Tag Archives: small press

The Floating Bear

[excerpt from Steve Clay and Rodney Phillips’ A SECRET LOCATION ON THE LOWER EAST SIDE. Granary Books, 1998]:

Named for Winnie-the-Pooh’s boat made of a honey pot (“Sometimes it’s a Boat, and sometimes it’s more of an Accident”), The Floating Bear, started in February 1961, was a mimeographed “newsletter” distributed by mailing list whose mission was the speedy dissemination of new literary work. Under the editorship of Diane di Prima and LeRoi Jones (guest editors included Billy Linich [a.k.a. Billy Name], Alan Marlowe, Kirby Doyle, John Wieners, and Bill Berkson), twenty-five issues came out in the magazine’s first two years. Contributing writers included Charles Olson, Robin Blaser, Robert Creeley, Philip Whalen, Paul Blackburn, and Ed Dorn, while Ray Johnson and Wallace Berman were among the many visual artists whose work was presented. This tremendous output was due at least in part to Jones’s experience as editor at Yugen and Totem Press and to his voracious working habits. Di Prima recalls, “LeRoi could work at an incredible rate. He could read two manuscripts at a time, one with each eye. He would spread things out on the table while he was eating supper, and reject them all—listening to the news and a jazz record he was going to review, all at the same time.”

Occasionally a group would convene to put out the Bear. “In the winter of 1961–62, we held gatherings at my East Fourth Street pad every other Sunday. There was a regular marathon ball thing going on there for a few issues. Whole bunches of people would come over to help: painters, musicians, a whole lot of outside help. The typing on those particular issues was done by James Waring, who’s a choreographer and painter. Cecil Taylor ran the mimeograph machine, and Fred Herko and I collated, and we all addressed envelopes.” One of the recipients of Bear 9 was Harold Carrington, a poet who was in prison in New Jersey. The censor read his mail and objected to the contents of the issue, which included Jones’s The System of Dante’s Hell and William S. Burroughs’s Routine. Jones and di Prima were subsequently arrested on obscenity charges on October 18, 1961. Di Prima remembers, “I heard a knock on my door early in the morning which I didn’t answer because I never open my door early in the morning in New York City. In the morning in New York City is only trouble. It’s the landlords, it’s Con Edison, it’s the police, it’s your neighbors wanting to know why you made so much noise last night, it’s something awful, and before noon I never open my door.” There was a grand jury hearing, but after Jones’s two-day testimony, they failed to return an indictment. Jones resigned from The Floating Bear in 1963 after issue 25. Di Prima moved briefly to California in 1962 and the magazine came out irregularly over the next several years, culminating in a very large issue in 1971 guest-edited by Allen De Loach in Buffalo. It was called The Intrepid-Bear Issue: Intrepid 20/Floating Bear 38.


Online Resources:

· Reality Studio – Floating Bear Archive

Richard Brautigan – Contributions to Periodicals

>> return to RICHARD BRAUTIGAN main page >>

SECTION C:
This index includes contributions to periodicals; entries within years are approximate


1. FLAME, Vol. 2, No. 3, edited by Lilith Lorraine
Alpine: Flame, Autumn 1955

Brautigan poem: “Someplace in the World a Man is Screaming in Pain” [uncollected] (not in Barber)



2. EPOS, Vol. 8, No. 2, edited by Evelyn Thorne and Will Tullos
mags_epos0802Lake Como: New Athenaeum Press, Winter 1956

Brautigan poem: “The Second Kingdom” [uncollected] (Barber 1)

Note: a love poem inspired by Linda Webster.

3. CAXTON POETRY REVIEW, Vol. 1, No. 2, edited by Albert R. Temple and Evelyn T. Browning
Cincinnati: Caxton Press,  Winter 1956-57
[not in archive]

Brautigan poem: “A Correction” [uncollected] (not in Barber)

4. CAXTON POETRY REVIEW, Vol. 1, No. 3, edited by Albert R. Temple and Evelyn T. Browning
Cincinnati: Caxton Press, Spring 1957
[not in archive]

Brautigan poem: “If the Wind Should Borrow Time” [uncollected] (not in Barber)


5. EPOS, Vol. 8, No. 4, edited by Evelyn Thorne and Will Tullos
mags_epos0804Lake Como: Epos, Summer 1957

Brautigan poem: “A Young Poet” [uncollected] (Barber 2)



6. MAINSTREAM, Vol. 2, No. 2, edited by Robin Raey Cuscaden and Ronald Offen
Palatine: Jack R. Lander, Summer-Autumn 1957

Brautigan poem: “The Final Ride” [uncollected]
(not in Barber)



7. THE BERKELEY REVIEW, Vol. 1, No. 3, edited by William P. Barlow
Berkeley: The Berkeley Review, September 1957

Brautigan poems: “The Return of the Rivers” [collected in The Pill versus The Springhill Mine Disaster], “The Horse That Had A Flat Tire” [collected in The Pill versus The Springhill Mine Disaster]

8. EXISTARIA, No. 7, Edited by Carl Larsen
Hermosa Beach, September-October 1957

Brautigan poems: “The Daring Little Guy on the Burma Shave Sign” [uncollected], “The World Will Never End” [uncollected] (not in Barber)


9. DANSE MACABRE, Vol. 1, No. 1, edited by R.T. Baylor
Manhattan Beach: Danse Macabre, 1957
[not in archive]

Brautigan poems: “They Keep Coming Down the Dark Streets” [uncollected], “15 Stories in One Poem” [uncollected] (not in Barber)

10. HEARSE, No. 2, edited by E.V. Griffith
Eureka: Hearse Press, 1958

Brautigan poem: “15 Stories in One Poem” [previously published in Danse Macabre]
(Barber 5)


11. HEARSE, No. 3, edited by E.V. Griffith
Eureka: Hearse Press, 1958

Brautigan poems: “The Mortuary Bush” [previously published in Four New Poets], “Twelve Roman Soldiers and an Oatmeal Cookie” [previously published in Four New Poets]

12. EPOS, Vol. 9, No. 3, edited by Will Tullos and Evelyn Thorne
Lake Como: Epos, Spring 1958

Brautigan poem: “Kingdom Come” [uncollected]
(Barber 9)



13. SAN FRANCISCO REVIEW, No. 2, edited by R.H. Miller
mags_sfreview02
San Francisco, Spring 1959

Brautigan poem: “Psalm” [uncollected]
(Barber 10)



14. BEATITUDE, No. 1, edited by Bob Kaufman, John Kelly, and William J. Margolis
San Francisco: Beatitude, May 1959
[not in archive]

Brautigan poem: “The Whorehouse at the Top of Mount Rainier” [collected in Beatitude Anthology]


15. BEATITUDE, No. 4, edited by Bob Kaufman, John Kelly, and William J. Margolis
San Francisco: Beatitude, May 1959
[not in archive]

Brautigan poems: “The American Submarine” [collected in Beatitude Anthology], “A Postcard from the Bridge” [collected in Beatitude Anthology], “That Girl” [collected in Beatitude Anthology], “The Sink” [collected in Beatitude Anthology]

16. BEATITUDE, No. 9, edited by Bob Kaufman, John Kelly, and William J. Margolis
San Francisco: Beatitude, September 1959
[not in archive]

Brautigan poem: “Swandragons” [collected in Beatitude Anthology]


17. J, No. 1, edited by Jack Spicer
mags_j01
San Francisco, September 1959
Cover illustration by Fran Herndon

Brautigan poem: “The Fever Monument” [collected in The Octopus Frontier]


18. FOOT, No.1, edited by Richard Duerdan
San Francisco, September 1959
Cover illustration by Robert Duncan

Brautigan poem: “The Rape of Ophelia” [collected in The Octopus Frontier], “Postcard from Chinatown” [collected in The Octopus Frontier], “The Nature Poem” [collected in The Octopus Frontier], “Horse Race” [collected in The Octopus Frontier], “The Last Music is Not Heard” [collected in The Octopus Frontier]

19. J, No. 4, edited by Jack Spicer
San Francisco, November 1959
Cover illustration by Fran Herndon

Brautigan poem: “The Pumpkin Tide” [collected in The Octopus Frontier], “The Sidney Green Street Blues” [collected in The Octopus Frontier], “Surprise” [collected in The Octopus Frontier]

20. J, No. 5, edited by Jack Spicer
San Francisco, December 1959
Cover illustration by Fran Herndon

Brautigan poem: “1942” [collected in The Octopus Frontier]


21. HEARSE, No. 9, edited by E.V. Griffith
Eureka: Hearse Press, 1961

Brautigan poem: “The Rain” [uncollected]




22. CHANGE, No. 1, edited by Richard Brautigan and Ron Loewinsohn
San Francisco: Change, May 1963

Brautigan short story: “Coffee”




23. SUM, No. 3, Edited by Fred Wah
Albuquerque, May 1964

Brautigan poem: “September California” [collected in Revenge of the Lawn]



24. NOW NOW, [Now No. 2], Edited by Charles Plymell
San Francisco: Ari Publications, 1965

Brautigan poem: “Banners of My Own Choosing” [collected in Revenge of the Lawn]



25. SAN FRANCISCO KEEPER’S VOICE, Vol. 1, No. 4, edited by Alexander Weiss
San Francisco: Alexander Weiss, April 1965

Brautigan poem: “October 2, 1960” [uncollected]



26. WILD DOG, No. 18, edited by Joanne Kyger
San Francisco: Wild Dog, July 1965

Brautigan poems: “The Buses” [uncollected], “Period Piece” [uncollected]



27. O’ER, No. 2, edited by David Sandberg
San Francisco: Cranium Press, December 1966

Brautigan poems: “The House” [uncollected], “My Nose is Growing Old” [collected in All Watched Over by Machines of Loving Grace], “November 3” [collected in All Watched Over by Machines of Loving Grace]

28. HOLLOW ORANGE, No. 4, edited by Clifford Burke
San Francisco: Cranium Press, 1967

Brautigan poems: “Comets”*, “It’s Raining in Love”*, “Nine Things”*
[*collected in All Watched Over by Machines of Loving Grace]

29. BEATITUDE, No. 20
San Francisco: City Lights Books, March 1969

Brautigan poems: “The Harbor”*, “The Double-Bed Gallows”*, “Adrenalin Mother”*, “Death is a Beautiful Parked Car Only” [uncollected]
[*collected in The Pill versus The Springhill Mine Disaster]

30. BIG VENUS, No. 1, edited by Nick Kimberly
London: Big Venus, 1969

Brautigan poem: “Feel Free to Marry Emily Dickinson” [previously published in Lay the Marble Tea]


Piero Heliczer – Contributions to Periodicals

>> return to PIERO HELICZER main page >>

SECTION B:
This index includes contributions to periodicals; entries within years are approximate


1. THE HARVARD ADVOCATE, Vol. 138, No. 4, edited by Eugene S. Dodd
Cambridge: The Harvard Advocate, March 1955
Heliczer contribution: “Guide to Ancient Sicily” [poem], “I Saw the Last One Fall” [poem]
[not in archive]



2. I.E. THE CAMBRIDGE REVIEW, No. 3, edited by Robert Peirce
Cambridge: The Cambridge Review, Spring 1955
Heliczer contribution: “Dawn” [poem]
[not in archive]




3. THE HARVARD ADVOCATE, Vol. 128, No. 1, edited by Eugene S. Dodd
Cambridge: The Harvard Advocate, September 1955
Heliczer contribution: “The Salesmen in their Youth” [poem]
[not in archive]


4. THE HARVARD ADVOCATE, Vol. 129, No. 2, edited by Eugene S. Dodd
Cambridge: The Harvard Advocate, November 1955
Heliczer contribution: “The Tree of Knowledge Tree” [prose]
[not in archive]


5. THE HARVARD ADVOCATE, Vol. 129, No. 3, edited by Eugene S. Dodd
Cambridge: The Harvard Advocate, December 1955
Heliczer contribution: “Conduct Since Birth” [poem]
[not in archive]


6. AUDIENCE, Vol. 2, No. 3, edited by Ralph Maud
Cambridge: Audience, October 1955
Heliczer contribution: “Odalisque, Choice of Disciplines” [poem], “Odalisque, No One’s Young Cat” [poem]
[not in archive]


7. AUDIENCE, Vol. 2, No. 7-8, edited by Ralph Maud
Cambridge: Audience, December 1955
Heliczer contribution: “Vegetable Bacchanal” [poem]
[not in archive]



8. AUDIENCE, Vol. 4, No. 5, edited by Anthony Cowan
Cambridge: Audience, [c. 1956]
Heliczer contribution: “Sunday” [poem]





9. I.E. THE CAMBRIDGE REVIEW, No. 5, edited by Robert Peirce
Cambridge: The Cambridge Review, March 1956
Heliczer contribution: “Antiepithalamion: The Archaic Smile as People Leave the Park” [poem]
[not in archive]



10. ACCENT, Vol. 17, No. 3, edited by Kerker Quinn, et al.
Urbana: Accent, Summer 1957
Heliczer contribution: “Rogan” [poem], “Poems Written with a Green Pencil” [poem]
[not in archive]

Note: “Rogan” was collected in Best Poems of 1957: Borestone Mountain Poetry Awards (Stanford University Press, 1958).

