank Murphy and Jonas Kover
New York: Theo Publications, Fall 1964
“Rime Upon the Runic

WILD DOG, No. 7, edited by Drew Wagnon and Ed Dorn
Pocatello: Wild Dog, April 1964
“Where the Will Resides” [poem], “Wrest Over” [poem]

WILD DOG, No. 8, edited by Drew Wagnon and Ed Dorn
Pocatello: Wild Dog, May 1964
“Reth for Wreath for Ever” [poem]

WILD DOG, No. 11, edited by Gino Clays and Drew Wagnon
Salt Lake City: Wild Dog, October 1964
“Purity” [poem], “The Horse with the Cokleburs in Its Fetlocks” [poem]

THE WORMWOOD REVIEW, Vol. 4, No. 1, Issue 13, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1964
“Being Thankless” [poem], “Japenese Garden” [poem]

YOWL, No. 6, edited by George Montgomery and Erik Kiviat
New York: Bluebeat Publications, May 1964
“Shut the Bud Blooming in Holy” [poem]

YOWL, No. 7, edited by George Montgomery and Erik Kiviat
New York: Bluebeat Publications, September 1964
“The Dream” [poem]

1965

THE BLACK CAT REVIEW, No. 3, edited by Neeli Cherry
San Bernardino: The Black Cat Review, June 1965
“Judas: A Funeral Lilt” [poem]

BLITZ, No. 2, edited by Bobby Watson and Mel Buffington
La Grande: Mad Virgin Press,1965
“Millenium” [poem], “Vilely I Have Taken” [poem]

CAMELS COMING, No. 1, edited by Richard Morris
Reno: Camels Coming, August 1965
“Flaunting Eagles, I Beseech You” [poem]

CAMELS COMING, No. 3, edited by Richard Morris
Reno: Camels Coming, October 1965
“Pierre, Submerged and Floating” [poem]

FROM A WINDOW, No. 3, edited by Paul Malanga and Bobby Byrd
Tucson: From a Window, October 1965
“Benadam Hick Pat” [poem], “I Have Sat” [poem], “The Clue of the Motionless Gander” [poem], “To Clean Out a Tunnel” [poem]

THE GOODLY COMPANY, No. 2, edited by G. Russell Morgan
Kalamazoo: Goodly Co, April 1965
“Born-A-Lier Bulltoven” [poem]

THE GOODLY COMPANY, No. 4, edited by G. Russell Morgan
Kalamazoo: Goodly Co, December 1965
“Bulltoven’s Other Brother” [poem], “When Since” [poem]

GRANDE RONDE REVIEW, No. 3, edited by Ben L. Hiatt
La Grande: Grande Ronde Review, Summer 1965
“Concert of Happy Myth” [poem], “Deed Oh Moon Kept Come” [poem], “Lief in Barenfolded Gain” [poem]

GRIST, No. 5, edited by John Fowler
Lawrence: Abington Book Shop, April 1965
“Dirge without Calla Lillies” [poem], “Sprung in Plummet in Plume” [poem], “Time Diversion” [poem]

ILLUMINATIONS, No. 1, edited by Norman Moser
San Francisco: Illimination Press, Summer 1965

JACARANDA, No. 6, edited by Joel Climenhaga
Canton: Transient Press, February 1965
“If But for The Queen” [poem], “Evaporation” [poem], “Mortal Cone in Muddle Brain” [poem], “Sin the Seemly Cannonade” [poem]

MAGAZINE, No. 2, edited by Kirby Congdon
New York: Crank Books, 1965
“The Goddess” [poem]

MOTIVE, Vol. 25, No. 5, edited by B.J. Stiles
February 1965

THE WORMWOOD REVIEW, Vol. 5, No. 2, Issue 18, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1965
“Reductio as Absurdum” [poem], “Some Sight of Maybe Moon” [poem]

THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 19, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1965
“A Feather Duster” [poem], “Abiding Time” [poem], “An Asinine Observance” [poem], “An Interlude” [poem], “Cuculiform” [poem], “Did Ever” [poem], “Early Bird” [poem], “Fall Is With Us” [poem], “From the Virgin Islands” [poem], “I Lighted a Fire” [poem], “In My Life” [poem], “Letter to Bill” [poem], “Past a Sunlit Terrace” [poem], “Seeing Suddenly” [poem], “So Her” [poem], “Stated Simply” [poem], “Time for Prayer” [poem]

1966

EARTH, No. 2, edited by Steve Richmond
Santa Monica: Earth Books & Gallery, 1966
“An Evening in December” [poem]

THE GOODLY COMPANY, No. 7, edited by G. Russell Morgan
Kalamazoo: Goodly Co, November 1966
“The Distances” [poem]

GRIST, No. 8, edited by John Fowler
Lawrence: Abington Book Shop,1966
“To Wring Some Water Out” [poem]

INTREPID, No. 6, edited by Allen De Loach
New York: Intrepid, 1966
“Essence” [poem], “Now Beholden” [poem], “Some Family Relations” [poem]

IT, No. 5, edited by J.D. Whitney
Detroit: It, May 1966
“What Are You” [poem]

OUTCAST, No. 1, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, 1966
“Perception” [poem]

OUT OF SIGHT, Vol. 1, No. 1, edited by Gino Clays
San Francisco: Kamikaze Press, 1966
“From Youth” [poem], “Sloe Tree, Bushed and Spangled” [poem]

SHOWCASE, No. 2, edited by James Gove
Barstow: Showcase, November-December 1966
“Withold” [poem], “The Power Engine” [poem]

SHOWCASE, No. 3, edited by James Gove
Barstow: Showcase, July 1966
“Cruel and Any Kind” [poem], “Lemon Mayoley” [poem]

SYMPTOM, edited by David Tammer
University Park: Symptom, Spring 1966

1967

THE GOODLY COMPANY, No. 9, edited by G. Russell Morgan
Kalamazoo: Goodly Co, June 1967
“White” [poem]

THE GOODLY COMPANY, No. 10, edited by G. Russell Morgan
Kalamazoo: Goodly Co, November 1967
“Even If” [poem], “Fiesta Brava” [poem], “Stalemate” [poem]

GRANDE RONDE REVIEW, No. 7, edited by Ben L. Hiatt
La Grande: Grande Ronde Review, 1967
“Cosmic Geography” [poem], “Once and For All” [poem], “The Barber’s Apprentice” [poem]

INTREPID, No. 7, edited by Allen De Loach
New York: Intrepid, March 1967
“A Poet’s Breath” [poem], “Burst Forth” [poem], “Canonical” [poem], “Hope Scape Bish-Bop” [poem], “Muse Over” [poem], “Some Finality or Other” [poem]

LATITUDES, No. 2, edited by Robert Bonazzi
Houston, Summer 1967

THE OTHER, No. 4, edited by Richard Mangelsdorff
Milwaukee: The Other, 1967
“Delayed Voyage” [poem], “To Rid the Stable” [poem]

OUTCAST, No. 4, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, January 1967
“I Was Writing” [poem]

RUNCIBLE SPOON, Vol. loud, No. yes!, edited by D.r. Wagner and Barbara O’Connelly
Carmichael: The Runcible Spoon, 1967
“Fairey Islander” [poem]

THE WORMWOOD REVIEW, Vol. 7, Nos. 3-4, Issues 27-28, edited by Marvin Malone
Storrs: The Wormwood Review, 1967
“Because Of” [poem], “If God” [poem], “The Naming of Trees” [poem]

1968

ALDEBARAN REVIEW, No. 2, edited by John Oliver Simon
Berkeley: Aldeberan Review, 1968
“Mammoth of Earth” [poem], “Marsh Gut” [poem], “Summer is Over” [poem]

ILLUMINATIONS, No. 4, edited by Norman Moser
San Francisco: Illuminations Press, Winter 1968-69

MOTHER, No. 11, edited by Ronald Caplan
Pittsburgh: Mother Press, 1968
“Pill For” [poem], “The Mortification of Deacons” [poem]

WORDJOCK, No. 4, edited by Charles Tidler
West Layfayette: Wordjock, November 1968
“In Reed of Wound” [poem], “King Haul to Rome” [poem], “Petter Unsane Mal” [poem], “Swabbie Wan Satchel Ayne” [poem], “The Meathodical Sea Nymph”

THE WORMWOOD REVIEW, Vol. 8, No. 3, Issue 31, edited by Marvin Malone
Storrs: The Wormwood Review, 1968
“At the Tobacconist” [poem], “Delineation” [poem]

1969

ARX, Vol. 2, No. 11, edited by Bill B. Brooks
Austin: Arx Foundation, August 1969

ATOM MIND, Vol. 1, No. 4, edited by Gregory Smith
Albuquerque: Mother Road Publications, Spring 1969
[untitled] “I too / would cry out…” [poem]

ATOM MIND, Vol. 2, No. 6, edited by Gregory Smith
Albuquerque: Mother Road Publications, Fall 1969
“Well, Anyhow” [poem]

THE GOLIARDS, No. 7, edited by Jerry Burns
San Francisco: Goliards Press, 1969

ISINGLASS REVIEW, Vol. 3, No. 1
Burlington, Winter 1969

NOLA EXPRESS, Issue 44
New Orleans: Southern Louisiana Media Corporation, 1969
“Telegraph Pole” [poem]

