Tag Archives: Philip Whalen

Lines

Fielding Dawson’s cover of LINES, No. 5, edited by Aram Saroyan, May 1965

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Lines

Edited by Aram Saroyan, six issues of Lines were published from New York City between September 1964 and November 1965.

1. LINES, No. 1, edited by Aram Saroyan
New York: Lines, September 1964
First edition, side-stapled in printed and illustrated card cover, 8.5″x 11″, 38 pages. Cover art by Aram Saroyan.

  • Contents:
    1. Louis Zukofsky – [untitled] “Can a mote of sunlight defeat its purpose”
      John Perreault – “Each Day”
      John Perreault – “Disguised”
      Ronald Bayes – “Passus 25: Branch Line”
      Ted Berrigan – “A Life in Trough (A Dream)”
      Jenni Caldwell – [untitled] “with the elaborate framework…”
      Jenni Caldwell – “Day”
      Jenni Caldwell – [untitled] “sometimes I think about…”
      Jenni Caldwell – [untitled] “that chair your chair…”
      Jenni Caldwell – “Admission”
      Jenni Caldwell – [untitled] “If her name offended…”
      Jenni Caldwell – [untitled] “i see you like a dissected…”
      Jenni Caldwell – [untitled] “there are not many times”
      Fielding Dawson – “Different People (II)”
      Joel Sloman – “The Casino”
      Joel Sloman – “Folk Song”
      Ronald Caplan – “4/64”
      Richard Kolmar – “Apples
      John Keys – “Key’s Cantos”
      John Keys – [untitled] “returning to some sources via”
      James Brodey – “Jacket for Years”
      James Brodey – “The Buffalo Report”
      Robert Grenier – “Old Blue Sneakers”
      Robert Grenier – “Tune for Beanie”
      Robert Grenier – “Dusk Road Game
      Robert Grenier – “A Sort of Plea”
      Leith Heagy – “Vanguard in Babylon”
      Ken Irby – “Visit”
      Lorenzo Thomas – “The Color Section”
      Lorenzo Thomas – “The Unnatural Life”
      Allen Katzman – “The Act of”
      Archie Minasian – “Beyond the Gage”
      Ted Greenwald – [untitled] “I hear a step…”
      Ted Greenwald – [untitled] “A taste of salt on my lips…”
      Ted Greenwald – [untitled] “Privets come into season…”
      Tony Towle – “World War II”
      Tony Towle – “The Life of the Emotions Has an Attractive Scheme”
      Aram Saroyan – “The Paradox”
      Aram Saroyan – “After Waking at Six P.M.”
      Aram Saroyan – “Bus Ride”

2. LINES, No. 2, edited by Aram Saroyan
New York: Lines, December 1964
First edition, side-stapled in printed and illustrated card cover, 8.5″x 11″, 38 pages. Cover art by Joe Brainard.

  • Contents:
    1. Ron Padgett – “Policeman Dan”
      Aram Saroyan – “N.Y.C.”
      Jonathan Greene – “Dancing all the While to William Kemp”
      Dick Gallup – “Some Feathers ”
      Jack Anderson – “Snorksnot (a play)”
      John Keys – “Chisellers Verse to George Washington Wakoski”
      Joe Brainard – “Story”
      Aram Saroyan – “My Arms are Warm”
      Fielding Dawson – “The Moving Men
      Rich Klein – “The Moon”
      Rich Klein – [untitled] “the fourth world/will…”
      Joe Brainard – “Colgate Dental Cream
      Kenneth Irby – “Slow Dance”
      Ted Berrigan – “Rusty Nails: A collected Prose for Tom Veitch”
      William Dodd – “The Assertion”
      Robert Grenier – “The Light”
      Philip Whalen – “Delusions of Reference”
      Jenni Caldwell – “Poem Dream”
      Ronald Bayes – “Passus 30: Portrait”
      Aram Saroyan – “Placitas to L.Z.”
      Joseph Ceravolo – “Monsters”
      Joseph Ceravolo – “Skies”
      Joseph Ceravolo – “Drunken Winter”
      Ron Padgett and Ted Berrigan – “Noh”
      John Perrault – “Boomerang”
      David Shapiro – “Other Friends”
      David M. Cull – “Vine Maple”
      Ron Padgett – “Poem after Reverdy”
      Ron Padgett – “Light in the Nineteeth Century”
      Fielding Dawson – “The Goddess for Gabe Kohn”
      Ted Greenwald – “Lapstrake”
      Richard Kolmar – “Fragments of a Diary”
      Aram Saroyan – “Is”
      Joel Sloman – “Jet to New York”
      Richard Kolmar – “The Song”

3. LINES, No. 3, edited by Aram Saroyan
New York: Lines, February 1964
First edition, side-stapled in printed and illustrated card cover, 8.5″x 11″, 50 pages.

  • Contents:
    1. Philip Whalen – “The Best of It”
      Dick Gallup – “After Alcman”
      Joe Brainard – “Polly”
      Aram Saroyan – “Work Poem”
      Aram Saroyan – “Old Poem”
      Aram Saroyan – “Aces”
      Aram Saroyan – “Well
      Aram Saroyan – “A & P”
      Aram Saroyan – [untitled] “Gray pants & the mail…”
      Aram Saroyan – “Go!”
      Dick Gallup – “Eskimos Again”
      Ted Berrigan – “Dick Gallup at 30 (A Play)
      Ted Berrigan – “Corridors of Blood”
      Larry Swingle – “The Cheese #1”
      Ted Greenwald – “Face Lifting”
      Ted Greenwald – “And, Hinges”
      Ted Berrigan – “An Interview with Ron Padgett
      Aram Saroyan and Richard Kolmar – “Stand Up”
      Richard Kolmar – “Denial”
      Richard Kolmar – “Aristophanes’”
      Richard Kolmar – “Amore Traditore”
      Ron Padgett – “Milkman Bill”
      Ted Berrigan – “Prayer”
      Kenward Elmslie – “Song”
      Kenward Elmslie – “The Verandas”
      Tony Towle – “Cable and Telephone”
      Tony Towle – “Poem”
      Lorenzo Thomas – “The Judgment of Paris”
      Lorenzo Thomas – “The Fall of Paris”
      Tom Veitch and William Burroughs – “The Naked Express”
      Ted Berrigan – “The Secret Life of Ford Madox Ford” [“Then I’d Cry”, “Stop Stop Six”, “Reeling Midnight”, “Fauna Time”, “Destination Moon”, “Some Troubles”, “On His Own”, “The Dance of the Broken Bomb”, “Putting Away”, “Owe”, “We Are Jungles”]
      Joe Brainard – “Sunday July the 30th 1964

4. LINES, No. 4, edited by Aram Saroyan
New York: Lines, March 1965
First edition, side-stapled in printed and illustrated card cover, 8.5″x 11″, 40 pages. Cover art by Richard Kolmar.

  • Contents:
    1. Ian Hamilton Finlay – [untitled] “A… blue boat…”
      Ian Hamilton Finlay – [untitled] “ring of waves…”
      Ian Hamilton Finlay – “Catch 23”
      Ian Hamilton Finlay – [untitled] “wind…”
      Ian Hamilton Finlay – “Tug at Bay”
      Ian Hamilton Finlay – [untitled] “Green Waters…”
      Ian Hamilton Finlay – “Landsman’s Tea”
      Ian Hamilton Finlay – “Fisherman’s Tea”
      Ian Hamilton Finlay – “The ABC of Tea”
      Ian Hamilton Finlay – “Funnel Geography”
      Fielding Dawson – “West Side Story”
      Aram Saroyan – “Had West followed up her fine opening lead by dropping”
      E. San Juan, Jr. – “Ballad of the Honeysuckle Rose”
      Aram Saroyan – “Lean”
      John Perreault – “Nothing”
      Tom Veitch – “The Moon Device”
      Richard Kolmar – “Letters to L. H.”
      Richard Kolmar – “This Should Pull Us”
      Joe Brainard – “Poem” [“Dance with me…]
      Ron Padgett – “An Idea that Clara Related to Wallace”
      Aram Saroyan – “Poem” [“Does it ring?”]
      Gerard Malanga – “Gateway to the Palace of Sargon”
      Richard Kolmar – “Sleep”
      Richard Kolmar – “Marion”
      Richard Kolmar – “Games”
      Richard Kolmar – “1234567890”
      Richard Kolmar – “Sentences”
      Richard Kolmar – “Live and Learn”
      Aram Saroyan – “Sentences”
      Aram Saroyan – “From the Village Voice to Ted Berrigan”
      Aram Saroyan – “Nice Ron Thinking”
      Aram Saroyan – [untitled] “My feet are tied to a pebble…”
      Aram Saroyan – [untitled] “Andre Breton is…”
      Aram Saroyan – “Two Poems”
      Aram Saroyan – [untitled] “Picture, if you can…”
      Aram Saroyan – [untitled] “WABC”
      Aram Saroyan – “Lovely”
      Aram Saroyan – [untitled] “O . O . O .”

5. LINES, No. 5, edited by Aram Saroyan
New York: Lines, May 1965
First edition, side-stapled in printed and illustrated card cover, 8.5″x 11″, 40 pages. Cover art by Fielding Dawson.

