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Ira Cohen – Publications Edited, Printed, and Published

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SECTION D:
This index includes publications edited printed, and published by Ira Cohen


1. GNAOUA, No. 1, edited by Ira Cohen
Tangier: Gnaoua Press, 1964
Perfect-bound in printed and illustrated wrappers, 5″ x 8″, 103 pages. Illustrated by Rosalind (Schwartz) [aka Panama Rose]. Contributors include: William S. Burroughs, Ian Sommerville, Brion Gysin, Harold Norse, Allen Ginsberg, Michael McClure, J. Sheeper, Jack Smith, Marc Shleifer, Mohammed Ben Abdullah Yussufi (translated by Irving Rosenthal), J. