Tag Archives: periodicals

William S. Burroughs – Translations into Foreign Languages

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SECTION D:
This index includes contributions to periodicals that have been translated into foreign languages by a third party from 1957 to 1973: roughly the period of time covered by the Maynard and Miles Bibliography.

Reference here is made to the Maynard & Miles bibliography (ref. M&M) and Brian Schottlaender’s bibliography (ref. BS). The first categorized publications in chronological order, while the latter used an alphabetical order within years. Publications are presented here in chronological order.


1. LA NOUVELLE REVUE FRANÇAISE, No. 85, edited by Jean Paulhan*
Paris: Éditions Gallimard, January 1960

Burroughs contribution: “Témoignage a propos d’une Maladie”
(M&M C13) (BS C19)

Note: French translation of “Deposition: Testimony Concerning a Sickness” by Eric Kahane; published concurrently with the English-language version in the Evergreen Review [see (M&M C12)]

2. HAUTE SOCIÉTÉ, No. 1, edited by Jacques Houbart *
Paris: Haute Société, June 1960

Burroughs contribution: “Nothing Is True, Everything Is Permitted”
(M&M C18) (BS C15)


3. HAUTE SOCIÉTÉ, No. 2, edited by Jacques Houbart *
Paris: Haute Société, September 1960

Burroughs contribution: “The Naked Lunch (fragment)”
(not in M&M) (not in BS)

Note: French translation by Jacques Houbart.

4. NUL, No. 5, edited by Dirk Claus *
Sint Niklaas: Paradox Press, January 1962

Burroughs contribution: “Take That Business to Wallgreens”
(M&M C40) (BS C39)

5. NUL, No. 6, edited by Dirk Claus *
Sint Niklaas: Paradox Press, 1962

Burroughs contribution: “Routine: Roosevelt After Inauguration”
(M&M C41) (BS C40)

6. BLM: BONNIERS LITTERÄRA MAGASIN, No. 6, edited by Daniel Hjorth *
Stockholm: Albert Bonniers: July–August 1962

Burroughs contribution: “Novia Express”
(not in M&M) (BS C35)

Note: Swedish translation by Lars Wilson.

7. AKZENTE, Vol. 9, No.6, edited by Walter Höllerer and Hans Bender *
Munich: Carl Hanser, December 1962

Burroughs contribution: “The Photograph Crashes – The Word Crashes”, “Last Rays of Dusk”
(not in M&M) (not in BS)

Note: excerpts from Naked Lunch.

8. RANDSTAD, No. 4, edited by Hugo Claus, Ivo Michels, Harry Mulisch, Simon Vinkenoog 
Amsterdam: De Bezige Bij, January 1963

Burroughs contribution: “Outskirts of the City”
(M&M C52) (BS C58)

Note: Dutch translation by Cornelis Bastiaan Vaandrager and Simon Vinkenoog.

9. IL VERRI, No. 8, edited by Luciano Anceschi *
Milan: Feltrinelli, June 1963

Burroughs contribution: “Le Censura e il Romanzo”
(M&M C61) (BS C60)

Note: Italian translation of “Censorship”, which first appeared in Transatlantic Review, No. 11 (Winter 1962) [see (M&M C51)].

10. AKZENTE, Vol. 10, No. 3, edited by Walter Höllerer and Hans Bender *
Munich: Carl Hanser, June 1963

Burroughs contribution: “Grenzstadt”
(M&M C62) (BS C47)

Note: German translation  of “The Border City” by Katharina and Peter Behrens.

11. RANDSTAD, No. 9, edited by Hugo Claus, Ivo Michels, Harry Mulisch, Simon Vinkenoog *
Amsterdam, De Bezige Bij, 1965

Burroughs contribution: “Beedige verklaring: Een getuigenis over een ziekte”
(M&M C126) (BS C119)

Note: Dutch translation of “Deposition: Testimony Concerning a Sickness”.

12. KREA, No. 6 *
‘s-Hertogenbosch: Krea, 1965

Burroughs contribution: “The Coldspring News (op de veranda achtrer zijn brerderij…)”
(M&M C130) (BS C102)

Note: Dutch translation by Peter H. Van Lieshout.

13. MAMA, No. 16, edited by Klaus Lea *
Munich: Mama, March 1966

Burroughs contribution: “Martins Torheit”
(M&M C133) (BS C139)

Note: German translation of “Martin’s Folly”.

14. OPUS INTERNATIONAL, No. 4, edited by Jean-Clarence Lambert*
Paris: Editions Georges Fall, December 1967

Burroughs contribution: “Cieux brûlants, idiot”
(M&M C181) (BS C167)

Note: French translation of “Burning Heavens, Idiot” by Mary Beach and Claude Pélieu, first published in Insect Trust Gazette, No. 1 (1964).

15. LA QUINZAINE LITTÉRAIRE, No. 40, edited by François Erval and Maurice Nadeau
Paris: Bureau du journal, 1-15 December 1967

Burroughs contribution: “L’Avenir du Roman”, “Censure”
(M&M C182-183) (BS C169)

Note: French translation of “The Future of the Novel” and “Censorship” by Mary Beach and Claude Pélieu.

16. PLANETA FRESCO, No. 1, edited by Ettore Sottsass and Fernanda Pivano
Milano, Edizioni East 128, 12 December 1967

Burroughs contribution: “Accademia 23: Un Decondizionamento”
(M&M C184) (BS C168)

Note: Italian translation of “Academy 23: A Deconditioning” by Giulio Saponaro.

17. PLANETA FRESCO, Nos. 2-3, edited by Ettore Sottsass and Fernanda Pivano *
Milano, Edizioni East 128, 1968

Burroughs contribution: “23 skidoo Elite Eristica”
(M&M C195) (BS C205)

Note: Italian translation of “23 Skidoo Eristic Elite” by Giulio Saponaro.

18. VIBRA, FRI NORSK PRESSE, No. 1, edited by Johannes Rasmussen *
Oslo: Vibra, 1968

Burroughs contribution: “Flesket son Eksploderte”
(M&M C197) (BS C220)

Note: Norwegian translation of excerpt from The Ticket That Exploded.

19. REVISTA DE BELLAS ARTES, No. 23, edited by Huberto Batis *
Mexico City: Instituto Nacional de Bellas Artes, September 1968

Burroughs contribution: “Censura”, “La novela del porvenir”
(M&M C205-206) (BS C210)

Note: Spanish translation of “Censorship” and “The Future of the Novel” by Roberto Baresa.

20. SVÊTOVÁ LITERATURA, Vol. 13, No. 4, edited by Josef Kadlec *
Prague: Odeon, 13 April 1968

Burroughs contribution: “Smrt Opiového Jonese”
(M&M C213) (BS C218)

Note: Czech translation of “The Death of Opium Jones”.

21. HOTCHA!, No. 39, edited by Urban Gwerder *
Zurich: Hotcha, April 1970

Burroughs contribution: “Akademie 23—eine Entwöhnung”
(M&M C273) (BS C279)

Note: German translation of “Academy 23: A Deconditioning.”

22. ACTUEL, NOUVELLE SERIE, No. 2, edited by Jean-François Bizot
Paris: Actuel: November 1970

Burroughs contribution: “Ecoutez Mes Derniers Mots”
(M&M C297) (BS C263)

Note: an excerpt from Nova Express, translated by Mary Beach and Claude Pélieu. According to Maynard and Miles, the magazine mistakenly credits Bob Kaufman instead of Claude Pélieu.

23. ZOOM, No. 1 *
Frankfurt: Zoom, May 1971

Burroughs contribution: “Top Secret M.O.B.”
(M&M C305) (BS C322)

Note: German translation of “M.O.B.” from Contact (1970).

24. LA VEUVE JOYEUSE—JOURNAL SOUTERRAIN POUR ADULTE ECLAIRE, Nos. 1-3 *
Paris: La Veuve Joyeuse, Spring 1971

Burroughs contribution: “M.O.B.”
(M&M C306) (BS C319)

Note: French translation of “M.O.B.” from Contact (1970).

25. UFO, No. 1, edited by Udo Berger, Carl Weissner, Jürgen Ploog, and Jörg Fauser *
Göttingen: Expanded Media Editions, June 1971

Burroughs contribution: “UFO Space Bulletin—‘Revolution durch Information’”, “Deconditioning—der nicht-chemische Trip”
(M&M C307-C309) (BS C317)

Note: German translation by “Bradley Martin / Space Agent 23”.

26. GUMMIBAUM *
Frankfurt: Frankfurter Autorenkollektiv, 1971

Burroughs contribution: “Windhand in die Tür verklemmt”
(M&M C312) (BS C306)

Note: German translation of “Wind Hand Caught in the Door”.

27. UFO, No. 2, edited by Udo Berger, Carl Weissner, Jürgen Ploog, and Jörg Fauser *
Göttingen: Expanded Media Editions, October 1971

Burroughs contribution: “Blutiger Mittwoch”
(M&M C317) (BS C318)

(… to be continued)

William S. Burroughs – Contributions to Periodicals

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SECTION C:
This index includes contributions to periodicals (excluding foreign language translations, interviews and some miscellaneous prose) from 1957 to 1973: roughly the period of time covered by the Maynard and Miles Bibliography.

Reference here is made to the Maynard & Miles bibliography (ref. M&M) and Brian Schottlaender’s bibliography (ref. BS). The first categorized publications in chronological order, while the latter used an alphabetical order within years. Publications are presented here in chronological order.


1957

1. THE BRITISH JOURNAL OF ADDICTION, Vol. 53, No. 2, edited by John Yerbury Dent *
Shrewsbury: Society for the Study of Addiction, January 1957

Burroughs contribution: “Letter from a Master Addict to Dangerous Drugs”
(M&M C1) (BS C2)

2. THE BLACK MOUNTAIN REVIEW, No. 7, edited by Robert Creeley
Black Mountain: Black Mountain College, Autumn 1957

Burroughs contribution: “from Naked Lunch, Book III: In Search of Yage”
(M&M C2) (BS C1)

Note: published under the pseudonym William Lee.


1958

3. YUGEN, No. 3, edited by LeRoi Jones
New York City: Totem Press, Spring 1958

Burroughs contribution: “Have You Seen Pantapon Rose?”
(M&M C3) (BS C5)

Note: excerpt from Naked Lunch.

4. CHICAGO REVIEW, Vol. 12, No. 1, edited by Irving Rosenthal
Chicago: University of Chicago Press, Spring 1958

Burroughs contribution: “Excerpt: Naked Lunch
(M&M C4) (BS C3)



5. CHICAGO REVIEW, Vol. 12, No. 3, edited by Irving Rosenthal
Chicago: University of Chicago Press, Autumn 1958

Burroughs contribution: “Chapter 2 of Naked Lunch
(M&M C5) (BS C4)

Note: The printing of this excerpt from Naked Lunch caused the next issue of Chicago Review to be suppressed and the editor, Irving Rosenthal, started Big Table.


1959

6. BIG TABLE, No. 1, edited by Irving Rosenthal
Chicago: Big Table, Spring 1959

Burroughs contribution: “Ten Episodes from Naked Lunch
(M&M C6) (BS C6)

Note: Episodes 2 and 5 reprinted from Chicago Review, Vol. 12, No. 1 (Spring 1958) [see (M&M C4)].

7. MAN’S WILDCAT ADVENTURES, Vol. 1, No. 1 *
New York City: Candar Publishing Company, June 1959

Burroughs contribution: “The Amazing Truth About a Junkie”
(Not in M&M) (BS C9)

Note: published under the pseudonym William Lee.

8. BIG TABLE, No. 2, edited by Paul Carroll
Chicago: Big Table, Summer 1959

Burroughs contribution: “In Quest of Yage”
(M&M C7) (BS C7)



9. NEW DEPARTURES, No. 1, edited by Michael Horovitz
Oxford: New Departures, Summer 1959

Burroughs contribution: “Two Scenes: The Exterminator Does a Good Job, Coke Bugs”
(M&M C8) (BS C10)

Note: excerpts from Naked Lunch.

10. JABBERWOCK, edited by Alex Neish
Edinburgh: University of Edinburgh, 1959

Burroughs contribution: “And Start West”
(M&M C9) (BS C8)

Note: excerpt from Naked Lunch.

11. NOMAD, Nos. 5/6, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Winter 1959

Burroughs contribution: “Open Letter to Life Magazine” [co-authored with Brion Gysin, Sinclair Beiles, and Gregory Corso]
(M&M C10) (BS C18)

12. SEMINA, No. 4, edited by Wallace Berman
San Francisco: Semina, 1959

Burroughs contribution: “excerpt from Pantapon Rose”
(M&M C11) (BS C11)

Note: excerpt from Naked Lunch.


1960

13. EVERGREEN REVIEW, Vol. 4, No. 11, edited by Barney Rosset *
New York City: Evergreen Review, January-February 1960

Burroughs contribution: “Deposition: Testimony Concerning a Sickness”, “Newspeak Précis”
(M&M C12, C14) (BS C14)

14. MADEMOISELLE, Vol. 50, No. 3, edited by Betsy Blackwell *
New York City: Conde Nast, January 1960

Burroughs contribution: “Quo Vadis?”
(M&M C15) (BS C17)



15. BIG TABLE, Vol. 1, No. 4, edited by Paul Carroll
Chicago: Big Table, Spring 1960

Burroughs contribution: “But Is All Back Seat of Dreaming”
(M&M C16) (BS C13)


16. KULCHUR, No. 1, edited by Marc D. Schleifer
New York City: Kulchur, Spring 1960

Burroughs contribution: “The Conspiracy”
(M&M C19) (BS C16)

According to Schottlaender, “a section from the original manuscript of Naked Lunch. It was not available and does not appear in the otherwise complete edition of Naked Lunch, published by Olympia Press, Paris, 1959.”

17. BETWEEN WORLDS, Vol. 1, No. 1, edited by Dr. Gilbert Neiman *
San German: Inter American University, Summer 1960

Burroughs contribution: “Ten Age Future Time”
(M&M C17) (BS C12)

Note: excerpt from Minutes to Go.

18. SIDEWALK, Vol. 1, No. 2, edited by Alex Neish
Edinburgh: Sidewalk, 1960

Burroughs contribution: “Have You Seen Slotless City?”
(M&M C20) (BS C20)


19. BIRTH, No. 3, edited by Tuli Kupferberg *
New York City: Birth Press, Autumn 1960

Burroughs contribution: miscellaneous quotes
(M&M C21-C23) (not in BS)

Note: excerpts from British Journal of Addiction, and The Naked Lunch.


1961

20. EVERGREEN REVIEW, Vol. 5, No. 16, edited by Barney Rosset
New York City: Evergreen Review, January-February 1961

Burroughs contribution: “Meeting of International Conference of Technological Psychiatry”, “The Country Clerk”, “Interzone”
(M&M C24) (BS C21)

Note: excerpt from Naked Lunch

21. METRONOME, Vol. 78, No. 5, edited by David Solomon *
New York City: Metronome, May 1961

Burroughs contribution: “No Bueno, from The Soft Machine
(M&M C25) (BS C28)


22. LOCUS SOLUS, No. 2, edited by Kenneth Koch
Lans-en-Vercors: Locus Solus, Summer 1961

Burroughs contribution: “Everywhere March Your Head”, “Sons of Your In”
(M&M C26-C27) (BS C27)

Note: cut-ups of Arthur Rimbaud’s “To a Reason”, arranged by Burroughs and Gregory Corso.

23. TWO CITIES, No. 6, edited by Jean Fanchette *
Paris: Mistral Bookshop, Summer 1961

Burroughs contribution: “Transitional Period”
(M&M C28) (BS C34)



24. METRONOME, Vol. 78, No. 8, edited by David Solomon *
New York City: Metronome, August 1961

Burroughs contribution: “This Is the Time of the Assassins”
(M&M C29) (BS C29)


25. EVERGREEN REVIEW, Vol. 5, No. 20, edited by Barney Rosset
New York City: Evergreen Review, September-October 1961

Burroughs contribution: “Comments on ‘The Night Before Thinking’”
(M&M C30) (BS C22)

Note: commentary by Burroughs on Ahmed Yacoubi’s “The Night Before Thinking”, included in the same issue.

26. THE FLOATING BEAR, No. 5, edited by Diane Di Prima and LeRoi Jones
New York City: The Floating Bear, April 1961

Burroughs contribution: “Out Show Window and We’re Proud of It”, “Dear Allen: There is no thing to fear. . . .” [letter dated 21 June 1960]
(M&M C31-C32) (BS C23)

27. THE FLOATING BEAR, No. 9, edited by Diane Di Prima and LeRoi Jones
New York City: The Floating Bear, June 1961

Burroughs contribution: “Routine: Roosevelt After Inauguration”
(M&M C33) (BS C24)

According to Maynard & Miles: “An obscentiy case resulted from the publication of this item in this issue of [The] Floating Bear, and the same piece was also censored by the Villiers Press in London when they printed The Yage Letters for City Lights Books. It was eventually published separately by Ed Sanders.”

28. SWANK, Vol. 8, No. 3, edited by Jonathan Starr *
New York City: Royal Publications, July 1961

Burroughs contribution: “The Word”
(M&M C34) (BS C33)

Note: excerpt from Naked Lunch.

29. THE OUTSIDER, Vol. 1, No. 1, edited by Jon Edgar Webb and Gypsy Lou Webb
New Orleans: Loujon Press, Fall 1961

Burroughs contribution: “Operation: ‘Soft Machine’/Cut”
(M&M C35) (BS C31)


30. KULCHUR, No. 3, edited by Marc Schleifer *
New York City: Kulchur Press, 1961

Burroughs contribution: “In Search of Yage”
(M&M C36) (BS C26)



31. OLYMPIA, No. 1, edited by Maurice Girodias and Iris Owens *
Paris: Olympia, December 1961

Burroughs contribution: “Ten Episodes from The Soft Machine
(M&M C37) (BS C30)


32. RHINOZEROS, No. 5, edited by Rolf and Gunter Dienst
Itzehoe: Rhinozeros, 1961

Burroughs contribution: “Wind Hand Caught in the Door”
(M&M C38) (BS C32)

Note: excerpt from The Soft Machine; text in English and German with German translation by Anselm Hollo.


1962

33. EVERGREEN REVIEW, Vol. 6, No. 22, edited by Barney Rosset
New York City: Evergreen Review, January-February 1962

Burroughs contribution: “Introduction to Naked Lunch, The Soft Machine, Novia Express”, “Episodes from Novia Express
(M&M C39) (BS C36)

34. THE SECOND COMING MAGAZINE, Vol. 1, No. 3, edited by Samuel Pitts Edwards *
New York City: The Second Coming Magazine, March 1962

Burroughs contribution: “One Chapter from The Novia Express
(M&M C42) (BS C44)

35. RHINOZEROS, No. 6, edited by Rolf and Gunter Dienst
Itzehoe: Rhinozeros, July 1962

Burroughs contribution: “Novia Express”
(M&M C43) (BS C42)



36. EVERGREEN  REVIEW, Vol. 6, No. 25, edited by Barney Rosset
New York City: Evergreen Review, July-August 1962

Burroughs contribution: “Outskirts of the City”
(M&M C44) (BS C37)

Note: excerpt from Novia Express.