11. AUDIENCE A QUARTERLY REVIEW OF LITERATURE AND THE ARTS, Vol. 5, No. 1, edited by Peter Michael Wyman
Cambridge: The Audience Press, May 1957
Heliczer contribution: “White Strawberries” [play], “A Letter” [prose]




12. QUARTERLY REVIEW OF LITERATURE, Vol. 9, No. 3, edited by T. Weiss and Renee Weiss
Annandale-on-Hudson: Bard College, 1958
Heliczer contribution: “Marnie” [poem]
[not in archive]




13. ACCENT, Vol. 18, No. 2, edited by Kerker Quinn, et al. 
Urbana: Accent, Spring 1958
Heliczer contribution: “The Tomb of Henry James (ii)” [play]




14. AUDIENCE A QUARTERLY REVIEW OF LITERATURE AND THE ARTS, Vol. 5, No. 2, edited by Peter Michael Wyman
Cambridge: The Audience Press, Spring 1958
Heliczer contribution: “Dirge for the Poet’s Mother” [poem]




15. PATTERNS, Vol. II, #3 Ed. Gladys LaFlamme and J.R. Brownfield
Burlington: Patterns, Spring 1958
Heliczer contribution: “Music for Oboe and Guitar”
[not in archive]



16. THE EDITOR, No. 2, edited by Gerald Bunker and Stephen Kaye
Cambridge and Providence: The Editor, Fall 1958
Heliczer contribution: “Memories” [poem], “In Mourning” [poem], “Unpoem Number One” [poem]
[not in archive]


17. PATTERNS, Vol. 2, No. 4, edited by Gladys LaFlamme and J.R. Brownfield
mags_patterns0204Burlington and Chicago: Patterns, Fall 1958
Heliczer contribution: “Betrothals” [poem], “My Body” [poem]




18. BARBARBER, No. 2, edited by Gerard Bron, Frits Jacobsen, Henk J. Marsman, and Gerard Stigter.
Amsterdam: Barbarber, (c. 1958)
Heliczer contribution: “Introduction” [autobiography], “FVGA xiii” [poem], “Girl Body” [poem]
[not in archive]



19. LEFT BANK THIS MONTH, Vol. 2, No. 1, edited by Ronald Sheridan
Dover: Sheridan Publications, (c. 1959)
Heliczer contribution: “Girl Body” [poem]
[not in archive]




20. NEW DEPARTURES, No. 1, edited by Michael Horovitz
mags_newdepartures1Oxford: New Departures, Summer 1959
Heliczer contribution: “Paris, A Scenario for a Silent Movie” [poem]
[not in archive]



21. THE EDITOR, No. 3, edited by Gerald Bunker and Stephen Kaye
Cambridge and Providence: The Editor, Summer 1959
Heliczer contribution: “Broom” [poem]




22. GADFLY, No. 2, edited by Sara Dakin and Olivier Bernier
Cambridge: Gadfly, December 1959
Heliczer contribution: “Harvard Academic” [prose]




23. SENS PLASTIQUE, REVUE MENSUELLE, No. 11, edited by Jean-Jacques Leveque
Pierrefitte-sur-Seine: Sens Plastique, January 1960
Heliczer contribution: “Hundertwasser” [prose]
[not in archive]

Note: Sens Plastique was closely associated with the bookshop-gallery, Le Soleil Dans La Tete, where Heliczer held Dead Language readings. (©BeatBooks.com)

24. TOMORROW, No. 3, edited by Ian Hamilton
Keble College, Oxford: Tomorrow, February – March 1960
Heliczer contribution: “Yesterday is an Avenue of Faith” [poem]



25. NEW DEPARTURES, No. 2/3, edited by Michael Horovitz
London: New Departures, (June)1960
Heliczer contribution: “Wm Byrd” [prose]





26. ISIS, No. 1381, edited by John Spicer
Oxford: Isis, November 1960
Heliczer contribution: “Live Nude Letter to the Mass Aged Isles” [poem]
[not in archive]



27. AUDIENCE QUARTERLY REVIEW OF LITERATURE & THE ARTS, Vol. 7, No. 1, edited by Firman Houghton
Cambridge: The Audience Press, Winter 1960
Heliczer contribution: “How Body of Angel is Maden” [poem], “Suicide for Three Harps and Hand Drum” [poem], “Antiaubade Nymphomania” [poem], “Bedtime Story Incessament” [poem], “A Blue Saint with Uncle Eyes” [poem]

28. OUTBURST, No. 1, edited by Tom Raworth
mags_outburst1
London: Outburst, 1961
Heliczer contribution: “From Wyatt A Play” [poem]





29. POOR OLD TIRED HORSE, No. 7, edited by Ian Hamilton Finlay
Edinburgh: The Wild Hawthorn Press, 1961
Heliczer contribution: “Epilogue” [poem]





30. RHINOZEROS, No. 5, edited by Klaus-Peter Dienst & Rolf-Gunter Dienst
mags_rhino5Hamburg: Langer Peter Verlag, 1961
Heliczer contribution: “Bateau” [poem], “Shuffle” [poem]




31. LOCUS SOLUS, No. 5, edited by John Ashbery, Kenneth Koch, Harry Mathews and James Schuyler
Lans-en-Vercours: Locus Solus Press, 1962
Heliczer contribution: “The Beautiful Ambus” [poem], “The Diving Bell” [poem]
[not in archive]



32. MICA, No. 6, edited by Helmut Bonheim and Raymond Federman
mags_mica6Santa Barbara: Mica, June 1962
Heliczer contribution: “Bateau” [poem]





33. AUDIENCE A QUARTERLY OF LITERATURE & THE ARTS, Vol. 8, No. 4, Issue 50, edited by Firman Houghton
Cambridge: The Audience Press, February 1963
[not in archive]

34. NUL, No. 7, edited by Dirk Claus
Sint Niklaas, Belgium: Paradox Press, 1963
Heliczer contribution: “Leadbelly (A.D. 1882 to 1949)”, “How Body of Angel is Maden”, “The Hermit Mistress”



35. OUTBURST, No. 2, edited by Tom Raworth
mags_outburst2
London: Outburst, 1963
Heliczer contribution: “Buckingham Palace” [poem]





36. NIGHT TRAIN, edited by Johnny Byrne, Lee Harwood, Roger Jones, and Miles
London: Night Train, May 1964
Heliczer contribution: “America” [prose]





37. NIAGARA FRONTIER REVIEW, No. 1, edited by Charles Olson
mags_niagara
New York: Frontier Press, Summer 1964
Heliczer contribution: “Llanto por Lucas Carnach” [poem]




38. POETS AT LE METRO, Vol. 17, edited by Dan Saxon
New York, October 1964
Heliczer contribution: “Some Thing Good” [poem]
[not in archive]



39. JOGLARS, Vol. 1, No. 2, edited by Clark Coolidge and Michael Palmer
Providence: Joglars, Winter 1964
Heliczer contribution: from “The Peacock Vow” [prose]




40. NADADA, No. 2, edited by Timothy Baum with assistance by Gerard Malanga and Robert Cordier
New York, October 1965
[not in archive]

41. THE SPERO, Vol. 1, No. 1, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1965
Heliczer contribution: “Victorian Era” [poem]





42. UNIVERSITY OF TAMPA POETRY REVIEW, No. 4, edited by Duane Locke
Tampa Poetry Review, 1965
Heliczer contribution: “Victorian Era” [poem]





43. THE GREAT SOCIETY, No. 1, edited by Robert J. Rickin
mags_greatsociety1
New York: Tompkins Square Books, 1966
Heliczer contribution: “The Death of Stephen Ward” [poem]




44. THE GREAT SOCIETY, No. 2, edited by Robert J. Rickin and Ira Cohen
mags_greatsociety2NY: A Heddaoua Publication, 1967
Heliczer contribution: “Tattoo” [poem]





45. GROWING HAND, edited by Vincent J. Cresciman
mags_growinghandSan Francisco: Growing Hand, 1967
Heliczer contribution: “Harunobu” [play]





46. THE PARIS MAGAZINE, No. 1, edited by George Whitman
mags_parismag
Paris: Shakespeare & Co., October 1967
Heliczer contribution: “Bedtime Story” [poem]





47. THE WORLD, No. 12, edited by Anne Waldman
New York: The Poetry Project, June 1968
Heliczer contribution: “Trois Poemes Damour” [poem]




48. INTRANSIT THE ANDY WARHOL – GERARD MALANGA MONSTER ISSUE, edited by Andy Warhol and Gerard Malanga
Eugene: Toad Press, 1968
Heliczer contribution: “Poem Number One” [poem], “Sunday Night in Victoria Station” [poem], “How Body of Angel is Maiden” [poem]



49. THE ANT’S FOREFOOT, No. 3, edited by David Rosenberg
Toronto: The Coach House Press, Winter 1968-1969
Heliczer contribution: “Abdication of the Throne of Hell 1662” [poem]
[not in archive]

50. MISTLETOE
mags_mistletoenp: Mephistopheles Publications, 1969
Heliczer contribution: [untitled] “it is said that a magician…” [poem]




51. EXTENSIONS, No. 2, edited by Suzanne Zavrian and Joachim Neugroschel
mags_extensions2New York: Extensions, 1969
Heliczer contribution: “Chinatown (for wm burroughs who got into the trolley didnt pay no fare going to chinatown)” [poem]



52. ROOTS FORMING, No. 1, edited by Jeff Woodward.
mags_roots1Monroe: Roots Forming, Summer 1969
Heliczer contribution: “None of This is Going to be Really There (for irene)” [poem]




53. THE ANT’S FOREFOOT, No. 4, edited by David Rosenberg
Toronto: The Coach House Press, Fall 1969
Heliczer contribution: “Elegy for the Avenue B Cinema, for Jack Smith” [prose], “Girl Body” [poem]
[not in archive]



54. EXTENSIONS, No. 4, edited by Suzanne Zavrian and Joachim Neugroschel. 
mags_extensions4New York: Extensions, 1970
Heliczer contribution: “America” [prose]





55. THE ANT’S FOREFOOT, No. 8, edited by Gerard Malanga
Toronto: The Coach House Press, Winter-Spring 1971
Heliczer contribution: “Elle” [poem]
[not in archive]

56. TELEPHONE, No. 8, edited by Maureen Owen
New York: Telephone, 1973
Heliczer contribution: “Longtemps Je Me Suis Couche De Bonne Heure Alphabet Soup” [poem]




57. THE WORLD, No. 26, edited by Anne Waldman
New York: The Poetry Project, Winter 1973
Heliczer contribution: “Abdication of the Throne of Hell 1662” [poem]
[not in archive]




58. POETRY REVIEW, Vol. 67, Nos 1 & 2, edited by Eric Mottram
London: The Poetry Society, 1977
[not in archive]





59. MANDALA, No. 7, edited by Franco Beltrametti
Amsterdam: Montagna Rossa, Jan-Mar 1977
[not in archive]

Piero Heliczer – Books and Broadsides

>> return to PIERO HELICZER main page >>

SECTION A:
This index includes books, chapbooks, booklets and broadsides


1. Heliczer, Piero. THE TOMB OF HENRY JAMES, DIFERENCIA 1
First edition:
(White Plains): privately published, (c. 1957)
Staple-bound sheets tipped into printed wrappers, 12 pages, 24 numbered copies issued hors commerce.  Contents: “The Tomb of Henry James Diferencia 1” [play]

Note: prints the first part of Heliczer’s absurdist play. The play’s second part appeared in Accent (Spring 1958), and the complete (?) four-part play was published by the Dead Language Press in 1971. This first part was privately printed “as a distraction” by Heliczer in White Plains, New York, “for personal use of its author”, and does not bear the Dead Language (or any) imprint. It was included in the Dead Language catalogue for 1959 (item #49), though only a tiny number of copies were sold or, more likely, given away. (©BeatBooks.com)

2. Heliczer, Piero. GIRL BODY
First edition:
Paris: The Dead Language, 1958
First edition, broadside, 5″ x 24″ folded twice to 5″ x 6″, white ink letterpress printed on black paper. Contents: “Girl Body” [poem]

Note: the subject of this sensual and concupiscent poem is Olivia de Haulleville, Heliczer’s girlfriend, whose breath he compares to a turtle’s and “her sex” to “a turtle shell” (Piero owned a pet turtle which he led on a leash and is said to have once deposited it at the Louvre’s cloakroom during a visit). (©BeatBooks.com)

3. Heliczer, Piero. IN WHICH THE POET WALKS…
First edition:
Paris: Dead Language, 1958
Broadside, 6″ x 11″ folded twice to 6″ x 3.75″, letterpress printed on cream laid paper. Contents: “In Which The Poet Walks from 945 Park Avenue to His Home at 420 West 46th Street out of Which He is to be Evacuated as a Squatter and Finally to Battery Park at Noon” [poem]

4. Heliczer, Piero. YOU COUL HEAR THE SNOW DRIPPING…
First edition:
Paris: Dead Language Press, 1959
Saddle-stapled in printed wrappers, 6.5″ x 6.75″, 24 pages, letterpress printed. Avant-propos by Robert Graves, original photo of Heliczer by Harold Chapman mounted to verso of last leaf. Contents: “Fuga XIII” [poem], “Ornithology For Love Cyclops” [poem], “England” [poem], “English Girls” [poem], “Paris A Scenario For A Silent Movie” [poem], “America” [poem]

Note: Heliczer’s first book. In his avant-Propos, Robert Graves liken Heliczer’s work to “a translation of poems from a foreign language, which I would like to understand” (“an indication”, Anselm Hollo later noted, “of the limited range of the older poet’s ear”). The title is credited to Siggy Wessberg, Olivia de Haulleville’s half brother. (©BeatBooks.com)

5. Heliczer, Piero. THE LION KEEPER
First edition:
Paris: The Dead Language, 1960
Postcard, 4″ x 6″., letterpress printed. Contents: “The Lion Keeper”.



