Tag Archives: San Francisco

Richard Brautigan – Books and Broadsides

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SECTION A:
This index includes books, chapbooks, booklets and broadsides


1. Brautigan, Richard. THE RETURN OF THE RIVERS
brautigan_returnFirst edition:
San Francisco: Inferno Press, May 1957
Broadside tipped into wrappers with tipped on label, 100 signed copies.  (Barber 4)
[not in archive]

Brautigan poem: “The Return of the Rivers” [collected in The Pill versus The Springhill Mine Disaster]

2. Brautigan, Richard. THE GALILEE HITCH-HIKER
First edition:
San Francisco: White Rabbit Press, 1958
Hand-sewn in printed and illustrated wrappers, 6.5″ x 8.5″, 16 pages, 200 copies, cover illustration by Kenn Davis. (Barber 7)

Brautigan poem: “The Galilee Hitch-Hiker”  [collected in The Pill versus The Springhill Mine Disaster]

Note: The Galilee Hitch-Hiker” is a single poem, with nine separate parts: “The Galilee Hitch-Hiker”, “The American Hotel”, “1939”, “The Flowerburgers”, “The Hour of Eternity”, “Salvador Dali”, “A Baseball Game”, “Insane Asylum”, “My Insect Funeral”

3. Brautigan, Richard. LAY THE MARBLE TEA
First edition:
San Francisco: Carp Press, April-May 1959
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 16 pages, 500 copies, cover illustration by Kenn Davis.  (Barber 11)

Brautigan poems: “Portrait of the Id As Billy The Kid”, “Sonnet”*, “The Chinese Checker Players”*, “Portrait of a Child-Bride on Her Honeymoon”, “Hansel and Gretel”, “April Ground”, “The Ferris Wheel”, “Night”, “Cyclops”*, “The Escape of the Owl”, “In a Cafe”*, “Fragment”, “Herman Melville in Dreams, Moby Dick in Reality”, “Kafka’s Hat”*, “Yes, the Fish Music”*, “Cantos Falling”, “The Castle of the Cormorants”*, “Feel Free to Marry Emily Dickinson”, “Cat”, “A Childhood Spent in Tacoma”, “To England”*, “A Boat”*, “Geometry”, “The Twenty-Eight Cents for My Old Age”
[* collected in The Pill versus The Springhill Mine Disaster]

Note: second printing issued in 1960

4. Brautigan, Richard. THE OCTOPUS FRONTIER
First edition:
San Francisco: Carp Press, 1960
Saddle-stapled in printed and pictorial wrappers, 5″ x 7″, 20 pages, cover photograph by Gui de Angulo. (Barber 12)

Brautigan poems: “The Sawmill”*, “1942”* [previously published in J, No. 5], “The Wheel”*, “The Pumpkin Tide”* [previously published in J, No. 4], “The Sidney Greenstreet Blues”* [previously published in J, No. 4], “The Quail”*, “The Symbol”*, “A Postcard from Chinatown”* [previously published in Foot, No. 1], “Sit Comma and Creeley Comma”*, “The Rape of Ophelia”* [previously published in Foot, No. 1], “The Last Music Is Not Heard” [previously published in Foot, No. 1], “The Octopus Frontier”, “The Potato House of Julius Caesar”, “The Fever Monument”* [previously published in J, No. 1], “The Winos on Potrero Hill”*, “Mike”, “Horse Race”* [previously published in Foot, No. 1], “The Old Folk’s Home”, “The Postman”*, “Surprise”* [previously published in J, No. 4], “The Nature Poem”* [previously published in Foot, No. 1], “Private Eye Lettuce”*
[* collected in The Pill versus The Springhill Mine Disaster]

5. Brautigan, Richard. SEPTEMBER CALIFORNIA
First edition:
San Francisco: San Francisco Arts Festival Commission, 1964
Broadside, 12.75″ x 20″, 300 copies. Laid into a portfolio entitled San Francisco Arts Festival: A Poetry Folio, 1964, illustrated by Richard Correll. Printed by East Wind Printers. (Barber 15)

Brautigan poem: “September California” [uncollected]

6. Brautigan, Richard. KARMA REPAIR KIT
First edition:
San Francisco: Communication Company, 1967
Broadside, 8.5″ x 11″, mimeograph printed.

Brautigan poems: “Karma Repair Kit” [collected in All Watched Over by Machines of Loving Grace]

7. Brautigan, Richard. ALL WATCHED OVER BY MACHINES OF LOVING GRACE
First edition:
San Francisco: Communication Company, 1967
Broadside, 8.5″ x 11″, mimeograph printed.

Brautigan poems: “All Watched Over by Machines of Loving Grace” [collected in All Watched Over by Machines of Loving Grace]

8. Brautigan, Richard. THE BEAUTIFUL POEM
First edition:
San Francisco: Communication Company, 1967
Broadside, 8.5″ x 11″, mimeograph printed.

Brautigan poem: “The Beautiful Poem” [collected in All Watched Over by Machines of Loving Grace]

Note: written during Brautigan’s poet-in-residency at the California Institute of Technology, in Pasadena, California, January 17-26, 1967.

9. Brautigan, Richard. LOVE POEM
First edition:
San Francisco: Communication Company, 1967
Broadside, 8.5″ x 11″, mimeograph printed.