37. RHINOZEROS, No. 7, edited by Rolf and Gunter Dienst
Itzehoe: Rhinozeros, 1962

Burroughs contribution: “Be cheerful sir, our revels touching circumstance…”
(M&M C45) (BS C43)


38. THE OUTSIDER, Vol. 1, No. 2, edited by Jon Edgar Webb and Gypsy Lou Webb
New Orleans: Loujon Press, Summer 1962

Burroughs contribution: “Wilt Caught in Time.”
(M&M C46) (BS C41)



39. THE FLOATING BEAR, No. 24, edited by Diane Di Prima and LeRoi Jones
New York City: The Floating Bear, September-October 1962

Burroughs contribution: “Spain & 42 St.”, “Dead Whistle Stop Already End”, “Where Flesh Circulates”
(M&M C47-C49) (BS C38)

40. YUGEN, No. 8, edited by LeRoi Jones
New York City: Totem Press, 1962

Burroughs contribution: “The Cut-Up Method of Brion Gysin”
(M&M C50) (BS C46)


41. TRANSATLANTIC REVIEW, No. 11, edited by J.F. McCrindle *
London: Transatlantic Review, Winter 1962

Burroughs contribution: “Censorship”, “The Future of the Novel”, “Notes on These Pages”, “Nova Police Besieged McEwan Hall”
(M&M C51) (BS C45)


1963

42. EVERGREEN REVIEW, Vol. 7, No. 29, edited by Barney Rosset *
New York City: Evergreen Review, March–April 1963

Burroughs contribution: “Two Episodes from Nova Express
(M&M C53) (BS C51)

43. OLYMPIA, No. 4, edited by Maurice Girodias *
Paris: Olympia, April 1963

Burroughs contribution: “The Ticket That Exploded”
(M&M C54) (BS C56)


44. THE YALE LITERARY MAGAZINE, Vol. 131, Nos. 3-4, edited by Michael S. Gill *
New Haven: Yale Literary Society, April 1963

Burroughs contribution: “Call the Old Doctor Twice?”
(M&M C55) (BS C61)


45. THE OUTSIDER, Vol. 1, No. 3, edited by Jon Edgar & Gypsy Lou Webb
New Orleans: Loujon Press, Spring 1963

Burroughs contribution: “Take It to Cut City U.S.A.”
(M&M C57) (BS C57)



46. GAMBIT: THE NEW UNIVERSITY REVIEW, edited by Bill McArthur
Edinburgh: The University of Edinburgh, Spring 1963

Burroughs contribution: “The Mayan Caper”
(M&M C58) (BS C53)


47. THE HARVARD ADVOCATE, Vol. 97, No. 3, edited by Donald Bloch *
Cambridge: Harvard Advocate, Spring 1963

Burroughs contribution: “Who Him? Don’t Let Him Out There”
(M&M C59) (BS C54)


48. CLEFT, Vol. 1, No. 1, edited by Bill McArthur *
Edinburgh: Cleft, June 1963

Burroughs contribution: “Martin’s Folly”
(M&M C60) (BS C50)



49. BIRMINGHAM BULLETIN, No. 2, edited by James Dunlop *
Birmingham: Birmingham Artists and Writers Publishing Co. Ltd., Autumn 1963

Burroughs contribution: “Unfinished Cigarette.”
(M&M C63) (BS C48)

50. TRANSATLANTIC REVIEW, No. 14, edited by J.F. McCrindle *
London: Transatlantic Review, Autumn 1963

Burroughs contribution: “The Beginning Is Also the End”
(M&M C64) (BS C59)


51. FILM, No.37, edited by Peter Armitage
London: Federation of Film Societies, Autumn 1963

Burroughs contribution: “Towers Open Fire!”
(M&M C65) (BS C52)


52. CITY LIGHTS JOURNAL, No. 1, edited by Lawrence Ferlinghetti *
San Francisco: City Lights, 1963

Burroughs contribution: “I Am Dying, Meester?”
(M&M C66) (BS C49)

Note: excerpt from The Yage Letters.

53. MY OWN MAG, No. 2, edited by Jeff Nuttall *
Barnet: Homosap Inc, December 1963

Burroughs contribution: “From H. B. William S. Burroughs”
(M&M C93) (BS C55)



1964

54. THE TIMES LITERARY SUPPLEMENT, No. 3230 *
London: Oxford University Press, January 1964

Burroughs contribution: “Sir,—It seems to me that any author/ …” [Letter to the Editor]
(M&M C67) (BS C91)

55. GNAOUA, No. 1, edited by Ira Cohen
Tangier: Gnaoua Press, Spring 1964

Burroughs contribution: “Pry Yourself Loose and Listen”, “Notes on Page One”, “Ancient Face Gone Out”, “Just So Long and Long Enough”
(M&M C68-C71) (BS C76)

56. TRANSATLANTIC REVIEW, No. 15, edited by J.F. McCrindle *
London: Transatlantic Review, Spring 1964

Burroughs contribution: “From ‘A Distant Hand Lifted’”
(M&M C72) (BS C93)

57. EVERGREEN REVIEW, Vol. 8, No. 32, edited by Barney Rosset *

New York City: Evergreen Review, April–May 1964
Burroughs contribution: “They Just Fade Away”
(M&M C73) (BS C72)


58. CLEFT, Vol. 1, No. 2, edited by Bill McArthur
Edinburgh: Cleft, May 1964

Burroughs contribution: “A Distant Hand Lifted”
(M&M C74) (BS C69)



59. C: A JOURNAL OF POETRY, Vol. 1, No. 9, edited by Ted Berrigan *
New York City: C Press, Summer 1964

Burroughs contribution: “Giver of Winds Is My Name”, “Intersections Shifts and Scanning from ‘Literary Days’ by Tom Veitch”
(M&M C75-C76) (BS C67)

60.THE INSECT TRUST GAZETTE, No. 1, edited by Leonard Belasco, Jed Irwin, Robert Basara, and Bill Levy *
Philadelphia: Insect Trust Gazette, Summer 1964

Burroughs contribution: “Burning Heavens, Idiot”, “Grids”
(M&M C78-C79) (BS C77)


61. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 7, edited by Edward Sanders
New York City: Fuck You Press, September 1964

Burroughs contribution: “Fluck You Fluck You Fluck You”
(M&M C80) (BS C75)

Note: a three-column style layout dated March 31, 1964, in Tangier.

62. THE TIMES LITERARY SUPPLEMENT, No. 3258 *
London: Oxford University Press, August 1964

Burroughs contribution: “The Literary Techniques of Lady Sutton-Smith.”
(M&M C81) (BS C92)

63. ART AND LITERATURE, No. 2, edited by John Ashbery, Anne Dunn and Rodrigo Moynihan *
Paris: Art and Literature: Summer 1964

Burroughs contribution: “Who Is the Third That Walks Beside You?”
(M&M C82) (BS C64)

Note: a three-column style layout.

64. ESQUIRE, Vol. 62, No. 3, Issue 370, edited by Harold Hayes *
New York City: Esquire, Inc., September 1964

Burroughs contribution: “Photo-Optical, Cartographical, & Literary Footnotes to a Survey of the American Socio-Intellectual Enclave in the City of Tangier”
(M&M C83) (BS C70)

65. ARCADE, No. 1, edited by Martin Leman *
London: Arcade, 1964

Burroughs contribution: “The Border City”, “The Danish Operation”, “The Cut”
(M&M C84-C86) (BS C63)


66. SIGNALS: NEWSBULLETIN OF SIGNALS, LONDON, Vol. 1, Nos. 3-4, edited by David Medalla *
London: Signals, October–November 1964)

Burroughs contribution: “Takis”
(M&M C87) (BS C89)



67. MOTHER, No. 3, edited by David Moberg and Jeff Giles *
Northfield: Mother, November-December 1964

Burroughs contribution: “We Called Her ‘Mother.’ Wouldn’t You?”
(M&M C88) (BS C78)

Note: a three-column style manuscript reproduced in three-color facsimile and accompanied by it’s covering note.

68. EVERGREEN REVIEW, Vol. 8, No. 34, edited by Barney Rosset *
New York City: Evergreen Review, December 1964

Burroughs contribution: “Points of Distinction Between Sedative and Consciousness-Expanding Drugs”
(M&M C89) (BS C73)

69. RHINOZEROS, No. 9, edited by Rolf and Gunter Dienst
Itzehoe: Rhinozeros, 1964

Burroughs contribution: “Text”
(M&M C90) (BS C88)

Note: Text of Burroughs’ remarks on his literary methods, delivered at the 1962 International Writers Conference held in Edinburgh; text in English and German with German translation by Anselm Hollo.

70. CHICAGO REVIEW, Vol. 17, No. 1, Issue 54, edited by Peter Michelson *
Chicago: Chicago Review, 1964

Burroughs contribution: “The Boys Magazine: Gone Away. Back When.”
(M&M C91) (BS C68)

Note: three-column style layout.

71. AMBIT, No. 20, edited by Martin Bax
London: Ambit, 1964

Burroughs contribution: “Martin’s Mag”
(M&M C92) (BS C62)

Note: a three-column style layout.

72. MY OWN MAG, No. 4, edited by Jeff Nuttall
Barnet: Homosap, March 1964

Burroughs contribution: “Warning Warning Warning Warning Warning Warning Warning Warning Warning.”
(M&M C94) (BS C82)

Note: a 32-square-grid manuscript.

73. MY OWN MAG, No. 5, edited by Jeff Nuttall
Barnet: Homosap Inc, May 1964

Burroughs contribution: “The Moving Times” [No. 1]
(M&M C100 [see also M&M C232]) (BS C79, C83)

Note: The Moving Times [No. 1] is a broadsheet edited by Burroughs, appearing as pages 3 and 4 of My Own Mag, No. 5, and containing three columns: “February 10, 1964. ‘We Will Travel Not Only in Space But in Time As Well.’”, “January 17, 1947. English Made Easy for Beginners. It Revolves Flexible Formula.”, “September 17, 1899. Last Gun Post Erased in a Small Town Newspaper, September 17, 1899.”

74. MY OWN MAG, No. 6, edited by Jeff Nuttall
Barnet: Homosap Inc, July 1964

Burroughs contribution: “The Burrough” [No. 1]
(M&M C95) (BS C65, C84)

Note: The Burrough [No. 1] is a broadsheet edited by Burroughs, appearing as pages 3 and 4 of My Own Mag, No. 6, and containing “Afternoon Ticker Tape”.

75. EX, No. 3, edited by William S. Burroughs
Tangier, Ex, 1964

Burroughs contribution: “The Burrough” [No. 1]
(M&M C96) (BS C74)

Note: over run copies of The Burrough [No. 1] containing “Afternoon Ticker Tape” from My Own Mag, No. 6 were sent to Burroughs in Tangier, issued in a folder with a variety of other loose and stapled items.

76. MY OWN MAG, No. 7, edited by Jeff Nuttall *
Barnet: Homosap Inc, July 1964

Burroughs contribution: “Bring Your Problems to Lady Sutton Fix”, “The Moving Times” [No. 2]
(M&M C97-C98) (BS C80, C85)

Note: The Moving Times [No. 2] is a broadsheet edited by Burroughs, appearing as pages 7 and 8 of My Own Mag, No. 7, and containing “Over the Last Skyscrapers a Silent Kite”.

77. MY OWN MAG, No. 8, edited by Jeff Nuttall
Barnet: Homosap Inc, August 1964

Burroughs contribution: “The Burrough” [No. 2]
(M&M C99) (BS C66, C86)

Note: The Burrough [No. 2] is a broadsheet edited by Burroughs, appearing as pages 9 and 10 of My Own Mag, No. 8, and containing “What in Horton Hotel Rue Vernet…”.

78. MY OWN MAG, No. 9, edited by Jeff Nuttall
Barnet: Homosap Inc, November 1964

Burroughs contribution: “The Moving Times” [No. 3]
(M&M C101-C102) (BS C81, C87)

Note: The Moving Times [No. 3] is a broadsheet edited by Burroughs, appearing as pages 11 and 12 of My Own Mag, No. 9, and containing “Extracts from Letter to Homosap”, “Personals Special to The Moving Times”.


1965

79. THE MARIJUANA NEWSLETTER, No. 1, edited by Edward  Sanders *
New York City: Lemar, January 1965

Burroughs contribution: “William Burroughs Speaks!”
(M&M C103) (BS C106)

Note: mimeographed at the Peace Eye Bookstore.

80. C: A JOURNAL OF POETRY, Vol. 1, No. 10, edited by Ted Berrigan
New York City: C Press, February 1965

Burroughs contribution: “Fits of Nerves With a Fix”
(M&M C104) (BS C98)



81. MY OWN MAG, No. 11, edited by Jeff Nuttall
Barnet: My Own Mag, February 1965

Burroughs contribution: “Item that appeared in the Sunday Times…”, “The Moving Times” [No. 4].
(M&M C105-C108) (BS C109, C112)

Note: The Moving Times [No. 4] is a broadsheet edited by Burroughs, appearing as pages 13 and 14 of My Own Mag, No. 11, and containing “Tomorrow’s News Today, December 28”, “December 29, Tuesday Was the Last Day for Singing Years”.

82. PROJECT SIGMA, No. 1, edited by Alexander Trocchi 
London: Project Sigma, 1965

Burroughs contribution: “Martin’s Folly”
(M&M C109) (BS C110, C121)

Note: The Moving Times [No. 5] is a broadsheet edited by Burroughs, presented as a single-sided poster, and containing “Martin’s Folly”.

83. THE MARIJUANA NEWSLETTER, No. 2, edited by Edward  Sanders *
New York City: Lemar, March 1965

Burroughs contribution: “William Burroughs Answers Jim Bishop!”
(M&M C110) (BS C107)

Note: a cut-up of a Jim Bishop article.

84. INTREPID, No. 5, edited by Allen De Loach
New York City: Intrepid Press, March 1965

Burroughs contribution: “Last Awning Flaps on the Pier”
(M&M C111) (BS C101)

Note: two-column style layout.

85. MY OWN MAG, No. 12, edited by Jeff Nuttall
Barnet: My Own Mag, May 1965

Burroughs contribution: “The Last Words of Dutch Schultz”, “The Apomorphine Times” [No. 1]
(M&M C112-C113) (BS C94, C113)

Note: The Apomorphine Times, [No. 1] is a broadsheet edited by Burroughs, appearing as pages 17 and 18 of My Own Mag, No. 12, and containing “Letter to Sunday Times”.

86. LINES, No. 5, edited by Aram Saroyan
New York City: Lines, May 1965

Burroughs contribution: “Chlorhydrate D’Apomorphine Chambre”, “Rex Morgan M.D.”
(M&M C114) (BS C104)

Note: Facsimile manuscript in three- and two-column style layout, including collaged graphic and photographic material.

87. KREA KRITIEK, No. 5 *
‘s-Hertogenbosch: Krea Kritiek, May 1965

Burroughs contribution: “Transcript of Dutch Schultz’ Last Words”
(M&M C115) (BS C103)

Note: reprinted from Valentine’s Day Reading; text in English.

88. BROWN PAPER, edited by Daniel Lauffer *
Philadelphia: Brown Paper, 1965

Burroughs contribution: “If You Take Baloney and Cut It Yup, You Get Baloney. This is Gestalt Spelled Backwards…”
(M&M C116) (BS C95)

Note: “This is a parody of Burroughs’ The Exterminator, generally putting down the cut-up method, which [Daniel] Lauffer sent (sneakily) to William Burroughs as a lost manuscript! Burroughs enjoyed the put-down and promptly produced this cut-up of the put-down! Feeling the whole thing was incomplete, he wrote this multidirectional and altogether groovy cut-up of November 20, 1962.”

89. BULLETIN FROM NOTHING, No. 1, edited by Claude Pelieu and Mary Beach
San Francisco: Beach Books, 1965

Burroughs contribution: “Composite Text”
(M&M C117) (BS C96)



90. NOW NOW, edited by Charles Plymell
San Francisco: Charles Plymell, 1965

Burroughs contribution: “Boards Syndicates Governments of the earth …”
(M&M C119) (BS C116)

Note: excerpt from Nova Express.

91. MOTHER, No. 5, edited by David Moberg and Jeff Giles *
Galesburg: Mother, Summer 1965

Burroughs contribution: “Pieces”
(M&M C120) (BS C108)

Note: includes three pages of facsimile manuscripts; co-authored with Brion Gysin.

92. THE INSECT TRUST GAZETTE, No. 2, edited by Robert Basara, Leonard Belasco, Jed Irwin, and Bill Levy
Philadelphia: The Insect Trust Gazette, Summer 1965

Burroughs contribution: “File Ticker Tape”
(M&M C121) (BS C100)


93. MY OWN MAG, No. 13, edited by Jeff Nuttall
Barnet: My Own Mag, August 1965

Burroughs contribution: “The Dead Star”
(M&M C122) (BS C114)

Note: prints facsimile of Burroughs’ three-column layout manuscript.

94. BULLETIN FROM NOTHING, No. 2, edited by Claude Pelieu and Mary Beach 
San Francisco: Beach Books, 1965

Burroughs contribution: “Palm Sunday Tape”
(M&M C123) (C97)

Note: two-column style layout.

95. THE SPERO, Vol. 1, No. 1 edited by Douglas and Kathy Casement
Flint: Fenian Head Centre Press, 1965

Burroughs contribution: “The Coldspring News”
(M&M C124) (BS C122)

Note: also issued separately as a broadside.

96. ICARUS, No. 46, edited by Cecil Jenkins, Rosalind Brett-Jones, and Peter Devlin *
Dublin: Trinity College, May 1965

Burroughs contribution: “A Short Piece”
(M&M C125) (BS C99)

97. THE PARIS REVIEW, Vol. 9, No. 35, edited by George Plimpton *
Paris: The Paris Review, Fall 1965

Burroughs contribution: “St. Louis Return.”
(M&M C127) (BS C118)

Note: includes one facsimile manuscript page from Burroughs’ journals.

98. LINES, No. 6, edited by Aram Saroyan
New York City: Lines Pres, November 1965

Burroughs contribution: “The Last Post: Danger Ahead”
(M&M C128) (BS C105)

Note: a three-column style layout containing collaged photographic material, reproduced in facsimile.

99. NOW NOW NOW, edited by Charles Plymell
San Francisco: Charles Plymell, 1965

Burroughs contribution: “Method Text”
(M&M C129) (BS C117)

Note: a three-column newspaper style layout, reproduced in facsimile.

100. MY OWN MAG, No. 14, edited by Jeff Nuttall
Barnet: Jeff Nuttall, December 1965

Burroughs contribution: “The Moving Times” [No. 6]
(M&M C131) (BS C111, C115)

Note: The Moving Times [No. 6] is a broadsheet edited by Burroughs, appearing as pages 22-24 of My Own Mag, No. 14, and containing quotes by Burroughs and collaged material by Carl Weissner.