OUTCAST, No. 15, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, October 1969
“The Wild One” [poem]

QUIXOTE, Vol. 5, No. 4, edited by Morris Edelson
Madison: Quixote, 1969
“I Won’t” [poem], “The Legacy of War” [poem], “Herded” [poem]

SUMAC, Vol. 1, No. 2, edited by Dan Gerber and Jim Harrison
Fremont: Sumac Press, Winter 1969
“No Ultimate Sacrilege” [poem], “Season of Autumn Light” [poem]

THE WORMWOOD REVIEW, Vol. 9, No. 1, Issue 33, edited by Marvin Malone
Storrs: The Wormwood Review, 1969
“Senile” [poem], “She Was Waiting” [poem]

1970

ALDEBARAN REVIEW, No. 8, edited by John Oliver Simon
Berkeley: Aldeberan Review, January 1970
“No Stopping It” [poem]

CENTERING
Berkeley, CA: Mysterious Mountain Press, 1970

DESPERADO, Vol. 1, No. 2, edited by Kell Robertson
1970
“Cow Pens” [poem], “Faceless” [poem]

FOLIO, Vol 6, No. 1
Summer 1970

THE GOODLY COMPANY, No. 15, edited by G. Russell Morgan
Kalamazoo: Goodly Co, April 1970
“How Often” [poem], “Memory, Memory” [poem], “Pastrover” [poem]

NEW: AMERICAN AND CANADIAN POETRY, No. 12, edited by John Gill
Trumansburg: New: A & C Poetrry, April 1970

QUIXOTE, Vol. 6, No. 1, edited by Mossis Edelson
Lodz: Quixote, 1970
“So” [poem]

THE RAG, Vol. 4, No. 19
Austin, March 1970
“Easter Suite” [poem]

THE STONE, Vol. 3, Nos 1-2, edited by Mike Chervenak, Harvy Cording, and Richard Jorgensen
Pennington, Winter-Summer 1970

1971

ALDEBARAN REVIEW, No. 11, edited by John Oliver Simon
Berkeley: Aldeberan Review, December 1971
“Caged” [poem]

DESPERADO, No. 5, edited by Kell Robertson
June 1971
“Alone, You Say You Are?” [poem], “The Commode’s Weather” [poem]

THE GREENFIELD REVIEW, Vol. 1, No. 4, edited by Joseph Bruchac
Greenfield Center: Greenfield Review, 1971

GUM, No. 6, edited by Dave Morice
Iowa City: Gum, September 1971

HEY LADY, Nos. 4-5
Milwaukee: Morgan Press, 1971

THE HUMAN VOICE, Vol. 7, No. 3, edited by D.V. Smith
Homestead: Olivant Press, 1971

INTREPID, No. 18-19, edited by Allen De Loach
New York: Intrepid, Winter 1971
“For Shame in the Shadows” [poem], “The Exit” [poem], “The Returned Mariner” [poem]

LEMMING, No. 1, edited by Jim Gove
San Diego: Lemming, Winter 1971

PENUMBRA, No. 10, edited by Charles Haseloff
New York, Fall 1971
“Postmortem” [poem]

TOOTHPASTE, No. 5, edited by Allan Kornblum
Iowa City: Toothpaste Press, 1971
“Flock” [poem]

THE WORMWOOD REVIEW, Vol. 11, No. 3, Issue 43, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1971
“Bailey I Put” [poem], “Hobert Said” [poem]

1972

ASPHALT, No. 4, edited by Richard Paterson
Yellow Springs: Asphalt, 1972

DESPERADO, No. 7, edited by Kell Robertson
1972
“Goddesses” [poem], “She Had” [poem], “That He Should Live So Long” [poem]

LOCO MOTIVES, edited by Enrique R. Lamadrid and David Teodoro Benedetti
Albuquerque, NM: Peyote Puke Press / Associated Small Presses, 1972

PENUMBRA, No. 11, edited by Charles Haseloff
New York: Penumbra, Fall 1972
“The Lease of Ruin” [poem]

SECOND COMING, Vol. 1, No. 2, edited by A. D. Winans
San Francisco: Second Coming Press, Summer 1972
“In Fact” [poem]

ZAHIR, Vol. 1, Nos. 4-5, edited by Diane Kruchkow
Durham: Zahir, 1972
[untitled] “Classic in the deamoned service…” [poem]. “Eyes That” [poem], “I Wanted Even” [poem], “Is This” [poem]

1973

GRANDE RONDE REVIEW, [un-numbered issue], edited by Ben L. Hiatt
Folsom: Grande Ronde Press, Spring 1973
“She Shut” [poem], “The Wager” [poem], “When You Crouch” [poem]

WIND, No. 9, edited by Howard Quentin
Pikeville: Wind, 1973

THE WORMWOOD REVIEW, Vol. 13, No. 2, Issue 50, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1973
“Hard Times” [poem], “The Visitor” [poem], “You Would Like” [poem]

THE WORMWOOD REVIEW, Vol. 13, No. 4, Issue 52, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1973
“As Time Passes” [poem], “As You” [poem], “I Love Jane” [poem]

1974

EVERYMAN, edited by Christopher Franke
Cleveland: Cuyahoga Community College, Summer 1974

STONE COUNTRY, Vol. 74, No. 2, edited by Judy Neeld
Madison: Stone Country Press, 1974

STONE COUNTRY, Vol. 74, No. 3, edited by Judy Neeld
Madison: Stone Country Press, 1974

STONEY LONESOME, No. 4, edited by Richard Pflum, Roger Pfingston, and David Wade
Nosferatu Press 1974

WHITE ARMS MAGAZINE, No. 1, edited by Jim Jordan
Fort Wayne: White Arms Magazine, April 1974

1975

BLACK BEAR REVIEW: A Magazine of the Arts, Vol. 1, No. 3, edited by James Taylor
Taos: Black Bear Review, Fall 1975

THE COLDSPRING JOURNAL, No. 8, edited by Charles Plymell and Pamela Beach Plymell
August-September 1975
“As If All” [poem], “Seeing An” [poem]

SCREE, No. 3, edited by Kirk Robertson and nila northSun
Missoula: Porky Press for Duck Down Press, 1975

STONE COUNTRY, Vol. 75, No. 2, edited by Judy Neeld
Madison: Stone Country Press, 1975

TELEPHONE, No. 10, edited by Maureen Owen
New York: Telephone Books Press, 1975
“San Francisco” [poem]

WINE RINGS, Vol. 1, No. 2
1975
[untitled] “Where / It’s put / together…” [poem]

THE WORMWOOD REVIEW, Vol. 15, No. 2, Issue 58, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1975
“A Mangled” [poem], “As Knotty a Question” [poem], “Because You” [poem], “Bulltoven Once” [poem], “Cats All Day” [poem], “Conned Out” [poem], “Easter Suite” [poem], “Enraptured Nude” [poem], “Epi-Gratis” [poem], “Every Electrical” [poem], “Examining” [poem], “Holed Up Three Days” [poem], “I Haven’t Spoke” [poem], “I Should Not” [poem], “If My Fragmented” [poem], “It Was” [poem], “Jesus Ranch” [poem], “No, 1” [poem], “Open” [poem], “Sand-Blasting” [poem], “So I Know” [poem], “Suppose Tomorrow” [poem], “The Current” [poem], “The Floor Level” [poem], “The Plain Sun” [poem], “The Sins” [poem], “To Breathe” [poem], “Together” [poem], “We Danced Off” [poem], “When I” [poem], “With Remorse” [poem], “Your Cunt” [poem], “Your Existence” [poem]

THE WORMWOOD REVIEW, Vol. 15, No. 4, Issue 60, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1975
“In a Bar” [poem], “These Wheels” [poem], “To Carry” [poem]

1976

LA-BAS, No. 4, edited by Douglas Messerli
College Park: La-Bas, November 1976
“Pebble Barren Gain” [poem], “This Cunt of Yours” [poem], “Two Mangy, Poorly” [poem]

SCREE, No. 5, edited by Kirk Robertson and nila northSun
Missoula: Duck Down Press, 1976

STAR-WEB PAPER, No. 6, edited by Thomas Michael Fisher
Los Cruces: All This & Less Publishers, 1976

THE SUNSET PALMS HOTEL, Vol. 4, No. 7, edited by Colman Andrews, Michael C. Ford, and Bill Yaryan
Mt. Alverno Press, Winter 1976

WINE RINGS, Vol. 1, No. 5
1976
“Bike Tyre” [poem], “If You” [poem], “I’ve Not” [poem], “My Breathing” [poem]

ZAHIR, No. 8, edited by Diane Kruchkow
Durham: Zahir, 1976
“A Long Line” [poem], “Helmets” [poem]

1978

EL COQUI, No. 1, edited by E.W. Northnagel
Carolina, PR: Cíbola Studio, 1978

1979

BOSS, No. 5, edited by Reginald Gay
New York: Boss Books, 1979

SECOND COMING, Vol. 7, No. 1, edited by A.D. Winans
San Francisco: Second Coming Press, 1979
“Your Buck” [poem]

1980

PIG IRON, No. 8, edited by Jim Villani
Youngstown: Pig Iron, December 1980

THE WORMWOOD REVIEW, Vol. 20, No. 4, Issue 80, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1980
“A Signature” [poem], “Assuming” [poem], ” Dumb, Dear” [poem], “Flowers” [poem], “If I Had” [poem], “If I Took” [poem], “Mad Dog” [poem], “The Place” [poem]

