Online Resources:
· Conner Family Trust – biography and archive
This index collects solo and select group exhibitions; gallery, dates, location, catalog, and ephemera information provided, when available…
1956
Bruce Conner
[solo exhibition]
Rienzi Gallery, New York City
1958
Bruce Conner
[solo exhibition]
September 3 – October 1, 1958
Designers’ Gallery, San Francisco
Bruce Conner
[solo exhibition]
June 11 – July 5, 1958
East and West Gallery, San Francisco
1959
Works by the Late Bruce Conner
[solo exhibition]
September 12 – October 4.
Spatsa Gallery, San Francisco
1960
Bruce Conner
[solo exhibition]
January 18 – February 6
Alan Gallery, New York City
Bruce Conner
[solo exhibition]
November 3 – December 1, 1960
Batman Gallery, San Francisco
1961
Bruce Conner
[solo exhibition]
October 2 – 21, 1961
Alan Gallery, New York City
1962
Bruce Conner
[solo exhibition]
February 16, 1962 [opening]
Jacobo Glantz Gallery, Mexico City
Bruce Conner
[solo exhibition]
June 4 – 30, 1962
Ferus Gallery, Los Angeles
Bruce Conner
[solo exhibition]
August – September, 1962
Antonio Souza Gallery, Mexico City
1963
Drawings by Bruce Conner
[solo exhibition]
February 10 – March 3, 1963
Wichita Art Museum, Wichita
Works by Bruce Conner from Bay Area Collections
[solo exhibition]
March 21 – 31, 1963
Batman Gallery, San Francisco
Bruce Conner: Assemblages
[solo exhibition]
October 15 – November 2, 1963
Swetzoff Gallery, Boston
Bruce Conner: San Francisco Art Institute Nealie Sullivan Award Exhibition
[solo exhibition]
November 4 – 22, 1963
San Francisco Art Institute, San Francisco
1964
Bruce Conner
[solo exhibition]
April 20 – May 9, 1964
Alan Gallery, New York City
Touch/Do Not Touch
[solo exhibition]
August 11 – 13, 1964
Batman Gallery, San Francisco
Bruce Conner Assemblages
[solo exhibition]
December 1, 1964 – January 9, 1965
Robert Fraser Gallery, London
1965
Bruce Conner: A One-Man Show
[solo exhibition]
February 2 – 10, 1965
Fine Arts Gallery, University of British Columbia, Vancouver
Bruce Conner Assemblages
[solo exhibition]
May 1965
Galerie J, Paris
Bruce Conner: Assemblages 1954–1964 and New Drawings
[solo exhibition]
May 10 – 28, 1965
Alan Gallery, New York, NY.
Bruce Conner: Sculpture, Assemblages, Drawings, Films
[solo exhibition]
September 20 – October 24, 1965
Rose Art Museum, Brandeis University, Waltham
Bruce Conner: New Prints, Drawings
[solo exhibition]
Swetzoff Gallery, Boston
1967
One-Man Show: Bruce Conner
[solo exhibition]
April 25 – May 27, 1967
Quay Gallery, San Francisco, CA. .
Bruce Conner: Sculpture, Assemblages, Collages, Drawings, Film
[solo exhibition]
November 29 – December 31, 1967
Institute of Contemporary Art, University of Pennsylvania, Philadelphia
1968
Eight Films by Bruce Conner
[solo exhibition]
San Francisco Art Institute, San Francisco
1971
The Dennis Hopper One Man Show (vol. 1)
[solo exhibition]
August 11 – September 4, 1971
Reese Palley Gallery, San Francisco
Bruce Conner: Recent Work
[solo exhibition]
June 2 – 30, 1971
Molly Barnes Gallery, Los Angeles
1972
Vol. 2: The Dennis Hopper One Man Show
[solo exhibition]
March 11 – April 18, 1972
Reese Palley Gallery, San Francisco
Bruce Conner
[solo exhibition]
September 1 – 30, 1972
Contract Graphics, Houston
Bruce Conner: Lithographs
[solo exhibition]
October 7 – November 2, 1972
Martha Jackson Gallery, New York City
Bruce Conner Films
[solo exhibition]
October 21, 1972
Los Angeles County Museum of Art, Los Angeles
1972 B.C.
[solo exhibition]
October 24 – November 14, 1972
Nicholas Wilder Gallery, Los Angeles
1973
The Films of Bruce Conner
[solo exhibition]
November 18, 1973
Pacific Film Archive, University Art Museum,
University of California, Berkeley
The Complete Dennis Hopper One Man Show by Bruce Conner
[solo exhibition]
September 4 – October 2, 1973
Texas Gallery, Houston
Film Show and Lecture
[solo exhibition]
April 9, 1973
Carnegie Institute, Carnegie
The Complete Dennis Hopper One Man Show
[solo exhibition]
February 7 – 28
James Willis Gallery, San Francisco
1974
Bruce Conner: Drawings, 1955–1972, M. H. de Young Memorial Museum, San Francisco, CA.
October 5, 1974 – January 5, 1975.
Bruce Conner Prints, Galerie Smith-Andersen, Palo Alto, CA. June 20 – July 16.
Film Show and Lecture: THE COMPLETE WORKS 1958–73 . . . Bruce Conner,
Art Institute of Chicago, Chicago, IL. April 19.
Bruce Conner: The Dennis Hopper One Man Show, Tyler Art Museum, Tyler, TX.
March 17 – April 18.
Quay Gallery, San Francisco, CA. February 26 – March 23.
>> return to MICHAEL MCCLURE main page >>
Section A:
This index includes books and broadsides, and focuses primarily on the entries found in the Clements bibliography.