1966

101. EAST SIDE REVIEW, Vol. 1, No. 1, edited by Shepard Sherbell *
New York City: East Side Press. Inc., January-February 1966

Burroughs contribution: “Fun & Games, What?”
(M&M C132) (BS C125)


102. NEW STATESMAN, Vol. 71, No. 1825, edited by Paul Johnson *
London: The Statesman & Nation Publishing Co. Ltd, March 1966

Burroughs contribution: “The Death of Opium Jones”
(M&M C134) (BS C142)

103. NEW STATESMAN, Vol. 71, No. 1826, edited by Paul Johnson *
London: The Statesman & Nation Publishing Co. Ltd, March 1966

Burroughs contribution: “Literature and Drugs”
(M&M C135) (BS C143)

Note: a letter to the editor.

104. ROYAL’S WORLD COUNTDOWN, Vol. 2, No. 6, edited by Charles Royal *
Hollywood: Royal’s World Countdown, March 1966

Burroughs contribution: “Chappaqua, a Film by Conrad Rooks”
(M&M C136) (BS C147)

105. MY OWN MAG, No. 15, edited by Jeff Nuttall
Barnet: My Own Mag, April 1966

Burroughs contribution: “The Moving Times” [No. 7]
(M&M C137-C140) (BS C140-C141)

Note: The Moving Times [No. 7] is a broadsheet edited by Burroughs, appearing as pages 9-14 of My Own Mag, No. 15, and containing “Nut Note on the Column Cutup Thing”, “WB Talking”, “Quantities of the Gas Girls”, [untitled] “There I Was in the Corpse Finger…”.

106. RESIDU, No. 2, edited by Daniel Richter 
London: Trigram Press, Spring 1966

Burroughs contribution: “Martin’s Folly”
(M&M C141) (BS C146)

Note: reprinted from Project Sigma, No. 1.

107. GORILLA, No. 1, edited by Torsten Ekbom, Mats G. Bengtsson, Leif Nylén, and Torkel Rasmusson *
Stockholm: Bonniers, 1966

Burroughs contribution: “Substitute Flesh”
(M&M C142) (BS C128)

Note: excerpt from The Ticket That Exploded; text in English, the rest of the magazine is in Swedish.

108. ESQUIRE, Vol. 65, No. 5, Issue 390, edited by Harold Hayes *
New York City: Esquire, May 1966

Burroughs contribution: “They Do Not Always Remember”
(M&M C143) (BS C126)


109. KLACTOVEEDSEDSTEEN, No. 3, edited by Carl Weissner *
Heidelberg: Panic Press, May 1966

Burroughs contribution: “A Tape Recorder Experiment”, [untitled quote]
(M&M C144-C145) (BS C136)

Note: limited to 120 hand-printed and numbered copies; 1–40 with original serigraph by Vilmos K. Last.

110. TRANSATLANTIC REVIEW, No. 21, edited by J.F. McCrindle *
London: Transatlantic Review, Summer 1966

Burroughs contribution: “‘Speaking Clock’ Speaking in Present Time, June 18, 1964. 12.45 p.m.”
(not in M&M) (BS C148)

111. INTREPID, No. 6, edited by Allen De Loach
Buffalo: Intrepid Press, March 1965

Burroughs contribution: “Salt Chunk Mary”
(M&M C146) (BS C133)



112. OLE, No. 5, edited by Douglas Blazek
Bensenville: Open Skull Press, 1966

Burroughs contribution: “From William S. Burroughs, Writing of Norse’s Exhibition in Paris of Cosmographs… ”
(M&M C147) (BS C144)

Note: reprinted from the exhibition leaflet entitled Harold Norse Exhibition held in Paris at Cave de la Librarie Anglais.

113. KING: THE MAN’S MAGAZINE, edited by Edward Simon *
London: Europress, July 1966

Burroughs contribution: “Exterminator!”
(M&M C148) (BS C135)



114. VENTURE, Vol. 3, No. 4, edited by Gardner Cowles *
New York City: Venture, August-September 1966

Burroughs contribution: “Wish I Were There”
(M&M C149) (BS C149)

115. GRIST, No. 10, edited by John Fowler
Lawrence: Abington Book Shop, 1966

Burroughs contribution: “Afterbirth of Dream Now”
(M&M C150) (BS C129)

Note: reprint of “Method Text” from Now, No.3

116. KLACTOVEEDSEDSTEEN, No. 4, edited by Carl Weissner *
Heidelberg: Panic Press, Fall/Winter [November] 1966

Burroughs contribution: “Tape Recorder Mutations”
(M&M C151) (BS C137)

Note: co-authored with Claude Pélieu and Carl Weissner.

117. IT: THE INTERNATIONAL TIMES, No. 2, edited by Tom McGrath*
London: Lovebooks Ltd, 31 October- 13 November 1966

Burroughs contribution: “Towers Open Fire!”
(M&M C155) (BS C130)

Note: commentary by William Burroughs for the film Towers Open Fire, in which he appears.

118. BOOKS AND BOOKMEN, Vol. 12, No. 2, edited by Philip Dossé *
London: Hansom Books, November 1966

Burroughs contribution: “Anti-Junk”
(M&M C156) (BS C124)



119. IT: THE INTERNATIONAL TIMES, No. 3, edited by Tom McGrath*
London: Lovebooks Ltd, November 1966

Burroughs contribution: “The Invisible Generation”
(M&M C157) (BS C131)


120. LOS ANGELES FREE PRESS, Vol. 3, No. 49, Issue 125, edited by Art Kunkin *
Los Angeles: New Way Enterprises, December 1966

Burroughs contribution: “The Invisible Generation”
(M&M C158) (BS C138)

Note: reprinted from The International Times, No. 3

121. PROJECT SIGMA, edited by Alexander Trocchi
London: Project Sigma, December 1966

Burroughs contribution: “The Invisible Generation”
(M&M C159) (BS C145)

Note: reprinted from The International Times, No. 3, but apparently never distributed.

122. THE INTERNATIONAL TIMES, No. 5.5, edited by Tom McGrath *
London: Lovebooks Ltd, December 1966

Burroughs contribution: “The Invisible Generation (Cont.)”
(M&M C160) (BS C132)

Note: poster on stiff card, designed so that part of card could be cut out and assembled to make a word-machine.


1967

123. THE INTERNATIONAL TIMES, No. 6, edited by Tom McGrath *
London: Lovebooks Ltd., 16-29 January 1967

Burroughs contribution: “The Invisible Generation (Cont.)”
(M&M C162) (BS C158)

Note: reprint of the text issued as The International Times, No. 5.5 (1966)

124. ARGOSY, Vol. 28, No. 3, edited by John Pudney *
London: Fleetway Publications Ltd., March 1967

Burroughs contribution: “They Do Not Always Remember”
(M&M C163) (BS C150)

Note: reprint from Esquire (1966)

125. EVERGREEN REVIEW, Vol. 11, No. 46, edited by Barney Rosset*
New York City: Evergreen Review, April 1967

Burroughs contribution: “Exterminator!”
(M&M C164) (BS C154)



126. WEEKEND TELEGRAPH [COLOUR MAGAZINE], No. 132 *
London: The Daily Telegraph Ltd., 14 April 1967

Burroughs contribution: “The ‘Priest’ They Called Him”
(M&M C165) (BS C175)

Note: a section of The Daily Telegraph, No. 34825.

127. INTERNATIONAL TIMES, No. 12, edited by Tom McGrath *
London: Lovebooks Ltd., 28 April-12 May 1967

Burroughs contribution: “Cut me up, Brion Gysin, cut me up …”
(not in M&M) (BS C159)

Note: excerpt from Minutes To Go, together with Gregory Corso, Brion Gysin, and Sinclair Beiles.

128. RENAISSANCE, No. 1, edited by John Bryan
Los Angeles: Open City, May-June 1967

Burroughs contribution: “Old Fashioned Books”
(M&M C166) (BS C171)

Note: distributed as a supplement to Open City, No. 52.

129. THE TRANSATLANTIC REVIEW, No. 25, edited by J.F. McCrindle*
London: Transatlantic Review, Summer 1967

Burroughs contribution: “23 Skidoo”
(M&M C167) (BS C173)

 

130. THE GREAT SOCIETY, No. 1, edited by Robert J. Richkin
New York City: Tompkins Square Books, 1966 June 1967

Burroughs contribution: “Adios of Saturn”
(M&M C168) (BS C155)

Note: a cut-up of a poem by his son.

131. THE VILLAGE VOICE, Vol. 12, No. 38, edited by Daniel Wolf *
New York City: The Village Voice Inc., 6 July 1967

Burroughs contribution: “Academy 23: A Deconditioning”
(M&M C169) (BS C174)

132. HARPER’S MAGAZINE, Vol. 235, No. 1406, edited by Willie Morris *
New York City: Harper’s Magazine, July 1967

Burroughs contribution: “Kicking Drugs: A Very Personal Story”
(M&M C170) (BS C157)


133. EVERGREEN CLUB NEWS, No. 2, edited by Barney Rosset *
New York City: Evergreen Review, July 1967

Burroughs contribution: “A Sample Section from The Ticket That Exploded
(M&M C171) (BS C153)

Note: prints an excerpt from the Grove Press edition of The Ticket That Exploded.

134. THE INTERNATIONAL TIMES, No. 18, edited by Bill Levy *
London: Lovebooks Ltd., 31 August-13 September 1967

Burroughs contribution: “23 Skidoo Eristic Elite”
(M&M C172) (BS C160)


135. HARPER’S BAZAAR, No. 3069, edited by Nancy White *
New York City: Harper’s Bazaar, August 1967

Burroughs contribution: “The Third Mind”
(M&M C173) (BS C156)

Note: four-page facsimile manuscript in three-column style; written in Tangier.

136. KLACTO/23 SPECIAL, edited by Carl Weissner
Heidelberg: Panic Press, September 1967

Burroughs contribution: “Parenthetically 7 Hertz”
(M&M C174) (BS C161)


137. THE SAN FRANCISCO EARTHQUAKE, Vol. 1, No. 1, edited by Jan Herman and Gail Dusenbery 
San Francisco: The San Francisco Earthquake, Fall 1967

Burroughs contribution: “Word Authority More Habit Forming than Heroin”
(M&M C175) (BS C172)

138. THE CITY OF SAN FRANCISCO ORACLE, Vol. 1, No. 10, edited by Allen Cohen *
San Francisco: Oracle Co-operative Publishing Co., October 1967

Burroughs contribution: “Academy 23: A Deconditioning”
(M&M C176) (BS C152)

Note: reprinted from Village Voice (1967)

139. ASPEN, Nos. 5-6, edited by Brian O’Doherty *
New York City: Roaring Fork Press, Fall-Winter 1967

Burroughs contribution: “Nova Express / Excerpts”
(M&M C177) (BS C151)

Note: recording on 7” flexi disc; taken from Call Me Burroughs album (M&M G1).

140. MAYFAIR, Vol. 2, No. 10, edited by Brian Fisk
London: Fisk Publishing Company Ltd., October 1967

Burroughs contribution: “The Future of Sex and Drugs”
(M&M C178) (BS C164)

Note: published as The Burroughs Academy, Bulletin 1.

141. MAYFAIR, Vol. 2, No. 11, edited by Brian Fisk *
London: Fisk Publishing Company Ltd., November 1967

Burroughs contribution: “The Engram Theory”
(M&M C179) (BS C165)

Note: published as The Burroughs Academy, Bulletin 2.

142. MAYFAIR, Vol. 2, No. 12, edited by Brian Fisk *
London: Fisk Publishing Company Ltd., December 1967

Burroughs contribution: “Where’s Our Killer Whistle?”
(M&M C180) (BS C166)

Note: published as The Burroughs Academy, Bulletin 3.

143. THE LAST TIMES, No. 1, edited by Charles Plymell
San Francisco: Vortex Printers, Fall 1967

Burroughs contribution: “Day the Records Went Up”
(M&M C185) (BS C162)


144. THE LONDON MAGAZINE, NEW SERIES, Vol. 7, No. 9 , edited by Alan Ross
London: The London Magazine, December 1967

Burroughs contribution: “The Perfect Servant”
(M&M C186) (BS C163)

145. THE RAT: SUBTERRANEAN NEWS, Vol. 1, No. 1, edited by Jeff Shero, Alice Embree and Gary Thiher
New York City: The Rat, 13 December 1967-2 January 1968

Burroughs contribution: “On Scientific Suppression”
(not in M&M) (BS C179)


1968

146. MAYFAIR, Vol. 3, No. 1, edited by Brian Fisk *
London: Fisk Publishing Company Ltd., January 1968

Burroughs contribution: “Scientology Revisited”
(M&M C187) (BS C192)

Note: published as The Burroughs Academy, Bulletin 4.

147. ASYLUM, No. 3, edited by Tony Dash and Brian Wake *
Bootle: Asylum Publications, January 1968

Burroughs contribution: “Une Poeme Moderne”
(M&M C188) (BS C177)

148. MAYFAIR, Vol. 3, No. 2, edited by Brian Fisk *
London: Fisk Publishing Company Ltd., February 1968

Burroughs contribution: “The Last Broadcast”
(M&M C189) (BS C193)

Note: published as The Burroughs Academy, Bulletin 5.

149. MAYFAIR, Vol. 3, No. 3, edited by Brian Fisk *
London: Fisk Publishing Company Ltd., March 1968

Burroughs contribution: “By Far the Most Efficient and Precise Language We Possess Is the Common Cold”
(M&M C190) (BS C194)

Note: published as The Burroughs Academy, Bulletin 6.

150. EVERGREEN REVIEW, Vol. 12, No. 52, edited by Barney Rosset*
New York City: Evergreen Review, March 1968

Burroughs contribution: “Johnny 23 / Story”
(M&M C191) (BS C182)



151. ORPHEUS MAGAZINE, Vol. 1, No. 3, edited by Charlie Adrian *
Phoenix: Orpheus, 1968

Burroughs contribution: “Academy Twenty Three: A Deconditioning”
(M&M C192) (BS C204)

Note: reprinted from Village Voice (1967).

152. MAYFAIR, Vol. 3, No. 4, edited by Brian Fisk *
London: Fisk Publishing Company Ltd., April 1968

Burroughs contribution: “The Fire Breaks Out”
(M&M C193) (BS C195)

Note: published as The Burroughs Academy, Bulletin 7.

153. WARREN-FOREST SUN, No. 7, edited by John Sinclair *
Detroit: Artists Workshop Press, 19 April-2 May 1968

Burroughs contribution: “Academy 23: A Deconditioning”
(M&M C194) (BS C222)

Note: reprinted from Village Voice (1967)

154. MAYFAIR, Vol. 3, No. 5, edited by Brian Fisk *
London: Fisk Publishing Company Ltd., May 1968

Burroughs contribution: “In That Year of 1969, Astonished Motorists Were Hustled at Random Into the Death Cells for Parking Offences”
(M&M C196) (BS C196)

Note: published as The Burroughs Academy, Bulletin 8.

155. MAYFAIR, Vol. 3, No. 6, edited by Brian Fisk *
London: Fisk Publishing Company Ltd., June 1968

Burroughs contribution: “Switch On and Be Your Own Hero”
(M&M C198) (BS C197)

Note: published as The Burroughs Academy, Bulletin 9.

156. AMBIT, No. 37, edited by Martin Bax *
London: Ambit, 1968

Burroughs contribution: “Johnny 23”
(M&M C199) (BS C176)



157. MAYFAIR, Vol. 3, No. 7, edited by Brian Fisk *
London: Fisk Publishing Company Ltd., July 1968

Burroughs contribution: “The Academy’s Ultimate Offer—Immunity to Death”
(M&M C200) (BS C198)

Note: published as The Burroughs Academy, Bulletin 10.

158. MAYFAIR, Vol. 3, No. 8, edited by Brian Fisk *
London: Fisk Publishing Company Ltd., August 1968

Burroughs contribution: “Do You Remember Tomorrow?”
(M&M C201) (BS C199)

Note: published as The Burroughs Academy, Bulletin 11.

159. ESQUIRE, Vol. 70, No. 2, Issue 417, edited by Harold Hayes *
New York City: Esquire, August 1968

Burroughs contribution: “Wind Die. You Die. We Die.”
(not in M&M) (BS C180)


160. GEORGIA STRAIGHT, Vol. 2, No. 24, edited by Dan McLeod *
Vancouver: Georgia Straight, 9-22 August 1968

Burroughs contribution: “Parenthetically 7 Hertz”
(M&M C203) (BS C184)

Note: reprinted from Klacto / 23 Special (1967).

161. MAYFAIR, Vol. 3, No. 9, edited by Brian Fisk *
London: Fisk Publishing Company Ltd., September 1968

Burroughs contribution: “Oh God, Get Me Out of This!”
(M&M C204) (BS C200)

Note: published as The Burroughs Academy, Bulletin 12.

162. THE RAT: SUBTERRANEAN NEWS, Vol. 1, No. 16, edited by Jeff Shero, Alice Embree and Gary Thiher *
New York City: The Rat, 6-19 September 1968

Burroughs contribution: “Writer’s Report”
(M&M C207) (BS C206)

Note: a report on the Democratic Convention in Chicago, printed alongside reports by Allen Ginsberg, Jean Genet, and Terry Southern.

163. NEW YORK FREE PRESS, Vol. 1, No. 35, edited by S. Edwards *
New York City: Jack Banning, 5-12 September 1968

Burroughs contribution: “Writer’s Report”
(M&M C208) (BS C203)

Note: reprinted from The Rat: Subterranean News (1968).

164. THE SAN FRANCISCO EARTHQUAKE, Vol. 1, No. 4, edited by Jan Herman
San Francisco: The San Francisco Earthquake, Summer-Fall 1968

Burroughs contribution: “The Coldspring News”
(M&M C209) (BS C212)

Note: reprinted from The Spero (1965).

165. THE VILLAGE VOICE, Vol. 13, No. 48, edited by Daniel Wolf *
New York City: The Village Voice, 12 September 1968

Burroughs contribution: “Astronaut’s Return”
(M&M C210) (BS C221)

166. MAYFAIR, Vol. 3, No. 10, edited by Brian Fisk *
London: Fisk Publishing Company Ltd., October 1968

Burroughs contribution: “Wind Die You Die We Die”
(M&M C211) (BS C201)

Note: published as The Burroughs Academy, Bulletin 13.

167. CAVALIER, Vol. 18, No. 12, edited by Douglas Allen *
New York: Dugent Publishing Corp., October 1968

Burroughs contribution: “The Perfect Servant”
(M&M C212) (BS C179)


168. ESQUIRE, Vol. 70, No. 5, Issue 420, edited by Harold Hayes *
New York City: Esquire, November 1968

Burroughs contribution: “The Coming of the Purple Better One”
(M&M C214) (BS C181)


169. EVERGREEN REVIEW, Vol. 12, No. 60, edited by Barney Rosset*
New York City: Evergreen Review, November 1968

Burroughs contribution: “Day the Records Went Up”
(M&M C215) (BS C183)

170. GEORGIA STRAIGHT, Vol. 2, No. 38, edited by Dan McLeod *
Vancouver: Georgia Straight, 22–28 November 1968

Burroughs contribution: “The Burroughs Academy: Bulletin 4 – Scientology Revisited”
(M&M C216) (BS C187)

Note: reprint from Mayfair (January 1968)

171. THE SAN FRANCISCO EARTHQUAKE, Vol. 1, No. 2, edited by Jan Herman
San Francisco: The San Francisco Earthquake, Winter 1968

Burroughs contribution: “Salt Chunk Mary”, “Last Awning Flaps on the Pier”
(M&M C217-C218) (BS C211)

Note: reprinted from Intrepid (1966, 1965).

