Tag Archives: little magazines

The Floating Bear

[excerpt from Steve Clay and Rodney Phillips’ A SECRET LOCATION ON THE LOWER EAST SIDE. Granary Books, 1998]:

Named for Winnie-the-Pooh’s boat made of a honey pot (“Sometimes it’s a Boat, and sometimes it’s more of an Accident”), The Floating Bear, started in February 1961, was a mimeographed “newsletter” distributed by mailing list whose mission was the speedy dissemination of new literary work. Under the editorship of Diane di Prima and LeRoi Jones (guest editors included Billy Linich [a.k.a. Billy Name], Alan Marlowe, Kirby Doyle, John Wieners, and Bill Berkson), twenty-five issues came out in the magazine’s first two years. Contributing writers included Charles Olson, Robin Blaser, Robert Creeley, Philip Whalen, Paul Blackburn, and Ed Dorn, while Ray Johnson and Wallace Berman were among the many visual artists whose work was presented. This tremendous output was due at least in part to Jones’s experience as editor at Yugen and Totem Press and to his voracious working habits. Di Prima recalls, “LeRoi could work at an incredible rate. He could read two manuscripts at a time, one with each eye. He would spread things out on the table while he was eating supper, and reject them all—listening to the news and a jazz record he was going to review, all at the same time.”

Occasionally a group would convene to put out the Bear. “In the winter of 1961–62, we held gatherings at my East Fourth Street pad every other Sunday. There was a regular marathon ball thing going on there for a few issues. Whole bunches of people would come over to help: painters, musicians, a whole lot of outside help. The typing on those particular issues was done by James Waring, who’s a choreographer and painter. Cecil Taylor ran the mimeograph machine, and Fred Herko and I collated, and we all addressed envelopes.” One of the recipients of Bear 9 was Harold Carrington, a poet who was in prison in New Jersey. The censor read his mail and objected to the contents of the issue, which included Jones’s The System of Dante’s Hell and William S. Burroughs’s Routine. Jones and di Prima were subsequently arrested on obscenity charges on October 18, 1961. Di Prima remembers, “I heard a knock on my door early in the morning which I didn’t answer because I never open my door early in the morning in New York City. In the morning in New York City is only trouble. It’s the landlords, it’s Con Edison, it’s the police, it’s your neighbors wanting to know why you made so much noise last night, it’s something awful, and before noon I never open my door.” There was a grand jury hearing, but after Jones’s two-day testimony, they failed to return an indictment. Jones resigned from The Floating Bear in 1963 after issue 25. Di Prima moved briefly to California in 1962 and the magazine came out irregularly over the next several years, culminating in a very large issue in 1971 guest-edited by Allen De Loach in Buffalo. It was called The Intrepid-Bear Issue: Intrepid 20/Floating Bear 38.


Online Resources:

· Reality Studio – Floating Bear Archive

Richard Brautigan – Contributions to Periodicals

>> return to RICHARD BRAUTIGAN main page >>

SECTION C:
This index includes contributions to periodicals; entries within years are approximate


1. FLAME, Vol. 2, No. 3, edited by Lilith Lorraine
Alpine: Flame, Autumn 1955

Brautigan poem: “Someplace in the World a Man is Screaming in Pain” [uncollected] (not in Barber)



2. EPOS, Vol. 8, No. 2, edited by Evelyn Thorne and Will Tullos
mags_epos0802Lake Como: New Athenaeum Press, Winter 1956

Brautigan poem: “The Second Kingdom” [uncollected] (Barber 1)

Note: a love poem inspired by Linda Webster.

3. CAXTON POETRY REVIEW, Vol. 1, No. 2, edited by Albert R. Temple and Evelyn T. Browning
Cincinnati: Caxton Press,  Winter 1956-57
[not in archive]

Brautigan poem: “A Correction” [uncollected] (not in Barber)

4. CAXTON POETRY REVIEW, Vol. 1, No. 3, edited by Albert R. Temple and Evelyn T. Browning
Cincinnati: Caxton Press, Spring 1957
[not in archive]

Brautigan poem: “If the Wind Should Borrow Time” [uncollected] (not in Barber)


5. EPOS, Vol. 8, No. 4, edited by Evelyn Thorne and Will Tullos
mags_epos0804Lake Como: Epos, Summer 1957

Brautigan poem: “A Young Poet” [uncollected] (Barber 2)



6. MAINSTREAM, Vol. 2, No. 2, edited by Robin Raey Cuscaden and Ronald Offen
Palatine: Jack R. Lander, Summer-Autumn 1957

Brautigan poem: “The Final Ride” [uncollected]
(not in Barber)



7. THE BERKELEY REVIEW, Vol. 1, No. 3, edited by William P. Barlow
Berkeley: The Berkeley Review, September 1957

Brautigan poems: “The Return of the Rivers” [collected in The Pill versus The Springhill Mine Disaster], “The Horse That Had A Flat Tire” [collected in The Pill versus The Springhill Mine Disaster]

8. EXISTARIA, No. 7, Edited by Carl Larsen
Hermosa Beach, September-October 1957

Brautigan poems: “The Daring Little Guy on the Burma Shave Sign” [uncollected], “The World Will Never End” [uncollected] (not in Barber)


9. DANSE MACABRE, Vol. 1, No. 1, edited by R.T. Baylor
Manhattan Beach: Danse Macabre, 1957
[not in archive]

Brautigan poems: “They Keep Coming Down the Dark Streets” [uncollected], “15 Stories in One Poem” [uncollected] (not in Barber)

10. HEARSE, No. 2, edited by E.V. Griffith
Eureka: Hearse Press, 1958

Brautigan poem: “15 Stories in One Poem” [previously published in Danse Macabre]
(Barber 5)


11. HEARSE, No. 3, edited by E.V. Griffith
Eureka: Hearse Press, 1958

Brautigan poems: “The Mortuary Bush” [previously published in Four New Poets], “Twelve Roman Soldiers and an Oatmeal Cookie” [previously published in Four New Poets]

12. EPOS, Vol. 9, No. 3, edited by Will Tullos and Evelyn Thorne
Lake Como: Epos, Spring 1958

Brautigan poem: “Kingdom Come” [uncollected]
(Barber 9)



13. SAN FRANCISCO REVIEW, No. 2, edited by R.H. Miller
mags_sfreview02
San Francisco, Spring 1959

Brautigan poem: “Psalm” [uncollected]
(Barber 10)



14. BEATITUDE, No. 1, edited by Bob Kaufman, John Kelly, and William J. Margolis
San Francisco: Beatitude, May 1959
[not in archive]

Brautigan poem: “The Whorehouse at the Top of Mount Rainier” [collected in Beatitude Anthology]


15. BEATITUDE, No. 4, edited by Bob Kaufman, John Kelly, and William J. Margolis
San Francisco: Beatitude, May 1959
[not in archive]

Brautigan poems: “The American Submarine” [collected in Beatitude Anthology], “A Postcard from the Bridge” [collected in Beatitude Anthology], “That Girl” [collected in Beatitude Anthology], “The Sink” [collected in Beatitude Anthology]

16. BEATITUDE, No. 9, edited by Bob Kaufman, John Kelly, and William J. Margolis
San Francisco: Beatitude, September 1959
[not in archive]

Brautigan poem: “Swandragons” [collected in Beatitude Anthology]


17. J, No. 1, edited by Jack Spicer
mags_j01
San Francisco, September 1959
Cover illustration by Fran Herndon

Brautigan poem: “The Fever Monument” [collected in The Octopus Frontier]


18. FOOT, No.1, edited by Richard Duerdan
San Francisco, September 1959
Cover illustration by Robert Duncan

Brautigan poem: “The Rape of Ophelia” [collected in The Octopus Frontier], “Postcard from Chinatown” [collected in The Octopus Frontier], “The Nature Poem” [collected in The Octopus Frontier], “Horse Race” [collected in The Octopus Frontier], “The Last Music is Not Heard” [collected in The Octopus Frontier]

19. J, No. 4, edited by Jack Spicer
San Francisco, November 1959
Cover illustration by Fran Herndon

Brautigan poem: “The Pumpkin Tide” [collected in The Octopus Frontier], “The Sidney Green Street Blues” [collected in The Octopus Frontier], “Surprise” [collected in The Octopus Frontier]

20. J, No. 5, edited by Jack Spicer
San Francisco, December 1959
Cover illustration by Fran Herndon

Brautigan poem: “1942” [collected in The Octopus Frontier]


21. HEARSE, No. 9, edited by E.V. Griffith
Eureka: Hearse Press, 1961

Brautigan poem: “The Rain” [uncollected]




22. CHANGE, No. 1, edited by Richard Brautigan and Ron Loewinsohn
San Francisco: Change, May 1963

Brautigan short story: “Coffee”




23. KULCHUR, Vol. 4, No. 13, edited by Lita Hornick
New York, Spring 1964

Brautigan short story: “The Post Offices of Eastern Oregon”



24. SUM, No. 3, Edited by Fred Wah
Albuquerque, May 1964

Brautigan poem: “September California” [collected in Revenge of the Lawn]



25. NOW NOW, [Now No. 2], Edited by Charles Plymell
San Francisco: Ari Publications, 1965

Brautigan poem: “Banners of My Own Choosing” [collected in Revenge of the Lawn]



26. SAN FRANCISCO KEEPER’S VOICE, Vol. 1, No. 4, edited by Alexander Weiss
San Francisco: Alexander Weiss, April 1965

Brautigan poem: “October 2, 1960” [uncollected]



27. WILD DOG, No. 18, edited by Joanne Kyger
San Francisco: Wild Dog, July 1965

Brautigan poems: “The Buses” [uncollected], “Period Piece” [uncollected]



28. O’ER, No. 2, edited by David Sandberg
San Francisco: Cranium Press, December 1966

Brautigan poems: “The House” [uncollected], “My Nose is Growing Old” [collected in All Watched Over by Machines of Loving Grace], “November 3” [collected in All Watched Over by Machines of Loving Grace]

29. HOLLOW ORANGE, No. 4, edited by Clifford Burke
San Francisco: Cranium Press, 1967

Brautigan poems: “Comets”*, “It’s Raining in Love”*, “Nine Things”*
[*collected in All Watched Over by Machines of Loving Grace]

30. BEATITUDE, No. 20
San Francisco: City Lights Books, March 1969

Brautigan poems: “The Harbor”*, “The Double-Bed Gallows”*, “Adrenalin Mother”*, “Death is a Beautiful Parked Car Only” [uncollected]
[*collected in The Pill versus The Springhill Mine Disaster]

31. BIG VENUS, No. 1, edited by Nick Kimberly
London: Big Venus, 1969

Brautigan poem: “Feel Free to Marry Emily Dickinson” [previously published in Lay the Marble Tea]


Jack Spicer – Contributions to Periodicals

>> return to Jack Spicer main page >>

Section D:
This index collects contributions of poems, stories, letters (poetic), and a play to periodicals


1946

1. THE OCCIDENT, edited by Jocelyn Willat
mags_occidentwint46Berkeley, Winter 1946
“To the Semanticists” [poem], “The Chess Game” [poem], “A New Testament” [poem]





1947

2. CONTOUR QUARTERLY, Vol. 1, No. 1, edited by Chris Maclaine
mags_contour01Berkeley, April 1947
[untitled] “After the ocean, shattering with equinox…” [poem], “4 A.M.” [poem], “Chinoiserie” [poem]




1948

3. BERKELEY MISCELLANY, No. 1, edited by Robert Duncan
mags_miscellany01Berkeley, 1948
“A Night in Four Parts” [poem], “Troy Poem” [poem], “Sonnet” [poem]





1949

4. BERKELEY MISCELLANY, No. 2, edited by Robert Duncan
mags_miscellany02Berkeley, 1949
“The Scroll-Work on the Casket” [story]






1954

5. OCCIDENT, edited by Richard Rummonds
Berkeley: Associated Students of the University of California, Spring 1954
“On Reading Last Year’s Love Poems” [poem], “The Inheritance: Palm Sunday” [poem]
[not in Dorbin checklist]



1955

6. CITY LIGHTS, No. 5, edited by Peter Martin
San Francisco: City Lights, Spring 1955
“On Watching a TV Boxing Match in October” [poem]





1956

7. AUDIENCE, Vol. 4, Number 2
Cambridge: Audience, 1956
“Five Words for Joe Dunn on his 22nd Birthday” [poem]


1957

8. EVERGREEN REVIEW, Vol. 1, No. 2, edited by Barney Rosset and Donald Allen
mags_evergreen0102New York City, 1957
“Berkeley in Time of Plague” [poem], “The Dancing Ape…” [poem], “Troy Poem” [poem], “The Scroll-Work on the Casket” [story], “Hibernation – After Morris Graves” [poem], “Psychoanalysis: An Elegy” [poem], “The Song of the Bird in the Loins” [poem]

9. MEASURE, No. 1, edited by John Wieners
mags_measure01Boston, Summer 1957
“Song for Bird and Myself” [poem]
[not in Dorbin checklist]





1959

10. BEATITUDE, No. 3, published by John Kelly
mags_beatitude03San Francisco, 23 May 1959
“Fifteen False Propositions about God” [poem]





11. BEATITUDE, No. 6, published by John Kelly
San Francisco, [June] 1959
“Epithalamium” [poem] [co-authored with Bruce Boyd, Ronald Primack, and George Stanley]




12. J, No. 1, edited by Jack Spicer
mags_j01San Francisco, 1959
“Hokkus” [poem]
[not in Dorbin checklist]




13. J, No. 2, edited by Jack Spicer
San Francisco, 1959
[untitled] “Down to new beaches where the sea…” [poem], “Epilog for Jim” [poem]
[not in archive]



14. J, No. 3, edited by Jack Spicer
San Francisco, 1959
[untitled] “The slobby sea where you float in…” [poem], “Last Hokku” [poem]




15. J, No. 4, edited by Jack Spicer
mags_j04San Francisco, [October] 1959
“Jacob” [poem]





16. J, No. 5, edited by Jack Spicer
mags_j05San Francisco, 1959
“Fifth Elegy” [poem]






1960

17. BEATITUDE, No. 17, edited by Bob Kaufman
mags_beatitude17San Francisco: City Light Books, Oct-Nov 1960
[untitled] “When I hear the word Ferlinghetti…” [poem]





1961

18. J, No. 8, edited by Harold Dull
San Francisco, 1961
“A Translation for Jim” [poem], “A Translation for Jeorge” [poem]


1962

19. THE SAN FRANCISCO CAPITALIST BLOODSUCKER – N, edited by George Stanley
mags_capitalistSan Francisco, Spring 1962
“Three Marxist Essays” [poem]





20. MEASURE, No. 3, edited by John Wieners
mags_measure03Boston, Summer 1962
“Central Park West” [poem]
[not in Dorbin checklist]





1964

21. OPEN SPACE, No. 0, edited by Stan Persky
San Francisco, January 1964
[untitled] “This ocean, humiliating in its disguises…” [poem] [collected in Language]




22. OPEN SPACE, No. 1, edited by Stan Persky
San Francisco, February 1964
“Sporting Life” [poem] [collected in Language]





23. OPEN SPACE, No. 2, edited by Stan Persky
San Francisco, February 1964
“This is Submitted for your Valentine Contest”  [poem], [untitled] “I hear a banging on the door of night…” [poem] [collected in Language]



24. OPEN SPACE, No. 3, edited by Stan Persky
mags_openspace03San Francisco, March 1964
[untitled] “Just because baseball is not poetry…” [statements], “Predictions” [collected in Language], [untitled] “The log in the fire…” [poem] [collected in Language], [untitled] “Finally the messages penetrate…” [poem] [collected in Language], “Dear Ferlinghetti” [letter]

25. OPEN SPACE, No. 4, edited by Stan Persky
mags_openspace04tSan Francisco, 1964
[untitled] “Heroes eat soup…” [poem] [collected in Language], [untitled] “Smoke signals…” [poem], [untitled] “A redwood forest…” [poem] [collected in Language], [untitled] “The whorship of beauty…” [poem] [collected in Language]

26. OPEN SPACE, No. 5, edited by Stan Persky
San Francisco, 1964
[untitled] “Pull down the shade of ruin, rain verse…” [poem], [untitled] “If your mother’s mother had not riven, mother…” [poem], [untitled] “What in sight do I have…” [poem], [untitled] “It comes May and the summers renew themselves…” [poem], [untitled] “Thanatos, the death-plant in the skull…” [poem] [collected in Language]

27. OPEN SPACE, No. 6, edited by Stan Persky
San Francisco, June 1964
[untitled] “1st SF home rainout since. Bounce…” [poem] [collected in Language], [untitled] “The country is not very well defined…” [poem] [collected in Language], [untitled] “I squint my eyes to cry…” [poem] [collected in Language], [untitled] “The metallurgical analysis of the stone that…” [poem] [collected in Language]