  • Contents:
    1. Aram Saroyan – “17 from Works”
      Jack Anderson – “Paper Clip”
      John Perreault – “Hatbox”
      Ron Padgett – “Nancy”
      William Burroughs – “Chlorhydrate d’Apomorpine Chabre”
      Charles Olson – “A Maximus” [“As of why thinking…”]
      Philip Whalen – [untitled] “Hum Scandal! Abdication…”
      Jonathan Greene – [untitled] “Chillingsworth…”
      Dan Saxon – “Fall Colors”
      Clark Coolidge – “The Death of Floyd Collins”
      Ron Padgett – untitled illustrations
      William Burroughs – “Rex Morgan M.D.”
      Ted Berrigan – “On the Road Again”
      Tom Clark – “Are Victors”
      Clark Coolidge – “Everley Formation”
      Aram Saroyan – “Sentences II”
      Dick Gallup – “Hygiene Sonnet”
      Bob Brovar – “Fleen pleen”
      Bob Brovar – “Guush-shee”
      Bob Brovar – “Flaanczongdoogy”
      Ted Greenwald – “Landscape”
      Fielding Dawson – “from The Dream”
      Lorine Niedecker – [untitled] “Lights lifts…”
      Lorine Niedecker – [untitled] “The obliteration…”
      Mike Silverton – “I Am A Silent One”
      Mike Silverton – “Seeing the Road”
      Aram Saroyan – “Sentences III”
      Mike Silverton – “The Sniper’s Song”

6. LINES, No. 6, edited by Aram Saroyan
New York: Lines, November 1965
First edition, side-stapled in printed card cover, 8.5″x 11″, 42 pages. Cover art by Fielding Dawson.

  • Contents:
    1. Aram Saroyan – “11 Works”
      John Perreault – “Here on the Edge of this Island”
      Ted Berrigan and Ron Padgett – “Saturday Night at the Movies”
      Clark Coolidge – “Flag Flutter & U.S. Electric”
      Bernadette Mayer – “Pope John”
      Joseph Ceravolo – [untitled] “How do you know when…”
      Joseph Ceravolo – [untitled] “Feast. Turtle. Wide arms…”
      Al Fowler – [untitled] “are you a root or a tendermint…”
      Vito Hannibal Acconci – “Blowstalk”
      Robert Viscusi – “An Edison on Messaien”
      David Sandberg – “Mime Play ”
      Robert Lax – [untitled] “no one was better…”
      Mike Silveron – “Cork”
      bp Nichol – “cycle #21”
      bp Nichol – “Tribute to Vasarely”
      Tom Clark – “oooooooooo”
      Dom Sylvester Houédard – [untitled] “sand rock tide…”
      Carl Fernbach – “Flarsheim”
      John Furnival – “Pisa”
      John Furnival – “The Fall of the Tower of Babel”
      John Furnival – “Devil Trap
      William Burroughs – “The Last Post – Danger Ahead”
      Ron Padgett and Joe Brainard – [untitled] “all roses are bad ideas”
      Domine Falcone – [untitled] “the girl with the fat lips…”
      Aram Saroyan – [untitled] “A”
      Joseph Pinelli – “Excerpts from Book I”

Online Resources:

· Eclipse Archive – Lines

· From a Secret Location – Lines

· Reality Studio – Lines Archive

Yugen

YUGEN, No. 3, edited by LeRoi Jones and Hettie Cohen.

Edited by Beat poet LeRoi Jones and Hettie Cohen, Yugen was devoted to “A New Consciousness in the Arts and Letters”. Bringing together the Beats, Black Mountain poets, and the New York School poets of the late 1950s, Yugen took its name from the Japanese aesthetic term meaning “a profound mysterious sense of the beauty of universe … and the sad beauty of human suffering.”

>> further reading >>

Yugen

Edited by Beat poet LeRoi Jones and Hettie Cohen, Yugen was devoted to “A New Consciousness in the Arts and Letters”. Bringing together the Beats, Black Mountain poets, and the New York School poets of the late 1950s, Yugen took its name from the Japanese aesthetic term meaning “a profound mysterious sense of the beauty of universe … and the sad beauty of human suffering.” Cohen, later Hettie Jones, had worked at the Partisan Review and brought with her a background in little-magazine design that gave Yugen an air of respectability and professionalism. The contents represented a new and untraditional approach to poetry. Jones and Cohen also founded Totem Press, which published important early books by Gary Snyder, Philip Whalen, Allen Ginsberg, Michael McClure, Diane di Prima, Jack Kerouac, and many others. Like Yugen, Totem Press books typically feature calligraphic covers that mix American abstract expressionism and Japanese Zen painting.


1. YUGEN, No. 1, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1958
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages. Printed in New York by Troubador Press. Cover art by Peter Schwartzburg with calligraphy by Rachel Spitzer. Illustrations by Hector Stewart, Peter Schwartzburg, Tomi Ungerer, and Allen Ginsberg. Titles and composition by Rachel Spitzer and Michael Aleshire

  • Contents:
    1. Philip Whalen – “Further Notice”
      Philip Whalen – “Takeout, 4:II:58”
      Philip Whalen – “Takeout, 15:IV:57”
      Ed James – [untitled] “Mother, be soft and unremembered…”
      Ed James – [untitled] “Hawks will cry…”
      Judson Crews – “Potaphor in a Wretched Wind”
      Judson Crews – “When We Were Young”
      Tom Postell – “Gertrude Stein Rides The Town Down El to New York City”
      Tom Postell – “I Want a Solid Piece of Sunlight and a Yardstick to Measure it with”
      Allen Polite – “Beg Him to Help”
      Allen Polite – “Touching Air”
      Stephen Tropp – “Early Poem for 2 People”
      Bobb Hamilton- “Judgement Day”
      LeRoi Jones – “Slice of Life”
      LeRoi Jones – “Lines to Garcia Lorca”
      Diane Di Prima – “Poem”
      Diane Di Prima – “For Pound, Cocteau & Picasso”
      Ernest Kean – “The Glass is Shattered”
      Jack Micheline – “Steps”
      Allen Ginsberg – [untitled] “We rode on a lonely bus…”
      Allen Ginsberg – “Hitch-Hiking Key West”
      Allen Ginsberg – “In a Red Bar”
      Allen Ginsberg – “On Burroughs’ Work”

2. YUGEN, No. 2, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1958
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages. Printed in New York by Troubador Press. Cover art and titles by Tomi Ungerer. Illustrations by Peter Schwarzburg.

  • Contents:
    1. Gregory Corso – “A Spontaneous Requiem for the American Indian”
      Tuli Kupferberg – “4 Haiku”
      Thomas Postell – “Harmony”
      LeRoi Jones – “Suppose Sorrow was a Time Machine”
      Barbara Ellen Moraff – “Poem for Theo”
      Ron Loewinsohn – “The Colossus of Havana”
      Ron Loewinsohn – “The Trucks”
      Diane Di Prima – “The Lovers”
      Oliver Pitcher – “Tango”
      James Boyer May – “The Back of Mind”
      Harold Briggs – “Being”
      Bobb Hamilton – “A Sentence”
      Gary Snyder – “Chion-in”
      Ben Spellman – “Fool”
      George Stade – “To a Candidate for the Ph.D in Seventeenth Century Literature”

3. YUGEN, No. 3, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1958
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages. Cover art by Peter Schwartzburg. Illustrations by Stanley Fisher.

  • Contents:
    1. Gary Snyder – “Praise for Sick Women”
      Gary Snyder – “Another for the Same”
      William S. Burroughs – “Have You Seen Pantapon Rose?”
      Charles Farber – “Morning Highway”
      Barbara Moraff – “Poem for Tamara”
      Barbara Moraff – “In a Hospital Room from a Halfclosed Lid”
      Barbara Moraff – “Wednesday Understands That”
      C. Jack Stamm – “Now When I Hear”
      Philip Whalen – “Soufflé”
      Gilbert Sorrentino – “The Darkness Surrounds Us”
      Allen Ginsberg – “A New Cottage in Berkeley”
      Mason Jordan Mason – “The Curse of Ham”
      Diane Di Prima – “Lullaby”
      George Stade – “To the White Goddess”
      George Stade – “Advice to the Lovelorn”
      Peter Orlovsky – “First Poem”
      Fivos Delfis – ”A Bird” (trans. Charles Guenther)
      Ray Bremser – “Part III (Poems of the City Madness)”
      Robin Blaser – “Quitting a Job”
      Thomas Jackrell – “Got Them”

4. YUGEN, No. 4, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1958
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 28 pages. Cover art by Fielding Dawson.

  • Contents:
    1. Charles Olson – “The Librarian”
      Peter Orlovsky – “Second Poem”
      Frank O’Hara – “To Hell with It”
      Frank O’Hara – “Music”
      Max Finstein – “The Deception”
      Max Finstein – “Savonarola’s Tune”
      Fielding Dawson – “My Old Buddy, for Leonard”
      Allen Ginsberg – “A Crazy Spiritual”
      Ray Bremser – “Penal Madness (Part 1)”
      Edward Marshall – “Jonah at Danbury”
      Edward Marshall – “At Tudor City”
      Joel Oppenheimer – “In the Clutch, for M.F.”
      Joel Oppenheimer – “Fugue”
      Judson Crews – “White Hollyhocks”
      Michael McClure – “The Chamber”
      Ron Loewinsohn – “7.20.58 – for Sue”
      Gary Snyder – “from Myths & Texts”
      Jack Kerouac – “2 Blues and 4 Haikus”
      John Wieners – “Spring 1956”
      Robert Creeley – “New Year’s”
      Robert Creeley – “Saturday Afternoon”
      Gregory Corso – “Away One Year”
      LeRoi Jones – “Parthenos”
      Gilbert Sorrentino – “A Fixture”
      Mason Jordan Mason – “Yes Yes Yes”
      Gregory Corso – “For Black Mountain”

5. YUGEN, No. 5, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1959
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 40 pages. Cover art by Basil King. Illustration by Fielding Dawson.