6. Heliczer, Piero. & I DREAMT I SHOT ARROWS IN MY AMAZON BRA
ph_idreamt
First edition thus:
Brighton: Dead Language & London: Matrix Press, 1961
Saddle-stapled in illustrated wrappers, 4.5″ x 11″, 20 pages, letterpress printed. Cover photo by Ph Mechanicus. Contents: “& I Dreamt I Shot Arrows in My Amazon Bra” [poem]

“& I Dreamt I Shot Arrows in My Amazon Bra” is “a poem in eleven takes”.

“An earlier edition was dittoed by Anselm Hollo… My earlier inspiration little frogs and clay dams in the sound of leaves there’s no need to worry about fulfilling a sign as signs necessarily fulfill themselves just as every thing has a pot dimension ie that emitter sends pot signals to pot man it is not necessary to the manifestation whether the emitter is under the influence.”

Note: Heliczer’s 1963 Dead Language catalog prints the publication year as 1961, a year before he moved to New York; elsewhere Tom Raworth mistakenly gives the year as 1963, stating that “Piero was living with us; he and I printed it on my treadle press which was off Oxford Street in Richard Moore’s print-shop…”. Heliczer’s notebook dates the sale and distribution of copies in early December 1961, and records that he paid Tom Raworth £1.00 on the ninth of that month. (©BeatBooks.com)

7. Heliczer, Piero. THE FIRST BATTLE OF THE MARNE
First edition:
New York: Dead Language, (1962)
Saddle-stapled in printed and illustrated wrappers, 7″ x 7″, 28 pages, letterpress printed. Afterword by Anselm Hollo. Variant in orange wrappers (priority unknown). Contents: “Poem Number One” [poem], “Mantis” [poem], “Wm Byrd” [poem], “Bird Burgeoning Sky” [poem], “Buckingham Palace” [poem], “Carillon Booty” [poem]

Note: “Poem Number One” appeared in La Lune en Rodage 1, (Basel); “Mantis” appeared in a French version in Sens Plastique, (Paris); “Wm Byrd” appeared in New Departures 2/3, (Oxford & London); “Buckingham Palace” appeared in Outburst 2, (London).

8. Heliczer, Piero. THE SOAP OPERA
ph_soapopera
First edition:
London, Trigram Press, 1967
Hardcover in cloth-bound boards with illustrated dust jacket, 9″ x 10″, 36 pages, 500 copies (36 numbered and signed), letterpress printed. Illustrations by Paul Vaughan, Andy Warhol, Jack Smith, Wallace Berman, and others. Contents: “A Purchase in The White Botanica” [poem], “The Death Of Stephen Ward” [poem], “Wyatt: Elegy & Diferencias” [poem], “Victorian Era” [poem], “The Passion Of Johann Sebastian Bach” [poem], “The Autumn Feast” [poem]

Notes: “The Autumn Feast” was made into a movie, Jeffrey Keen did the photography and cutting, Angus Maclise and Tony Conrad made the soundtrack.

9. Heliczer, Piero. THE PLAYS OF PIERO HELICZER, Volume I
ph_plays1
First edition:
Préaux: The Dead Language, 1971
Side-stapled in printed and illustrated cover, 8.5″ x 11″,  30 pages, 100 copies, mimeograph printed. Cover photo by Avril Hodges. Contents: “The Tomb of Henry James, Diferencias I-IV” [play]

10. Heliczer, Piero. THE PLAYS OF PIERO HELICZER, Volume II
ph_plays2
First edition:
Préaux: The Dead Language, 1971
Side-stapled in printed and illustrated cover, 8.5″ x 11″, 30 pages, 100 copies, mimeograph printed. Cover photo by Avril Hodges. Contents: “Wyatt” [play], “The Pecan Tree” [play], “Chaconne in G Minor” [play]

11. Heliczer, Piero. THE PLAYS OF PIERO HELICZER, Volume III
ph_plays3
First edition:
Préaux: The Dead Language, 1971
Side-stapled in printed and illustrated cover, 8.5″ x 11″, 100 copies, 26 pages, mimeograph printed. Contents: “Harunobu” [play], “The Blue Centaur” [play], “Bessie Smith” [play]

12. Heliczer, Piero. THE HANDSOME POLICEMAN
First edition:
New York City : Moon Dragon Press, 1976
Broadside, 11″ x 17″. Contents: “The Handsome Policeman” [poem]
[not in archive]

13. Heliczer, Piero. ABDICATION OF THE THRONE OF HELL
First edition:
Heerlen, Holland: Uitgeverij 261, 1981
Perfect-bound in printed wrappers, 5.25″ x 8.25″, 48 pages, printed in English and Dutch. Published as part of The Amsterdam School/Poetry Series. Contents: “In Coena Domini” [poem], “Leadbelly (A D 1882 To 1949)” [poem], “Chinatown” [poem], “None of This is Going to Be Really There” [poem], “And I Am Not Afraid Of The Dark” [poem], “Abdication Of The Throne Of Hell” [poem]

14. Heliczer, Piero. SUNDAYS CHILD
First edition:
(New York): (The Rare Book Room), (1987)
Side-stapled in printed wrappers, 8.5″x 11″, 17 pages, 10 copies, xerox printed.

Note: a promotional flyer produced by The Rare Book Room and mailed by Heliczer to Bill Levy in late January 1988, states that the booklet was published in an edition of “Less than 10 copies”, and describes it as “An autobiographical sketch of some 17 pages by a former child star of Italy (‘Il Piccolo Pucci’), one of the earliest underground film-makers here (he also acted in Jack Smith’s notorious ‘Flaming Creatures’, some of Warhol’s earliest films), compulsive talker, womanizer – and, despite some occasionally wandering neurons – a fine poet. Mint. Signed by the author. 15.00”.

Forming only the first part of an unfinished life story, the narrative ends with the young Piero still in Italy at the end of World War II, prior to his emigration to America. Heliczer is referred to in the third person throughout, and it seems plausible that the text may have been based on conversations with the owner of The Rare Book Room, Richard Rogers. The Rare Book Room was a small bookstore on Greenwich Avenue in New York owned by Roger and Irvyne Richards. Roger was a friend to most of the Beat writers, notably Gregory Corso, as well as a regular at Warhol’s Factory. (©BeatBooks.com)

15. Heliczer, Piero. LEADBELLY
First edition:
n.p.: n.p., (c. 1988)

16. Heliczer, Piero. THE PERFECT DETECTIVE
First edition:
Amsterdam: Soyo Productions, 1989
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 40 pages. Contents: “Border Boredom”, “America”, “The Perfect Detective”


17. Heliczer, Piero. AND I AM NOT AFRAID OF THE DARK
ph_afraidFirst edition:
Bayonne, N.J. : Beehive Press, 1991
Comb-bound in printed cover, 5.75″ x 8.5″, 7 leaves printed recto only. Includes a flyer for Heliczer’s reading at Saint Marks bound in with a brief biography. Contents: “And I Am Not Afraid of The Dark” [poem]

18. Heliczer, Piero. A PURCHASE IN THE WHITE BOTANICA
First edition:
New York: Granary Books, 2001
Perfect-bound in printed and illustrated wrappers, 150 pages. Edited by Gerard Malanga and Anselm Hollo, with a foreword by Hollo and a 19-page biographical interview with Heliczer’s half-sister, Marisabena Russo, conducted by Malanga.

Judson Crews: Contributions to Periodicals

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SECTION C:
This index includes contributions to periodicals; entries within years are listed alphabetically


1948

BERKELEY: A Journal of Modern Culture, No. 4, edited by James Schevill
Berkeley: Bern Porter, 1948


1950

GRYPHON, No. 1, edited by Richard Rubenstein
San Francisco: Gryphon, Spring 1950
“The Asphodel’s Rebuttal”


1951

BELOIT POETRY JOURNAL, edited Chad Walsh and Robert H. Glauber
Beloit: Beloit College, Spring 1951

EPOS, Vol. 3, No. 1, edited by Will and Evelyn Thorne
Branson: Epos, Fall 1951


1952

GOLDEN GOOSE, Vol. 4, No. 5, edited by Richard Wirtz Emerson and Frederick Eckman
Sausalito: Golden Goose Press, October 1952
“Desolate Condor” [poem]


1953

DIFFERENT, Vol. 7, No. 7, edited by Lilith Lorraine
Long Island: Avalon World Arts Academy, Winter 1953


1954

THE ARCHER, Vol. 4, No. 2, edited by Wilfred Brown and Elinor Henry Brown
North Hollywood: Summer (Aug) 1954
“No Weal Like Mighty Adam Gave” [poem]

EMBRYO, No. 1, edited by E. E. Walters
Louisville: Spring 1954

ZEBRA: A Monthly Collection of Original Writing, No. 10
Bristol, November 1954

POETRY, Vol. 83, No. 5, edited by Karl Shapiro
Chicago: Modern Poetry Association, February 1954


1955

CLIMAX, Vol. 1, No. 1, edited by Robert Cass
New Orleans: The Climax Jazz, Art & Pleasure Society of Lower Bourbon Street, 1955

FLAME, Vol. 2, No. 2, edited by Lilith Lorraine
Alpine: Flame Quarterly, Summer 1955

FLAME, Vol. 2, No. 4, edited by Lilith Lorraine
Alpine: Flame Quarterly, Winter 1955

SHEAF, No. 2, edited by E.V. Griffith
Eureka: Sheaf, November 1955
“Rounding the Horn” [poem], “Econdom Eccle Haine” [poem], “Dan Hatch Once T’Sung” [poem]

UNUSUAL, Vol. 1, No. 3
New York: Sidney E. Porcelain, 1955

WHETSTONE: A Literary Quarterly, Vol. 1, No. 1, edited by Jack Lindeman and Edgar H. Schuster
Philadelphia: Whetstone, Spring 1955


1956

POETRY, Vol. 88, No. 1, edited by Henry Rago
Chicago: The Modern Poetry Association, April 1956


1957

EXISTARIA, No. 7, edited by Carl Larsen
Hermosa Beach: Existaria, September-October 1957
“Tital-Tattle-Ation” [poem], “Of the Feather Floating There” [poem]

HEARSE, No. 1, edited by E.V. Griffith
Eureka: Hearse Press, 1957
“Pseudo Pleuronectes Americanus” [poem]


1958

CARAVEL: A Magazine of Verse, edited by Ben Hagglund
Palo Alto, First Quarter 1958

COASTLINES, Vol. 3, No. 3, Issue 11, edited by Gene Frumkin
Hollywood: California Quarterly, Autumn 1958

HEARSE, No. 3, edited by E.V. Griffith
Eureka: Hearse Press, 1958
“Within a High Building Overlooking the Brazos Valley” [poem]

ODYSSEY, Vol. 1, No. 1, edited by R.R. Cuscaden and Ronald Offen
Chicago: Odyssey Spring 1958

POETRY, Vol. 93, No. 3, edited by Henry Rago
Chicago: The Modern Poetry Association, December 1958


1959

COERCION, No. 2, edited by Clarence Major
Chicago: Coercion, Spring 1959
“Marina with Orange” [poem]

THE GALLEY SAIL REVIEW, Vol. 1, No. 2, edited by Stanley McNail
San Francisco: Galley Sail Publications, Spring 1959

THE GRECOURT REVIEW, Vol. 2, No. 2
Northampton: The Grecourt Review, February 1959
“The Complexion of Triumph”

VIGIL, Vol. 1 No. 2
Chicago: Roosevelt University, 1959

THE WHITE DOVE REVIEW, Vol. 1, No. 3, edited by Ron Padgett
Tulsa: White Dove Press, 1959
“An Unspecial Mirth” [poem], “Spots of Lone West” [poem]


1960

FRESCO, Vol. 1, No. 1, edited by William F. Dwyer and Jeorme L. Mazzaro
Detroit: University of Detroit, 1960