28. OPEN SPACE, No. 7, edited by Stan Persky
San Francisco, July 1964
“Love Poems” [poem] [collected in Language], “Protestant Letter” [letter]




29. OPEN SPACE, No. 8, edited by Stan Persky
mags_openspace08San Francisco,  August 1964
“Intermission I-III” [poem] [collected in Language], “Transformations I- III” [poem] [collected in Language]



30. OPEN SPACE, No. 9, edited by Stan Persky
San Francisco, September 1964
“Morphemicks, 1-4” [poem] [collected in Language]




31. OPEN SPACE, No. 10, edited by Stan Persky
San Francisco, October 1964
“Phonemics” [poem] [collected in Language]





32. OPEN SPACE, No. 11, edited by Stan Persky
San Francisco, November 1964
“Graphemics, 1-5” [poem] [collected in Language]





1965

33. THE WIVENHOE PARK REVIEW, No. 1, edited by Thomas Clark and Andrew Crozier
mags_wivenhoe01Essex: University of Essex, Winter 1965
“15 False Propositions about God” [poem]






34. WORK, No. 2, edited by John Sinclair
Detroit: Artists Workshop Press, Fall 1965
“Graphemics, 10” [poem] [collected in Language]
[not in Dorbin checklist]




35. COW, No. 1, edited by Luther T. Cupp
mags_cow01San Francisco: Cow, 1965
“Dear Sister Mary” [letter]






1966

36. WHE’RE, No.1, edited by Ron Caplan
Detroit: Artists’ Workshop, Summer 1966
“Dover Beach” [poem] [collected in Lament for the Makers], “The Birds” [poem] [collected in Lament for the Makers], “The Birth of Venus” [poem] [collected in Lament for the Makers], “Lament for the Makers” [poem] [collected in Lament for the Makers], “Postscript” [story] [collected in Lament for the Makers], “The Scroll-Work on the Casket” [story]

37. O’ER, No. 2, edited by David Sandberg
mags_oar02San Francisco, December 1966
“Buster Keaton Rides Again: A Sequel” [poem] [collected in After Lorca]





1967

38. THE PACIFIC NATION, No. 1, edited by Robin Blaser
mags_pacific01Vancouver, June 1967
“A Poem to the Reader of the Poem” [poem]





39. FLOATING BEAR, No. 33, edited by Diane di Prima
Brooklyn, 1967
“The Bridge Game” [poem], “Lives of the Philosophers: Diogenes” [poem]




40. FLOATING BEAR, No. 34, edited by Diane di Prima
Brooklyn, 1967
“The Day Five Thousand Fish Died in the Charles River” [poem]




WINE BUTTON, edited by Dave Fraser, Robert Serling, Dick Sweeney
mags_winebuttonHighland Park: Wine Button, n.d. [c.1967]
“Correspondence” [letter], “The Day Five Thousand Fish Died along the Charles River”







1968

41. COLLECTION, No. 1, edited by Peter Riley
mags_collection01Sussex, March 1968
“The Red Wheelbarrow” [poem]





42. TISH, No. 42, edited by Brad Robinson and Dan McLeod
Vancouver, March 1968
“Three Poems for Tish” [poem] [collected in The Book of Magazine Verse]
[not in Dorbin checklist]



43. IRON, No. 4
North Vancouver: Iron, April 1968
“A Textbook of Poetry” [poem] [collected in The Heads of the Town Up to the Aether], “7 Poems for the Vancouver Festival” [poem] [collected in The Book of Magazine Verse]


1969

44. IRON, No. 7, edited by Brian Fawcett
British Columbia, 1969
“Ode for Walt Whitman” [poem] [collected in After Lorca]





45. TISH, No.44, Issue D, edited by Karen Tallman
Vancouver, February 1969
“Five Variations on the Earth” [poem]





46. LAMPETER MUSE, Vol. 3, No. 4, edited by Norman Weinstein
Annandale-on-Hudson: Bard College, Spring 1969
“The Book of Gwenivere” [poem] [collected in The Holy Grail]


1970-1979

47. WRITING, No. 2, edited by Stan Persky
Vancouver: Georgia Straight, January-February 1970
“Admonitions” [poems] [collected in Admonitions]


48. BOSS, No. 4, edited by Reginald Gay
New York: Boss Books, 1970
“Indian Summer: Minneapolis 1950” [poem]

[note: published as a broadside in 1970 as Portents 16]


49. CATERPILLAR, No. 12, edited by Clayton Eshleman
New York, July 1970
“The Dancing Ape…” [poem], “Berkeley in Time of Plague” [poem], “Psychoanalysis: An Elegy” [poem], “Troy Poem” [poem], “A Dialogue Between Intellect and Passion” [poem], “All Hallows Eve” [poem], “At a Party” [poem], “A Night in Four Parts” [poem], “Orpheus after Eurydice” [poem], “Orpheus in Hell” [poem], “Orpheus’ Song to Apollo” [poem], “The Song of the Bird in the Loins” [poem], “On Reading Last Year’s Love Poems” [poem], “Watching a TV Boxing Match in October” [poem], “The Day Five Thousand Fish Died along the Charles River” [poem], “A Heron for Mrs. Altrocchi” [poem], “Song for the Great Mother” [poem], “Song for Bird and Myself” [poem], “A Poem to the Reader of the Poem” [poem], “Five Words for Joe Dunn on his 22nd Birthday” [poem], “A Prayer for Pvt. Graham Mackintosh on Halloween” [poem], “Letters to Graham Mackintosh” [prose], “Pentheus and the Dancers” [drama], “From a Detective Novel” [fiction], “Letters to Jim Alexander” [prose], “From the Vancouver Lectures” [prose]

50. NINE QUEEN BEES, Zero Issue, edited by Jim Chapson, James Liddy, and Bill Siverly
Honolulu: Nine Queen Bees, Summer 1970
“Dover Beach” [poem] [collected in Lament for the Makers], “The Birds” [poem] [collected in Lament for the Makers], “The Birth of Venus” [poem] [collected in Lament for the Makers], “Lament for the Makers” [poem] [collected in Lament for the Makers], “Postscript” [story] [collected in Lament for the Makers]

51. IS, No. 8, edited by Victor Coleman
Toronto: Coach House Press, 1970

52. THE HARRIS REVIEW, edited by Harris Schiff
New York: Harris Review, 1971
[untitled] “The oaks…” [poem], [untitled] “With fifteen cents and that I could get a…” [poem]




53. IO, No. 10 Baseball Issue, edited by Richard Grossinger 
Cape Elizabeth, ME: IO Publications, 1971
“Unfinished Translation” [poem]

[note: prepared for, but no included in After Lorca]



54. STOOGE, No. 6, Editor: Geoff Young and Allen Schiller
Albuquerque, 1972
[untitled] “These big trucks drive…” [poem]





55. SHOCKS, Double Issue 3/4, edited by Stephen Vincent
San Francisco: Momo’s Press, March 1974
“Dear Lorca” [letter] [collected in After Lorca]





56. MANROOT, No. 10, edited by Paul Mariah
South San Francisco: Man-Root, Fall-Winter 1974
“To the Semanticists” [poem], “The Chess Game” [poem], “A New Testament” [poem], [untitled] “After the ocean, shattering with equinox…” [poem], “4 A.M.” [poem], “Chinoiserie” [poem], “The Scroll-Work on the Casket” [story], “Indian Summer: Minneapolis 1950” [poem], “Christmas Eve: 1952” [poem], “All Hallows Eve” [poem], “Watching a TV Boxing Match in October” [poem], “Lyric for Gary” [poem], “Sonnet for Gary” [poem], “Portrait of an Artist” [poem], “The Inheritance: Palm Sunday” [poem], “A Postscript to the Berkeley Renaissance” [poem], “The Gardener’s Son” [poem], “Manhattan” [poem], [untitled] “These woods, so fit for emperors…” [poem], “Admonitions” [poem] [collected in Admonitions], “15 False Propositions about God” [poem] [collected in 15 False Propositions about God], “Billy the Kid” [poem] [collected in Billy the Kid], “Hokkus” [poem], [untitled] “Down to new beaches where the sea…” [poem], “Epilog for Jim” [poem], [untitled] “The slobby sea where you float in…” [poem], “Last Hokku” [poem], “Jacob” [poem], “Fifth Elegy” [poem], “Three Marxist Essays” [prose], “Central Park West” [poem], [untitled] “This is an ode to Horace Stoneham…” [poem], “Dear Lew” [letter], “This is Submitted for your Valentine Contest”  [poem], “Protestant Letter” [letter], “Dear Sister Mary” [letter], “The Red Wheelbarrow” [poem], “Epithalamium” [poem] [co-authored with Bruce Boyd, Ronald Primack, and George Stanley]

57. ADVENTURES IN POETRY, No. 12, edited by Larry Fagin
mags_adventuresp12New York: The Poetry Project, Summer 1975
“Babel” [poem], “Dardenella” [poem], “Lives of the Philosophers: Diogenes” [poem], [untitled] “Lack of oxygen…” [poem], [untitled] “In- / Visible zombies…” [poem], “Spider Song” [poem]


58. THE CAPILANO REVIEW, No. 8/9, edited by Pierre Coupey
Vancouver: Capilano College, Fall 1975
“The Dancing Ape…” [poem], “Psychoanalysis: An Elegy” [poem], “The Song of the Bird in the Loins” [poem]



59. TELEPHONE, No. 10, edited Maureen Owen
New York: Telephone Books Press, 1975
“Five Variations for K.” [poem]





60. IO, No. 24, edited by Kevin Kerran and Richard Grossinger
Ann Arbor: North Atlantic Books, 1977
“Love Poem 1” [poem] [collected in Language], [untitled] “It comes in May…” [poem] [collected in Language], “Four Poems for the St. Louis Sporting News” [poem]


61. BOUNDARY 2, Vol. 6, No. 1,  edited by William V. Spanos
Binghamton: SUNY, Fall 1977
“An Exercise” [poems]


1980-1989

62. ACTS, No. 6, A Book of Correspondences for Jack Spicer, edited by David Levi Straus and Benjamin Hollander
San Francisco: Acts, 1986

63. LINE, No. 7/8, edited by Roy Miki
Burnaby: Simon Fraser University, Spring-Fall 1986
“Poems for the Vancouver Festival” [poems]

64. IRONWOOD, Vol. 14, Issue 2, No. 28, edited by Michael Cuddihy
Tucson: Ironwood Press, Fall 1986
[untitled] “As if the Chinese vase…” [poem]


1990+

65. O-BLEK, No. 10, edited by Peter Gizzi and Connell McGrath
Stockbridge: The Garlic Press, Fall 1991
“For Kids” [poem], “Spider Song” [poem]

66. LIFT, Nos. 10/11, edited by Joseph Torra
Somerville: Lift, 1992

67. EXACT CHANGE YEARBOOK, No. 1, edited by Michael Palmer
Boston: Exact Change, 1994

68. AMERICAN POETRY REVIEW, Vol. 17, No. 1, edited by Stephen Berg
Philadelphia: World Poetry, January-February 1998
“A Poem without a Single Bird in it” [poem]

69. NO: A JOURNAL OF THE ARTS, No. 3, edited by by Deb Klowden and Ben Lerner
New York: Lost Roads Publishers, 2004
“Troilus” [play]

Frank Stanford – Contributions to Periodicals

>> return to FRANK STANFORD main page >>

Section C:
This index includes contributions to periodicals; entries within years are listed alphabetically


1969

PREVIEW: 1968-1969, edited by Leon Stokesbury
Fayetteville: The University of Arkansas, 1969
“Living” [collected in Singing Knives]


1970

MILL MOUNTAIN REVIEW, Vol. 1, No. 2, edited by  Irv Broughton
Roanoke: Mill Mountain Review, 1970
“The Professors” [uncollected], “The Solitude of Historical Analysis” [uncollected], “The Politicians” [uncollected], “Holy Night” [uncollected], “Living” [collected in The Singing Knives]

PREVIEW: THE LITERATURE, edited by Leon Stokesbury
Fayetteville: The University of Arkansas, 1970
“Elegy for My Father” [collected in The Singing Knives], “Remembering the Odor in the Jewish Dentist’s House Next Door, I Recall the Picture Show Next Door to the Stamp Store in Downtown Memphis” [uncollected], “The Gospel Bird” [collected in The Singing Knives], “The Albino” [collected in The Singing Knives]

TANSY, No. 1 , edited by John Moritz
Lawrence: Tansy, 1970
“Early Times In A Mississippi Liquor Store” [uncollected], “The Hole” [uncollected]




TANSY, No. 4 , edited by John Moritz
Lawrence: Tansy, n.d. [c. 1970-71]
“Tapsticks” [collected in The Singing Knives], “Chimera” [uncollected].





1971

ALDEBARAN REVIEW, No. 11, edited by John Oliver Simon
Berkeley: Noh Directions Press, 1971
“On Jesus Highway” [uncollected]

THE CHICAGO REVIEW, Vol. 23, No. 1, edited by Robert McKean
Chicago: University of Chicago Press, 1971
“Fish on the Trees (elegy)” [uncollected], “The Albino” [collected in The Singing Knives], “Remembering the Odor in the Jewish Dentist’s House Next Door, I Recall the Picture Show next door to the Stamp Store in Downtown Memphis” [uncollected]

KAYAK, No. 26, edited by George Hitchcock
Santa Cruz: Kayak Books Inc, 1971
“Wishing My Wife Had One Leg” [collected in The Singing Knives]

THE LITTLE REVIEW, Vol. 2, No. 2, Issue 4, edited by John McKernan
Huntington: Little Review Press, 1971
“The Kite”, [uncollected] “The Pump” [collected in The Singing Knives]

MILL MOUNTAIN REVIEW, Vol. 1, No. 3, edited by Irv Broughton
Roanoke, VA: Mill Mountain Review, 1971
“If I Should Wake” [collected in The Singing Knives], “The Bass” [collected in The Singing Knives], “The Doe” [uncollected], “The Minnow” [collected in The Singing Knives], “Cottonmouth” [uncollected]

MILL MOUNTAIN REVIEW, Vol. 1, No. 4, edited by Irv Broughton
Seattle: Mill Mountain Review, 1971
“Planning the Disappearance of Those Who Have Gone” [collected in The Singing Knives], “The Bandits” [uncollected], “Bergman the Burning Ship” [uncollected], “Bend Sinister” [uncollected], “The Mother of Yannis Ritsos” [uncollected], “The Men” [uncollected]

THE NATION, Vol. 213, No. 10
New York: Nation Associates Inc., October 1971
“Belladonna” [collected in The Singing Knives]

NEW AMERICAN REVIEW, No. 11, edited by Theodore Solotaroff 
New York: New American Library, 1971
“The Gospel Bird” [collected in The Singing Knives]

WEST COAST REVIEW, Vol. 6, No. 2, edited by Frederick Candelaria
Burnaby: Simon Fraser University, 1971
“The Intruder” [collected in The Singing Knives], “The Quiver” [collected in The Singing Knives], “Friends of the House of Momus” [uncollected], “Momus” [uncollected], “White Feather” [uncollected], “Poet Manque” [uncollected], “Becoming the Unicorn” [collected in The Singing Knives], “The Tribade” [uncollected], “The Arena” [uncollected], “The Odor” [uncollected], “Solus” [uncollected], “Holy Night” [uncollected], “The Bandits” [uncollected], “The Smoking Mirrors” [uncollected], “Bergman the Burning Ship” [uncollected]


1972

HOLLINS CRITIC, Vol. 9, No. 1, edited by R.H.W. Dillard
Roanoke: Hollins College, 1972
“Chimera” [uncollected]

THE IOWA REVIEW, Vol. 3, No. 3, edited by Merle E. Brown
Iowa City: The University of Iowa, Summer 1972
“The Buried Sword” [uncollected], “Keeping the Lord’s Night Watch” [uncollected], “The Actresses of Night” [uncollected], “The Paramour” [collected in Ladies from Hell]

THE MASSACHUSETTS REVIEW, Vol. 13, No. 4
Amherst: University of Massachusetts, Autumn 1972
“Tapsticks” [collected in The Singing Knives]

POETRY: AUSTRALIA, No. 43, edited by Grace Perry
Sydney: South Head Press, 1972
Translation from the Spanish: “Twilight” by César Vallejo


1973

BOSTON AFTER DARK: THE BOSTON PHOENIX, Vol. 2, No. 51, Section 2
Boston: The Boston Phoenix, December 1973
excerpt “Blue Yodel of Poets of Times Past” [uncollected]

THE NEW YORK QUARTERLY, No. 15, edited by William Packard
New York: New York Quarterly Poetry Review, Summer 1973
“Death in the Cool Evening” [collected in Ladies from Hell]