Brautigan poems: “Love Poem” [collected in All Watched Over by Machines of Loving Grace]

10. Brautigan, Richard. FLOWERS FOR THOSE YOU LOVE
First edition:
San Francisco: Communication Company, 1967
Broadside, 8.5″ x 11″, mimeograph printed.

Brautigan poems: “Flowers for Those you Love” [collected in All Watched Over by Machines of Loving Grace]

11. Brautigan, Richard.  ALL WATCHED OVER BY MACHINES OF LOVING GRACE
First edition:
San Francisco: Communication Company, 1967
Side-stapled in printed and illustrated wrappers,  7″ x 8.75″, 36 pages, 1500 copies, cover photograph by Bill Brach.

Brautigan poems: “The Beautiful Poem”*, “December 24″*, “Milk for the Duck”*, “November 3″* [previously published in O’er, No. 2], “Flowers for Those You Love”*, “San Francisco”*, “Star Hole”*, “Love Poem”*, “I Lie Here in a Strange Girl’s Apartment”*, “It’s Raining in Love”* [previously published in Hollow Orange, No. 4], “Hey! This Is What It’s All About”*, “Our Beautiful West Coast Thing”*, “Widow’s Lament”*, “December 30″*, “Lovers”*, “A Mid-February Sky Dance”*, “Hey, Bacon!”*, “After Halloween Slump”*, “Hollywood”*, “It’s Going Down”*, “Albion Breakfast”*, “Comets”* [previously published in Hollow Orange, No. 4], “The Pomegranate Circus”*, “My Nose Is Growing Old”* [previously published in O’er, No. 2], “At the California Institute of Technology”* [previously published in Totem, May 1967], “Your Catfish Friend”*, “Karma Repair Kit: Items 1-4″*, “All Watched Over by Machines of Loving Grace”*, “A Good-Talking Candle”*, “Nine Things”* [previously published in Hollow Orange, No. 4], “A Lady”*, “Let’s Voyage into the New American House”*
[* collected in The Pill versus The Springhill Mine Disaster]

From the copyright page: “Permission is granted to reprint any of these poems in magazines, books and newspapers if they are given away free. Bill Brock live with us a while on Pine Street. He took the photograph in the basement. It was a beautiful day in San Francisco. Some of these poems first appeared in Hollow Orange, Totem, O’er, and Beatitude. Five poems were published as broadsides by the Communication Company.”

12. Brautigan, Richard. SPINNING LIKE A GHOST ON THE BOTTOM OF A TOP, I’M HAUNTED BY ALL THE SPACE THAT I WILL LIVE WITHOUT YOU
First edition:
San Francisco: Free City Collective, October 1967
Broadside, 8.5″ x 14″, offset printed.

Brautigan poems: “Spinning like a Ghost on the Bottom of a Top, I’m haunted by all the Space that I will live without You” [collected and retitled “Boo, Forever” in The Pill versus The Springhill Mine Disaster]

Note: included in an anthology of ten broadside poems, Free City News, No. 1, published by the Diggers in October 1967; also issued separately.

13. Brautigan, Richard. PLEASE PLANT THIS BOOK
First edition:
Santa Barbara: Graham Mackintosh, 1968
Printed and illustrated folder with eight printed seed packets laid in, 6.25″ x 7″, 1500 copies, printed by Graham Mackintosh, typography by J.S. Brooke, cover photographs of Caledonia Jahrmarkt by Bill Brach.

Brautigan poems: “California Native Flowers”, “Shasta Daisy”, “Calendula”, “Sweet Alyssum Royal Carpet”, “Parsley”, “Squash”, “Carrots”, “Lettuce”

Note: The front of each packet was printed with a poem titled for the type of seeds (four of flowers, four of vegetables) contained in that packet. Planting instructions were printed on the back, the same for all eight packets.

14. Brautigan, Richard. THE SAN FRANCISCO WEATHER REPORT
First edition:
San Francisco: Graham Mackintosh, 1968
Broadside, 8″ x 13″, letterpress printed

Brautigan poems: “The San Francisco Weather Report” [collected in The Pill versus The Springhill Mine Disaster]

15. Brautigan, Richard. THE PILL VERSUS THE SPRINGHILL MINE DISASTER
a. First edition, regular copies:
San Francisco: Four Seasons Foundation, 1968
Perfect-bound in photo-illustrated wrappers, 108 pages, cover photo by Edmund Shea. Published as Writing 20.

b. First edition, numbered and signed copies:
San Francisco: Four Seasons Foundation, 1968
Hardcover in paper-bound boards with cloth backstrip, 108 pages, 50 numbered and signed copies. Binding by Schuberth Bookbindery. Published as Writing 20.

Brautigan poems: in addition to thirty-eight previously uncollected poems, The Pill versus The Springhill Mine Disaster includes The Return of the Rivers (May 1957), all nine parts of The Galilee Hitch-Hiker (1958), nine poems from the Lay The Marble Tea (1959), seventeen poems from The Octopus Frontier (1960), and all thirty two poems from All Watched Over by Machines of Loving Grace (1967).

16. Brautigan, Richard. ROMMEL DRIVES ON DEEP INTO EGYPT
First edition:
New York: Delacorte Press/Seymour Lawrence, April 1970
Hardcover in photo-illustrated boards in dust jacket, cover photo by Edmund Shea.