  • Contents:
    1. William Carlos Williams, – “A Formal Design”
      Allen Ginsberg – “from Kaddish”
      Barbara Guest – “Sunday Evening”
      Barbara Guest – “The Crisis”
      David Meltzer – “15th Raga / for Bela Lugosi”
      David Meltzer – “from Night Before Morning / Book One”
      Max Finstein – “A Blue Whale’s Heart”
      Paul Blackburn – “Ramas, Divendres, Diumenga”
      Paul Blackburn – “A Purity Defined”
      Philip Whalen – “I Return to San Francisco”
      Diane Di Prima – “Earthsong”
      John Wieners – “A Poem for Virgins (excerpt)”
      Walter Lowenfels – “The Nightingale, for D.H. Lawrence”
      Michael McClure – “Rant Block”
      Rainer Gerhardt – “Fragment” (trans. Jerome Rothenberg)
      Rainer Gerhardt – “Voices” (trans. Jerome Rothenberg)
      Frank O’Hara – “Ode on Causality”
      César Vallejo – “Black Stone on a White Stone” (trans. Lillian Lowenfels)
      Bruce Fearing – “Scenic Viewpoint”
      Jack Kerouac – “Sitting Under Tree Number Two”
      Barbara Moraff – [untitled] “Like a bowlegged woman…”
      Gregory Corso – “Food”
      Larry Eigner – [untitled] “No-one here…”
      Joel Oppenheimer – “The Issue at Hand”
      Gilbert Sorrentino – letter to the editor

6. YUGEN, No. 6, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1960
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 52 pages. Cover art by Basil King.

  • Contents:
    1. Michael McClure – “The Column”
      Charles Olson – “As of Bozeman”
      Charles Olson – “The Distances”
      Charles Olson – “Letter, May 2, 1959”
      Ron Loewinsohn – “Trees / 6”
      Ron Loewinsohn – “Etude, with Chair”
      Philip Lamantia – “Blank Poem for Poe”
      Paul Blackburn – “Song of the Wires”
      Robin Blaser – “Out to Dinner”
      Hubert Selby, Jr. – “Episode from Landsend”
      David Meltzer – “4th Raga / for John Kelly Reed”
      Ray Bremser – “Backyards & Deviations”
      Ed Dorn – “The 6th”
      Ed Dorn – “The 7th”
      Rochelle Owens – “Groshl Monkeys Horses”
      Paul Carroll – “By Its Familiar Accent We Recognize The Ghost”
      Robert Creeley – “The Joke”
      Robert Creeley – “Letter”
      Robert Creeley – “What’s for Dinner”
      Tristan Tzara – “Wheat” (trans. Daisy Aldan)
      Gary Snyder – “A Walk”
      Gary Snyder – “Wild Horses”
      Gary Snyder – “After Work”
      Gary Snyder – “On Vulture Peak”
      Edward Marshall – [untitled] “We as scoffers undercut the sea…”
      LeRoi Jones – “Node”
      LeRoi Jones – “The A, B, C’s”
      Jack Kerouac – “Rimbaud”
      David Wang – “II. Invocation”
      Kenneth Koch – “From a Book of Poetry”
      Larry Eigner – [untitled] “Night. Everything falls flat…”
      Edward Dahlberg – “On Passions and Asceticism”
      Frank O’Hara – “Personal Poem”

7. YUGEN, No. 7, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1961
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 65 pages. Cover art by Norman Bluhm.

  • Contents:
    1. LeRoi Jones – “Putdown of the Whore of Babylon”
      Gilbert Sorrentino – “2 Book Reviews”
      Bruce Boyd – “Summer Nightmusic”
      Bruce Boyd – “This is How the Wind Sings…”
      Bruce Boyd – “A Quarrel of Minstrels”
      Bruce Boyd – “Water”
      Bruce Boyd – “Song”
      Bruce Boyd – “Poem”
      Robert Creeley – “The New World”
      Kenneth  Koch – “Guinevere, or The Death of the Kangaroo”
      George Stanley – “Parallels”
      George Stanley – “Winter”
      George Stanley – “Shapes”
      Frank O’Hara – “Personism: A Manifesto”
      Gregory Corso – “On Chessman’s Crime”
      Gregory Corso – “For Black Mountain-2”
      B. Smith  – “Empty Bed Blues”
      Stuart Z Perkoff, – “To Orpheus”
      Stuart Z Perkoff – “Poem”
      Stuart Z Perkoff – “Pithecanthropus Erectus”
      Gilbert Sorrentino – “Some Notes…”
      John Ashbery – “From a Comic Book”
      John Ashbery – “Leaving the Atocha Station”
      Philip Whalen  – “Literary Life in the Golden West”
      Philip Whalen – “Sincerity Shot, 23:III:58”
      Philip Whalen – “A Manuscript in Several Hands 3:III:60”
      Larry Eigner – “K in the USA”
      Larry Eigner – letter to the editor
      Max Finstein – “For Fair Eleanor”
      Joel Oppenheimer – “Morning Song”
      Diane Di Prima – “The Jungle”
      Charles Olson – “Theory of Society”
      Edward Marshall – “Sept. 1957”
      Joel Oppenheimer – letter to the editor
      Allen Ginsberg – “The End”
      LeRoi Jones – “Public Notice”
      Norman Bluhm – untitled drawing
      Frank O’Hara – “Denouement”

8. YUGEN, No. 8, edited by LeRoi Jones and Hettie Cohen-Jones
New York: Totem Press, 1962
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 66 pages. Cover art by Basil King. Illustration by Aaron Roseman.

  • Contents:
    1. George Stanley – “The Message Held up to the Speeding Train on a Willow Hoop”
      George Stanley – “Punishment”
      George Stanley – “The Meteor”
      George Stanley – “The Implicit Acknowledgements”
      George Stanley – [untitled] “The larks…”
      George Stanley – “Valentine”
      George Stanley – “A False Start”
      Gilbert Sorrentino – book reviews of Duncan and Spicer
      Steve Jonas – “No. IV Orgasms”
      Steve Jonas – “Tensone with Relent”
      Steve Jonas – “Discourse”
      Steve Jonas – “To a Strayed Cat”
      Steve Jonas – “A Long Poem for Jack Spicer”
      William Burroughs – “The Cut Up Method of Brion Gysin”
      Speckled Red – “Red’s Dozens”
      George Stanley – book reviews of Finstein and Sorrentino
      Gilbert Sorrentino – “The Meeting”
      Gilbert Sorrentino – “The Memory”
      Edward Dorn – “Notes about Working and Waiting Around”
      Robert Creeley – “Some Notes on Olson’s Maximus”
      Edward Marshall – [untitled] “One writes when…”
      Edward Marshall – “Memory as Memorial in the Last”
      LeRoi Jones – “The Largest Ocean in the World”
      Charles Olson – “Place; & Names”
      Charles Olson – “Book ii, Chapter 37”

Online Resources:

· From a Secret Location – Yugen

· Reality Studio – Yugen

 

The Floating Bear

[excerpt from Steve Clay and Rodney Phillips’ A SECRET LOCATION ON THE LOWER EAST SIDE. Granary Books, 1998]:

Named for Winnie-the-Pooh’s boat made of a honey pot (“Sometimes it’s a Boat, and sometimes it’s more of an Accident”), The Floating Bear, started in February 1961, was a mimeographed “newsletter” distributed by mailing list whose mission was the speedy dissemination of new literary work. Under the editorship of Diane di Prima and LeRoi Jones (guest editors included Billy Linich [a.k.a. Billy Name], Alan Marlowe, Kirby Doyle, John Wieners, and Bill Berkson), twenty-five issues came out in the magazine’s first two years. Contributing writers included Charles Olson, Robin Blaser, Robert Creeley, Philip Whalen, Paul Blackburn, and Ed Dorn, while Ray Johnson and Wallace Berman were among the many visual artists whose work was presented. This tremendous output was due at least in part to Jones’s experience as editor at Yugen and Totem Press and to his voracious working habits. Di Prima recalls, “LeRoi could work at an incredible rate. He could read two manuscripts at a time, one with each eye. He would spread things out on the table while he was eating supper, and reject them all—listening to the news and a jazz record he was going to review, all at the same time.”

Occasionally a group would convene to put out the Bear. “In the winter of 1961–62, we held gatherings at my East Fourth Street pad every other Sunday. There was a regular marathon ball thing going on there for a few issues. Whole bunches of people would come over to help: painters, musicians, a whole lot of outside help. The typing on those particular issues was done by James Waring, who’s a choreographer and painter. Cecil Taylor ran the mimeograph machine, and Fred Herko and I collated, and we all addressed envelopes.” One of the recipients of Bear 9 was Harold Carrington, a poet who was in prison in New Jersey. The censor read his mail and objected to the contents of the issue, which included Jones’s The System of Dante’s Hell and William S. Burroughs’s Routine. Jones and di Prima were subsequently arrested on obscenity charges on October 18, 1961. Di Prima remembers, “I heard a knock on my door early in the morning which I didn’t answer because I never open my door early in the morning in New York City. In the morning in New York City is only trouble. It’s the landlords, it’s Con Edison, it’s the police, it’s your neighbors wanting to know why you made so much noise last night, it’s something awful, and before noon I never open my door.” There was a grand jury hearing, but after Jones’s two-day testimony, they failed to return an indictment. Jones resigned from The Floating Bear in 1963 after issue 25. Di Prima moved briefly to California in 1962 and the magazine came out irregularly over the next several years, culminating in a very large issue in 1971 guest-edited by Allen De Loach in Buffalo. It was called The Intrepid-Bear Issue: Intrepid 20/Floating Bear 38.


Online Resources:

· Reality Studio – Floating Bear Archive

Auerhahn Press: Broadsides

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Section B:
This index collects Auerhahn Press broadsides from 1959 through 1965.


1. Whalen, Philip. SELF-PORTRAIT FROM ANOTHER DIRECTION
First edition:
San Francisco: Auerhahn Press, 1959
Folded broadside tipped into printed wrappers, broadside measures 9″ x 19.5″ unfolded. Handset and printed by Jay McIlroy and Dave Haselwood.