1974

THE ARK RIVER REVIEW, Vol. 3, No. 1, edited by Jonathan Katz, A.G. Sobin, and Arthur Vogelsang
Haverford: The Ark River Review, 1974
“In Plain View” [collected in Shade], “Pasture Dream” [collected in Ladies from Hell]

DACOTAH TERRITORY, No. 8/9, edited by Mark Vinz
Moorehead: Moorhead State College, Fall-Winter 1974
“Suspect” [collected in Ladies from Hell], “Soybeans” [collected in Shade]

FIELD, No. 10, edited by Stuart Friebert and David Young
Oberlin: Oberlin College, Spring 1974
“Brothers on Sunday Night” [collected in Ladies from Hell], “Linger” [collected in Ladies from Hell]

FIELD, No. 11, edited by Stuart Friebert and David Young
Oberlin: Oberlin College, Fall 1974
“The Dead Man’s Fiddle” [collected in Crib Death], “The Home Movie of Those Who are Dead Now” [collected in Crib Death]

FIELD, 12, edited by Stuart Friebert and David Young
Oberlin: Oberlin College, Spring 1974)
“Blue Yodel of Her Feet” [uncollected], “Allegory of Death and Night” [uncollected], “Children at the Point of Death” [uncollected], “Knew it was Love, Felt it was Glory (after Pier Paolo Pasolini)” [collected in Crib Death]

THE IOWA REVIEW, Vol. 5, No. 2, edited by Merle E. Brown
Iowa City: The University of Iowa, Spring 1974
“Rooms” [collected in Constant Stanger], “Hidden Water” [collected in Ladies from Hell]

THE IOWA REVIEW, Vol. 5, No. 3, edited by Merle E. Brown
Iowa City: The University of Iowa, Summer 1974
“A Past: Wintered Like a Circus ” [uncollected]

IRONWOOD, No. 4, edited by Michael Cuddihy
Tucson: Ironwood, December 1974
“Handling Paper with Cold Hands” [collected in You], “Lost Recipe” [uncollected], “Crest” [uncollected], “Island Funeral” [collected in Crib Death], “Getting to Sleep” [collected in Ladies from Hell]

THE LITTLE REVIEW, Vol. 5, No. 1, Issue 9, edited by John McKernan
Dorchester: Little Review Press, 1974
“Blue Yodel of Those Who Were Always Telling Me” [uncollected]

POETRY: AUSTRALIA, No. 51, edited by Grace Perry
Sydney: South Head Press(1974)
Translation from the Spanish: “Message by Lorca Sent to Me in an Infant’s Casket” by Nicanor Parra

PRAIRIE SCHOONER, Vol. 48, No. 3, edited by Bernice Slote
Lincoln: University of Nebraska Press, Fall 1974
“Sudden Opera” [collected in Ladies from Hell]


1975

AMERICAN POETRY REVIEW, Vol. 4, No. 2, edited by Stephen Berg
Philadelphia: American Poetry Review, March-April 1975
“What About This” [uncollected], “They Really Do” [uncollected]

IRONWOOD, No. 6, edited by Michael Cuddihy
Tucson: Ironwood Press, 1975
“The Burial Ship” [uncollected], “The Wolves” [uncollected]

THE LITTLE REVIEW, Vol. 5, No. 2, Issue 10, edited by John McKernan
Dorchester: Little Review Press, 1975
“Blue Yodel” [collected in Arkansas Bench Stone], “Their Names Are Spoken” [collected in Arkansas Bench Stone], “Island” [collected in Arkansas Bench Stone], “Tale” [collected in Arkansas Bench Stone], “Will” [collected in Arkansas Bench Stone], “Shed” [collected in Arkansas Bench Stone], “Blue Yodel of the Quick and the Dead” [collected in Arkansas Bench Stone], “Lament of the Land Surveyor” [collected in Arkansas Bench Stone], “Monk’s Dog” [collected in Arkansas Bench Stone], “Women Singing When Their Husbands Are Gone” [collected in Ladies from Hell, “Lap” [collected in Arkansas Bench Stone], “Mouths Full of Spit” [collected in Arkansas Bench Stone]


1976

OUT THERE, No. 10, edited by Rose Lesniak  
Chicago: Out There Press, (1976)
“Only One Set in The Singer’s Eyes” [collected in Crib Death], “Why The Moon is The Outhouse” [collected in Crib Death], “Porch Chair” [uncollected].


1977

BARATARIA, No. 3, edited by Ellen Gilchrist and Everette Maddox
New Orleans: The Barataria Press, Spring-Summer 1977
“Dreamt by a Man in a Field” [uncollected], “Between Love and Death” [collected in Crib Death], ”You” [uncollected], “Would You Like to Lie Down with the Light on and Cry” [collected in Crib Death], “Allegory of Youth” [uncollected]

BARATARIA, No. 4 , edited by Ellen Gilchrist and Everette Maddox
New Orleans: The Barataria Press, Fall 1977
“The Captain’s Desk” [uncollected]

IRONWOOD, 9, edited by Michael Cuddihy
Tucson: Ironwood Press, Spring 1977
“Taking Your Life” [collected in Crib Death], “Amaranth” [collected in Crib Death], “A Woman Driving a Stake into the Ground at Midnight” [collected in Crib Death], “Strange Roads before Light” [collected in Crib Death], “Only One Set in the Singer’s Eyes” [collected in Crib Death], “The Angel of Death” [collected in Crib Death], “Death and the Arkansas River” [collected in Constant Stranger]


1978

IRONWOOD, No. 12, edited by Michael Cuddihy
Tucson: Ironwood Press, Fall 1978
“The Light The Dead See” [collected in Crib Death], “In this House” [collected in Crib Death], “A Milk Truck Running into a Crazy Maid at the Corner of Getwell and Park” [collected in Crib Death], “The Boy Who Shot Weathercocks” [collected in Crib Death]


1979

AMERICAN POETRY REVIEW, Vol. 8, No. 2, edited by Stephen Berg
Philadelphia: World Poetry, March/April 1979
“The History of John Stoss” [collected in You], “Starving to Death” [uncollected], “Source” [uncollected], “Light Blue” [uncollected], “Death and Memory” [uncollected]


1980s and beyond

IRONWOOD, No. 17, edited by Michael Cuddihy
Tucson: Ironwood Press, April 1981
“The Picture Show Next Door to The Stamp Store in Downtown Memphis” [collected in The Singing Knives], “The Pump” [collected in The Singing Knives], “Getting to Sleep” [collected in Ladies from Hell], “Lost Recipe” [collected in Crib Death], “Wind Blowing on a Sick Man”, “The Burial Ship”, “Everybody Who is Dead”, “Between Love and Death”, “Blue Yodel of the Lost Child”, “Allegory of Death and Night”, “A Milk Truck Running into a Crazy Maid at the Corner of Getwell and Park”, “The Battlefield Where The Moon Says I Love You”, Selections

IRONWOOD, No. 23, edited by Michael Cuddihy
Tucson: Ironwood Press, Spring 1984
“Crossed” [uncollected]

RACCOON, No. 24/25, Tenth Anniversary Issue.
Memphis: Ion Books, May 1987
“There Is No Where in You a Paradise That Is No Place and There You Do Not Enter
Except Without a Story”

NEW LETTERS, Vol. 64, No. 3, edited by James McKinley
Kansas City: University of Missouri-Kansas City, Spring 1998
“Dead Child”


Unknown Contributions

ASK THE POET
BOSTON AFTER DARK
BOSTON PHOENIX
THE CIRCULAR RUINS [Scotland]
DE QUINCEY [England]
EDGE [Christchurch , New Zealand]
GHOST SHIP [Ireland]
THE HUNCHBACK IN THE PARK [Wales]
LA BELL ET LA BETE [France]
LA NOTTE [Italy]
THE LITTLE REVIEW
THE NATION, Vol. 213, No. 10 (1971)
OPEN PLACES (Columbia, MO: Stephens College)
THE PARTISAN REVIEW
POETRY NOW, Vol. 1, No. 2 (1975)
THE PORTABLE PLATEAU, Volume 1 Number 1 (1997)
ROAD APPLE REVIEW [Albuquerque]
SEEMS [DeKalb]
STINKTREE [Memphis]
VILLAGE

Piero Heliczer – Contributions to Periodicals

>> return to PIERO HELICZER main page >>

SECTION B:
This index includes contributions to periodicals; entries within years are approximate


1. THE HARVARD ADVOCATE, Vol. 138, No. 4, edited by Eugene S. Dodd
Cambridge: The Harvard Advocate, March 1955
Heliczer contribution: “Guide to Ancient Sicily” [poem], “I Saw the Last One Fall” [poem]




2. I.E. THE CAMBRIDGE REVIEW, No. 3, edited by Robert Peirce
Cambridge: The Cambridge Review, Spring 1955
Heliczer contribution: “Dawn” [poem]





3. THE HARVARD ADVOCATE, Vol. 128, No. 1, edited by Eugene S. Dodd
Cambridge: The Harvard Advocate, September 1955
Heliczer contribution: “The Salesmen in their Youth” [poem]
[not in archive]


4. THE HARVARD ADVOCATE, Vol. 129, No. 2, edited by Eugene S. Dodd
Cambridge: The Harvard Advocate, November 1955
Heliczer contribution: “The Tree of Knowledge Tree” [prose]
[not in archive]


5. THE HARVARD ADVOCATE, Vol. 129, No. 3, edited by Eugene S. Dodd
Cambridge: The Harvard Advocate, December 1955
Heliczer contribution: “Conduct Since Birth” [poem]
[not in archive]


6. AUDIENCE, Vol. 2, No. 3, edited by Ralph Maud
Cambridge: Audience, October 1955
Heliczer contribution: “Odalisque, Choice of Disciplines” [poem], “Odalisque, No One’s Young Cat” [poem]
[not in archive]


7. AUDIENCE, Vol. 2, No. 7-8, edited by Ralph Maud
Cambridge: Audience, December 1955
Heliczer contribution: “Vegetable Bacchanal” [poem]
[not in archive]



8. AUDIENCE, Vol. 4, No. 5, edited by Anthony Cowan
Cambridge: Audience, [c. 1956]
Heliczer contribution: “Sunday” [poem]





9. I.E. THE CAMBRIDGE REVIEW, No. 5, edited by Robert Peirce
Cambridge: The Cambridge Review, March 1956
Heliczer contribution: “Antiepithalamion: The Archaic Smile as People Leave the Park” [poem]
[not in archive]



10. ACCENT, Vol. 17, No. 3, edited by Kerker Quinn, et al.
Urbana: Accent, Summer 1957
Heliczer contribution: “Rogan” [poem], “Poem Written with a Green Pencil” [poem]

Note: “Rogan” was collected in Best Poems of 1957: Borestone Mountain Poetry Awards (Stanford University Press, 1958).

11. AUDIENCE A QUARTERLY REVIEW OF LITERATURE AND THE ARTS, Vol. 5, No. 1, edited by Peter Michael Wyman
Cambridge: The Audience Press, May 1957
Heliczer contribution: “White Strawberries” [play], “A Letter” [prose]




12. QUARTERLY REVIEW OF LITERATURE, Vol. 9, No. 3, edited by T. Weiss and Renee Weiss
Annandale-on-Hudson: Bard College, 1958
Heliczer contribution: “Marnie” [poem]
[not in archive]




13. ACCENT, Vol. 18, No. 2, edited by Kerker Quinn, et al. 
Urbana: Accent, Spring 1958
Heliczer contribution: “The Tomb of Henry James (ii)” [play]




14. AUDIENCE A QUARTERLY REVIEW OF LITERATURE AND THE ARTS, Vol. 5, No. 2, edited by Peter Michael Wyman
Cambridge: The Audience Press, Spring 1958
Heliczer contribution: “Dirge for the Poet’s Mother” [poem]




15. PATTERNS, Vol. 2, No. 3, edited by Gladys LaFlamme and J.R. Brownfield
Burlington: Patterns, Spring 1958
Heliczer contribution: “Music for Oboe and Guitar”
[not in archive]



16. THE EDITOR, No. 2, edited by Gerald Bunker and Stephen Kaye
Cambridge and Providence: The Editor, Fall 1958
Heliczer contribution: “Memories” [poem], “In Mourning” [poem], “Unpoem Number One” [poem]
[not in archive]


17. PATTERNS, Vol. 2, No. 4, edited by Gladys LaFlamme and J.R. Brownfield
mags_patterns0204Burlington and Chicago: Patterns, Fall 1958
Heliczer contribution: “Betrothals” [poem], “My Body” [poem]




18. BARBARBER, No. 2, edited by Gerard Bron, Frits Jacobsen, Henk J. Marsman, and Gerard Stigter.
Amsterdam: Barbarber, (c. 1958)
Heliczer contribution: “Introduction” [autobiography], “FVGA xiii” [poem], “Girl Body” [poem]
[not in archive]



19. LEFT BANK THIS MONTH, Vol. 2, No. 1, edited by Ronald Sheridan
Dover: Sheridan Publications, (c. 1959)
Heliczer contribution: “Girl Body” [poem]
[not in archive]




20. NEW DEPARTURES, No. 1, edited by Michael Horovitz
mags_newdepartures1Oxford: New Departures, Summer 1959
Heliczer contribution: “Paris, A Scenario for a Silent Movie” [poem]
[not in archive]



21. THE EDITOR, No. 3, edited by Gerald Bunker and Stephen Kaye
Cambridge and Providence: The Editor, Summer 1959
Heliczer contribution: “Broom” [poem]




22. GADFLY, No. 2, edited by Sara Dakin and Olivier Bernier
Cambridge: Gadfly, December 1959
Heliczer contribution: “Harvard Academic” [prose]




23. SENS PLASTIQUE, REVUE MENSUELLE, No. 11, edited by Jean-Jacques Leveque
Pierrefitte-sur-Seine: Sens Plastique, January 1960
Heliczer contribution: “Hundertwasser” [prose]
[not in archive]

Note: Sens Plastique was closely associated with the bookshop-gallery, Le Soleil Dans La Tete, where Heliczer held Dead Language readings. (©BeatBooks.com)

24. TOMORROW, No. 3, edited by Ian Hamilton
Keble College, Oxford: Tomorrow, February – March 1960
Heliczer contribution: “Yesterday is an Avenue of Faith” [poem]



25. NEW DEPARTURES, No. 2/3, edited by Michael Horovitz
London: New Departures, (June)1960
Heliczer contribution: “Wm Byrd” [prose]





26. ISIS, No. 1381, edited by John Spicer
Oxford: Isis, November 1960
Heliczer contribution: “Live Nude Letter to the Mass Aged Isles” [poem]
[not in archive]

Note: The Isis Magazine is a student publication at the University of Oxford, where the magazine was established in 1892. Traditionally a rival to the student newspaper Cherwell, Isis was finally acquired by the latter’s publishing house, Oxford Student Publications Limited, in the late 1990s.  The two publications are named after the two rivers in Oxford, “Isis” being the local name for the River Thames.