1. McClure, Michael. PASSAGE
First edition:
Big Sur: Jonathan Williams – Publisher, June 1956
Hand-sewn in printed wrappers, 7.25″ x 10.75″, 12 pages, 200 copies, letterpress printed by the Windhover Press. Cover by Jonathan Williams. Published as Jargon 20.
(Clements A1)
2. McClure, Michael. PEYOTE POEM
First edition:
(San Francisco): Wallace Berman, 1958.
Broadside folded and tipped into printed and photo-illustrated folder, 9″ x 12″, (200 copies), printed by Wallace Berman. Published as Semina 3.
(Clements A2)
3. McClure, Michael. FOR ARTAUD
First edition:
New York: Totem Press, June 1959
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 12 pages, (750 copies). Published as Blue Plate #2.
(Clements A3)
4. McClure, Michael. WE’RE IN THE MIDDLE OF A DEEP CLOUD
First edition:
(San Francisco): (Wallace Berman), (1959)
Broadside, 3.5″ x 4.25″, letterpress printed by Wallace Berman. Laid into Semina 4.
(Clements C14)
5. McClure, Michael. HYMNS TO ST. GERYON AND OTHER POEMS
First edition:
San Francisco: Auerhahn Press, October 1959
Perfect-bound in printed and illustrated wrappers, 7.25″ x 10″, 62 pages, (950 copies), letterpress printed by Dave Haselwood. Cover illustration by McClure.
(Clements A4, Auerhahn 4)
6. McClure, Michael. FUCK DEATH *
First edition:
(San Francisco): privately printed, (1959)
Folded card, 5″ x 3.5″.
(Clements A5)
7. McClure, Michael. !THE FEAST!
First edition:
San Francisco: The Batman Gallery, 1960
Side-stapled printed sheets, 8.5″ x 11″, 14 pages, mimeograph [?] printed. A working script of the play performed at The Batman Gallery on Thursday, December 22, 1960.
(Clements A6)
8. McClure. Michael. WE ARE IMPERVIOUS…
First edition:
(Los Angeles): (Wallace Berman), (1960)
Broadside, 4″ x 6.25″, letterpress printed by Wallace Berman. Laid into Semina 5.
(Clements C17)
9. McClure, Michael. THE NEW BOOK / A BOOK OF TORTURE
First edition:
New York: Grove Press, August 1961
Perfect-bound in printed and illustrated wrappers, 64 pages, (4,000 copies). Photo of McClure on rear wrapper by Wallace Berman.
(Clements A7)
10. McClure, Michael. PILLOW *
First edition:
New York: New York Poets Theatre, October 1961
Side-stapled in printed wrapper, 8.5″ x 11″, 7 pages, photocopy printed. A working script of the play produced by the New York Poets Theatre at the Off-Bowery Gallery in New York City in October and November 1961.
(Clements A8)
11. McClure, Michael. SPONTANEOUS HYMN TO KUNDALINI
First edition:
(New Orleans): (Loujon Press), (Fall 1961)
Broadside, 5.75″ x 9″, letterpress printed by Jon and Louise Webb. An offprint from The Outsider, Vol. 1, No.1.
(not in Clements)
12. McClure, Michael. DARK BROWN
a. First edition, regular copies:
San Francisco: Auerhahn Press, Winter 1961
Perfect-bound in printed wrappers, 6″x 9″, 56 pages, 725 copies, letterpress printed by Dave Haselwood and Andrew Hoyem.
(Clements A9, Auerhahn 13)
b. First edition, numbered and signed copies:
San Francisco: Auerhahn Press, Winter 1961
Hardcover in gilt-stamped cloth-bound boards, 6″ x 9″, 56 pages, 25 numbered and signed copies, letterpress printed by Dave Haselwood and Andrew Hoyem, bound by the Schuberth Bindery. (Clements A9, Auerhahn 13)
c. Prospectus:
San Francisco: Auerhahn Press, (1961)
Postcard announcement, 6″ x 3.25″, letterpress printed.
(not in Clements)
13. McClure, Michael. MEAT SCIENCE ESSAYS
First edition:
San Francisco: City Lights Books, June 1963
Perfect-bound in printed and photo-illustrated wrappers, 84 pages, (3,000 copies). Author photo by Ettore Sotsass.
(Clements A10, Cook 41)
14. McClure, Michael. GRAHHR SHEET
First edition:
(San Francisco): privately printed, (1963)
Broadside, 6.25″ x 2″, letterpress printed.
(Clements A11)
Note: according to Clements, copies were given away by the author as tickets at readings in San Francisco and at the University of California at Berkeley. [These were used as tickets for the performance of ¡The Feast! at the Batman Gallery in 1960.]
15. McClure, Michael. TWO FOR BRUCE CONNER
First edition:
(San Francisco): Oyez Press, 1964
Broadside, 12″ x 17.5″, 500 copies, letterpress printed by Dave Haselwood at the Auerhahn Press. Published as Oyez #1.
(Clements A12)
16. McClure, Michael. POETRY IS A MUSCULAR PRINCIPLE
First edition:
(Los Angeles): privately printed, 1964
Broadside, 8.5″ x 5.5″. Photograph of McClure by Wallace Berman; make-up by Robert LaVigne. Beneath the photo is a statement by McClure beginning “Poetry is a muscular principle…”
(Clements A13)
17. McClure, Michael. BLUE-BLACK... *
First edition:
(Los Angeles): privately printed, (Summer 1964)
Broadside, 7.5″ x 2.5″. Contains one-line poem: “BLUE-BLACK SPACE RAINBOW GRAHHR”.
