Tag Archives: little magazines

Judson Crews: Contributions to Periodicals

>> return to Judson Crews main page >>

SECTION C:
This index includes contributions to periodicals; entries within years are listed alphabetically


1948

BERKELEY: A Journal of Modern Culture, No. 4, edited by James Schevill
Berkeley: Bern Porter, 1948


1950

GRYPHON, No. 1, edited by Richard Rubenstein
San Francisco: Gryphon, Spring 1950
“The Asphodel’s Rebuttal”


1951

BELOIT POETRY JOURNAL, edited Chad Walsh and Robert H. Glauber
Beloit: Beloit College, Spring 1951

EPOS, Vol. 3, No. 1, edited by Will and Evelyn Thorne
Branson: Epos, Fall 1951


1952

GOLDEN GOOSE, Vol. 4, No. 5, edited by Richard Wirtz Emerson and Frederick Eckman
Sausalito: Golden Goose Press, October 1952
“Desolate Condor” [poem]


1953

DIFFERENT, Vol. 7, No. 7, edited by Lilith Lorraine
Long Island: Avalon World Arts Academy, Winter 1953


1954

THE ARCHER, Vol. 4, No. 2, edited by Wilfred Brown and Elinor Henry Brown
North Hollywood: Summer (Aug) 1954
“No Weal Like Mighty Adam Gave” [poem]

EMBRYO, No. 1, edited by E. E. Walters
Louisville: Spring 1954

ZEBRA: A Monthly Collection of Original Writing, No. 10
Bristol, November 1954

POETRY, Vol. 83, No. 5, edited by Karl Shapiro
Chicago: Modern Poetry Association, February 1954


1955

CLIMAX, Vol. 1, No. 1, edited by Robert Cass
New Orleans: The Climax Jazz, Art & Pleasure Society of Lower Bourbon Street, 1955

FLAME, Vol. 2, No. 2, edited by Lilith Lorraine
Alpine: Flame Quarterly, Summer 1955

FLAME, Vol. 2, No. 4, edited by Lilith Lorraine
Alpine: Flame Quarterly, Winter 1955

SHEAF, No. 2, edited by E.V. Griffith
Eureka: Sheaf, November 1955
“Rounding the Horn” [poem], “Econdom Eccle Haine” [poem], “Dan Hatch Once T’Sung” [poem]

UNUSUAL, Vol. 1, No. 3
New York: Sidney E. Porcelain, 1955

WHETSTONE: A Literary Quarterly, Vol. 1, No. 1, edited by Jack Lindeman and Edgar H. Schuster
Philadelphia: Whetstone, Spring 1955


1956

POETRY, Vol. 88, No. 1, edited by Henry Rago
Chicago: The Modern Poetry Association, April 1956


1957

EXISTARIA, No. 7, edited by Carl Larsen
Hermosa Beach: Existaria, September-October 1957
“Tital-Tattle-Ation” [poem], “Of the Feather Floating There” [poem]

HEARSE, No. 1, edited by E.V. Griffith
Eureka: Hearse Press, 1957
“Pseudo Pleuronectes Americanus” [poem]


1958

CARAVEL: A Magazine of Verse, edited by Ben Hagglund
Palo Alto, First Quarter 1958

COASTLINES, Vol. 3, No. 3, Issue 11, edited by Gene Frumkin
Hollywood: California Quarterly, Autumn 1958

HEARSE, No. 3, edited by E.V. Griffith
Eureka: Hearse Press, 1958
“Within a High Building Overlooking the Brazos Valley” [poem]

ODYSSEY, Vol. 1, No. 1, edited by R.R. Cuscaden and Ronald Offen
Chicago: Odyssey Spring 1958

POETRY, Vol. 93, No. 3, edited by Henry Rago
Chicago: The Modern Poetry Association, December 1958


1959

COERCION, No. 2, edited by Clarence Major
Chicago: Coercion, Spring 1959
“Marina with Orange” [poem]

THE GALLEY SAIL REVIEW, Vol. 1, No. 2, edited by Stanley McNail
San Francisco: Galley Sail Publications, Spring 1959

THE GRECOURT REVIEW, Vol. 2, No. 2
Northampton: The Grecourt Review, February 1959
“The Complexion of Triumph”

VIGIL, Vol. 1 No. 2
Chicago: Roosevelt University, 1959

THE WHITE DOVE REVIEW, Vol. 1, No. 3, edited by Ron Padgett
Tulsa: White Dove Press, 1959
“An Unspecial Mirth” [poem], “Spots of Lone West” [poem]


1960

FRESCO, Vol. 1, No. 1, edited by William F. Dwyer and Jeorme L. Mazzaro
Detroit: University of Detroit, 1960

INLAND, edited by John Rackham
Salt Lake City: Inland, Autumn 1960
“Aquacade” [poem]

TARGETS, No. 4, edited by W.L. Garner
Sandia Park: Targets, December 1960
“Cut-Throat in Terror Reign” [poem]


1961

HEARSE, No. 6, edited by E.V. Griffith
Eureka: Hearse Press, 1961
“Fair Thoughtful Be Good” [poem], “Leave It In” [poem]

HEARSE, No. 7, edited by E.V. Griffith
Eureka: Hearse Press, 1961
“A Leopard Sleek as Night” [poem]

THE OUTSIDER, No. 1, edited by Jon Edgar and Gypsy Lou Webb
New Orleans: Loujon Press, Fall 1961
“Pastoral” [poem], “Rel Bore Speng Lule” [poem]

TARGETS, No. 5, edited by W.L. Garner
Sandia Park: Targets, April 1961
“A Ribbon of Callow Gain” [poem]

THE WORMWOOD REVIEW, Vol. 1, No. 3, edited by Marvin Malone and Alexander Taylor
Storrs: Wormwood Review Press, 1961
“Seeker” [poem], “The Mountain Penial” [poem]

THE WORMWOOD REVIEW, Vol. 1, No. 4, edited by Alexander Taylor and Marvin Malone
Storrs: Wormwood Review Press, 1961
“Love Poem” [poem]


1962

BITTEROOT
Fall 1962

MICA, No. 6, edited by Helmut Bonheim and Raymond Federman
Santa Barbara: Mica, June 1962
“The Cross Let Captive” [poem]

RENAISSANCE, Vol. 1, No. 2, edited by John Bryan
San Francisco: Renaissance Publications, January 1962
“Staid” [poem]

SIGNET, Vol. 4, No. 11, edited by S.T. Friedman
Alamo: Signet, November 1962

TARGETS, No. 10, edited by W.L. Garner
Sandia Park: Targets, June 1962
“Long Lost Precisions” [poem]

THE WORMWOOD REVIEW, Vol. 2, No. 3, Issue 7, edited by Marvin Malone and Alexander Taylor
Storrs: Wormwood Review Press, 1962
“We Have Known” [poem]


1963

THE BLACK CAT REVIEW, No. 2, edited by Neeli Cherry
San Bernardino: The Black Cat Review, March 1963
“Exploratory” [poem], “No Poor Loss Like This” [poem]

EVERGREEN REVIEW, Vol. 7, No. 28, edited by Barney Rosset
New York: Grove Press, 1963

GENESIS WEST, Vol. 1, No. 3, edited by Gordon Lish
Burlingame: Chrysalis West Foundation, Spring 1963
“Of Deathless Law” [poem]

SUM, No. 1, edited by Fred Wah
Albuquerque: Sum, December 1963
“Slade Slatter in a Down-Draft Drizzle” [poem], “Sutter’s Canyon in Half Day Light” [poem]

TARGETS, No. 14, edited by W.L. Garner
Sandia Park: Targets, June 1963
“I Heard Her Song” [poem]

WILD DOG, No. 2, edited by Geoffrey Dunbar
Pocatello: Wild Dog, April 1963
“A Wattle” [poem], “Coast at Clear” [poem], “The Bridal Path” [poem]

WILD DOG, No. 4, edited by John Hoopes
Pocatello: Wild Dog, July 1963
“A Fortification” [poem], “Dorm Dorm the Winter Grain” [poem]

THE WORMWOOD REVIEW, Vol. 3, No. 2, Issue 10, edited by Marvin Malone and Alexander Taylor
Storrs: The Wormwood Review Press, 1963
“Lobotomy” [poem], “The Lash” [poem], “Winter Vacation” [poem]


1964

ANTE, No. 1, edited by William Harris
Los Angeles: Echo Press, Summer 1964

A POETRY NEWSLETTER, No. 2, edited by Richard Morris
Albuquerque: Desert Review Press, 1964

BLUE BEAT, No. 1, edited by George Montgomery and Erik Kiviat
New York: Yowl Publications, March 1964
“Love Without Courage” [poem], “Wake” [poem]

THE DESERT REVIEW, No. 1, edited by Ward Abbott and Bryant Cashion
Albuquerque: The Desert Review Press, Spring 1964
“Concerning Particulars” [poem], “Epithalmia” [poem], “Mountain Winter” [poem], “She Loves Me Not” [poem]

THE FIDDLEHEAD, No. 62
Fredericton: University of New Brunswick, Fall 1964

GRANDE RONDE REVIEW, No. 1, edited by Michael Andrews and Ben L. Hiatt
La Grande: Grande Ronde Review, Fall 1964
“Contemporary Ballad” [poem], “Thing and Essence” [poem]

GRIST, Vol. 1, No. 4, edited by Robert Rusk and John Fowler
Lawrence: Abington Book Shop, December 1964
“Red Cunning and Creme de Minthe” [poem], “The Blood on Our Hands” [poem]

INTREPID, No. 3, edited by Allen De Loach
New York: Intrepid, July 1964
“Spring Betime” [poem]

KAURI, No. 3, edited by Will Inman
New York: Kauri, July-August 1964
“Pastoral” [poem]

KAURI, No. 4, edited by Will Inman
New York: Kauri, August-September 1964
“A Day in the Sun” [poem], “Please Court Dumb” [poem]

KAURI, No. 5, edited by Will Inman
New York: Kauri, November-December 1964

MARRAHWANNAH QUARTERLY, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1964
“Medical Science” [poem]

OLE, No. 1, edited by Douglas Blazek
Bensenville: The Mimeo Press, 1964
“A Leopard Sleek as Night” [poem], “Abe Went with the Roman Clan” [poem]

POETRY REVIEW, No. 2, edited by Duane Locke
Tampa: University of Tampa, August 1964
“To Put a Rose Upon It” [poem]

POTPOURRI, No. 2, edited by Carlos Reyes
Seattle: Body Press, 1964

THE SILVER CESSPOOL, No. 4, edited by d.a. levy
Cleveland: Renegade Press, 1964
“The Brain in the Weather” [poem], “Thoughts on Returning” [poem]

SUM, No. 2, edited by Fred Wah
Albuquerque: Sum, February 1964
“Fruit Juice” [poem]

THEO, Vol. 1, No. 1, edited by Frank Murphy and Jonas Kover
New York: Theo Publications, 1964
“Kind, No Winsome Maid Would Question” [poem], “Whisper No Loon is Gear” [poem]

THEO, Vol. 1, No. 2, edited by Frank Murphy and Jonas Kover
New York: Theo Publications, Fall 1964
“Rime Upon the Runic

WILD DOG, No. 7, edited by Drew Wagnon and Ed Dorn
Pocatello: Wild Dog, April 1964
“Where the Will Resides” [poem], “Wrest Over” [poem]