27. AUDIENCE QUARTERLY REVIEW OF LITERATURE & THE ARTS, Vol. 7, No. 1, edited by Firman Houghton
Cambridge: The Audience Press, Winter 1960
Heliczer contribution: “How Body of Angel is Maden” [poem], “Suicide for Three Harps and Hand Drum” [poem], “Antiaubade Nymphomania” [poem], “Bedtime Story Incessament” [poem], “A Blue Saint with Uncle Eyes” [poem]

28. OUTBURST, No. 1, edited by Tom Raworth
mags_outburst1
London: Outburst, 1961
Heliczer contribution: “From Wyatt A Play” [poem]





29. POOR OLD TIRED HORSE, No. 7, edited by Ian Hamilton Finlay
Edinburgh: The Wild Hawthorn Press, 1961
Heliczer contribution: “Epilogue” [poem]





30. RHINOZEROS, No. 5, edited by Klaus-Peter Dienst & Rolf-Gunter Dienst
mags_rhino5Hamburg: Langer Peter Verlag, 1961
Heliczer contribution: “Bateau” [poem], “Shuffle” [poem]




31. LOCUS SOLUS, No. 5, edited by John Ashbery, Kenneth Koch, Harry Mathews and James Schuyler
Lans-en-Vercours: Locus Solus Press, 1962
Heliczer contribution: “The Beautiful Ambus” [poem], “The Diving Bell” [poem]
[not in archive]



32. MICA, No. 6, edited by Helmut Bonheim and Raymond Federman
mags_mica6Santa Barbara: Mica, June 1962
Heliczer contribution: “Bateau” [poem]





33. AUDIENCE A QUARTERLY OF LITERATURE & THE ARTS, Vol. 8, No. 4, Issue 50, edited by Firman Houghton
Cambridge: The Audience Press, February 1963
[not in archive]

34. NUL, No. 7, edited by Dirk Claus
Sint Niklaas, Belgium: Paradox Press, 1963
Heliczer contribution: “Leadbelly (A.D. 1882 to 1949)”, “How Body of Angel is Maden”, “The Hermit Mistress”



35. OUTBURST, No. 2, edited by Tom Raworth
mags_outburst2
London: Outburst, 1963
Heliczer contribution: “Buckingham Palace” [poem]





36. NIGHT TRAIN, edited by Johnny Byrne, Lee Harwood, Roger Jones, and Miles
London: Night Train, May 1964
Heliczer contribution: “America” [prose]





37. NIAGARA FRONTIER REVIEW, No. 1, edited by Charles Olson
mags_niagara
New York: Frontier Press, Summer 1964
Heliczer contribution: “Llanto por Lucas Carnach” [poem]




38. POETS AT LE METRO, Vol. 17, edited by Dan Saxon
New York, October 1964
Heliczer contribution: “Some Thing Good” [poem]
[not in archive]



39. JOGLARS, Vol. 1, No. 2, edited by Clark Coolidge and Michael Palmer
Providence: Joglars, Winter 1964
Heliczer contribution: from “The Peacock Vow” [prose]




40. NADADA, No. 2, edited by Timothy Baum with assistance by Gerard Malanga and Robert Cordier
New York, October 1965
[not in archive]

41. THE SPERO, Vol. 1, No. 1, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1965
Heliczer contribution: “Victorian Era” [poem]





42. UNIVERSITY OF TAMPA POETRY REVIEW, No. 4, edited by Duane Locke
Tampa Poetry Review, 1965
Heliczer contribution: “Victorian Era” [poem]





43. THE GREAT SOCIETY, No. 1, edited by Robert J. Rickin and Ira Cohen
mags_greatsociety1
New York: Tompkins Square Books, 1966
Heliczer contribution: “The Death of Stephen Ward” [poem]




44. THE GREAT SOCIETY, No. 2, edited by Robert J. Rickin and Ira Cohen
mags_greatsociety2NY: A Heddaoua Publication, 1967
Heliczer contribution: “Tattoo” [poem]





45. GROWING HAND, edited by Vincent J. Cresciman
mags_growinghandSan Francisco: Growing Hand, 1967
Heliczer contribution: “Harunobu” [play]





46. THE PARIS MAGAZINE, No. 1, edited by George Whitman
mags_parismag
Paris: Shakespeare & Co., October 1967
Heliczer contribution: “Bedtime Story” [poem]





47. THE WORLD, No. 12, edited by Anne Waldman
New York: The Poetry Project, June 1968
Heliczer contribution: “Trois Poemes Damour” [poem]




48. INTRANSIT THE ANDY WARHOL – GERARD MALANGA MONSTER ISSUE, edited by Andy Warhol and Gerard Malanga
Eugene: Toad Press, 1968
Heliczer contribution: “Poem Number One” [poem], “Sunday Night in Victoria Station” [poem], “How Body of Angel is Maiden” [poem]



49. THE ANT’S FOREFOOT, No. 3, edited by David Rosenberg
Toronto: The Coach House Press, Winter 1968-1969
Heliczer contribution: “Abdication of the Throne of Hell 1662” [poem]
[not in archive]

50. MISTLETOE
mags_mistletoenp: Mephistopheles Publications, 1969
Heliczer contribution: [untitled] “it is said that a magician…” [poem]




51. EXTENSIONS, No. 2, edited by Suzanne Zavrian and Joachim Neugroschel
mags_extensions2New York: Extensions, 1969
Heliczer contribution: “Chinatown (for wm burroughs who got into the trolley didnt pay no fare going to chinatown)” [poem]



52. ROOTS FORMING, No. 1, edited by Jeff Woodward.
mags_roots1Monroe: Roots Forming, Summer 1969
Heliczer contribution: “None of This is Going to be Really There (for irene)” [poem]




53. THE ANT’S FOREFOOT, No. 4, edited by David Rosenberg
Toronto: The Coach House Press, Fall 1969
Heliczer contribution: “Elegy for the Avenue B Cinema, for Jack Smith” [prose], “Girl Body” [poem]
[not in archive]



54. EXTENSIONS, No. 4, edited by Suzanne Zavrian and Joachim Neugroschel. 
mags_extensions4New York: Extensions, 1970
Heliczer contribution: “America” [prose]





55. THE ANT’S FOREFOOT, No. 8, edited by Gerard Malanga
Toronto: The Coach House Press, Winter-Spring 1971
Heliczer contribution: “Elle” [poem]
[not in archive]

56. TELEPHONE, No. 8, edited by Maureen Owen
New York: Telephone, 1973
Heliczer contribution: “Longtemps Je Me Suis Couche De Bonne Heure Alphabet Soup” [poem]




57. THE WORLD, No. 26, edited by Anne Waldman
New York: The Poetry Project, Winter 1973
Heliczer contribution: “Abdication of the Throne of Hell 1662” [poem]
[not in archive]




58. POETRY REVIEW, Vol. 67, Nos 1 & 2, edited by Eric Mottram
London: The Poetry Society, 1977
[not in archive]





59. MANDALA, No. 7, edited by Franco Beltrametti
Amsterdam: Montagna Rossa, Jan-Mar 1977
[not in archive]

Judson Crews: Contributions to Periodicals

>> return to Judson Crews main page >>

SECTION C:
This index includes contributions to periodicals; entries within years are listed alphabetically


1948

BERKELEY: A Journal of Modern Culture, No. 4, edited by James Schevill
Berkeley: Bern Porter, 1948


1950

GRYPHON, No. 1, edited by Richard Rubenstein
San Francisco: Gryphon, Spring 1950
“The Asphodel’s Rebuttal”


1951

BELOIT POETRY JOURNAL, edited Chad Walsh and Robert H. Glauber
Beloit: Beloit College, Spring 1951

EPOS, Vol. 3, No. 1, edited by Will and Evelyn Thorne
Branson: Epos, Fall 1951


1952

GOLDEN GOOSE, Vol. 4, No. 5, edited by Richard Wirtz Emerson and Frederick Eckman
Sausalito: Golden Goose Press, October 1952
“Desolate Condor” [poem]


1953

DIFFERENT, Vol. 7, No. 7, edited by Lilith Lorraine
Long Island: Avalon World Arts Academy, Winter 1953


1954

THE ARCHER, Vol. 4, No. 2, edited by Wilfred Brown and Elinor Henry Brown
North Hollywood: Summer (Aug) 1954
“No Weal Like Mighty Adam Gave” [poem]

EMBRYO, No. 1, edited by E. E. Walters
Louisville: Spring 1954

ZEBRA: A Monthly Collection of Original Writing, No. 10
Bristol, November 1954

POETRY, Vol. 83, No. 5, edited by Karl Shapiro
Chicago: Modern Poetry Association, February 1954


1955

CLIMAX, Vol. 1, No. 1, edited by Robert Cass
New Orleans: The Climax Jazz, Art & Pleasure Society of Lower Bourbon Street, 1955

FLAME, Vol. 2, No. 2, edited by Lilith Lorraine
Alpine: Flame Quarterly, Summer 1955

FLAME, Vol. 2, No. 4, edited by Lilith Lorraine
Alpine: Flame Quarterly, Winter 1955

SHEAF, No. 2, edited by E.V. Griffith
Eureka: Sheaf, November 1955
“Rounding the Horn” [poem], “Econdom Eccle Haine” [poem], “Dan Hatch Once T’Sung” [poem]

UNUSUAL, Vol. 1, No. 3
New York: Sidney E. Porcelain, 1955

WHETSTONE: A Literary Quarterly, Vol. 1, No. 1, edited by Jack Lindeman and Edgar H. Schuster
Philadelphia: Whetstone, Spring 1955


1956

POETRY, Vol. 88, No. 1, edited by Henry Rago
Chicago: The Modern Poetry Association, April 1956


1957

EXISTARIA, No. 7, edited by Carl Larsen
Hermosa Beach: Existaria, September-October 1957
“Tital-Tattle-Ation” [poem], “Of the Feather Floating There” [poem]

HEARSE, No. 1, edited by E.V. Griffith
Eureka: Hearse Press, 1957
“Pseudo Pleuronectes Americanus” [poem]


1958

CARAVEL: A Magazine of Verse, edited by Ben Hagglund
Palo Alto, First Quarter 1958

COASTLINES, Vol. 3, No. 3, Issue 11, edited by Gene Frumkin
Hollywood: California Quarterly, Autumn 1958

HEARSE, No. 3, edited by E.V. Griffith
Eureka: Hearse Press, 1958
“Within a High Building Overlooking the Brazos Valley” [poem]

ODYSSEY, Vol. 1, No. 1, edited by R.R. Cuscaden and Ronald Offen
Chicago: Odyssey Spring 1958

POETRY, Vol. 93, No. 3, edited by Henry Rago
Chicago: The Modern Poetry Association, December 1958


1959

COERCION, No. 2, edited by Clarence Major
Chicago: Coercion, Spring 1959
“Marina with Orange” [poem]

THE GALLEY SAIL REVIEW, Vol. 1, No. 2, edited by Stanley McNail
San Francisco: Galley Sail Publications, Spring 1959

THE GRECOURT REVIEW, Vol. 2, No. 2
Northampton: The Grecourt Review, February 1959
“The Complexion of Triumph”

VIGIL, Vol. 1 No. 2
Chicago: Roosevelt University, 1959

THE WHITE DOVE REVIEW, Vol. 1, No. 3, edited by Ron Padgett
Tulsa: White Dove Press, 1959
“An Unspecial Mirth” [poem], “Spots of Lone West” [poem]


1960

FRESCO, Vol. 1, No. 1, edited by William F. Dwyer and Jeorme L. Mazzaro
Detroit: University of Detroit, 1960

INLAND, edited by John Rackham
Salt Lake City: Inland, Autumn 1960
“Aquacade” [poem]

TARGETS, No. 4, edited by W.L. Garner
Sandia Park: Targets, December 1960
“Cut-Throat in Terror Reign” [poem]


1961

HEARSE, No. 6, edited by E.V. Griffith
Eureka: Hearse Press, 1961
“Fair Thoughtful Be Good” [poem], “Leave It In” [poem]

HEARSE, No. 7, edited by E.V. Griffith
Eureka: Hearse Press, 1961
“A Leopard Sleek as Night” [poem]

THE OUTSIDER, No. 1, edited by Jon Edgar and Gypsy Lou Webb
New Orleans: Loujon Press, Fall 1961
“Pastoral” [poem], “Rel Bore Speng Lule” [poem]

TARGETS, No. 5, edited by W.L. Garner
Sandia Park: Targets, April 1961
“A Ribbon of Callow Gain” [poem]

THE WORMWOOD REVIEW, Vol. 1, No. 3, edited by Marvin Malone and Alexander Taylor
Storrs: Wormwood Review Press, 1961
“Seeker” [poem], “The Mountain Penial” [poem]

THE WORMWOOD REVIEW, Vol. 1, No. 4, edited by Alexander Taylor and Marvin Malone
Storrs: Wormwood Review Press, 1961
“Love Poem” [poem]


1962

BITTEROOT
Fall 1962

MICA, No. 6, edited by Helmut Bonheim and Raymond Federman
Santa Barbara: Mica, June 1962
“The Cross Let Captive” [poem]

RENAISSANCE, Vol. 1, No. 2, edited by John Bryan
San Francisco: Renaissance Publications, January 1962
“Staid” [poem]

SIGNET, Vol. 4, No. 11, edited by S.T. Friedman
Alamo: Signet, November 1962

TARGETS, No. 10, edited by W.L. Garner
Sandia Park: Targets, June 1962
“Long Lost Precisions” [poem]

THE WORMWOOD REVIEW, Vol. 2, No. 3, Issue 7, edited by Marvin Malone and Alexander Taylor
Storrs: Wormwood Review Press, 1962
“We Have Known” [poem]


1963

THE BLACK CAT REVIEW, No. 2, edited by Neeli Cherry
San Bernardino: The Black Cat Review, March 1963
“Exploratory” [poem], “No Poor Loss Like This” [poem]

EVERGREEN REVIEW, Vol. 7, No. 28, edited by Barney Rosset
New York: Grove Press, 1963

GENESIS WEST, Vol. 1, No. 3, edited by Gordon Lish
Burlingame: Chrysalis West Foundation, Spring 1963
“Of Deathless Law” [poem]

SUM, No. 1, edited by Fred Wah
Albuquerque: Sum, December 1963
“Slade Slatter in a Down-Draft Drizzle” [poem], “Sutter’s Canyon in Half Day Light” [poem]

TARGETS, No. 14, edited by W.L. Garner
Sandia Park: Targets, June 1963
“I Heard Her Song” [poem]

WILD DOG, No. 2, edited by Geoffrey Dunbar
Pocatello: Wild Dog, April 1963
“A Wattle” [poem], “Coast at Clear” [poem], “The Bridal Path” [poem]

WILD DOG, No. 4, edited by John Hoopes
Pocatello: Wild Dog, July 1963
“A Fortification” [poem], “Dorm Dorm the Winter Grain” [poem]

THE WORMWOOD REVIEW, Vol. 3, No. 2, Issue 10, edited by Marvin Malone and Alexander Taylor
Storrs: The Wormwood Review Press, 1963
“Lobotomy” [poem], “The Lash” [poem], “Winter Vacation” [poem]


1964

ANTE, No. 1, edited by William Harris
Los Angeles: Echo Press, Summer 1964

A POETRY NEWSLETTER, No. 2, edited by Richard Morris
Albuquerque: Desert Review Press, 1964

BLUE BEAT, No. 1, edited by George Montgomery and Erik Kiviat
New York: Yowl Publications, March 1964
“Love Without Courage” [poem], “Wake” [poem]

THE DESERT REVIEW, No. 1, edited by Ward Abbott and Bryant Cashion
Albuquerque: The Desert Review Press, Spring 1964
“Concerning Particulars” [poem], “Epithalmia” [poem], “Mountain Winter” [poem], “She Loves Me Not” [poem]

THE FIDDLEHEAD, No. 62
Fredericton: University of New Brunswick, Fall 1964

GRANDE RONDE REVIEW, No. 1, edited by Michael Andrews and Ben L. Hiatt
La Grande: Grande Ronde Review, Fall 1964
“Contemporary Ballad” [poem], “Thing and Essence” [poem]

GRIST, Vol. 1, No. 4, edited by Robert Rusk and John Fowler
Lawrence: Abington Book Shop, December 1964
“Red Cunning and Creme de Minthe” [poem], “The Blood on Our Hands” [poem]

INTREPID, No. 3, edited by Allen De Loach
New York: Intrepid, July 1964
“Spring Betime” [poem]

KAURI, No. 3, edited by Will Inman
New York: Kauri, July-August 1964
“Pastoral” [poem]

KAURI, No. 4, edited by Will Inman
New York: Kauri, August-September 1964
“A Day in the Sun” [poem], “Please Court Dumb” [poem]

KAURI, No. 5, edited by Will Inman
New York: Kauri, November-December 1964

MARRAHWANNAH QUARTERLY, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1964
“Medical Science” [poem]

OLE, No. 1, edited by Douglas Blazek
Bensenville: The Mimeo Press, 1964
“A Leopard Sleek as Night” [poem], “Abe Went with the Roman Clan” [poem]

POETRY REVIEW, No. 2, edited by Duane Locke
Tampa: University of Tampa, August 1964
“To Put a Rose Upon It” [poem]

POTPOURRI, No. 2, edited by Carlos Reyes
Seattle: Body Press, 1964

THE SILVER CESSPOOL, No. 4, edited by d.a. levy
Cleveland: Renegade Press, 1964
“The Brain in the Weather” [poem], “Thoughts on Returning” [poem]

SUM, No. 2, edited by Fred Wah
Albuquerque: Sum, February 1964
“Fruit Juice” [poem]

THEO, Vol. 1, No. 1, edited by Frank Murphy and Jonas Kover
New York: Theo Publications, 1964
“Kind, No Winsome Maid Would Question” [poem], “Whisper No Loon is Gear” [poem]

THEO, Vol. 1, No. 2, edited by Frank Murphy and Jonas Kover
New York: Theo Publications, Fall 1964
“Rime Upon the Runic

WILD DOG, No. 7, edited by Drew Wagnon and Ed Dorn
Pocatello: Wild Dog, April 1964
“Where the Will Resides” [poem], “Wrest Over” [poem]

WILD DOG, No. 8, edited by Drew Wagnon and Ed Dorn
Pocatello: Wild Dog, May 1964
“Reth for Wreath for Ever” [poem]

WILD DOG, No. 11, edited by Gino Clays and Drew Wagnon
Salt Lake City: Wild Dog, October 1964
“Purity” [poem], “The Horse with the Cokleburs in Its Fetlocks” [poem]

THE WORMWOOD REVIEW, Vol. 4, No. 1, Issue 13, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1964
“Being Thankless” [poem], “Japenese Garden” [poem]