(Clements A14)
18. McClure, Michael. THE BLOSSOM: OR BILLY THE KID
First edition:
New York: American Theatre for Poets, 1964
Side-stapled sheets in printed cover, 8.5″ x 11″, 26 pages, mimeograph printed. A working script of the play.
(Clements A15)
19. McClure, Michael. GHOST TANTRAS
a. First edition, regular copies:
San Francisco: privately printed, 1964
Perfect-bound in printed and illustrated wrappers, 108 pages, 1480 copies, cover photo of McClure by Wallace Berman.
(Clements A16)
b. First edition, signed copies:
Hardcover in gilt-stamped cloth-bound boards in illustrated dust jacket, 109 pages, 20 numbered and signed copies, cover photo of McClure by Wallace Berman.
(Clements A16)
20. McClure, Michael. DOUBLE MURDER! VAHROOOOOOOHR!
First edition:
(Los Angeles): (Wallace Berman), 1964
Broadside, 3″ x 4.75″, (200 copies). Contained in a small manila envelope bearing an altered photograph of Jack Ruby at the point of murdering Lee Harvey Oswald. Published as Semina 9.
(Clements A17)
21. McClure, Michael. LOVE LION, LIONESS *
a. First edition, poster:
(San Francisco): privately printed, (1964)
Poster, 28″ x 22″, 350 copies printed in the style of a boxing poster.
(Clements A18)
b. First edition, flyer:
(San Francisco): privately printed, (1964)
Flyer, 11″ x 8.5″, 70 copies printed in black in the style of a boxing poster.
(Clements A18)
c. First edition, tickets:
(San Francisco): privately printed, (1964)
Tickets, 5.5″ x 2.25″, printed in the style of theater tickets for the fictitious event.
(Clements A18)
22. McClure, Michael. 13 MAD SONNETS
First edition:
Milan: East 128, 1964
Saddle-stapled and tipped in to printed dust jacket, 8.5″ x 11″, 28 pages, 299 numbered copies (plus 16 for the author’s use). Author photo by Ettore Sotsass Jr.
(Clements A19)
23. McClure, Michael. THE BEARD
First edition:
(San Francisco): privately printed, April 1965
Perfect-bound in printed and photo-illustrated wrappers, 8.5″ x 13″, 71 pages, 350 copies planned, 330 produced (only 75 for sale).
(Clements A20)
24. McClure, Michael. POISONED WHEAT
a. First edition, regular copies:
(San Francisco): (Oyez Press), April 1965
Saddle-stapled in printed and photo-illustrated wrappers, 5.75″ x 7.75″, 16 pages, 576 copies.
(Clements A21)
b. First edition, signed copies:
Hardcover in cloth-bound boards in photo-illustrated dust jacket, 5.75″ x 7.75″, 16 pages, 24 copies lettered alpha through omega and signed by the author. Bound by Dorothy Hawley.
(Clements A21)
25. McClure, Michael. UNTO CAESAR
First edition:
(San Francisco): (Dave Haselwood), (1965)
Hand-sewn in printed and collaged wrappers, 6.5″ x 4″, 24 pages, (60 copies), letterpress printed by Dave Haselwood.
(Haselwood 1)
26. McClure, Michael. DREAM TABLE
First edition:
San Francisco: Dave Haselwood, 1965
Thirty double-sided printed and illustrated cards, 2.5″ x 3.5″, 200 sets (30 signed), letterpress printed. Each card is illustrated with a Lion and a Tree on one side and two words on the other.
(Haselwood 5)
27. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
First edition:
(San Francisco): (Dave Haselwood), (1966)
Twenty-four printed and illustrated cards in printed envelope, cards measure 2″ x 2″, envelope measures 4.5″ x 5.75″. Each card is printed with four words one side and a “hallucinogram” by Bruce Conner on the other.
(Haselwood 10)
28. McClure, Michael and Bruce Conner. MANDALAS
First edition:
San Francisco: Dave Haselwood, 1966
Saddle-stapled in printed and illustrated wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. Printed announcement issued.
(Haselwood 11)
29. McClure, Michael. LOVE LION BOOK
a. First edition, regular copies:
San Francisco: Four Seasons Foundation, 1966
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 21 pages, 1000 copies. Published as Writing 11.
b. First edition, numbered and signed copies:
San Francisco: Four Seasons Foundation, 1966
Hardcover in printed paper-bound boards with gilt-stamped cloth backstrip, 6″ x 9″, 21 pages, 40 numbered and signed copies.
Published as Writing 11.
30. McClure, Michael. POISONED WHEAT
First edition, second printing:
San Francisco: Coyote, 1966
Saddle-stapled in illustrated wrappers. 5.75″ x 7.75″, 16 pages, 5000 copies. Distributed by City Lights Books.
31. McClure, Michael. MEAT SCIENCE ESSAYS
Second expanded edition:
San Francisco: City Lights Books, June 1966
Perfect-bound in printed and photo-illustrated wrappers, 120 pages.
(not in Cook)
Note: This expanded edition contains three essays not found in the 1963 publication: “Phi Upsilon Kappa”, “Defense of Jayne Mansfield”, and “Reason”.
32. McClure, Michael. THE BEARD *
a. First Coyote edition, regular copies:
San Francisco: Coyote, 1967
Perfect-bound in printed and photo-illustrated wrappers, 82 pages, 4960 copies, cover art by Wes Wilson, introduction by Norman Mailer.
b. First Coyote edition, numbered and signed copies:
Specially-bound, 82 pages, 40 numbered and signed copies, cover art by Wes Wilson, introduction by Norman Mailer.