WILD DOG, No. 8, edited by Drew Wagnon and Ed Dorn
Pocatello: Wild Dog, May 1964
“Reth for Wreath for Ever” [poem]

WILD DOG, No. 11, edited by Gino Clays and Drew Wagnon
Salt Lake City: Wild Dog, October 1964
“Purity” [poem], “The Horse with the Cokleburs in Its Fetlocks” [poem]

THE WORMWOOD REVIEW, Vol. 4, No. 1, Issue 13, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1964
“Being Thankless” [poem], “Japenese Garden” [poem]

YOWL, No. 6, edited by George Montgomery and Erik Kiviat
New York: Bluebeat Publications, May 1964
“Shut the Bud Blooming in Holy” [poem]

YOWL, No. 7, edited by George Montgomery and Erik Kiviat
New York: Bluebeat Publications, September 1964
“The Dream” [poem]


1965

THE BLACK CAT REVIEW, No. 3, edited by Neeli Cherry
San Bernardino: The Black Cat Review, June 1965
“Judas: A Funeral Lilt” [poem]

BLITZ, No. 2, edited by Bobby Watson and Mel Buffington
La Grande: Mad Virgin Press,1965
“Millenium” [poem], “Vilely I Have Taken” [poem]

CAMELS COMING, No. 1, edited by Richard Morris
Reno: Camels Coming, August 1965
“Flaunting Eagles, I Beseech You” [poem]

CAMELS COMING, No. 3, edited by Richard Morris
Reno: Camels Coming, October 1965
“Pierre, Submerged and Floating” [poem]

FROM A WINDOW, No. 3, edited by Paul Malanga and Bobby Byrd
Tucson: From a Window, October 1965
“Benadam Hick Pat” [poem], “I Have Sat” [poem], “The Clue of the Motionless Gander” [poem], “To Clean Out a Tunnel” [poem]

THE GOODLY COMPANY, No. 2, edited by G. Russell Morgan
Kalamazoo: Goodly Co, April 1965
“Born-A-Lier Bulltoven” [poem]

THE GOODLY COMPANY, No. 4, edited by G. Russell Morgan
Kalamazoo: Goodly Co, December 1965
“Bulltoven’s Other Brother” [poem], “When Since” [poem]

GRANDE RONDE REVIEW, No. 3, edited by Ben L. Hiatt
La Grande: Grande Ronde Review, Summer 1965
“Concert of Happy Myth” [poem], “Deed Oh Moon Kept Come” [poem], “Lief in Barenfolded Gain” [poem]

GRIST, No. 5, edited by John Fowler
Lawrence: Abington Book Shop, April 1965
“Dirge without Calla Lillies” [poem], “Sprung in Plummet in Plume” [poem], “Time Diversion” [poem]

ILLUMINATIONS, No. 1, edited by Norman Moser
San Francisco: Illimination Press, Summer 1965

JACARANDA, No. 6, edited by Joel Climenhaga
Canton: Transient Press, February 1965
“If But for The Queen” [poem], “Evaporation” [poem], “Mortal Cone in Muddle Brain” [poem], “Sin the Seemly Cannonade” [poem]

MAGAZINE, No. 2, edited by Kirby Congdon
New York: Crank Books, 1965
“The Goddess” [poem]

MOTIVE, Vol. 25, No. 5, edited by B.J. Stiles
February 1965

THE WORMWOOD REVIEW, Vol. 5, No. 2, Issue 18, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1965
“Reductio as Absurdum” [poem], “Some Sight of Maybe Moon” [poem]

THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 19, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1965
“A Feather Duster” [poem], “Abiding Time” [poem], “An Asinine Observance” [poem], “An Interlude” [poem], “Cuculiform” [poem], “Did Ever” [poem], “Early Bird” [poem], “Fall Is With Us” [poem], “From the Virgin Islands” [poem], “I Lighted a Fire” [poem], “In My Life” [poem], “Letter to Bill” [poem], “Past a Sunlit Terrace” [poem], “Seeing Suddenly” [poem], “So Her” [poem], “Stated Simply” [poem], “Time for Prayer” [poem]


1966

EARTH, No. 2, edited by Steve Richmond
Santa Monica: Earth Books & Gallery, 1966
“An Evening in December” [poem]

THE GOODLY COMPANY, No. 7, edited by G. Russell Morgan
Kalamazoo: Goodly Co, November 1966
“The Distances” [poem]

GRIST, No. 8, edited by John Fowler
Lawrence: Abington Book Shop,1966
“To Wring Some Water Out” [poem]

INTREPID, No. 6, edited by Allen De Loach
New York: Intrepid, 1966
“Essence” [poem], “Now Beholden” [poem], “Some Family Relations” [poem]

IT, No. 5, edited by J.D. Whitney
Detroit: It, May 1966
“What Are You” [poem]

OUTCAST, No. 1, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, 1966
“Perception” [poem]

OUT OF SIGHT, Vol. 1, No. 1, edited by Gino Clays
San Francisco: Kamikaze Press, 1966
“From Youth” [poem], “Sloe Tree, Bushed and Spangled” [poem]

SHOWCASE, No. 2, edited by James Gove
Barstow: Showcase, November-December 1966
“Withold” [poem], “The Power Engine” [poem]

SHOWCASE, No. 3, edited by James Gove
Barstow: Showcase, July 1966
“Cruel and Any Kind” [poem], “Lemon Mayoley” [poem]

SYMPTOM, edited by David Tammer
University Park: Symptom, Spring 1966


1967

THE GOODLY COMPANY, No. 9, edited by G. Russell Morgan
Kalamazoo: Goodly Co, June 1967
“White” [poem]

THE GOODLY COMPANY, No. 10, edited by G. Russell Morgan
Kalamazoo: Goodly Co, November 1967
“Even If” [poem], “Fiesta Brava” [poem], “Stalemate” [poem]

GRANDE RONDE REVIEW, No. 7, edited by Ben L. Hiatt
La Grande: Grande Ronde Review, 1967
“Cosmic Geography” [poem], “Once and For All” [poem], “The Barber’s Apprentice” [poem]

INTREPID, No. 7, edited by Allen De Loach
New York: Intrepid, March 1967
“A Poet’s Breath” [poem], “Burst Forth” [poem], “Canonical” [poem], “Hope Scape Bish-Bop” [poem], “Muse Over” [poem], “Some Finality or Other” [poem]

LATITUDES, No. 2, edited by Robert Bonazzi
Houston, Summer 1967

THE OTHER, No. 4, edited by Richard Mangelsdorff
Milwaukee: The Other, 1967
“Delayed Voyage” [poem], “To Rid the Stable” [poem]

OUTCAST, No. 4, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, January 1967
“I Was Writing” [poem]

RUNCIBLE SPOON, Vol. loud, No. yes!, edited by D.r. Wagner and Barbara O’Connelly
Carmichael: The Runcible Spoon, 1967
“Fairey Islander” [poem]

THE WORMWOOD REVIEW, Vol. 7, Nos. 3-4, Issues 27-28, edited by Marvin Malone
Storrs: The Wormwood Review, 1967
“Because Of” [poem], “If God” [poem], “The Naming of Trees” [poem]


1968

ALDEBARAN REVIEW, No. 2, edited by John Oliver Simon
Berkeley: Aldeberan Review, 1968
“Mammoth of Earth” [poem], “Marsh Gut” [poem], “Summer is Over” [poem]

ILLUMINATIONS, No. 4, edited by Norman Moser
San Francisco: Illuminations Press, Winter 1968-69

MOTHER, No. 11, edited by Ronald Caplan
Pittsburgh: Mother Press, 1968
“Pill For” [poem], “The Mortification of Deacons” [poem]

WORDJOCK, No. 4, edited by Charles Tidler
West Layfayette: Wordjock, November 1968
“In Reed of Wound” [poem], “King Haul to Rome” [poem], “Petter Unsane Mal” [poem], “Swabbie Wan Satchel Ayne” [poem], “The Meathodical Sea Nymph”

THE WORMWOOD REVIEW, Vol. 8, No. 3, Issue 31, edited by Marvin Malone
Storrs: The Wormwood Review, 1968
“At the Tobacconist” [poem], “Delineation” [poem]


1969

ARX, Vol. 2, No. 11, edited by Bill B. Brooks
Austin: Arx Foundation, August 1969

ATOM MIND, Vol. 1, No. 4, edited by Gregory Smith
Albuquerque: Mother Road Publications, Spring 1969
[untitled] “I too / would cry out…” [poem]

ATOM MIND, Vol. 2, No. 6, edited by Gregory Smith
Albuquerque: Mother Road Publications, Fall 1969
“Well, Anyhow” [poem]

THE GOLIARDS, No. 7, edited by Jerry Burns
San Francisco: Goliards Press, 1969

ISINGLASS REVIEW, Vol. 3, No. 1
Burlington, Winter 1969

NOLA EXPRESS, Issue 44
New Orleans: Southern Louisiana Media Corporation, 1969
“Telegraph Pole” [poem]

OUTCAST, No. 15, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, October 1969
“The Wild One” [poem]

QUIXOTE, Vol. 5, No. 4, edited by Morris Edelson
Madison: Quixote, 1969
“I Won’t” [poem], “The Legacy of War” [poem], “Herded” [poem]

SUMAC, Vol. 1, No. 2, edited by Dan Gerber and Jim Harrison
Fremont: Sumac Press, Winter 1969
“No Ultimate Sacrilege” [poem], “Season of Autumn Light” [poem]

THE WORMWOOD REVIEW, Vol. 9, No. 1, Issue 33, edited by Marvin Malone
Storrs: The Wormwood Review, 1969
“Senile” [poem], “She Was Waiting” [poem]


1970

ALDEBARAN REVIEW, No. 8, edited by John Oliver Simon
Berkeley: Aldeberan Review, January 1970
“No Stopping It” [poem]

CENTERING
Berkeley, CA: Mysterious Mountain Press, 1970

DESPERADO, Vol. 1, No. 2, edited by Kell Robertson
1970
“Cow Pens” [poem], “Faceless” [poem]

FOLIO, Vol 6, No. 1
Summer 1970

THE GOODLY COMPANY, No. 15, edited by G. Russell Morgan
Kalamazoo: Goodly Co, April 1970
“How Often” [poem], “Memory, Memory” [poem], “Pastrover” [poem]

NEW: AMERICAN AND CANADIAN POETRY, No. 12, edited by John Gill
Trumansburg: New: A & C Poetrry, April 1970

QUIXOTE, Vol. 6, No. 1, edited by Mossis Edelson
Lodz: Quixote, 1970
“So” [poem]

THE RAG, Vol. 4, No. 19
Austin, March 1970
“Easter Suite” [poem]

THE STONE, Vol. 3, Nos 1-2, edited by Mike Chervenak, Harvy Cording, and Richard Jorgensen
Pennington, Winter-Summer 1970


1971

ALDEBARAN REVIEW, No. 11, edited by John Oliver Simon
Berkeley: Aldeberan Review, December 1971
“Caged” [poem]

DESPERADO, No. 5, edited by Kell Robertson
June 1971
“Alone, You Say You Are?” [poem], “The Commode’s Weather” [poem]