Brautigan poems: a collection of eighty-five poems

17. Brautigan, Richard. LOADING MERCURY WITH A PITCHFORK
First edition:
New York: Simon and Schuster, 1976
Hardcover in cloth-bound boards in dust jacket, cover photo by Erik Weber

Brautigan poems: a collection of ninety-four poems; the poems were grouped in eight titled sections and featured the crow as a dominant figure throughout.

18. Brautigan, Richard. JUNE 30TH, JUNE 30TH
First edition:
New York: Delacorte Press/Seymour Lawrence, 1978
Hardcover in paper-bound boards in dust jacket, 99 pages, cover illustration by Walter Harper adapted from a photograph by Erik Weber of the Japanese immigration stamp in Brautigan’s passport.

Brautigan poems: a collection of seventy-seven poems, dated from May and June 1976, they form a poetic travel diary of Brautigan’s relationship with Japan, which he first visited during this time period. The form of this book follows the Japanese tradition of haibun, a collection of haiku gathered into a story line.

Carl Larsen – Contributions to Books and Anthologies

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SECTION B:
This index includes contributions to books and anthologies

1. FOUR NEW POETS, edited by Leslie Woolf Hedley
brautigan_fourSan Francisco: Inferno Press, 1957
First edition, perfect-bound illustrated wrappers, 5.5″ x 8″, 34 pages, Contributors include Martin Hoberman, Carl Larsen, Richard Brautigan, and James M. Singer. Brautigan’s first book appearance.

2. EYE POEMS, edited by E.V. Griffith
Eureka: Hearse Press, (c. 1960)
First edition, saddle-stapled wrappers in illustrated wrappers, 5.5″ x 8.5″, 16 pages, 100 numbered copies. Contributors include Farley Gay, James M. Singer, Kenneth Lawrence Beaudoin, Carl Larsen, E.V. Griffith, Charles Shaw, Shirley Summerfruct, Mason Jordan Mason.

3. BEAT GENERATION COOK-BOOK, edited by Carl Larsen and James M. Singer Jr.
New York: 7 Poets Press, 1961
First edition, saddle-stapled sheets tipped in to illustrated wrappers, 5.75″ x 8.75″, 36 pages, offset printed. Includes printed ads for other 7 Poets Press books including Bukowski’s Longshot Poems for Broke Players.

4. 3 ONE ACT PLAYS, edited by Chris Torrance
Torrance: Hors Commerce Press, July 1964
First edition, side-stapled sheets in printed cover with library-tape binding, 8.5″ x 11″, 150 numbered copies. Contributors include Kirby Congdon, Carl Larsen, d.a. levy. (Lowell A9)


5. IN A TIME OF REVOLUTION: POEMS FROM OUR THIRD WORLD, edited by Walter Lowenfels
New York: Vinatage Books, 1969
First edition, paperback original. Contributiors include: Carol Berge, Paul Blackburn, Grace Butcher, Diane Di Prima, Will Inman, Allen Katzman, Bob Kaufman, Tuli Kupferberg, Carl Larsen, d.a. levy, Clarence Major, David Meltzer, George Montgomery, Margaret Randall, Steven Richmond, Ed Sanders, William Wantling.

Robin Blaser

photo © by Helen Adams

Robin Francis Blaser (May 18, 1925 – May 7, 2009) was born in Denver, Colorado, he grew up in Idaho, and came to Berkeley, California, in 1944. There he met Jack Spicer and Robert Duncan, becoming a key figure in the San Francisco Renaissance of the 1950s and early 1960s. He moved to Canada in 1966, joining the faculty of Simon Fraser University; after taking early retirement in the 1980s, he held the position of Professor Emeritus.

Blaser is also well known as the editor of The Collected Books of Jack Spicer, which includes Blaser’s essay, The Practice of Outside. The 1993 publication The Holy Forest represents his collected poems to that date.

In 2006, Blaser received a special Lifetime Recognition Award given by the trustees of the Griffin Trust for Excellence in Poetry, which also awards the annual Griffin Poetry Prize. Blaser won the Prize itself in 2008.


Section A: Books and Broadsides

A1. APPARITORS
First edition:
San Francisco: Auerhahn Press 1963
Broadside, 13″ x 20″, 300 copies, signed by the author and artist. Illustration by Fran Herndon.

Note: Issued as part of the 17th Annual San Francisco Arts Festival: A Poetry Folio 1963, which contained 8 broadsides in a paper folio.

A2. Blaser, Robin. THE MOTH POEM
a. First edition, regular copies:
San Francisco: Open Space, December 1964
Side-stapled and glued into printed wrappers, 5.5″ x 8.25″, 32 pages, 288 copies, letterpress printed by Graham Mackintosh. (Johnston A21)

b. First edition, hand-colored copies:
San Francisco: Open Space, December 1964
Side-stapled and glued into printed wrappers, 5.5″ x 8.25″, 32 pages, 12 copies with hand-colored end papers by the author, letterpress by Graham Mackintosh. (Johnston A21)

c. Second edition:
San Francisco: Open Space, December 1964
Side-stapled and glued into printed wrappers, 5.5″ x 8.25″, 32 pages, 288 copies, offset printed in letterpress wrappers by Graham Mackintosh. (Johnston A23)

A3. LES CHIMERES
a. First edition, regular copies:
San Francisco: Open Space, 1965
Saddle-stapled printed wrappers, 5.5″ x 8.25″, 32 pages, 500 copies, letterpress printed.
(Johnston A27)

b. First edition, hardcover copies:
San Francisco: Open Space, 1965
Hardcover in printed dust jacket, 5.5″ x 8.25″, 32 pages, 26 lettered and signed copies, letterpress printed.
(Johnston A27)

A5. CUPS
a. First edition, regular copies:
San Francisco: Four Seasons Foundation, 1968
Stapled printed wrappers, 24 pages, 1000 copies, letterpress printed. Published as Writing 17.

b. First edition, hardcover copies:
San Francisco: Four Seasons Foundation, 1968
Hardcover, 24 pages, 40 numbered and signed copies, letterpress printed. Published as Writing 17.