33. McClure, Michael. THE BEARD *
First Grove Press edition:
New York: Grove Press/Black Cat, 1967
Perfect-bound in printed and photo-illustrated wrappers, 96 pages.
Note: two different covers were issued.
34. McClure, Michael. WAR IS DECOR IN MY CAVERN CAVE *
First edition:
San Francisco: Communication Company, 1967
Broadside, 8.5″ x 11″, mimeograph printed.
35. McClure, Michael. THE BLOSSOM, OR BILLY THE KID *
First edition:
Milwaukee: Great Lakes Books, 1967
Saddle-stapled in printed and illustrated wrappers, 32 pages, 500 numbered copies (the first 10 signed).
36. McClure, Michael. FREEWHEELIN FRANK
First edition:
New York: Grove Press, 1967
Hardcover in gilt-stamped cloth bound board in illustrated dust jacket, 7.75″ x 9.75″, 160 pages.
Note: First hand account of the Hell’s Angels as told by their secretary Frank Reynolds.
37. McClure, Michael. HAIL THEE WHO PLAY *
a. First edition, regular copies:
Los Angeles: Black Sparrow Press, August 1968
Perfect-bound in printed wrappers, 233 numbered and signed copies.
b. First edition, hardcover copies:
Los Angeles: Black Sparrow Press, August 1968
Hardcover in printed paper-bound boards with cloth backstrip with printed paper label, 75 numbered and signed copies, each with an original drawing by the author.
38. McClure, Michael. LITTLE ODES: Jan – March 1961 *
First edition:
New York: Poets Press, 1968
Hand-sewn in printed and illustrated wrappers, 150 numbered and signed copies.
39. McClure, Michael. THE SERMONS OF JEAN HARLOW AND THE CURSES OF BILLY THE KID
a. First edition, regular copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
Saddle-stapled in printed wrappers, 6″ x 9.25″, 24 pages, 1200 copies, letterpress printed by Dave Haselwood.
(Haselwood 17)
b. First edition, numbered and signed copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Hardcover in printed paper-bound boards, 6″ x 9.25″, 24 pages, 50 copies signed.
(Haselwood 17)
40. McClure, Michael. MUSCLED APPLE SWIFT
First edition:
Los Angeles: Love Press, 1968
Hand-sewn in illustrated wrappers, 16 pages, 150 copies (63 of which are numbered and signed), cover art by George Herms.
41. McClure, Michael. GRAHHR APRIL GRHARRR APRIL
First edition:
(Buffalo): (Gallery Upstairs Press), (1968)
Broadside, 28.5″ x 21.25″, offset lithography printed.
42. McClure, Michael. GREETINGS
First edition:
London: Cape Goliard Press, 1968
Broadside, 11″ x 12″.
43. McClure, Michael. HYMNS TO ST. GERYON & DARK BROWN
a. First edition, regular copies:
London: Cape Goliard, 1969
Perfect-bound in printed wrappers.
b. First edition, hardcover copies:
London: Cape Goliard, 1969
Hardcover in gilt-stamped cloth-bound boards in illustrated dust jacket.
Note: two titles previously published by Auerhahn Press, published here dos-a-dos. Illustrated and with cover art by Wallace Berman.
44. McClure, Michael. LITTLE ODES AND THE RAPTORS *
a. First edition, regular copies:
Los Angeles: Black Sparrow Press, March 1969
Perfect-bound illustrated wrappers, 6.25″ x 9.25″, 43 pages, 1000 copies.
b. First edition, numbered copies:
Hardcover in paper-covered boards with cloth backstrip and paper label, 6.75″ x 9.5″, 43 pages, 200 copies numbered and signed.
c. First edition, lettered copies:
Hardcover in gold stamped leather-bound boards, 6.75″ x 9.5″, 43 pages, 26 copies lettered and signed with each with an original drawing by the author.
45. McClure, Michael. THE SURGE *
Columbus, OH: Frontier Press, 1969
46. McClure, Michael. LION FIGHT *
New York: Pierrepont Press, 1969
47. McClure, Michael. GHOST TANTRAS
San Francisco: Four Seasons Foundation, 1969
48. McClure, Michael. PLANE POMES *
New York: Phoenix Book Shop, 1969
49. McClure, Michael. THE SHELL *
London: Cape Goliard, 1969
50. McClure, Michael. MUSCLED APPLE SWIFT *
Sacramento: Runcible Spoon, 1969
51. McClure, Michael. TO JAMES B. RECTOR *
San Francisco: Privately Published, 1969
52. McClure, Michael. LIBERATION *
Oakland: Mills College Tape Music Center, 1969
—
[* not in archive]
>> return to AUERHAHN PRESS main page >>
Section D:
This index collects books and other items printed by Dave Haselwood from 1965 to 1970.