172. GLEBE, Vol. 1, No. 2, edited by John R. Morris
Greenfield: Glebe, December 1968

Burroughs contribution: “The Literary Techniques of Lady Sutton-Smith”
(not in M&M) (BS C188)

173. MAYFAIR, Vol. 3, No. 12, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., December 1968

Burroughs contribution: “Man, You Voted for a Goddam Ape”
(M&M C219) (BS C202)

Note: published as The Burroughs Academy, Bulletin 14.

174. THE RAT: SUBTERRANEAN NEWS, Vol. 1, No. 23, edited by Jeff Shero, Alice Embree and Gary Thiher *
New York City: The Rat, 13 December 1968 – 2 January 1969

Burroughs contribution: “Suppressed Discoveries”
(M&M C220 & E23) (BS C209)

Note: reprint from Mayfair (December 1967).


1969

175. MAYFAIR, Vol. 4, No. 1, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., January 1969

Burroughs contribution: “Rally Round the Secrets, Boys”
(M&M C221) (BS C237)

Note: published as The Burroughs Academy, Bulletin 15.

176. MAYFAIR, Vol. 4, No. 2, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., February 1969

Burroughs contribution: “Infiltration”
(M&M C222) (BS C238)

Note: published as The Burroughs Academy, Bulletin 16.

177. MAYFAIR, Vol. 4, No. 4, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., April 1969

Burroughs contribution: “The Brain Grinders”
(M&M C223) (BS C239)

Note: published as The Burroughs Academy, Bulletin 17.

178. MAYFAIR, Vol. 4, No. 5, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., May 1969

Burroughs contribution: “I’m Scared, I’m Scared, I’m Not”
(M&M C224) (BS C240)

Note: published as The Burroughs Academy, Bulletin 18.

179. MAYFAIR, Vol. 4, No. 6, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., June 1969

Burroughs contribution: “The Final Crusade of the Veteran Warriors”
(M&M C226) (BS C241)

Note: published as The Burroughs Academy, Bulletin 19.

180. EVERGREEN REVIEW, Vol. 13, No. 67, edited by Barney Rosset*
New York City: Evergreen Review, June 1969

Burroughs contribution: “My Mother and I Would Like to Know”
(M&M C227) (BS C227)


181. THE ATLANTIC MONTHLY, Vol. 223, No. 6, edited by Robert Manning *
Concord: The Rumford Press, June 1969

Burroughs contribution: “The Last Words of Dutch Schultz”
(M&M C228) (BS C224)

182. THE SAN FRANCISCO EARTHQUAKE, No. 5, edited by Jan Herman and Norman Mustill
San Francisco: The Nova Broadcast Press, 1969

Burroughs contribution: “The Moving Times”
(M&M C232) (BS C256)

183. MAYFAIR, Vol. 4, No. 8, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., October 1969

Burroughs contribution: “The Voracious Aliens”
(M&M C234) (BS C242)

Note: published as The Burroughs Academy, Bulletin 20.

184. MAYFAIR, Vol. 4, No. 9, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., November 1969

Burroughs contribution: “Days of Grand Luxury Are Coming Back: Hire Me a Bodyguard for When the Poor Find Out”
(M&M C237) (BS C243)

Note: published as The Burroughs Academy, Bulletin 21.

185. MIKROKOSMOS, No. 14 *
Wichita: Wichita State University, 1969

Burroughs contribution: “Abstract”
(M&M C238) (BS C244)

186. THE RAT: SUBTERRANEAN NEWS, Vol. 2, No. 18, edited by Jeff Shero, Alice Embree and Gary Thiher *
New York City: The Rat, 10–23 September 1969

Burroughs contribution: “Disconnect Notice”
(M&M 239) (BS C252)

187. KLACTO/23 INTERNATIONAL, No. 1, edited by Carl Weissner *
Heidelberg: Panic Press, (17 September 1899 [sic; i.e. 1969]).

Burroughs contribution: “Abstract”, “The Invisible Generation”
(M&M 240-241) (BS C235)

Note: according to M&M this is a postscript to “The Invisible Generation (Continued)”, which appeared in The International Times (1966).

188. FRUIT CUP, No. 0, edited by Mary Beach
San Francisco: Beach Books, 1969

Burroughs contribution: “Abstract”, “Post Script to ‘The Invisible Generation’”
(M&M C243-C244) (BS C228)

189. BEST & COMPANY, No. 1, edited by Bill Berkson *
Williamstown: Chapel Press, 1969

Burroughs contribution: “Abstract”
(M&M C246) (BS C225)

190. THE WORMWOOD REVIEW, Vol. 9, No. 4, Issue 36, edited by Marvin Malone
Stockton: The Wormwood Review, 1969

Burroughs contribution: “Academy 23”, “Postscript to Academy 23”
(M&M C247) (BS C260)

191. PPHOO69 INTERCONTINENTAL, edited by Pradip Choudhuri *
Calcutta: Subhas Ghose, 1969

Burroughs contribution: “So Who Owns Death TV?”
(M&M C248) (BS C248)

Note: contains a facsimile of the Beach Books edition of So Who Owns Death TV?; published in an edition of 3000 copies.

192. THE RAT: SUBTERRANEAN NEWS, Vol. 2, No. 21, edited by Jeff Shero, Alice Embree and Gary Thiher *
New York City: The Rat, 29 October–12 November 1969.

Burroughs contribution: “Burroughs: Woodstock”
(M&M C250) (BS C253)

193. LIP, No. 1, edited by Jerry Youdelman *
East Palo Alto: Lip, Fall 1969

Burroughs contribution: “Two Abstracts”
(M&M C251) (BS C236)

194. NOLA EXPRESS, No. 42, edited by Robert Head and Darlene Fife *
New Orleans: Southern Louisiana Media Corp., 7–20 November 1969

Burroughs contribution: “Abstract”
(M&M C253) (BS C245)

195. THE RAT: SUBTERRANEAN NEWS, Vol. 2, No. 24, edited by Jeff Shero, Alice Embree and Gary Thiher *
New York City: The Rat, 25 December 1969–7 January 1970.

Burroughs contribution: “Uncle Bill Burroughs (alias Technical Tilly) on Scientology”
(M&M C255) (BS C255)

Note: reprinted from Mayfair (1968)

196. INTREPID, No. 14/15, edited by Alan De Loach
Buffalo: Intrepid Press, Fall/Winter 1969/1970

Burroughs contribution: “The Coldspring News” [reprinted from The Spero (1965)], “Transcript of Dutch Schultz’s Last Words” [reprinted from the Valentine’s Day Reading program], “Roosevelt After Inauguration” [reprinted from The Floating Bear (1961)], “Abstract”, “Letter to Allen Ginsberg”, “Salt Chunk Mary” [reprinted from Intrepid (1966)], “Last Awning Flaps on the Pier” [reprinted from Intrepid (1965)], “On the E Meter”, “Note on Alfred Chester”
(M&M C256–C264) (BS C232)

Note: “Special Burroughs Issue” Entire issue devoted to writings about and by Burroughs.


1970

197. MAYFAIR, Vol. 5, No. 1, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., January 1970

Burroughs contribution: “I, William Burroughs, Challenge You, L. Ron Hubbard”
(not in M&M) (BS C289)

198. GEORGIA STRAIGHT, Vol. 4, No. 91, edited by Dan McLeod *
Vancouver: Georgia Straight, 7–14 January 1970

Burroughs contribution: “Woodstock”
(M&M C265) (BS C277)

Note: reprinted from The Rat: Subterranean News (1969).

199. PLAYBOY, Vol. 17, No. 2, edited by Hugh M. Hefner *
Chicago: Playboy Enterprises, February 1970

Burroughs contribution: “Playboy Panel: The Drug Revolution”
(M&M C266) (BS C298)

Note: a panel discussion [though questions were asked and answered by mail] amongst William S. Burroughs, Harry Anslinger, James Coburn, Baba Ram Dass,Leslie Fiedler, John Finlator, Joel Fort, Joseph Oteri, and Alan Watts.

200. MAYFAIR, Vol. 5, No. 2, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., February 1970

Burroughs contribution: “The Transplant Apocalypse”
(M&M C267) (BS C290)

201. THE RAT: SUBTERRANEAN NEWS, Vol. 2, edited by Jeff Shero, Alice Embree and Gary Thiher *
New York City: The Rat, February 1970

Burroughs contribution: “Mind Control”
(M&M C268) (BS C299)

202. IT: THE INTERNATIONAL TIMES, No. 74, edited by Tom McGrath *
London: Lovebooks Ltd, 27 February–13 March 1970

Burroughs contribution: “Mind Control”
(M&M C269) (BS C280)

Note: reprinted from The Rat: Subterranean News (1970).

203. CORPUS, Vol. 1, No. 5, edited by Pierre Joris *
New York City, Corpus, 18 February1970

Burroughs contribution: “Postscript—The Invisible Generation”
(M&M C271) (BS C265)

Note: reprinted from Klacto/23 International (1969).

204. LOS ANGELES FREE PRESS, Vol. 7, No. 10, Issue 294, edited by Art Kunkin *
Los Angeles: Los Angeles Free Press, 6–12 March 1970

Burroughs contribution: “Burroughs on Scientology”
(M&M C272) (BS C285)

Note: reprinted from Mayfair (1968).

205. MAYFAIR, Vol. 5, No. 6, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., June 1970

Burroughs contribution: “And a Final Word from William Burroughs”
(M&M C276) (BS C292)

Note: the last Burroughs contribution to the controversial exchange concerning Scientology in Mayfair.

206. LOS ANGELES FREE PRESS, Vol. 7, No. 26, Issue 310, edited by Art Kunkin *
Los Angeles: Los Angeles Free Press, 26 June–2 July1970

Burroughs contribution: “Cut Ups as Underground Weapons”
(M&M C278) (BS 286)

Note: reprinted from Friends (1970) where it was published under the title “Storm the Reality Studios”.

207. MAYFAIR, Vol. 5, No. 7, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., July 1970

Burroughs contribution: “D.E. My Super-Efficiency System”
(M&M C279) (BS C293)

208. CONTACT, No. 1, edited by James Tyson *
London: Contact, July 1970

Burroughs contribution: “MOB”
(M&M C280) (BS C264)

Note: “MOB” is short for My Own Business, a column co-edited by Burroughs and Alexander Trocchi.

209. CYCLOPS, No. 1, edited by Graham Keen *
London: Innocence & Experience Publishers Ltd., July 1970

Burroughs contribution: “The Unspeakable Mr. Hart (Part One)”
(M&M C281) (BS C269)

Note: a collaboration with illustrator Malcolm McNeill.

210. CRAWDADDY, Vol. 4, No. 10, edited by Peter Knobler *
New York: Crawdaddy Publishing Company, 6 July 1970

Burroughs contribution: “Cut Ups as Underground Weapons”
(M&M C283) (BS C267)

Note: reprinted from the Los Angeles Free Press  (1970), where it was reprinted from Friends (1970) where it was published under the title “Storm the Reality Studios”.

211. SIGMA PORTFOLIO, No. 37, edited by Alexander Trocchi *
London: Project Sigma, 1970

Burroughs contribution: “M.O.B.”
(M&M C284) (BS C301)

Note: reprinted from Contact (1970).

212. THE EAST VILLAGE OTHER, Vol. 5, No. 32, edited by John Wilcock and Allan Katzman *
New York City: The East Village Other, 7 July 1970

Burroughs contribution: “M.O.B.”, “Open Letter to Mister Gorden [sic] Mustain”
(M&M C285-C286) (BS C273)

Note: “M.O.B.” reprinted from Contact (1970).

213. FRIENDS, No. 9, edited by Alan Marcuson *
London, The T.F. Much Company, 10 July 1970

Burroughs contribution: “Storm the Reality Studios”
(M&M C287) (BS C276)

214. THE INTERNATIONAL TIMES, No. 83, edited by Tom McGrath *
London: Lovebooks Ltd., 17 July 1970

Burroughs contribution: “Scrambles”
(M&M C288) (BS C282)

215. CYCLOPS, No. 2, edited by Graham Keen *
London: Innocence & Experience Publishers Ltd., August 1970

Burroughs contribution: “The Unspeakable Mr. Hart (Part Two)”
(M&M C290) (BS C270)

Note: a collaboration with illustrator Malcolm McNeill.

216. THE EAST VILLAGE OTHER, Vol. 5, No. 36, edited by John Wilcock and Allan Katzman *
New York City: The East Village Other, 4 August 1970

Burroughs contribution: “Storm the Reality Studios”
(not in M&M) (BS C274)

Note: reprinted from Friends (1970).

217. NOLA EXPRESS, No. 62, edited by Robert Head and Darlene Fife *
New Orleans: Southern Louisiana Media Corp., 21 August–3 September1970

Burroughs contribution: “Storm the Reality Studios”
(M&M C291) (BS C295)

Note: reprinted from Friends (1970)

218. LOS ANGELES FREE PRESS, Vol. 7, No. 34, Issue 318, edited by Art Kunkin *
Los Angeles: Los Angeles Free Press, 21–27August 1970

Burroughs contribution: “This Man Has Been Scrambled”
(M&M C292) (BS C288)

Note: reprint of “Scrambles” from The International Times (1970).

219. NOTES FROM UNDERGROUND, No. 3, edited by John Bryan
San Francisco: Notes from Underground, June 1970

Burroughs contribution: “After the Inauguration”
(M&M C293) (BS C296)

Note: according to the editor’s note: “…originally called ‘Roosevelt After Inauguration’… we took the liberty of substituting ‘The President’ for Burroughs’ original ‘Roosevelt’ and altering the names of the more prominent Roosevelt Era figures…”.

220. CYCLOPS, No. 3, edited by Graham Keen *
London: Innocence & Experience Publishers Ltd., September 1970

Burroughs contribution: “The Unspeakable Mr. Hart (Part Three)”
(M&M C294) (BS C271)

Note: a collaboration with illustrator Malcolm McNeill.

221. CYCLOPS, No. 4, edited by Graham Keen *
London: Innocence & Experience Publishers Ltd., October 1970

Burroughs contribution: “The Unspeakable Mr. Hart (Part Four)”
(M&M C295) (BS C272)

Note: a collaboration with illustrator Malcolm McNeill.

222. ROLLING STONE, No. 69, edited by Jan Wenner
San Francisco: Straight Arrow Publishers Inc., 29 October 1970

Burroughs contribution: “The Discipline of DE”
(M&M C296) (BS C300)

Note: a chapter excerpted from the forthcoming novel, The Revised Boy Scout Manual, a version of which was published in 1973 under the title Exterminator!.

223. CRAWDADDY, Vol. 5, No. 1, edited by Peter Knobler *
New York: Crawdaddy Publishing Company, 22 November 1970

Burroughs contribution: “The Unspeakable Mr. Hart (Part One)”
(M&M C298) (BS C268)

Note: reprinted from Cyclops (1970).

224. MAYFAIR, Vol. 5, No. 12, edited by Kenneth Bound *
London: Fisk Publishing Company Ltd., December 1970

Burroughs contribution: “Twilight’s Last Gleamings”
(M&M C299) (BS C294)


1971

225. THE MARIJUANA REVIEW, Vol. 1, No. 6, edited by Mike Aldrich and Ed Sanders *
Mill Valley: The Marijuana Review, January 1971

Burroughs contribution: “Carrion Road”
(M&M C300) (BS C308)

Note: Illustrated by Kim Deitch.

226. THE LAST SUPPLEMENT TO THE WHOLE EARTH CATALOG, edited by Paul Krassner *
Menlo Park: Whole Earth Catalog, March 1971

Burroughs contribution: “Prisoners, Come Out”
(M&M C303) (BS C321)

Note: an excerpt from Nova Express.

227 ANTAEUS, No. 2, edited by Daniel Halpern *
Tangier: Antaeus, Spring 1971

Burroughs contribution: “Pages from Chaos”
(M&M C304) (BS C302)

228. EAST VILLAGE OTHER, edited by John Wilcock and Allan Katzman *
New York City: The East Village Other, 1971

Burroughs contribution: “Who Is the Third That Walks Beside You?”
(M&M C313) (BS C303)

229. RENAISSANCE, No. 8, edited by John Bryan *
San Francisco: Renaissance Publications, 1971

Burroughs contribution: “Who Is the Third That Walks Beside You?”
(M&M C314) (BS C314)

Note: This periodical also constitutes Notes from Underground, No. 4; reprinted from East Village Other (1971).

230 ORGAN, No. 9, edited by Gerard van der Leun *
Berkeley: Himalayan Watershed Properties, July 1971

Burroughs contribution: “Who Is the Third that Walks Beside You?”
(M&M C315) (BS C311)

231. SUCK, No. 5, edited by Bill Levy, Germaine Greer, and Heathcote Williams *
Amsterdam: Joy Publications, Summer 1971

Burroughs contribution: “The Penny Arcade Peep Show / The Wild Boys Smile”
(M&M C316) (BS C315)

Note: excerpt from The Wild Boys: A Book of the Dead.

232. INK, No. 19, edited by Richard Neville *
London: Ink, 5 October 1971

Burroughs contribution: “The Writer”
(M&M C318) (BS C307)

233. SUCK, No. 6, edited by Bill Levy, Germaine Greer, and Heathcote Williams *
Amsterdam: Joy Publications, 1971

Burroughs contribution: “William S. Burroughs Takes a New Look at Sex Films.” “Blue Movie/Who Are These Boys?”
(M&M C319-C320) (BS C316)

234. Evergreen Review, Vol.15, No.94, edited by Barney Rosset *
New York City: Evergreen Review, December 1971

Burroughs contribution: “The Dead Child”
(M&M C321) (BS C304)

Note: an excerpt from The Wild Boys: A Book of the Dead.


1972

235. UNMUZZLED OX, Vol. 1, No. 2, edited by Michael Andre *
New York City: Unmuzzled Ox, February 1972

Burroughs contribution: “Statement on Claude Pélieu”
(M&M C322) (BS C345)

Note: According to M&M, the piece is dated January 23, 1968 and was intended as an introduction to one of Claude Pélieu’s books.

236. OUT OF SIGHT, No. 44, edited by James Mecham *
Wichita: Out of Sight, 14 February 1972

Burroughs contribution: “Abstract”
(M&M C323) (BS C336)

237. GINGER SNAPS, No. 1, edited by Michael Gibbs and Hammond Guthrie *
Exeter: Kontexts Publications, March 1972

Burroughs contribution: “Abstract”
(M&M C324) (BS C330)

238. ADVENTURES IN POETRY, No. 9, edited by Larry Fagin *
New York: The Poetry Project, Spring 1972

Burroughs contribution: “Distant Heels”
(M&M C327) (BS C323)

239. BASTARD ANGEL, No. 1, edited by Harold Norse *
Oakland & San Francisco: Printed by Acharnian Press & Panjandrum Press, Spring 1972

Burroughs contribution: “Do Not Disturb the Mongrels”
(M&M C329) (BS C326)

240. PARVIS À L’ECHO DES CILS *
Paris: Jean-Jacques Pauvert, 8 June 1972

Burroughs contribution: “Page from Burroughs’ St. Louis Journal”
(M&M C330) (BS C337)

Note: three full-page reproductions of collaged manuscript pages

241. SHANTIH INTERNATIONAL WRITINGS, Vol. 2, No. 2, edited by Irving Gottesman and John Friedman *
Brooklyn: Shantih, Summer 1972

Burroughs contribution: “Tickertape”
(M&M C332) (BS C343)

Note: reprinted from the anthology Cut Up or Shut Up (1972)

242. HARD, No.1 *
Cambridge: Hard, Summer 1972

Burroughs contribution: “Lie, Lie, Lie”
(M&M C333) (BS C331)

243. ANTAEUS, No. 6, edited by Daniel Halpern *
New York: Ecco Press, Summer 1972

Burroughs contribution: “Electricals”
(M&M C334) (BS C324)

244. SIXPACK, No.2, edited by Pierre Joris *
London: Lame Duck Press, August 1972

Burroughs contribution: “Ali’s Smile”
(M&M C337) (BS C344)

Note: reprinted complete from Ali’s Smile.