A6. IMAGE NATIONS 1-12 & The Stadium of the Mirror
London: Ferry Press, 1974

A7. Image Nations 13 & 14
North Vancouver: Cobblestone Press, 1975

A8. Harp Trees
Vancouver: Sun Stone House & Cobblestone Press, 1977

A9. Image Nation 15: The Lacquerhouse
Vancouver: W. Hoffer, 1981

A10. Syntax
Vancouver: Talonbooks, 1983

A11. The Faerie Queene and The Park
Vancouver: Fissure Books, 1987

A12. Pell Mell
Toronto: Coach House Press, 1988

A13. The Holy Forest
Toronto: Coach House Press, 1993

A14. Nomad
Vancouver: Slug Press, 1995

A15. Wanders, with Meredith Quartermain
Vancouver: Nomados, 2002


References consulted:

Alastair Johnston. A BIBLIOGRAPHY OF THE WHITE RABBIT PRESS
Berkeley: Poltroon Press in association with Anacapa Books, 1985

Auerhahn Press: Commissioned Publications

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Section C:
This index collects commissioned publications printed by Auerhahn Press for various publishers and private parties from 1961 through 1965.


1. SAN FRANCISCO TRIBUTE TO KENNETH PATCHEN
patchen_tributeFirst edition:
San Francisco: (Auerhahn Press), 1961
Hand-sewn in printed wrappers, 5.5″ x 8″, 8 pages, printed at the Auerhahn Press. Program for memorial service, includes illustrated Patchen poem. (Auerhahn 9)

2. Pomeroy, Ralph. STILLS & MOVIES
pomeroy_stillsFirst edition:
San Francisco: Gesture Press, 1961
Perfect-bound in illustrated wrappers, 6.25″ x 9″, 41 pages, 500 copies printed at the Auerhahn Press. Cover art by Harold Bruder. (Auerhahn 11)

Note: Printed announcement issued.

3. Suffin, Arnold. RESURRECTION
suffin_resurrectionFirst edition:
San Francisco: Arnold Suffin, 1961
Saddle-stapled in printed wrappers, 5.25″ x 8″, 40 pages, 200 copies, printed at the Auerhan Press. (Auerhahn 12)


4. Racine, Jean. BRITTANICUS
racine_britannicusFirst edition:
San Francisco: Folio 1, 1962
Hardcover in cloth-covered boards, 6.25″ x 8.25″, 87 pages, 300 numbered copies, printed at the Auerhahn Press, bound by the Schuberth Bindery. Block prints by Tanya Lohman. (Auerhahn 16)

Note: Printed announcement issued.

5. Magistretti, Paul. NOTES OF WHAT I CAN’T BE, OF WHAT I AM
magistretti_notesFirst edition:
San Francisco: The New Gnu Press, 1962
Perfect-bound in printed wrappers, 4.25″ x 7″, 40 pages, 400 numbered copies, printed at the Auerhahn Press. (Auerhahn 25)

Note: Printed announcement issued.

6. Hillsborough Garden Club. PLANTS FOR PICKING
San Francisco: Auerhahn Press, 1963
(Auerhahn 26)

7. Magowan, Robin. VOYAGE NOIR
magowan_voyageFirst edition:
Seattle: Robin Magowan, 1962
Hand-sewn in printed wrappers, 6″ x 8.5″, 36 pages, 500 copies, printed at the Auerhahn Press. Cover illustration by Hervé Télémaque. (Auerhahn 27)

8. Powell, Roxie. DREAMS OF STRAW
powell_dreamsFirst edition:
San Francisco: Roxie Powell,1963
Hand-sewn printed wrappers, 4.5″ x 6.75″, 16 pages, 250 copies, printed by Dave Haselwood and Charles Plymell at the Auerhahn Press. (Auerhahn 28)

9. Black, M. Graham. M. GRAHAM BLACK SENDS HIS OWN VERSES…
First edition:
San Francisco: Auerhahn Press, 1963
Hand-sewn in printed wrappers, 4.75″ x 6.5″, 8 pages, 100 copies, printed at the Auerhahn Press. (Auerhahn 29)


10. Elvin, Steve. DRAWINGS OF A PEYOTE BOY
elvin_drawingsFirst edition:
San Francisco: Batman Gallery, (1963)
Printed envelope containing 8 sheets printed with line cuts (one tinted), 9″ x 11″, printed at the Auerhahn Press. (Auerhahn 30)


11. Blackley, R. John. BEYOND DUST
blackley_beyondFirst edition:
San Francisco: n.p., 1964
Perfect-bound in printed wrappers, 8″ x 10.25″, 64 pages, 175 numbered and signed copies, printed at the Auerhahn Press. (Auerhahn 31)