YOWL, No. 6, edited by George Montgomery and Erik Kiviat
New York: Bluebeat Publications, May 1964
“Shut the Bud Blooming in Holy” [poem]

YOWL, No. 7, edited by George Montgomery and Erik Kiviat
New York: Bluebeat Publications, September 1964
“The Dream” [poem]


1965

THE BLACK CAT REVIEW, No. 3, edited by Neeli Cherry
San Bernardino: The Black Cat Review, June 1965
“Judas: A Funeral Lilt” [poem]

BLITZ, No. 2, edited by Bobby Watson and Mel Buffington
La Grande: Mad Virgin Press,1965
“Millenium” [poem], “Vilely I Have Taken” [poem]

CAMELS COMING, No. 1, edited by Richard Morris
Reno: Camels Coming, August 1965
“Flaunting Eagles, I Beseech You” [poem]

CAMELS COMING, No. 3, edited by Richard Morris
Reno: Camels Coming, October 1965
“Pierre, Submerged and Floating” [poem]

FROM A WINDOW, No. 3, edited by Paul Malanga and Bobby Byrd
Tucson: From a Window, October 1965
“Benadam Hick Pat” [poem], “I Have Sat” [poem], “The Clue of the Motionless Gander” [poem], “To Clean Out a Tunnel” [poem]

THE GOODLY COMPANY, No. 2, edited by G. Russell Morgan
Kalamazoo: Goodly Co, April 1965
“Born-A-Lier Bulltoven” [poem]

THE GOODLY COMPANY, No. 4, edited by G. Russell Morgan
Kalamazoo: Goodly Co, December 1965
“Bulltoven’s Other Brother” [poem], “When Since” [poem]

GRANDE RONDE REVIEW, No. 3, edited by Ben L. Hiatt
La Grande: Grande Ronde Review, Summer 1965
“Concert of Happy Myth” [poem], “Deed Oh Moon Kept Come” [poem], “Lief in Barenfolded Gain” [poem]

GRIST, No. 5, edited by John Fowler
Lawrence: Abington Book Shop, April 1965
“Dirge without Calla Lillies” [poem], “Sprung in Plummet in Plume” [poem], “Time Diversion” [poem]

ILLUMINATIONS, No. 1, edited by Norman Moser
San Francisco: Illimination Press, Summer 1965

JACARANDA, No. 6, edited by Joel Climenhaga
Canton: Transient Press, February 1965
“If But for The Queen” [poem], “Evaporation” [poem], “Mortal Cone in Muddle Brain” [poem], “Sin the Seemly Cannonade” [poem]

MAGAZINE, No. 2, edited by Kirby Congdon
New York: Crank Books, 1965
“The Goddess” [poem]

MOTIVE, Vol. 25, No. 5, edited by B.J. Stiles
February 1965

THE WORMWOOD REVIEW, Vol. 5, No. 2, Issue 18, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1965
“Reductio as Absurdum” [poem], “Some Sight of Maybe Moon” [poem]

THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 19, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1965
“A Feather Duster” [poem], “Abiding Time” [poem], “An Asinine Observance” [poem], “An Interlude” [poem], “Cuculiform” [poem], “Did Ever” [poem], “Early Bird” [poem], “Fall Is With Us” [poem], “From the Virgin Islands” [poem], “I Lighted a Fire” [poem], “In My Life” [poem], “Letter to Bill” [poem], “Past a Sunlit Terrace” [poem], “Seeing Suddenly” [poem], “So Her” [poem], “Stated Simply” [poem], “Time for Prayer” [poem]


1966

EARTH, No. 2, edited by Steve Richmond
Santa Monica: Earth Books & Gallery, 1966
“An Evening in December” [poem]

THE GOODLY COMPANY, No. 7, edited by G. Russell Morgan
Kalamazoo: Goodly Co, November 1966
“The Distances” [poem]

GRIST, No. 8, edited by John Fowler
Lawrence: Abington Book Shop,1966
“To Wring Some Water Out” [poem]

INTREPID, No. 6, edited by Allen De Loach
New York: Intrepid, 1966
“Essence” [poem], “Now Beholden” [poem], “Some Family Relations” [poem]

IT, No. 5, edited by J.D. Whitney
Detroit: It, May 1966
“What Are You” [poem]

OUTCAST, No. 1, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, 1966
“Perception” [poem]

OUT OF SIGHT, Vol. 1, No. 1, edited by Gino Clays
San Francisco: Kamikaze Press, 1966
“From Youth” [poem], “Sloe Tree, Bushed and Spangled” [poem]

SHOWCASE, No. 2, edited by James Gove
Barstow: Showcase, November-December 1966
“Withold” [poem], “The Power Engine” [poem]

SHOWCASE, No. 3, edited by James Gove
Barstow: Showcase, July 1966
“Cruel and Any Kind” [poem], “Lemon Mayoley” [poem]

SYMPTOM, edited by David Tammer
University Park: Symptom, Spring 1966


1967

THE GOODLY COMPANY, No. 9, edited by G. Russell Morgan
Kalamazoo: Goodly Co, June 1967
“White” [poem]

THE GOODLY COMPANY, No. 10, edited by G. Russell Morgan
Kalamazoo: Goodly Co, November 1967
“Even If” [poem], “Fiesta Brava” [poem], “Stalemate” [poem]

GRANDE RONDE REVIEW, No. 7, edited by Ben L. Hiatt
La Grande: Grande Ronde Review, 1967
“Cosmic Geography” [poem], “Once and For All” [poem], “The Barber’s Apprentice” [poem]

INTREPID, No. 7, edited by Allen De Loach
New York: Intrepid, March 1967
“A Poet’s Breath” [poem], “Burst Forth” [poem], “Canonical” [poem], “Hope Scape Bish-Bop” [poem], “Muse Over” [poem], “Some Finality or Other” [poem]

LATITUDES, No. 2, edited by Robert Bonazzi
Houston, Summer 1967

THE OTHER, No. 4, edited by Richard Mangelsdorff
Milwaukee: The Other, 1967
“Delayed Voyage” [poem], “To Rid the Stable” [poem]

OUTCAST, No. 4, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, January 1967
“I Was Writing” [poem]

RUNCIBLE SPOON, Vol. loud, No. yes!, edited by D.r. Wagner and Barbara O’Connelly
Carmichael: The Runcible Spoon, 1967
“Fairey Islander” [poem]

THE WORMWOOD REVIEW, Vol. 7, Nos. 3-4, Issues 27-28, edited by Marvin Malone
Storrs: The Wormwood Review, 1967
“Because Of” [poem], “If God” [poem], “The Naming of Trees” [poem]


1968

ALDEBARAN REVIEW, No. 2, edited by John Oliver Simon
Berkeley: Aldeberan Review, 1968
“Mammoth of Earth” [poem], “Marsh Gut” [poem], “Summer is Over” [poem]

ILLUMINATIONS, No. 4, edited by Norman Moser
San Francisco: Illuminations Press, Winter 1968-69

MOTHER, No. 11, edited by Ronald Caplan
Pittsburgh: Mother Press, 1968
“Pill For” [poem], “The Mortification of Deacons” [poem]

WORDJOCK, No. 4, edited by Charles Tidler
West Layfayette: Wordjock, November 1968
“In Reed of Wound” [poem], “King Haul to Rome” [poem], “Petter Unsane Mal” [poem], “Swabbie Wan Satchel Ayne” [poem], “The Meathodical Sea Nymph”

THE WORMWOOD REVIEW, Vol. 8, No. 3, Issue 31, edited by Marvin Malone
Storrs: The Wormwood Review, 1968
“At the Tobacconist” [poem], “Delineation” [poem]


1969

ARX, Vol. 2, No. 11, edited by Bill B. Brooks
Austin: Arx Foundation, August 1969

ATOM MIND, Vol. 1, No. 4, edited by Gregory Smith
Albuquerque: Mother Road Publications, Spring 1969
[untitled] “I too / would cry out…” [poem]

ATOM MIND, Vol. 2, No. 6, edited by Gregory Smith
Albuquerque: Mother Road Publications, Fall 1969
“Well, Anyhow” [poem]

THE GOLIARDS, No. 7, edited by Jerry Burns
San Francisco: Goliards Press, 1969

ISINGLASS REVIEW, Vol. 3, No. 1
Burlington, Winter 1969

NOLA EXPRESS, Issue 44
New Orleans: Southern Louisiana Media Corporation, 1969
“Telegraph Pole” [poem]

OUTCAST, No. 15, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, October 1969
“The Wild One” [poem]

QUIXOTE, Vol. 5, No. 4, edited by Morris Edelson
Madison: Quixote, 1969
“I Won’t” [poem], “The Legacy of War” [poem], “Herded” [poem]

SUMAC, Vol. 1, No. 2, edited by Dan Gerber and Jim Harrison
Fremont: Sumac Press, Winter 1969
“No Ultimate Sacrilege” [poem], “Season of Autumn Light” [poem]

THE WORMWOOD REVIEW, Vol. 9, No. 1, Issue 33, edited by Marvin Malone
Storrs: The Wormwood Review, 1969
“Senile” [poem], “She Was Waiting” [poem]


1970

ALDEBARAN REVIEW, No. 8, edited by John Oliver Simon
Berkeley: Aldeberan Review, January 1970
“No Stopping It” [poem]

CENTERING
Berkeley, CA: Mysterious Mountain Press, 1970

DESPERADO, Vol. 1, No. 2, edited by Kell Robertson
1970
“Cow Pens” [poem], “Faceless” [poem]

FOLIO, Vol 6, No. 1
Summer 1970

THE GOODLY COMPANY, No. 15, edited by G. Russell Morgan
Kalamazoo: Goodly Co, April 1970
“How Often” [poem], “Memory, Memory” [poem], “Pastrover” [poem]

NEW: AMERICAN AND CANADIAN POETRY, No. 12, edited by John Gill
Trumansburg: New: A & C Poetrry, April 1970

QUIXOTE, Vol. 6, No. 1, edited by Mossis Edelson
Lodz: Quixote, 1970
“So” [poem]

THE RAG, Vol. 4, No. 19
Austin, March 1970
“Easter Suite” [poem]

THE STONE, Vol. 3, Nos 1-2, edited by Mike Chervenak, Harvy Cording, and Richard Jorgensen
Pennington, Winter-Summer 1970


1971

ALDEBARAN REVIEW, No. 11, edited by John Oliver Simon
Berkeley: Aldeberan Review, December 1971
“Caged” [poem]

DESPERADO, No. 5, edited by Kell Robertson
June 1971
“Alone, You Say You Are?” [poem], “The Commode’s Weather” [poem]

THE GREENFIELD REVIEW, Vol. 1, No. 4, edited by Joseph Bruchac
Greenfield Center: Greenfield Review, 1971

GUM, No. 6, edited by Dave Morice
Iowa City: Gum, September 1971

HEY LADY, Nos. 4-5
Milwaukee: Morgan Press, 1971

THE HUMAN VOICE, Vol. 7, No. 3, edited by D.V. Smith
Homestead: Olivant Press, 1971

INTREPID, No. 18-19, edited by Allen De Loach
New York: Intrepid, Winter 1971
“For Shame in the Shadows” [poem], “The Exit” [poem], “The Returned Mariner” [poem]

LEMMING, No. 1, edited by Jim Gove
San Diego: Lemming, Winter 1971

PENUMBRA, No. 10, edited by Charles Haseloff
New York, Fall 1971
“Postmortem” [poem]

TOOTHPASTE, No. 5, edited by Allan Kornblum
Iowa City: Toothpaste Press, 1971
“Flock” [poem]

THE WORMWOOD REVIEW, Vol. 11, No. 3, Issue 43, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1971
“Bailey I Put” [poem], “Hobert Said” [poem]


1972

ASPHALT, No. 4, edited by Richard Paterson
Yellow Springs: Asphalt, 1972

DESPERADO, No. 7, edited by Kell Robertson
1972
“Goddesses” [poem], “She Had” [poem], “That He Should Live So Long” [poem]

LOCO MOTIVES, edited by Enrique R. Lamadrid and David Teodoro Benedetti
Albuquerque, NM: Peyote Puke Press / Associated Small Presses, 1972

PENUMBRA, No. 11, edited by Charles Haseloff
New York: Penumbra, Fall 1972
“The Lease of Ruin” [poem]

SECOND COMING, Vol. 1, No. 2, edited by A. D. Winans
San Francisco: Second Coming Press, Summer 1972
“In Fact” [poem]

ZAHIR, Vol. 1, Nos. 4-5, edited by Diane Kruchkow
Durham: Zahir, 1972
[untitled] “Classic in the deamoned service…” [poem]. “Eyes That” [poem], “I Wanted Even” [poem], “Is This” [poem]


1973

GRANDE RONDE REVIEW, [un-numbered issue], edited by Ben L. Hiatt
Folsom: Grande Ronde Press, Spring 1973
“She Shut” [poem], “The Wager” [poem], “When You Crouch” [poem]

WIND, No. 9, edited by Howard Quentin
Pikeville: Wind, 1973

THE WORMWOOD REVIEW, Vol. 13, No. 2, Issue 50, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1973
“Hard Times” [poem], “The Visitor” [poem], “You Would Like” [poem]

THE WORMWOOD REVIEW, Vol. 13, No. 4, Issue 52, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1973
“As Time Passes” [poem], “As You” [poem], “I Love Jane” [poem]


1974

EVERYMAN, edited by Christopher Franke
Cleveland: Cuyahoga Community College, Summer 1974

STONE COUNTRY, Vol. 74, No. 2, edited by Judy Neeld
Madison: Stone Country Press, 1974

STONE COUNTRY, Vol. 74, No. 3, edited by Judy Neeld
Madison: Stone Country Press, 1974

STONEY LONESOME, No. 4, edited by Richard Pflum, Roger Pfingston, and David Wade
Nosferatu Press 1974

WHITE ARMS MAGAZINE, No. 1, edited by Jim Jordan
Fort Wayne: White Arms Magazine, April 1974


1975

BLACK BEAR REVIEW: A Magazine of the Arts, Vol. 1, No. 3, edited by James Taylor
Taos: Black Bear Review, Fall 1975

THE COLDSPRING JOURNAL, No. 8, edited by Charles Plymell and Pamela Beach Plymell
August-September 1975
“As If All” [poem], “Seeing An” [poem]

SCREE, No. 3, edited by Kirk Robertson and nila northSun
Missoula: Porky Press for Duck Down Press, 1975

STONE COUNTRY, Vol. 75, No. 2, edited by Judy Neeld
Madison: Stone Country Press, 1975

TELEPHONE, No. 10, edited by Maureen Owen
New York: Telephone Books Press, 1975
“San Francisco” [poem]

WINE RINGS, Vol. 1, No. 2
1975
[untitled] “Where / It’s put / together…” [poem]

THE WORMWOOD REVIEW, Vol. 15, No. 2, Issue 58, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1975
“A Mangled” [poem], “As Knotty a Question” [poem], “Because You” [poem], “Bulltoven Once” [poem], “Cats All Day” [poem], “Conned Out” [poem], “Easter Suite” [poem], “Enraptured Nude” [poem], “Epi-Gratis” [poem], “Every Electrical” [poem], “Examining” [poem], “Holed Up Three Days” [poem], “I Haven’t Spoke” [poem], “I Should Not” [poem], “If My Fragmented” [poem], “It Was” [poem], “Jesus Ranch” [poem], “No, 1” [poem], “Open” [poem], “Sand-Blasting” [poem], “So I Know” [poem], “Suppose Tomorrow” [poem], “The Current” [poem], “The Floor Level” [poem], “The Plain Sun” [poem], “The Sins” [poem], “To Breathe” [poem], “Together” [poem], “We Danced Off” [poem], “When I” [poem], “With Remorse” [poem], “Your Cunt” [poem], “Your Existence” [poem]

THE WORMWOOD REVIEW, Vol. 15, No. 4, Issue 60, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1975
“In a Bar” [poem], “These Wheels” [poem], “To Carry” [poem]


1976

LA-BAS, No. 4, edited by Douglas Messerli
College Park: La-Bas, November 1976
“Pebble Barren Gain” [poem], “This Cunt of Yours” [poem], “Two Mangy, Poorly” [poem]

SCREE, No. 5, edited by Kirk Robertson and nila northSun
Missoula: Duck Down Press, 1976

STAR-WEB PAPER, No. 6, edited by Thomas Michael Fisher
Los Cruces: All This & Less Publishers, 1976

THE SUNSET PALMS HOTEL, Vol. 4, No. 7, edited by Colman Andrews, Michael C. Ford, and Bill Yaryan
Mt. Alverno Press, Winter 1976

WINE RINGS, Vol. 1, No. 5
1976
“Bike Tyre” [poem], “If You” [poem], “I’ve Not” [poem], “My Breathing” [poem]

ZAHIR, No. 8, edited by Diane Kruchkow
Durham: Zahir, 1976
“A Long Line” [poem], “Helmets” [poem]