2. Page, David. BABYWHIPLAND
First edition:
San Francisco: Auerhahn Press, 1961
Broadside folded once as issued, 5.25″ x 7.5″ (5.25″ by 15″ when open), 350 copies.



3. Duncan, Robert. A BOOK OF RESEMBLANCES
First edition:
San Francisco: Auerhahn Press, n.d.
Broadside, 8″ x 15.5″, illustrated by Jess




4. Blaser, Robin. APPARITORS
First edition:
San Francisco: Auerhahn Press 1963
Broadside, 13″ x 20″, 300 copies signed by the author and artist. illustrated by Fran Herndon.



5. Shelley, Percy Bysshe. A VALENTINE FROM THE AUERHAHN
First edition:
San Francisco: Auerhahn Press, [1964]
Broadside, 7.25″ x 4″.

6. Whalen, Philip. GODDESS
First edition:
(San Francisco): Auerhahn Press, December 1964
Broadside, 8 1/2″ x 12″, 125 copies.




7. Welch, Lew. RICHER THAN THE RICHEST FALCONER
First edition:
(San Francisco): Auerhahn Press, (1965)
Broadside, 9.5″ by 15.5″, 125 copies printed for Don Carpenter.



Dave Haselwood Books

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Section D:
This index collects books and other items printed by Dave Haselwood from 1965 to 1970.


1. McClure, Michael. UNTO CAESAR
mcclure_untoFirst edition:
(San Francisco): (Dave Haselwood), (1965)
Hand-sewn in printed wrappers, 6.5″ x 4″,  24 pages, circa 60 copies. (Haselwood 1)

2. Hoyem, Andrew. THE MUSIC ROOM
First edition:
San Francisco: Haselwood, 1965
Hand-sewn in printed wrappers, 6.5″ x 4″,  16 pages, circa 100 copies. Illustrated by Bruce Conner. (Haselwood 2)

3. Wieners, John. CHINOISERIE
First edition:
San Francisco: Dave Haselwood, 1965
Hand-sewn in printed wrappers, 6.5″ x 4″,  20 pages, circa 100 copies. (Haselwood 3)

4. Wieners, John. THE HOTEL WENTLEY POEMS
Second edition revised:
San Francisco: Dave Haselwood, 1965
Saddle-stapled in illustrated wrappers, 6″ x 8.5″, 28 pages. Illustration by Robert La Vigne. These are the “original versions” of the poems. (Haselwood 4)

5. McClure, Michael. DREAM TABLE
First edition:
San Francisco: Dave Haselwood, 1965
30 double-sided printed cards, 2.5″ x 3.5″, 200 sets (30 signed). Each card is printed with a Lion and a Tree ornament on one side and two words on the other. (Haselwood 5)

6. Williams, Jonathan. PAEAN TO DVORAK, DEEMER & McCLURE
First edition:
San Francisco: Dave Haselwood, 1966
Hand-sewn in printed wrappers, 6.5″ x 4″,  32 pages, circa 100 copies. (Haselwood 6)

7. Johnson, Ronald. ASSORTED JUNGLES: ROUSSEAU
First edition:
San Francisco: Dave Haselwood, 1966
Hand-sewn in printed wrappers, 6.5″ x 4″,  32 pages, circa 100 copies. (Haselwood 7)

8. Hoyem, Andrew. CHIMERAS
First edition:
San Francisco: Dave Haselwood, 1966
Hand-sewn in printed wrappers, 6.25″ x 9.5″,  28 pages. (Haselwood 8)



9. Plymell, Charles. APOCALYPSE ROSE
First edition:
San Francisco: Dave Haselwood, 1966
Saddle-stapled in printed wrappers, 6″ x 9″,  52 pages. Introduction by Allen Ginsberg. (Haselwood 9)


10. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
First edition:
(San Francisco): (Dave Haselwood), (1966)
24 cards in printed envelope, 2″ x 2″, envelope measures 4.5 x 5.75″. Each card is printed with  four words one side and a “hallucinogram” on the other. Illustrated by Bruce Conner. (Haselwood 10)

11. McClure, Michael and Bruce Conner. MANDALAS
First edition:
San Francisco: Dave Haselwood, 1966
Saddle-stapled in printed wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. (Haselwood 11)

Note: Printed announcement issued.

12. Ferlinghetti, Lawrence. AFTER THE CRIES OF THE BIRDS
First edition:
San Francisco: Dave Haselwood: 1967
Saddle-stapled in printed wrappers, 6″ x 8″, 16 pages. (Haselwood 12)



13. Whalen, Philip. T/O
First edition:
San Francisco: Dave Haselwood, 1967
Hand-sewn in printed wrappers, 6.5″ x 4″,  32 pages, circa 80 copies. (Haselwood 13)

14. Burroughs, William S. and Brion Gysin. THE EXTERMINATOR
First edition, second printing:
San Francisco: Dave Haselwood, 1967
Perfect-bound in illustrated and printed wrappers, 6″ x 9″, 51 pages, 1000 copies. (Haselwood 14)



15. McClure, Michael. DARK BROWN
First edition, second printing:
Perfect-bound in illustrated and printed wrappers, 5.5″ x 8.5″. (Haselwood 15)

16. Brown, Geoffrey. TENDING BAR AT THE FILLMORE AUDITORIUM ON ARTISTS’ LIBERATION FRONT BENEFIT NIGHT
First edition:
San Francisco: Dave Haselwood Books, 1967
Folded broadside, 8.6″ x 10.75″.




17. Welch, Lew. COURSES
First edition:
San Francisco: Dave Haselwood, 1968
Hand-sewn in printed suede wrappers, 6.5″ x 4.25″, 28 pages, 50 copies. (Haselwood 16)

18. McClure, Michael. THE SERMONS OF JEAN HARLOW & THE CURSES OF BILLY THE KID
a. First edition, regular copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
Saddle-stapled in printed wrappers, 6″ x 9.25″, 24 pages, 1200 copies. (Haselwood 17)

b. First edition, hardcover, signed copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
Hardcover in printed paper-covered boards, 6″ x 9.25″, 24 pages, 50 copies signed. (Haselwood 17)

19. Ginsberg, Allen. INDIAN JOURNALS
a. First edition, regular copies:
San Francisco: City Lights Books with Dave Haselwood Books, 1970
Perfect bound in illustrated and printed wrappers, 5.5″ x 8.25″, 212 pages. (Haselwood 18)

b. First edition, hardcover, signed copies:
San Francisco: City Lights Books with Dave Haselwood Books, 1970
Hardcover in cloth-covered boards in printed and illustrated dust jacket, 5.5″ x 8.25″, 212 pages. (Haselwood 18)

Foot

Poet Richard Duerden was born in Utah and raised in the San Francisco Bay Area. He joined the Merchant Marines and the Marine Corps and was educated at the University of California.

A member of the San Francisco Renaissance poetry movement, Duerden founded the literary journals Foot and the Rivoli Review. His books of poetry include The Fork (1965), The Left Hand & The Glory of Her (1967), and The Air’s Nearly Perfect Elasticity (1979). His poetry was anthologized in The New American Poetry, 1945–1960 (1960, edited by Donald Allen). A selection of his manuscripts and correspondence is archived in the Stanford University Libraries and a smaller selection of his correspondence with poet Philip Whalen is archived at the Reed College Library.


Foot, No.1, edited by Richard Duerdan
mags_foot01San Francisco, September 1959
First edition, hand-sewn illustrated wrappers, 6.75″ x 8.5″, 56 pages. Cover illustration by Robert Duncan.

Contributors: Ebbe Borregaard, Richard Brautigan, Jess Collins, Richard Duerden, Robert Duncan, Larry Eigner, Eloise Nixon, Philip Whalen, Gary Snyder.

Foot, No. 2, edited by Richard Duerden and William Brown
mags_foot02San Francisco, 1962
First edition, saddle-stapled illustrated wrappers, 6.75″ x 8.75″, 80 pages. Illustrations by Philip Roeber and Philip Whalen.

Contributors: Philip Whalen, Philip Roeber, Joanne Snyder, Richard Duerden, Robert Duncan, Jack Spicer, Kenneth Rexroth, William Brown, Lew Welch, Leslie Thompson, Jess Collins, Gary Snyder, Michael McClure, Suzanne Duerden.

Foot, No. 3, edited by Richard Duerden
mags_foot03San Francisco, Spring 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.5″, 12 pages. Cover illustration by Robert Duncan.

Contributors: Robert Creeley, Duncan McNaughton, Richard Duerden, John Thorpe, Lawrence Kearney.

Foot, No. 4, edited by Richard Duerden
mags_foot04San Francisco, Summer 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.75″, 16 pages. Cover illustration by Terry Bell.

Contributors: Lawrence Kearney, Jerry Ratch, Duncan McNaughton,   Don Cushman, James Koller.

Foot, No. 5, edited by Richard Duerden
mags_foot05San Francisco, Fall 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.5″, 12 pages. Cover illustration by Leslie Scalapino.

Contributors: Leslie Scalapino, Richard Duerden, Michael Wolfe, Ron Loewinsohn.

Foot, No. 6, edited by Leslie Scalapino and Richard Duerden
mags_foot06Berkeley, 1978
First edition, perfect bound illustrated wrappers, 7″ x 9″, 40 pages. Cover illustration by Diane Sophia.

Contributors: Diane Sophia, Leslie Scalapino, Larry Kearney, John Thorpe, Philip Whalen, Diane Sophia, Don Cushman, Sherril Jaffe, Michael Davidson, Michael Wolfe, Duncan McNaughton, Robert Duncan, Norman Fischer, Bernadette Mayer, Peter Rabbit, Richard Duerden.

Foot, No. 7, edited by Richard Duerden
mags_foot07Berkeley, 1979
First edition, perfect bound illustrated wrappers, 7″ x 5.5″, 40 pages. Cover illustration by Terry Bell.