12. KOSHIRO ONCHI, 1891-1955: WOODCUTS
First edition:
San Francisco: Achenbach Foundation for Graphic Arts, 1964
Perfect-bound wrappers, 6.5″ x 8.5″, 42 pages, (750 copies), printed at the Auerhahn Press. (Auerhahn 32)

13. Corrington, John William. THE ANATOMY OF LOVE…
corrington_anatomya. First edition, regular copies:
Fort Lauderdale: Roman Books, 1964
Perfect-bound in printed wrappers, 6.5″ x 9″, 86 pages, 1000 copies, printed at the Auerhahn Press. Introduction by Richard Whittington. (Auerhahn 33)

b. First edition, hardcover, signed copies:
Fort Lauderdale: Roman Books, 1964
Hardcover in paper-covered boards with cloth spine, 6.5″ x 9″, 86 pages, 50 numbered and signed copies, printed at the Auerhahn Press, bound by the Schuberth Bindery. Introduction by Richard Whittington. (Auerhahn 33)

14. Williams, Jonathan. LINES ABOUT HILLS ABOVE LAKES
williams_linesa. First edition, regular copies:
Fort Lauderdale: Roman Books, 1964
Perfect-bound in printed wrappers, 6.25″ x 9″, 27 pages, 750 copies, printed at the Auerhahn Press. Illustrated by Barry Hall. Foreword by John Wain. (Auerhahn 34)

b. First edition, hardcover, signed copies:
Fort Lauderdale: Roman Books, 1964
Hardcover in paper-covered boards with cloth spine, 6.25″ x 9″, 27 pages, 50 numbered and signed copies, printed at the Auerhahn Press, bound by the Schuberth Bindery. Illustrated by Barry Hall. Foreword by John Wain. (Auerhahn 34)

15. Johnson, Ronald. A LINE OF POETRY, A ROW OF TREES
johnson_linea. First edition, regular copies:
Highlands: The Nantahala Foundation, 1964
Perfect-bound in illustrated french-fold wrappers in glassine dust jacket,  6.5″ x 10″, 80 pages, 500 copies, printed at the Auerhahn Press, errata slip noting the omitted dedication to Olson laid in. Illustrated by Thomas George. The author’s first book. Published as Jargon 42. (Auerhahn 35)

b. First edition, hardcover, signed copies:
Highlands: The Nantahala Foundation, 1964
Hardcover in cloth-covered boards in unprinted dust jacket, 6.5″ x 10″, 80 pages, 50 numbered and signed copies, printed at the Auerhahn Press, bound by the Schuberth Bindery. Illustrated by Thomas George. The author’s first book. Published as Jargon 42.
(Auerhahn 35)

16. THE NEXUS CATALOGUE
nexus_catalogFirst edition:
La Jolla: The Nexus, 1964-65
Saddle-stapled in printed wrappers, 4″ x 8.75″, 16 pages, printed at the Auerhahn Press. (Auerhahn 36)



Ebbe Borregaard

Ebbe Borregaard 1970Ebbe Borregaard’s work was published in the first run of White Rabbit Press in 1958 and then by Oyez using the name “Gerard Boar”, the anagrammatic pseudonym of his last name. He also appeared in several periodicals over the years and self-published some poetry and letters.

Along with his wife Joy, Ebbe owned and operated Borregaard’s Museum and Art Gallery. The idea behind establishing the venue in 1960 was to showcase the creative achievement of the Spicer circle. Helen Adam’s play SAN FRANCISCO’S BURNING was performed by Adam and her sister Pat in that first year. The following year the museum hosted a show of Jess’s work as well as a series of lectures by Duncan.

Borregaard also ran Oannes Press, publishing two titles: Helen and Pat Adam’s SAN FRANCISCO’S BURNING and James Alexander’s ETURNATURE, the latter in conjunction with Open Space.

Moving to Bolinas in 1969, Borregaard was later included in ON THE MESA: AN ANTHOLOGY OF BOLINAS WRITING published in 1971 by City Lights.


Section A:
Books and Broadsides

A1. Borregaard, Ebbe. THE WAPITIS
borregaard_wapitisFirst edition:
San Francisco: White Rabbit Press, January 1958
Hand-sewn illustrated wrappers, 6.5″ x 8.5″, 12 pages, (200 copies). Ebbe Borregaard’s first book. Cover illustration by Robert Duncan. (Johnston A4)

A2. Borregard, Ebbe. LEANTO: THE JOURNAL EXTRACT FROM THE ORIGINAL BY THE AUTHOR
First edition:
San Francisco: privately published, 1960
Illustrated french-fold wrappers, 125 copies, mimeograph. Illustrated by J. Alexander.

A3. Borregaard, Ebbe. [LETTERS TO SPRACH]
First edition:
Berkeley: privately published, 1963
Side-stapled sheets in unprinted card covers, 7″ x 10″, 58 pages, 20 copies. Preface by Ebbe Borregaard dated Christmas 1963.

Title supplied from Serendipity Books Catalogue 35, item no. 36 which also states that no more than 20 copies were printed.

A4. Borregaard, Ebbe. WHEN DID MORNING WIND RIP CALLOW FLOWERS IN MAY
First edition:
San Francisco: Arts Festival, 1964
Illustrated broadside, 12.5″ x 20″,  300 copies. Illustrated by Jess Collins.