THE GREENFIELD REVIEW, Vol. 1, No. 4, edited by Joseph Bruchac
Greenfield Center: Greenfield Review, 1971

GUM, No. 6, edited by Dave Morice
Iowa City: Gum, September 1971

HEY LADY, Nos. 4-5
Milwaukee: Morgan Press, 1971

THE HUMAN VOICE, Vol. 7, No. 3, edited by D.V. Smith
Homestead: Olivant Press, 1971

INTREPID, No. 18-19, edited by Allen De Loach
New York: Intrepid, Winter 1971
“For Shame in the Shadows” [poem], “The Exit” [poem], “The Returned Mariner” [poem]

LEMMING, No. 1, edited by Jim Gove
San Diego: Lemming, Winter 1971

PENUMBRA, No. 10, edited by Charles Haseloff
New York, Fall 1971
“Postmortem” [poem]

TOOTHPASTE, No. 5, edited by Allan Kornblum
Iowa City: Toothpaste Press, 1971
“Flock” [poem]

THE WORMWOOD REVIEW, Vol. 11, No. 3, Issue 43, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1971
“Bailey I Put” [poem], “Hobert Said” [poem]


1972

ASPHALT, No. 4, edited by Richard Paterson
Yellow Springs: Asphalt, 1972

DESPERADO, No. 7, edited by Kell Robertson
1972
“Goddesses” [poem], “She Had” [poem], “That He Should Live So Long” [poem]

LOCO MOTIVES, edited by Enrique R. Lamadrid and David Teodoro Benedetti
Albuquerque, NM: Peyote Puke Press / Associated Small Presses, 1972

PENUMBRA, No. 11, edited by Charles Haseloff
New York: Penumbra, Fall 1972
“The Lease of Ruin” [poem]

SECOND COMING, Vol. 1, No. 2, edited by A. D. Winans
San Francisco: Second Coming Press, Summer 1972
“In Fact” [poem]

ZAHIR, Vol. 1, Nos. 4-5, edited by Diane Kruchkow
Durham: Zahir, 1972
[untitled] “Classic in the deamoned service…” [poem]. “Eyes That” [poem], “I Wanted Even” [poem], “Is This” [poem]


1973

GRANDE RONDE REVIEW, [un-numbered issue], edited by Ben L. Hiatt
Folsom: Grande Ronde Press, Spring 1973
“She Shut” [poem], “The Wager” [poem], “When You Crouch” [poem]

WIND, No. 9, edited by Howard Quentin
Pikeville: Wind, 1973

THE WORMWOOD REVIEW, Vol. 13, No. 2, Issue 50, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1973
“Hard Times” [poem], “The Visitor” [poem], “You Would Like” [poem]

THE WORMWOOD REVIEW, Vol. 13, No. 4, Issue 52, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1973
“As Time Passes” [poem], “As You” [poem], “I Love Jane” [poem]


1974

EVERYMAN, edited by Christopher Franke
Cleveland: Cuyahoga Community College, Summer 1974

STONE COUNTRY, Vol. 74, No. 2, edited by Judy Neeld
Madison: Stone Country Press, 1974

STONE COUNTRY, Vol. 74, No. 3, edited by Judy Neeld
Madison: Stone Country Press, 1974

STONEY LONESOME, No. 4, edited by Richard Pflum, Roger Pfingston, and David Wade
Nosferatu Press 1974

WHITE ARMS MAGAZINE, No. 1, edited by Jim Jordan
Fort Wayne: White Arms Magazine, April 1974


1975

BLACK BEAR REVIEW: A Magazine of the Arts, Vol. 1, No. 3, edited by James Taylor
Taos: Black Bear Review, Fall 1975

THE COLDSPRING JOURNAL, No. 8, edited by Charles Plymell and Pamela Beach Plymell
August-September 1975
“As If All” [poem], “Seeing An” [poem]

SCREE, No. 3, edited by Kirk Robertson and nila northSun
Missoula: Porky Press for Duck Down Press, 1975

STONE COUNTRY, Vol. 75, No. 2, edited by Judy Neeld
Madison: Stone Country Press, 1975

TELEPHONE, No. 10, edited by Maureen Owen
New York: Telephone Books Press, 1975
“San Francisco” [poem]

WINE RINGS, Vol. 1, No. 2
1975
[untitled] “Where / It’s put / together…” [poem]

THE WORMWOOD REVIEW, Vol. 15, No. 2, Issue 58, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1975
“A Mangled” [poem], “As Knotty a Question” [poem], “Because You” [poem], “Bulltoven Once” [poem], “Cats All Day” [poem], “Conned Out” [poem], “Easter Suite” [poem], “Enraptured Nude” [poem], “Epi-Gratis” [poem], “Every Electrical” [poem], “Examining” [poem], “Holed Up Three Days” [poem], “I Haven’t Spoke” [poem], “I Should Not” [poem], “If My Fragmented” [poem], “It Was” [poem], “Jesus Ranch” [poem], “No, 1” [poem], “Open” [poem], “Sand-Blasting” [poem], “So I Know” [poem], “Suppose Tomorrow” [poem], “The Current” [poem], “The Floor Level” [poem], “The Plain Sun” [poem], “The Sins” [poem], “To Breathe” [poem], “Together” [poem], “We Danced Off” [poem], “When I” [poem], “With Remorse” [poem], “Your Cunt” [poem], “Your Existence” [poem]

THE WORMWOOD REVIEW, Vol. 15, No. 4, Issue 60, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1975
“In a Bar” [poem], “These Wheels” [poem], “To Carry” [poem]


1976

LA-BAS, No. 4, edited by Douglas Messerli
College Park: La-Bas, November 1976
“Pebble Barren Gain” [poem], “This Cunt of Yours” [poem], “Two Mangy, Poorly” [poem]

SCREE, No. 5, edited by Kirk Robertson and nila northSun
Missoula: Duck Down Press, 1976

STAR-WEB PAPER, No. 6, edited by Thomas Michael Fisher
Los Cruces: All This & Less Publishers, 1976

THE SUNSET PALMS HOTEL, Vol. 4, No. 7, edited by Colman Andrews, Michael C. Ford, and Bill Yaryan
Mt. Alverno Press, Winter 1976

WINE RINGS, Vol. 1, No. 5
1976
“Bike Tyre” [poem], “If You” [poem], “I’ve Not” [poem], “My Breathing” [poem]

ZAHIR, No. 8, edited by Diane Kruchkow
Durham: Zahir, 1976
“A Long Line” [poem], “Helmets” [poem]


1978

EL COQUI, No. 1, edited by E.W. Northnagel
Carolina, PR: Cíbola Studio, 1978


1979

BOSS, No. 5, edited by Reginald Gay
New York: Boss Books, 1979

SECOND COMING, Vol. 7, No. 1, edited by A.D. Winans
San Francisco: Second Coming Press, 1979
“Your Buck” [poem]


1980

PIG IRON, No. 8, edited by Jim Villani
Youngstown: Pig Iron, December 1980

THE WORMWOOD REVIEW, Vol. 20, No. 4, Issue 80, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1980
“A Signature” [poem], “Assuming” [poem], ” Dumb, Dear” [poem], “Flowers” [poem], “If I Had” [poem], “If I Took” [poem], “Mad Dog” [poem], “The Place” [poem]


1981

ANOTHER CHICAGO MAGAZINE, Number 6, edited by Lee Webster
Chicago: Thunder Mouth Press, 1981

CENTER, No. 13, edited by Carol Berge
New York: Center, 1981
“Cochise” [prose]

WAVES, Vol. 1, No. 4, edited by Eric Torgersen
Central Michigan University, 1981


1982

LOST AND FOUND TIMES, No. 12, edited by John M. Bennett
Columbus: Luna Bisonte Productions, October 1982
“For Elephant Bamboo” [poem], “The Wall” [poem]


1983

ANOTHER CHICAGO MAGAZINE, Number 9, edited by Lee Webster
Chicago: Thunder Mouth Press, 1983

THE BELOIT POETRY JOURNAL, Vol. 33 No. 3, edited by David M. Stocking
Beloit Poetry Journal, Spring 1983

LUCKY STAR, Vol. 1, No. 3, edited by Henry Kranz
Oak Park: Erie Street Press, April 1983


1984

CENTER, No. 13, Final issue, edited by Carol Berge
New York: Center, 1984

ORO MADRE MAGAZINE, Vol. 2, No. 3-4, edited by Loss and Jan Glazier
Fremont: Ruddy Duck Press, 1984

STAR-WEB PAPER, No. 8, edited by Thomas Michael Fisher
Los Cruces: All This & Less Publishers, 1984


1986

SECOND COMING, Vol. 14, No. 1, edited by A.D. Winans
San Francisco: Second Coming Press, 1986


1989

LACTUCA, No. 12, edited by Mike Selender
Suffern: Lactuca, February 1989
“A Descent into the Depths Would Have Changed” [poem], “The Windows I have Stared Out of Looking” [poem], “Skin or Sheen as it Fails to Coalesce” [poem], “If He Swam at all It Was in a Religion” [poem], “A Black Sash Was All She Had” [poem], “If the Bark Comes off the Sheen of Branch” [poem], “I’ve Seen Worse, as They Say, Without Even” [poem]

LOST AND FOUND TIMES, No. 25, edited by John M. Bennett
Columbus: Luna Bisonte Productions, December 1989
“A Carnation Suggesting You Bruised” [poem]

NEW YORK QUARTERLY, No. 39, edited by William Packard
New York: The National Poetry Foundation, Summer 1989


1990

NEW YORK QUARTERLY, No. 43, edited by William Packard
New York: The National Poetry Foundation, Fall 1990


1991

LACTUCA, No. 14, edited by Mike Selender
Suffern: Lactuca, May 1991
“This Guarded Epiphany That Grabbed Me” [poem], “How Exquisite I Thought Ed Corbet’s” [poem], “Your Platinum Eyes and Bronze” [poem], “If Those Bodies Are Only Objects-” [poem], “If One Should Be Thought a Freak Because Of” [poem], “The Idea” [poem]

NEW YORK QUARTERLY, No. 44, edited by William Packard
New York: The National Poetry Foundation, 1991

NEW YORK QUARTERLY, No. 45, edited by William Packard
New York: The National Poetry Foundation, 1991

PEARL, No. 14, edited by Joan Jobe Smith and Marilyn Johnson
Fountain Valley: Pearl, Fall/Winter 1991


1992

ATOM MIND, Vol. 3, No. 9, edited by Gregory Smith
Albuquerque: Mother Road Publications, 1992

CHIRON REVIEW, Vol. 11, No. 1, edited by Michael Hathaway
St. John: Chiron Review, Spring 1992

Carl Larsen – Contributions to Periodicals

>> return to CARL LARSEN main page >>

SECTION C:
This index includes contributions to periodicals; entries within years are listed alphabetically


1956

1. THE ARCHER, Vol. 6, No. 3, edited by Wilfred Brown and Elinor Henry Brown
North Hollywood: The Archer, Autumn/Winter (Dec) 1956
“I Walked with the Rain” [poem]




2. COASTLINES, Vol. 2, No. 2, Issue 6, edited by Mel Weisburd
Los Angeles: Coastlines, Winter 1956
“Auto Da Fe” [poem]





3. EPOS, Vol. 8, No. 2, edited by Evelyn Thorne and Will Tullos
mags_epos0802Lake Como: Epos, Winter 1956
“I Cannot Live” [poem]