245. FERVENT VALLEY, No.2, edited by Stephen Rodefer, Bill Pearlman, and Larry Goodell *
Placitas: Duende Press, Summer 1972

Burroughs contribution: “Soldier’s Pay”
(M&M C338) (BS C328)


1973

246. ANTAEUS, No.8, edited by Daniel Halpern *
New York: Ecco Press, Winter 1973

Burroughs contribution: “Your Name My Face”
(M&M C343) (BS C347)

247. SECOND AEON, No.16/17, edited by Peter Finch *
Cardiff: Second Aeon Publications, 1973

Burroughs contribution: “My Legs Señor”
(M&M C345) (BS C355)

248. OUI, Vol.2, No.8, edited by Jon Carroll
Chicago: Playboy Publications, August 1973

Burroughs contribution: “Face to Face With the Goat God”
(M&M C348) (BS C353)

249. SOFT NEED, No.8, edited by Udo Breger and Chris Kolonah *
Göttingen: Expanded Media Editions, September 1973

Burroughs contribution: “Kerouac”
(M&M C349) (BS C357)

Note: First English-language version of “Épitaphe pour un Beatnik” published in Le Nouvel Observateur (1969).

250. AQ, No.14, edited by Udo Breger Silke Paull, and Erwin Stegentritt
Frankfurt: AQ, Autumn 1973).

Burroughs contribution: “Cut/up of Ezra Pound Made in 1959 Using Only the Very Own Words of Ezra Pound”, “Cut/up Made in 1973 Using the Words of William Burroughs and Arthur Rimbaud”
(M&M C351-C352) (BS C348)

251. HARPER’S MAGAZINE, Vol.247, No.1482
New York City: Harper’s Magazine, November 1973

Burroughs contribution: “Playback from Eden to Watergate”
(M&M C353) (BS C350)

252. GUM’S MOVING REVIEW *
Glasgow: Glasgow University, December 1973

Burroughs contribution: “M.O.B.”
(M&M C354) (BS C349)

Note: reprinted from Contact (1970).

253. ADVENTURES IN POETRY, No.10, edited by Larry Fagin *
New York: The Poetry Project, 1973

Burroughs contribution: “Fits of Nerves with a Fix”
(M&M C355) (BS C346)

Note: reprinted from C: A Journal of Poetry (1965).

254. VIA: STRUCTURES IMPLICIT AND EXPLICIT, Vol 2, edited by James Bryan and Rolf Sauer *
Philadelphia: Graduate School of Fine Arts, University of Pennsylvania, 1973

Burroughs contribution: “Abstract”
(M&M C356) (BS C358)

255. SIXPACK, No.6, edited by Pierre Joris *
London: Lame Duck Press, Winter 1973/74

Burroughs contribution: “Pershing Avenue St. Louis Missouri in the 1920s…”
(M&M C357) (BS C356)

[* not in archive]

Richard Brautigan – Contributions to Periodicals

>> return to RICHARD BRAUTIGAN main page >>

SECTION C:
This index includes contributions to periodicals; entries within years are approximate


1955

1. FLAME, Vol. 2, No. 3, edited by Lilith Lorraine
Alpine: Flame, Autumn 1955

Brautigan contribution: “Someplace in the World a Man is Screaming in Pain” [uncollected]
(not in Barber)



1956

2. EPOS, Vol. 8, No. 2, edited by Evelyn Thorne and Will Tullos
mags_epos0802Lake Como: New Athenaeum Press, Winter 1956

Brautigan contribution: “The Second Kingdom” [uncollected]
(Barber 1)

Note: a love poem inspired by Linda Webster.


1957

3. CAXTON POETRY REVIEW, Vol. 1, No. 2, edited by Albert R. Temple and Evelyn T. Browning *
Cincinnati: Caxton Press,  Winter 1956-57

Brautigan contribution: “A Correction” [uncollected]
(not in Barber)

4. CAXTON POETRY REVIEW, Vol. 1, No. 3, edited by Albert R. Temple and Evelyn T. Browning *
Cincinnati: Caxton Press, Spring 1957

Brautigan contribution: “If the Wind Should Borrow Time” [uncollected]
(not in Barber)


5. EPOS, Vol. 8, No. 4, edited by Evelyn Thorne and Will Tullos
mags_epos0804Lake Como: Epos, Summer 1957

Brautigan contribution: “A Young Poet” [uncollected]
(Barber 2)


6. MAINSTREAM, Vol. 2, No. 2, edited by Robin Raey Cuscaden and Ronald Offen
Palatine: Jack R. Lander, Summer-Autumn 1957

Brautigan contribution: “The Final Ride” [uncollected]
(not in Barber)


7. THE BERKELEY REVIEW, Vol. 1, No. 3, edited by William P. Barlow
Berkeley: The Berkeley Review, September 1957

Brautigan contribution: “The Return of the Rivers”^ [first appeared in The Return of the Rivers], “The Horse That Had A Flat Tire”^
[^ collected in The Pill versus The Springhill Mine Disaster (Barber 26)]

8. EXISTARIA, No. 7, Edited by Carl Larsen
Hermosa Beach, September-October 1957

Brautigan contribution: “The Daring Little Guy on the Burma Shave Sign” [uncollected], “The World Will Never End” [uncollected]
(not in Barber)

9. DANSE MACABRE, Vol. 1, No. 1, edited by R.T. Baylor *
Manhattan Beach: Danse Macabre, 1957

Brautigan contribution: “They Keep Coming Down the Dark Streets” [uncollected], “15 Stories in One Poem” [uncollected]
(not in Barber)


1958

10. HEARSE, No. 2, edited by E.V. Griffith
Eureka: Hearse Press, 1958

Brautigan contribution: “15 Stories in One Poem” [previously published in Danse Macabre]
(Barber 5)


11. HEARSE, No. 3, edited by E.V. Griffith
Eureka: Hearse Press, 1958

Brautigan contribution: “The Mortuary Bush”^, “Twelve Roman Soldiers and an Oatmeal Cookie”^ [^previously published in Four New Poets (Barber 3)]
(Barber 6)

12. EPOS, Vol. 9, No. 3, edited by Will Tullos and Evelyn Thorne
Lake Como: Epos, Spring 1958

Brautigan contribution: “Kingdom Come” [uncollected]
(Barber 9)



1959

13. SAN FRANCISCO REVIEW, No. 2, edited by R.H. Miller
mags_sfreview02
San Francisco, Spring 1959

Brautigan contribution: “Psalm” [uncollected]
(Barber 10)



14. BEATITUDE, No. 1, edited by Bob Kaufman, John Kelly, and William J. Margolis *
San Francisco: Beatitude, May 1959

Brautigan poem: “The Whorehouse at the Top of Mount Rainier” [collected in Beatitude Anthology (Barber 13)]


15. BEATITUDE, No. 4, edited by Bob Kaufman, John Kelly, and William J. Margolis 
San Francisco: Beatitude, May 1959

Brautigan poems: “The American Submarine”^, “A Postcard from the Bridge”^, “That Girl”^, “The Sink” [uncollected]
[^collected in Beatitude Anthology (Barber 13)]

16. BEATITUDE, No. 9, edited by Bob Kaufman, John Kelly, and William J. Margolis *
San Francisco: Beatitude, September 1959

Brautigan contribution: “Swandragons” [collected in Beatitude Anthology (Barber 13)]



17. J, No. 1, edited by Jack Spicer
mags_j01
San Francisco, September 1959
Cover illustration by Fran Herndon

Brautigan poem: “The Fever Monument” [collected in The Octopus Frontier (Barber 12)]


18. FOOT, No.1, edited by Richard Duerden
San Francisco, September 1959

Brautigan contribution: “The Rape of Ophelia”^, “A Postcard from Chinatown”^, “The Nature Poem”^, “Horse Race”^, “The Last Music is Not Heard”^
[^collected in The Octopus Frontier (Barber 12)]

Note: Cover illustration by Robert Duncan.

19. J, No. 4, edited by Jack Spicer
San Francisco, November 1959

Brautigan contribution: “The Pumpkin Tide”^, “The Sidney Green Street Blues”^, “Surprise”^ [^collected in The Octopus Frontier (Barber 12)]

Note: Cover illustration by Fran Herndon

20. J, No. 5, edited by Jack Spicer
San Francisco, December 1959

Brautigan contribution: “1942” [collected in The Octopus Frontier]

Note: Cover illustration by Fran Herndon


1960

21. HEARSE, No. 9, edited by E.V. Griffith
Eureka: Hearse Press, 1961

Brautigan contribution: “The Rain” [uncollected]
(Barber 14)




1963

22. CHANGE, No. 1, edited by Richard Brautigan and Ron Loewinsohn
San Francisco: Change, May 1963

Brautigan contribution: “Coffee” (short story) [uncollected]
(not in Barber)


23. CITY LIGHTS JOURNAL, No. 1, edited by Lawrence Ferlinghetti
San Francisco, City Lights Books, June 1963

Brautigan contribution: “Worsewick” (prose), “The Salt Creek Coyotes” (prose), “A Half-Sunday Homage to a Whole Leonardo da Vinci” (prose)
[excerpted chapters from the forthcoming book, Trout Fishing in America (Barber 79)]
(Barber 91)

24. EVERGREEN REVIEW, No. 31, edited by Barnet Lee Rosset
New York: Evergreen Review Oct-Nov 1963

Brautigan contribution: “The Hunchback Trout” (prose), “Room 208, Hotel Trout Fishing in America” (prose), “The Surgeon” (prose), “The Cleveland Wrecking Yard”
[excerpted chapters from the forthcoming book, Trout Fishing in America (Barber 79)]
(Barber 92)


1964

25. KULCHUR, Vol. 4, No. 13, edited by Lita Hornick
New York, Spring 1964

Brautigan contribution: “The Post Offices of Eastern Oregon” (short story) (Barber 163) [collected in Revenge of the Lawn (Barber 180)]


26. SUM, No. 3, Edited by Fred Wah
Albuquerque, May 1964

Brautigan contribution: “September California” [collected in Revenge of the Lawn (Barber 180)]

 

27. TRI-QUARTERLY, No. 1, edited by Charles Newman
Evanston: Northwestern Press, Fall 1964

Brautigan contribution: “Breaking Bread at Big Sur”, “Preparing for Ecclesiastes”, “The Rivets in Ecclesiastes”
[excerpted chapters from the forthcoming book A Confederate General from Big Sur (Barber 70)]
(Barber 78)

28. EVERGREEN REVIEW, No. 33, edited by Barnet Lee Rosset
New York: Evergreen Review, Aug-Sept 1964

Brautigan contribution: “Witness for Trout Fishing in America Peace”, “A Note on the Camping Craze that is Currently Sweeping America”, “The Pudding Master of Stanley Basin”, “In the California Bush”, “Trout Death by Port Wine”
[excerpted chapters from the forthcoming book A Confederate General from Big Sur (Barber 70)]
(Barber 93)


1965

29. NOW NOW, [Now No. 2], Edited by Charles Plymell
San Francisco: Ari Publications, 1965

Brautigan contribution: “Banners of My Own Choosing” [collected in Revenge of the Lawn (Barber 180)]


30. SAN FRANCISCO KEEPER’S VOICE, Vol. 1, No. 4, edited by Alexander Weiss
San Francisco: Alexander Weiss, April 1965

Brautigan contribution: “October 2, 1960” [uncollected]
(not in Barber)

 

31. WILD DOG, No. 18, edited by Joanne Kyger
San Francisco: Wild Dog, July 1965

Brautigan contribution: “The Buses” [uncollected], “Period Piece” [uncollected], “At Sea” [Brautigan’s review of Michael McClure’s Ghost Tantras]
(not in Barber)


1966

32. COYOTE’S JOURNAL, No. 5/6, edited by James Koller and Edward van Aelstyn
San Francisco: City Lights, 1966

Brautigan contribution: “A Study in California Flowers” (short story) [collected in Revenge of the Lawn (Barber 180)]
(Barber 164)

33. R.C. LION, No. 2, edited by David Bromige, Sherril Jaffe, David Schaff, and Ron Loewinsohn
Berkeley: University of California Berkeley Rhymers Club, 1966

Brautigan contribution: “The Pretty Office” [collected in Revenge of the Lawn (Barber 180)]
(not in Barber)

34. TRI-QUARTERLY, No. 5, edited by Charles Newman
Evanston: Northwestern Press, Winter 1966

Brautigan contribution: “Revenge of the Lawn”^ (short story), “A Short History of Religion in California”^
[^collected in Revenge of the Lawn (Barber 180)]
(Barber 165)

35. O’ER, No. 2, edited by David Sandberg
San Francisco: Cranium Press, December 1966

Brautigan contribution: “The House” [uncollected], “My Nose is Growing Old”^, “November 3″^
[^collected in All Watched Over by Machines of Loving Grace (Barber 22)]


1967

36. HOLLOW ORANGE, No. 4, edited by Clifford Burke 
San Francisco: Cranium Press, 1967

Brautigan contribution: “Comets”^, “It’s Raining in Love”^, “Nine Things”^
[^collected in All Watched Over by Machines of Loving Grace (Barber 22)]
(Barber 21)

37. The Pacific Nation, No. 1, edited by Robin Blaser
Vancouver: The Pacific Nation, June 1967

Brautigan contribution: “Trout Fishing in America (1-5)” [excerpted chapters from the forthcoming book, Trout Fishing in America (Barber 79)]
(not in Barber)

38. RAMPARTS, Vol. 6, No. 5, edited by Warren Hinkle III
San Francisco: Ramparts Magazine Inc., December 1967

Brautigan contribution: “1/3,1/3,1/3” (short story) [collected in Revenge of the Lawn (Barber 180)
(Barber 166)


1968

39. GROSSETESTE REVIEW, Vol. 1, No. 3, edited by Tim Longville
Lincoln: Grosseteste Press, Winter 1968

Brautigan contribution: “A Study in California Flowers” [previously published in Coyote’s Journal, No. 5/6 (Barber 164); collected in Revenge of the Lawn (Barber 180)]
(Barber 167)

40. THE PARIS REVIEW, No. 42, edited by George Plimpton *
New York: The Paris Review, Winter 1968

Brautigan contribution: “The San Francisco Weather Report” [previously published as a broadside (see Barber 24); collected in The Pill versus The Springhill Mine Disaster (Barber 26) as “Gee, You’re So Beautiful That It’s Starting to Rain”]
(Barber 25)

41. TRIQUARTERLY, No. 11, edited by Charles Newman *
Evanston: Northwestern University, Winter 1968

Brautigan contribution: “All Watched Over by Machines of Loving Grace” [previously published as a broadside (see Barber 17); collected in All Watched Over by Machines of Loving Grace (Barber 22)]
(Barber 30)


1969

42. BEATITUDE, No. 20 *
San Francisco: City Lights Books, March 1969

Brautigan contribution: “The Harbor”^, “The Double-Bed Gallows”^, “Adrenalin Mother”^, “Death is a Beautiful Parked Car Only”^
[^collected in The Pill versus The Springhill Mine Disaster (Barber 26)]

43. BIG VENUS, No. 1, edited by Nick Kimberly *
London: Big Venus, 1969

Brautigan contribution: “Feel Free to Marry Emily Dickinson” [previously published in Lay the Marble Tea (Barber 11)]
(Barber 31)

44. POETRY, Vol. 115, No. 1, edited by Daryl Hine *
Chicago: Poetry, October, 1969

Brautigan contribution: “Wood” [collected in Rommel Drives on Deep into Egypt [Barber 36)]
(Barber 34)

45. VOGUE, edited by Diana Vreeland
New York: Conde Nast, October 1969

Brautigan contribution: “The Weather in San Francisco” (short story) [collected in Revenge of the Lawn (Barber 180)]
(Barber 168)


1970

46. VOGUE, edited by Diana Vreeland
New York: Conde Nast, January 1970

Brautigan contribution: “The Auction” (short story)
(Barber 172)

47. LONDON MAGAZINE, Vol. 10, no. 8, edited by Alan Ross *
London, November 1970

Brautigan contribution: “Horse Race”^, “The Wheel”^, “Karma Repair Kit: Items 1-4” [previously published in All Watched Over by Machines of Loving Grace (Barber 22)]
[^previously published in collected in The Octopus Frontier (Barber 12)]
(Barber 39)

48. MADISON KALEIDOSCOPE, Vol. 2, No. 19, edited by Mark Knops and Tim Slater *
Milwaukee: Kaleidoscope Publishing, September 1970

Brautigan contribution: “Fragile, Fading 37/A Poem” [previously published in Rommel Drives on Deep into Egypt (Barber 36) as “Restaurant”]
(Barber 40)


1971

49. CALIFORNIA LIVING MAGAZINE, edited by Harold Silverman *
San Francisco: San Francisco Examiner, May 16, 1971

Brautigan contribution: “They Are Really Having Fun”, “We Meet. We Try. Nothing Happens, But”, “Home Again Home Again Like a Turtle To His Balcony”, “You Will Have Unreal Recollections of Me”, “Finding Is Losing Something Else”, “Impasse”, “Homage to Charles Atlas”
(Barber 48)

50. HARPER’S, Robert Shnayerson *
New York: Harper’s Magazine Co., October 1971

Brautigan contribution: “Crow Maiden”
(Barber 49)

[* not in archive]

Frank Stanford – Contributions to Periodicals

>> return to FRANK STANFORD main page >>

Section C:
This index includes contributions to periodicals; entries within years are listed alphabetically


1969

1. PREVIEW: 1968-1969, edited by Leon Stokesbury
Fayetteville: The University of Arkansas, 1969

Stanford contribution: “Living” [collected in Singing Knives]


1970

2. MILL MOUNTAIN REVIEW, Vol. 1, No. 2, edited by  Irv Broughton
Roanoke: Mill Mountain Review, 1970

Stanford contribution: “The Professors” [uncollected], “The Solitude of Historical Analysis” [uncollected], “The Politicians” [uncollected], “Holy Night” [uncollected], “Living” [collected in The Singing Knives]

3. PREVIEW: THE LITERATURE, edited by Leon Stokesbury
Fayetteville: The University of Arkansas, 1970

Stanford contribution: “Elegy for My Father” [collected in The Singing Knives], “Remembering the Odor in the Jewish Dentist’s House Next Door, I Recall the Picture Show Next Door to the Stamp Store in Downtown Memphis” [uncollected], “The Gospel Bird” [collected in The Singing Knives], “The Albino” [collected in The Singing Knives]

4. TANSY, No. 1 , edited by John Moritz
Lawrence: Tansy, 1970

Stanford contribution: “Early Times In A Mississippi Liquor Store” [uncollected], “The Hole” [uncollected]


5. TANSY, No. 4 , edited by John Moritz
Lawrence: Tansy, n.d. [c. 1970-71]

Stanford contribution: “Tapsticks” [collected in The Singing Knives], “Chimera” [uncollected].