Contributors: Lawrence Kearney

Foot, No. 8, edited by Leslie Scalapino and Richard Duerden
mags_foot08Berkeley, 1980
First edition, perfect bound illustrated wrappers, 7″ x 9″, 52 pages.

Contributors: Keith Shein, Leslie Scalapino, Diane Sophia, Norma Smith, Sarah Menefee, Don Cushman, Joanne Kyger, Larry Eigner, Bill Berkson, Bob Grenier, Jackie Cantwell, Ted Pearson, Marc Lecard, Lawrence Kearney, Jeanne Lance, Duncan McNaughton, Michael Wolfe, Carla Harryman.

Open Space

Stan Persky began Open Space in 1964, printing 50 copies of each issue on a multilith machine (whereas J was mimeographed). Like J, and MOpen Space was a very local (North Beach) magazine whose contents seemed primarily intended for those who contributed, including: Helen Adam, Robin Blaser, Ebbe Borregaard, Richard Duerden, Harold Dull, Larry Fagin, Jess Collins, Jack Spicer and George Stanley. The magazine was also “quite spicy and a little gossipy, for instance, labeling the famed 1955 reading at the Six Gallery as ‘creamed cottage cheese.’”

1. OPEN SPACE, No. 0, A PROSPECTUS, edited by Stan Persky
San Francisco: Open Space,  January 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 34 pages, lithography printed by Mike Kummer, lettering by Peggy Engle. Translations by Max Knight.

  • Contents:
    1. Stan Persky – “A Proposition”
      Christian Morgenstern – “The Moonsheep”
      Jack Spicer – [untitled] “This ocean, humiliating in its disguises…”
      George Stanley – “Choir”
      anonymous – “The Constant Preaching to the Mob”
      Allen Ginsberg – “Owl”
      Richard Duerden – “A Card for the Tarot”
      anonymous – “Okeanos”

2. OPEN SPACE, No. 1, edited by Stan Persky
San Francisco: Open Space, February 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 50 pages, lithography printed by Mike Kummer, lettering by Peggy Engle. Collage by Graham Mackintosh.

  • Contents:
    1. Stan Persky – “Come-On”
      Robin Blaser – “Psyche”
      Hartford Mutual – “No Possum, No Sop, No Taters”
      Jess – “Critical Dreams – I (eye)”
      Janet Thormann – “The Knight of Cups”
      Jack Spicer – “Sporting Life”
      Link – [untitled] “the insane lady…”
      Link – [untitled] “Like frozen water…”
      Lewis Ellingham – [untitled] “Rock, salt and spray, the angels…”
      James Alexander – “Amoralesay”
      George Stanley – [untitled] “You listen to the leaves, or watch the leaves…”
      Helen Adam – “Two Songs for Lewis Ellingham”
      Gregory Corso – “Mortal Infliction”
      anonymous – “Orders”

3. OPEN SPACE, Valentine Issue, edited by Stan Persky
San Francisco: Open Space, February 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 60 pages, lithography printed printed by Mike Kummer, lettering by Peggy Engle. Photography by Lartigue.

  • Contents:
    1. Stan Persky – “Alibi”
      C. – “In Despair”
      C. – “The Marriage”
      Bill Roberts – “Recess”
      anonymous – “What Happened : Prelude”
      Robert Duncan – “Postscript for Open Space, January 1964”
      Robin Blaser – “The Prints”
      Robin Blaser – “Translation”
      Stan Persky – “Gourmet Cooking”
      JA – “‘The Island’ by Robert Creeley”

4. OPEN SPACE, No. 2, edited by Stan Persky
San Francisco: Open Space, February 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 62 pages, lithography printed by Mike Kummer. Illustration by Fran Herndon, collage by Graham Mackintosh..

  • Contents:
    1. Cassius Clay – “I’m the King”
      Stan Persky – “Second Base”
      Jess – “Critical Dreams – II (marginal)”
      Jack Spicer – “This is Submitted to Your Valentine Contest”
      James Herndon – [untitled] “He went outside…”
      Gene Fowler – “The Time Travelers”
      Robin Blaser – [untitled] “It is essentially reluctance…”
      George Stanley – “Orion”
      Link – “Citys Would Make a Masque for Hearts”
      Link – “A Poem for Ulysses”
      Jack Spicer – [untitled] “I hear a banging on the door…”
      Robert Duncan – [untitled] “And to Her-Without-Bounds I send…”
      Richard Duerden – “Hunger”
      Jack Kerouac – “Blindness”
      Stan Persky – “A Kingdom”
      Stan Persky – “Home & Garden”

5. OPEN SPACE, No. 3, edited by Stan Persky
San Francisco: Open Space, March 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 52 pages, lithography printed by Mike Kummer, lettering by Peggy Engle. Cover art and illustration by Fran Herndon.

  • Contents:
    1. Stan Persky – “Whan That Aprill With His Shoures Soote”
      James Alexander – “Love was Here, for Simon”
      Jack Spicer – [untitled] “Just because baseball is not poetry…”
      Philip Whalen – “Technicalities for Jack Spicer”
      Ron Loewinsohn – “The Fifth Circle of Hell that is not Los Angeles”
      Jack Spicer – “Predictions”
      Jaimie MacInnes – [untitled] “Lime decayed their mouths…”
      Jaimie MacInnes – [untitled] “If running stockings…”
      Jack Spicer – [untitled] “The log in the fire…”
      Jack Spicer – [untitled] “Finally the messages penetrate…”
      George Stanley – [untitled] “Dear Stan…”
      Robin Blaser – “2 of Image Nations”
      Anselm Hollo – “Air to Dream in”
      Marianne Moore – “W.S. Landor”
      Stan Persky – “The Wish”
      Joanne Kyger – [untitled] “The persimmons are falling…”
      Stan Persky – “Home & Garden”
      Jack Spicer – “Dear Ferlinghetti”

6. OPEN SPACE, No. 4, Taurus Issue, edited by Stan Persky
San Francisco: Open Space, April 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 66 pages, lithography printed by Mike Kummer and Lee Kummer, lettering by Peggy Engle. Illustrations by Bill Brodecky and Tom Field

  • Contents:
    1. Stan Persky – “Horns”
      Robin Blaser – “Sophia Nichols”
      Jess – “Critical Dream – III (trial)”
      James Dickey – “The Being”
      Harold Dull – “The Fire”
      David Bromige – “The Accident”
      E.B. [Ebbe Borregaard] – “Sketches for 13 Sonnets”
      Deneen Brown – [untitled] “Gathered years…”
      Deneen Brown – [untitled] “The rectangle of heat…”
      Jack Spicer – [untitled] “Heroes eat soup like anyone else…”
      Jack Spicer – [untitled] “Smoke signals…”
      Harold Dull – “The Wild Geese”
      George [Stanley] – “From Seas Mainly”
      Thomas M. Hannon – [untitled] “The angle iron…”
      Thomas M. Hannon – “For a Friend Who is Married”
      Thomas M. Hannon – [untitled] “Last night…”
      Gary Snyder – “Out West”
      Stan [Persky] – “Adventurer”
      Jack Spicer – [untitled] “A redwood forest is not invisible…”
      Jack Spicer – [untitled] “The whorship of beauty…”
      Jess – [untitled] “Dear Jerry Reilly…”
      Stan Persky – “Home & Garden”

7. OPEN SPACE, No. 4, White Hope Issue, edited by Stan Persky
San Francisco: Open Space, May 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 66 pages, lithography printed. Illustration by Fran Herndon.

  • Contents:
    1. Joanne Kyger – [untitled] “Where ever you go I am with you…”
      E.B. [Ebbe Borregaard] – “Sketches for 13 Sonnets”
      Fran Herndon – untitled illustration
      Harold Dull – “Venus and the Moon Poem”
      Deneen Brown – “for Bill Brodecky”
      E. Poe – “Ulalume”
      Bill Brodecky – [untitled] “I admit…”
      George [Stanley] – “The Lyre in the East Rising”
      George [Stanley] – “The Shepherds Verse”
      Jess – “Critical Dreams – IV (haven)”

8. OPEN SPACE, No. 5, edited by Stan Persky
San Francisco: Open Space, May 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 50 pages, lithography printed by Mike Kummer and Lee Kummer, lettering by Peggy Engle. Illustrations by Fran Herndon, Nemi Frost, Tom Field, Bill Wheeler, and Graham Mackintosh.

  • Contents:
    1. Richard Duerden – “Border: The Sun Imprisoned”
      John Ashbury – “A Blessing in Disguise”
      Lewis Ellingham – [untitled] “A new log had been put on the fire…”
      Jack Spicer – [untitled] “Pull down the shade of ruin, rain verse…”
      Jack Spicer – [untitled] “If your mother’s mother had not riven, mother…”
      Jack Spicer – [untitled] “What in sight do I have…”
      Jack Spicer – [untitled] “It comes May and the summers renew themselves…”
      Graham Mackintosh – [untitled] “Like Odysseus under the ram…”
      Robert Duncan – “A New Poem, for Jack Spicer”
      Helen Adam – “Farewell Stranger”
      Jamie MacInnis – [untitled] “These are your nights…”
      Ronnie Primack – “From a line by Spicer”
      Lewis Brown – “Bartok, for Pen Lace”
      anonymous – “Book of the Boss”
      George [Stanley] – “Two Parts of a Poem”
      Jack Spicer – [untitled] “Thanatos, the death-plant in the skull…”
      Stan [Persky] – [untitled] “a man drawing the sword…”
      Stan Persky – “Home & Garden”
      Gene Fowler – “Credo”
      C.A. Swin – [untitled] “Fourth, ballad, and take roses…”
      Stan Persky – “Gemini”

9. OPEN SPACE, No. 6, edited by Stan Persky
San Francisco: Open Space, June 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 50 pages, lithography printed by Mike Kummer. Cover art by Helen Adam, illustrations by Armando
Navarro and Robert Berg.