1957

4. ARK, No. 3, edited by James Harmon
San Francisco: Ark, Winter 1957
“The Work of Hands: 8” [poem], “The Work of Hands: 11” [poem]




5. COASTLINES, Vol. 3, No. 1, Issue 9, edited by Mel Weisburd
Hollywood: Coastlines, Winter 1957-58
“Letter to Clarence Major” [prose]





6. DANSE MACABRE, Vol. 1, No. 1, edited by R.T. Baylor
Manhattan Beach: Danse Macabre, 1957
“The Children Are Watching” [poem]





7. EMERGENT, Vol. 1, No. 1, edited by James M. Singer Jr.
Gardena: Henny Penny Press, Winter 1957
“An Account to the Best of My Memory of the Strange and Interesting Events Which Took Place on October 7” [prose]



8. THE FREE LANCE, Vol. 4, No. 2, edited by Adelaide Simon
Cleveland: The Free Lance, Last Half 1957
“The Right to Stand in Line” [poem], “Eating Subgum War Mein” [poem]




9. HEARSE, No. 1, edited by E. V. Griffith
Eureka: Hearse Press, 1957
“Prelude to the Big Blast” [poem]





10. THE NAKED EAR, No. 2, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
“Summer Song #2” [poem], “Song to Be Sung to the Tuna” [poem]




11. THE NAKED EAR, No. 5, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
“Patterns on a Sea Wall #32” [poem]





12. THE NAKED EAR, No. 8, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
“The Work of Hands: 7” [poem]





13. NEON, No. 3, edited by Gilbert Sorrentino
Brooklyn: Neon Magazine, 1957
“Three Rather Obvious Images from the Penultimate Morning” [poem], “Not Us We Love the Dirty ‘…’s”, ” [poem], “Pastels in Smoke and Liquid” [poem], “The Big Hoop-Hoop at 38th Street” [prose]

14. SIMBOLICA, No. 15, edited by Ignace Ingianni
San Francisco: Simbolica, (1957)
“Rondeau #3” [poem], “Rondeau #5” [poem], “Rondeau #7” [poem], “Rondeau #9” [poem]





1958

15. THE COERCION REVIEW, No. 1, edited by Clarence Major
Chicago: Coercion, Summer 1958
“I Lay My Dying Children” [poem]





16. EPOS, Vol. 9, No. 4, edited by Evelyn Thorne and Will Tullos
Lake Como: Epos, Winter 1958
“Mss. Found in a Baby” [poem]





17. HEARSE, No. 3, edited by E. V. Griffith
mags_hearse03Eureka: Hearse Press, 1958
“Contemporary Silence” [poem]





18. THE MISCELLANEOUS MAN, No. 14, edited by William J. Margolis
San Francisco: The Miscellaneous Man, 1958
“Square Like The World” [prose], “Contemporary Impression No. 1” [poem], “Contemporary Impression No. 6” [poem],  “Contemporary Impression No. 9” [poem]



1959

19. THE COERCION REVIEW, No. 2, edited by Clarence Major
Chicago: Coercion, Spring 1959
“Ode to a Model 403 IBM Accounting Machine” [poem]




20. EPOS, Vol. 11, No. 1, edited by Evelyn Thorne and Will Tullos
Crescent City: Epos, Fall 1959
“The Transient Heart” [poem]





21. GALLOWS, No. 1, Jon T. Griffith
mags_gallows01Eureka, Octo­ber 1959
“Contemporary Impression #4” [poem]





22. WHITE DOVE REVIEW, Vol. 1, No. 3, edited by Ron Padgett
Tulsa: White Dove Press, 1959
“Crap and Cauliflower” [poem]






1960

23. COASTLINES, Vol. 4, Nos. 2-3, Issue 14-15, edited by Gene Frumkin
mags_coastlines1415Los Angeles: Coastlines, Spring 1960
“Memo from an Untidy Little Universe: 1” [poem], “Memo from an Untidy Little Universe: 2” [poem]




24. ELEMENT, Vol. 1, No. 1, edited by Robert Vaughan
Glendora: Element, 1960
“Suspend This Instant” [poem]





25. IMPETUS, No. 4, edited by Guy Owen and William E. Taylor
Deland: Stetson University, Summer 1960
“Needle”  [poem], “And Weeping with the Sea” [poem]




26. INLAND, Vol. 3, No. 3, edited by John Rackham
Salt Lake City: Inland, Winter 1960
“Death of a Single Thing” [poem]





27. NOMAD, No. 5-6, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Winter-Spring 1960
“A Modest Proposal or Nabokov’s Folly” [prose], “The Death of Johnny Peyote, from a novel-in-progress” [prose]



28. NOMAD, No. 7, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Summer 1960
“This End of the Sky: 5” [poem]





29. QUICKSILVER, Vol. 13, No. 1, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth : Quicksilver, Spring 1960
“I Ask to Lay My Soul” [poem]





30. QUICKSILVER, Vol. 13, No. 3, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth, Autumn 1960
“We Climb to Blank the Stars” [poem]





31. SAN FRANCISCO REVIEW, Vol. 1, No. 4, edited by R. H. Miller
San Francisco: San Francisco Review, March 1960
“This End of the Sky: 3” [poem], “In Memory of Civilization” [poem]




32. SIMBOLICA, No. 18, edited by Ignace Ingianni
San Francisco: Simbolica, (1960)
“To the Negro Castrated for Looking at Scarlet O’Hara”




33. WHITE DOVE REVIEW, Vol. 2, No. 5 , edited by Ron Padgett
Tulsa: White Dove Press, Summer 1960
“An Age of Winter” [poem]






1961

34. BEATITUDE/EAST, No. 17, edited by C.V.J. Anderson
New York: Beatitude Press, 1961
“Patterns on a Sea Wall: 13” [poem],  “Patterns on a Sea Wall: 14” [poem], “Patterns on a Sea Wall: 15” [poem], “Patterns on a Sea Wall: 16” [poem], “Patterns on a Sea Wall: 17” [poem], “Patterns on a Sea Wall: 18” [poem], “Patterns on a Sea Wall: 19” [poem], “Patterns on a Sea Wall: 21” [poem]

35. THE BELOIT POETRY JOURNAL, Vol. 11, No. 3, edited Chad Walsh 
Beloit: The Beloit Poetry Journal, Spring 1961

36. THE FREE LANCE, Vol. 6, No. 2, edited by Casper L. Jordan
Cleveland: The Free Lance, 1961
“Godlovecountrymotherhome” [poem]





37. LOST WORLD, No. 2, edited by Lorenzo Thomas
New York: Lost World, 1961
“The Sea at Times” [poem], “The Descent of Solomon” [poem]




38. MIDWEST, No. 2, edited by R.R. Cuscaden
mags_midwest02Chicago: Midwest, Summer 1961
“Contemporary Impression: 11” [poem]





39. MUTINY, Vol. 3, No. 3, edited by Jane Esty and Paul Lett
Northport: Mutiny Press, Summer 1961
“From our Far-Flung Agents”





40. QUICKSILVER, Vol. 13, No. 3, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth, Autumn 1961
“The Moral Observations of Edward Reed: 6” [poem]




41. SIMBOLICA, No. 20, edited by Ignace Ingianni
Tiburon: Simbolica, (1961)
“Notes for the Beginning of Things: 1” [poem]





42. SUN, No. 1, edited by Tracy Thompson
mags_sun01San Francisco: Sun, 1961
“The Sky Desterted” [poem]





43. TARGETS, No. 5, edited by W.L. Garner
Albuquerque, April 1961
“Bill, Feat Not Halitosis” [poem]





44. THE WORMWOOD REVIEW, Vol. 1, No. 4, Issue 4, edited by Marvin Malone
Storrs: The Wormwood Review, 1961
“There is a Little Balloon Coming out of My Head” [poem], “On a Hill Far Away Stood an Old Rugged Cha-Cha-Cha” [poem]




1962

45. BRAND X, No. 7, edited by Carl Larsen
New York: 7 Poets Press, July 1962
“In Unscheduled Ascent” [poem]





46. BRAND X, No. 10, edited by Carl Larsen
New York: 7 Poets Press, October 1962
“Poem Entitled October’s Bright Blue Weather” [poem], “The Good Folks Come to Burn Thee” [poem]



47. COASTLINES, Vol. 5, No. 3, Issue 19, edited by Curtis Zahn
Santa Monica: Coastlines, 1962
“O The Moon Shines Bright, It’s Radioactive” [poem]




48. LIBERATION, Vol. 6, No. 11, edited by Dave Dellinger
New York: Libertarian Press, January 1962
“The Work of Hands: 3” [poem]





49. OUTCRY, No. 1, edited by Lee Hollane and C.P. Galle
mags_outcry010Washington D.C.: Poet’s Press, July 1962
“excerpts from The Book of Eric Hammerscoffer”





50. THE WORMWOOD REVIEW, Vol. 2, No. 3, Issue 7, edited by Marvin Malone
Storrs: The Wormwood Review, October 1962
“How I Got to Be 28 Years Old and All My Friends are a Success Except Me”, “Larsen’s Decameron”, “Clyde and Martha”




1963

51. BLACK CAT REVIEW, No. 2, , edited by Neeli Cherry
San Bernardino: The Cherry Press, March 1963
“Fugue for Tracy Thompson” [poem]





52. SCIAMACHY, No. 5, edited by Millea Levin
mags_sciamachy05Winnetka: Sciamachy, 1963
“An Apology, a Face for Granted” [poem] 





53. SCIMITAR AND SONG, Vol. 26, No. 4, edited by Lura Thomas McNair
Sanford: Scimitar and Song, October 1963
“Let Us Believe Together This” [poem]





54. THE WORMWOOD REVIEW, Vol. 3, No. 1, Issue 9, edited by Marvin Malone 
Storrs: The Wormwood Review, 1963
“How I Discovered The Secrets of Nature and Met My Sad End Alas” [poem], “The Giant Gnats at the Hungry I” [poem]



55. THE WORMWOOD REVIEW, Vol. 3, No. 3, Issue 11, edited by Marvin Malone 
Storrs: The Wormwood Review, 1963
Special center-section: Carl Larsen’s The Stainless Steel Incubus, in two parts: “Advertisement for an Android” [poem], “Leah” [poem]



56. THE WORMWOOD REVIEW, Vol. 3, No. 4, Issue 12, edited by Marvin Malone 
Storrs: The Wormwood Review, 1963
“Anonymous  Note, Among Camellias” [poem]






1964

57. COFFIN, No. 1, edited by E.V. Griffith
Eureka: Hearse Press, 1964
“Notes for The Beginning of Things: 4” [poem]





58. GRIST, No. 4, edited by Robert Rusk and John Fowler
Lawrence: Abington Book Shop, December 1964
“Stand Back, Fellas; Let Me Beat That Poor Dead Horse Awhile” [poem]



59. KAURI, No. 5, edited by Will Inman
New York: Kauri, November- December 1964
“Life Cycle and Economy” [poem], “Theme Song Cheer Chant for July 4th 1964” [poem], “The Shelter” [poem]



60. THE MARRAHWANNA QUARTERLY, Vol. 1, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1964
“Clyde and Martha” [poem], “Slumscapes: 4” [poem]