1971

6. ALDEBARAN REVIEW, No. 11, edited by John Oliver Simon
Berkeley: Noh Directions Press, 1971

Stanford contribution: “On Jesus Highway” [uncollected]

7. THE CHICAGO REVIEW, Vol. 23, No. 1, edited by Robert McKean
Chicago: University of Chicago Press, 1971

Stanford contribution: “Fish on the Trees (elegy)” [uncollected], “The Albino” [collected in The Singing Knives], “Remembering the Odor in the Jewish Dentist’s House Next Door, I Recall the Picture Show next door to the Stamp Store in Downtown Memphis” [uncollected]

8. KAYAK, No. 26, edited by George Hitchcock
Santa Cruz: Kayak Books Inc, 1971

Stanford contribution: “Wishing My Wife Had One Leg” [collected in The Singing Knives]

9. THE LITTLE REVIEW, Vol. 2, No. 2, Issue 4, edited by John McKernan
Huntington: Little Review Press, 1971

Stanford contribution: “The Kite”, [uncollected] “The Pump” [collected in The Singing Knives]

10. MILL MOUNTAIN REVIEW, Vol. 1, No. 3, edited by Irv Broughton
Roanoke, VA: Mill Mountain Review, 1971

Stanford contribution: “If I Should Wake” [collected in The Singing Knives], “The Bass” [collected in The Singing Knives], “The Doe” [uncollected], “The Minnow” [collected in The Singing Knives], “Cottonmouth” [uncollected]

11. MILL MOUNTAIN REVIEW, Vol. 1, No. 4, edited by Irv Broughton
Seattle: Mill Mountain Review, 1971

Stanford contribution: “Planning the Disappearance of Those Who Have Gone” [collected in The Singing Knives], “The Bandits” [uncollected], “Bergman the Burning Ship” [uncollected], “Bend Sinister” [uncollected], “The Mother of Yannis Ritsos” [uncollected], “The Men” [uncollected]

12. THE NATION, Vol. 213, No. 10
New York: Nation Associates Inc., October 1971

Stanford contribution: “Belladonna” [collected in The Singing Knives]

13. NEW AMERICAN REVIEW, No. 11, edited by Theodore Solotaroff 
New York: New American Library, 1971

Stanford contribution: “The Gospel Bird” [collected in The Singing Knives]

14. WEST COAST REVIEW, Vol. 6, No. 2, edited by Frederick Candelaria
Burnaby: Simon Fraser University, 1971

Stanford contribution: “The Intruder” [collected in The Singing Knives], “The Quiver” [collected in The Singing Knives], “Friends of the House of Momus” [uncollected], “Momus” [uncollected], “White Feather” [uncollected], “Poet Manque” [uncollected], “Becoming the Unicorn” [collected in The Singing Knives], “The Tribade” [uncollected], “The Arena” [uncollected], “The Odor” [uncollected], “Solus” [uncollected], “Holy Night” [uncollected], “The Bandits” [uncollected], “The Smoking Mirrors” [uncollected], “Bergman the Burning Ship” [uncollected]


1972

15. OPEN PLACES, No. 11, edited by Eleanor M. Bender
Columbia: Stephens College, January 1972

Stanford contribution: “Strappado” [collected in The Singing Knives], “When the rain hits the snake in the head…” [uncollected], “Becoming the Unicorn” [collected in The Singing Knives], “Narcissus to Achilles” [collected in The Singing Knives]

16. HOLLINS CRITIC, Vol. 9, No. 1, edited by R.H.W. Dillard
Roanoke: Hollins College, 1972

Stanford contribution: “Chimera” [uncollected]

17. THE IOWA REVIEW, Vol. 3, No. 3, edited by Merle E. Brown
Iowa City: The University of Iowa, Summer 1972

Stanford contribution: “The Buried Sword” [uncollected], “Keeping the Lord’s Night Watch” [uncollected], “The Actresses of Night” [uncollected], “The Paramour” [collected in Ladies from Hell]

18. THE MASSACHUSETTS REVIEW, Vol. 13, No. 4
Amherst: University of Massachusetts, Autumn 1972

Stanford contribution: “Tapsticks” [collected in The Singing Knives]

19. POETRY: AUSTRALIA, No. 43, edited by Grace Perry
Sydney: South Head Press, 1972

Stanford contribution: Translation from the Spanish: “Twilight” by César Vallejo


1973

20. BOSTON AFTER DARK: THE BOSTON PHOENIX, Vol. 2, No. 51, Section 2
Boston: The Boston Phoenix, December 1973

Stanford contribution: excerpt “Blue Yodel of Poets of Times Past” [uncollected]

21. THE NEW YORK QUARTERLY, No. 15, edited by William Packard
New York: New York Quarterly Poetry Review, Summer 1973

Stanford contribution: “Death in the Cool Evening” [collected in Ladies from Hell]


1974

22. THE ARK RIVER REVIEW, Vol. 3, No. 1, edited by Jonathan Katz, A.G. Sobin, and Arthur Vogelsang
Haverford: The Ark River Review, 1974

Stanford contribution: “In Plain View” [collected in Shade], “Pasture Dream” [collected in Ladies from Hell]

23. DACOTAH TERRITORY, No. 8/9, edited by Mark Vinz
Moorehead: Moorhead State College, Fall-Winter 1974

Stanford contribution: “Suspect” [collected in Ladies from Hell], “Soybeans” [collected in Shade]

24. FIELD, No. 10, edited by Stuart Friebert and David Young
Oberlin: Oberlin College, Spring 1974

Stanford contribution: “Brothers on Sunday Night” [collected in Ladies from Hell], “Linger” [collected in Ladies from Hell]

25. FIELD, No. 11, edited by Stuart Friebert and David Young
Oberlin: Oberlin College, Fall 1974

Stanford contribution: “The Dead Man’s Fiddle” [collected in Crib Death], “The Home Movie of Those Who are Dead Now” [collected in Crib Death]

26. FIELD, 12, edited by Stuart Friebert and David Young
Oberlin: Oberlin College, Spring 1974)

Stanford contribution: “Blue Yodel of Her Feet” [uncollected], “Allegory of Death and Night” [uncollected], “Children at the Point of Death” [uncollected], “Knew it was Love, Felt it was Glory (after Pier Paolo Pasolini)” [collected in Crib Death]

27. THE IOWA REVIEW, Vol. 5, No. 2, edited by Merle E. Brown
Iowa City: The University of Iowa, Spring 1974

Stanford contribution: “Rooms” [collected in Constant Stanger], “Hidden Water” [collected in Ladies from Hell]

28. THE IOWA REVIEW, Vol. 5, No. 3, edited by Merle E. Brown
Iowa City: The University of Iowa, Summer 1974

Stanford contribution: “A Past: Wintered Like a Circus ” [uncollected]

29. IRONWOOD, No. 4, edited by Michael Cuddihy
Tucson: Ironwood, December 1974

Stanford contribution: “Handling Paper with Cold Hands” [collected in You], “Lost Recipe” [uncollected], “Crest” [uncollected], “Island Funeral” [collected in Crib Death], “Getting to Sleep” [collected in Ladies from Hell]

30. THE LITTLE REVIEW, Vol. 5, No. 1, Issue 9, edited by John McKernan
Dorchester: Little Review Press, 1974

Stanford contribution: “Blue Yodel of Those Who Were Always Telling Me” [uncollected]

31. POETRY: AUSTRALIA, No. 51, edited by Grace Perry
Sydney: South Head Press(1974)

Stanford contribution: Translation from the Spanish: “Message by Lorca Sent to Me in an Infant’s Casket” by Nicanor Parra

32. PRAIRIE SCHOONER, Vol. 48, No. 3, edited by Bernice Slote
Lincoln: University of Nebraska Press, Fall 1974

Stanford contribution: “Sudden Opera” [collected in Ladies from Hell]


1975

33. AMERICAN POETRY REVIEW, Vol. 4, No. 2, edited by Stephen Berg
Philadelphia: American Poetry Review, March-April 1975

Stanford contribution: “What About This” [uncollected], “They Really Do” [uncollected]

34. IRONWOOD, No. 6, edited by Michael Cuddihy
Tucson: Ironwood Press, 1975

Stanford contribution: “The Burial Ship” [uncollected], “The Wolves” [uncollected]

35. THE LITTLE REVIEW, Vol. 5, No. 2, Issue 10, edited by John McKernan
Dorchester: Little Review Press, 1975

Stanford contribution: “Blue Yodel” [collected in Arkansas Bench Stone], “Their Names Are Spoken” [collected in Arkansas Bench Stone], “Island” [collected in Arkansas Bench Stone], “Tale” [collected in Arkansas Bench Stone], “Will” [collected in Arkansas Bench Stone], “Shed” [collected in Arkansas Bench Stone], “Blue Yodel of the Quick and the Dead” [collected in Arkansas Bench Stone], “Lament of the Land Surveyor” [collected in Arkansas Bench Stone], “Monk’s Dog” [collected in Arkansas Bench Stone], “Women Singing When Their Husbands Are Gone” [collected in Ladies from Hell, “Lap” [collected in Arkansas Bench Stone], “Mouths Full of Spit” [collected in Arkansas Bench Stone]


1976

36. OUT THERE, No. 10, edited by Rose Lesniak  
Chicago: Out There Press, (1976)

Stanford contribution: “Only One Set in The Singer’s Eyes” [collected in Crib Death], “Why The Moon is The Outhouse” [collected in Crib Death], “Porch Chair” [uncollected].


1977

37. BARATARIA, No. 3, edited by Ellen Gilchrist and Everette Maddox
New Orleans: The Barataria Press, Spring-Summer 1977

Stanford contribution: “Dreamt by a Man in a Field” [uncollected], “Between Love and Death” [collected in Crib Death], ”You” [uncollected], “Would You Like to Lie Down with the Light on and Cry” [collected in Crib Death], “Allegory of Youth” [uncollected]

38. BARATARIA, No. 4 , edited by Ellen Gilchrist and Everette Maddox
New Orleans: The Barataria Press, Fall 1977

Stanford contribution: “The Captain’s Desk” [uncollected]

39. IRONWOOD, 9, edited by Michael Cuddihy
Tucson: Ironwood Press, Spring 1977

Stanford contribution: “Taking Your Life” [collected in Crib Death], “Amaranth” [collected in Crib Death], “A Woman Driving a Stake into the Ground at Midnight” [collected in Crib Death], “Strange Roads before Light” [collected in Crib Death], “Only One Set in the Singer’s Eyes” [collected in Crib Death], “The Angel of Death” [collected in Crib Death], “Death and the Arkansas River” [collected in Constant Stranger]


1978

40. IRONWOOD, No. 12, edited by Michael Cuddihy
Tucson: Ironwood Press, Fall 1978

Stanford contribution: “The Light The Dead See” [collected in Crib Death], “In this House” [collected in Crib Death], “A Milk Truck Running into a Crazy Maid at the Corner of Getwell and Park” [collected in Crib Death], “The Boy Who Shot Weathercocks” [collected in Crib Death]


1979

41. AMERICAN POETRY REVIEW, Vol. 8, No. 2, edited by Stephen Berg
Philadelphia: World Poetry, March/April 1979

Stanford contribution: “The History of John Stoss” [collected in You], “Starving to Death” [uncollected], “Source” [uncollected], “Light Blue” [uncollected], “Death and Memory” [uncollected]

42. SUN & MOON: A JOURNAL OF LITERATURE & ART, No. 8, edited by Douglas Messerli and Howard Fox
College Park: Sun & Moon, Fall 1979

Stanford contribution: “The Angel of Death” [collected in Crib Death], “Freedom, Revolt, and Love” [uncollected]


1980s and beyond

43. IRONWOOD, No. 17, edited by Michael Cuddihy
Tucson: Ironwood Press, April 1981

Stanford contribution: “The Picture Show Next Door to The Stamp Store in Downtown Memphis” [collected in The Singing Knives], “The Pump” [collected in The Singing Knives], “Getting to Sleep” [collected in Ladies from Hell], “Lost Recipe” [collected in Crib Death], “Wind Blowing on a Sick Man”, “The Burial Ship”, “Everybody Who is Dead”, “Between Love and Death”, “Blue Yodel of the Lost Child”, “Allegory of Death and Night”, “A Milk Truck Running into a Crazy Maid at the Corner of Getwell and Park”, “The Battlefield Where The Moon Says I Love You”, Selections

44. IRONWOOD, No. 23, edited by Michael Cuddihy
Tucson: Ironwood Press, Spring 1984

Stanford contribution: “Crossed” [uncollected]

45. RACCOON, No. 24/25, Tenth Anniversary Issue.
Memphis: Ion Books, May 1987

Stanford contribution: “There Is No Where in You a Paradise That Is No Place and There You Do Not Enter Except Without a Story”

46. NEW LETTERS, Vol. 64, No. 3, edited by James McKinley
Kansas City: University of Missouri-Kansas City, Spring 1998

Stanford contribution: “Dead Child”


Unknown Contributions

ASK THE POET
BOSTON AFTER DARK
BOSTON PHOENIX
THE CIRCULAR RUINS [Scotland]
DE QUINCEY [England]
EDGE [Christchurch , New Zealand]
GHOST SHIP [Ireland]
THE HUNCHBACK IN THE PARK [Wales]
LA BELL ET LA BETE [France]
LA NOTTE [Italy]
THE LITTLE REVIEW
THE NATION, Vol. 213, No. 10 (1971)
THE PARTISAN REVIEW
POETRY NOW, Vol. 1, No. 2 (1975)
THE PORTABLE PLATEAU, Volume 1 Number 1 (1997)
ROAD APPLE REVIEW [Albuquerque]
SEEMS [DeKalb]
STINKTREE [Memphis]
VILLAGE

Carl Larsen – Contributions to Periodicals

>> return to CARL LARSEN main page >>

SECTION C:
This index includes contributions to periodicals; entries within years are listed alphabetically


1956

1. NEW ATHENAEUM, No. 1, edited by Will Tullos
Lake Como: New Athenaeum Press, Summer 1956
Larsen contribution: “I Heard a Woman Weeping” [poem]




2. THE ARCHER, Vol. 6, No. 3, edited by Wilfred Brown and Elinor Henry Brown *
North Hollywood: The Archer, Autumn/Winter (Dec) 1956
Larsen contribution: “I Walked with the Rain” [poem]



3. COASTLINES, Vol. 2, No. 2, Issue 6, edited by Mel Weisburd
Los Angeles: Coastlines, Winter 1956
Larsen contribution: “Auto Da Fe” [poem]





4. EPOS, Vol. 8, No. 2, edited by Evelyn Thorne and Will Tullos
mags_epos0802Lake Como: Epos, Winter 1956
Larsen contribution: “I Cannot Live” [poem]






1957

5. ARK, No. 3, edited by James Harmon
San Francisco: Ark, Winter 1957
Larsen contribution: “The Work of Hands: 8” [poem], “The Work of Hands: 11” [poem]




6. COASTLINES, Vol. 3, No. 1, Issue 9, edited by Mel Weisburd
Hollywood: Coastlines, Winter 1957-58
Larsen contribution: “Letter to Clarence Major” [prose]




7. DANSE MACABRE, Vol. 1, No. 1, edited by R.T. Baylor *
Manhattan Beach: Danse Macabre, 1957
Larsen contribution: “The Children Are Watching” [poem]




8. EMERGENT, Vol. 1, No. 1, edited by James M. Singer Jr.
Gardena: Henny Penny Press, Winter 1957
Larsen contribution: “An Account to the Best of My Memory of the Strange and Interesting Events Which Took Place on October 7” [prose]



9. THE FREE LANCE, Vol. 4, No. 2, edited by Adelaide Simon
Cleveland: The Free Lance, Last Half 1957
Larsen contribution: “The Right to Stand in Line” [poem], “Eating Subgum War Mein” [poem]




10. HEARSE, No. 1, edited by E. V. Griffith
Eureka: Hearse Press, 1957
Larsen contribution: “Prelude to the Big Blast” [poem]




11. THE NAKED EAR, No. 2, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
Larsen contribution: “Summer Song #2” [poem], “Song to Be Sung to the Tuna” [poem]




12. THE NAKED EAR, No. 5, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
Larsen contribution: “Patterns on a Sea Wall #32” [poem]




13. THE NAKED EAR, No. 8, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
Larsen contribution: “The Work of Hands: 7” [poem]




14. NEON, No. 3, edited by Gilbert Sorrentino
Brooklyn: Neon Magazine, 1957
Larsen contribution: “Three Rather Obvious Images from the Penultimate Morning” [poem], “Not Us We Love the Dirty ‘…’s”, ” [poem], “Pastels in Smoke and Liquid” [poem], “The Big Hoop-Hoop at 38th Street” [prose]

15. SIMBOLICA, No. 15, edited by Ignace Ingianni
San Francisco: Simbolica, (1957)
Larsen contribution: “Rondeau #3” [poem], “Rondeau #5” [poem], “Rondeau #7” [poem], “Rondeau #9” [poem]




1958

16. THE COERCION REVIEW, No. 1, edited by Clarence Major
Chicago: Coercion, Summer 1958
Larsen contribution: “I Lay My Dying Children” [poem]




17. EPOS, Vol. 9, No. 4, edited by Evelyn Thorne and Will Tullos
Lake Como: Epos, Winter 1958
Larsen contribution: “Mss. Found in a Baby” [poem]




18. HEARSE, No. 3, edited by E. V. Griffith
mags_hearse03Eureka: Hearse Press, 1958
Larsen contribution: “Contemporary Silence” [poem]




19. THE MISCELLANEOUS MAN, No. 14, edited by William J. Margolis
San Francisco: The Miscellaneous Man, 1958
Larsen contribution: “Square Like The World” [prose], “Contemporary Impression No. 1” [poem], “Contemporary Impression No. 6” [poem],  “Contemporary Impression No. 9” [poem]

20. WHETSTONE, Vol. 3, No. 1, edited by Jack Lindeman *
Philadelphia: Whetstone, 1958
Larsen contribution: “Salvation” [poem]


1959

21. THE COERCION REVIEW, No. 2, edited by Clarence Major
Chicago: Coercion, Spring 1959
Larsen contribution: “Ode to a Model 403 IBM Accounting Machine” [poem]




22. EPOS, Vol. 11, No. 1, edited by Evelyn Thorne and Will Tullos
Crescent City: Epos, Fall 1959
Larsen contribution: “The Transient Heart” [poem]





23. GALLOWS, No. 1, Jon T. Griffith
mags_gallows01Eureka, Octo­ber 1959
Larsen contribution: “Contemporary Impression #4” [poem]