1981

ANOTHER CHICAGO MAGAZINE, Number 6, edited by Lee Webster
Chicago: Thunder Mouth Press, 1981

CENTER, No. 13, edited by Carol Berge
New York: Center, 1981
“Cochise” [prose]

WAVES, Vol. 1, No. 4, edited by Eric Torgersen
Central Michigan University, 1981

1982

LOST AND FOUND TIMES, No. 12, edited by John M. Bennett
Columbus: Luna Bisonte Productions, October 1982
“For Elephant Bamboo” [poem], “The Wall” [poem]

1983

ANOTHER CHICAGO MAGAZINE, Number 9, edited by Lee Webster
Chicago: Thunder Mouth Press, 1983

THE BELOIT POETRY JOURNAL, Vol. 33 No. 3, edited by David M. Stocking
Beloit Poetry Journal, Spring 1983

LUCKY STAR, Vol. 1, No. 3, edited by Henry Kranz
Oak Park: Erie Street Press, April 1983

1984

CENTER, No. 13, Final issue, edited by Carol Berge
New York: Center, 1984

ORO MADRE MAGAZINE, Vol. 2, No. 3-4, edited by Loss and Jan Glazier
Fremont: Ruddy Duck Press, 1984

STAR-WEB PAPER, No. 8, edited by Thomas Michael Fisher
Los Cruces: All This & Less Publishers, 1984

1986

SECOND COMING, Vol. 14, No. 1, edited by A.D. Winans
San Francisco: Second Coming Press, 1986

1989

LACTUCA, No. 12, edited by Mike Selender
Suffern: Lactuca, February 1989
“A Descent into the Depths Would Have Changed” [poem], “The Windows I have Stared Out of Looking” [poem], “Skin or Sheen as it Fails to Coalesce” [poem], “If He Swam at all It Was in a Religion” [poem], “A Black Sash Was All She Had” [poem], “If the Bark Comes off the Sheen of Branch” [poem], “I’ve Seen Worse, as They Say, Without Even” [poem]

LOST AND FOUND TIMES, No. 25, edited by John M. Bennett
Columbus: Luna Bisonte Productions, December 1989
“A Carnation Suggesting You Bruised” [poem]

NEW YORK QUARTERLY, No. 39, edited by William Packard
New York: The National Poetry Foundation, Summer 1989

1990

NEW YORK QUARTERLY, No. 43, edited by William Packard
New York: The National Poetry Foundation, Fall 1990

1991

LACTUCA, No. 14, edited by Mike Selender
Suffern: Lactuca, May 1991
“This Guarded Epiphany That Grabbed Me” [poem], “How Exquisite I Thought Ed Corbet’s” [poem], “Your Platinum Eyes and Bronze” [poem], “If Those Bodies Are Only Objects-” [poem], “If One Should Be Thought a Freak Because Of” [poem], “The Idea” [poem]

NEW YORK QUARTERLY, No. 44, edited by William Packard
New York: The National Poetry Foundation, 1991

NEW YORK QUARTERLY, No. 45, edited by William Packard
New York: The National Poetry Foundation, 1991

PEARL, No. 14, edited by Joan Jobe Smith and Marilyn Johnson
Fountain Valley: Pearl, Fall/Winter 1991

1992

ATOM MIND, Vol. 3, No. 9, edited by Gregory Smith
Albuquerque: Mother Road Publications, 1992

CHIRON REVIEW, Vol. 11, No. 1, edited by Michael Hathaway
St. John: Chiron Review, Spring 1992

Douglas Blazek

One of the instigators of the “Mimeo Revolution“, poet and editor Douglas Blazek is considered a force in the American poetry “underground” of the 1960s. Early in his career, Blazek published hundreds of poems in dozens of books, chapbooks, and little magazines that, in Blazek’s words, “contributed to the ferment of the Sixties.” Blazek also founded and edited the magazine Ole and the small press Open Skull. As an editor, Blazek published work by Charles Bukowski, Robert Crumb, d.a. levy, and other non-establishment writers.

As described in the introduction to James DenBoer’s A Bibliography of the Published Works of Douglas Blazek: 1961-2001 (Glass Eye Books, 2003), Blazek is noteworthy for his prolific early period (1964-1978), followed by an extended hiatus. Between 1978 and 2009, Blazek published only one book, but this was also a time of intense creativity, as the poet focused on rewriting all his previously published work. The first book-length results of this labor, Aperture Mirror and Gutting Cats in Search of Fiddles, were published in 2012 by Edition Muta with more titles forthcoming.

The following indexes examine work during Blazek’s “prolific early period”.

Douglas Blazek Checklist
- - Section A: Books and Broadsides
    Section B: Contributions to Books & Other Publications
    Section C: Contributions to Periodicals
    Section D: Publications Edited and Published
    Section E: Periodicals Edited and Published
- - - - 1. Ole (Nos. 1-8, 1964-1967)
      - 2. Open Skull (No. 1, 1967)

References consulted:

Clay, Steven and Rodney Phillips. A SECRET LOCATION ON THE LOWER EAST SIDE: Adventures in Writing, 1960-1980
New York: New York Public Library / Granary Books, 1998

DenBoer, James. A BIBLIOGRAPHY OF THE PUBLISHED WORK OF DOUGLAS BLAZEK, 1961-2001
Florence: Glass Eye Books, 2003

Dorbin, Sanford. A BIBLIOGRAPHY OF CHARLES BUKOWSKI
Los Angeles: Black Sparrow Press, 1969

Fox, Hugh. THE LIVING UNDERGROUND: An Anthology of Contemporary American Poetry
East Lansing: Ghost Dance Press, 1969

Krumhansl, Aaron. A DESCRIPTIVE BIBLIOGRAPHY OF THE PRIMARY PUBLICATIONS OF CHARLES BUKOWSKI
Santa Rosa: Black Sparrow Press, 1999

Taylor, Kent and Alan Horvath. LOOKING FOR D.A. LEVY (RANDOM SIGHTINGS): THE D.A. LEVY BIBLIOGRAPHY, Volume 1 [1963-1966]
Vancouver: Kirpan Press, 2006

Taylor, Kent and Alan Horvath. LOOKING FOR D.A. LEVY (RANDOM SIGHTINGS): THE D.A. LEVY BIBLIOGRAPHY, Volume 2 [1967-1968]
Vancouver: Kirpan Press, 2008

Charles Bukowski: Contributions to Periodicals, 1970-1979

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SECTION D-2:
This index includes contributions to periodicals of poems and stories from 1970 to 1979*.

* Note: This is a work in progress and as such the sequence within years is alphabetical until more data is available

– – – 1970 – – – >

ADAM, Vol. 14, No. 2 (1970)

ADAM, Vol. 14, No. 7 (1970)

CALIFORNIA LIBRARIAN, Vol. 31, No. 4, edited by Don Kunitz
Sacramento: California Librarian, October 1970
“The Poetry Reading”
[library photocopy]

CANDID PRESS (1970)

CHICAGO REVIEW, Vol. 22, No. 1, edited by Harry Foster
Chicago: Chicago Review, Autumn 1970
“All Right, so Camus Had to Give Speeches before the Academies and Get His Ass Killed in a Car-Wreck”, “The Old Woman”

COTYLEDON, No. 2
Traverse City: Coyteldon Press, 1970
“A Hero’s Death”, “A Little Bit of Excitement”, “An Interesting Night”, “Robert Ryan: American Matador”, “Song”, “The Virgins of The Bulls”, “Those Sons of Bitches”

EPOS, Vol. 22, No. 2, edited by Will Tullos and Evelyn Thorne
Crescent City: Epos, Winter 1970-71
“Blues Song”

EVERGREEN REVIEW, Vol. 14, No. 74, edited by Barney Rosset
New York: Evergreen Review, January 1970
“The Day We Talked about James Thurber”

EVERGREEN REVIEW, Vol. 14, No. 79, edited by Barney Rosset
New York: Evergreen Review, June 1970
“Soup, Cosmos and Tears”

FLING (1970)

GHOST DANCE, No. 12, edited by Hugh Fox
East Lansing: Ghost Dance Press, (1970)
“The Poet’s Muse”

HEARSE, No. 14, edited by E. V. Griffith
Eureka: Hearse Press, 1970
“Sheets”

JEOPARDY, Vol. 6, edited by Carl Waluconis
Bellingham: Jeopardy, March 1970
“The White Poets”, “The Black Poets”, “Excerpts from Short Non-Moon Shots to Nowhere”

KNIGHT, Vol. 7, No. 12
Los Angeles: Sirkay Publishing, 1970
“The Great Zen Wedding”

KNIGHT, Vol. 8, No. 5
Los Angeles: Sirkay Publishing, September 1970
“Nut Ward Just East of Hollywood”

KNIGHT, Vol. 8, No. 7
Los Angeles: Sirkay Publishing, 1970
“Registered Letter” (excerpt from Post Office)

NOLA EXPRESS, No. 45
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 49
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 54
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 55
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 57
New Orleans: Southern Louisiana Media Corp., Jun 12 to 27, 1970
“New Mexico”

NOLA EXPRESS, No. 60
New Orleans: Southern Louisiana Media Corp., 1970
“Love it or Leave it”

NOLA EXPRESS, No. 61
New Orleans: Southern Louisiana Media Corp., 1970
“All the Pussy We Want”

NOLA EXPRESS, No. 62
New Orleans: Southern Louisiana Media Corp., Aug 21-Sep 3, 1970
“Six Inches”

NOLA EXPRESS, No. 63
New Orleans: Southern Louisiana Media Corp., Sep 4-17, 1970
“I Think of the Little Men”

NOLA EXPRESS, No. 64
New Orleans: Southern Louisiana Media Corp., Sep 18-Oct 1, 1970
“An Evil Town”

NOLA EXPRESS, No. 67
New Orleans: Southern Louisiana Media Corp., 1970
“The Loner”

NOLA EXPRESS, No. 68
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 69
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 70
New Orleans: Southern Louisiana Media Corp., 1970
“The White Beard”

NORTON ANTHOLOGY OF POETRY (1970)

NOTES FROM UNDERGROUND, No. 3, edited by John Bryan
San Francisco: Underground Press, 1970
“Should We Burn Uncle Sam’s Ass?”