1978

EL COQUI, No. 1, edited by E.W. Northnagel
Carolina, PR: Cíbola Studio, 1978


1979

BOSS, No. 5, edited by Reginald Gay
New York: Boss Books, 1979

SECOND COMING, Vol. 7, No. 1, edited by A.D. Winans
San Francisco: Second Coming Press, 1979
“Your Buck” [poem]


1980

PIG IRON, No. 8, edited by Jim Villani
Youngstown: Pig Iron, December 1980

THE WORMWOOD REVIEW, Vol. 20, No. 4, Issue 80, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1980
“A Signature” [poem], “Assuming” [poem], ” Dumb, Dear” [poem], “Flowers” [poem], “If I Had” [poem], “If I Took” [poem], “Mad Dog” [poem], “The Place” [poem]


1981

ANOTHER CHICAGO MAGAZINE, Number 6, edited by Lee Webster
Chicago: Thunder Mouth Press, 1981

CENTER, No. 13, edited by Carol Berge
New York: Center, 1981
“Cochise” [prose]

WAVES, Vol. 1, No. 4, edited by Eric Torgersen
Central Michigan University, 1981


1982

LOST AND FOUND TIMES, No. 12, edited by John M. Bennett
Columbus: Luna Bisonte Productions, October 1982
“For Elephant Bamboo” [poem], “The Wall” [poem]


1983

ANOTHER CHICAGO MAGAZINE, Number 9, edited by Lee Webster
Chicago: Thunder Mouth Press, 1983

THE BELOIT POETRY JOURNAL, Vol. 33 No. 3, edited by David M. Stocking
Beloit Poetry Journal, Spring 1983

LUCKY STAR, Vol. 1, No. 3, edited by Henry Kranz
Oak Park: Erie Street Press, April 1983


1984

CENTER, No. 13, Final issue, edited by Carol Berge
New York: Center, 1984

ORO MADRE MAGAZINE, Vol. 2, No. 3-4, edited by Loss and Jan Glazier
Fremont: Ruddy Duck Press, 1984

STAR-WEB PAPER, No. 8, edited by Thomas Michael Fisher
Los Cruces: All This & Less Publishers, 1984


1986

SECOND COMING, Vol. 14, No. 1, edited by A.D. Winans
San Francisco: Second Coming Press, 1986


1989

LACTUCA, No. 12, edited by Mike Selender
Suffern: Lactuca, February 1989
“A Descent into the Depths Would Have Changed” [poem], “The Windows I have Stared Out of Looking” [poem], “Skin or Sheen as it Fails to Coalesce” [poem], “If He Swam at all It Was in a Religion” [poem], “A Black Sash Was All She Had” [poem], “If the Bark Comes off the Sheen of Branch” [poem], “I’ve Seen Worse, as They Say, Without Even” [poem]

LOST AND FOUND TIMES, No. 25, edited by John M. Bennett
Columbus: Luna Bisonte Productions, December 1989
“A Carnation Suggesting You Bruised” [poem]

NEW YORK QUARTERLY, No. 39, edited by William Packard
New York: The National Poetry Foundation, Summer 1989


1990

NEW YORK QUARTERLY, No. 43, edited by William Packard
New York: The National Poetry Foundation, Fall 1990


1991

LACTUCA, No. 14, edited by Mike Selender
Suffern: Lactuca, May 1991
“This Guarded Epiphany That Grabbed Me” [poem], “How Exquisite I Thought Ed Corbet’s” [poem], “Your Platinum Eyes and Bronze” [poem], “If Those Bodies Are Only Objects-” [poem], “If One Should Be Thought a Freak Because Of” [poem], “The Idea” [poem]

NEW YORK QUARTERLY, No. 44, edited by William Packard
New York: The National Poetry Foundation, 1991

NEW YORK QUARTERLY, No. 45, edited by William Packard
New York: The National Poetry Foundation, 1991

PEARL, No. 14, edited by Joan Jobe Smith and Marilyn Johnson
Fountain Valley: Pearl, Fall/Winter 1991


1992

ATOM MIND, Vol. 3, No. 9, edited by Gregory Smith
Albuquerque: Mother Road Publications, 1992

CHIRON REVIEW, Vol. 11, No. 1, edited by Michael Hathaway
St. John: Chiron Review, Spring 1992

Carl Larsen – Contributions to Periodicals

>> return to CARL LARSEN main page >>

SECTION C:
This index includes contributions to periodicals; entries within years are listed alphabetically


1956

1. NEW ATHENAEUM, No. 1, edited by Will Tullos
Lake Como: New Athenaeum Press, Summer 1956
“I Heard a Woman Weeping” [poem]





2. THE ARCHER, Vol. 6, No. 3, edited by Wilfred Brown and Elinor Henry Brown
North Hollywood: The Archer, Autumn/Winter (Dec) 1956
“I Walked with the Rain” [poem]




3. COASTLINES, Vol. 2, No. 2, Issue 6, edited by Mel Weisburd
Los Angeles: Coastlines, Winter 1956
“Auto Da Fe” [poem]





4. EPOS, Vol. 8, No. 2, edited by Evelyn Thorne and Will Tullos
mags_epos0802Lake Como: Epos, Winter 1956
“I Cannot Live” [poem]






1957

5. ARK, No. 3, edited by James Harmon
San Francisco: Ark, Winter 1957
“The Work of Hands: 8” [poem], “The Work of Hands: 11” [poem]




6. COASTLINES, Vol. 3, No. 1, Issue 9, edited by Mel Weisburd
Hollywood: Coastlines, Winter 1957-58
“Letter to Clarence Major” [prose]





7. DANSE MACABRE, Vol. 1, No. 1, edited by R.T. Baylor
Manhattan Beach: Danse Macabre, 1957
“The Children Are Watching” [poem]





8. EMERGENT, Vol. 1, No. 1, edited by James M. Singer Jr.
Gardena: Henny Penny Press, Winter 1957
“An Account to the Best of My Memory of the Strange and Interesting Events Which Took Place on October 7” [prose]



9. THE FREE LANCE, Vol. 4, No. 2, edited by Adelaide Simon
Cleveland: The Free Lance, Last Half 1957
“The Right to Stand in Line” [poem], “Eating Subgum War Mein” [poem]




10. HEARSE, No. 1, edited by E. V. Griffith
Eureka: Hearse Press, 1957
“Prelude to the Big Blast” [poem]





11. THE NAKED EAR, No. 2, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
“Summer Song #2” [poem], “Song to Be Sung to the Tuna” [poem]




12. THE NAKED EAR, No. 5, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
“Patterns on a Sea Wall #32” [poem]





13. THE NAKED EAR, No. 8, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
“The Work of Hands: 7” [poem]





14. NEON, No. 3, edited by Gilbert Sorrentino
Brooklyn: Neon Magazine, 1957
“Three Rather Obvious Images from the Penultimate Morning” [poem], “Not Us We Love the Dirty ‘…’s”, ” [poem], “Pastels in Smoke and Liquid” [poem], “The Big Hoop-Hoop at 38th Street” [prose]

15. SIMBOLICA, No. 15, edited by Ignace Ingianni
San Francisco: Simbolica, (1957)
“Rondeau #3” [poem], “Rondeau #5” [poem], “Rondeau #7” [poem], “Rondeau #9” [poem]





1958

16. THE COERCION REVIEW, No. 1, edited by Clarence Major
Chicago: Coercion, Summer 1958
“I Lay My Dying Children” [poem]





17. EPOS, Vol. 9, No. 4, edited by Evelyn Thorne and Will Tullos
Lake Como: Epos, Winter 1958
“Mss. Found in a Baby” [poem]





18. HEARSE, No. 3, edited by E. V. Griffith
mags_hearse03Eureka: Hearse Press, 1958
“Contemporary Silence” [poem]





19. THE MISCELLANEOUS MAN, No. 14, edited by William J. Margolis
San Francisco: The Miscellaneous Man, 1958
“Square Like The World” [prose], “Contemporary Impression No. 1” [poem], “Contemporary Impression No. 6” [poem],  “Contemporary Impression No. 9” [poem]


20. WHETSTONE, Vol. 3, No. 1, edited by Jack Lindeman
Philadelphia: Whetstone, 1958
“Salvation” [poem]


1959

21. THE COERCION REVIEW, No. 2, edited by Clarence Major
Chicago: Coercion, Spring 1959
“Ode to a Model 403 IBM Accounting Machine” [poem]




22. EPOS, Vol. 11, No. 1, edited by Evelyn Thorne and Will Tullos
Crescent City: Epos, Fall 1959
“The Transient Heart” [poem]





23. GALLOWS, No. 1, Jon T. Griffith
mags_gallows01Eureka, Octo­ber 1959
“Contemporary Impression #4” [poem]





24. WHITE DOVE REVIEW, Vol. 1, No. 3, edited by Ron Padgett
Tulsa: White Dove Press, 1959
“Crap and Cauliflower” [poem]






1960

25. COASTLINES, Vol. 4, Nos. 2-3, Issue 14-15, edited by Gene Frumkin
mags_coastlines1415Los Angeles: Coastlines, Spring 1960
“Memo from an Untidy Little Universe: 1” [poem], “Memo from an Untidy Little Universe: 2” [poem]




26. ELEMENT, Vol. 1, No. 1, edited by Robert Vaughan
Glendora: Element, 1960
“Suspend This Instant” [poem]





27. IMPETUS, No. 4, edited by Guy Owen and William E. Taylor
Deland: Stetson University, Summer 1960
“Needle”  [poem], “And Weeping with the Sea” [poem]




28. INLAND, Vol. 3, No. 3, edited by John Rackham
Salt Lake City: Inland, Winter 1960
“Death of a Single Thing” [poem]





29. NOMAD, No. 5-6, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Winter-Spring 1960
“A Modest Proposal or Nabokov’s Folly” [prose], “The Death of Johnny Peyote, from a novel-in-progress” [prose]



30. NOMAD, No. 7, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Summer 1960
“This End of the Sky: 5” [poem]





31. QUICKSILVER, Vol. 13, No. 1, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth : Quicksilver, Spring 1960
“I Ask to Lay My Soul” [poem]





32. QUICKSILVER, Vol. 13, No. 3, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth, Autumn 1960
“We Climb to Blank the Stars” [poem]





33. SAN FRANCISCO REVIEW, Vol. 1, No. 4, edited by R. H. Miller
San Francisco: San Francisco Review, March 1960
“This End of the Sky: 3” [poem], “In Memory of Civilization” [poem]




34. SIMBOLICA, No. 18, edited by Ignace Ingianni
San Francisco: Simbolica, (1960)
“To the Negro Castrated for Looking at Scarlet O’Hara”




35. WHITE DOVE REVIEW, Vol. 2, No. 5 , edited by Ron Padgett
Tulsa: White Dove Press, Summer 1960
“An Age of Winter” [poem]






1961

36. BEATITUDE/EAST, No. 17, edited by C.V.J. Anderson
New York: Beatitude Press, 1961
“Patterns on a Sea Wall: 13” [poem],  “Patterns on a Sea Wall: 14” [poem], “Patterns on a Sea Wall: 15” [poem], “Patterns on a Sea Wall: 16” [poem], “Patterns on a Sea Wall: 17” [poem], “Patterns on a Sea Wall: 18” [poem], “Patterns on a Sea Wall: 19” [poem], “Patterns on a Sea Wall: 21” [poem]

37. THE BELOIT POETRY JOURNAL, Vol. 11, No. 3, edited Chad Walsh 
Beloit: The Beloit Poetry Journal, Spring 1961
“Attack of the Giant Gnats” [poem]

38. THE FIDDLEHEAD, No. 47, edited by A.G. Bailey
Fredericton: The Fiddlehead, Winter 1961
“The Work of Hands” [poem]

39. THE FREE LANCE, Vol. 6, No. 2, edited by Casper L. Jordan
Cleveland: The Free Lance, 1961
“Godlovecountrymotherhome” [poem]





40. THE GALLEY SAIL REVIEW, Vol. 3, No. 2, edited by Stanley McNail
San Francisco: The Galley Sail Review, Fall 1961
“After the First Bombing” [poem]

41. LOST WORLD, No. 2, edited by Lorenzo Thomas
New York: Lost World, 1961
“The Sea at Times” [poem], “The Descent of Solomon” [poem]




42. MIDWEST, No. 2, edited by R.R. Cuscaden
mags_midwest02Chicago: Midwest, Summer 1961
“Contemporary Impression: 11” [poem]





43. MUTINY, Vol. 3, No. 3, edited by Jane Esty and Paul Lett
Northport: Mutiny Press, Summer 1961
“From our Far-Flung Agents”





44. QUICKSILVER, Vol. 13, No. 3, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth, Autumn 1961
“The Moral Observations of Edward Reed: 6” [poem]




45. SIMBOLICA, No. 20, edited by Ignace Ingianni
Tiburon: Simbolica, (1961)
“Notes for the Beginning of Things: 1” [poem]





46. SUN, No. 1, edited by Tracy Thompson
mags_sun01San Francisco: Sun, 1961
“The Sky Desterted” [poem]





47. TARGETS, No. 5, edited by W.L. Garner
Albuquerque, April 1961
“Bill, Feat Not Halitosis” [poem]





48. THE WORMWOOD REVIEW, Vol. 1, No. 4, Issue 4, edited by Marvin Malone
Storrs: The Wormwood Review, 1961
“There is a Little Balloon Coming out of My Head” [poem], “On a Hill Far Away Stood an Old Rugged Cha-Cha-Cha” [poem]




1962

49. BRAND X, No. 7, edited by Carl Larsen
New York: 7 Poets Press, July 1962
“In Unscheduled Ascent” [poem]





50. BRAND X, No. 10, edited by Carl Larsen
New York: 7 Poets Press, October 1962
“Poem Entitled October’s Bright Blue Weather” [poem], “The Good Folks Come to Burn Thee” [poem]



51. COASTLINES, Vol. 5, No. 3, Issue 19, edited by Curtis Zahn
Santa Monica: Coastlines, 1962
“O The Moon Shines Bright, It’s Radioactive” [poem]




52. LIBERATION, Vol. 6, No. 11, edited by Dave Dellinger
New York: Libertarian Press, January 1962
“The Work of Hands: 3” [poem]





53. OUTCRY, No. 1, edited by Lee Hollane and C.P. Galle
mags_outcry010Washington D.C.: Poet’s Press, July 1962
“excerpts from The Book of Eric Hammerscoffer”





54. THE WORMWOOD REVIEW, Vol. 2, No. 3, Issue 7, edited by Marvin Malone
Storrs: The Wormwood Review, October 1962
“How I Got to Be 28 Years Old and All My Friends are a Success Except Me”, “Larsen’s Decameron”, “Clyde and Martha”




1963

55. BLACK CAT REVIEW, No. 2, , edited by Neeli Cherry
San Bernardino: The Cherry Press, March 1963
“Fugue for Tracy Thompson” [poem]





56. SCIAMACHY, No. 5, edited by Millea Levin
mags_sciamachy05Winnetka: Sciamachy, 1963
“An Apology, a Face for Granted” [poem] 





57. SCIMITAR AND SONG, Vol. 26, No. 4, edited by Lura Thomas McNair
Sanford: Scimitar and Song, October 1963
“Let Us Believe Together This” [poem]





58. THE WORMWOOD REVIEW, Vol. 3, No. 1, Issue 9, edited by Marvin Malone 
Storrs: The Wormwood Review, 1963
“How I Discovered The Secrets of Nature and Met My Sad End Alas” [poem], “The Giant Gnats at the Hungry I” [poem]



59. THE WORMWOOD REVIEW, Vol. 3, No. 3, Issue 11, edited by Marvin Malone 
Storrs: The Wormwood Review, 1963
Special center-section: Carl Larsen’s The Stainless Steel Incubus, in two parts: “Advertisement for an Android” [poem], “Leah” [poem]



60. THE WORMWOOD REVIEW, Vol. 3, No. 4, Issue 12, edited by Marvin Malone 
Storrs: The Wormwood Review, 1963
“Anonymous  Note, Among Camellias” [poem]






1964

61. COFFIN, No. 1, edited by E.V. Griffith
Eureka: Hearse Press, 1964
“Notes for The Beginning of Things: 4” [poem]





62. FERMENT, No. 4, edited by Joel Climenhaga
Canton: Transient Press, July 1964
“Clyde and Martha (The Aging Beatniks)” [poem]

63. FERMENT, No. 5, edited by Joel Climenhaga
Canton: Transient Press, October 1964
“Notes from Ground Zero” [poem]

64. JACARANDA, No. 4, edited by Joel Climenhaga 
Canton: Transient Press, December 1964
“The Toad King” [poem], “And no Concentric Crumbling Pyramid” [poem], “Upon Entering a Coffee House…” [poem], “Clyde and Martha (The Aging Beatniks)” [poem], “In Defense of the Senate Bill…” [poem]