A broadside issued as part of the 1964 San Francisco Arts Festival portfolio: A POETRY FOLIO, which contained 11 broadsides.

A5. Borregaard, Ebbe. CHILDHOOD OF DWARF CHRIST 1

First edition:
Sussex: Collection, 1969
Side-stapled illustrated wrappers, 9 copies, off-print of pages  25-36 from Collection 3 edited by Peter Riley.

A6. Boar, Gerard. SKETCHES FOR 13 SONNETS 
a. First edition, regular copies:
Berkeley: Oyez, 1969
Saddle-stapled printed wrappers, 7.75″ x 9.75″, 1600 copies, designed and printed by Graham Mackintosh.

b. First edition, hardcover copies:
Berkeley: Oyez, 1969
Hardcover, number of copies unknown, designed and printed by Graham Mackintosh.

A7. Borregaard, Ebbe. FRIDAY NIGHT PROVERBS
First edition:
Bolinas, n.d.
Broadside.


Section B:
Contributions to Periodicals and Anthologies

B1. J, No. 1, edited by Jack Spicer
mags_j01San Francisco, 1959
“Ballad for Billy Swan”, “Ballad for SAD”





B2. FOOT, No.1, edited by Richard Duerdan
mags_foot01San Francisco, September 1959






B3. LOCUS SOLUS, No. 1
1961
“Other stories of the beauty wapiti”, “wapiti 3”, “From ‘Sprach'”

B4. M, No. 2, edited by Lew Ellingham
mags_m02San Francisco: M, 1962
“October Seventh Poem”





B5. ANGEL HAIR, No. 3, edited by Lewis Warsh and Anne Waldman
New York: Angel Hair, Summer 1969

B6. COLLECTION, No. 3, edited by Peter Riley
Sussex, January 1969
“Childhood of Dwarf Christ 1”

B7. ANGEL HAIR, No. 6, edited by Lewis Warsh and Anne Waldman
New York: Angel Hair, Spring 1969

B8. EPHEMERIS, No. 2, edited by David Schaff
San Francisco, c. 1969
“Eros in Error”

B9. WRITING, No. 4, edited by Stan Persky and Dennis Wheeler
Vancouver: Georgia Straight, 1970

B10. WRITING, No. 7, edited by Stan Persky and Dennis Wheeler
Vancouver: Georgia Straight, 1971

B11. SESHETA, No. 2, edited by Andi Wachtel and Richard Downing
Surrey: Sesheta Press, Spring 1972

B12. ADVENTURES IN POETRY, No. 11, edited by Larry Fagin
New York: The Poetry Project, Spring 1974
“October Seventh Poem”


References consulted:

Alastair Johnston. A BIBLIOGRAPHY OF THE WHITE RABBIT PRESS
Berkeley: Poltroon Press in association with Anacapa Books, 1985

David Meltzer

beatphotolg
Wallace Berman, Papa’s Got a Brand New Bag, 1964. Mixed-media collage

 

 

David Meltzer was born in Rochester, New York, and raised in Brooklyn. He began his literary career during the San Francisco Beat and Berkeley Renaissance period in California, and his work was included in the anthology, The New American Poetry 1945-1960. At the age of 20 he recorded his poetry with jazz musicians in Los Angeles and also became a singer-songwriter and guitarist for several bands during the 1960s, including The Serpent Power. He is the author of over 40 volumes of poetry, and has also published fiction and essays, and has edited numerous anthologies and collections of interviews.

Meltzer taught in the humanities and poetics programs at the New College of California in San Francisco for 30 years. In 2008, he received the Foundation for Contemporary Arts Grants to Artists Award. He was also given the Bay Area Guardian’s Lifetime Achievement Award, and in 2012 was nominated for the Northern California Book Award in Poetry.

Diane di Prima has said, “David Meltzer is a hidden adept, one of the secret treasures on our planet. Great poet, musician, comic; mystic unsurpassed, performer with few peers.”


A. Books and Broadsides

1. Meltzer, David. POEMS
First edition:
San Francisco: Donald & Alice Shenker, [1957]
Side-stapled sheets in printed wrappers with library tape binding, 25 copies, offprint of David Meltzer / Donald Shenker book comprising only the Meltzer section and with a variant cover omitting Shenker’s name and a revised colophon.

2. Meltzer, David. RAGAS
First edition:
San Francisco: Discovery Books, 1959
Saddle-stapled printed wrappers, 52 pages, (1500 copies). Cover design by Peter LeBlanc.

3. Meltzer, David. THE CLOWN
First edition:
Larkspur: Semina, 1960
Printed sheets laid into printed folder, 335 copies. Letterpress printed by Wallace Berman.

4. Meltzer, David. WE ALL HAVE SOMETHING TO SAY TO EACHOTHER
First edition:
San Francisco: Auerhahn Press, 1962
Saddle-stapled illustrated wrappers, 6.25″ x 8.5″, 12 pages, 750 copies. Published as Auerhahn Pamphlet No. 2. Letterpress printed by Dave Haselwood. (Auerhahn 19)

5. Meltzer, David. BAZASCOPE MOTHER
First edition:
Los Angeles: Drekfesser Press, [1964]
Single sheet folded once to make four pages, 5.5″ x 8.5″, 250 copies. Cover collage by I.E. Alexander, rear photograph by Zack Walsh.