  • Contents:
    1. Stan Persky – “Orphic Space”
      Jack Spicer – [untitled] “1st SF home rainout since. Bounce…”
      Jack Spicer – [untitled] “The country is not very well defined…”
      Jack Spicer – [untitled] “I squint my eyes to cry…”
      Jack Spicer – [untitled] “The metallurgical analysis of the stone that…”
      George Stanley – “The Gifts of Death, after Virgil, for Louis Zukofsky”
      Robin Blaser – “Image-Nations 3”
      Robin Blaser – [untitled] “O-friend…”
      Lewis Ellingham – “A Cold Dawn”
      Deneen Brown – [untitled] “It lit up…”
      Wystan – “One Circumlocution”
      Lewis Ellingham – “The Perfect Correspondent”
      Lewis Ellingham – “The Sleepers”
      Lewis Ellingham – “Underweir”
      Robert Duncan – “Passages 5”
      Robert Duncan – “Passages 6”
      Robert Duncan – “Passages 7”
      Robert Duncan – “Passages 8”
      Robert Duncan – “Passages 9”
      Jess – “Critical Dreams – V (ivy)”
      Gael Turnbull – “A Voice, Voices, Speaking”
      Gael Turnbull – “To be Shaken”
      Stan Persky – “A Poem of Light and Dark, for C.S. Lewis”
      Stan Persky – “Home & Garden”

10. OPEN SPACE, No. 7, edited by Stan Persky
San Francisco: Open Space, July 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 82 pages, lithography printed by Lee Kummer, lettering by Peggy Engle. Cover art by Jess. Illustrations by William McNeill, Ken Botto, Fran Herndon, and Nemi Frost.

  • Contents:
    1. L. Kearney – [untitled] “A rock…”
      L. Kearney – [untitled] “A certain kind of dusk…”
      L. Kearney – [untitled] “I could be wrong except for…”
      Hart – “Chaplinesque”
      Robert Duncan – “A Note for Open Space 7”
      Robert Duncan – “The Structure of Rime XXIII”
      Robert Duncan – “Shadows”
      Jack Spicer – “Love Poems”
      George Stanley – “Songs from Arcadia”
      Joanne Elizabeth Kyger – “In July”
      Joanne Kyger – [untitled] “there is no meeting…”
      Helen Adam – “Sing Song”
      Jess – “Critical Dreams – VI (quicksilver)”
      Jim Alexander – “Alexander”
      Jim Alexander – “Jacob’s Larder”
      Jim Alexander – “Poem Toward a Rondel”
      D.R. Drake – “3”
      Harold Dull – “First Lesson”
      Harold Dull – “Second Lesson”
      Harold Dull – “Third Lesson”
      Harold Dull – “Fourth Lesson”
      Lewis Ellingham – “11, 12”
      Stan Persky – “Report to the Stockholders”

11. OPEN SPACE, No. 8, edited by Stan Persky
mags_openspace08San Francisco: Open Space,  August 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 76 pages. Cover art by Robert Berg.

  • Contents:
    1. Michael McClure – “The Mystery of the Hunt”
      L. Kearney – [untitled] “In the children’s forest…”
      Robert Duncan – “A Note for Open Space 8”
      Robert Duncan – “Structure of Rime XXIV”
      Robert Duncan – “Chords”
      Robert Duncan – “Spelling”
      Robert Duncan – “At Lammas Tide”
      Robert Duncan – “Saint Graal (after Verlaine)”
      Charles Dodgson – [untitled] “I have a fairy by my side…”
      Charles Olson – “Against Wisdom as Such”
      Jamie MacInnis – “Every Little Star”
      Jess – “Tricky Cad, Case IV”
      Jack Spicer “Intermission I-III”
      Jack Spicer – “Transformations I-III”
      Lawrence Fagin – “from Procris & Cephalus”
      Edna Barnes – [untitled] “If beyond passion our love…”
      Harold Dull – [untitled] “I’ve listened before…”
      Ron Loewinsohn – “The Burden of Loveliness, 1”
      Ron Loewinsohn – “The Burden of Loveliness, 2”
      Ron Loewinsohn – “The Great Sand Dunes (for Joey)”
      Stan Persky – “Muse News”

12. OPEN SPACE, No. 9, edited by Stan Persky
San Francisco: Open Space, September 1964
First edition, corner-stapled in printed and illustrated cover, 8.5? x 11?, 92 pages, lithography printed by Mike Kummer. Cover art by Harry Jacobus. Illustration by Jess.

  • Contents:
    1. Harold Dull – [untitled] “He tries…”
      Richard Duerden – “Iris, Cut for an Intended Painting”
      Ron Loewinsohn – “The Step (a collage poem)”
      Jack Spicer – “Morphemicks”
      Lewis Ellingham – “Nightmare and Dream”
      George Stanley – “Untitled”
      Lew Brown – “Lionel”
      Lawrence Fagin – “from Procris & Cephalus”
      Bill Brodecky – [untitled] “Clear face facing…”
      Bill Brodecky – [untitled] “In my dream…”
      Richard Duerden – “The Air”
      Lawrence Kearney – [untitled] “I tell you…”
      Lawrence Kearney – [untitled] “Beyond where you…”
      George Stanley – “For Bill”
      Tom Field – “The Dentist”
      Robert Duncan – “Parsifal: The Easter Magic”
      Stan Persky – “They”
      Stan Persky – “Home & Garden”

13. OPEN SPACE, No. 10, edited by Stan Persky
San Francisco: Open Space, October 1964
First edition, corner-stapled in printed and illustrated cover, 8.5? x 11?, 92 pages, lithography printed by Mike Kummer. Cover art and collage poem by by Jess.

  • Contents:
    1. George Stanley – “Elpinor”
      George Stanley – [untitled] “I thought of Achilles…”
      Ronnie Primack – “Love Poem”
      Robin Blaser – “It It It It”
      M. Hannon – “Station Crossing”
      M. Hannon – [untitled] “My hand goes dark…”
      Jamie MacInnis – “Uncourtly Love”
      Jack Spicer – “Phonemics”
      Richard Duerden – “The Host, September”
      Robert Duncan – “The Currents”
      Ron Loewinsohn – “some more from The Step”
      Harold Dull – “Day”
      Harold Dull – “Night”
      Lawrence Kearney – [untitled] “Now the winter burns…”
      Lawrence Kearney – [untitled] “Tell me nothing now…”
      Stan Persky – “The Story”
      Stan Persky – “House & Garden”

14. OPEN SPACE, No. 11, edited by Stan Persky
San Francisco: Open Space, November 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 70 pages, lithography printed by Mike Kummer. Cover photograph by Margot Prattlesome Dross.

  • Contents:
    1. Ronnie Primack – “V”
      Oscar Wilde – “The Harlot’s House”
      Harris Schiff – “for Lewis Warsh”
      Jack Spicer – “Graphemics”
      Richard Duerden – “In the Morning”
      Robert Duncan – “Moving the Moving Image”
      Michael S. Willis – “A History of I and Eyes”
      George Stanley – “Penelope’s Prayer”
      George Stanley – “I Thought of Achilles”
      George Stanley – [untitled] “The year’s ending…”
      M.S.W. – [untitled] “A lover’s face…”
      Lewis Ellingham – “Psyche”
      Harold Dull – [untitled] “Is he an intrusion…”
      Harold Dull – [untitled] “We fought…”
      Deneen Brown – [untitled] “Blood colored biscuits…”
      Harold H.C. – “The Broken Tower”
      Stan Persky – “Home & Garden”

15. OPEN SPACE, No. 12, edited by Stan Persky
San Francisco: Open Space, 1964
First edition, corner-stapled in printed and illustrated cover, 8.5″ x 11″, 90 pages, lithography printed by Mike Kummer. Illustrations by Jess and Robert Duncan.

  • Contents:
    1. Joanne Kyger – “From Our Soundest Sleep, It Ends”
      Robert Duncan – “The Torso, Passages 18”
      Robert Duncan – “The Earth, Passages 19”
      Robert Duncan – “Structure of Rime XXVI, Passages 20”
      James Alexander – “The Greater Happiness”
      Stan Persky – [untitled] “The first thing I notice…”
      Robin Blaser – “The City”
      Robin Blaser – “Saturn, Star of Melancholy”
      Robin Blaser – “Orpheus”
      Robin Blaser – “Image Nations, 4”
      Jamie MacInnis – “Ducks for Grownups”
      Thomas Clark – “The Site”
      Harris Schiff – “(Unfinished), for Jack Spicer”
      Lewis Ellingham – “O, O”
      Harris Schiff – “Library Window-sill”
      Lew Brown – “To Break the Day’s Contentions”
      Lew Brown – “I Hear Chains”
      Lew Brown – “O to Reknit this Morning”
      Lew Brown – “Blackstone”
      Lew Brown – “Tuig”
      Harold Dull – [untitled] “When leaves like ashes fall…”
      Lawrence Fagin – “from Procris & Cephalus”
      Lawrence Kearney – [untitled] “You are more constant…”
      Lawrence Kearney – [untitled] “To be more tied…”
      Lawrence Kearney – “For Jamie”
      Ron Loewinsohn – “Some more from The Step”
      Stan Persky – “Home & Garden”

Online Resources:

Flying Object – scans of all issues

Fuck You/ a magazine of the arts

fyp

 

Fuck You/ a magazine of the arts, published by Ed Sanders from a “secret location on the Lower East Side” of New York City,  was a deliberately provocative mimeographed periodical that ran for 13 issues from 1962 to 1965. Each issue featured line drawings by Sanders and included contributions from such writers and artists as Tuli Kupferberg, Carol Bergé, John Wieners, Andy Warhol, Ray Bremser, Lenore Kandel, Charles Olson, Joel Oppenheimer, Peter Orlovsky, Philip Whalen, Allen Ginsberg, Herbert Huncke, Julian Beck, Frank O’Hara, Leroi Jones, Diane Di Prima, William Burroughs, Gary Snyder, Robert Kelly, Judith Malina, Carl Solomon, Gregory Corso, Robert Duncan, Robert Creeley, Michael McClure, Ted Berrigan, Joe Brainard, Gilbert Sorrentino, and many others.


1. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 1, edited by Ed Sanders
New York: Ed Sanders, February 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 26 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editors Note: “Send me your banned manuscripts, your peace-grams, your cosmic data, your huddled masses yearning to be free, your collections of freak-beams, plans for the pacifist holocaust, I lift my speedoprint mimeo beside the golden door…”

Contents:
Jean Morton – “To Us”
Jean Morton – “Prayer”
Ed Sanders – “Soft-Man I”
Ed Sanders – “Soft-Man II”
Ed Sanders – “Soft-Man IIII”
Ed Sanders – “Soft-Man V”
Ed Sanders – “Soft-Man VI”
Allen Hoffman – “Hymn to Amun-Ra-Sanders, The Sun Disc”
Paul Berner – “Freak-Gram: Some Notes on Nonviolent Suicide”
Nelon Barr – “A Bouquet of Fuck Yous”

2. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 2, edited by Ed Sanders
New York: Ed Sanders, April 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 34 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editors Note: “Send me yr goddamn manuscripts. Cut me in on yr freak-beams. I’ll print anything.”

Contents:
Margaret X – “Ronnie: An Unapproved Litany”
Eric Weinberger – “Brownsville Jail — Mar. 12, 1962”
Ed Sanders – “Cemetery Hill”
Ed Sanders – “Soft Man VII”
Ed Sanders – “Soft Man VIII”
Ed Sanders – “Soft Man IX”
Robert Brookings Gore – “Fishy”
Robert Brookings Gore – “What?”
Jim Forest – “Notes Written in the Night”
Nelson Barr – “Ash Wednesday Revisited”
Nelson Barr – “A Bouquet of Fuckyous, offering #2”

3. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 3, edited by Ed Sanders
New York: Ed Sanders, June 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 38 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editors Note: “Send me yr banned manuscripts, fire me yr cosmic data, visions of the incomprehensible, arcanics, outpukes from the jack-batty, notes from the all, I’ll print anything.”

Contents:
Penny X – “Crotch Poem”
Al Fowler – “Poems, Wargasms, Hymns to Young Men & Women”
Ed Sanders – “Poems”
Ed Sanders – “Soft Man X”
Bob K – “Canticle”
John Harriman – “Two Poems While High”
Nelson Barr – “A Bouquet of Fuckyous”
Tuli Kupferberg – “Pacifist Primer”
Tuli Kupferberg – “6996th Psalm”
Tuli Kupferberg – “Cool”

4. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 4, edited by Ed Sanders
New York: Ed Sanders, August 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 54 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editor’s Note: “Send me yr bloody manuscripts! I’ll print anything”

Contents:
Eric Weinberger – [untitled] “For me/ even for me…”
Carol Berge – “Lovesong”
Michael McClure – [untitled] “The mind pain comes over me…”
Taylor Mead – [untitled] “I can’t write…”
C.V.J. Anderson – “August Sixth for Reiko”
John Wieners – “Cocaine”
Ray Bremser – “Lacerations Manuscript”
Ed Sanders – “from On Guerilla Lovefare”
Tuli Kupferberg – “The Man with the Scissors”
John C. Harriman – “3 for Diane Wakoski”
Elin Paulson – [untitled] “in a forever eternity…”
John Keys – “Poem” [“what has made us…”]
John Keys – “New Age of Arm Lifting”
John Keys – “Remembrances of Things Past”
Steve Wever – [untitled] “Your Azzole is…”
Mary E. Mayo – “The Highlanders”
Jackson Mac Low – “Observations in My Neighborhood”
Nelson Barr – “Darkangelgirl”
Nelson Barr – “A Bouquet of Fuckyous, offering #4”

5. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 1, edited by Ed Sanders
New York: Ed Sanders, December 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 62 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editor’s Note: “Barf me your frick data. Retch me in on your bable vectors, your arcanics, your spew, I’ll print anything.”

Contents:
Ed Sanders – “Fuck You, The Talk of the Town”
Charles Olson – “Three Poems from The Maximus Poems”
Lenore Kandel – [untitled] “to fuck with love…”
Al Fowler – “Heroin”
Al Fowler – “Takeoff”
Al Fowler – “Larson O.D.’s; Fowler Scare Shitless”
Al Fowler – “The Hip Lady Pacifist…”
Al Fowler – “Cock City”
Al Fowler – “Caroline”
Al Fowler – “Vision”
Barbara Moraff – [untitled] “Spaniel luz…”
Mark Samara – “Camping Out with Ed Sanders”
Ed Marshall – “Steps of Entering the Skin”
Bonnie Bremser – “Fowl-Play”
Millard Friedman – “Opening”
Ron Rice – [untitled] “Creation from zero…”
Charles Polandik – “Thru Service from New York to Chicago”
Joel Oppenheimer – “A Little Mayan Head”
John Keys – “Revision”
Kirby Congdon – [untitled] “I stagger under the boat…”
John Thomas – “Fat Dr. Bonelli”
Ed Sanders – “Blow Job Poem”
Mary Mayo – “Canticle”
Nelson Barr – “A Bouquet of Fuckyous”

6. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 2, edited by Ed Sanders
New York: Ed Sanders, December 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 68 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editor’s Note: “Skin me with your poetry, your banned manuscripts, your babble, plans for the pacifist holocaust, I’ll print anything.”

Contents:
John Wieners – [untitled] “You talk of going…”
Tuli Kupferberg – “I Say”
Carol Berge – “How to Screw a Bear and Find God”
Taylor Mead – “from His Diary”
Paul Blackburn – “The One-Night Stand”
Barry Wallenstein – “Times of Our Time”
Ray Bremser – “Eternity Grinding Allen’s Giant Beyonds”
Ray Bremser – “Rolling with the Wind”
David Rattray – “In God We Trust”
John Keys – “Poem for Charles Olson come Summer”
Hank Dixon – “Billie the Kid Revisited”
Elin Paulson – “With Love Still”
Pasquale Cocco – [untitled] “I’d love to…”
Bob K. – “from Carolcurla”
Nelson Barr – “Call Me not Back”
Nelson Barr – “Another Bouquet of Fuckyous”
Al Fowler – “Babble”
Al Fowler – “I Want You”
Al Fowler – “Musee de Beaux Enfant”
Al Fowler – “Child”
Al Fowler – “Democracy”
Al Fowler – “Telephone Conversation”
Al Fowler – “The Room. Junk Withdrawal”

7. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 3, edited by Ed Sanders
New York: Ed Sanders, May 1963
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 80 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

Contents:
Ed Sanders – “Spurt Spurt”
Lenore Kandel – “Hero the Rider”
Rochelle Owens – “To an Arrogant Fart”
Peter Orlovsky – “Second Sex Experiment”
Jean Forest – “Queen #3”
Carol Berge – “The Love Hang”
Marc Samara – “Camping Out with Taylor Mead”
Joel Oppenheimer – “A Long Testament”
Ray Bremser – “The Cup of Sex”
Robert Kaye – “Mawdroogle”
John Thomas – “Okay Okay”
John Thomas – “For Basho”
Jay Socin – “Graffiti in a Public John”
Al Katzman – “Lament”
Barbara Moraff – “The Abdominal Snowman”
Barbara Moraff – [untitled] “during the past few months…”
Nancy Ellison – “Caca Caca”
John Keys – “Poem for the Aircraft”
Martin Segal – [untitled] “Here I have come…”
Taylor Mead – “Taylor Mead on Dope”
Jackson Mac Low – “19th Light Poem”
Szabo – “Poem for Marilyn”
Nelson Barr – “Bouquet of Fuckyous”

8. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 4, edited by Ed Sanders
New York: Ed Sanders, Summer 1963
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 74 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

Contents:
Ed Sanders – “Defiance”
Szabo – “Poem for Hustlers”
Lenore Kandel – “Grant Avenue”
Philip Whalen – “Duerden says: ‘Life is Therapy'”
Paul Blackburn – “Here They Go”
Joel Oppenheimer – “Public Affairs”
Joel Oppenheimer – “Poem in Praise of Perseverance”
John Harriman – “Antoninous Paper Number Two”
Barbara Moraff – [untitled] “im a hip song mistress…”
Barbara Moraff – [untitled] “ground like barren…”
Barbara Moraff – [untitled] “hiking out of sight…”
Barbara Moraff – [untitled] “the reactions…”
George Economou – “Carmen Mentulae”
Carol Berge – “An Answer to one of the Other Women”
Harry Fainlight – “42nd Street”
Rochelle Owens – “Manananimal”
George Montgomery – “Cockman”
Andrew Hoyem – “An Invocation to the Muse in her Low Haunts”
Al Fowler – “Junky II – Speedball”
Al Fowler – “Statutory Rape – (the plea)”
Al Fowler – “Junky”
Ed Sanders – “Three Poems from The Gobble Gang Poems”
Michael McClure – “Fuck Essay”
Nelson Barr – “A Bouquet of Fuckyous, offering #8”

9. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 5, edited by Ed Sanders
New York: Ed Sanders, December 1963
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 90 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editor’s Note: “Manuscripts! Manuscripts! puke us your spew, magic, music, loves, logoi, and vapours! Onward in the R?-vectors, all you blazing m.f.’s”