WHAT THERE IS LEFT TO UNDERSTAND ABOUT A LIGHT THAT IS NOT ABLE TO BE THERE
Sacramento: Runcible Spoon 1970
“Dooby Do Do Do”, “Shoot The Goat Through The Head And Paint The Bones Green”, “The Shit Shits”, “The Vast Area Of Space Nothingness With With Snakes Crawling Through You And Everything”

SOUNDINGS, Vol. 2, No. 1, edited by Donald E. Fitch
Santa Barbara: University of California, May 1970
“The Miracle”, “The Immortal Bombs, The Stinking Feet of God be Quiet”, “The Flower Lover”

SOUTHERN CALIFORNIA LIT SCENE, Vol. 1, No. 1, edited by William J. Robson
Long Beach: Southern California Lit Scene, December 1970
“The Wailing Wall”

STATEMENT, No. 28, edited by Roger Margolis
Los Angeles: California State College, May 1970
“On to Rome”

STEPPENWOLF, No. 4, edited by Philip Boatright
Omaha: Steppenwolf, Autumn, 1970
“Quits”

STOOGE, No. 5, edited by Laura Chester and Geoffrey Young
Oconomowoc Lake: Stooge, 1970
“An Answer to a Critic of Sorts”

WORMWOOD REVIEW, , Vol. 10, No. 1, Issue 37, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“One More Good One. Why Not?”, “Moonlight Ride”

WORMWOOD REVIEW, Vol. 10, No. 4, Issue 38, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“Down Like Stairways, Up Like Smoke”, “Another Academy”

WORMWOOD REVIEW, , Vol. 10, No. 4, Issue 39, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“A Correction To A Lady Of Poetry”, “A Warm Afternoon Just Off Sunset Boulevard”, “Boil Near Left Elbow”, “Yes”

WORMWOOD REVIEW, Vol. 10, No. 4, Issue 40, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“16 Jap Machine Gun Bullets”, “When All The Animals Lie Down”

– – – 1971 – – – >

ABYSS, Vol. 3, No. 1 (1971)

ADAM, Vol. 15, No. 3 (1971)

ADAM, Vol. 15, No. 5 (1971)

ADAM, Vol. 8, No. 11 (1971)

BEAR, No. 1, edited by A. P. Russo
Los Angeles: Bear, 1971
“The Answer”, “The Flu”

CRAZY HORSE, No. 9
Marshall: Southwest Minnesota State College, 1971
“That One”

EAST VILLAGE OTHER, Vol. 6, No. 11
New York: East Village Other Inc, 1971
“Swastika”

FLING, (1971)

FLING, Vol. 14, No. 4 (1971)

FLING, Vol. 14, No. 5 (1971)

HALF N’ HALF, (1971)

HANGING LOOSE, No. 15
Brooklyn: Hanging Loose Press, 1971
“A Threat to My Immortality”, “The Garbageman”

HARRISON STREET REVIEW, No. 2 (1971)

HEARSE, No. 15, edited by E. V. Griffith
Eureka: Hearse Press, 1971
“The End of The Funhouse”, “Vallejo”

INTREPID, No. 18/19, edited by Allen De Loach
Buffalo: Intrepid Press, 1971
“A Blurb”, “That Liberating Moment”

INVISIBLE CITY, No. 1, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“5 Men in Black Passing My Window”, “Ah”, “Here”, “Rolled Again”, “Songs of Death”, “Style”, “The Bums at Phillipe’s”, “The Last Days of The Suicide Kid”, “You Might As Well Kiss Your Ass Goodbye”, “Zoo”

INVISIBLE CITY, No. 2, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“A Most Dark Night In April”, “Drinking”, “Last Act”, “The American Flag Shirt”, “Upon 2 Deaths”

INVISIBLE CITY, No. 3, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“2 Carnations”, “Pleasure Song”, “The Shower”, “The Writer”

LAUGH LITERARY AND MAN THE HUMPING GUNS, Vol. 1, No. 3, edited by Charles Bukowski and Neeli Cherry
Los Angeles: Hatchetman Press, 1971
“Bukowski To Cherry”, “The Time I Knocked Out Ernest Hemingway And Was Discovered As A New Literary Giant”

LEMMING, No. 1 (1971)

MADRONA, No. 2, edited by J.K. Osborne, John Levy, and Vassilis Zambaras
Seattle: Gemini Press, 1971
“The Best Love Poem I Can Write at the Moment”

MANO MANO, No. 2, edited by Larry Lake
Denver, Colorado: Bowery Press, 1971
“Girl In A Miniskirt Reading The Bible Outside My Window”, “Ha Ha Ha Ha Ha, Ha Ha”, “The Angels Of Sunday”

MEATBALL, No. 8 (1971)

MEDITERRANEAN REVIEW, Vol. 1, No. 3, edited by Robert DeMaria
Orient: Mediterranean Review, 1971
“Poem For An X-Bank Clerk”, “The Wine And The Cantos”

NEW YORK QUARTERLY, No. 7 (1971)

NEW YORK QUARTERLY, No. 8 (1971)

NOLA EXPRESS, No. 71
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 73
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 77
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 78
New Orleans: Southern Louisiana Media Corp., Apr 1-15, 1971

NOLA EXPRESS, No. 81
New Orleans: Southern Louisiana Media Corp., 1971

PIX, Vol. 3 (1971)

PULSE, No. 4, edited by Norm Moser
Santa Fe: Illuminations Press, Summer-Fall 1971
“A Need For Glue”, “Cancer Of The Eyeball”, “The Grammar Of Life”

QUETZAL, Vol. 1, No. 3 (1971)

ROGUE, No. 29 (1971)

SECOND AEON, No. 13, edited by Peter Finch
Cardiff: Second Aeon Publications, 1971
“Poem For Dante”, “Slim Killers”, “The Conditions”

THE MT. ALVERNO REVIEW, (1971)

THE SERIF, Vol. 8, No. 4, edited by Alex Glidzen and Dean H. Keller
Kent: Kent State University, 1971
“Untitled Essay on d.a. levy”

THROB, No. 1, edited by F. A. Nettlebeck
Manhattan Beach: Horsehead Nebula Press, 1971
“Bug”, “Summer”, “The Elephants”

THROB, No. 2, edited by F. A. Nettlebeck
Manhattan Beach: Horsehead Nebula Press, 1971
“Charles Bukowski Answers 10 Easy Questions”

UNMUZZLED OX, Vol. 1, No. 1, edited by Michael Andre
New York: Unmuzzled Ox, 1971
“Poem”, “Tragedy Is My Bacon”

VAGABOND, No. 10, edited by John Bennett
San Francisco: Vagabond Press, 1971

VAGABOND, No. 11, edited by John Bennett
San Francisco: Vagabond Press, 1971

VAGABOND, No. 12, edited by John Bennett
Redwood City: Vagabond Press, 1971

WORMWOOD REVIEW, No. 41 (1971)

WORMWOOD REVIEW, No. 42 (1971)

WORMWOOD REVIEW, No. 43 (1971)

WORMWOOD REVIEW, No. 44 (1971)