65. GRIST, No. 4, edited by Robert Rusk and John Fowler
Lawrence: Abington Book Shop, December 1964
“Stand Back, Fellas; Let Me Beat That Poor Dead Horse Awhile” [poem]



66. KAURI, No. 5, edited by Will Inman
New York: Kauri, November- December 1964
“Life Cycle and Economy” [poem], “Theme Song Cheer Chant for July 4th 1964” [poem], “The Shelter” [poem]



67. THE MARRAHWANNA QUARTERLY, Vol. 1, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1964
“Clyde and Martha” [poem], “Slumscapes: 4” [poem]




68. OLE, No.1, edited by Douglas Blazek
Bensenville: The Mimeo Press, 1964
“Mss. Found Attached to a Harp-String Hanging from the Sky” [prose]




69. THE WORMWOOD REVIEW, Vol. 4, No. 1, Issue 13, edited by Marvin Malone
Storrs: The Wormwood Review, 1964
“Homage to Yevtushenko” [poem]





70. THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 15, edited by Marvin Malone
Storrs: The Wormwood Review, 1964
“The Way to a Woman’s Heart: An Exploratory Operation” [poem]





1965

71. BLACK CAT REVIEW, No. 3, edited by Neeli Cherry
San Bernardino: The Cherry Press, June 1965
“Dock Dialogue” [poem]

72. INPUT, Vol. 2, No. 1, Issue 5, edited by Peter Salmansohn and Frank Roth
Valley Stream: Input, Spring 1965
“A River, Running to The Sea” [poem]





73. KAURI, No. 11, edited by Will Inman
New York: November-December, 1965
“Addenda to a Subway Sign” [poem]





74. SIMBOLICA, No. 24, edited by Ignace Ingianni
Tiburon: Simbolica, (1965)
“The Big Little White Bug Caper of Yesterday Afternoon” [prose], “The Red and the Black” [poem], “Open Letter to Provincetown, Mass.” [poem]


75. THE SPERO, Vol. 1, No. 1, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1965
“Meet Miss Subways” [prose]





76. THE WORMWOOD REVIEW, Vol. 5, No. 2, Issue No. 18, edited by Marvin Malone
Storrs: The Wormwood Review, 1965
“The Memoirs of the Most Successful 30 Year Old Model Boat Builder in the Whole Universe” [prose]




77. THE WORMWOOD REVIEW, Vol. 5, No. 3, Issue No. 19, edited by Marvin Malone
Storrs: The Wormwood Review, 1965
“A Little Play on Words Which I Have Modestly Entitled: Hamlet Prince of Denmark” [prose], “Memo to Bukowski” [poem], “Poem Entitled Untitled Poem” [poem]



1966

78. THE EIGHT PAGER, Series One, Part Four, edited by D.r. Wagner
Niagara Falls: Press Today Niagara, 1966
“Telethong” [poem]





79. ENTRAILS, No. 1, edited by Gene Bloom
New York: Whisper Shit Press, July 1966
“Dick and Jane at the Seashore, or Confessions of an Eternal Compulsion Engine” [prose]




80. HIKA, Vol. 28, No. 3, edited by Michael K. Berryhill and Michael Kirchberger
Gambier: Kenyon College, Spring-Summer 1966
“Wild Animals Couldn’t Keep Me Away from Africa: The Life and Hard Times of a Poem-Writer” [prose], “Tide Rising” [poem]



81. KAURI, No. 12, edited by Will Inman
New York: January-February, 1966
“Unwinding Walls” [poem]





82. KAURI, No. 15, edited by Will Inman
New York: Kauri, July-August 1966
“Text of the President’s Christmas Message as Reprinted from The New York Times, Dec. 25, 1995” [prose]



83. KAURI, No. 16, edited by Will Inman
New York: Kauri, Sep – Oct 1966
“Memo: Commit Suicide & See Pg. 1 of Notes” [prose]




84. THE MARY JANE QUARTERLY, Vol. 2, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1966
“Fractions of Light and Water, Fractions of Flesh” [poem]




85. THE SPERO, Vol. 1, No. 2, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1966
“The World is Made of Snow” [prose]





86. THE WORMWOOD REVIEW, Vol. 6, No. 4, Issue No. 24, edited by Marvin Malone
Storrs: The Wormwood Review, 1966
“Eddie Reed and His Radio Rangers” [poem]






1967

87. CONGRESS, No.2, edited by Sam Seiffer
New York: Congress, 1967
“From This Familiar Room” [poem]






1972

88. THE WORMWOOD REVIEW, Vol. 12, No. 3, Issue 47, edited by Marvin Malone
Stockton: The Wormwood Review, 1972
“Red Cross” [poem], “Third Rail” [poem]






1975

89. SAMISDAT, Vol. 6 No. 4, Issue 15, edited by Merritt Clifton
Berkeley: Samisdat, Autumn 1975
“Idols” [prose]





90. SMALL PRESS REVIEW, Vol. 7, Nos. 10-11, Issue 34-35, edited by Len Fulton
Paradise: Dust Books, Nov-Dec 1975

91. THE WORMWOOD REVIEW, Vol. 15, No. 2, Issue 58, edited by Marvin Malone
Stockton: The Wormwood Review, 1975
“Love Among The Silverware” [poem], “Road to Mecca” [poem]





1977

92. THE WORMWOOD REVIEW, Vol. 17, Nos. 1-2, Issues 65-66, edited by Marvin Malone
Stockton: The Wormwood Review, 1977
“Sands of Sorrow” [play]






1979

93. CENTER, No. 12, edited by Carol Bergé
Albuquerque: Center, 1979
“from: In The Museum of Oddities” [prose]





Judson Crews

Judson Crews, poet, editor, publisher, and book dealer, was born June 30, 1917, in Waco, Texas. Crews received both the B.A. (1941) and M.A. (1944) in Sociology from Baylor University, and during 1946-1947 studied fine arts at Baylor. In addition, Crews did graduate study at the University of Texas, El Paso in 1967. He has worked as an educator at Wharton County Junior College, New Mexico (1967-1970), the University of New Mexico, Gallup Branch (1971-1972), and at the University of Zambia (1974-1978). He has also been involved in social work. After two years in the U. S. Army Medical Corps during World War II, Crews moved his family and business, Motive Press, from Waco, Texas, to Taos, New Mexico, where he began his writing and publishing career in earnest.

He started the Este Es Press in 1946, which remained in operation until 1966. The little magazines with which he was involved from 1940 to 1966 include The Deer and Dachshund, The Flying Fish, Motive, The Naked Ear, Poetry Taos, Suck-Egg Mule: A Recalcitrant Beast, Taos: A Deluxe Magazine of the Arts, and Vers Libre.
(further reading…)

Michael McClure: Contributions to Periodicals

>> return to MICHAEL MCCLURE main page >>

Section C:
This index includes contributions to periodicals, and focuses primarily on the entries found in the Clements bibliography.


1. POETRY, Vol. 87, No. 4, edited by Henry Rago
mags_poetry8704Chicago: Poetry, January 1956
“2 for Theodore Roetheke: Premonition”
(Clements C1)

Note: This is McClure’s first appearance in print. 


2. SEMINA, No. 2, edited by Wallace Berman
Los Angeles: Wallace Berman, December 1957
“I Wanted to Turn to Electricity”
(Clements C2)




3. ARK II / MOBY I, edited by Michael McClure and James Harmon
mags_ark2San Francisco: Ark, 1956-57
“Canoe: Explication”, “Logos: Knout”
(Clements C3)




4. EVERGREEN REVIEW, Vol. 1, No. 2, edited by Barney Rosset and Donald Allen
mags_evergreen0102New York: Grove Press, 1957
“Night Words: The Ravishing”, “Cat’s Air”, “The Rug”, “The”, “Note”, “The Robe”
(Clements C5)



5. BLACK MOUNTAIN REVIEW, No. 7, edited by Robert Creeley
mags_blackmtn7Black Mountain: Black Mountain College, Autumn 1957
“Poem”
(Clements C6)



6. MEASURE, No. 2, edited by John Wieners
mags_measure2San Francisco: Measure, Winter 1958
“The Magazine Cover”, “One & Two”
(Clements C7)




7. CHICAGO REVIEW, Vol. 12, No. 1, edited by Irving Rosenthal
mags_chicagoreview1201Chicago: University of Chicago Press, Spring 1958
“The Mess”, “7/26/57”, “Less Than Vanity”, “The Breech”
(Clements C8)



8. EVERGREEN REVIEW, Vol. 2, No. 6, edited by Barney Rosset and Donald Allen
New York: Grove Press, Autumn 1958
“Ode to Jackson Pollock”
(Clements C9)




9. YUGEN, No. 4, edited by LeRoi Jones and Hettie Cohen 
mags_yugen4New York: Yugen, 1959
“The Chamber”
(Clements C11)




10. JABBERWOCK, American Issue, edited by Alex Neish
mags_jabberwockEdinburgh: University Renaissance Society, 1959
“For Artaud”, “A Fantasy and Courtly Poem”, “Ode for Soft Voice, for Jo Ann”
(Clements C12)



11. YUGEN, No. 5, edited by LeRoi Jones and Hettie Cohen 
mags_yugen5New York: Yugen, 1959
“Rant Block”
(Clements C13)




12. SEMINA, No. 4, edited by Wallace Berman
San Francisco: Wallace Berman, 1959
“We’re in the Middle of a Deep Cloud”
(Clements C14)




13. SEMINA, No. 5, edited by Wallace Berman
Larkspur: Wallace Berman, 1959
“We are Impervious as the Skin of our Dreams”
(Clements C17)




14. THE GALLEY SAIL REVIEW, Vol. 2, No. 1, Issue No. 5, edited by David Rafael Wang
mags_galleysail5San Francisco: Galley Sail Publications, Winter 1959-1960
“L’Etoile”
(Clements C15)



15. SIDEWALK, Vol. 1, No. 1, edited by Alex Neish
Edinburgh: Sidewalk, 1960
“The Flower of Politics”
(Clements C16)




16. BIG TABLE, Vol. 1, No. 4, edited by Paul Carroll
mags_bigtable14Chicago: Big Table, Spring 1960
“Two Poems from A Small Secret Book”
(Clements C18)




17. YUGEN, No. 6, edited by LeRoi Jones and Hettie Cohen 
mags_yugen6New York: Yugen, 1960
“The Column”
(Clements C19)




18. BEATITUDE, No. 17, edited by Bob Kaufman
mags_beatitude17San Francisco: City Lights, Oct-Nov 1960
“Oh Why Oh Why The Blasted Love The Huge Shape Change?” (from Dark Brown)
(Clements C20)



19. THE FLOATING BEAR, No. 1, edited by Diane Di Prima and LeRoi Jones
New York: The Floating Bear, February 1961
“The Smile shall not be More Mutable than the Final Extinction of Meat”
(Clements C21)



20. NOMAD, No. 9, edited by Donald Factor and Anthony Linick
mags_nomad9Culver City: Nomad, Summer 1961
“High & From a Notebook”
(Clements C22)




21. THE FLOATING BEAR, No. 14, edited by Diane Di Prima and LeRoi Jones
New York: The Floating Bear, October 1961
“!The Feast!”
(Clements C24)




22. THE OUTSIDER, No. 1, edited by Gypsy Lou and Jon Webb 
mags_outsider01New Orleans: Loujon Press, Fall 1961
“Spontaneous Hymn to Kundalini”
(Clements C25)




23. EVERGREEN REVIEW, Vol. 5, No. 20, edited by Barney Rosset
New York: Evergreen Review, Sep-Oct 1961
“On Seeing Through Shelley’s Eyes The Medusa”
(Clements C26)




24. JOURNAL FOR THE PROTECTION OF ALL BEINGS, No. 1,  edited by Michael McClure, Lawrence Ferlinghetti, and David Meltzer
San Francisco: City Lights Books, 1961
“Revolt”
(Clements C27)




25. KULCHUR, Vol. 2, No. 8, edited by Lita Hornick
mags_kulchur8New York: Kulchur Press, Winter 1962
“Phi Upsilon Kappa”
(Clements C28)




26. FOOT, No. 2, edited by Richard Duerden and William Brown
mags_foot2San Francisco: Foot, 1962
“The Surge”
(Clements C29)




27. PA’LANTE, No. 1, edited by Howard Schulman
New York: The League of Militant Poets, May 1962
“Fidelio”, “Twigs”
(Clements C30)



28. EL CORNO EMPLUMADO, No. 3, edited by Sergio Mondragón and Margaret Randall
Mexico City: El Corno Emplumado, July 1962
“Dear Jane”, “Drunk Writing”
(Clements C31)




29. ORIGIN, Second Series, No. 6, edited by Cid Corman
mags_origin26Kyoto: Cid Corman, July 1962
“The Held Back Pain”
(Clements C32)




30. EVERGREEN REVIEW, Vol. 6, No. 25, edited by Barney Rosset
New York: Evergreen Review, Jul-Aug 1962
“Drug Notes”
(Clements C33)




31. FUCK YOU / A MAGAZINE OF THE ARTS, No. 4, edited by Ed Sanders
New York: Fuck You Press, Aug 1962
“The Mind Pain Comes Over Me and I Am Blunked”
(Clements C34)



32. TISH, No. 12, edited by Frank Davey
Vancouver: TISH, August 1962
“Mad Sonnet”
(not in Clements)




33. THE NATION, Vol. 196, No. 3, edited by Carey McWilliams
New York: The Nation, Jan 1963
“The Human Face”
(Clements C35)

34. SEMINA, No. 8, edited by Wallace Berman
Los Angeles: Wallace Berman, 1963
“Ghost Tantra (No. 14)”
(Clements C36)




35. THE OUTSIDER, No. 3, edited by Gypsy Lou and Jon Webb 
mags_outsider03New Orleans: Loujon Press, Spring 1963
“THREE MAD SONNETS”
(Clements C37)




36. POETRY, Vol. 102, No. 3,  edited by Henry Rago
Chicago: Poetry, June 1963
“The Child”, “Mad Sonnet”, “Mad Sonnet”
(Clements C38)




37. ART FORUM, Vol II, No. 1, July 1963
“DOG STAR MAN”
(Clements C39)

38. CITY LIGHTS JOURNAL, No. 1, edited by Lawrence Ferlinghetti
San Francisco:  City Lights Books, 1963
“Notes on a Miniature Drama”
(Clements C40)




39. NORTHWEST REVIEW, Vol. 6, No. 4, , edited by Edward Van Aelstyn
Eugene: University of Oregon, Fall 1963
“Artaud: Peace Chief”
(Clements C41)




40. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 4, edited by Ed Sanders
New York: Fuck You Press, c.1963
“Fuck Essay”
(Clements C42)




41. NOW, No. 1, edited by Charles Plymell
mags_nowSan Francisco: Now, 1963
“I, Michael McClure”, “Black and Yellow: Pansy”
(Clements C43)




42. EVERGREEN REVIEW, Vol. 8, No. 32, edited by Barney Rosset
New York: Grove Press, Apr-May 1964
“The Growl”
(Clements C44)




43. JOGLARS, Vol. 1, No. 1, edited by Clark Coolidge and George Palmer
mags_joglars11Providence: Joglars, Spring 1964
“Sanza 13” from LOVE LION BOOK
(Clements C46)




44. FILM CULTURE, No. 32, edited by Jonas Mekas
New York: Film Culture, Spring 1964
“Defense of Jayne Mansfield”
(Clements C47)




45. GNAOUA, No. 1, edited by Ira Cohen
mags_gnaoua1Tangier: Gnaoua, Spring 1964
“The Beast Sound: Nine Poems”
(Clements C48)




46. CLEFT, Vol. 1, No. 2, edited by Bill McArthur
mags_cleft12Edinburgh: Cleft, May 1964
“Ghost Tantra 50”
(Clements C49)




47. KULCHUR, Vol. 4, No. 14, edited by Lita Hornick
New York: Kulchur Press, Summer 1964
“REASON”
(Clements C50)




48. IMAGO, No. 1, edited by George Bowering
Alberta: Imago, 1964
“Three Poems from The Beast Sound”
(Clements C51)




49. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 7, edited by Ed Sanders 
New York: Fuck You Press, Sep 1964
“Airs from a Forgotten Book”
(Clements C52)




50. NOW NOW, [Now, No. 2], edited by Charles Plymell
San Francisco: Ari Publications, 1965
“Love Lion, Lioness”
(Clements C53)




51. DIMAS, No. 3,  edited by Alan Jay Arikian
Elmhurst: Dimas, Feb 1965
“For Me”, “For a Drawing by Bruce Conner”, “Only Simplicity”, “The Convertible”
(Clements C54)



52. THE SAN FRANCISCO KEEPER’S VOICE, Vol. 1, No. 2, edited by Alexander Weiss
San Francisco: Alexander Weiss, Feb 1965
“Ghost Tantra 15”
(Clements C55)




53. MY OWN MAG, No. 11, edited by Jeff Nuttall
Barnet: Jeff Nuttall, Feb 1965
“DREAM TABLES, NO. 1 & 2”
(Clements C56)





54. C, A JOURNAL OF POETRY, Vol. 1, No. 10, Feb 1965
“GHOST TANTRA #9”
(Clements C57)





55. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 8, edited by Ed Sanders
New York: Fuck You Press, March 1965
“Poem Cards”
(Clements C58)




56. FUX!, No. 1, Spring 1965
“WONDERSMITTEN! TRANCELIKE! PROFOND!”
(Clements C60)




57. SIGMA PORTFOLIO, No. 21, 1965
“REVOLT”
(Clements C61)

 

 

Michael McClure: Books and Broadsides

>> return to MICHAEL MCCLURE main page >>

Section A:
This index includes books and broadsides, and focuses primarily on the entries found in the Clements bibliography.