6. Meltzer, David. STATION
First edition:
San Francisco: San Francisco Arts Festival Commission, 1964
Broadside, 13″ x 20″, 300 copies. Illustrated by Peter Bailey. Printed by East Wind Printers.

7. Meltzer, David. THE BLACKEST ROSE
First edition:
Berkeley: Oyez, 1964
First edition, broadside, 11″ x 17.5″, 350 copies, letterpress printed by Dave Haselwood at his Auerhahn Press and published as Oyez 6.

8. Meltzer, David. THE PROCESS
a. First edition, regular copies:
Berkeley: Oyez, 1965
Saddle-stapled illustrated french-fold wrappers, 44 pages, 500 copies, the first Oyez book designed by Dave Haselwood and printed by Graham Mackintosh. Cover illustration by  Peter LeBlanc.

b. First edition, numbered and signed copies:
Berkeley: Oyez, 1965
Hardcover in cloth-bound boards with illustrated dust jacket, 44 pages, 25 numbered and signed copies, the first Oyez book designed by Dave Haselwood and printed by Graham Mackintosh. Cover illustration by  Peter LeBlanc.

9. Meltzer, David. THE DARK CONTINENT
a. First edition,  regular copies:
Berkeley: Oyez, 1967
Perfect-bound in illustrated and printed wrappers, 94 pages, 1000 copies printed by Graham Mackintosh. Cover design by Peter LeBlanc.

b. First edition, lettered and signed copies:
Berkeley: Oyez, 1967
Hardcover in cloth-bound boards without dust jacket as issued, 94 pages, 26 lettered and signed copies printed by Graham Mackintosh

10. Meltzer, David. ROUND THE POEM BOX
a. First edition, regular copies:
Los Angeles: Black Sparrow, 1969
Perfect-bound in printed wrappers, 8.5″ x 5.5″, 32 pages, 300 copies. Illustrated by David Meltzer. (Morrow & Cooney 60a)

b. First edition, numbered and signed copies:
Los Angeles: Black Sparrow, 1969
Hardcover in cloth-bound boards with printed paper label in acetate dust jacket as issued, 32 pages, 125 numbered and signed copies. Illustrated by David Meltzer. (Morrow & Cooney 60b)

c. First edition, lettered and signed copies:
Los Angeles: Black Sparrow, 1969
Hardcover in leather-bound boards in acetate dust jacket as issued, 32 pages, 26 lettered and signed copies. Illustrated by David Meltzer. (Morrow & Cooney 60c)

11. Meltzer, David. YESOD
a. First edition, regular copies:
London: Trigram Press, 1969
Perfect-bound in printed wrappers, 61 pages. Illustrated by David Meltzer.

b. First edition, numbered and signed copies:
London: Trigram Press, 1969
Hardcover in cloth-bound boards with foil-stamping in acetate dust jacket as issued, 61 pages, 100 numbered and signed copies. Illustrated by David Meltzer.

12. Meltzer, David. GREENSPEECH
a. First edition, regular copies:
Goleta: Christopher Books, 1970
Saddle-stapled in printed wrappers, 16 pages.

b. First edition, numbered and signed copies:
Goleta: Christopher Books, 1970
Hardcover bound in printed paper-covered boards , 16 pages, 50 numbered and signed copies.

13. Meltzer, David. LUNA
a. First edition, regular copies:
Los Angeles: Black Sparrow Press, July 1970
Perfect-bound in illustrated wrappers, 82 pages, 1000 copies printed by Noel Young. Cover illustration by Wallace Berman. (Morrow & Cooney 88a)

b. First edition, numbered and signed copies:
Los Angeles: Black Sparrow Press, July 1970
Hardcover bound in printed paper-covered boards in acetate dust jacket as issued , 16 pages, 200 numbered and signed copies printed by Noel Young. Cover illustration by Wallace Berman. (Morrow & Cooney 88b)

c. First edition, lettered and signed copies:
Los Angeles: Black Sparrow Press, July 1970
Hardcover bound in printed paper-covered boards in acetate dust jacket as issued, 16 pages, 26 lettered and signed copies printed by Noel Young. Frontispiece illustration by David Meltzer. Cover illustration by Wallace Berman. (Morrow & Cooney 88c)

14. Meltzer, David. HERO/LIL
a. First edition, regular copies:
Los Angeles: Black Sparrow: Black Sparrow, 1973

b. First edition, numbered and signed copies:
Los Angeles: Black Sparrow: Black Sparrow, 1973
Hardcover bound in printed paper-covered boards in acetate dust jacket as issued, 175 numbered and signed copies.

c. First edition, lettered and signed copies:
Los Angeles: Black Sparrow: Black Sparrow, 1973
Hardcover bound in printed paper-covered boards in acetate dust jacket and slipcase as issued, 26 lettered and signed copies. Original illustration by David Meltzer bound in.

15. Meltzer, David. BARK, A POLEMIC
a. First edition, regular copies:
Santa Barbara: Capra Press, February 1973
Perfect-bound in printed wrappers, 42 pages, 75 numbered and signed copies. Published as Yes! Capra Chapbook Number 6.

b. First edition, numbered and signed copies:
Santa Barbara: Capra Press, February 1973
Hardcover bound in printed paper-covered boards, 42 pages, 75 numbered and signed copies. Published as Yes! Capra Chapbook Number 6.