INLAND, edited by John Rackham
Salt Lake City: Inland, Autumn 1960
“Aquacade” [poem]

TARGETS, No. 4, edited by W.L. Garner
Sandia Park: Targets, December 1960
“Cut-Throat in Terror Reign” [poem]


1961

HEARSE, No. 6, edited by E.V. Griffith
Eureka: Hearse Press, 1961
“Fair Thoughtful Be Good” [poem], “Leave It In” [poem]

HEARSE, No. 7, edited by E.V. Griffith
Eureka: Hearse Press, 1961
“A Leopard Sleek as Night” [poem]

THE OUTSIDER, No. 1, edited by Jon Edgar and Gypsy Lou Webb
New Orleans: Loujon Press, Fall 1961
“Pastoral” [poem], “Rel Bore Speng Lule” [poem]

TARGETS, No. 5, edited by W.L. Garner
Sandia Park: Targets, April 1961
“A Ribbon of Callow Gain” [poem]

THE WORMWOOD REVIEW, Vol. 1, No. 3, edited by Marvin Malone and Alexander Taylor
Storrs: Wormwood Review Press, 1961
“Seeker” [poem], “The Mountain Penial” [poem]

THE WORMWOOD REVIEW, Vol. 1, No. 4, edited by Alexander Taylor and Marvin Malone
Storrs: Wormwood Review Press, 1961
“Love Poem” [poem]


1962

BITTEROOT
Fall 1962

MICA, No. 6, edited by Helmut Bonheim and Raymond Federman
Santa Barbara: Mica, June 1962
“The Cross Let Captive” [poem]

RENAISSANCE, Vol. 1, No. 2, edited by John Bryan
San Francisco: Renaissance Publications, January 1962
“Staid” [poem]

SIGNET, Vol. 4, No. 11, edited by S.T. Friedman
Alamo: Signet, November 1962

TARGETS, No. 10, edited by W.L. Garner
Sandia Park: Targets, June 1962
“Long Lost Precisions” [poem]

THE WORMWOOD REVIEW, Vol. 2, No. 3, Issue 7, edited by Marvin Malone and Alexander Taylor
Storrs: Wormwood Review Press, 1962
“We Have Known” [poem]


1963

THE BLACK CAT REVIEW, No. 2, edited by Neeli Cherry
San Bernardino: The Black Cat Review, March 1963
“Exploratory” [poem], “No Poor Loss Like This” [poem]

EVERGREEN REVIEW, Vol. 7, No. 28, edited by Barney Rosset
New York: Grove Press, 1963

GENESIS WEST, Vol. 1, No. 3, edited by Gordon Lish
Burlingame: Chrysalis West Foundation, Spring 1963
“Of Deathless Law” [poem]

SUM, No. 1, edited by Fred Wah
Albuquerque: Sum, December 1963
“Slade Slatter in a Down-Draft Drizzle” [poem], “Sutter’s Canyon in Half Day Light” [poem]

TARGETS, No. 14, edited by W.L. Garner
Sandia Park: Targets, June 1963
“I Heard Her Song” [poem]

WILD DOG, No. 2, edited by Geoffrey Dunbar
Pocatello: Wild Dog, April 1963
“A Wattle” [poem], “Coast at Clear” [poem], “The Bridal Path” [poem]

WILD DOG, No. 4, edited by John Hoopes
Pocatello: Wild Dog, July 1963
“A Fortification” [poem], “Dorm Dorm the Winter Grain” [poem]

THE WORMWOOD REVIEW, Vol. 3, No. 2, Issue 10, edited by Marvin Malone and Alexander Taylor
Storrs: The Wormwood Review Press, 1963
“Lobotomy” [poem], “The Lash” [poem], “Winter Vacation” [poem]


1964

ANTE, No. 1, edited by William Harris
Los Angeles: Echo Press, Summer 1964

A POETRY NEWSLETTER, No. 2, edited by Richard Morris
Albuquerque: Desert Review Press, 1964

BLUE BEAT, No. 1, edited by George Montgomery and Erik Kiviat
New York: Yowl Publications, March 1964
“Love Without Courage” [poem], “Wake” [poem]

THE DESERT REVIEW, No. 1, edited by Ward Abbott and Bryant Cashion
Albuquerque: The Desert Review Press, Spring 1964
“Concerning Particulars” [poem], “Epithalmia” [poem], “Mountain Winter” [poem], “She Loves Me Not” [poem]

THE FIDDLEHEAD, No. 62
Fredericton: University of New Brunswick, Fall 1964

GRANDE RONDE REVIEW, No. 1, edited by Michael Andrews and Ben L. Hiatt
La Grande: Grande Ronde Review, Fall 1964
“Contemporary Ballad” [poem], “Thing and Essence” [poem]

GRIST, Vol. 1, No. 4, edited by Robert Rusk and John Fowler
Lawrence: Abington Book Shop, December 1964
“Red Cunning and Creme de Minthe” [poem], “The Blood on Our Hands” [poem]

INTREPID, No. 3, edited by Allen De Loach
New York: Intrepid, July 1964
“Spring Betime” [poem]

KAURI, No. 3, edited by Will Inman
New York: Kauri, July-August 1964
“Pastoral” [poem]

KAURI, No. 4, edited by Will Inman
New York: Kauri, August-September 1964
“A Day in the Sun” [poem], “Please Court Dumb” [poem]

KAURI, No. 5, edited by Will Inman
New York: Kauri, November-December 1964

MARRAHWANNAH QUARTERLY, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1964
“Medical Science” [poem]

OLE, No. 1, edited by Douglas Blazek
Bensenville: The Mimeo Press, 1964
“A Leopard Sleek as Night” [poem], “Abe Went with the Roman Clan” [poem]

POETRY REVIEW, No. 2, edited by Duane Locke
Tampa: University of Tampa, August 1964
“To Put a Rose Upon It” [poem]

POTPOURRI, No. 2, edited by Carlos Reyes
Seattle: Body Press, 1964

THE SILVER CESSPOOL, No. 4, edited by d.a. levy
Cleveland: Renegade Press, 1964
“The Brain in the Weather” [poem], “Thoughts on Returning” [poem]

SUM, No. 2, edited by Fred Wah
Albuquerque: Sum, February 1964
“Fruit Juice” [poem]

THEO, Vol. 1, No. 1, edited by Frank Murphy and Jonas Kover
New York: Theo Publications, 1964
“Kind, No Winsome Maid Would Question” [poem], “Whisper No Loon is Gear” [poem]

THEO, Vol. 1, No. 2, edited by Frank Murphy and Jonas Kover
New York: Theo Publications, Fall 1964
“Rime Upon the Runic

WILD DOG, No. 7, edited by Drew Wagnon and Ed Dorn
Pocatello: Wild Dog, April 1964
“Where the Will Resides” [poem], “Wrest Over” [poem]

WILD DOG, No. 8, edited by Drew Wagnon and Ed Dorn
Pocatello: Wild Dog, May 1964
“Reth for Wreath for Ever” [poem]

WILD DOG, No. 11, edited by Gino Clays and Drew Wagnon
Salt Lake City: Wild Dog, October 1964
“Purity” [poem], “The Horse with the Cokleburs in Its Fetlocks” [poem]

THE WORMWOOD REVIEW, Vol. 4, No. 1, Issue 13, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1964
“Being Thankless” [poem], “Japenese Garden” [poem]

YOWL, No. 6, edited by George Montgomery and Erik Kiviat
New York: Bluebeat Publications, May 1964
“Shut the Bud Blooming in Holy” [poem]

YOWL, No. 7, edited by George Montgomery and Erik Kiviat
New York: Bluebeat Publications, September 1964
“The Dream” [poem]


1965

THE BLACK CAT REVIEW, No. 3, edited by Neeli Cherry
San Bernardino: The Black Cat Review, June 1965
“Judas: A Funeral Lilt” [poem]

BLITZ, No. 2, edited by Bobby Watson and Mel Buffington
La Grande: Mad Virgin Press,1965
“Millenium” [poem], “Vilely I Have Taken” [poem]

CAMELS COMING, No. 1, edited by Richard Morris
Reno: Camels Coming, August 1965
“Flaunting Eagles, I Beseech You” [poem]

CAMELS COMING, No. 3, edited by Richard Morris
Reno: Camels Coming, October 1965
“Pierre, Submerged and Floating” [poem]

FROM A WINDOW, No. 3, edited by Paul Malanga and Bobby Byrd
Tucson: From a Window, October 1965
“Benadam Hick Pat” [poem], “I Have Sat” [poem], “The Clue of the Motionless Gander” [poem], “To Clean Out a Tunnel” [poem]

THE GOODLY COMPANY, No. 2, edited by G. Russell Morgan
Kalamazoo: Goodly Co, April 1965
“Born-A-Lier Bulltoven” [poem]

THE GOODLY COMPANY, No. 4, edited by G. Russell Morgan
Kalamazoo: Goodly Co, December 1965
“Bulltoven’s Other Brother” [poem], “When Since” [poem]

GRANDE RONDE REVIEW, No. 3, edited by Ben L. Hiatt
La Grande: Grande Ronde Review, Summer 1965
“Concert of Happy Myth” [poem], “Deed Oh Moon Kept Come” [poem], “Lief in Barenfolded Gain” [poem]

GRIST, No. 5, edited by John Fowler
Lawrence: Abington Book Shop, April 1965
“Dirge without Calla Lillies” [poem], “Sprung in Plummet in Plume” [poem], “Time Diversion” [poem]

ILLUMINATIONS, No. 1, edited by Norman Moser
San Francisco: Illimination Press, Summer 1965

JACARANDA, No. 6, edited by Joel Climenhaga
Canton: Transient Press, February 1965
“If But for The Queen” [poem], “Evaporation” [poem], “Mortal Cone in Muddle Brain” [poem], “Sin the Seemly Cannonade” [poem]

MAGAZINE, No. 2, edited by Kirby Congdon
New York: Crank Books, 1965
“The Goddess” [poem]

MOTIVE, Vol. 25, No. 5, edited by B.J. Stiles
February 1965

THE WORMWOOD REVIEW, Vol. 5, No. 2, Issue 18, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1965
“Reductio as Absurdum” [poem], “Some Sight of Maybe Moon” [poem]

THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 19, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1965
“A Feather Duster” [poem], “Abiding Time” [poem], “An Asinine Observance” [poem], “An Interlude” [poem], “Cuculiform” [poem], “Did Ever” [poem], “Early Bird” [poem], “Fall Is With Us” [poem], “From the Virgin Islands” [poem], “I Lighted a Fire” [poem], “In My Life” [poem], “Letter to Bill” [poem], “Past a Sunlit Terrace” [poem], “Seeing Suddenly” [poem], “So Her” [poem], “Stated Simply” [poem], “Time for Prayer” [poem]


1966

EARTH, No. 2, edited by Steve Richmond
Santa Monica: Earth Books & Gallery, 1966
“An Evening in December” [poem]

THE GOODLY COMPANY, No. 7, edited by G. Russell Morgan
Kalamazoo: Goodly Co, November 1966
“The Distances” [poem]

GRIST, No. 8, edited by John Fowler
Lawrence: Abington Book Shop,1966
“To Wring Some Water Out” [poem]

INTREPID, No. 6, edited by Allen De Loach
New York: Intrepid, 1966
“Essence” [poem], “Now Beholden” [poem], “Some Family Relations” [poem]

IT, No. 5, edited by J.D. Whitney
Detroit: It, May 1966
“What Are You” [poem]

OUTCAST, No. 1, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, 1966
“Perception” [poem]

OUT OF SIGHT, Vol. 1, No. 1, edited by Gino Clays
San Francisco: Kamikaze Press, 1966
“From Youth” [poem], “Sloe Tree, Bushed and Spangled” [poem]

SHOWCASE, No. 2, edited by James Gove
Barstow: Showcase, November-December 1966
“Withold” [poem], “The Power Engine” [poem]

SHOWCASE, No. 3, edited by James Gove
Barstow: Showcase, July 1966
“Cruel and Any Kind” [poem], “Lemon Mayoley” [poem]

SYMPTOM, edited by David Tammer
University Park: Symptom, Spring 1966


1967

THE GOODLY COMPANY, No. 9, edited by G. Russell Morgan
Kalamazoo: Goodly Co, June 1967
“White” [poem]

THE GOODLY COMPANY, No. 10, edited by G. Russell Morgan
Kalamazoo: Goodly Co, November 1967
“Even If” [poem], “Fiesta Brava” [poem], “Stalemate” [poem]

GRANDE RONDE REVIEW, No. 7, edited by Ben L. Hiatt
La Grande: Grande Ronde Review, 1967
“Cosmic Geography” [poem], “Once and For All” [poem], “The Barber’s Apprentice” [poem]

INTREPID, No. 7, edited by Allen De Loach
New York: Intrepid, March 1967
“A Poet’s Breath” [poem], “Burst Forth” [poem], “Canonical” [poem], “Hope Scape Bish-Bop” [poem], “Muse Over” [poem], “Some Finality or Other” [poem]