1. McClure, Michael. UNTO CAESAR
First edition:
(San Francisco): (Dave Haselwood), (1965)
Hand-sewn in printed wrappers, 6.5″ x 4″, 24 pages, circa 60 copies. (Haselwood 1)
2. Hoyem, Andrew. THE MUSIC ROOM
First edition:
San Francisco: Haselwood, 1965
Hand-sewn in printed wrappers, 6.5″ x 4″, 16 pages, circa 100 copies. Illustrated by Bruce Conner. (Haselwood 2)
3. Wieners, John. CHINOISERIE
First edition:
San Francisco: Dave Haselwood, 1965
Hand-sewn in printed wrappers, 6.5″ x 4″, 20 pages, circa 100 copies. (Haselwood 3)
4. Wieners, John. THE HOTEL WENTLEY POEMS
Second edition revised:
San Francisco: Dave Haselwood, 1965
Saddle-stapled in illustrated wrappers, 6″ x 8.5″, 28 pages. Illustration by Robert La Vigne. These are the “original versions” of the poems. (Haselwood 4)
5. McClure, Michael. DREAM TABLE
First edition:
San Francisco: Dave Haselwood, 1965
30 double-sided printed cards, 2.5″ x 3.5″, 200 sets (30 signed). Each card is printed with a Lion and a Tree ornament on one side and two words on the other. (Haselwood 5)
6. Williams, Jonathan. PAEAN TO DVORAK, DEEMER & McCLURE
First edition:
San Francisco: Dave Haselwood, 1966
Hand-sewn in printed wrappers, 6.5″ x 4″, 32 pages, circa 100 copies. (Haselwood 6)
7. Johnson, Ronald. ASSORTED JUNGLES: ROUSSEAU
First edition:
San Francisco: Dave Haselwood, 1966
Hand-sewn in printed wrappers, 6.5″ x 4″, 32 pages, circa 100 copies. (Haselwood 7)
8. Hoyem, Andrew. CHIMERAS
First edition:
San Francisco: Dave Haselwood, 1966
Hand-sewn in printed wrappers, 6.25″ x 9.5″, 28 pages. (Haselwood 8)
9. Plymell, Charles. APOCALYPSE ROSE
First edition:
San Francisco: Dave Haselwood, 1966
Saddle-stapled in printed wrappers, 6″ x 9″, 52 pages. Introduction by Allen Ginsberg. (Haselwood 9)
10. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
First edition:
(San Francisco): (Dave Haselwood), (1966)
24 cards in printed envelope, 2″ x 2″, envelope measures 4.5 x 5.75″. Each card is printed with four words one side and a “hallucinogram” on the other. Illustrated by Bruce Conner. (Haselwood 10)
11. McClure, Michael and Bruce Conner. MANDALAS
First edition:
San Francisco: Dave Haselwood, 1966
Saddle-stapled in printed wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. (Haselwood 11)
Note: Printed announcement issued.
12. Ferlinghetti, Lawrence. AFTER THE CRIES OF THE BIRDS
First edition:
San Francisco: Dave Haselwood: 1967
Saddle-stapled in printed wrappers, 6″ x 8″, 16 pages. (Haselwood 12)
13. Whalen, Philip. T/O
First edition:
San Francisco: Dave Haselwood, 1967
Hand-sewn in printed wrappers, 6.5″ x 4″, 32 pages, circa 80 copies. (Haselwood 13)
14. Burroughs, William S. and Brion Gysin. THE EXTERMINATOR
First edition, second printing:
San Francisco: Dave Haselwood, 1967
Perfect-bound in illustrated and printed wrappers, 6″ x 9″, 51 pages, 1000 copies. (Haselwood 14)
15. McClure, Michael. DARK BROWN
First edition, second printing:
Perfect-bound in illustrated and printed wrappers, 5.5″ x 8.5″. (Haselwood 15)
16. Brown, Geoffrey. TENDING BAR AT THE FILLMORE AUDITORIUM ON ARTISTS’ LIBERATION FRONT BENEFIT NIGHT
First edition:
San Francisco: Dave Haselwood Books, 1967
Folded broadside, 8.6″ x 10.75″.
17. Welch, Lew. COURSES
First edition:
San Francisco: Dave Haselwood, 1968
Hand-sewn in printed suede wrappers, 6.5″ x 4.25″, 28 pages, 50 copies. (Haselwood 16)
18. McClure, Michael. THE SERMONS OF JEAN HARLOW & THE CURSES OF BILLY THE KID
a. First edition, regular copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
Saddle-stapled in printed wrappers, 6″ x 9.25″, 24 pages, 1200 copies. (Haselwood 17)
b. First edition, hardcover, signed copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
Hardcover in printed paper-covered boards, 6″ x 9.25″, 24 pages, 50 copies signed. (Haselwood 17)
19. Ginsberg, Allen. INDIAN JOURNALS
a. First edition, regular copies:
San Francisco: City Lights Books with Dave Haselwood Books, 1970
Perfect bound in illustrated and printed wrappers, 5.5″ x 8.25″, 212 pages. (Haselwood 18)
b. First edition, hardcover, signed copies:
San Francisco: City Lights Books with Dave Haselwood Books, 1970
Hardcover in cloth-covered boards in printed and illustrated dust jacket, 5.5″ x 8.25″, 212 pages. (Haselwood 18)
—
>> return to AUERHAHN PRESS main page >>
Section A:
This index collects Auerhahn Press publications from 1958 through 1965: from Dave Haselwood’s first publishing venture through the dissolution of his partnership with Andrew Hoyem and the end of Auerhahn Press.
1. Wieners, John. THE HOTEL WENTLEY POEMS
First edition:
San Francisco: Auerhahn Press, 1958
Saddle-stapled in illustrated wrappers, 6.25″ x 7.75″, 20 pages, circa 500 copies. Printed (and edited without prior notice to Dave Haselwood) by East West Printers. Cover photo by Jerry Burchard. Illustration by Robert La Vigne. (Auerhahn 1)
Note: Printed announcement issued.
2. Wieners, John. THE HOTEL WENTLEY POEMS
Second revised edition:
San Francisco: Auerhahn Press, 1959
Saddle-stapled in illustrated wrappers, 6.25″ x 7.75″, 20 pages, 500 copies. Cover photo by Jerry Burchard. Illustration by Robert La Vigne. (Auerhahn 2)
Note: this edition has the original text restored.