24. WHITE DOVE REVIEW, Vol. 1, No. 3, edited by Ron Padgett
Tulsa: White Dove Press, 1959
Larsen contribution: “Crap and Cauliflower” [poem]





1960

25. COASTLINES, Vol. 4, Nos. 2-3, Issue 14-15, edited by Gene Frumkin
mags_coastlines1415Los Angeles: Coastlines, Spring 1960
Larsen contribution: “Memo from an Untidy Little Universe: 1” [poem], “Memo from an Untidy Little Universe: 2” [poem]



26. ELEMENT, Vol. 1, No. 1, edited by Robert Vaughan
Glendora: Element, 1960
Larsen contribution: “Suspend This Instant” [poem]




27. IMPETUS, No. 4, edited by Guy Owen and William E. Taylor
Deland: Stetson University, Summer 1960
Larsen contribution: “Needle”  [poem], “And Weeping with the Sea” [poem]




28. INLAND, Vol. 3, No. 3, edited by John Rackham
Salt Lake City: Inland, Winter 1960
Larsen contribution: “Death of a Single Thing” [poem]




29. NOMAD, No. 5-6, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Winter-Spring 1960
Larsen contribution: “A Modest Proposal or Nabokov’s Folly” [prose], “The Death of Johnny Peyote, from a novel-in-progress” [prose]



30. NOMAD, No. 7, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Summer 1960
Larsen contribution: “This End of the Sky: 5” [poem]




31. QUICKSILVER, Vol. 13, No. 1, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth : Quicksilver, Spring 1960
Larsen contribution: “I Ask to Lay My Soul” [poem]





32. QUICKSILVER, Vol. 13, No. 3, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth, Autumn 1960
Larsen contribution: “We Climb to Blank the Stars” [poem]




33. SAN FRANCISCO REVIEW, Vol. 1, No. 4, edited by R. H. Miller *
San Francisco: San Francisco Review, March 1960
Larsen contribution: “This End of the Sky: 3” [poem], “In Memory of Civilization” [poem]




34. SIMBOLICA, No. 18, edited by Ignace Ingianni
San Francisco: Simbolica, (1960)
Larsen contribution: “To the Negro Castrated for Looking at Scarlet O’Hara”




35. WHITE DOVE REVIEW, Vol. 2, No. 5 , edited by Ron Padgett
Tulsa: White Dove Press, Summer 1960
Larsen contribution: “An Age of Winter” [poem]






1961

36. BEATITUDE/EAST, No. 17, edited by C.V.J. Anderson
New York: Beatitude Press, 1961
Larsen contribution: “Patterns on a Sea Wall: 13” [poem],  “Patterns on a Sea Wall: 14” [poem], “Patterns on a Sea Wall: 15” [poem], “Patterns on a Sea Wall: 16” [poem], “Patterns on a Sea Wall: 17” [poem], “Patterns on a Sea Wall: 18” [poem], “Patterns on a Sea Wall: 19” [poem], “Patterns on a Sea Wall: 21” [poem]

37. THE BELOIT POETRY JOURNAL, Vol. 11, No. 3, edited Chad Walsh *
Beloit: The Beloit Poetry Journal, Spring 1961
Larsen contribution: “Attack of the Giant Gnats” [poem]

38. THE FIDDLEHEAD, No. 47, edited by A.G. Bailey *
Fredericton: The Fiddlehead, Winter 1961
Larsen contribution: “The Work of Hands” [poem]

39. THE FREE LANCE, Vol. 6, No. 2, edited by Casper L. Jordan
Cleveland: The Free Lance, 1961
Larsen contribution: “God-love-country-mother-home” [poem]




40. THE GALLEY SAIL REVIEW, Vol. 3, No. 2, edited by Stanley McNail *
San Francisco: The Galley Sail Review, Fall 1961
Larsen contribution: “After the First Bombing” [poem]

41. LOST WORLD, No. 2, edited by Lorenzo Thomas
New York: Lost World, 1961
Larsen contribution: “The Sea at Times” [poem], “The Descent of Solomon” [poem]




42. MIDWEST, No. 2, edited by R.R. Cuscaden
mags_midwest02Chicago: Midwest, Summer 1961
Larsen contribution: “Contemporary Impression: 11” [poem]




43. MUTINY, Vol. 3, No. 3, edited by Jane Esty and Paul Lett
Northport: Mutiny Press, Summer 1961
Larsen contribution: “From our Far-Flung Agents”





44. QUICKSILVER, Vol. 13, No. 3, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth, Autumn 1961
Larsen contribution: “The Moral Observations of Edward Reed: 6” [poem]




45. SIMBOLICA, No. 20, edited by Ignace Ingianni
Tiburon: Simbolica, (1961)
Larsen contribution: “Notes for the Beginning of Things: 1” [poem]




46. SUN, No. 1, edited by Tracy Thompson
mags_sun01San Francisco: Sun, 1961
Larsen contribution: “The Sky Desterted” [poem]




47. TARGETS, No. 5, edited by W.L. Garner
Albuquerque, April 1961
Larsen contribution: “Bill, Feat Not Halitosis” [poem]




48. THE WORMWOOD REVIEW, Vol. 1, No. 4, Issue 4, edited by Marvin Malone
Storrs: The Wormwood Review, 1961
Larsen contribution: “There is a Little Balloon Coming out of My Head” [poem], “On a Hill Far Away Stood an Old Rugged Cha-Cha-Cha” [poem]




1962

49. BRAND X, No. 7, edited by Carl Larsen
New York: 7 Poets Press, July 1962
Larsen contribution: “In Unscheduled Ascent” [poem]




50. BRAND X, No. 10, edited by Carl Larsen
New York: 7 Poets Press, October 1962
Larsen contribution: “Poem Entitled October’s Bright Blue Weather” [poem], “The Good Folks Come to Burn Thee” [poem]



51. COASTLINES, Vol. 5, No. 3, Issue 19, edited by Curtis Zahn
Santa Monica: Coastlines, 1962
Larsen contribution: “O The Moon Shines Bright, It’s Radioactive” [poem]




52. LIBERATION, Vol. 6, No. 11, edited by Dave Dellinger
New York: Libertarian Press, January 1962
Larsen contribution: “The Work of Hands: 3” [poem]




53. OUTCRY, No. 1, edited by Lee Hollane and C.P. Galle
mags_outcry010Washington D.C.: Poet’s Press, July 1962
Larsen contribution: “excerpts from The Book of Eric Hammerscoffer”




54. THE WORMWOOD REVIEW, Vol. 2, No. 3, Issue 7, edited by Marvin Malone
Storrs: The Wormwood Review, October 1962
Larsen contribution: “How I Got to Be 28 Years Old and All My Friends are a Success Except Me”, “Larsen’s Decameron”, “Clyde and Martha”




1963

55. BLACK CAT REVIEW, No. 2, , edited by Neeli Cherry
San Bernardino: The Cherry Press, March 1963
Larsen contribution: “Fugue for Tracy Thompson” [poem]




56. SCIAMACHY, No. 5, edited by Millea Levin
mags_sciamachy05Winnetka: Sciamachy, 1963
Larsen contribution: “An Apology, a Face for Granted” [poem] 




57. SCIMITAR AND SONG, Vol. 26, No. 4, edited by Lura Thomas McNair
Sanford: Scimitar and Song, October 1963
Larsen contribution: “Let Us Believe Together This” [poem]




58. THE WORMWOOD REVIEW, Vol. 3, No. 1, Issue 9, edited by Marvin Malone 
Storrs: The Wormwood Review, 1963
Larsen contribution: “How I Discovered The Secrets of Nature and Met My Sad End Alas” [poem], “The Giant Gnats at the Hungry I” [poem]



59. THE WORMWOOD REVIEW, Vol. 3, No. 3, Issue 11, edited by Marvin Malone 
Storrs: The Wormwood Review, 1963
Larsen contribution: special center-section titled Carl Larsen’s The Stainless Steel Incubus, in two parts: “Advertisement for an Android” [poem], “Leah” [poem]


60. THE WORMWOOD REVIEW, Vol. 3, No. 4, Issue 12, edited by Marvin Malone 
Storrs: The Wormwood Review, 1963
Larsen contribution: “Anonymous  Note, Among Camellias” [poem]





1964

61. COFFIN, No. 1, edited by E.V. Griffith
Eureka: Hearse Press, 1964
Larsen contribution: “Notes for The Beginning of Things: 4” [poem]




62. FERMENT, No. 4, edited by Joel Climenhaga *
Canton: Transient Press, July 1964
Larsen contribution: “Clyde and Martha (The Aging Beatniks)” [poem]

63. FERMENT, No. 5, edited by Joel Climenhaga *
Canton: Transient Press, October 1964
Larsen contribution: “Notes from Ground Zero” [poem]

64. JACARANDA, No. 4, edited by Joel Climenhaga *
Canton: Transient Press, December 1964
Larsen contribution: “The Toad King” [poem], “And no Concentric Crumbling Pyramid” [poem], “Upon Entering a Coffee House…” [poem], “Clyde and Martha (The Aging Beatniks)” [poem], “In Defense of the Senate Bill…” [poem]

65. GRIST, No. 4, edited by Robert Rusk and John Fowler
Lawrence: Abington Book Shop, December 1964
Larsen contribution: “Stand Back, Fellas; Let Me Beat That Poor Dead Horse Awhile” [poem]



66. KAURI, No. 5, edited by Will Inman
New York: Kauri, November- December 1964
Larsen contribution: “Life Cycle and Economy” [poem], “Theme Song Cheer Chant for July 4th 1964” [poem], “The Shelter” [poem]



67. THE MARRAHWANNA QUARTERLY, Vol. 1, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1964
Larsen contribution: “Clyde and Martha” [poem], “Slumscapes: 4” [poem]




68. OLE, No.1, edited by Douglas Blazek
Bensenville: The Mimeo Press, 1964
Larsen contribution: “Mss. Found Attached to a Harp-String Hanging from the Sky” [prose]




69. THE WORMWOOD REVIEW, Vol. 4, No. 1, Issue 13, edited by Marvin Malone
Storrs: The Wormwood Review, 1964
Larsen contribution: “Homage to Yevtushenko” [poem]




70. THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 15, edited by Marvin Malone
Storrs: The Wormwood Review, 1964
Larsen contribution: “The Way to a Woman’s Heart: An Exploratory Operation” [poem]





1965

71. BLACK CAT REVIEW, No. 3, edited by Neeli Cherry *
San Bernardino: The Cherry Press, June 1965
Larsen contribution: “Dock Dialogue” [poem]

72. INPUT, Vol. 2, No. 1, Issue 5, edited by Peter Salmansohn and Frank Roth
Valley Stream: Input, Spring 1965
Larsen contribution: “A River, Running to The Sea” [poem]




73. KAURI, No. 11, edited by Will Inman
New York: November-December, 1965
Larsen contribution: “Addenda to a Subway Sign” [poem]




74. SIMBOLICA, No. 24, edited by Ignace Ingianni
Tiburon: Simbolica, (1965)
Larsen contribution: “The Big Little White Bug Caper of Yesterday Afternoon” [prose], “The Red and the Black” [poem], “Open Letter to Provincetown, Mass.” [poem]


75. THE SPERO, Vol. 1, No. 1, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1965
Larsen contribution: “Meet Miss Subways” [prose]





76. THE WORMWOOD REVIEW, Vol. 5, No. 2, Issue No. 18, edited by Marvin Malone
Storrs: The Wormwood Review, 1965
Larsen contribution: “The Memoirs of the Most Successful 30 Year Old Model Boat Builder in the Whole Universe” [prose]



77. THE WORMWOOD REVIEW, Vol. 5, No. 3, Issue No. 19, edited by Marvin Malone
Storrs: The Wormwood Review, 1965
Larsen contribution: “A Little Play on Words Which I Have Modestly Entitled: Hamlet Prince of Denmark” [prose], “Memo to Bukowski” [poem], “Poem Entitled Untitled Poem” [poem]



1966

78. THE EIGHT PAGER, Series One, Part Four, edited by D.r. Wagner
Niagara Falls: Press Today Niagara, 1966
Larsen contribution: “Telethong” [poem]





79. ENTRAILS, No. 1, edited by Gene Bloom
New York: Whisper Shit Press, July 1966
Larsen contribution: “Dick and Jane at the Seashore, or Confessions of an Eternal Compulsion Engine” [prose]



80. HIKA, Vol. 28, No. 3, edited by Michael K. Berryhill and Michael Kirchberger
Gambier: Kenyon College, Spring-Summer 1966
Larsen contribution: “Wild Animals Couldn’t Keep Me Away from Africa: The Life and Hard Times of a Poem-Writer” [prose], “Tide Rising” [poem]



81. KAURI, No. 12, edited by Will Inman
New York: January-February, 1966
Larsen contribution: “Unwinding Walls” [poem]





82. KAURI, No. 15, edited by Will Inman
New York: Kauri, July-August 1966
Larsen contribution: “Text of the President’s Christmas Message as Reprinted from The New York Times, Dec. 25, 1995” [prose]



83. KAURI, No. 16, edited by Will Inman
New York: Kauri, Sep – Oct 1966
Larsen contribution: “Memo: Commit Suicide & See Pg. 1 of Notes” [prose]




84. THE MARY JANE QUARTERLY, Vol. 2, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1966
Larsen contribution: “Fractions of Light and Water, Fractions of Flesh” [poem]




85. THE SPERO, Vol. 1, No. 2, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1966
Larsen contribution: “The World is Made of Snow” [prose]




86. THE WORMWOOD REVIEW, Vol. 6, No. 4, Issue No. 24, edited by Marvin Malone
Storrs: The Wormwood Review, 1966
Larsen contribution: “Eddie Reed and His Radio Rangers” [poem]





1967

87. CONGRESS, No.2, edited by Sam Seiffer
New York: Congress, 1967
Larsen contribution: “From This Familiar Room” [poem]





1972

88. THE WORMWOOD REVIEW, Vol. 12, No. 3, Issue 47, edited by Marvin Malone
Stockton: The Wormwood Review, 1972
Larsen contribution: “Red Cross” [poem], “Third Rail” [poem]





1975

89. SAMISDAT, Vol. 6 No. 4, Issue 15, edited by Merritt Clifton
Berkeley: Samisdat, Autumn 1975
Larsen contribution: “Idols” [prose]





90. SMALL PRESS REVIEW, Vol. 7, Nos. 10-11, Issue 34-35, edited by Len Fulton *
Paradise: Dust Books, Nov-Dec 1975

91. THE WORMWOOD REVIEW, Vol. 15, No. 2, Issue 58, edited by Marvin Malone
Stockton: The Wormwood Review, 1975
Larsen contribution: “Love Among The Silverware” [poem], “Road to Mecca” [poem]





1977

92. THE WORMWOOD REVIEW, Vol. 17, Nos. 1-2, Issues 65-66, edited by Marvin Malone
Stockton: The Wormwood Review, 1977
Larsen contribution: “Sands of Sorrow” [play]






1979

93. CENTER, No. 12, edited by Carol Bergé
Albuquerque: Center, 1979
Larsen contribution: “from: In The Museum of Oddities” [prose]




[* not in archive]

Charles Bukowski: Contributions to Periodicals, 1970-1979

>> return to CHARLES BUKOWSKI main page >>

SECTION D-2:
This index includes contributions to periodicals of poems and stories from 1970 to 1979*.

* Note: This is a work in progress and as such the sequence within years is alphabetical until more data is available

– – – 1970 – – – >

ADAM, Vol. 14, No. 2 (1970)

ADAM, Vol. 14, No. 7 (1970)

CALIFORNIA LIBRARIAN, Vol. 31, No. 4, edited by Don Kunitz
Sacramento: California Librarian, October 1970
“The Poetry Reading”
[library photocopy]




CANDID PRESS (1970)

CHICAGO REVIEW, Vol. 22, No. 1, edited by Harry Foster
mags_chicago2201Chicago: Chicago Review, Autumn 1970
“All Right, so Camus Had to Give Speeches before the Academies and Get His Ass Killed in a Car-Wreck”, “The Old Woman”



COTYLEDON, No. 2
Traverse City: Coyteldon Press, 1970
“A Hero’s Death”, “A Little Bit of Excitement”, “An Interesting Night”, “Robert Ryan: American Matador”, “Song”, “The Virgins of The Bulls”, “Those Sons of Bitches”

EPOS, Vol. 22, No. 2, edited by Will Tullos and Evelyn Thorne
mags_epos2202Crescent City: Epos, Winter 1970-71
“Blues Song”





EVERGREEN REVIEW, Vol. 14, No. 74, edited by Barney Rosset
New York: Evergreen Review, January 1970
“The Day We Talked about James Thurber”

EVERGREEN REVIEW, Vol. 14, No. 79, edited by Barney Rosset
New York: Evergreen Review, June 1970
“Soup, Cosmos and Tears”

FLING (1970)

GHOST DANCE, No. 12, edited by Hugh Fox
mags_ghostdance12East Lansing: Ghost Dance Press, (1970)
“The Poet’s Muse”





HEARSE, No. 14, edited by E. V. Griffith
Eureka: Hearse Press, 1970
“Sheets”





JEOPARDY, Vol. 6, edited by Carl Waluconis
mags_jeopardy06Bellingham: Jeopardy, March 1970
“The White Poets”, “The Black Poets”, “Excerpts from Short Non-Moon Shots to Nowhere”




KNIGHT, Vol. 7, No. 12
Los Angeles: Sirkay Publishing, 1970
“The Great Zen Wedding”

KNIGHT, Vol. 8, No. 5
Los Angeles: Sirkay Publishing, September 1970
“Nut Ward Just East of Hollywood”

KNIGHT, Vol. 8, No. 7
Los Angeles: Sirkay Publishing, 1970
“Registered Letter” (excerpt from Post Office)

NOLA EXPRESS, No. 45
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 49
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 54
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 55
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 57
New Orleans: Southern Louisiana Media Corp., Jun 12 to 27, 1970
“New Mexico”

NOLA EXPRESS, No. 60
New Orleans: Southern Louisiana Media Corp., 1970
“Love it or Leave it”

NOLA EXPRESS, No. 61
New Orleans: Southern Louisiana Media Corp., 1970
“All the Pussy We Want”

NOLA EXPRESS, No. 62
New Orleans: Southern Louisiana Media Corp., Aug 21-Sep 3, 1970
“Six Inches”

NOLA EXPRESS, No. 63
New Orleans: Southern Louisiana Media Corp., Sep 4-17, 1970
“I Think of the Little Men”

NOLA EXPRESS, No. 64
New Orleans: Southern Louisiana Media Corp., Sep 18-Oct 1, 1970
“An Evil Town”

NOLA EXPRESS, No. 67
New Orleans: Southern Louisiana Media Corp., 1970
“The Loner”

NOLA EXPRESS, No. 68
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 69
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 70
New Orleans: Southern Louisiana Media Corp., 1970
“The White Beard”

NORTON ANTHOLOGY OF POETRY (1970)

NOTES FROM UNDERGROUND, No. 3, edited by John Bryan
San Francisco: Underground Press, 1970
“Should We Burn Uncle Sam’s Ass?”