16. Meltzer, David. THE EYES, THE BLOOD
San Francisco: Mudra, 1973
Hand-sewn plain white wrappers in printed dust jacket, 20 pages, 500 copies printed at the Cranium Press.

17. Meltzer, David. BLUE RAGS
Berkeley: Oyez, 1974

18. Meltzer, David. HARPS
Berkeley: Oyez, 1975

19. Meltzer, David. SIX
Santa Barbara: Black Sparrow, 1976

20. Meltzer, David. TWO-WAY MIRROR
Berkeley: Oyez, 1977

21. Meltzer, David. ARROWS: SELECTED POETRY, 1957-1992
Santa Rosa: Black Sparrow Press, 1994

22. Meltzer, David. NO EYES: LESTER YOUNG
Santa Rosa: Black Sparrow, 2000

23. Meltzer, David. DAVID’S COPY
New York: Penguin Group Press, 2005

24. Meltzer, David. WHEN I WAS A POET
San Francisco: City Lights, June 2011


B. Contributions to Periodicals

1. PENINSULA
Gainesville: University of Florida, 1956
“4 July”

2. SEMINA, No. 1
Los Angeles: Wallace Berman, 1956
“An Unpublished Letter to Some Lost Relatives”

3. DAZZLE
San Francisco: Playgirl Publishing, 1957
“Kick Me Deadly”

4. SEMINA, No. 2
San Francisco: Wallace Berman, 1957
“Upon a Time”

5. SEMINA, No. 4
San Francisco: Wallace Berman, 1959
“Sampson Agonistes”

6. SPREE, Vol. 1, No. 7
Los Angeles: New Publishing Company, 1959
“Judgement Day”

7. PENNY POEMS, No. 27
New Haven: Penny Poems, 1959
“24th Raga/ For Tina”


References Consulted:

Bohn, Dave. OYEZ: THE AUTHORIZED CHECKLIST
Berkeley: n.p., 1997

Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS
Berkeley: Poltroon Press, 1976

Morrow, Bradford and Seamus Cooney. A BIBLIOGRAPHY OF THE BLACK SPARROW PRESS, 1966-1978
Santa Barbara: Black Sparrow Press, 1981

Beatitude

Beatitudethe quintessential Beat magazine—was “edited & produced on a kick or miss basis by a few hardy types who sneak out of alleys near Grant Avenue—the only responsible party being: John Kelly, publisher….” The magazine was founded in 1958 by Kelly, William J. Margolis, and jazz/surrealist poet Bob Kaufman, who said it “was designed to extol beauty and promote the beatific life among the various mendicants, neo-existentialists, christs, poets, painters, musicians and other inhabitants and observers of North Beach.”

Beatitude was initially printed on a mimeo machine at Pierre Delattre’s Bread and Wine Mission. Contributors included Allen Ginsberg, Lenore Kandel, ruth weiss, Philip Lamantia, Gregory Corso Richard Brautigan, and the editors, among dozens of others. There are 34 issues in the magazine’s first incarnation.

Semina

>> return to WALLACE BERMAN main page >>

This index lists issues of Semina


seminaSEMINA, edited by Wallace Berman
 Los Angeles, San Francisco, Larkspur: 1955-1964
Nine issues in various limitations (<200 copies), letterpress printed, tipped photographs, contributors include Berman, John Altoon, Antonin Artaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, and John Weiners, amongst many others.

(facsimile edition) SEMINA, edited by Wallace Berman and compiled by George Herms
Venice: Love Press (George Herms), 1992
First edition thus, 1/300 copies signed by George Herms, individual facsimile reproductions of SEMINA magazine issues 1-9, plus a loose colophon signed and numbered by George Herms laid into a printed chipboard box, as issued. This meticulous facsimile recreation of Wallace Berman’s legendary (and legendarily scarce) handmade Beat literary/art magazine from the late 1950s early 60s took four years to bring to fruition, contributors include Berman, John Altoon, Antonin Artaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, and John Weiners, amongst many others. This edition has been assembled in the fashion of the originals: handset letterpress on scraps of colored paper, photos, pastedowns, etc. The project was edited and overseen by Berman’s friend and fellow collage/assemblage artist George Herms.

THE SAN FRANCISCO CAPITALIST BLOODSUCKER-N

mags_capitalist

 

 

Published during the so-called “magazine wars” of the early 1960s, George Stanley’s THE SAN FRANCISCO CAPITALIST BLOODSUCKER-N lasted just one issue. Stan Persky, Lew Ellingham, and Gail Chugg edited M, gathering contributions from a box at  Gino & Carlo’s Bar in San Francisco’s North Beach. Richard Duerden was editing FOOT; with Ron Loewinsohn he was also editing THE RIVOLI REVIEW, produced in Duerden’s apartment on Rivoli Street in the Haight-Ashbury district. Loewinsohn and Richard Brautigan soon produced another magazine, CHANGE.

As Ron Loewinsohn recalled, “Everybody seemed to have access to a mimeograph machine. You could then put out your own magazine. This was marvelous: it meant instant publication, instant reaction from people.”

It wasn’t until 1964, that Stan Persksy’s OPEN SPACE took up the publishing necessary to the Jack Spicer circle and its friends…

further reading…