LATITUDES, No. 2, edited by Robert Bonazzi
Houston, Summer 1967

THE OTHER, No. 4, edited by Richard Mangelsdorff
Milwaukee: The Other, 1967
“Delayed Voyage” [poem], “To Rid the Stable” [poem]

OUTCAST, No. 4, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, January 1967
“I Was Writing” [poem]

RUNCIBLE SPOON, Vol. loud, No. yes!, edited by D.r. Wagner and Barbara O’Connelly
Carmichael: The Runcible Spoon, 1967
“Fairey Islander” [poem]

THE WORMWOOD REVIEW, Vol. 7, Nos. 3-4, Issues 27-28, edited by Marvin Malone
Storrs: The Wormwood Review, 1967
“Because Of” [poem], “If God” [poem], “The Naming of Trees” [poem]


1968

ALDEBARAN REVIEW, No. 2, edited by John Oliver Simon
Berkeley: Aldeberan Review, 1968
“Mammoth of Earth” [poem], “Marsh Gut” [poem], “Summer is Over” [poem]

ILLUMINATIONS, No. 4, edited by Norman Moser
San Francisco: Illuminations Press, Winter 1968-69

MOTHER, No. 11, edited by Ronald Caplan
Pittsburgh: Mother Press, 1968
“Pill For” [poem], “The Mortification of Deacons” [poem]

WORDJOCK, No. 4, edited by Charles Tidler
West Layfayette: Wordjock, November 1968
“In Reed of Wound” [poem], “King Haul to Rome” [poem], “Petter Unsane Mal” [poem], “Swabbie Wan Satchel Ayne” [poem], “The Meathodical Sea Nymph”

THE WORMWOOD REVIEW, Vol. 8, No. 3, Issue 31, edited by Marvin Malone
Storrs: The Wormwood Review, 1968
“At the Tobacconist” [poem], “Delineation” [poem]


1969

ARX, Vol. 2, No. 11, edited by Bill B. Brooks
Austin: Arx Foundation, August 1969

ATOM MIND, Vol. 1, No. 4, edited by Gregory Smith
Albuquerque: Mother Road Publications, Spring 1969
[untitled] “I too / would cry out…” [poem]

ATOM MIND, Vol. 2, No. 6, edited by Gregory Smith
Albuquerque: Mother Road Publications, Fall 1969
“Well, Anyhow” [poem]

THE GOLIARDS, No. 7, edited by Jerry Burns
San Francisco: Goliards Press, 1969

ISINGLASS REVIEW, Vol. 3, No. 1
Burlington, Winter 1969

NOLA EXPRESS, Issue 44
New Orleans: Southern Louisiana Media Corporation, 1969
“Telegraph Pole” [poem]

OUTCAST, No. 15, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, October 1969
“The Wild One” [poem]

QUIXOTE, Vol. 5, No. 4, edited by Morris Edelson
Madison: Quixote, 1969
“I Won’t” [poem], “The Legacy of War” [poem], “Herded” [poem]

SUMAC, Vol. 1, No. 2, edited by Dan Gerber and Jim Harrison
Fremont: Sumac Press, Winter 1969
“No Ultimate Sacrilege” [poem], “Season of Autumn Light” [poem]

THE WORMWOOD REVIEW, Vol. 9, No. 1, Issue 33, edited by Marvin Malone
Storrs: The Wormwood Review, 1969
“Senile” [poem], “She Was Waiting” [poem]


1970

ALDEBARAN REVIEW, No. 8, edited by John Oliver Simon
Berkeley: Aldeberan Review, January 1970
“No Stopping It” [poem]

CENTERING
Berkeley, CA: Mysterious Mountain Press, 1970

DESPERADO, Vol. 1, No. 2, edited by Kell Robertson
1970
“Cow Pens” [poem], “Faceless” [poem]

FOLIO, Vol 6, No. 1
Summer 1970

THE GOODLY COMPANY, No. 15, edited by G. Russell Morgan
Kalamazoo: Goodly Co, April 1970
“How Often” [poem], “Memory, Memory” [poem], “Pastrover” [poem]

NEW: AMERICAN AND CANADIAN POETRY, No. 12, edited by John Gill
Trumansburg: New: A & C Poetrry, April 1970

QUIXOTE, Vol. 6, No. 1, edited by Mossis Edelson
Lodz: Quixote, 1970
“So” [poem]

THE RAG, Vol. 4, No. 19
Austin, March 1970
“Easter Suite” [poem]

THE STONE, Vol. 3, Nos 1-2, edited by Mike Chervenak, Harvy Cording, and Richard Jorgensen
Pennington, Winter-Summer 1970


1971

ALDEBARAN REVIEW, No. 11, edited by John Oliver Simon
Berkeley: Aldeberan Review, December 1971
“Caged” [poem]

DESPERADO, No. 5, edited by Kell Robertson
June 1971
“Alone, You Say You Are?” [poem], “The Commode’s Weather” [poem]

THE GREENFIELD REVIEW, Vol. 1, No. 4, edited by Joseph Bruchac
Greenfield Center: Greenfield Review, 1971

GUM, No. 6, edited by Dave Morice
Iowa City: Gum, September 1971

HEY LADY, Nos. 4-5
Milwaukee: Morgan Press, 1971

THE HUMAN VOICE, Vol. 7, No. 3, edited by D.V. Smith
Homestead: Olivant Press, 1971

INTREPID, No. 18-19, edited by Allen De Loach
New York: Intrepid, Winter 1971
“For Shame in the Shadows” [poem], “The Exit” [poem], “The Returned Mariner” [poem]

LEMMING, No. 1, edited by Jim Gove
San Diego: Lemming, Winter 1971

PENUMBRA, No. 10, edited by Charles Haseloff
New York, Fall 1971
“Postmortem” [poem]

TOOTHPASTE, No. 5, edited by Allan Kornblum
Iowa City: Toothpaste Press, 1971
“Flock” [poem]

THE WORMWOOD REVIEW, Vol. 11, No. 3, Issue 43, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1971
“Bailey I Put” [poem], “Hobert Said” [poem]


1972

ASPHALT, No. 4, edited by Richard Paterson
Yellow Springs: Asphalt, 1972

DESPERADO, No. 7, edited by Kell Robertson
1972
“Goddesses” [poem], “She Had” [poem], “That He Should Live So Long” [poem]

LOCO MOTIVES, edited by Enrique R. Lamadrid and David Teodoro Benedetti
Albuquerque, NM: Peyote Puke Press / Associated Small Presses, 1972

PENUMBRA, No. 11, edited by Charles Haseloff
New York: Penumbra, Fall 1972
“The Lease of Ruin” [poem]

SECOND COMING, Vol. 1, No. 2, edited by A. D. Winans
San Francisco: Second Coming Press, Summer 1972
“In Fact” [poem]

ZAHIR, Vol. 1, Nos. 4-5, edited by Diane Kruchkow
Durham: Zahir, 1972
[untitled] “Classic in the deamoned service…” [poem]. “Eyes That” [poem], “I Wanted Even” [poem], “Is This” [poem]


1973

GRANDE RONDE REVIEW, [un-numbered issue], edited by Ben L. Hiatt
Folsom: Grande Ronde Press, Spring 1973
“She Shut” [poem], “The Wager” [poem], “When You Crouch” [poem]

WIND, No. 9, edited by Howard Quentin
Pikeville: Wind, 1973

THE WORMWOOD REVIEW, Vol. 13, No. 2, Issue 50, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1973
“Hard Times” [poem], “The Visitor” [poem], “You Would Like” [poem]

THE WORMWOOD REVIEW, Vol. 13, No. 4, Issue 52, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1973
“As Time Passes” [poem], “As You” [poem], “I Love Jane” [poem]


1974

EVERYMAN, edited by Christopher Franke
Cleveland: Cuyahoga Community College, Summer 1974

STONE COUNTRY, Vol. 74, No. 2, edited by Judy Neeld
Madison: Stone Country Press, 1974

STONE COUNTRY, Vol. 74, No. 3, edited by Judy Neeld
Madison: Stone Country Press, 1974

STONEY LONESOME, No. 4, edited by Richard Pflum, Roger Pfingston, and David Wade
Nosferatu Press 1974

WHITE ARMS MAGAZINE, No. 1, edited by Jim Jordan
Fort Wayne: White Arms Magazine, April 1974


1975

BLACK BEAR REVIEW: A Magazine of the Arts, Vol. 1, No. 3, edited by James Taylor
Taos: Black Bear Review, Fall 1975

THE COLDSPRING JOURNAL, No. 8, edited by Charles Plymell and Pamela Beach Plymell
August-September 1975
“As If All” [poem], “Seeing An” [poem]

SCREE, No. 3, edited by Kirk Robertson and nila northSun
Missoula: Porky Press for Duck Down Press, 1975

STONE COUNTRY, Vol. 75, No. 2, edited by Judy Neeld
Madison: Stone Country Press, 1975

TELEPHONE, No. 10, edited by Maureen Owen
New York: Telephone Books Press, 1975
“San Francisco” [poem]

WINE RINGS, Vol. 1, No. 2
1975
[untitled] “Where / It’s put / together…” [poem]

THE WORMWOOD REVIEW, Vol. 15, No. 2, Issue 58, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1975
“A Mangled” [poem], “As Knotty a Question” [poem], “Because You” [poem], “Bulltoven Once” [poem], “Cats All Day” [poem], “Conned Out” [poem], “Easter Suite” [poem], “Enraptured Nude” [poem], “Epi-Gratis” [poem], “Every Electrical” [poem], “Examining” [poem], “Holed Up Three Days” [poem], “I Haven’t Spoke” [poem], “I Should Not” [poem], “If My Fragmented” [poem], “It Was” [poem], “Jesus Ranch” [poem], “No, 1” [poem], “Open” [poem], “Sand-Blasting” [poem], “So I Know” [poem], “Suppose Tomorrow” [poem], “The Current” [poem], “The Floor Level” [poem], “The Plain Sun” [poem], “The Sins” [poem], “To Breathe” [poem], “Together” [poem], “We Danced Off” [poem], “When I” [poem], “With Remorse” [poem], “Your Cunt” [poem], “Your Existence” [poem]

THE WORMWOOD REVIEW, Vol. 15, No. 4, Issue 60, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1975
“In a Bar” [poem], “These Wheels” [poem], “To Carry” [poem]


1976

LA-BAS, No. 4, edited by Douglas Messerli
College Park: La-Bas, November 1976
“Pebble Barren Gain” [poem], “This Cunt of Yours” [poem], “Two Mangy, Poorly” [poem]

SCREE, No. 5, edited by Kirk Robertson and nila northSun
Missoula: Duck Down Press, 1976

STAR-WEB PAPER, No. 6, edited by Thomas Michael Fisher
Los Cruces: All This & Less Publishers, 1976

THE SUNSET PALMS HOTEL, Vol. 4, No. 7, edited by Colman Andrews, Michael C. Ford, and Bill Yaryan
Mt. Alverno Press, Winter 1976

WINE RINGS, Vol. 1, No. 5
1976
“Bike Tyre” [poem], “If You” [poem], “I’ve Not” [poem], “My Breathing” [poem]

ZAHIR, No. 8, edited by Diane Kruchkow
Durham: Zahir, 1976
“A Long Line” [poem], “Helmets” [poem]


1978

EL COQUI, No. 1, edited by E.W. Northnagel
Carolina, PR: Cíbola Studio, 1978


1979

BOSS, No. 5, edited by Reginald Gay
New York: Boss Books, 1979

SECOND COMING, Vol. 7, No. 1, edited by A.D. Winans
San Francisco: Second Coming Press, 1979
“Your Buck” [poem]


1980

PIG IRON, No. 8, edited by Jim Villani
Youngstown: Pig Iron, December 1980

THE WORMWOOD REVIEW, Vol. 20, No. 4, Issue 80, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1980
“A Signature” [poem], “Assuming” [poem], ” Dumb, Dear” [poem], “Flowers” [poem], “If I Had” [poem], “If I Took” [poem], “Mad Dog” [poem], “The Place” [poem]


1981

ANOTHER CHICAGO MAGAZINE, Number 6, edited by Lee Webster
Chicago: Thunder Mouth Press, 1981

CENTER, No. 13, edited by Carol Berge
New York: Center, 1981
“Cochise” [prose]

WAVES, Vol. 1, No. 4, edited by Eric Torgersen
Central Michigan University, 1981


1982

LOST AND FOUND TIMES, No. 12, edited by John M. Bennett
Columbus: Luna Bisonte Productions, October 1982
“For Elephant Bamboo” [poem], “The Wall” [poem]


1983

ANOTHER CHICAGO MAGAZINE, Number 9, edited by Lee Webster
Chicago: Thunder Mouth Press, 1983

THE BELOIT POETRY JOURNAL, Vol. 33 No. 3, edited by David M. Stocking
Beloit Poetry Journal, Spring 1983

LUCKY STAR, Vol. 1, No. 3, edited by Henry Kranz
Oak Park: Erie Street Press, April 1983