3. Lamantia, Philip. EKSTASIS
First edition:
San Francisco: Auerhahn Press, 1959
Perfect-bound in printed wrappers, 5.75″ x 7″48 pages, circa 950 copies. Titling by Robert La Vigne. (Auerhahn 3)
Note: Printed announcement issued.
4. McClure, Michael. HYMNS TO ST. GERYON…
First edition:
San Francisco: Auerhahn Press, 1959
Perfect-bound in illustrated wrappers, 7.25″ x 10″, 62 pages, 950 copies. Cover illustration by McClure. (Auerhahn 4)
5. Lamantia, Philip and Antonin Artaud. NARCOTICA
First edition:
San Francisco: Auerhahn Press, 1959
Saddle-stapled in illustrated wrappers, 6.25″ x 8.5″, 16 pages, 750 copies. Cover photographs by Wallace Berman. Published as “Auerhahn Pamphlet No. 1”. (Auerhahn 5)
Note: Printed announcement issued.
6. Whalen, Philip. MEMOIRS OF AN INTERGLACIAL AGE
a. First edition, regular copies:
San Francisco: Auerhahn Press, 1960
Perfect-bound in illustrated wrappers, 8.75″ x 11.25″, 64 pages, (1250 copies). Cover illustration by Robert La Vigne. (Auerhahn 6)
b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1960
Hardcover in printed paper-covered boards with leather spine, 8.75″ x 11.25″, 64 pages, 60 copies with 25 signed and another 15 signed with holograph poem and illustration, bound by the Schuberth Bindery. Cover illustration by Robert La Vigne. (Auerhahn 6)
Note: Printed announcement issued.
7. Welch, Lew. WOBBLY ROCK
First edition:
San Francisco: Auerhahn Press, 1960
Saddle-stapled in printed wrappers, 6″ x 8″, 12 pages, 500 copies, illustrated by Robert LaVigne. (Auerhahn 7)
Note: Dedication: “for Gary Snyder / ‘I think I’ll be the Buddha of this place’ / and sat himself / down”
8. Burroughs, William S. and Brion Gysin. THE EXTERMINATOR
First edition:
San Francisco: Auerhahn Press, 1960
Perfect-bound in illustrated wrappers, 6.25″ x 9.25″, 64 pages, (1000 copies). Illustrated by Brion Gysin. (Auerhahn 8)
Note: Printed announcement issued.
9. Marshall, Edward. HELLAN, HELLAN
First edition:
San Francisco: Auerhahn Press, 1960
Saddle-stapled in illustrated wrappers, 6″ x 8.75″, 24 pages, (750 copies). Illustrated by Robert Ronnie Branaman. (Auerhahn 10)
Note: Printed announcement issued.
10. McClure, Michael. DARK BROWN
a. First edition, regular copies:
San Francisco: Auerhahn Press, 1961
Perfect-bound in printed wrappers, 6″x 9″, 56 pages, 725 copies. (Auerhahn 13)
b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1961
Hardcover in cloth-bound boards, 6″ x 9″, 56 pages, 25 numbered and signed copies, bound by the Schuberth Bindery. (Auerhahn 13)
Note: Printed announcement issued.
11. Olson, Charles. MAXIMUS FROM DOGTOWN
First edition:
San Francisco: Auerhahn Press, 1961
Hand-sewn in printed wrappers, 9″ x 11.25″, 12 pages, 500 copies. Foreword by Michael McClure. (Auerhahn 14)
12. Reps, Paul. GOLD FISH SIGNATURES
a. First edition, regular copies:
San Francisco: Auerhahn Press, 1961
Japanese binding, 8.5″ x 11″, 84 pages, (1000 copies). (Auerhahn 15)
b. First edition, signed copies:
San Francisco: Auerhahn Press, 1961
Japanese binding, 8.5″ x 11″, 84 pages, (50 copies in slipcase), signed. (Auerhahn 15)
Note: Printed announcement issued.
13. THE AUERHAHN PRESS CATALOGUE
First edition:
San Francisco: Auerhahn Press, 1962
Saddle-stapled in printed wrappers, 4″x 5″, 16 pages includes poems by Wieners and Meltzer.
(Auerhahn 17)
14. Lamantia, Philip. DESTROYED WORKS
a. First edition, regular copies:
San Francisco: Auerhahn Press, 1962
Perfect-bound in illustrated wrappers, 7″ x 8.75″, 48 pages, 1250 copies. (Auerhahn 18)
b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1962
Hardcover in cloth-bound boards, 7″ x 8.75″, 48 pages, 50 numbered and signed copies, bound by the Schuberth Bindery. (Auerhahn 18)
15. Meltzer, David. WE ALL HAVE SOMETHING TO SAY…
First edition:
San Francisco: Auerhahn Press, 1962
Saddle-stapled in illustrated wrappers, 6.25″ x 8.5″, 12 pages, 750 copies. Published as “Auerhahn Pamphlet No. 2”. (Auerhahn 19)
16. Williams, Jonathan. IN ENGLAND’S GREEN &
First edition:
San Francisco: Auerhahn Press, 1962
Hand-sewn in printed wrappers, 6.5″ x 9.25″, 20 pages, 750 copies. Illustrated by Philip Van Aver.