– – – 1972 – – – >

ADAM, Vol. 16, No. 1 (1972)
AMPHORA, No. 8 (1972)
ANTHOLOGY OF L.A. POETS, (1972)
BACHY, Vol. 1, No. 1 (1972)
BALONEY STREET, No. 3/4 (1972)
BALONEY STREET, No. 3/4 (1972)
BARTLEBY’S REVIEW, Vol. 1, No. 1 (1972)
CALIFORNIA STATE POETRY SOCIETY QUARTERLY, Vol. 1, No. 2 (1972)
CHICAGO REVIEW, Vol. 24, No. 3 (1972)
CORDUROY, Vol. 1, No. 3 (1972)
DOGTOWN, No. 1 (1972)
EVENT, Vol. 1, No. 3 (1972)
EVENT, Vol. 2, No. 1 (1972)
EVENT, Vol. 2, No. 2 (1972)
FERVENT VALLEY, No. 1 (1972)
FERVENT VALLEY, No. 2 (1972)
FLING, No. 3 (1972)
FLING, No. 5 (1972)
FLING, Vol. 14, No. 6 (1972)
HALF N’ HALF, (1972)
HARRISON STREET REVIEW, No. 3 (1972)
HEARSE, No. 17 (1972)
INTREPID, No. 23/24 (1972)
INVISIBLE CITY, No. 4 (1972)
INVISIBLE CITY, No. 7 (1972)
KNIGHT, Vol. 9, No. 7 (1972)
LOS ANGELES FREE PRESS, (1972)
LOS ANGELES FREE PRESS, (1972)
MAG, No. 2 (1972)
MAG, No. 4 (1972)
MAGAZINE, No. 5 (1972)
MINDSCAPES, (1972)
NEW YORK QUARTERLY, No. 10 (1972)
NEW YORK QUARTERLY, No. 12 (1972)
NEW YORK QUARTERLY, No. 9 (1972)
NOLA EXPRESS, No. 103 (1972)
NOLA EXPRESS, No. 104 (1972)
NOLA EXPRESS, No. 108 (1972)
NOLA EXPRESS, No. 113 (1972)
NOLA EXPRESS, No. 115 (1972)
NOLA EXPRESS, No. 116 (1972)
NOLA EXPRESS, No. 117 (1972)
NOLA EXPRESS, No. 119 (1972)
NOLA EXPRESS, No. 99 (1972)
PEBBLE, No. 9 (1972)
PIX, Vol. 4, No. 5 (1972)
PIX, Vol. 4, No. 7 (1972)
PIX, Vol. 4, No. 8 (1972)
PURE SMUTTE, No. 1 (1972)
SAN FRANCISCO BOOK REVIEW, No. 22 (1972)
SECOND AEON, No. 14 (1972)
SECOND AEON, No. 16/17 (1972)
SECOND COMING, Vol. 1, No. 2 (1972)
SECOND COMING, Vol. 1, No. 3 (1972)
SILVER, (1972)
STONECLOUD, No. 1 (1972)
THE, No. 13 (1972)
THE LITTLE MAGAZINE, Vol. 6, No. 1 (1972)
THE LITTLE MAGAZINE, Vol. 6, No. 2 & 3 (1972)
THE VENICE POETRY COMPANY PRESENTS, (1972)
UNMUZZLED OX, Vol. 1, No. 2 (1972)
UNMUZZLED OX, Vol. 1, No. 4 (1972)
VAGABOND, No. 13 (1972)
VAGABOND, No. 15 (1972)
WORMWOOD REVIEW, No. 45 (1972)
WORMWOOD REVIEW, No. 46 (1972)
WORMWOOD REVIEW, No. 47 (1972)
WORMWOOD REVIEW, No. 48 (1972)

Semina

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This index lists issues of Semina, the periodical edited by Wallace Berman; contributors are listed alphabetically

1. SEMINA, No. 1, edited by Wallace Berman
Los Angeles: Wallace Berman, 1955
Envelope measuring 4″ x 7.75″ with silver gelatin print of Cameron tipped on to the exterior, contains 8 letterpress and offset printed cards of various dimension, 150 copies.

Contributors include: E. I. Alexander [Robert Alexander], Charles Brittin, Cameron, Peder Carr, Jean Cocteau, Marion Grogan, Herman Hesse, Walter Hopps, David Meltzer.

2. SEMINA, No. 2, edited by Wallace Berman
Los Angeles: Wallace Berman, December 1957
Saddle-stapled in wrappers with offset and letterpress printed image tipped on to the front wrapper, 5.5″ x 8.5″, printed by Stone Brothers Printing [Robert Alexander and Wallace Berman].

Contributors include: John Altoon, Jack Anderson, Charles Baudelaire, Wallace Berman, Charles Brittin, Charles Bukowski, Cameron, Peder Carr, Lewis Carroll, Eric Cashen, Jean Cocteau, Judson Crews, Paul Eluard, Marion Grogan, Hermann Hesse, Walter Hopps, Marcia Jacobs, J.B. [James Boyer] May, Mike McClure, David Meltzer, John Reed, Idell T. Romero [Aya Tarlow], Rabindranath Tagore, Alexander Trocchi, Lynn Trocchi, Paul Valéry, Zack Walsh, Pantale Xantos [Wallace Berman].

3. SEMINA, No. 3, edited by Wallace Berman
San Francisco: Wallace Berman, 1958
Broadside measuring 6.5″ x 22″ folded and tipped into folder measuring 9″ x 11″ with offset and letterpress printed image tipped on to the front cover, 200 copies.

Contributors include: Mike McClure.

4. SEMINA, No. 4, edited by Wallace Berman
San Francisco: Wallace Berman, 1959
Folder measuring 8″ x 9.5″ with a half-tone of Shirley Berman tipped on to the front cover, internal letterpress printed pocket contains 23 offset lithograph, lithograph, and letterpress printed cards of various dimensions

Contributors include: I. E. Alexander [Robert Alexander], Wallace Berman, William Blake, Ray Bremser, William S. Burroughs, John Chance, Sou-ma Ch’ien (translation by Charles Guenther), Beverly Collins, Judson Crews, Charles Foster, Allen Ginsberg, Pierre Jean Jouve (translation by Howard Shulman), Robert Kaufman, Philip Lamantia, Ron Loewinsohn, Michael McClure, David Meltzer, Stuart Perkoff, John Reed, Idell T. Romero [Aya Tarlow], Charles Stark, Jules Supervielle (translation by Charles Guenther), John Wieners, Pantale Xantos [Wallace Berman], W.B. Yeats.

From the Colophon: Type handset on beat 5 x 8 Excelsior handpress / cover photo: “Wife” by W. Berman / San Francisco 1959 / Art is Love is God.

5. SEMINA, No. 5, edited by Wallace Berman
Larkspur: Wallace Berman, 1959
Folder measuring 5″ x 7.5″, internal letterpress printed pocket containing 18 offset lithograph and letterpress printed cards of various dimensions, 350 copies. Cover photo by Charles Brittin.

Contributors include: Antonin Artaud, Wallace Berman, John Chance, Sor Juana Ines De La Cruz (translated by Philip Lamantia), Kirby Doyle, John Hoffman, Larry Jordan, Robert Kaufman, Philip Lamantia, Christofer Maclaine, William Margolis, Michael McClure, Anne McKeever, David Meltzer, John Reed, Ruth Weiss, John Wieners, Pantale Xantos [Wallace Berman].

6. SEMINA, No. 6, edited by Wallace Berman
Larkspur: Wallace Berman, 1960
Folder measuring 8″ x 8.5″, internal letterpress printed pocket containing 14 offset lithograph printed cards each measuring 4.75″ x 5.75″, 335 copies. Cover photo by Wallace Berman.

Contributors include: David Meltzer

From the Colophon: The Clown a poem by David Meltzer 335 copies printed / Type handset on a warped 5 x 8 inch Handpress / Cover photo – Wallace Berman / Larkspur Calif. 1960

7. SEMINA, No. 7, edited by Wallace Berman
Larkspur: Wallace Berman, 1961
Folder measuring 5.5″ x 7.75″ with photo tipped on, internal letterpress printed pocket containing 17 offset lithograph and letterpress printed cards of various dimensions, 200 copies. Cover photo by Wallace Berman.

Contributors include: Wallace Berman

From the Colophon: ALEPH/ a gesture involving / photographs drawings & text / by Wallace Berman / 200 copies Larkspur Calif 1961 / for Shirley & Tosh / I love you

8. SEMINA, No. 8, edited by Wallace Berman
Los Angeles: Wallace Berman, 1963
Folder measuring 5.5″ x 7.25″ with photo tipped on, internal letterpress printed pocket containing 14 offset lithograph and letterpress printed cards of various dimensions, circa 200 copies. Cover image created by Dean Stockwell

Contributors include: A.A. [Antonin Artaud], W. [Wallace Berman], Cameron, K.D. [Kirby Doyle], J.K. [Jerry Katz], M.M. [Michael McClure], I.T.R. [Idell T. Romero [Aya Tarlow]], z.w. [Zack Walsh], J.W. [John Wieners].

9. SEMINA, No. 9, edited by Wallace Berman
Los Angeles: Wallace Berman, 1964
Envelope with photo tipped on to the exterior, contains one letterpress printed card, circa 200 copies. Cover image created by Wallace Berman

Contributors include: Michael McClure

Note: In 1992 George Herms published a facsimile edition of Semina (Venice: Love Press, 1992) in an edition of 300 numbered copies signed by Herms and laid into a printed chipboard box with numbered and signed colophon. The facsimile re-creation took four years to print and has been assembled in the fashion of the originals: handset letterpress on scraps of colored paper, photos, pastedowns, etc.

Hearse Press

HEARSE, A VEHICLE USED TO CONVEY THE DEAD

January 10, 2016 jason

Starting with the publication of HEARSE 1 in 1957, E. V. Griffith’s HEARSE PRESS would go on to publish 17 issues of the little magazine, a series of 18 chapbooks including Charles Bukowski’s first, and COFFIN, a portfolio of broadsides. Among those published by HEARSE PRESS are Richard Brautigan, Charles Bukowski, Judson Crews, Russell Atkins, Mason Jordan Mason, Larry Eigner, Lawrence Ferlinghetti, Allen Ginsberg, Joel Oppenheimer, Paul Blackburn, Robert Creeley, LeRoi Jones, and many more.