1984

CENTER, No. 13, Final issue, edited by Carol Berge
New York: Center, 1984

ORO MADRE MAGAZINE, Vol. 2, No. 3-4, edited by Loss and Jan Glazier
Fremont: Ruddy Duck Press, 1984

STAR-WEB PAPER, No. 8, edited by Thomas Michael Fisher
Los Cruces: All This & Less Publishers, 1984


1986

SECOND COMING, Vol. 14, No. 1, edited by A.D. Winans
San Francisco: Second Coming Press, 1986


1989

LACTUCA, No. 12, edited by Mike Selender
Suffern: Lactuca, February 1989
“A Descent into the Depths Would Have Changed” [poem], “The Windows I have Stared Out of Looking” [poem], “Skin or Sheen as it Fails to Coalesce” [poem], “If He Swam at all It Was in a Religion” [poem], “A Black Sash Was All She Had” [poem], “If the Bark Comes off the Sheen of Branch” [poem], “I’ve Seen Worse, as They Say, Without Even” [poem]

LOST AND FOUND TIMES, No. 25, edited by John M. Bennett
Columbus: Luna Bisonte Productions, December 1989
“A Carnation Suggesting You Bruised” [poem]

NEW YORK QUARTERLY, No. 39, edited by William Packard
New York: The National Poetry Foundation, Summer 1989


1990

NEW YORK QUARTERLY, No. 43, edited by William Packard
New York: The National Poetry Foundation, Fall 1990


1991

LACTUCA, No. 14, edited by Mike Selender
Suffern: Lactuca, May 1991
“This Guarded Epiphany That Grabbed Me” [poem], “How Exquisite I Thought Ed Corbet’s” [poem], “Your Platinum Eyes and Bronze” [poem], “If Those Bodies Are Only Objects-” [poem], “If One Should Be Thought a Freak Because Of” [poem], “The Idea” [poem]

NEW YORK QUARTERLY, No. 44, edited by William Packard
New York: The National Poetry Foundation, 1991

NEW YORK QUARTERLY, No. 45, edited by William Packard
New York: The National Poetry Foundation, 1991

PEARL, No. 14, edited by Joan Jobe Smith and Marilyn Johnson
Fountain Valley: Pearl, Fall/Winter 1991


1992

ATOM MIND, Vol. 3, No. 9, edited by Gregory Smith
Albuquerque: Mother Road Publications, 1992

CHIRON REVIEW, Vol. 11, No. 1, edited by Michael Hathaway
St. John: Chiron Review, Spring 1992

Carl Larsen – Contributions to Periodicals

>> return to CARL LARSEN main page >>

SECTION C:
This index includes contributions to periodicals; entries within years are listed alphabetically


1956

1. NEW ATHENAEUM, No. 1, edited by Will Tullos
Lake Como: New Athenaeum Press, Summer 1956
“I Heard a Woman Weeping” [poem]





2. THE ARCHER, Vol. 6, No. 3, edited by Wilfred Brown and Elinor Henry Brown
North Hollywood: The Archer, Autumn/Winter (Dec) 1956
“I Walked with the Rain” [poem]




3. COASTLINES, Vol. 2, No. 2, Issue 6, edited by Mel Weisburd
Los Angeles: Coastlines, Winter 1956
“Auto Da Fe” [poem]





4. EPOS, Vol. 8, No. 2, edited by Evelyn Thorne and Will Tullos
mags_epos0802Lake Como: Epos, Winter 1956
“I Cannot Live” [poem]






1957

5. ARK, No. 3, edited by James Harmon
San Francisco: Ark, Winter 1957
“The Work of Hands: 8” [poem], “The Work of Hands: 11” [poem]




6. COASTLINES, Vol. 3, No. 1, Issue 9, edited by Mel Weisburd
Hollywood: Coastlines, Winter 1957-58
“Letter to Clarence Major” [prose]





7. DANSE MACABRE, Vol. 1, No. 1, edited by R.T. Baylor
Manhattan Beach: Danse Macabre, 1957
“The Children Are Watching” [poem]





8. EMERGENT, Vol. 1, No. 1, edited by James M. Singer Jr.
Gardena: Henny Penny Press, Winter 1957
“An Account to the Best of My Memory of the Strange and Interesting Events Which Took Place on October 7” [prose]



9. THE FREE LANCE, Vol. 4, No. 2, edited by Adelaide Simon
Cleveland: The Free Lance, Last Half 1957
“The Right to Stand in Line” [poem], “Eating Subgum War Mein” [poem]




10. HEARSE, No. 1, edited by E. V. Griffith
Eureka: Hearse Press, 1957
“Prelude to the Big Blast” [poem]





11. THE NAKED EAR, No. 2, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
“Summer Song #2” [poem], “Song to Be Sung to the Tuna” [poem]




12. THE NAKED EAR, No. 5, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
“Patterns on a Sea Wall #32” [poem]





13. THE NAKED EAR, No. 8, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
“The Work of Hands: 7” [poem]





14. NEON, No. 3, edited by Gilbert Sorrentino
Brooklyn: Neon Magazine, 1957
“Three Rather Obvious Images from the Penultimate Morning” [poem], “Not Us We Love the Dirty ‘…’s”, ” [poem], “Pastels in Smoke and Liquid” [poem], “The Big Hoop-Hoop at 38th Street” [prose]

15. SIMBOLICA, No. 15, edited by Ignace Ingianni
San Francisco: Simbolica, (1957)
“Rondeau #3” [poem], “Rondeau #5” [poem], “Rondeau #7” [poem], “Rondeau #9” [poem]





1958

16. THE COERCION REVIEW, No. 1, edited by Clarence Major
Chicago: Coercion, Summer 1958
“I Lay My Dying Children” [poem]





17. EPOS, Vol. 9, No. 4, edited by Evelyn Thorne and Will Tullos
Lake Como: Epos, Winter 1958
“Mss. Found in a Baby” [poem]





18. HEARSE, No. 3, edited by E. V. Griffith
mags_hearse03Eureka: Hearse Press, 1958
“Contemporary Silence” [poem]





19. THE MISCELLANEOUS MAN, No. 14, edited by William J. Margolis
San Francisco: The Miscellaneous Man, 1958
“Square Like The World” [prose], “Contemporary Impression No. 1” [poem], “Contemporary Impression No. 6” [poem],  “Contemporary Impression No. 9” [poem]


20. WHETSTONE, Vol. 3, No. 1, edited by Jack Lindeman
Philadelphia: Whetstone, 1958
“Salvation” [poem]


1959

21. THE COERCION REVIEW, No. 2, edited by Clarence Major
Chicago: Coercion, Spring 1959
“Ode to a Model 403 IBM Accounting Machine” [poem]




22. EPOS, Vol. 11, No. 1, edited by Evelyn Thorne and Will Tullos
Crescent City: Epos, Fall 1959
“The Transient Heart” [poem]





23. GALLOWS, No. 1, Jon T. Griffith
mags_gallows01Eureka, Octo­ber 1959
“Contemporary Impression #4” [poem]





24. WHITE DOVE REVIEW, Vol. 1, No. 3, edited by Ron Padgett
Tulsa: White Dove Press, 1959
“Crap and Cauliflower” [poem]






1960

25. COASTLINES, Vol. 4, Nos. 2-3, Issue 14-15, edited by Gene Frumkin
mags_coastlines1415Los Angeles: Coastlines, Spring 1960
“Memo from an Untidy Little Universe: 1” [poem], “Memo from an Untidy Little Universe: 2” [poem]




26. ELEMENT, Vol. 1, No. 1, edited by Robert Vaughan
Glendora: Element, 1960
“Suspend This Instant” [poem]





27. IMPETUS, No. 4, edited by Guy Owen and William E. Taylor
Deland: Stetson University, Summer 1960
“Needle”  [poem], “And Weeping with the Sea” [poem]




28. INLAND, Vol. 3, No. 3, edited by John Rackham
Salt Lake City: Inland, Winter 1960
“Death of a Single Thing” [poem]





29. NOMAD, No. 5-6, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Winter-Spring 1960
“A Modest Proposal or Nabokov’s Folly” [prose], “The Death of Johnny Peyote, from a novel-in-progress” [prose]



30. NOMAD, No. 7, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Summer 1960
“This End of the Sky: 5” [poem]





31. QUICKSILVER, Vol. 13, No. 1, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth : Quicksilver, Spring 1960
“I Ask to Lay My Soul” [poem]





32. QUICKSILVER, Vol. 13, No. 3, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth, Autumn 1960
“We Climb to Blank the Stars” [poem]





33. SAN FRANCISCO REVIEW, Vol. 1, No. 4, edited by R. H. Miller
San Francisco: San Francisco Review, March 1960
“This End of the Sky: 3” [poem], “In Memory of Civilization” [poem]




34. SIMBOLICA, No. 18, edited by Ignace Ingianni
San Francisco: Simbolica, (1960)
“To the Negro Castrated for Looking at Scarlet O’Hara”




35. WHITE DOVE REVIEW, Vol. 2, No. 5 , edited by Ron Padgett
Tulsa: White Dove Press, Summer 1960
“An Age of Winter” [poem]






1961

36. BEATITUDE/EAST, No. 17, edited by C.V.J. Anderson
New York: Beatitude Press, 1961
“Patterns on a Sea Wall: 13” [poem],  “Patterns on a Sea Wall: 14” [poem], “Patterns on a Sea Wall: 15” [poem], “Patterns on a Sea Wall: 16” [poem], “Patterns on a Sea Wall: 17” [poem], “Patterns on a Sea Wall: 18” [poem], “Patterns on a Sea Wall: 19” [poem], “Patterns on a Sea Wall: 21” [poem]

37. THE BELOIT POETRY JOURNAL, Vol. 11, No. 3, edited Chad Walsh 
Beloit: The Beloit Poetry Journal, Spring 1961
“Attack of the Giant Gnats” [poem]

38. THE FIDDLEHEAD, No. 47, edited by A.G. Bailey
Fredericton: The Fiddlehead, Winter 1961
“The Work of Hands” [poem]

39. THE FREE LANCE, Vol. 6, No. 2, edited by Casper L. Jordan
Cleveland: The Free Lance, 1961
“Godlovecountrymotherhome” [poem]





40. THE GALLEY SAIL REVIEW, Vol. 3, No. 2, edited by Stanley McNail
San Francisco: The Galley Sail Review, Fall 1961
“After the First Bombing” [poem]

41. LOST WORLD, No. 2, edited by Lorenzo Thomas
New York: Lost World, 1961
“The Sea at Times” [poem], “The Descent of Solomon” [poem]




42. MIDWEST, No. 2, edited by R.R. Cuscaden
mags_midwest02Chicago: Midwest, Summer 1961
“Contemporary Impression: 11” [poem]





43. MUTINY, Vol. 3, No. 3, edited by Jane Esty and Paul Lett
Northport: Mutiny Press, Summer 1961
“From our Far-Flung Agents”





44. QUICKSILVER, Vol. 13, No. 3, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth, Autumn 1961
“The Moral Observations of Edward Reed: 6” [poem]




45. SIMBOLICA, No. 20, edited by Ignace Ingianni
Tiburon: Simbolica, (1961)
“Notes for the Beginning of Things: 1” [poem]





46. SUN, No. 1, edited by Tracy Thompson
mags_sun01San Francisco: Sun, 1961
“The Sky Desterted” [poem]





47. TARGETS, No. 5, edited by W.L. Garner
Albuquerque, April 1961
“Bill, Feat Not Halitosis” [poem]





48. THE WORMWOOD REVIEW, Vol. 1, No. 4, Issue 4, edited by Marvin Malone
Storrs: The Wormwood Review, 1961
“There is a Little Balloon Coming out of My Head” [poem], “On a Hill Far Away Stood an Old Rugged Cha-Cha-Cha” [poem]




1962

49. BRAND X, No. 7, edited by Carl Larsen
New York: 7 Poets Press, July 1962
“In Unscheduled Ascent” [poem]





50. BRAND X, No. 10, edited by Carl Larsen
New York: 7 Poets Press, October 1962
“Poem Entitled October’s Bright Blue Weather” [poem], “The Good Folks Come to Burn Thee” [poem]



51. COASTLINES, Vol. 5, No. 3, Issue 19, edited by Curtis Zahn
Santa Monica: Coastlines, 1962
“O The Moon Shines Bright, It’s Radioactive” [poem]




52. LIBERATION, Vol. 6, No. 11, edited by Dave Dellinger
New York: Libertarian Press, January 1962
“The Work of Hands: 3” [poem]





53. OUTCRY, No. 1, edited by Lee Hollane and C.P. Galle
mags_outcry010Washington D.C.: Poet’s Press, July 1962
“excerpts from The Book of Eric Hammerscoffer”





54. THE WORMWOOD REVIEW, Vol. 2, No. 3, Issue 7, edited by Marvin Malone
Storrs: The Wormwood Review, October 1962
“How I Got to Be 28 Years Old and All My Friends are a Success Except Me”, “Larsen’s Decameron”, “Clyde and Martha”