(Auerhahn 20)
17. Spicer, Jack. THE HEADS OF THE TOWN UP TO THE AETHER
a. First edition, regular copies:
San Francisco: Auerhahn Press, 1962
Perfect-bound in illustrated wrappers, 4.75″ x 6.75″, 109 pages, 750 copies. Illustrated by Fran Herndon. (Auerhahn 21)
b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1962
Hardcover in cloth-covered boards with leather spine, 4.75″ x 7.25″, 109 pages, 50 copies signed by the author and artist, with an original drawing, bound by the Schuberth Bindery. Illustrated by Fran Herndon. (Auerhahn 21)
Note: Printed announcement issued.
18. Hoyem, Andrew. THE WAKE
a. First edition, regular copies:
San Francisco: Auerhahn Press, 1963
Perfect-bound in printed wrappers, 6″ x 8.5″, 30 pages, 750 copies. (Auerhahn 22)
b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1963
Hardcover in paper-covered boards and leather spine, 6″ x 9″, 30 pages, 35 copies signed, bound by the Schuberth Bindery. (Auerhahn 22)
Note: Three printed announcements issued.
19. di Prima, Diane. THE NEW HANDBOOK OF HEAVEN
a. First edition, regular copies:
San Francisco: Auerhahn Press, 1963
Perfect-bound in printed wrappers, 5.25″ x 7.5″, 48 pages, 1000 copies. (Auerhahn 23)
b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1963
Hardcover in printed paper-covered boards with cloth spine, 6″ x 9″, 30 pages, 30 copies signed, bound by the Schuberth Bindery. (Auerhahn 23)
20. Brother Antoninus. THE POET IS DEAD
First edition:
San Francisco: Auerhahn Press, 1964
Hardcover in paper-covered boards with leather spine with paper label in plain paper dust jacket, 8.25″ x 10.5″, 28 pages, 205 copies signed. Bound by Jane Grabhorn and Sally Hoyem. (Auerhahn 24)
Note: Printed announcement issued.
21. Deemer, Bill. POEMS
a. First edition, regular copies:
San Francisco: Auerhahn Press, 1964
Saddle-stapled in illustrated wrappers, 6.25″ x 9.25″, 20 pages, 500 copies. Introduction by Andrew Hoyem. (Auerhahn 37)
b. First edition, hardcover, signed copies:
San Francisco: Auerhahn Press, 1964
Hardcover in printed paper-covered boards with leather spine, 6.5″ x 9.25″, 20 pages, 25 copies signed, bound by the Schuberth Bindery. Introduction by Andrew Hoyem. (Auerhahn 37)
Printed announcement issued.
22. Davis, William. JANUS
First edition:
San Francisco: The Auerhahn Society, Spring 1965
Perfect-bound in printed wrappers, 6.5″ x 9.75″, 64 pages, 750 copies. (Auerhahn 38)
23. Van Buskirk, Alden. LAMI
First edition:
San Francisco: The Auerhahn Society, 1965
Perfect-bound in printed wrappers, 7.75″ x 9.75″, 91 pages, 1000 copies. (Auerhahn 39)
24. Olson, Charles. HUMAN UNIVERSE AND OTHER ESSAYS
First edition:
San Francisco: The Auerhahn Society, 1965
Hardcover in silk-screened cloth-covered boards with leather spine, 7.75″ x 11″, 160 pages, 250 copies, bound by the Schuberth Bindery. Cover art by Robert La Vigne. Author photo by Kenneth Irby. Edited by Donald Allen. (Auerhahn 40)
—
The history of the Batman Gallery is detailed in the book “O Her Blackness Sparkles!” The Life and Times of the Batman Art Gallery, San Francisco 1960-1965, by Jack Foley.
While stationed with the U.S. Army in Germany during the 1950s, David Haselwood conceived the idea of becoming a publisher. At the time he was corresponding with his friend Michael McClure (also a native of Wichita, Kansas) who was living in San Francisco. McClure’s first book of poems, Passage (1956), was being published by Jonathan Williams’ Jargon Press. “Jonathan was having books printed in Germany because of the high quality and low cost,” Haselwood says, “and I began looking into things.”
When Haselwood was released from the Army, he came to live in San Francisco. According to Haselwood, “During the summer of 1958 I drifted around San Francisco talking endlessly with painters such as Robert LaVigne and Jesse Sharpe and poets [Philip] Lamantia, [Michael] McClure, [John] Wieners, and reading all the live poetry and prose I could get my hands on. It was at this time that it occurred to me that the press could mean a great many things … ” From this intense exposure to the active literary scene in the Bay Area grew the desire to see these writers published without the great delays imposed by larger printing establishments.
Auerhahn Press Checklist:
Section A: Auerhahn Press: Books & Pamphlets 1958-1965
Section B: Auerhahn Press: Broadsides 1959-1965
Section C: Auerhahn Press: Commissioned Publications 1961-1965
Section D: Dave Haselwood Books 1965-1969
A short while later in 1958 appeared the first publication of the Auerhahn Press, John Wieners’s The Hotel Wentley Poems. After this initial experience, in which the actual printing was done by a commercial printer (and edited by the printer without Haselwood’s knowledge), Haselwood was convinced that he should not only design all future books himself, but also print them: “The first and final consideration in printing poetry is the poetry itself. If the poems are great they create their own space, the publisher is just a midwife during the final operation…” With this ideal in mind, Haselwood tackled the publication of Philip Lamantia’s Ekstasis, and went on to the printing of Michael McClure’s Hymns to St. Geryon.
Though its limited financial resources were drained by this last publication, the press continued its publication of controversial and avant-garde works, such as Lamantia’s pamphlet Narcotica.