According to Griffith in SHEAF, HEARSE, COFFIN, POETRY NOW: A HISTORY (Hearse Press, 1996):
“In format, HEARSE was a center-stapled booklet 5.5″ x 8.5″ page size; the wire staples which held the propensity for rusting. The Rhino Bristol cover stock ran through several different colors — blue, gray, green, yellow, and (much later) pink — with the name in black ink. (A few issues varied this by using white cover stock, and a colored ink.) Its appearance owed much to — in fact, almost copied — Larsen’s EXISTARIA.” (more…)

Hearse

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HEARSE, A VEHICLE USED TO CONVEY THE DEAD ran for 17 issues and was published by E. V. Griffith’s Hearse Press from 1957 until 1972. According to Griffith in SHEAF, HEARSE, COFFIN, POETRY NOW: A HISTORY (Hearse Press, 1996):

“In format, HEARSE was a center-stapled booklet 5.5″ x 8.5″ page size; the wire staples which held the propensity for rusting. The Rhino Bristol cover stock ran through several different colors — blue, gray, green, yellow, and (much later) pink — with the name in black ink. (A few issues varied this by using white cover stock, and a colored ink.) Its appearance owed much to — in fact, almost copied — Larsen’s EXISTARIA.”

1. HEARSE, No. 1, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1957
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 24 pages, 100 copies, offset printed.

Contents: poems by Joel Oppenheimer, Robert Creeley, Raymond Souster, Larry Eigner, Jonathan Williams, Langston Hughes, Louis Dudek, Gil Orlovitz, David Cornel DeJong, Bariss Mills, Judson Crews and 11 other poets; artwork by Kenneth Lawrence Beaudoin, and Lawrence Ferlinghetti, an excerpt from the autobiography of Dick Stud, and a collage by Mercy Pennis Hyman.

2. HEARSE, No. 2, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1957
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 24 pages, offset printed.

Contents: poems by Gil Orlovitz, Langston Hughes, Robert Creeley, Charles Bukowski, Joel Oppenheimer, Lloyd Zimpel, Richard Brautigan, Theodore Enslin, John Forbis, Alden A. Nolan, Raymond Souster and 16 other poets; artwork by E. V. Griffith, and Henry Miller, and a short story by Harold Witt.

3. HEARSE, No. 3, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1958
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 32 pages, offset printed.

Contents: poems by Kenneth Rexroth, Langston Hughes, Alden A. Nolan, Gil Orlovitz, Judson Crews, David Cornel DeJong, Carol Ely Harper, Mason Jordan Mason, Richard Brautigan, Raymond Souster, Clarence Major, and 5 other poets; artwork by Kenneth Lawrence Beaudoin, and Ben Tibbs, and a short story by R. T. Taylor.

4. HEARSE, No. 4, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1958
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 16 pages, offset printed.

Contents: poems by Russell Atkins, Charles Bukowski, Maxine Cassin, Paul Blackburn, Mortimer Tission, and 10 other poets; artwork by E. V. Griffith, and Farley Gay, and a short story by Mary Graham Lund.

5. HEARSE, No. 5, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1959
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 20 pages, offset printed.

Contents: poems by Allen Ginsburg, Paul Blackburn, Robert Creeley, LeRoi Jones, Joel Oppenheimer, David Cornel DeJong, Frederick Eckman, Alden A. Nolan, Walter Lowenfels, and 8 other poets; artwork by E. V. Griffith.

6. HEARSE, No. 6, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1960
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 20 pages, offset printed.

Contents: poems by George Scarborough, Felix Stefanie, Russell Atkins, Gil Orlovitz, Jon Barkley Hart, Maxine Cassin, Judson Crews, and 5 other poets; artwork by E. V. Griffith, and Bob Brown, a short story by Clarence Major, and a excerpt from the autobiography of Raven Lunatick.

7. HEARSE, No. 7, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1960
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 16 pages, letterpress printed.

Contents: poems by David Cornel DeJong, Langston Hughes, Charles Bukowski, Raymond Souster, Patricia Hooper, Larry Eigner, Gil Orlovitz, Jack Anderson, Diane DiPrima, Judson Crews, and 8 other poets, and a short story by Mary Graham Lund.

8. HEARSE, No. 8, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1961
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 16 pages, letterpress printed.

Contents: poems by Charles Bukowski, Jonathan Williams, Gil Orlovitz, Frederick Eckman, Maxine Cassin, Russell Atkins, and 11 other poets, and a short story by Irving Halperin.

9. HEARSE, No. 9, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1961
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 16 pages, letterpress printed.

Contents: poems by Paul Blackburn, Richard Brautigan, Gil Orlovitz, Robert S. Ward, George Scarborough, and 4 other poets.

10. HEARSE, No. 10, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1969
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 32 pages, letterpress printed.

Contents: poems by Winfield Towny Scott, Charles Bukowski, Marge Piercy, Harold Witt, William Childress, Maxine Cassin, Dave Etter, Theodore Enslin, Carroll Arnett, and 9 other poets.

11. HEARSE, No. 11, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1969
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 48 pages, letterpress printed.

Contents: poems by William Childress, Robert Bly, Charles Bukowski, Hayden Carruth, Kathleen Fraser, Larry Eigner, Lyn Lifshin, Harold Witt, Vern Rutsala, Robert Mezey, Gerg Kuzma, Thomas Mayer, Nancy, Willard, George Hitchcock, Keith Wilson, Rochelle OWents, Dave Etter, Carroll Arnett, Peter Wild, Terry Stokes, and 12 other poets.

12. HEARSE, No. 12, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1970
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 44 pages, letterpress printed.

Contents: poems by Diane Wakowski, Robert Mezey, John Haines, Dave Etter, Charles Simic, William Childress, Charles Wright, Michael Benedikt, William Matthews, David Ingatow, Harold Witt, Rochelle Owens, David Antin, Robert Gershon, and 17 other poets.

13. HEARSE, No. 13, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1970
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 52 pages, letterpress printed.

Contents: poems by Marge Piercy, Charles Simic, Marvin Applewhite, Jack Anderson, Michael Benedikt, Howard McCord, Dave Etter, Nancy Willard, Lewis Warsh, Gerard Malanga, Harold Bond, Keith Wilson, Morton Marcus, John Gill, and 11 other poets.

14. HEARSE, No. 14, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1970
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 52 pages, letterpress printed.

Contents: poems by James Schevill, Philip Levine, Nancy Willard, Marvin Bell, Larry Eigner, Stephen Sandy, James Welch, Charles Bukowski, Robert Peters, William Childress, Marge Piercy, Harold Witt, James Tate, Adrien Stoutenburg, Peter Wild, Carolyn Stoloff, Terry Stokes, Harley Elliott, and 20 other poets.

15. HEARSE, No. 15, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1971
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 64 pages, letterpress printed.

Contents: poems by Hayden Caruth, William Matthews, Marge Piercy, Charles Bukowski, John Woods, Herbert Scott, Gary Gilder, William Childress, Greg Kuzma, Theodore Enslin, Albert Goldbarth, Jack Anderson, Peter Wild, Michael G. Culross, H.L. Van Brunt, Lyn Lifshin, Norman Dubie, and 30 other poets.

16. HEARSE, No. 16, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1971
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 64 pages, letterpress printed.

Contents: poems by Harold Witt, Daniel Hoffman, Philip Booth, Ted Kooser, David Wagoner, William Matthews, David Ingatow, Robert Mezey, Larry Levis, Paul Zimmer, Dave Etter, Carolyn Stoloff, Lyn Lifshin, Charles Edward Eaton, Ernest Kroll, David Hilton, Sonya Dorman, Robert Hershson, Terry Stokes, and 28 other poets.

17. HEARSE, No. 17, edited by E. V. Griffith
First edition:
Eureka: Hearse Press, 1972
Saddle-stapled printed wrappers, 5.5″ x 8.5″, 88 pages, letterpress printed.

Contents: poems by Charles Bukowski, Harold Norse, X.J. Kennedy, Robert Mezey, James Schevill, Charles Wright, John Woods, William Childress, Russell Edson, Peter Everyone, Colette Inez, Douglas Blazek, Thomas Lux, William Witherup, Robert Hershon, Peter Wild, Lyn Lifshin, Geof Hewitt, Dave Kelly, Stephen Dunn, William Hathaway, Adrien Stoutenburg, and 39 other poets.

Hearse Press

mags_hearse01

Hearse Press Checklist:

Section A: Hearse, A Vehicle Used to Convey the Dead
Section B: Hearse Press Chapbooks
Section C: Coffin

References Consulted:

E.V. Griffith. SHEAF, HEARSE, COFFIN, POETRY NOW: A HISTORY
Eureka: Hearse Press, 1996

Measure

“The three simple, almost starkly working-class issues of Measure followed glorious and overlooked “underground” poet John Wieners from Black Mountain College home to Boston, across country to San Francisco, and back to Boston again. In his years in San Francisco, from 1958 to 1960, Wieners attended (sometimes serving as host at his Scott Street apartment) the legendary Sunday afternoon poetry workshops of the charismatic poets Robert Duncan and Jack Spicer. Also present at the workshops were George Stanley, Harold Dull, Robin Blaser (The Pacific Nation), and many others…”
— from A Secret Location on the Lower East Side (Granary Books, 1998)

1. MEASURE, No. 1, edited by John Wieners
Boston: Measure, Summer 1957
First edition, saddle-stapled in printed wrappers, 5.5″ x 8.5″, 48 pages, letterpress printed at the Press of Villiers Publications.

“Measure is edited by John Wieners. It will be issued with the four seasons only through your support… Please understand that the opinions expressed in this magazine do not necessarily reflect those of the city.”

Contents:
1. Tom Balas – “Le Fou”
  Charles Olson – “Le Bonheur!”
  Charles Olson – “The Charge”
  Charles Olson – “Spring”
  Edward Marshall – “One:”
  Edward Marshall – “Two:”
  Robin Blaser – “Poem”
  Robin Blaser – “Letters to Freud”
  Robin Blaser – “Poem by the Charles River”
  Edward Dorn – “The Rick of Green Wood”
  Larry Eigner – “Millionem”
  Larry Eigner – “Brink”
  Frank O’Hara – “Section 9 from Second Avenue”
  Fielding Dawson – “Two Drawings”
  Stephen Jonas – “Word on Measure”
  Stephen Jonas – “Expanded Word on Measure”
  Michael Rumaker – “Father”
  Gavin Douglas – “The Blanket”
  Jack Spicer – “Song for Bird and Myself”
  Jonathan Williams – “Two Poems for Whitman, the Husbandman”
  Robert Duncan – “The Propositions”

2. MEASURE, No. 2, edited by John Wieners
San Francisco: Measure, Winter 1958
First edition, saddle-stapled in printed wrappers, 5.5″ x 8.5″, 64 pages, letterpress printed at the Press of Villiers Publications.

“Magick is for the ones who ball, i.e. throw across”

Contents:
1. Michael Rumaker – “The Use of the Unconscious”
  Robin Blaser – “The Hunger of Sound”
  Robert Creeley – “Juggler’s Thot”
  Michael Rumaker – “8 Dreams”
  Jack Kerouac – “4 Choruses”
  Charles Olson – “Descensus Spiritus No. 1”
  Robert Duncan – “The Maiden”
  Robert Creeley – “They Say”
  Robert Creeley – “She Went to Say”
  Jack Kerouac – “235th Chorus”
  Edward Dorn – “Notes from the Fields”
  Robert Duncan – “The Dance”
  Stuart Z. Perkoff – “Feats of Death, Feasts of Love”
  V. R. Lang – “The Recidivists”
  Gregory Corso – “Yaaaah”
  James Broughton – “Feathers or Lead”
  Michael McClure – “The Magazine Cover”
  Michael McClure – “One & Two”
  Robert Creeley – “The Tunnel”
  Robert Creeley – “Just Friends”
  Richard Duerden – “Musica No. 3”
  Stephen Jonas – “Books 3 & 4 from a Long Poem”

3. MEASURE, No. 3, edited by John Wieners
Milton: Measure, Winter 1962
First edition, saddle-stapled in printed wrappers, 5.5″ x 8.5″, 36 pages, letterpress printed at the Press of Villiers Publications.

“THE CITY / 1 AM – Unreasonable fear, of the shadows of Harry Lime, of the dead reappearing”

Contents:
1. James Schuyler – “Shed Market”
  James Schuyler – “Joint”
  Gerrit Lansing – “Explorers”
  Barbara Guest – “Safe Flights”
  Barbara Guest – [untitled] “Once when he was a small boy…”
  Barbara Guest – “Abruptly, as if a Forest Might Say”
  Helen Adam – “Anaid si Taerg (Great is Diana)”
  Madeline Gleason – “Wind Said, Marry”
  Robert Duncan – “What do I Know of the Old Lore?”
  Jack Spicer – “Central Park West”
  Larry Eigner – “Poem”
  Tom Field – [untitled] “Form is never more than the extension…”
  Edward Marshall – “Times Square”
  Edward Marshall – “2”
  Edward Marshall – “3”
  John Wieners – “The Imperatrice”
  Philip Lamantia – “Opus Magnum”
  Sheri Martinelli – “Ruth Gildenberg”
  Michael Rumaker – “The River at Night”
  Charles Olson – “The Year is a Great Circle…”
  Charles Olson – “The Post Virginal”
  Charles Olson – [untitled] “Descartes, age 34…”
  John Haines – “Poem”
  John Haines – “Pawnee Dust”

Berkeley Miscellany

Berkeley Miscellany, No. 1, edited by Robert Duncan
Berkeley: Berkeley Miscellany, 1948
First edition, saddle-stapled in printed wrappers, 6″ x 9.5″, 24 pages, letterpress printed at the Libertarian Press.

Contents:
1. Robert Duncan – “A Description of Venice”
  Jack Spicer – “A Night in Four Parts”
  Mary Fabilli – “The Lost Love of Aurora Bligh”

Berkeley Miscellany, No. 2, edited by Robert Duncan
Berkeley: Berkeley Miscellany, 1949
First edition, hand-sewn in printed wrappers, 6″ x 9.5″, 32 pages, letterpress printed at the Libertarian Press.

Contents:
1. Mary Fabilli – “An Hour or Two or Quiet Talk”
  Mary Fabilli – “The Garden”
  Robert Duncan – 3 Poems in Homage to the Brothers Grimm: “The Robber Moon”, “The Strawberries Under the Snow”, “The Dinner Table of Harlequin”
  Gerald Ackerman – “At the Beach”
  Jack Spicer – “The Scroll-Work on the Casket”

Four Seasons Foundation

Donald Merriam Allen (Iowa, 1912 – San Francisco, August 29, 2004) was an influential editor, publisher, and translator of contemporary American literature. He is perhaps best known for his project The New American Poetry 1945-1960 (Grove Press, 1960), a seminal anthology that introduced a revolutionary new generation of postwar poetry that was to change the course of American literature.

In 1960, Allen moved from New York to San Francisco, where he established Grey Fox and the Four Seasons Foundation, two significant literary presses where he continued to publish work from Beat, San Francisco Renaissance, Black Mountain, and New York School writers, as well as younger new voices. Among the authors he published were Richard Brautigan, Robert Creeley, Edward Dorn, Robert Duncan, Jack Kerouac, Joanne Kyger, Philip Lamantia, Frank O’Hara, Charles Olson, John Rechy, Aaron Shurin, Gary Snyder, Jack Spicer, Lew Welch, and Philip Whalen.

Four Seasons Foundation, A Preliminary Checklist

1. Welch, Lew. STEP OUT ONTO THE PLANET
San Francisco: Four Seasons Foundation 1963
First edition, broadside, 9.5″ x 12.5″, 300 signed copies, offset printed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964.

2. Whalen, Philip. THREE MORNINGS
San Francisco: Four Seasons Foundation 1963
First edition, broadside, 9.5″ x 12.5″, 300 signed copies, offset printed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964.

3. Snyder, Gary. NANAO KNOWS
San Francisco: Four Seasons Foundation 1964
First edition, broadside, 9.5″ x 12.5″, 300 signed copies, offset printed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964.

4. Olson, Charles. A BIBLIOGRAPHY ON AMERICA FOR ED DORN
San Francisco: Four Seasons Foundation (1964)
First edition, saddle-stapled printed wrappers, 6″ x 8″, 16 pages. Published as Writing 1

5. Dorn, Edward; Rumaker, Michael; Tallman, Warren. PROSE 1
San Francisco: Four Seasons Foundation, 1964
First edition, saddle-stapled printed wrappers, 36 pages. Published as Writing 2

6. 12 POETS & 1 PAINTER
San Francisco: Four Seasons Foundation, 1964
First edition, saddle-stapled printed and illustrated wrappers, 32 pages. Contributors include: LeRoi Jones, Joanne Kyger, Robert Creeley, Denise Levertov, Lawrence Ferlinghetti, Robert Duncan, Gary Snyder, Lew Welch, Allen Ginsberg, Charles Olson, Max Finstein, Bruce Boyd. Illustrated by Jess Collins. Published as Writing 3

7. Loewinsohn, Ron. AGAINST THE SILENCES TO COME
San Francisco: Four Seasons Foundation, 1965
— a. First edition, stapled wrappers, 7.75″ x 9.75″, 16 pages, 1000 copies.
— b. First edition, stapled wrappers, 7.75″ x 9.75″, 16 pages, 26 lettered and signed copies.
Published as Writing 4

8. Kyger, Joanne. THE TAPESTRY AND THE WEB
San Francisco: Four Seasons Foundation, 1965
— a. First edition, paperback, 61 pages
— b. First edition, hardcover, 61 pages
Published as Writing 5

9. Olson, Charles. PROPRIOCEPTION
San Francisco: Four Seasons Foundation, 1965
First edition, saddle-stapled wrappers, 18 pages. Published as Writing 6

10. Snyder, Gary. RIPRAP & COLD MOUNTAIN POEMS
San Francisco: Four Seasons Foundation, 1965
First edition, stapled wrappers, 7.75″ x 9.75″, 50 pages. Published as Writing 7

11. Welch, Lew. HERMIT POEMS
San Francisco: Four Seasons Foundation, 1965
— a. First edition, saddle-stapled wrappers, 16 pages, 974 copies.
— b. First edition, saddle-stapled wrappers, 16 pages, 26 numbered and signed copies.
Published as Writing 8

Snyder, Gary. SIX SECTIONS FROM MOUNTAINS AND RIVERS WITHOUT END
San Francisco: Four Seasons Foundation, 1965
stapled wrappers, 42 pages, 1000 copies. Published as Writing 9

Koller, James. THE DOGS & OTHER DARK WOODS
San Francisco: Four Seasons Foundation, 1966
— a. stapled wrappers, 33 pages, 1000 copies
— b. hardcover, 33 pages, 26 copies, numbered signed
Published as Writing 10

McClure, Michael. LOVE LION BOOK
San Francisco: Four Seasons Foundation, 1966
— a. stapled wrappers, 24 pages, 1000 copies
— b. hardcover, 24 pages, 40 copies, numbered, signed
Published as Writing 11

Olson, Charles. STOCKING CAP: A STORY
San Francisco: Four Seasons Foundation, 1966
stapled wrappers, 15 pages
Published as Writing 13

Olson, Charles. IN COLD HELL, IN THICKET
San Francisco: Four Seasons Foundation, 1967
[Published as Writing 12 ?]