1963

55. BLACK CAT REVIEW, No. 2, , edited by Neeli Cherry
San Bernardino: The Cherry Press, March 1963
“Fugue for Tracy Thompson” [poem]





56. SCIAMACHY, No. 5, edited by Millea Levin
mags_sciamachy05Winnetka: Sciamachy, 1963
“An Apology, a Face for Granted” [poem] 





57. SCIMITAR AND SONG, Vol. 26, No. 4, edited by Lura Thomas McNair
Sanford: Scimitar and Song, October 1963
“Let Us Believe Together This” [poem]





58. THE WORMWOOD REVIEW, Vol. 3, No. 1, Issue 9, edited by Marvin Malone 
Storrs: The Wormwood Review, 1963
“How I Discovered The Secrets of Nature and Met My Sad End Alas” [poem], “The Giant Gnats at the Hungry I” [poem]



59. THE WORMWOOD REVIEW, Vol. 3, No. 3, Issue 11, edited by Marvin Malone 
Storrs: The Wormwood Review, 1963
Special center-section: Carl Larsen’s The Stainless Steel Incubus, in two parts: “Advertisement for an Android” [poem], “Leah” [poem]



60. THE WORMWOOD REVIEW, Vol. 3, No. 4, Issue 12, edited by Marvin Malone 
Storrs: The Wormwood Review, 1963
“Anonymous  Note, Among Camellias” [poem]






1964

61. COFFIN, No. 1, edited by E.V. Griffith
Eureka: Hearse Press, 1964
“Notes for The Beginning of Things: 4” [poem]





62. FERMENT, No. 4, edited by Joel Climenhaga
Canton: Transient Press, July 1964
“Clyde and Martha (The Aging Beatniks)” [poem]

63. FERMENT, No. 5, edited by Joel Climenhaga
Canton: Transient Press, October 1964
“Notes from Ground Zero” [poem]

64. JACARANDA, No. 4, edited by Joel Climenhaga 
Canton: Transient Press, December 1964
“The Toad King” [poem], “And no Concentric Crumbling Pyramid” [poem], “Upon Entering a Coffee House…” [poem], “Clyde and Martha (The Aging Beatniks)” [poem], “In Defense of the Senate Bill…” [poem]

65. GRIST, No. 4, edited by Robert Rusk and John Fowler
Lawrence: Abington Book Shop, December 1964
“Stand Back, Fellas; Let Me Beat That Poor Dead Horse Awhile” [poem]



66. KAURI, No. 5, edited by Will Inman
New York: Kauri, November- December 1964
“Life Cycle and Economy” [poem], “Theme Song Cheer Chant for July 4th 1964” [poem], “The Shelter” [poem]



67. THE MARRAHWANNA QUARTERLY, Vol. 1, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1964
“Clyde and Martha” [poem], “Slumscapes: 4” [poem]




68. OLE, No.1, edited by Douglas Blazek
Bensenville: The Mimeo Press, 1964
“Mss. Found Attached to a Harp-String Hanging from the Sky” [prose]




69. THE WORMWOOD REVIEW, Vol. 4, No. 1, Issue 13, edited by Marvin Malone
Storrs: The Wormwood Review, 1964
“Homage to Yevtushenko” [poem]





70. THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 15, edited by Marvin Malone
Storrs: The Wormwood Review, 1964
“The Way to a Woman’s Heart: An Exploratory Operation” [poem]





1965

71. BLACK CAT REVIEW, No. 3, edited by Neeli Cherry
San Bernardino: The Cherry Press, June 1965
“Dock Dialogue” [poem]

72. INPUT, Vol. 2, No. 1, Issue 5, edited by Peter Salmansohn and Frank Roth
Valley Stream: Input, Spring 1965
“A River, Running to The Sea” [poem]





73. KAURI, No. 11, edited by Will Inman
New York: November-December, 1965
“Addenda to a Subway Sign” [poem]





74. SIMBOLICA, No. 24, edited by Ignace Ingianni
Tiburon: Simbolica, (1965)
“The Big Little White Bug Caper of Yesterday Afternoon” [prose], “The Red and the Black” [poem], “Open Letter to Provincetown, Mass.” [poem]


75. THE SPERO, Vol. 1, No. 1, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1965
“Meet Miss Subways” [prose]





76. THE WORMWOOD REVIEW, Vol. 5, No. 2, Issue No. 18, edited by Marvin Malone
Storrs: The Wormwood Review, 1965
“The Memoirs of the Most Successful 30 Year Old Model Boat Builder in the Whole Universe” [prose]




77. THE WORMWOOD REVIEW, Vol. 5, No. 3, Issue No. 19, edited by Marvin Malone
Storrs: The Wormwood Review, 1965
“A Little Play on Words Which I Have Modestly Entitled: Hamlet Prince of Denmark” [prose], “Memo to Bukowski” [poem], “Poem Entitled Untitled Poem” [poem]



1966

78. THE EIGHT PAGER, Series One, Part Four, edited by D.r. Wagner
Niagara Falls: Press Today Niagara, 1966
“Telethong” [poem]





79. ENTRAILS, No. 1, edited by Gene Bloom
New York: Whisper Shit Press, July 1966
“Dick and Jane at the Seashore, or Confessions of an Eternal Compulsion Engine” [prose]




80. HIKA, Vol. 28, No. 3, edited by Michael K. Berryhill and Michael Kirchberger
Gambier: Kenyon College, Spring-Summer 1966
“Wild Animals Couldn’t Keep Me Away from Africa: The Life and Hard Times of a Poem-Writer” [prose], “Tide Rising” [poem]



81. KAURI, No. 12, edited by Will Inman
New York: January-February, 1966
“Unwinding Walls” [poem]





82. KAURI, No. 15, edited by Will Inman
New York: Kauri, July-August 1966
“Text of the President’s Christmas Message as Reprinted from The New York Times, Dec. 25, 1995” [prose]



83. KAURI, No. 16, edited by Will Inman
New York: Kauri, Sep – Oct 1966
“Memo: Commit Suicide & See Pg. 1 of Notes” [prose]




84. THE MARY JANE QUARTERLY, Vol. 2, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1966
“Fractions of Light and Water, Fractions of Flesh” [poem]




85. THE SPERO, Vol. 1, No. 2, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1966
“The World is Made of Snow” [prose]





86. THE WORMWOOD REVIEW, Vol. 6, No. 4, Issue No. 24, edited by Marvin Malone
Storrs: The Wormwood Review, 1966
“Eddie Reed and His Radio Rangers” [poem]






1967

87. CONGRESS, No.2, edited by Sam Seiffer
New York: Congress, 1967
“From This Familiar Room” [poem]






1972

88. THE WORMWOOD REVIEW, Vol. 12, No. 3, Issue 47, edited by Marvin Malone
Stockton: The Wormwood Review, 1972
“Red Cross” [poem], “Third Rail” [poem]






1975

89. SAMISDAT, Vol. 6 No. 4, Issue 15, edited by Merritt Clifton
Berkeley: Samisdat, Autumn 1975
“Idols” [prose]





90. SMALL PRESS REVIEW, Vol. 7, Nos. 10-11, Issue 34-35, edited by Len Fulton
Paradise: Dust Books, Nov-Dec 1975

91. THE WORMWOOD REVIEW, Vol. 15, No. 2, Issue 58, edited by Marvin Malone
Stockton: The Wormwood Review, 1975
“Love Among The Silverware” [poem], “Road to Mecca” [poem]





1977

92. THE WORMWOOD REVIEW, Vol. 17, Nos. 1-2, Issues 65-66, edited by Marvin Malone
Stockton: The Wormwood Review, 1977
“Sands of Sorrow” [play]






1979

93. CENTER, No. 12, edited by Carol Bergé
Albuquerque: Center, 1979
“from: In The Museum of Oddities” [prose]





Judson Crews

Judson Crews, poet, editor, publisher, and book dealer, was born June 30, 1917, in Waco, Texas. Crews received both the B.A. (1941) and M.A. (1944) in Sociology from Baylor University, and during 1946-1947 studied fine arts at Baylor. In addition, Crews did graduate study at the University of Texas, El Paso in 1967. He has worked as an educator at Wharton County Junior College, New Mexico (1967-1970), the University of New Mexico, Gallup Branch (1971-1972), and at the University of Zambia (1974-1978). He has also been involved in social work. After two years in the U. S. Army Medical Corps during World War II, Crews moved his family and business, Motive Press, from Waco, Texas, to Taos, New Mexico, where he began his writing and publishing career in earnest.

He started the Este Es Press in 1946, which remained in operation until 1966. The little magazines with which he was involved from 1940 to 1966 include The Deer and Dachshund, The Flying Fish, Motive, The Naked Ear, Poetry Taos, Suck-Egg Mule: A Recalcitrant Beast, Taos: A Deluxe Magazine of the Arts, and Vers Libre.
(further reading…)

Charles Bukowski: Contributions to Periodicals, 1970-1979

>> return to CHARLES BUKOWSKI main page >>

SECTION D-2:
This index includes contributions to periodicals of poems and stories from 1970 to 1979*.

* Note: This is a work in progress and as such the sequence within years is alphabetical until more data is available

– – – 1970 – – – >

ADAM, Vol. 14, No. 2 (1970)

ADAM, Vol. 14, No. 7 (1970)

CALIFORNIA LIBRARIAN, Vol. 31, No. 4, edited by Don Kunitz
Sacramento: California Librarian, October 1970
“The Poetry Reading”
[library photocopy]




CANDID PRESS (1970)

CHICAGO REVIEW, Vol. 22, No. 1, edited by Harry Foster
mags_chicago2201Chicago: Chicago Review, Autumn 1970
“All Right, so Camus Had to Give Speeches before the Academies and Get His Ass Killed in a Car-Wreck”, “The Old Woman”



COTYLEDON, No. 2
Traverse City: Coyteldon Press, 1970
“A Hero’s Death”, “A Little Bit of Excitement”, “An Interesting Night”, “Robert Ryan: American Matador”, “Song”, “The Virgins of The Bulls”, “Those Sons of Bitches”

EPOS, Vol. 22, No. 2, edited by Will Tullos and Evelyn Thorne
mags_epos2202Crescent City: Epos, Winter 1970-71
“Blues Song”





EVERGREEN REVIEW, Vol. 14, No. 74, edited by Barney Rosset
New York: Evergreen Review, January 1970
“The Day We Talked about James Thurber”

EVERGREEN REVIEW, Vol. 14, No. 79, edited by Barney Rosset
New York: Evergreen Review, June 1970
“Soup, Cosmos and Tears”

FLING (1970)

GHOST DANCE, No. 12, edited by Hugh Fox
mags_ghostdance12East Lansing: Ghost Dance Press, (1970)
“The Poet’s Muse”





HEARSE, No. 14, edited by E. V. Griffith
Eureka: Hearse Press, 1970
“Sheets”





JEOPARDY, Vol. 6, edited by Carl Waluconis
mags_jeopardy06Bellingham: Jeopardy, March 1970
“The White Poets”, “The Black Poets”, “Excerpts from Short Non-Moon Shots to Nowhere”




KNIGHT, Vol. 7, No. 12
Los Angeles: Sirkay Publishing, 1970
“The Great Zen Wedding”

KNIGHT, Vol. 8, No. 5
Los Angeles: Sirkay Publishing, September 1970
“Nut Ward Just East of Hollywood”

KNIGHT, Vol. 8, No. 7
Los Angeles: Sirkay Publishing, 1970
“Registered Letter” (excerpt from Post Office)

NOLA EXPRESS, No. 45
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 49
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 54
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 55
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 57
New Orleans: Southern Louisiana Media Corp., Jun 12 to 27, 1970
“New Mexico”

NOLA EXPRESS, No. 60
New Orleans: Southern Louisiana Media Corp., 1970
“Love it or Leave it”

NOLA EXPRESS, No. 61
New Orleans: Southern Louisiana Media Corp., 1970
“All the Pussy We Want”

NOLA EXPRESS, No. 62
New Orleans: Southern Louisiana Media Corp., Aug 21-Sep 3, 1970
“Six Inches”

NOLA EXPRESS, No. 63
New Orleans: Southern Louisiana Media Corp., Sep 4-17, 1970
“I Think of the Little Men”

NOLA EXPRESS, No. 64
New Orleans: Southern Louisiana Media Corp., Sep 18-Oct 1, 1970
“An Evil Town”

NOLA EXPRESS, No. 67
New Orleans: Southern Louisiana Media Corp., 1970
“The Loner”

NOLA EXPRESS, No. 68
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 69
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 70
New Orleans: Southern Louisiana Media Corp., 1970
“The White Beard”

NORTON ANTHOLOGY OF POETRY (1970)

NOTES FROM UNDERGROUND, No. 3, edited by John Bryan
San Francisco: Underground Press, 1970
“Should We Burn Uncle Sam’s Ass?”