1. McClure, Michael. PASSAGE
mcclure_passageFirst edition:
Big Sur: Jonathan Williams – Publisher, June 1956
Hand-sewn in printed wrappers, 7.25″ x 10.75″, 12 pages, 200 copies, letterpress printed by the Windhover Press. Cover by Jonathan Williams. Published as Jargon 20.
(Clements A1)

2. McClure, Michael. PEYOTE POEM
First edition:
(San Francisco): Wallace Berman, 1958.
Broadside folded and tipped into printed and  photo-illustrated folder, 9″ x 12″, (200 copies), printed by Wallace Berman. Published as Semina 3.
(Clements A2)

3. McClure, Michael. FOR ARTAUD
mcclure_forartaudFirst edition:
New York: Totem Press, June 1959
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 12 pages, (750 copies). Published as Blue Plate #2.
(Clements A3)

4. McClure, Michael. WE’RE IN THE MIDDLE OF A DEEP CLOUD
First edition:
(San Francisco): (Wallace Berman), (1959)
Broadside, 3.5″ x 4.25″., letterpress printed by Wallace Berman. Laid into Semina 4.
(Clements C14)


5. McClure, Michael. HYMNS TO ST. GERYON AND OTHER POEMS
mcclure_hymnsFirst edition:
San Francisco: Auerhahn Press, October 1959
Perfect-bound in printed and illustrated wrappers, 7.25″ x 10″, 62 pages, (950 copies), letterpress printed by Dave Haselwood. Cover illustration by McClure.
(Clements A4, Auerhahn 4)

6. McClure, Michael. FUCK DEATH
First edition:
(San Francisco): privately printed, (1959)
Folded card, 5″ x 3.5″.
(Clements A5)
[not in archive]

7. McClure, Michael. !THE FEAST!
First edition:
San Francisco: The Batman Gallery, 1960
Side-stapled printed sheets, 8.5″ x 11″, 14 pages, mimeograph [?] printed. A working script of the play performed at The Batman Gallery on Thursday, December 22, 1960.
(Clements A6)

8. McClure. Michael. WE ARE IMPERVIOUS…
First edition:
(Los Angeles): (Wallace Berman), (1960)
Broadside, 4″ x 6.25″, letterpress printed by Wallace Berman. Laid into Semina 5.
(Clements C17)


9. McClure, Michael. THE NEW BOOK / A BOOK OF TORTURE
First edition:
New York: Grove Press, August 1961
Perfect-bound in printed and illustrated wrappers, 64 pages, (4,000 copies). Photo of McClure on rear wrapper by Wallace Berman.
(Clements A7)

10. McClure, Michael. PILLOW
First edition:
New York: New York Poets Theatre, October 1961
Side-stapled in printed wrapper, 8.5″ x 11″, 7 pages, photocopy printed. A working script of the play produced by the New York Poets Theatre at the Off-Bowery Gallery in New York City in October and November 1961.
(Clements A8)
[not in archive]

11. McClure, Michael. SPONTANEOUS HYMN TO KUNDALINI
First edition:
(New Orleans): (Loujon Press), (Fall 1961)
Broadside, 5.75″ x 9″, letterpress printed by Jon and Louise Webb. An offprint from The Outsider, Vol. 1, No.1.


12. McClure, Michael. DARK BROWN
mcclure_darkbrowna. First edition, regular copies:
San Francisco: Auerhahn Press, Winter 1961
Perfect-bound in printed wrappers, 6″x 9″, 56 pages, 725 copies, letterpress printed by Dave Haselwood and Andrew Hoyem.
(Clements A9, Auerhahn 13)

b. First edition, numbered and signed copies:
San Francisco: Auerhahn Press, Winter 1961
Hardcover in gilt-stamped cloth-bound boards, 6″ x 9″, 56 pages, 25 numbered and signed copies, letterpress printed by Dave Haselwood and Andrew Hoyem, bound by the Schuberth Bindery.
(Clements A9, Auerhahn 13)

c. Prospectus:
San Francisco: Auerhahn Press,  (1961)
Postcard announcement, 6″ x 3.25″, letterpress printed.
(not in Clements)

13. McClure, Michael. MEAT SCIENCE ESSAYS
First edition:
San Francisco: City Lights Books, June 1963
Perfect-bound in printed and photo-illustrated wrappers, 84 pages, (3,000 copies).  Author photo by Ettore Sotsass.
(Clements A10, Cook 41)

14. McClure, Michael. GRAHHR SHEET
First edition:
(San Francisco): privately printed, (1963)
Broadside, 6.25″ x 2″, letterpress printed. [These were used as tickets for the performance of ¡The Feast! at the Batman Gallery in 1960.]
(Clements A11)

Note: according to Clements, copies were given away by the author as tickets at readings in San Francisco and at the University of California at Berkeley.

15. McClure, Michael. TWO FOR BRUCE CONNER
First edition:
(San Francisco): Oyez Press, 1964
Broadside, 12″ x 17.5″, 500 copies, letterpress printed by Dave Haselwood at the Auerhahn Press. Published as Oyez #1
(Clements A12)

16. McClure, Michael. POETRY IS A MUSCULAR PRINCIPLE
First edition:
(Los Angeles): privately printed, 1964
Broadside, 8.5″ x 5.5″. Photograph of McClure by Wallace Berman; make-up by Robert LaVigne. Beneath the photo is a statement by McClure beginning “Poetry is a muscular principle…”
(Clements A13)

17. McClure, Michael. BLUE-BLACK...
First edition:
(Los Angeles): privately printed, (Summer 1964)
Broadside, 7.5″ x 2.5″. Contains one-line poem: “BLUE-BLACK SPACE RAINBOW GRAHHR”.
(Clements A14)
[not in archive]

18. McClure, Michael. THE BLOSSOM: OR BILLY THE KID
mcclure_blossomFirst edition:
New York: American Theatre for Poets, 1964
Side-stapled sheets in printed cover, 8.5″ x 11″, 26 pages, mimeograph printed. A working script of the play.
(Clements A15)

19. McClure, Michael. GHOST TANTRAS
a. First edition, regular copies:
San Francisco:  privately printed, 1964
Perfect-bound in printed and illustrated wrappers, 108 pages, 1480 copies, cover photo of McClure by Wallace Berman.
(Clements A16)

b. First edition, signed copies:
Hardcover in gilt-stamped cloth-bound boards in illustrated dust jacket, 109 pages, 20 signed copies, cover photo of McClure by Wallace Berman. Issued with a copy of Blue Black… laid in.
(Clements A16)
[not in archive]

20. McClure, Michael. DOUBLE MURDER! VAHROOOOOOOHR!
First edition:
(Los Angeles): (Wallace Berman), 1964
Broadside, 3″ x 4.75″, (200 copies). Contained in a small manila envelope bearing an altered photograph of Jack Ruby at the point of murdering Lee Harvey Oswald. Published as Semina 9.
(Clements A17)

21. McClure, Michael. LOVE LION, LIONESS
a. First edition, poster:
(San Francisco):  privately printed, (1964)
Poster, 28″ x 22″, 350 copies printed in the style of a boxing poster.
(Clements A18)
[not in archive]

b. First edition, flyer:
(San Francisco):  privately printed, (1964)
Flyer, 11″ x 8.5″, 70 copies printed in black in the style of a boxing poster.
(Clements A18)

c. First edition, tickets:
(San Francisco):  privately printed, (1964)
Tickets, 5.5″ x 2.25″, printed in the style of theater tickets for the fictitious event.
(Clements A18)

22. McClure, Michael. 13 MAD SONNETS
mcclure_13madFirst edition:
Milan: East 128, 1964
Saddle-stapled and tipped in to printed dust jacket, 8.5″ x 11″, 28 pages, 299 numbered copies (plus 16 for the author’s use). Author photo by Ettore Sotsass Jr.
(Clements A19)

23. McClure, Michael. THE BEARD
First edition:
(San Francisco):  privately printed, April 1965
Perfect-bound in printed and photo-illustrated wrappers, 8.5″ x 13″, 71 pages, 350 copies planned, 330 produced (only 75 for sale).
(Clements A20)

24. McClure, Michael. POISONED WHEAT
mcclure_poisoneda. First edition, regular copies:
(San Francisco):  (Oyez Press), April 1965
Saddle-stapled in printed and photo-illustrated wrappers, 5.75″ x 7.75″, 16 pages, 576 copies.
(Clements A21)

b. First edition, signed copies:
Hardcover in cloth-bound boards in photo-illustrated dust jacket, 5.75″ x 7.75″, 16 pages, 24 copies lettered alpha through omega and signed by the author. Bound by Dorothy Hawley.
(Clements A21)

25. McClure, Michael. UNTO CAESAR
mcclure_untoFirst edition:
(San Francisco): (Dave Haselwood), (1965)
Hand-sewn in printed and collaged wrappers, 6.5″ x 4″,  24 pages, (60 copies), letterpress printed by Dave Haselwood.
(Haselwood 1)

26. McClure, Michael. DREAM TABLE
First edition:
San Francisco: Dave Haselwood, 1965
Thirty double-sided printed and illustrated cards, 2.5″ x 3.5″, 200 sets (30 signed), letterpress printed. Each card is illustrated with a Lion and a Tree on one side and two words on the other.
(Haselwood 5)

27. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
First edition:
(San Francisco): (Dave Haselwood), (1966)
Twenty-four printed and illustrated cards in printed envelope, cards measure 2″ x 2″, envelope measures 4.5″ x 5.75″. Each card is printed with  four words one side and a “hallucinogram” by Bruce Conner on the other.
(Haselwood 10)

28. McClure, Michael and Bruce Conner. MANDALAS
First edition:
San Francisco: Dave Haselwood, 1966
Saddle-stapled in printed and illustrated wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. Printed announcement issued.
(Haselwood 11)

29. McClure, Michael. LOVE LION BOOK
a. First edition, regular copies:
San Francisco: Four Seasons Foundation, 1966
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 21 pages, 1000 copies. Published as Writing 11.

b. First edition, numbered and signed copies:
San Francisco: Four Seasons Foundation, 1966
Hardcover in printed paper-bound boards with gilt-stamped cloth backstrip, 6″ x 9″, 21 pages, 40 numbered and signed copies.
Published as Writing 11.

30. McClure, Michael. POISONED WHEAT
mcclure_poisonedFirst edition, second printing:
San Francisco:  Coyote, 1966
Saddle-stapled in illustrated wrappers. 5.75″ x 7.75″, 16 pages, 5000 copies. Distributed by City Lights Books.


31. McClure, Michael. MEAT SCIENCE ESSAYS
Second expanded edition:
San Francisco: City Lights Books, June 1966
Perfect-bound in printed and photo-illustrated wrappers, 120 pages.
(not in Cook)

Note: This expanded edition contains three essays not found in the 1963 publication: “Phi Upsilon Kappa”, “Defense of Jayne Mansfield”, and “Reason”.

32. McClure, Michael. THE BEARD
a. First Coyote edition, regular copies:
San Francisco: Coyote, 1967
Perfect-bound in printed and photo-illustrated wrappers, 82 pages,  4960 copies, cover art by Wes Wilson, introduction by Norman Mailer.
[not in archive]

b. First Coyote edition, numbered and signed copies:
Specially-bound, 82 pages,  40 numbered and signed copies, cover art by Wes Wilson, introduction by Norman Mailer.
[not in archive]

33. McClure, Michael. THE BEARD
First Grove Press edition:
New York: Grove Press/Black Cat, 1967
Perfect-bound in printed and photo-illustrated wrappers, 96 pages.
[not in archive]

Note: two different covers were issued.

34. McClure, Michael. WAR IS DECOR IN MY CAVERN CAVE
First edition:
(San Francisco): Communication Company, (1967)
Broadside, 8.5″ x 11″, mimeograph printed.
[not in archive]


35. McClure, Michael. THE BLOSSOM, OR BILLY THE KID
First edition:
Milwaukee: Great Lakes Books, 1967
Saddle-stapled in printed and illustrated wrappers, 32 pages, 500 numbered copies (the first 10 signed).
[not in archive]

36. McClure, Michael. FREEWHEELIN FRANK
First edition:
New York: Grove Press, 1967
Hardcover in gilt-stamped cloth bound board in illustrated dust jacket, 7.75″ x 9.75″, 160 pages.

Note: First hand account of the Hell’s Angels as told by their secretary Frank Reynolds.

37. McClure, Michael. HAIL THEE WHO PLAY
a. First edition, regular copies:
Los Angeles: Black Sparrow Press, August 1968
Perfect-bound in printed wrappers, 233 numbered and signed copies.

b. First edition, hardcover copies:
Los Angeles: Black Sparrow Press, August 1968
Hardcover in printed paper-bound boards with cloth backstrip with printed paper label, 75 numbered and signed copies, each with an original drawing by the author.

38. McClure, Michael. LITTLE ODES: Jan – March 1961
First edition:
New York: Poets Press, 1968
Hand-sewn in printed and illustrated wrappers, 150 numbered and signed copies.

39. McClure, Michael. THE SERMONS OF JEAN HARLOW AND THE CURSES OF BILLY THE KID
a. First edition, regular copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
Saddle-stapled in printed wrappers, 6″ x 9.25″, 24 pages, 1200 copies, letterpress printed by Dave Haselwood.
(Haselwood 17)

b. First edition, numbered and signed copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Hardcover in printed paper-bound boards, 6″ x 9.25″, 24 pages, 50 copies signed.
(Haselwood 17)

40. McClure, Michael. MUSCLED APPLE SWIFT
First edition:
Los Angeles: Love Press, 1968
Hand-sewn in illustrated wrappers, 16 pages, 150 copies (63 of which are numbered and signed), cover art by George Herms.

41. McClure, Michael. GRAHHR APRIL GRHARRR APRIL
First edition:
(Buffalo): (Gallery Upstairs Press), (1968)
Broadside, 28.5″ x 21.25″, offset lithography printed.

42. McClure, Michael. GREETINGS
First edition:
London: Cape Goliard Press, 1968
Broadside, 11″ x 12″.

43. McClure, Michael. HYMNS TO ST. GERYON & DARK BROWN
a. First edition, regular copies:
London: Cape Goliard, 1969
Perfect-bound in printed wrappers.

b. First edition, hardcover copies:
London: Cape Goliard, 1969
Hardcover in gilt-stamped cloth-bound boards in illustrated dust jacket.

Note: two titles previously published by Auerhahn Press, published here dos-a-dos. Illustrated and with cover art by Wallace Berman.

44. McClure, Michael. LITTLE ODES AND THE RAPTORS
a. First edition, regular copies:
Los Angeles: Black Sparrow Press,  March 1969
Perfect-bound illustrated wrappers, 6.25″ x 9.25″, 43 pages, 1000 copies.

b. First edition, numbered copies:
Hardcover in paper-covered boards with cloth backstrip and paper label, 6.75″ x 9.5″, 43 pages, 200 copies numbered and signed.

c. First edition, lettered copies:
Hardcover in gold stamped leather-bound boards, 6.75″ x 9.5″, 43 pages, 26 copies lettered and signed with each with an original drawing by the author.

45. McClure, Michael. THE SURGE
Columbus, OH: Frontier Press, 1969

46. McClure, Michael. LION FIGHT
New York: Pierrepont Press, 1969

47. McClure, Michael. GHOST TANTRAS
San Francisco: Four Seasons Foundation, 1969

48. McClure, Michael. PLANE POMES
New York: Phoenix Book Shop, 1969

49. McClure, Michael. THE SHELL
London: Cape Goliard, 1969

50. McClure, Michael. MUSCLED APPLE SWIFT
Sacramento: Runcible Spoon, 1969

51. McClure, Michael. TO JAMES B. RECTOR
San Francisco: Privately Published, 1969

52. McClure, Michael. LIBERATION
Oakland: Mills College Tape Music Center, 1969