Contents:
Ed Sanders – “Total Assault on the Culture”
Allen Ginsberg – “The Change: Kyoto-Tokyo Express July 18, 1963”
Isis – “Incantation for the REvival of the Dead Osiris”
Robert Kaye – “8th & 42nd”
Robert Kaye – “for Quang Duc”
Robert Kaye – [untitled] “under falling water…”
Robert Kaye – [untitled] “i’m dead…”
Lenore Kandel – “Love Fuck Poem”
Tuli Kupferberg – “A Black & White Manifesto”
Peter Orlovsky – “Allen Jerking Off on Bed”
Mary Mayo – “The Dream of the Starving Birds”
Robert Nichols – “Message”
Robert Nichols – “Bakhunin”
Diane Wakowski – “Ordinary Poem, to Bob”
Julian Beck – [untitled] “horse pimples…”
Julian Beck – “Anarchy”
Julian Beck – [untitled] “that the collective not be…”
John Keys – “Impressions Taken from the Same Canteen”
John Keys – “Erikson”
John Keys – “Lesson 2”
Jim Standish – “Three Poems from the Mushroom Poems”
Harry Fainlight – “O London”
Herbert Huncke – “The Party”
Nelson Barr – “Love Poem”
Nelson Barr – “A Bouquet of Fuck Yous, offering #9”

10. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 6, edited by Ed Sanders
New York: Ed Sanders, April/May 1963
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 108 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editor’s Note: “Manuscripts!! we need high level poetic data, music, criticism, reviews, surveys, stories, magic, etc…. while we exist we should like to puke forth some totally mind-stomping issues…”

Contents:
Ed Sanders – “A Call to Action”
Harry Fainlight – “For the Ghost of Hart Crane”
Allen Ginsberg – “Walt Whitman”
Harry Fainlight – “Le Poete a Quatorze Ans”
Harry Fainlight – “Mescaline Notes”
Frank O’Hara – “Un Chant d’Amor”
Frank O’Hara – “In the Movies”
Peter Orlovsky – “Thank God….”
Ray Bremser – “Three Small Prater to the Genii”
Ray Bremser – “Frontal Phrenal Fit”
Al Fowler – [untitled] “are you going to the…”
Al Fowler – “Soup Poem”
Al Fowler – “My Last Shot of Stuff”
Szabo – “The Szabo Poems”
Diane Di Prima – “An Anniversary Poem, for Alan”
Diane Di Prima – “Take 3/16/61”
Diane Di Prima – “Take 3/15/61”
LeRoi Jones – “Houdini”
LeRoi Jones – “Letter to Elijah Muhammed”
LeRoi Jones – “Political Poem”
LeRoi Jones – “Double Feel”
Joel Oppenheimer – “Fragments of a Letter from New York to San Francisco”
Joel Oppenheimer – “For Our Cousins”
Joel Oppenheimer – “Where are My Glasses”
Joel Oppenheimer – “Balso’s Blues”
Carol Berge – “Chant for Half the World”
John Keys – “Star: Saskatchewan Two”
Nancy Ellison – [untitled] “i lie long mornings…”
Nancy Ellison – [untitled] “weed that hides rock…”
Nancy Ellison – [untitled] “i feel my body covered with dust…”
Nelson Barr – [untitled] “wingdlass, stingsalt skald’s brow hornhelmed…”
Nelson Barr – “A Bouquet of Fuckyou’s, offering #10”

11. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 7, edited by Ed Sanders
New York: Ed Sanders, September 1964
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 172 pages, mimeograph printed. Cover art by Robert LaVigne and illustrations by Ed Sanders.

Contents:
Ed Sanders – “Resistance against Goon Squads”
Charles Olson – “West Gloucester”
John Wieners – “The Imperatrice”
John Wieners – “Confession”
John Wieners – “Le Chariot”
John Wieners – [untitled] “And if to die…”
Robert Creeley – “Something”
Robert Creeley – “Two Times”
Allen Ginsberg – “from Long Unfinished Poem”
Robert Duncan – “Old Testament”
Robert Duncan – “New Testament”
William Burroughs – “Fluck you fluck you fluck you”
Norman Mailer – “The Executioner’s Song”
Gary Snyder – “Hymn to the Goddess San Francisco in Paradise”
Gregory Corso – “God is a Masturbator”
Philip Whalen – “Statement of Condition”
Philip Whalen – “The Great Beyond Denver”
Philip Whalen – “Papyrus Catalogue”
Philip Whalen – “Vector Analysis”
Philip Whalen – “Against the Magic War: An Open Letter to Robert Duncan”
Michael McClure – “Airs from a Forgotten Book”
Judith Malina – “On the Day of the Death…”
Harry Fainlight – “The Spider”
Robert Kelly – “In Commentary on the Gospel…”
Robery Kelly – “Poem for Ed Sanders”
Carl Solomon – “Nobody Tells Me the Truth Any More”
Carl Solomon – “Stringing Them Along”
Carl Solomon – “Relationships”
Carl Solomon – “The Delinquents”
Carl Solomon – “The Lunatic and Modern Art”
Arnaut Daniel – “Sirventes”
Arnaut Daniel – “Sirventes” (trans. Paul Blackburn)
Al Fowler – “Junky”
Al Fowler – “Larson O.D.’s; Fowler Scared Shitless”
Al Fowler – “Heroin”
Al Fowler – “Takeoff”
Al Fowler – “The Room. Junk Withdrawal”
Al Fowler – “Junky II – Speedball”
Antonin Artaud – [untitled] “The message of…” (trans. Robert Cordier)
Philip Lamantia – “Blue Grace”
Alden Van Buskirk – “The Ivory Bastard”
Alden Van Buskirk – “Kitchen”
Alden Van Buskirk – “Last Will And”
Alden Van Buskirk – “from Forest Park Fragments”
Alden Van Buskirk – “Lami, Leather Nightingale”

12. FUCK YOU/ A MAGAZINE OF THE ARTS, Volume 5, Number 8, edited by Ed Sanders
New York: Fug Press, March 1965
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 154 pages, mimeograph printed. Cover art by Andy Warhol and illustrations by Ed Sanders.

Contents:
Ed Sanders – “Fuck You – The Talk of the Town”
Lawrence Ferlinghetti – “To Fuck is to Love Again”
Michael McClure – “Poisoned Wheat”
Michael McClure – “Poem Cards”
Ed Sanders – “from the Gobble Gang Poems”
LeRoi Jones – “Word from the Right Wing”
LeRoi Jones – “Western Front”
Allen Ginsberg – “from Journals”
Allen Ginsberg – “Dream”
Ted Berrigan – “Sonnet III”
Ted Berrigan – “Sonnet LXVII”
Ted Berrigan – “Sonnet LXXVI”
Ted Berrigan – “Sonnet LXXVIII”
W.H. Auden -“A Gobble Poem”
Gerard Malanga – “Friends”
Vincent Ferrini – “IHS”
Peter Orlovsky – “Three Pages of Drawings with Notes…”
Harry Fainlight – “Street”
Gergory Corso – “At the Big A”
Claude Pelieu – “Four Shriek Pages…”
Al Fowler – [untitled] “man is the disconnected beast…”
Elise Cowan – [untitled] “A cockroach…”
Elsie Cowan – [untitled] “The first eye opens…”
Elsie Cowan – [untitled] “Easy to love…”
Elsie Cowan – [untitled] “I took the skin of corpses…”
John Keys – “The Relationships”
Robert Kaye – [untitled] “suffering cannot be merited…”
John Francis Putman – “Mythology”
John Francis Putman – “Freebie Peek at Remaindered Girlie Mags”
John Francis Putman – “All Saints Day”
Carol Berge – “Thank You”
Bill Fritsch – [untitled] “I stared into your…”
Al Katzman – “Directions I (for John Keys)”
Al Katzman – “The Bloodletting”
Gerard Malanga – “In the pores of his forehead…”
Gerard Malanga – “Some Thoughts of Jean Shrimpton”
Gerard Malanga – “Charles Olson among the White Trees”
Nancy Ellison – [untitled] “I sing the grave…”
Nelson Barr – “Guernica”

13. FUCK YOU/ A MAGAZINE OF THE ARTS, Volume 5, Number 9
New York: Ed Sanders, June 1965
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 100 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

Contents:
Ed Sanders – “Notes from the Editor”
Joe Brainard – untitled illustration
Pindar – “The First Olympian Ode”
Tom Veitch – “You Got a Point There, Pop”
Harry Fainlight – “Interregnum”
Harry Fainlight – “Image for Fowler”
Harry Fainlight – “The Question”
Harry Fainlight – “Cruising”
Harry Fainlight – “To Noreen”
Harry Fainlight – “Magic Song”
Gilbert Sorrentino – “from The Perfect Fiction”
John Wieners – “Memories of You”
Alden Van Buskirk – “The Pimple”
Szabo – [untitled] “Billy the Kid, the criminal…”
Taylor Mead – “My Monthly”
Robert Kelly – “Sporting News”
Lenore Kandel – “In the Comics”
David Henderson – [untitled] “David A. Wood…”
Al Fowler – [untitled] “night. in the orchards…”
Janine Pommey – “On Train From Living Theatre Heist to Paris”
Ted Berrigan – “Book Review”


References Consulted:

Clay, Steven and Rodney Phillips. A SECRET LOCATION ON THE LOWER EAST SIDE: ADVENTURES IN WRITING, 1960-1980
New York: New York Public Library / Granary Books, 1998

Marx, Jake. “Index to Fuck You / A Magazine of the Arts” in THE SERIF: QUARTERLY OF THE KENT STATE UNIVERSITY LIBRARIES, Volume VIII, Number 3
Kent: The Kent State University Libraries, September 1971


Online Resources:

· Boo-Hooray – Ed Sanders: Fuck You / A Magazine of the Arts

· From a Secret Location – Fuck You/ a magazine of the arts

· Reality Studio – Fuck You Press Archive

· Ubu Web – Fuck You: A Magazine of the Arts (1962-1965)