WHAT THERE IS LEFT TO UNDERSTAND ABOUT A LIGHT THAT IS NOT ABLE TO BE THERE
Sacramento: Runcible Spoon 1970
“Dooby Do Do Do”, “Shoot The Goat Through The Head And Paint The Bones Green”, “The Shit Shits”, “The Vast Area Of Space Nothingness With With Snakes Crawling Through You And Everything”

SOUNDINGS, Vol. 2, No. 1, edited by Donald E. Fitch
mags_soundings0201Santa Barbara: University of California, May 1970
“The Miracle”, “The Immortal Bombs, The Stinking Feet of God be Quiet”, “The Flower Lover”




SOUTHERN CALIFORNIA LIT SCENE, Vol. 1, No. 1, edited by William J. Robson
mags_socallit0101Long Beach: Southern California Lit Scene, December 1970
“The Wailing Wall”




STATEMENT, No. 28, edited by Roger Margolis
mags_statement28Los Angeles: California State College, May 1970
“On to Rome”





STEPPENWOLF, No. 4, edited by Philip Boatright
mags_steppenwolf04Omaha: Steppenwolf, Autumn, 1970
“Quits”





STOOGE, No. 5, edited by Laura Chester and Geoffrey Young
Oconomowoc Lake: Stooge, 1970
“An Answer to a Critic of Sorts”

WORMWOOD REVIEW, , Vol. 10, No. 1, Issue 37, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“One More Good One. Why Not?”, “Moonlight Ride”




WORMWOOD REVIEW, Vol. 10, No. 4, Issue 38, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“Down Like Stairways, Up Like Smoke”, “Another Academy”




WORMWOOD REVIEW, , Vol. 10, No. 4, Issue 39, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“A Correction To A Lady Of Poetry”, “A Warm Afternoon Just Off Sunset Boulevard”, “Boil Near Left Elbow”, “Yes”



WORMWOOD REVIEW, Vol. 10, No. 4, Issue 40, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“16 Jap Machine Gun Bullets”, “When All The Animals Lie Down”




– – – 1971 – – – >

ABYSS, Vol. 3, No. 1 (1971)

ADAM, Vol. 15, No. 3 (1971)

ADAM, Vol. 15, No. 5 (1971)

ADAM, Vol. 8, No. 11 (1971)

BEAR, No. 1, edited by A. P. Russo
Los Angeles: Bear,  1971
“The Answer”, “The Flu”

CRAZY HORSE, No. 9
Marshall: Southwest Minnesota State College, 1971
“That One”

EAST VILLAGE OTHER, Vol. 6, No. 11
New York: East Village Other Inc, 1971
“Swastika”

FLING, (1971)

FLING, (1971)

FLING, Vol. 14, No. 4 (1971)

FLING, Vol. 14, No. 5 (1971)

HALF N’ HALF, (1971)

HANGING LOOSE, No. 15
Brooklyn: Hanging Loose Press, 1971
“A Threat to My Immortality”, “The Garbageman”

HARRISON STREET REVIEW, No. 2 (1971)

HEARSE, No. 15, edited by E. V. Griffith
Eureka: Hearse Press, 1971
“The End of The Funhouse”, “Vallejo”

INTREPID, No. 18/19, edited by Allen De Loach
Buffalo: Intrepid Press, 1971
“A Blurb”, “That Liberating Moment”

INVISIBLE CITY, No. 1, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“5 Men in Black Passing My Window”, “Ah”, “Here”, “Rolled Again”, “Songs of Death”, “Style”, “The Bums at Phillipe’s”, “The Last Days of The Suicide Kid”, “You Might As Well Kiss Your Ass Goodbye”, “Zoo”

INVISIBLE CITY, No. 2, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“A Most Dark Night In April”, “Drinking”, “Last Act”, “The American Flag Shirt”, “Upon 2 Deaths”

INVISIBLE CITY, No. 3, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“2 Carnations”, “Pleasure Song”, “The Shower”, “The Writer”

LAUGH LITERARY AND MAN THE HUMPING GUNS, Vol. 1, No. 3, edited by Charles Bukowski and Neeli Cherry
Los Angeles: Hatchetman Press, 1971
“Bukowski To Cherry”, “The Time I Knocked Out Ernest Hemingway And Was Discovered As A New Literary Giant”

LEMMING, No. 1 (1971)

MADRONA, No. 2, edited by J.K. Osborne, John Levy, and Vassilis Zambaras
Seattle: Gemini Press, 1971
“The Best Love Poem I Can Write at the Moment”

MANO MANO, No. 2, edited by Larry Lake
Denver, Colorado: Bowery Press, 1971
“Girl In A Miniskirt Reading The Bible Outside My Window”, “Ha Ha Ha Ha Ha, Ha Ha”, “The Angels Of Sunday”

MEATBALL, No. 8 (1971)

MEDITERRANEAN REVIEW, Vol. 1, No. 3, edited by Robert DeMaria
Orient: Mediterranean Review, 1971
“Poem For An X-Bank Clerk”, “The Wine And The Cantos”

NEW YORK QUARTERLY, No. 7 (1971)

NEW YORK QUARTERLY, No. 8 (1971)

NOLA EXPRESS, No. 71
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 73
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 77
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 78
New Orleans: Southern Louisiana Media Corp., Apr 1-15, 1971

NOLA EXPRESS, No. 81
New Orleans: Southern Louisiana Media Corp., 1971

PIX, Vol. 3 (1971)

PULSE, No. 4, edited by Norm Moser
Santa Fe: Illuminations Press, Summer-Fall 1971
“A Need For Glue”, “Cancer Of The Eyeball”, “The Grammar Of Life”

QUETZAL, Vol. 1, No. 3 (1971)

ROGUE, No. 29 (1971)

SECOND AEON, No. 13, edited by Peter Finch
Cardiff: Second Aeon Publications, 1971
“Poem For Dante”, “Slim Killers”, “The Conditions”

THE MT. ALVERNO REVIEW, (1971)

THE SERIF, Vol. 8, No. 4, edited by Alex Glidzen and Dean H. Keller
Kent: Kent State University, 1971
“Untitled Essay on d.a. levy”

THROB, No. 1, edited by F. A. Nettlebeck
Manhattan Beach: Horsehead Nebula Press, 1971
“Bug”, “Summer”, “The Elephants”

THROB, No. 2, edited by F. A. Nettlebeck
Manhattan Beach: Horsehead Nebula Press, 1971
“Charles Bukowski Answers 10 Easy Questions”

UNMUZZLED OX, Vol. 1, No. 1, edited by Michael Andre
New York: Unmuzzled Ox, 1971
“Poem”, “Tragedy Is My Bacon”

VAGABOND, No. 10, edited by John Bennett
San Francisco: Vagabond Press, 1971

VAGABOND, No. 11, edited by John Bennett
San Francisco: Vagabond Press, 1971

VAGABOND, No. 12, edited by John Bennett
Redwood City: Vagabond Press, 1971

WORMWOOD REVIEW, No. 41 (1971)

WORMWOOD REVIEW, No. 42 (1971)

WORMWOOD REVIEW, No. 43 (1971)

WORMWOOD REVIEW, No. 44 (1971)

– – – 1972 – – – >

ADAM, Vol. 16, No. 1 (1972)
AMPHORA, No. 8 (1972)
ANTHOLOGY OF L.A. POETS, (1972)
BACHY, Vol. 1, No. 1 (1972)
BALONEY STREET, No. 3/4 (1972)
BALONEY STREET, No. 3/4 (1972)
BARTLEBY’S REVIEW, Vol. 1, No. 1 (1972)
CALIFORNIA STATE POETRY SOCIETY QUARTERLY, Vol. 1, No. 2 (1972)
CHICAGO REVIEW, Vol. 24, No. 3 (1972)
CORDUROY, Vol. 1, No. 3 (1972)
DOGTOWN, No. 1 (1972)
EVENT, Vol. 1, No. 3 (1972)
EVENT, Vol. 2, No. 1 (1972)
EVENT, Vol. 2, No. 2 (1972)
FERVENT VALLEY, No. 1 (1972)
FERVENT VALLEY, No. 2 (1972)
FLING, No. 3 (1972)
FLING, No. 5 (1972)
FLING, Vol. 14, No. 6 (1972)
HALF N’ HALF, (1972)
HARRISON STREET REVIEW, No. 3 (1972)
HEARSE, No. 17 (1972)
INTREPID, No. 23/24 (1972)
INVISIBLE CITY, No. 4 (1972)
INVISIBLE CITY, No. 7 (1972)
KNIGHT, Vol. 9, No. 7 (1972)
LOS ANGELES FREE PRESS, (1972)
LOS ANGELES FREE PRESS, (1972)
MAG, No. 2 (1972)
MAG, No. 4 (1972)
MAGAZINE, No. 5 (1972)
MINDSCAPES, (1972)
NEW YORK QUARTERLY, No. 10 (1972)
NEW YORK QUARTERLY, No. 12 (1972)
NEW YORK QUARTERLY, No. 9 (1972)
NOLA EXPRESS, No. 103 (1972)
NOLA EXPRESS, No. 104 (1972)
NOLA EXPRESS, No. 108 (1972)
NOLA EXPRESS, No. 113 (1972)
NOLA EXPRESS, No. 115 (1972)
NOLA EXPRESS, No. 116 (1972)
NOLA EXPRESS, No. 117 (1972)
NOLA EXPRESS, No. 119 (1972)
NOLA EXPRESS, No. 99 (1972)
PEBBLE, No. 9 (1972)
PIX, Vol. 4, No. 5 (1972)
PIX, Vol. 4, No. 7 (1972)
PIX, Vol. 4, No. 8 (1972)
PURE SMUTTE, No. 1 (1972)
SAN FRANCISCO BOOK REVIEW, No. 22 (1972)
SECOND AEON, No. 14 (1972)
SECOND AEON, No. 16/17 (1972)
SECOND COMING, Vol. 1, No. 2 (1972)
SECOND COMING, Vol. 1, No. 3 (1972)
SILVER, (1972)
STONECLOUD, No. 1 (1972)
THE, No. 13 (1972)
THE LITTLE MAGAZINE, Vol. 6, No. 1 (1972)
THE LITTLE MAGAZINE, Vol. 6, No. 2 & 3 (1972)
THE VENICE POETRY COMPANY PRESENTS, (1972)
UNMUZZLED OX, Vol. 1, No. 2 (1972)
UNMUZZLED OX, Vol. 1, No. 4 (1972)
VAGABOND, No. 13 (1972)
VAGABOND, No. 15 (1972)
WORMWOOD REVIEW, No. 45 (1972)
WORMWOOD REVIEW, No. 46 (1972)
WORMWOOD REVIEW, No. 47 (1972)
WORMWOOD REVIEW, No. 48 (1972)

COW (the magazine)

Inspired by Stan Persky’s OPEN SPACE, Luther T. Cupp edited COW, which ran for three issues from 1965-1966. Cupp was nicknamed “Link” by Jack Spicer and went by the name Link Martin.

mags_cow01

 

Contributors to this short-lived North Beach magazine include:  Lawrence (Larry) Fagin, Stan Persky, Robin Blaser, George Stanley, Harold Dull, Joanne Kyger, Jack Spicer, Ronnie Primack, and others.
(further reading…)

Cow

Inspired by Stan Persky’s OPEN SPACE, Luther T. Cupp edited COW, which ran for three issues from 1965-1966. Cupp was nicknamed “Link” by Jack Spicer and went by the name Link Martin.

1. COW, The San Francisco Magazine of Livestock, No. 1, Cow Soup Issue, edited by Luther T. Cupp
mags_cow01(San Francisco): (Cow) (1965)
First edition, side stapled printed wrappers, 8.5″ x 11″, 11 pages, mimeograph.

Contributors: Doug Palmer, Deneen Brown, Lawrence Fagin, Stan Persky, Robin Blaser, J. Mac Innis, George Stanley, Harold Dull, Joanne Kyger, Jack Spicer, Ronnie Primack, Link.

2. COW, The Magazine of Afro-Judeo Culture, No. 2, The Un-escalation Issue, edited by Luther T. Cupp
mags_cow02(San Francisco): (Cow) (1965)
First edition, side stapled printed wrappers, 8.5″ x 11″, 11 pages, mimeograph.

Contributors: Jim Thurber, Robin Blaser, Stan Persky, Bill Brodecky, Mike Hannon, Larry Fagin, Geoff Brown, Michael Ratcliffe, Joanne Kyger, Jamie MacInnis, Luis Garcia, J.C. Alexander, Gail Dusenbery, Hune Voelcker, George Stanley.

3. COW, No. 3, Pregnant Cow Issue, edited by Luter T. Cupp
mags_cow03(San Francisco): (Cow) (1966)
First edition, side stapled printed wrappers, 8.5″ x 11″, 11 pages, mimeograph.

Contributors: Bill Deemer and Andrew Hoyem, Stephen Mindel, Marga NewComb, Robin Blaser, Michael Ratcliffe, H.M. Wickenheiser, Jim Semark, Helen Adam, Gordon Gatom, Mike Hannon, SMN.