61. OLE, No.1, edited by Douglas Blazek
Bensenville: The Mimeo Press, 1964
“Mss. Found Attached to a Harp-String Hanging from the Sky” [prose]




62. THE WORMWOOD REVIEW, Vol. 4, No. 1, Issue 13, edited by Marvin Malone
Storrs: The Wormwood Review, 1964
“Homage to Yevtushenko” [poem]





63. THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 15, edited by Marvin Malone
Storrs: The Wormwood Review, 1964
“The Way to a Woman’s Heart: An Exploratory Operation” [poem]





1965

64. BLACK CAT REVIEW, No. 3, edited by Neeli Cherry
San Bernardino: The Cherry Press, June 1965
“Dock Dialogue” [poem]

65. INPUT, Vol. 2, No. 1, Issue 5, edited by Peter Salmansohn and Frank Roth
Valley Stream: Input, Spring 1965
“A River, Running to The Sea” [poem]





66. KAURI, No. 11, edited by Will Inman
New York: November-December, 1965
“Addenda to a Subway Sign” [poem]





67. SIMBOLICA, No. 24, edited by Ignace Ingianni
Tiburon: Simbolica, (1965)
“The Big Little White Bug Caper of Yesterday Afternoon” [prose], “The Red and the Black” [poem], “Open Letter to Provincetown, Mass.” [poem]


68. THE SPERO, Vol. 1, No. 1, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1965
“Meet Miss Subways” [prose]





69. THE WORMWOOD REVIEW, Vol. 5, No. 2, Issue No. 18, edited by Marvin Malone
Storrs: The Wormwood Review, 1965
“The Memoirs of the Most Successful 30 Year Old Model Boat Builder in the Whole Universe” [prose]




70. THE WORMWOOD REVIEW, Vol. 5, No. 3, Issue No. 19, edited by Marvin Malone
Storrs: The Wormwood Review, 1965
“A Little Play on Words Which I Have Modestly Entitled: Hamlet Prince of Denmark” [prose], “Memo to Bukowski” [poem], “Poem Entitled Untitled Poem” [poem]



1966

71. THE EIGHT PAGER, Series One, Part Four, edited by D.r. Wagner
Niagara Falls: Press Today Niagara, 1966
“Telethong” [poem]





72. ENTRAILS, No. 1, edited by Gene Bloom
New York: Whisper Shit Press, July 1966
“Dick and Jane at the Seashore, or Confessions of an Eternal Compulsion Engine” [prose]




73. HIKA, Vol. 28, No. 3, edited by Michael K. Berryhill and Michael Kirchberger
Gambier: Kenyon College, Spring-Summer 1966
“Wild Animals Couldn’t Keep Me Away from Africa: The Life and Hard Times of a Poem-Writer” [prose], “Tide Rising” [poem]



74. KAURI, No. 12, edited by Will Inman
New York: January-February, 1966
“Unwinding Walls” [poem]





75. KAURI, No. 15, edited by Will Inman
New York: Kauri, July-August 1966
“Text of the President’s Christmas Message as Reprinted from The New York Times, Dec. 25, 1995” [prose]



76. KAURI, No. 16, edited by Will Inman
New York: Kauri, Sep – Oct 1966
“Memo: Commit Suicide & See Pg. 1 of Notes” [prose]




77. THE MARY JANE QUARTERLY, Vol. 2, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1966
“Fractions of Light and Water, Fractions of Flesh” [poem]




78. THE SPERO, Vol. 1, No. 2, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1966
“The World is Made of Snow” [prose]





79. THE WORMWOOD REVIEW, Vol. 6, No. 4, Issue No. 24, edited by Marvin Malone
Storrs: The Wormwood Review, 1966
“Eddie Reed and His Radio Rangers” [poem]






1967

80. CONGRESS, No.2, edited by Sam Seiffer
New York: Congress, 1967
“From This Familiar Room” [poem]






1972

81. THE WORMWOOD REVIEW, Vol. 12, No. 3, Issue 47, edited by Marvin Malone
Stockton: The Wormwood Review, 1972
“Red Cross” [poem], “Third Rail” [poem]






1975

82. SAMISDAT, Vol. 6 No. 4, Issue 15, edited by Merritt Clifton
Berkeley: Samisdat, Autumn 1975
“Idols” [prose]





83. SMALL PRESS REVIEW, Vol. 7, Nos. 10-11, Issue 34-35, edited by Len Fulton
Paradise: Dust Books, Nov-Dec 1975

84. THE WORMWOOD REVIEW, Vol. 15, No. 2, Issue 58, edited by Marvin Malone
Stockton: The Wormwood Review, 1975
“Love Among The Silverware” [poem], “Road to Mecca” [poem]





1977

85. THE WORMWOOD REVIEW, Vol. 17, Nos. 1-2, Issues 65-66, edited by Marvin Malone
Stockton: The Wormwood Review, 1977
“Sands of Sorrow” [play]






1979

86. CENTER, No. 12, edited by Carol Bergé
Albuquerque: Center, 1979
“from: In The Museum of Oddities” [prose]





Judson Crews

Judson Crews, poet, editor, publisher, and book dealer, was born June 30, 1917, in Waco, Texas. Crews received both the B.A. (1941) and M.A. (1944) in Sociology from Baylor University, and during 1946-1947 studied fine arts at Baylor. In addition, Crews did graduate study at the University of Texas, El Paso in 1967. He has worked as an educator at Wharton County Junior College, New Mexico (1967-1970), the University of New Mexico, Gallup Branch (1971-1972), and at the University of Zambia (1974-1978). He has also been involved in social work. After two years in the U. S. Army Medical Corps during World War II, Crews moved his family and business, Motive Press, from Waco, Texas, to Taos, New Mexico, where he began his writing and publishing career in earnest.

He started the Este Es Press in 1946, which remained in operation until 1966. The little magazines with which he was involved from 1940 to 1966 include The Deer and Dachshund, The Flying Fish, Motive, The Naked Ear, Poetry Taos, Suck-Egg Mule: A Recalcitrant Beast, Taos: A Deluxe Magazine of the Arts, and Vers Libre.
(further reading…)

Michael McClure: Contributions to Periodicals

>> return to MICHAEL MCCLURE main page >>

B. Contributions to Periodicals

1. POETRY, Vol. 87, No. 4, January 1956
mags_poetry8704“2 FOR THEODORE ROETHEKE: PREMONITION”.
This is McClure’s first appearance in print. (Clements C1)



2. SEMINA, Two, 1957
mags_semina02
“I WANTED TO TURN TO ELECTRICITY”
(Clements C2)





3. ARK II / MOBY I, 1956-57
mags_ark2“CANOE: EXPLICATION”, “LOGOS: KNOUT”
McClure co-edited this issue. (Clements C3)





4. EVERGREEN REVIEW, Vol. 1, No. 2, 1957
mags_evergreen0102“NIGHT WORDS: THE RAVISHING”, “CAT’S AIR”, “THE RUG”, “THE”, “NOTE”, “THE ROBE”
(Clements C5)




5. BLACK MOUNTAIN REVIEW, No. 7, Autumn 1957
mags_blackmtn7“POEM”
(Clements C6)





6. MEASURE, No. 2, Winter 1958
mags_measure2THE MAGAZINE COVER…“, “ONE”, “TWO”
(Clements C7)





7. CHICAGO REVIEW, Vol. 12, No. 1, Spring 1958
mags_chicagoreview1201“THE MESS”, “7/26/57”, “LESS THAN VANITY”, “THE BREECH”
(Clements C8)




8. EVERGREEN REVIEW, Vol. 2, No. 6, Autumn 1958
“ODE TO JACKSON POLLOCK”
(Clements C9)

9. YUGEN, 4, 1959
mags_yugen4“THE CHAMBER”
(Clements C11)





10. JABBERWOCK, 1959
mags_jabberwock“FOR ARTAUD”, “A FANTASY AND COURTLY POEM”, “ODE FOR SOFT VOICE”
(Clements C12)




11. YUGEN, 5, 1959
mags_yugen5“RANT BLOCK”
(Clements C13)





12. SEMINA, 4, 1959
“WE’RE IN THE MIDDLE OF A DEEP CLOUD”
(Clements C14)





13. THE GALLEY SAIL REVIEW, Vol. 2, No. 1, Issue No. 5, Winter 1959-1960
mags_galleysail5“L’ETOILE”
(Clements C15)





14. SIDEWALK, Vol. 1, No. 1, 1960
“THE FLOWER OF POLITICS”
(Clements C16)





15. SEMINA, 5, 1960
“WE ARE IMPERVIOUS AS THE SKIN OF OUR DREAMS”
(Clements C17)




16. BIG TABLE, Vol. 1, No. 4, Spring 1960
mags_bigtable14“TWO POEMS FROM A SMALL SECRET BOOK”
(Clements C18)





17. YUGEN, 6, 1960
mags_yugen6“THE COLUMN”
(Clements C19)





18. BEATITUDE, No. 17, Oct-Nov 1960
mags_beatitude17“OH WHY OH WHY THE BLASTED LOVE THE HUGE SHAPE CHANGE?” from DARK BROWN
(Clements C20)



19. THE FLOATING BEAR, No. 1, February 1961
“THE SMILE SHALL NOT BE MORE MUTABLE THAN THE FINAL EXTINCTION OF MEAT”
(Clements C21)




20. NOMAD, 9, Summer 1961
mags_nomad9“HIGH & FROM A NOTEBOOK”
(Clements C22)





21. THE FLOATING BEAR, No. 14, October 1961
“!THE FEAST!”
(Clements C24)





22. THE OUTSIDER, Vol. 1, No. 1, Fall 1961
mags_outsider01“SPONTANEOUS HYMN TO KUNDALINI”
(Clements C25)





23. EVERGREEN REVIEW, Vol. 5, No. 20, edited by Barney Rosset
New York: Evergreen Review, Sep-Oct 1961
“ON SEEING THROUGH SHELLEY’S EYES THE MEDUSA”
(Clements C26)

24. JOURNAL FOR THE PROTECTION OF ALL BEINGS, No. 1, 1961
“REVOLT”
(Clements C27)

25. KULCHUR, Vol. 2, No. 8, Winter 1962
mags_kulchur8“PHI UPSILON KAPPA”
(Clements C28)





26. FOOT, No. 2, 1962
mags_foot2“THE SURGE”
(Clements C29)





27. PA’LANTE, No. 1, May 1962
“FIDELIO”, “TWIGS”
(Clements C30)





28. EL CORNO EMPLUMADO, No. 3, July 1962
“DEAR JANE”, “DRUNK WRITING”
(Clements C31)





29. ORIGIN, Second Series, No. 6, edited by Cid Corman
mags_origin26Kyoto: Cid Corman, July 1962
“THE HELD BACK PAIN”
(Clements C32)




30. EVERGREEN REVIEW, Vol. 6, No. 25, Jul-Aug 1962
“DRUG NOTES”
(Clements C33)





31. FUCK YOU / A MAGAZINE OF THE ARTS, No. 4, Aug 1962
“THE MIND PAIN COMES OVER ME AND I AM BLUNKED”
(Clements C34)




32. THE NATION, Vol. 196, No. 3, Jan 1963
“THE HUMAN FACE”
(Clements C35)

33. SEMINA, 8, 1963
“GHOST TANTRA (NO. 14)”
(Clements C36)





34. THE OUTSIDER, Vol. 1, No. 3, Spring 1963
mags_outsider03“THREE MAD SONNETS”
(Clements C37)





35. POETRY, Vol. 102, No. 3,  edited by Henry Rago
Chicago: Poetry, June 1963
“THE CHILD”, “TWO MAD SONNETS”
(Clements C38)