Haselwood took on a partner, Andrew Hoyem, in 1961. By then, a number of Kansans had arrived in San Francisco — including Robert Branaman, who shared living quarters with Haselwood for a time, and Glenn Todd, who later worked as a pressman and editor at Arion Press, which Hoyem founded after an amicable dissolution of his Auerhahn interests in 1964. Todd remembers the partners at work at 1334 Franklin Street: “The Auerhahn was a small press in a small room. Andrew would be setting type, and Dave running the press, passing single sheets of paper through. They’d be in their blue printer’s aprons.” Branaman adds, “Dave looked like someone out of Dickens to me. His shop was a center for artists. It was a well-known center of the culture.”
Another of San Francisco’s cultural hot-spots was the Batman Gallery, first owned by William Jahrmarkt, a.k.a. Billy Batman, whose art interests leaned to the visionary, the experimental and the mystical. According to Jack Foley in O Her Blackness Sparkles! The Life and Times of the Batman Art Gallery, 1960-65 (1995), the opening of the gallery was a “spectacular affair” and featured 99 pieces of Bruce Conner’s work. Auerhahn produced the announcement. In 1962, the gallery was sold to Michael Agron, a psychiatrist and University of California Medical Center associate professor who researched LSD as a therapeutic tool. Collaborating with Haselwood, Agron conceived of each exhibition’s announcement as a work of art. The first Agron show, Master-Bat, showcased the works of, among others, Conner and Branaman.
As the Beat scene faded with the ascent of Hippie culture, Haselwood continued to collaborate with artists on Dave Haselwood Books projects. He worked for a time at Arion Press and designed books for other presses, but his interest in publishing had waned by the close of the ’60s. It was time, he says, to choose another path.
References consulted:
Clay, Steven and Rodney Phillips. A SECRET LOCATION ON THE LOWER EAST SIDE: Adventures in Writing, 1960-1980
New York: New York Public Library / Granary Books, 1998
Clements, Marshall. A CATALOG OF WORKS BY MICHAEL MCCLURE, 1956-1965
New York: The Phoenix Book Shop, 1965
Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS
Berkeley: Poltroon Press, 1976
Lepper, Gary M. A BIBLIOGRAPHICAL INTRODUCTION TO SEVENTY-FIVE MODERN AMERICAN AUTHORS
Berkeley: Serendipity Books, 1976
—
Since his literary debut at the Six Gallery reading, Michael McClure has been one of the most enduring and influential writers of the Beat movement. As one of five poets who began his career on that night in 1955, he shares a long and rich history with Allen Ginsberg, Philip Whalen, Lawrence Ferlinghetti, Gary Snyder, Philip Lamantia, and many other writers of San Francisco’s Beat period. As one of the youngest members of the Beat circle, McClure played an important role as a bridge between writers and artists of the Beat movement and the region’s youth counterculture of the 1960s and has been a close friend and collaborator with figures such as Jim Morrison, Richard Brautigan, Bob Dylan, and Janis Joplin.
Michael McClure checklist:
Section A: Books and Broadsides
Section B: Contributions to Books and Anthologies
Section C: Contributions to Periodicals
McClure was born October 20, 1932, in Marysville, Kansas. He began his university education in 1951 at the University of Wichita and later transferred to the University of Arizona before moving to San Francisco where he enrolled in a writing workshop with poet Robert Duncan at San Francisco State University. Through his friendship with Duncan and later with poet Kenneth Rexroth, he began to find his place in the city’s literary community in the early 1950s.
In fall 1955 McClure took part in the now famous Six Gallery reading — the foundation of what would soon be called the San Francisco Poetry Renaissance. Here, in his first public reading, McClure, along with Lamantia, Snyder, Whalen, and Ginsberg helped to launch the Beat movement, and his presence at the event helped to instill in the fledgling movement his lifelong fascination with the natural world.
In the months following the Six Gallery reading, McClure began in earnest to publish his work. In 1956 his first small collection of poems PASSAGE, was published by Jonathan Williams (Jargon). Other collections soon followed, including McClure’s first major collection, HYMNS TO ST. GERYON AND OTHER POEMS (Auerhahn Press, 1958), THE NEW BOOK / A BOOK OF TORTURE (Grove Press, 1961), his powerfully erotic long poem DARK BROWN (Auerhahn Press, 1961), the wildly experimental “beast language” poems contained in GHOST TANTRAS (1964), and his vitriolic condemnation of the Vietnam War, POISONED WHEAT (Oyez, 1965). During these early years, McClure also took an active role in seeing that the words and ideas of other writers of the Beat movement and the Black Mountain School made it into print; he co-edited two influential literary journals of the period: ARK II / MOBY I and JOURNAL FOR THE PROTECTION OF ALL BEINGS.
— Encyclopedia of Beat Literature
References consulted:
Clements, Marshall. A CATALOG OF WORKS BY MICHAEL MCCLURE, 1956-1965
New York: The Phoenix Book Shop, 1965
Cook, Ralph T. CITY LIGHTS BOOKS: A DESCRIPTIVE BIBLIOGRAPHY
Metuchen: Scarecrow Press, 1992
Cooney, Seamus. THE BLACK SPARROW PRESS, A CHECKLIST
Los Angeles: Black Sparrow Press, 1971
Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS
Berkeley: Poltroon Press, 1976
Lepper, Gary M. A BIBLIOGRAPHICAL INTRODUCTION TO SEVENTY-FIVE MODERN AMERICAN AUTHORS
Berkeley: Serendipity Books, 1976
Online resources:
Empty Mirror Books – bibliography
Light and Dust – biography and bibliography
Michael McClure – official site
Penn Sound – audio
Poetry Foundation – biography