Brautigan, Richard. TROUT FISHING IN AMERICA
San Francisco: Four Seasons Foundation, 1967
paperback
Published as Writing 14

Hadley, Drummond. THE WEBBING
San Francisco: Four Seasons Foundation, 1967
stapled wrappers, 52 pages, 500 copies
Published as Writing 15

McClure, Michael. THE SERMONS OF JEAN HARLOW & THE CURSES OF BILLY THE KID
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
— a. First edition, saddle-stapled printed wrappers, 1200 copies, letterpress printed. Printed by Dave Haselwood.
— b. First edition, hardcover, 50 numbered and signed copies, letterpress printed. Printed by Dave Haselwood.
[Published as Writing 12 ?]

Olson, Charles. CAUSAL MYTHOLOGY
San Francisco: Four Seasons Foundation, 1969
— a. paperback, 40 pages
— b. hardcover, 40 pages
Published as Writing 16

Blaser, Robin. CUPS
San Francisco: Four Seasons Foundation, 1968
— a. First edition, saddle-stapled printed wrappers, 24 pages, 1000 copies, letterpress printed. Printed by Graham Mackintosh.
— b. First edition, hardcover, 24 pages, 40 numbered and signed copies, letterpress printed. Printed by Graham Mackintosh.
Published as Writing 17

McClure, Michael. GHOST TANTRAS
San Francisco: Four Seasons Foundation, 1969
paperback. [Published as Writing 18 ?]

Upton, Charles. TIME RAID
San Francisco: Four Seasons Foundation, 1969
stapled wrappers, 30 pages
Published as Writing 19

Brautigan, Richard. THE PILL VERSUS THE SPRINGHILL MINE DISASTER
San Francisco: Four Seasons Foundation, 1968
— a. First edition, perfect-bound photo-illustrated wrappers, 108 pages.
— b. First edition, hardcover, 108 pages, 50 numbered and signed copies.
Published as Writing 20

Brautigan, Richard. IN WATERMELON SUGAR
San Francisco: Four Seasons Foundation, 1968
— a. First edition, perfect-bound photo-illustrated wrappers, 5.25″ x 8″, 138 pages.
— b. First edition, hardcover, 138 pages, 50 numbered and signed copies.
Published as Writing 21

Creeley, Robert. A Quick Graph: Collected Notes & Essays
San Francisco: Four Seasons Foundation, 1969
— a. First edition, perfect-bound photo-illustrated wrappers, 365 pages, 1000 copies
— b. hardcover, 365 pages
— c. hardcover in dust jacket, 365 pages
Published as Writing 22.

Creeley, Robert. THE CHARM: EARLY AND UNCOLLECTED POEMS
San Francisco: Four Seasons Foundation, 1969
— a. First edition, perfect-bound photo-illustrated wrappers, 97 pages
— b. First edition, hardcover, 97 pages
— c. First edition, hardcover, 97 pages, 100 numbered and signed copies,
Published as Writing 23

Whalen, Philip. SEVERANCE PAY
San Francisco: Four Seasons Foundation, 1970
— a. paperback, 51 pages
— b. paperback, 51 pages, 50 copies, numbered, signed
Published as Writing 24

Lamantia , Philip. THE BLOOD OF THE AIR
San Francisco: Four Seasons Foundation, 1970
— a. paperback, 45 pages
— b. hardcover, 45 pages, 50 copies, numbered, signed
Published as Writing 25

Millward, Pamela. MOTHER: A NOVEL OF REVOLUTION
San Francisco: Four Seasons Foundation, 1970
paperback, 57 pages
Published as Writing 26

Olson, Charles. POETRY AND TRUTH: THE BELOIT LECTURES
San Francisco: Four Seasons Foundation, 1971
— a. paperback, 75 pages
— b. hardcover, 75 pages
Published as Writing 27

Schaff, David. THE MOON BY DAY
San Francisco: Four Seasons Foundation, 1971
paperback, 114 pages
Published as Writing 28

Herd, Dale. EARLY MORNING WIND AND OTHER STORIES
Bolinas: Four Seasons Foundation, 1972
paperback
Published as Writing 29

Snyder, Gary. MANZANITA
San Francisco: Four Seasons Foundation, 1972
paperback

Creeley, Robert. CONTEXTS OF POETRY: INTERVIEWS 1961-1971
Bolinas: Four Seasons Foundation, 1973
First edition, perfect-bound photo-illustrated wrappers, 214 pages.
Published as Writing 30

Conze, Edward. THE PERFECTION OF WISDOM IN EIGHT THOUSAND LINES AND ITS VERSE SUMMARY
Bolinas: Four Seasons Foundation 1973
Published as Wheel Series, 1

Olson, Charles. ADDITIONAL PROSE: A BIBLIOGRAPHY ON AMERICA, PROPRIOCEPTION, & OTHER NOTES & ESSAYS
Bolinas: Four Seasons Foundation, 1974
— a. paperback, 109 pages
— b. hardcover, 109 pages
Published as Writing 31

Lamantia, Philip. TOUCH OF THE MARVELOUS
Bolinas: Four Seasons Foundation, 1974
— a. paperback, 47 pages
— b. hardcover, 47 pages
Published as Writing 32

Whalen, Philip. THE KINDNESS OF STRANGERS: POEMS 1969-1974
Bolinas: Four Seasons Foundation, 1976
paperback, 57 pages
Published as Writing 33

Dorn, Edward. THE COLLECTED POEMS 1956-1974
Bolinas: Four Seasons Foundation, 1975
— a. paperback, 277 pages
— b. hardcover, 277 pages
Published as Writing 34

Olson, Charles. MUTHOLOGOS; COLLECTED LETTERS & INTERVIEWS
Bolinas: Four Seasons Foundation, 1979
— a. paperback, 230 pages, 2 volumes
— b. hardcover, 230 pages, 2 volumes
Published as Writing 35

Olson, Charles. THE FIERY HUNT AND OTHER PLAYS
Bolinas: Four Seasons Foundation, 1977
paperback, 125 pages
Published as Writing 36

Whalen, Philip. OFF THE WALL: INTERVIEWS WITH PHILIP WHALEN
Bolinas: Four Seasons Foundation, 1978
paperback, 88 pages
Published as Writing 37

Dorn, Edward. INTERVIEWS
Bolinas: Four Seasons Foundation, 1980
paperback, 117 pages
Published as Writing 38

Creeley, Robert. WAS THAT A REAL POEM & OTHER ESSAYS
Bolinas: Four Seasons Foundation 1979
— a. paperback, 149 pages
— b. hardcover, 149 pages
Published as Writing 39

Dorn, Edward. VIEWS
Bolinas: Four Seasons Foundation, 1980
— a. paperback, 142 pages
— b. hardcover, 142 pages
Published as Writing 40

Gluck, Robert. ELEMENTS OF A COFFEE SERVICE
San Francisco: Four Seasons Foundation, 1982
paperback, 97 pages
Published as Writing 41

Whalen, Philip. HEAVY BREATHING: POEMS 1967-1980
San Francisco: Four Seasons Foundation, 1983
paperback, 207 pages
Published as Writing 42

Shurin, Aaron. THE GRACES
San Francisco: Four Seasons Foundation, 1983
paperback, 72 pages
Published as Writing 42

References consulted:

Bohn, Dave. OYEZ: THE AUTHORIZED CHECKLIST
Berkeley: n.p., 1997

Hawley, Bob. CHECKLISTS OF SEPARATE PUBLICATIONS OF POETS AT THE FIRST BERKELEY POETRY CONFERENCE 1965
Berkeley: Oyez/Cody’s, 1965

Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS
Berkeley: Poltroon Press, 1976

Lepper, Gary M. A BIBLIOGRAPHICAL INTRODUCTION TO SEVENTY-FIVE MODERN AMERICAN AUTHORS
Berkeley: Serendipity Books, 1976

verdant press

Tag Archives: letterpress

Judson Crews: Contributions to Periodicals

Douglas Blazek

Charles Bukowski: Contributions to Periodicals, 1970-1979

Semina

HEARSE, A VEHICLE USED TO CONVEY THE DEAD

Hearse

Hearse Press

Measure

Berkeley Miscellany

Four Seasons Foundation

Four Seasons Foundation, A Preliminary Checklist

verdant_press

a random walk through the open field…