36. ART FORUM, Vol II, No. 1, July 1963
“DOG STAR MAN”
(Clements C39)

37. CITY LIGHTS JOURNAL, No. 1, 1963
“NOTES ON A MINIATURE DRAMA”
(Clements C40)

38. NORTHWEST REVIEW, Vol. 6, No. 4, Fall 1963
“ARTAUD: PEACE CHIEF”
(Clements C41)





39. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 4
“FUCK ESSAY”
(Clements C42)





40. NOW, 1963
mags_now“I, MICHAEL MCCLURE”, “BLACK AND YELLOW: PANSY”
(Clements C43)




41. EVERGREEN REVIEW, Vol. 8, No. 32, Apr-May 1964
“THE GROWL”
(Clements C44)

42. JOGLARS, Vol. 1, No. 1, Spring 1964
mags_joglars11“STANZA 13” from LOVE LION BOOK
(Clements C46)





43. FILM CULTURE, No. 32, Spring 1964
“DEFENSE OF JAYNE MANSFIELD”
(Clements C47)





44. GNAOUA, No. 1, Spring 1964
mags_gnaoua1“THE BEST SOUND: NINE POEMS”
(Clements C48)





45. CLEFT, Vol. 1, No. 2, May 1964
mags_cleft12“GHOST TANTRA 50”
(Clements C49)





46. KULCHUR, Vol. 4, No. 14, edited by Lita Hornick
New York: Kulchur Press, Summer 1964
“REASON”
(Clements C50)

47. IMAGO, No. 1, 1964
“THREE POEMS FROM THE BEAST SOUND”
(Clements C51)





48. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 7, edited by Ed Sanders 
New York: Ed Sanders, Sep 1964
“AIRS FROM A FORGOTTEN BOOK”
(Clements C52)




49. NOW NOW, 1965
“LOVE LION, LIONESS”
(Clements C53)





50. DIMAS, 3, Feb 1965
“FOR ME”, “FOR A DRAWING BY BRUCE CONNER”, “ONLY SIMPLICITY”, “YOU — NEW TO ME”, “THE CONVERTIBLE”
(Clements C54)

51. THE SAN FRANCISCO KEEPER’S VOICE, Vol. 1, No. 2, Feb 1965
“GHOST TANTRA 15”
(Clements C55)





52. MY OWN MAG, No. 11, Feb 1965
“DREAM TABLES, NO. 1 & 2”
(Clements C56)





53. C, A JOURNAL OF POETRY, Vol. 1, No. 10, Feb 1965
“GHOST TANTRA #9”
(Clements C57)





54. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 8, March 1965
“POEM CARDS”
(Clements C58)

55. FUX!, No. 1, Spring 1965
“WONDERSMITTEN! TRANCELIKE! PROFOND!”
(Clements C60)




56. SIGMA PORTFOLIO, No. 21, 1965
“REVOLT”
(Clements C61)

 

 

 

Michael McClure: Books and Broadsides

>> return to MICHAEL MCCLURE main page >>

This index includes books and broadsides beginning with McClure’s first book through the end of the 1960’s…

A. Books and Broadsides

1. McClure, Michael. PASSAGE
mcclure_passageBig Sur: Jonathan Williams – Publisher, June 1956
First edition, sewn wrappers, 7.25″ x 10.75″, 12 pages, 200 copies. Cover by Jonathan Williams. Published as Jargon 20. Printed by the Windhover Press.
(Clements A1)

2. McClure, Michael. PEYOTE POEM
(San Francisco): Wallace Berman, 1958.
First edition, folded broadside tipped into folder, 9″ x 12″, 200 copies. Published as SEMINA 3.
(Clements A2)


3. McClure, Michael. FOR ARTAUD
mcclure_forartaudNew York: Totem Press, June 1959
First edition, illustrated wrappers, 5.5″ x 8.5″, 12 pages, (750 copies). Published as Blue Plate #2. (Clements A3)



4. McClure, Michael. WE’RE IN THE MIDDLE OF A DEEP CLOUD
(San Francisco): (Wallace Berman), (1959)
First edition, broadside, 3.5″ x 4.25″. Laid into Semina 4.




5. McClure, Michael. HYMNS TO ST. GERYON AND OTHER POEMS
mcclure_hymnsSan Francisco: Auerhahn Press, October 1959
First edition, perfect-bound illustrated wrappers, 7.25″ x 10″, 62 pages, (950 copies). Cover illustration by McClure.
(Clements A4, Auerhahn 4)


6. McClure, Michael. FUCK DEATH
(San Francisco): privately printed, 1959
First edition, folded card, 5″ x 3.5″.
(Clements A5)

7. McClure, Michael. !THE FEAST!
San Francisco: The Batman Gallery, 1960
First edition, stapled sheets, 8.5″ x 11″, mimeograph. A working script of the play.
(Clements A6)

8. McClure. Michael. WE ARE IMPERVIOUS AS THE SKIN OF OUR DREAMS
(Los Angeles): (Wallace Berman), (1960)
First edition, broadside, 4″ x 6.25″. Laid into Semina 5.




9. McClure, Michael. THE NEW BOOK / A BOOK OF TORTURE
New York: Grove Press, August 1961
First edition, perfect-bound wrappers, 64 pages, (4,000 copies). Photo of McClure on rear wrapper by Wallace Berman.
(Clements A7)


10. McClure, Michael. PILLOW
New York: New York Poets Theatre, 1961.
First edition, stapled sheets, 8.5″ x 11″, 7 pages. A working script of the play.
(Clements A8)

11. McClure, Michael. SPONTANEOUS HYMN TO KUNDALINI
(New Orleans): (Loujon Press), (Fall 1961)
First edition, broadside, 5.75″ x 9″. An offprint from The Outsider, Vol. 1, No.1.




12. McClure, Michael. DARK BROWN
mcclure_darkbrownSan Francisco: Auerhahn Press, Winter 1961
— A. First edition, perfect-bound printed wrappers, 6″x 9″, 56 pages, 725 copies.
— B. First edition, hardcover, 6″ x 9″, 56 pages, 25 numbered and signed copies, bound by the Schuberth Bindery.
Printed announcement issued.
(Clements A9, Auerhahn 13)

13. McClure, Michael. MEAT SCIENCE ESSAYS
San Francisco: City Lights Books, June 1963
First edition, perfect-bound wrappers, 84 pages, (3,000 copies). (Clements A10, Cook 41)




14. McClure, Michael. GRAHHR SHEET
(San Francisco): privately printed, (1963)
First edition, broadside, 6.25″ x 2″. According to Clements, copies were given away by the author as tickets at readings in San Francisco and at the University of California at Berkeley.
(Clements A11)
[not in archive]

15. McClure, Michael. TWO FOR BRUCE CONNER
(San Francisco): Oyez Press, 1964
First edition, broadside, 500 copies. Published as Oyez #1, printed by Auerhahn Press.
(Clements A12)

16. McClure, Michael. POERTRY IS A MUSCULAR PRINCIPLE
(Los Angeles): privately printed, 1964
First edition, broadside, 8.5″ x 5.5″. Announces a reading by McClure. Photograph of McClure by Wallace Berman; make up by Robert LaVigne. Beneath the photo is a statement by McClure beginning “Poetry is a muscular principle…”
(Clements A13)

17. McClure, Michael. BLUE-BLACK...
(Los Angeles): privately printed, (Summer 1964)
First edition, broadside, 7.5″ x 2.5″. Contains one-line poem: “BLUE-BLACK SPACE RAINBOW GRAHHR”.
(Clements A14)

18. McClure, Michael. THE BLOSSOM: OR BILLY THE KID
mcclure_blossomNew York: American Theatre for Poets, June 1964
First edition, stapled sheets, 8.5″ x 11″, 26 pages. A working script of the play.
(Clements A15)


19. McClure, Michael. GHOST TANTRAS
San Francisco:  privately printed, 1964
— A. First edition, perfect-bound illustrated wrappers, 108 pages, 1480 copies.
— B. First edition, hardcover in illustrated dust wrapper, 109 pages, 20 copies signed. Issued with a copy of BLUE BLACK… (see A17) laid in.
Cover photo of McClure by Wallace Berman.
(Clements A16)

20. McClure, Michael. DOUBLE MURDER! VAHROOOOOOOHR!
(Los Angeles): (Wallace Berman), 1964
First edition, broadside, 3″ x 4.75″, (200 copies). Contained in a small manila envelope bearing an altered photograph of Jack Ruby at the point of murdering Lee Harvey Oswalk. Published as SEMINA 9.
(Clements A17)

21. McClure, Michael. LOVE LION, LIONESS
mcclure_lovelion(San Francisco):  privately printed, (December 1964)
— A. First edition, poster, 28″ x 22″, 350 copies printed in red and blue in the style of a boxing poster.
— B. First edition, broadside, 11″ x 8.5″, 70 copies printed in black in the style of a boxing poster.
Tickets measuring 5.5″ x 2.25″ were printed for the fictitious event.
(Clements A18)

22. McClure, Michael. 13 MAD SONNETS
mcclure_13madMilan: East 128, 1964
First edition, saddle-stapled sheets in printed dust jacket, 8.5″ x 11″, 28 pages, 315 copies (299 numbered for sale). Photographs of McClure by Ettore Sotsass Jr.
(Clements A19)

23. McClure, Michael. THE BEARD
(San Francisco):  privately printed, April 1965
First edition, perfect-bound wrappers, 71 pages, 350 copies planned, 330 produced. (Clements A20)



24. McClure, Michael. POISONED WHEAT
mcclure_poisoned(San Francisco):  (Oyez Press), April 1965
— A. First edition, saddle-stapled illustrated wrappers. 5.75″ x 7.75″, 16 pages, 576 copies.
— B. First edition, hardcover in printed dust wrapper, 5.75″ x 7.75″, 16 pages, 24 copies lettered alpha through omega and signed by the author. Bound by Dorothy Hawley.
(Clements A21)

25. McClure, Michael. UNTO CAESAR
mcclure_unto(San Francisco): (Dave Haselwood), (1965)
First edition, hand-sewn printed wrappers, 6.5″ x 4″,  24 pages, circa 60 copies.
(Haselwood 1)

26. McClure, Michael. DREAM TABLE
San Francisco: Dave Haselwood, 1965
First edition, 30 double-sided printed cards, 2.5″ x 3.5″, 200 sets (30 signed). Each card is printed with a Lion and a Tree ornament on one side and two words on the other.
(Haselwood 5)


27. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
(San Francisco): (Dave Haselwood), (1966)
First edition, 24 cards in printed envelope, 2″ x 2″, envelope measures 4.5″ x 5.75″. Each card is printed with  four words one side and a hallucinogram on the other. Illustrated by Bruce Conner.
(Haselwood 10)

28. McClure, Michael and Bruce Conner. MANDALAS
San Francisco: Dave Haselwood, 1966
First edition, saddle-stapled printed wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. Printed announcement issued.
(Haselwood 11)

29. McClure, Michael. LOVE LION BOOK
San Francisco: Four Seasons Foundation, 1966
— A. First edition, saddle-stapled printed wrappers, 1000 copies.
— B. First edition, hardcover, 40 copies numbered and signed.
Published as Writing 11.