WHAT THERE IS LEFT TO UNDERSTAND ABOUT A LIGHT THAT IS NOT ABLE TO BE THERE
Sacramento: Runcible Spoon 1970
“Dooby Do Do Do”, “Shoot The Goat Through The Head And Paint The Bones Green”, “The Shit Shits”, “The Vast Area Of Space Nothingness With With Snakes Crawling Through You And Everything”

SOUNDINGS, Vol. 2, No. 1, edited by Donald E. Fitch
mags_soundings0201Santa Barbara: University of California, May 1970
“The Miracle”, “The Immortal Bombs, The Stinking Feet of God be Quiet”, “The Flower Lover”




SOUTHERN CALIFORNIA LIT SCENE, Vol. 1, No. 1, edited by William J. Robson
mags_socallit0101Long Beach: Southern California Lit Scene, December 1970
“The Wailing Wall”




STATEMENT, No. 28, edited by Roger Margolis
mags_statement28Los Angeles: California State College, May 1970
“On to Rome”





STEPPENWOLF, No. 4, edited by Philip Boatright
mags_steppenwolf04Omaha: Steppenwolf, Autumn, 1970
“Quits”





STOOGE, No. 5, edited by Laura Chester and Geoffrey Young
Oconomowoc Lake: Stooge, 1970
“An Answer to a Critic of Sorts”

WORMWOOD REVIEW, , Vol. 10, No. 1, Issue 37, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“One More Good One. Why Not?”, “Moonlight Ride”




WORMWOOD REVIEW, Vol. 10, No. 4, Issue 38, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“Down Like Stairways, Up Like Smoke”, “Another Academy”




WORMWOOD REVIEW, , Vol. 10, No. 4, Issue 39, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“A Correction To A Lady Of Poetry”, “A Warm Afternoon Just Off Sunset Boulevard”, “Boil Near Left Elbow”, “Yes”



WORMWOOD REVIEW, Vol. 10, No. 4, Issue 40, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“16 Jap Machine Gun Bullets”, “When All The Animals Lie Down”




– – – 1971 – – – >

ABYSS, Vol. 3, No. 1 (1971)

ADAM, Vol. 15, No. 3 (1971)

ADAM, Vol. 15, No. 5 (1971)

ADAM, Vol. 8, No. 11 (1971)

BEAR, No. 1, edited by A. P. Russo
Los Angeles: Bear,  1971
“The Answer”, “The Flu”

CRAZY HORSE, No. 9
Marshall: Southwest Minnesota State College, 1971
“That One”

EAST VILLAGE OTHER, Vol. 6, No. 11
New York: East Village Other Inc, 1971
“Swastika”

FLING, (1971)

FLING, (1971)

FLING, Vol. 14, No. 4 (1971)

FLING, Vol. 14, No. 5 (1971)

HALF N’ HALF, (1971)

HANGING LOOSE, No. 15
Brooklyn: Hanging Loose Press, 1971
“A Threat to My Immortality”, “The Garbageman”

HARRISON STREET REVIEW, No. 2 (1971)

HEARSE, No. 15, edited by E. V. Griffith
Eureka: Hearse Press, 1971
“The End of The Funhouse”, “Vallejo”

INTREPID, No. 18/19, edited by Allen De Loach
Buffalo: Intrepid Press, 1971
“A Blurb”, “That Liberating Moment”

INVISIBLE CITY, No. 1, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“5 Men in Black Passing My Window”, “Ah”, “Here”, “Rolled Again”, “Songs of Death”, “Style”, “The Bums at Phillipe’s”, “The Last Days of The Suicide Kid”, “You Might As Well Kiss Your Ass Goodbye”, “Zoo”

INVISIBLE CITY, No. 2, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“A Most Dark Night In April”, “Drinking”, “Last Act”, “The American Flag Shirt”, “Upon 2 Deaths”

INVISIBLE CITY, No. 3, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“2 Carnations”, “Pleasure Song”, “The Shower”, “The Writer”

LAUGH LITERARY AND MAN THE HUMPING GUNS, Vol. 1, No. 3, edited by Charles Bukowski and Neeli Cherry
Los Angeles: Hatchetman Press, 1971
“Bukowski To Cherry”, “The Time I Knocked Out Ernest Hemingway And Was Discovered As A New Literary Giant”

LEMMING, No. 1 (1971)

MADRONA, No. 2, edited by J.K. Osborne, John Levy, and Vassilis Zambaras
Seattle: Gemini Press, 1971
“The Best Love Poem I Can Write at the Moment”

MANO MANO, No. 2, edited by Larry Lake
Denver, Colorado: Bowery Press, 1971
“Girl In A Miniskirt Reading The Bible Outside My Window”, “Ha Ha Ha Ha Ha, Ha Ha”, “The Angels Of Sunday”

MEATBALL, No. 8 (1971)

MEDITERRANEAN REVIEW, Vol. 1, No. 3, edited by Robert DeMaria
Orient: Mediterranean Review, 1971
“Poem For An X-Bank Clerk”, “The Wine And The Cantos”

NEW YORK QUARTERLY, No. 7 (1971)

NEW YORK QUARTERLY, No. 8 (1971)

NOLA EXPRESS, No. 71
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 73
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 77
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 78
New Orleans: Southern Louisiana Media Corp., Apr 1-15, 1971

NOLA EXPRESS, No. 81
New Orleans: Southern Louisiana Media Corp., 1971

PIX, Vol. 3 (1971)

PULSE, No. 4, edited by Norm Moser
Santa Fe: Illuminations Press, Summer-Fall 1971
“A Need For Glue”, “Cancer Of The Eyeball”, “The Grammar Of Life”

QUETZAL, Vol. 1, No. 3 (1971)

ROGUE, No. 29 (1971)

SECOND AEON, No. 13, edited by Peter Finch
Cardiff: Second Aeon Publications, 1971
“Poem For Dante”, “Slim Killers”, “The Conditions”

THE MT. ALVERNO REVIEW, (1971)

THE SERIF, Vol. 8, No. 4, edited by Alex Glidzen and Dean H. Keller
Kent: Kent State University, 1971
“Untitled Essay on d.a. levy”

THROB, No. 1, edited by F. A. Nettlebeck
Manhattan Beach: Horsehead Nebula Press, 1971
“Bug”, “Summer”, “The Elephants”

THROB, No. 2, edited by F. A. Nettlebeck
Manhattan Beach: Horsehead Nebula Press, 1971
“Charles Bukowski Answers 10 Easy Questions”

UNMUZZLED OX, Vol. 1, No. 1, edited by Michael Andre
New York: Unmuzzled Ox, 1971
“Poem”, “Tragedy Is My Bacon”

VAGABOND, No. 10, edited by John Bennett
San Francisco: Vagabond Press, 1971

VAGABOND, No. 11, edited by John Bennett
San Francisco: Vagabond Press, 1971

VAGABOND, No. 12, edited by John Bennett
Redwood City: Vagabond Press, 1971

WORMWOOD REVIEW, No. 41 (1971)

WORMWOOD REVIEW, No. 42 (1971)

WORMWOOD REVIEW, No. 43 (1971)

WORMWOOD REVIEW, No. 44 (1971)

– – – 1972 – – – >

ADAM, Vol. 16, No. 1 (1972)
AMPHORA, No. 8 (1972)
ANTHOLOGY OF L.A. POETS, (1972)
BACHY, Vol. 1, No. 1 (1972)
BALONEY STREET, No. 3/4 (1972)
BALONEY STREET, No. 3/4 (1972)
BARTLEBY’S REVIEW, Vol. 1, No. 1 (1972)
CALIFORNIA STATE POETRY SOCIETY QUARTERLY, Vol. 1, No. 2 (1972)
CHICAGO REVIEW, Vol. 24, No. 3 (1972)
CORDUROY, Vol. 1, No. 3 (1972)
DOGTOWN, No. 1 (1972)
EVENT, Vol. 1, No. 3 (1972)
EVENT, Vol. 2, No. 1 (1972)
EVENT, Vol. 2, No. 2 (1972)
FERVENT VALLEY, No. 1 (1972)
FERVENT VALLEY, No. 2 (1972)
FLING, No. 3 (1972)
FLING, No. 5 (1972)
FLING, Vol. 14, No. 6 (1972)
HALF N’ HALF, (1972)
HARRISON STREET REVIEW, No. 3 (1972)
HEARSE, No. 17 (1972)
INTREPID, No. 23/24 (1972)
INVISIBLE CITY, No. 4 (1972)
INVISIBLE CITY, No. 7 (1972)
KNIGHT, Vol. 9, No. 7 (1972)
LOS ANGELES FREE PRESS, (1972)
LOS ANGELES FREE PRESS, (1972)
MAG, No. 2 (1972)
MAG, No. 4 (1972)
MAGAZINE, No. 5 (1972)
MINDSCAPES, (1972)
NEW YORK QUARTERLY, No. 10 (1972)
NEW YORK QUARTERLY, No. 12 (1972)
NEW YORK QUARTERLY, No. 9 (1972)
NOLA EXPRESS, No. 103 (1972)
NOLA EXPRESS, No. 104 (1972)
NOLA EXPRESS, No. 108 (1972)
NOLA EXPRESS, No. 113 (1972)
NOLA EXPRESS, No. 115 (1972)
NOLA EXPRESS, No. 116 (1972)
NOLA EXPRESS, No. 117 (1972)
NOLA EXPRESS, No. 119 (1972)
NOLA EXPRESS, No. 99 (1972)
PEBBLE, No. 9 (1972)
PIX, Vol. 4, No. 5 (1972)
PIX, Vol. 4, No. 7 (1972)
PIX, Vol. 4, No. 8 (1972)
PURE SMUTTE, No. 1 (1972)
SAN FRANCISCO BOOK REVIEW, No. 22 (1972)
SECOND AEON, No. 14 (1972)
SECOND AEON, No. 16/17 (1972)
SECOND COMING, Vol. 1, No. 2 (1972)
SECOND COMING, Vol. 1, No. 3 (1972)
SILVER, (1972)
STONECLOUD, No. 1 (1972)
THE, No. 13 (1972)
THE LITTLE MAGAZINE, Vol. 6, No. 1 (1972)
THE LITTLE MAGAZINE, Vol. 6, No. 2 & 3 (1972)
THE VENICE POETRY COMPANY PRESENTS, (1972)
UNMUZZLED OX, Vol. 1, No. 2 (1972)
UNMUZZLED OX, Vol. 1, No. 4 (1972)
VAGABOND, No. 13 (1972)
VAGABOND, No. 15 (1972)
WORMWOOD REVIEW, No. 45 (1972)
WORMWOOD REVIEW, No. 46 (1972)
WORMWOOD REVIEW, No. 47 (1972)
WORMWOOD REVIEW, No. 48 (1972)

THE SAN FRANCISCO CAPITALIST BLOODSUCKER-N

mags_capitalist

 

 

Published during the so-called “magazine wars” of the early 1960s, George Stanley’s THE SAN FRANCISCO CAPITALIST BLOODSUCKER-N lasted just one issue. Stan Persky, Lew Ellingham, and Gail Chugg edited M, gathering contributions from a box at  Gino & Carlo’s Bar in San Francisco’s North Beach. Richard Duerden was editing FOOT; with Ron Loewinsohn he was also editing THE RIVOLI REVIEW, produced in Duerden’s apartment on Rivoli Street in the Haight-Ashbury district. Loewinsohn and Richard Brautigan soon produced another magazine, CHANGE.

As Ron Loewinsohn recalled, “Everybody seemed to have access to a mimeograph machine. You could then put out your own magazine. This was marvelous: it meant instant publication, instant reaction from people.”

It wasn’t until 1964, that Stan Persksy’s OPEN SPACE took up the publishing necessary to the Jack Spicer circle and its friends…

further reading…

HEARSE, A VEHICLE USED TO CONVEY THE DEAD

Starting with the publication of HEARSE 1 in 1957, E. V. Griffith’s HEARSE PRESS would go on to publish 17 issues of the little magazine, a series of 18 chapbooks including Charles Bukowski’s mags_hearse01first, and COFFIN, a portfolio of broadsides. Among those published by HEARSE PRESS are Richard Brautigan, Charles Bukowski, Judson Crews, Russell Atkins, Mason Jordan Mason, Larry Eigner, Lawrence Ferlinghetti, Allen Ginsberg, Joel Oppenheimer, Paul Blackburn, Robert Creeley, LeRoi Jones, and many more.

According to Griffith in SHEAF, HEARSE, COFFIN, POETRY NOW: A HISTORY (Hearse Press, 1996):
“In format, HEARSE was a center-stapled booklet 5.5″ x 8.5″ page size; the wire staples which held the propensity for rusting. The Rhino Bristol cover stock ran through several different colors — blue, gray, green, yellow, and (much later) pink — with the name in buk_flowerblack ink. (A few issues varied this by using white cover stock, and a colored ink.) Its appearance owed much to — in fact, almost copied — Larsen’s EXISTARIA.” (more…)

Charles Bukowski: Miscellaneous Prose

>> return to CHARLES BUKOWSKI main page >>

SECTION E:
This index includes book and periodical appearances of letters, commentary, introductions, reviews, etc. in  the 1960’s: from Bukowski’s first book appearance to roughly the time that his work started being published in collected volumes by John Martin’s Black Sparrow Press; the period of time covered by Sanford Dorbin’s Bibliography.


1. NOMAD, No. 5/6, edited by Donald Factor and Anthony Linick
mags_nomad056Culver City, Winter-Spring I960
Bukowski contribution: “Manifesto: A Call For Our Own Critics” [commentary]
(Dorbin D11)



2. THE OUTSIDER, No. 1, edited by Jon Edgar & Gypsy Lou Webb
mags_outsider01New Orleans: Loujon Press, Fall 1961
Bukowski contribution: “Contributor’s Note” [commentary]
(Dorbin D17)



101. BLACK CAT REVIEW, No. 2, edited by Neeli Cherry
mags_blackcat01San Bernardino: The Cherry Press, March 1963
Bukowski contribution: “Yes, Cherry…” [letter], “Dear Neeli…” [letter]
(not in Dorbin)



119. RENAISSANCE, Vol. 1, No. 4, edited by John Bryan
San Francisco: Renaissance Publications, Winter, 1962
Bukowski contribution: “Peace, Baby, Is Hard Sell” [letter]
(Dorbin D18)


3. LITERARY TIMES, Vol. 2, No. 4, edited by Jay Robert Nash *
Chi­cago: Literary Times, March 1963
Bukowski contribution: “Charles Bukowski Speaks Out” [interview] (Dorbin D19)

4. THE OUTSIDER, Vol. 1, No. 3, edited by Jon Edgar & Gypsy Lou Webb
mags_outsider03
New Orleans: Loujon Press, Spring 1963
Bukowski contribution: “Dear Jon & Gypsy…”[letter], [letter], [letter] “Letters to The Editors from: Charles Bukowski”
(Dorbin D20-22)


5. MAINSTREAM, Vol. 16, No. 6, edited by R.R. Cuscaden
mags_mainstream1606New York City, June 1963
Bukowski contribution: “Little Magazines In America” [commentary]
(Dorbin D23)



6. LITERARY TIMES, Vol. 3, No. 4, edited by Jay Robert Nash *
Chi­cago: Literary Times, May 1964
Bukowski contribution: “Examining My Peers” [commentary]
(Dorbin D24)

7. LITERARY TIMES, Vol. 4, No. 2, edited by Jay Robert Nash *
Chi­cago: Literary Times, December 1964
Bukowski contribution: “Here’s What I Say” [interview]
(Dorbin D25)

7. MR. CLEAN AND OTHER POEMS by John William Corrington *
San Francisco: Amber House Press, 1964
Bukowski contribution: “Introduction”
(Dorbin D28)

8. FERMENT, No. 6, edited by Zoe Climenhaga *
Canton: Transient Press, June 1965
Bukowski contribution: “Lightning in a Dry Summer” [review of Corrington’s ANATOMY OF LOVE…]
(Dorbin D30)

9. KAURI, No. 10, edited by Will Inman
New York: n.p., September-October 1965
Bukowski contribution: “L.A. sept. 1965 hello Will Inman:…” [letter]
(Dorbin D31)

10. INTERMISSION, Vol. 1, No. 20, edited by Gene Cole *
Chicago: Hull House Theatre, October 1965
Bukowski contribution: “Dear Mr. Cole” [letter]
(Dorbin D32)

11. MY FACE IN WAX by Jory Sherman *
Chicago: Windfall Press, 1965
Bukowski contribution: “Introduction”
(Dorbin D33)

12. STEPPENWOLF, No. 1, edited by Susan Fromberg Schaeffer *
Winter 1965-66
Bukowski contribution: “Another Burial of a Once-Talent” [review of Corrington]
(Dorbin D34)

13. EARTH, No. 2, edited by Steve Richmond *
Santa Monica: Earth Books, 1966
Bukowski contribution: “In Defense of Poetry, a Certain Type of Life, a Certain Type of Blood-Filled Creature Who Will Someday Die” [commentary]
(Dorbin D35)

14. EL CORNO EMPLUMADO, No. 17, edited by Margaret Randall *
Mexico City: El Corno Emplumado, January 1966
Bukowski contribution: “Have been meaning to write…” [letter]
(Dorbin D36)

15. INTREPID, No. 8, edited by Allen de Loach *
Buffalo: Intrepid Press, June 1967
Bukowski contribution: “Letter from Charles Bukowski” [letter]
(Dorbin D55)

[* not in archive]

The Rivoli Review

The Rivoli Review, Vol. Zero, No. One, edited by Richard Duerden 
mags_rivoli01San Francisco: The Rivoli Review 1963

Side-stapled illustrated wrappers, 8.5″ x 11″, 24 pages, mimeograph printed. Cover illustration by Jess Collins.

Contributors:
Ford Madox Ford – “Meary Walker”
Robert Duncan – “Weaving the Design”
James Koller – [untitled] “mottled brown birds…”
Richard Duerden – “Seven: #2 La Martine Place”
Denise Levertov – “Hypocrite Women”
Lynn Lonidier – “Chagall and Bella”
Ron Loewinsohn – “Art for Art’s Sake”, “The Rain, The Rain”
Gerald Gilbert – [untitled] “Sunshine…”
Lorenzo Thomas – “Grass”, “West”
Robert Peterson – “Critical Times”
Ron Loewinsohn – “Fuck You Roger Maris”
Philip Whalen – “Plums, Metaphysics, An Investigation, A Visit and a Short Funeral Ode”
Ron Loewinsohn – “It is to be Bathed in Light”

The Rivoli Review, Vol. Zero, No. Two, edited by Richard Duerden 
mags_rivoli02San Francisco: The Rivoli Review 1964

Side-stapled illustrated wrappers, 8.5″ x 14″, 30 pages, mimeograph printed.


Contributors:
James Koller – “The People are Coming”
Ron Loewinsohn – “A Place to Go”
Jess Collins – “Song of the Pied Parrot”
Lew Brown – “from Lionel”
Deneen Brown – “Azalea Poem”
George Stanley – “Argus”
Robert Duncan – “Passages III”, “Passages 3-4”
Richard Duerden – “Silence, and Katharsis”
Lew Brown – “The Broadjump”, “from Lionel”
Jack Anderson – “The Scale of It”
Richard Duerden – “The Sonata”
Jack Anderson – “Man in a Doorway”
Gerard Malanga – “Final Sonnet XC”