30. McClure, Michael. POISONED WHEAT
mcclure_poisonedSan Francisco:  Coyote, 1966
First edition thus, second printing, saddle-stapled illustrated wrappers. 5.75″ x 7.75″, 16 pages, 5000 copies.



31. McClure, Michael. MEAT SCIENCE ESSAYS
San Francisco: City Lights Books, June 1966
Second expanded edition, perfect-bound wrappers, 120 pages. This expanded edition contains three essays not found in the 1963 publication: “Phi Upsilon Kappa”, “Defense of Jayne Mansfield”, and “Reason”. (not in Cook)

32. McClure, Michael. THE BEARD
San Francisco: Coyote, 1967

33. McClure, Michael. THE BEARD
New York: Grove Press, 1967

34. McClure, Michael. WAR IS DECOR IN MY CAVERN CAVE
(San Francisco): Communication Company, (1967)

35. McClure, Michael. THE BLOSSOM, OR BILLY THE KID
Milwaukee: Great Lakes Books, 1967

36. McClure, Michael. FREEWHEELIN FRANK
New York: Grove Press, 1967






37. McClure, Michael. HAIL THEE WHO PLAY
Los Angeles: Black Sparrow Press, August 1968
— A. First edition, perfect-bound printed wrappers, 233 numbered and signed copies.
— B. First edition, hardcover, 75 numbered and signed copies, each with an original drawing by the author.

38. McClure, Michael. LITTLE ODES: Jan – March 1961
New York: Poets Press, 1968

39. McClure, Michael. THE SERMONS OF JEAN HARLOW AND THE CURSES OF BILLY THE KID
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
— A. First edition, saddle-stapled wrappers, 6″ x 9.25″, 24 pages, 1200 copies.
— B. First edition, hardcover, 6″ x 9.25″, 24 pages, 50 copies signed.
(Haselwood 17)

40. McClure, Michael. MUSCLED APPLE SWIFT
Los Angeles: Love Press, 1968

41. McClure, Michael. GRAHHR APRIL GRHARRR APRIL
(Buffalo): (Gallery Upstairs Press), (1968)
First edition, broadside, 28.5″ x 21.25″.

42. McClure, Michael. GREETINGS
London: Cape Goliard Press, 1968
First edition, broadside, 11″ x 12″.

43. McClure, Michael. HYMNS TO ST. GERYON & DARK BROWN
London: Cape Goliard, 1969
— A. First edition thus, perfect-bound illustrated wrappers.
— B. First edition thus, hardcover in illustrated dust jacket.
Two titles previously published by Auerhahn Press, published here dos-a-dos. Illustrated and with cover art by Wallace Berman.

44. McClure, Michael. LITTLE ODES AND THE RAPTORS
Los Angeles: Black Sparrow Press,  March 1969
— A. First edition, perfect-bound illustrated wrappers, 6.25″ x 9.25″, 43 pages, 1000 copies.
— B. First edition, hardcover in cloth with paper label, 6.75″ x 9.5″, 43 pages, 200 copies numbered and signed.
— C. First edition, hardcover in gold stamped leather, 6.75″ x 9.5″, 43 pages, 26 copies lettered and signed with each with an original drawing by the author.
Cover illustration by the author.

45. McClure, Michael. THE SURGE
Columbus, OH: Frontier Press, 1969

46. McClure, Michael. LION FIGHT
New York: Pierrepont Press, 1969
First edition, 28 cards housed in a hinged plastic box covered in a cream-colored silk drawstring bag with a white satin cord,.
— A. 330 copies numbered and signed
— B. 26 copies lettered and signed
— C. 4 hors commerce copies signed.

47. McClure, Michael. GHOST TANTRAS
San Francisco: Four Seasons Foundation, 1969
First edition thus, second printing preceded by the privately published edition from 1964, perfect-bound illustrated wrappers, 106 pages. Cover photo of McClure by Wallace Berman.

48. McClure, Michael. PLANE POMES
New York: Phoenix Book Shop, 1969
First edition, hand-sewn wrappers with printed label.
A. 100 numbered and signed copies.
B. 26 lettered and signed copies.

49. McClure, Michael. THE SHELL
London: Cape Goliard, 1969
First edition, broadside in a tube.
— A. 250 copies numbered.
— B. 50 copies numbered and signed by the author.

50. McClure, Michael. MUSCLED APPLE SWIFT
Sacramento: Runcible Spoon, 1969
First edition thus, second printing following the 1968 edition by Love Press, side-stapled illustrated wrappers, 350 copies.

51. McClure, Michael. TO JAMES B. RECTOR
San Francisco: Privately Published, 1969
First edition, broadside,
A. trade edition, total number published unknown.
B. 30 copies numbered and signed by the author.

52. McClure, Michael. LIBERATION
Oakland: Mills College Tape Music Center, 1969
First edition, broadside, issued in a large bag labeled “Free,” along with 8 broadsides by other contributors.

R.C. Lion

Envisioned as the monthly newsletter of The Rhymers Club at U.C. Berkeley, R.C. Lion ran for three issues from 1966 to 1967. Editors of the newsletter included Ron Loewinsohn, David Bromige, Sherril Jaffe, and David Schaff.

The Club was open to all, “the hope being how a place might come into fact where a writer can give and take heart and impetus among his fellows, exchange information pertinent or otherwise, tell lies, insist on his visions, and hear readings, taped or live, by writers unlikely to be available.”

further reading…

Charles Bukowski: Contributions to Periodicals, 1970-1979

>> return to CHARLES BUKOWSKI main page >>

SECTION D-2:
This index includes contributions to periodicals of poems and stories from 1970 to 1979*.

* Note: This is a work in progress and as such the sequence within years is alphabetical until more data is available

– – – 1970 – – – >

ADAM, Vol. 14, No. 2 (1970)

ADAM, Vol. 14, No. 7 (1970)

CALIFORNIA LIBRARIAN, Vol. 31, No. 4, edited by Don Kunitz
Sacramento: California Librarian, October 1970
“The Poetry Reading”
[library photocopy]




CANDID PRESS (1970)

CHICAGO REVIEW, Vol. 22, No. 1, edited by Harry Foster
mags_chicago2201Chicago: Chicago Review, Autumn 1970
“All Right, so Camus Had to Give Speeches before the Academies and Get His Ass Killed in a Car-Wreck”, “The Old Woman”



COTYLEDON, No. 2
Traverse City: Coyteldon Press, 1970
“A Hero’s Death”, “A Little Bit of Excitement”, “An Interesting Night”, “Robert Ryan: American Matador”, “Song”, “The Virgins of The Bulls”, “Those Sons of Bitches”

EPOS, Vol. 22, No. 2, edited by Will Tullos and Evelyn Thorne
mags_epos2202Crescent City: Epos, Winter 1970-71
“Blues Song”





EVERGREEN REVIEW, Vol. 14, No. 74, edited by Barney Rosset
New York: Evergreen Review, January 1970
“The Day We Talked about James Thurber”

EVERGREEN REVIEW, Vol. 14, No. 79, edited by Barney Rosset
New York: Evergreen Review, June 1970
“Soup, Cosmos and Tears”

FLING (1970)

GHOST DANCE, No. 12, edited by Hugh Fox
mags_ghostdance12East Lansing: Ghost Dance Press, (1970)
“The Poet’s Muse”





HEARSE, No. 14, edited by E. V. Griffith
Eureka: Hearse Press, 1970
“Sheets”





JEOPARDY, Vol. 6, edited by Carl Waluconis
mags_jeopardy06Bellingham: Jeopardy, March 1970
“The White Poets”, “The Black Poets”, “Excerpts from Short Non-Moon Shots to Nowhere”




KNIGHT, Vol. 7, No. 12
Los Angeles: Sirkay Publishing, 1970
“The Great Zen Wedding”

KNIGHT, Vol. 8, No. 5
Los Angeles: Sirkay Publishing, September 1970
“Nut Ward Just East of Hollywood”

KNIGHT, Vol. 8, No. 7
Los Angeles: Sirkay Publishing, 1970
“Registered Letter” (excerpt from Post Office)

NOLA EXPRESS, No. 45
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 49
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 54
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 55
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 57
New Orleans: Southern Louisiana Media Corp., Jun 12 to 27, 1970
“New Mexico”

NOLA EXPRESS, No. 60
New Orleans: Southern Louisiana Media Corp., 1970
“Love it or Leave it”

NOLA EXPRESS, No. 61
New Orleans: Southern Louisiana Media Corp., 1970
“All the Pussy We Want”

NOLA EXPRESS, No. 62
New Orleans: Southern Louisiana Media Corp., Aug 21-Sep 3, 1970
“Six Inches”

NOLA EXPRESS, No. 63
New Orleans: Southern Louisiana Media Corp., Sep 4-17, 1970
“I Think of the Little Men”

NOLA EXPRESS, No. 64
New Orleans: Southern Louisiana Media Corp., Sep 18-Oct 1, 1970
“An Evil Town”

NOLA EXPRESS, No. 67
New Orleans: Southern Louisiana Media Corp., 1970
“The Loner”

NOLA EXPRESS, No. 68
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 69
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 70
New Orleans: Southern Louisiana Media Corp., 1970
“The White Beard”

NORTON ANTHOLOGY OF POETRY (1970)

NOTES FROM UNDERGROUND, No. 3, edited by John Bryan
San Francisco: Underground Press, 1970
“Should We Burn Uncle Sam’s Ass?”

WHAT THERE IS LEFT TO UNDERSTAND ABOUT A LIGHT THAT IS NOT ABLE TO BE THERE
Sacramento: Runcible Spoon 1970
“Dooby Do Do Do”, “Shoot The Goat Through The Head And Paint The Bones Green”, “The Shit Shits”, “The Vast Area Of Space Nothingness With With Snakes Crawling Through You And Everything”

SOUNDINGS, Vol. 2, No. 1, edited by Donald E. Fitch
mags_soundings0201Santa Barbara: University of California, May 1970
“The Miracle”, “The Immortal Bombs, The Stinking Feet of God be Quiet”, “The Flower Lover”




SOUTHERN CALIFORNIA LIT SCENE, Vol. 1, No. 1, edited by William J. Robson
mags_socallit0101Long Beach: Southern California Lit Scene, December 1970
“The Wailing Wall”




STATEMENT, No. 28, edited by Roger Margolis
mags_statement28Los Angeles: California State College, May 1970
“On to Rome”





STEPPENWOLF, No. 4, edited by Philip Boatright
mags_steppenwolf04Omaha: Steppenwolf, Autumn, 1970
“Quits”





STOOGE, No. 5, edited by Laura Chester and Geoffrey Young
Oconomowoc Lake: Stooge, 1970
“An Answer to a Critic of Sorts”

WORMWOOD REVIEW, , Vol. 10, No. 1, Issue 37, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“One More Good One. Why Not?”, “Moonlight Ride”




WORMWOOD REVIEW, Vol. 10, No. 4, Issue 38, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“Down Like Stairways, Up Like Smoke”, “Another Academy”




WORMWOOD REVIEW, , Vol. 10, No. 4, Issue 39, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“A Correction To A Lady Of Poetry”, “A Warm Afternoon Just Off Sunset Boulevard”, “Boil Near Left Elbow”, “Yes”



WORMWOOD REVIEW, Vol. 10, No. 4, Issue 40, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“16 Jap Machine Gun Bullets”, “When All The Animals Lie Down”




– – – 1971 – – – >

ABYSS, Vol. 3, No. 1 (1971)

ADAM, Vol. 15, No. 3 (1971)

ADAM, Vol. 15, No. 5 (1971)

ADAM, Vol. 8, No. 11 (1971)

BEAR, No. 1, edited by A. P. Russo
Los Angeles: Bear,  1971
“The Answer”, “The Flu”

CRAZY HORSE, No. 9
Marshall: Southwest Minnesota State College, 1971
“That One”

EAST VILLAGE OTHER, Vol. 6, No. 11
New York: East Village Other Inc, 1971
“Swastika”

FLING, (1971)

FLING, (1971)

FLING, Vol. 14, No. 4 (1971)

FLING, Vol. 14, No. 5 (1971)

HALF N’ HALF, (1971)

HANGING LOOSE, No. 15
Brooklyn: Hanging Loose Press, 1971
“A Threat to My Immortality”, “The Garbageman”

HARRISON STREET REVIEW, No. 2 (1971)

HEARSE, No. 15, edited by E. V. Griffith
Eureka: Hearse Press, 1971
“The End of The Funhouse”, “Vallejo”

INTREPID, No. 18/19, edited by Allen De Loach
Buffalo: Intrepid Press, 1971
“A Blurb”, “That Liberating Moment”

INVISIBLE CITY, No. 1, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“5 Men in Black Passing My Window”, “Ah”, “Here”, “Rolled Again”, “Songs of Death”, “Style”, “The Bums at Phillipe’s”, “The Last Days of The Suicide Kid”, “You Might As Well Kiss Your Ass Goodbye”, “Zoo”

INVISIBLE CITY, No. 2, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“A Most Dark Night In April”, “Drinking”, “Last Act”, “The American Flag Shirt”, “Upon 2 Deaths”

INVISIBLE CITY, No. 3, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“2 Carnations”, “Pleasure Song”, “The Shower”, “The Writer”

LAUGH LITERARY AND MAN THE HUMPING GUNS, Vol. 1, No. 3, edited by Charles Bukowski and Neeli Cherry
Los Angeles: Hatchetman Press, 1971
“Bukowski To Cherry”, “The Time I Knocked Out Ernest Hemingway And Was Discovered As A New Literary Giant”

LEMMING, No. 1 (1971)

MADRONA, No. 2, edited by J.K. Osborne, John Levy, and Vassilis Zambaras
Seattle: Gemini Press, 1971
“The Best Love Poem I Can Write at the Moment”

MANO MANO, No. 2, edited by Larry Lake
Denver, Colorado: Bowery Press, 1971
“Girl In A Miniskirt Reading The Bible Outside My Window”, “Ha Ha Ha Ha Ha, Ha Ha”, “The Angels Of Sunday”

MEATBALL, No. 8 (1971)

MEDITERRANEAN REVIEW, Vol. 1, No. 3, edited by Robert DeMaria
Orient: Mediterranean Review, 1971
“Poem For An X-Bank Clerk”, “The Wine And The Cantos”

NEW YORK QUARTERLY, No. 7 (1971)

NEW YORK QUARTERLY, No. 8 (1971)

NOLA EXPRESS, No. 71
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 73
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 77
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 78
New Orleans: Southern Louisiana Media Corp., Apr 1-15, 1971

NOLA EXPRESS, No. 81
New Orleans: Southern Louisiana Media Corp., 1971

PIX, Vol. 3 (1971)

PULSE, No. 4, edited by Norm Moser
Santa Fe: Illuminations Press, Summer-Fall 1971
“A Need For Glue”, “Cancer Of The Eyeball”, “The Grammar Of Life”

QUETZAL, Vol. 1, No. 3 (1971)

ROGUE, No. 29 (1971)

SECOND AEON, No. 13, edited by Peter Finch
Cardiff: Second Aeon Publications, 1971
“Poem For Dante”, “Slim Killers”, “The Conditions”

THE MT. ALVERNO REVIEW, (1971)

THE SERIF, Vol. 8, No. 4, edited by Alex Glidzen and Dean H. Keller
Kent: Kent State University, 1971
“Untitled Essay on d.a. levy”

THROB, No. 1, edited by F. A. Nettlebeck
Manhattan Beach: Horsehead Nebula Press, 1971
“Bug”, “Summer”, “The Elephants”

THROB, No. 2, edited by F. A. Nettlebeck
Manhattan Beach: Horsehead Nebula Press, 1971
“Charles Bukowski Answers 10 Easy Questions”

UNMUZZLED OX, Vol. 1, No. 1, edited by Michael Andre
New York: Unmuzzled Ox, 1971
“Poem”, “Tragedy Is My Bacon”

VAGABOND, No. 10, edited by John Bennett
San Francisco: Vagabond Press, 1971

VAGABOND, No. 11, edited by John Bennett
San Francisco: Vagabond Press, 1971

VAGABOND, No. 12, edited by John Bennett
Redwood City: Vagabond Press, 1971

WORMWOOD REVIEW, No. 41 (1971)

WORMWOOD REVIEW, No. 42 (1971)

WORMWOOD REVIEW, No. 43 (1971)

WORMWOOD REVIEW, No. 44 (1971)

– – – 1972 – – – >

ADAM, Vol. 16, No. 1 (1972)
AMPHORA, No. 8 (1972)
ANTHOLOGY OF L.A. POETS, (1972)
BACHY, Vol. 1, No. 1 (1972)
BALONEY STREET, No. 3/4 (1972)
BALONEY STREET, No. 3/4 (1972)
BARTLEBY’S REVIEW, Vol. 1, No. 1 (1972)
CALIFORNIA STATE POETRY SOCIETY QUARTERLY, Vol. 1, No. 2 (1972)
CHICAGO REVIEW, Vol. 24, No. 3 (1972)
CORDUROY, Vol. 1, No. 3 (1972)
DOGTOWN, No. 1 (1972)
EVENT, Vol. 1, No. 3 (1972)
EVENT, Vol. 2, No. 1 (1972)
EVENT, Vol. 2, No. 2 (1972)
FERVENT VALLEY, No. 1 (1972)
FERVENT VALLEY, No. 2 (1972)
FLING, No. 3 (1972)
FLING, No. 5 (1972)
FLING, Vol. 14, No. 6 (1972)
HALF N’ HALF, (1972)
HARRISON STREET REVIEW, No. 3 (1972)
HEARSE, No. 17 (1972)
INTREPID, No. 23/24 (1972)
INVISIBLE CITY, No. 4 (1972)
INVISIBLE CITY, No. 7 (1972)
KNIGHT, Vol. 9, No. 7 (1972)
LOS ANGELES FREE PRESS, (1972)
LOS ANGELES FREE PRESS, (1972)
MAG, No. 2 (1972)
MAG, No. 4 (1972)
MAGAZINE, No. 5 (1972)
MINDSCAPES, (1972)
NEW YORK QUARTERLY, No. 10 (1972)
NEW YORK QUARTERLY, No. 12 (1972)
NEW YORK QUARTERLY, No. 9 (1972)
NOLA EXPRESS, No. 103 (1972)
NOLA EXPRESS, No. 104 (1972)
NOLA EXPRESS, No. 108 (1972)
NOLA EXPRESS, No. 113 (1972)
NOLA EXPRESS, No. 115 (1972)
NOLA EXPRESS, No. 116 (1972)
NOLA EXPRESS, No. 117 (1972)
NOLA EXPRESS, No. 119 (1972)
NOLA EXPRESS, No. 99 (1972)
PEBBLE, No. 9 (1972)
PIX, Vol. 4, No. 5 (1972)
PIX, Vol. 4, No. 7 (1972)
PIX, Vol. 4, No. 8 (1972)
PURE SMUTTE, No. 1 (1972)
SAN FRANCISCO BOOK REVIEW, No. 22 (1972)
SECOND AEON, No. 14 (1972)
SECOND AEON, No. 16/17 (1972)
SECOND COMING, Vol. 1, No. 2 (1972)
SECOND COMING, Vol. 1, No. 3 (1972)
SILVER, (1972)
STONECLOUD, No. 1 (1972)
THE, No. 13 (1972)
THE LITTLE MAGAZINE, Vol. 6, No. 1 (1972)
THE LITTLE MAGAZINE, Vol. 6, No. 2 & 3 (1972)
THE VENICE POETRY COMPANY PRESENTS, (1972)
UNMUZZLED OX, Vol. 1, No. 2 (1972)
UNMUZZLED OX, Vol. 1, No. 4 (1972)
VAGABOND, No. 13 (1972)
VAGABOND, No. 15 (1972)
WORMWOOD REVIEW, No. 45 (1972)
WORMWOOD REVIEW, No. 46 (1972)
WORMWOOD REVIEW, No. 47 (1972)
WORMWOOD REVIEW, No. 48 (1972)

Semina

seminaSEMINA, edited by Wallace Berman
 Los Angeles, San Francisco, Larkspur: 1955-1964
Nine issues in various limitations (<200 copies), letterpress printed, tipped photgraphs, contributors include Berman, John Altoon, Antonin Artaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, and John Weiners, amongst many others.

(facsimile edition) SEMINA, edited by Wallace Berman and compiled by George Herms
Venice: Love Press (George Herms), 1992
First edition thus, 1/300 copies signed by George Herms, individual facsimile reproductions of SEMINA magazine issues 1-9, plus a loose colophon signed and numbered by George Herms laid into a printed chipboard box, as issued. This meticulous facsimile recreation of Wallace Berman’s legendary (and legendarily scarce) handmade Beat literary/art magazine from the late 1950s early 60s took four years to bring to fruition, contributors include Berman, John Altoon, Antonin Artaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, and John Weiners, amongst many others. This edition has been assembled in the fashion of the originals: handset letterpress on scraps of colored paper, photos, pastedowns, etc. The project was edited and overseen by Berman’s friend and fellow collage/assemblage artist George Herms.

THE SAN FRANCISCO CAPITALIST BLOODSUCKER-N

mags_capitalist

 

 

Published during the so-called “magazine wars” of the early 1960s, George Stanley’s THE SAN FRANCISCO CAPITALIST BLOODSUCKER-N lasted just one issue. Stan Persky, Lew Ellingham, and Gail Chugg edited M, gathering contributions from a box at  Gino & Carlo’s Bar in San Francisco’s North Beach. Richard Duerden was editing FOOT; with Ron Loewinsohn he was also editing THE RIVOLI REVIEW, produced in Duerden’s apartment on Rivoli Street in the Haight-Ashbury district. Loewinsohn and Richard Brautigan soon produced another magazine, CHANGE.

As Ron Loewinsohn recalled, “Everybody seemed to have access to a mimeograph machine. You could then put out your own magazine. This was marvelous: it meant instant publication, instant reaction from people.”

It wasn’t until 1964, that Stan Persksy’s OPEN SPACE took up the publishing necessary to the Jack Spicer circle and its friends…

further reading…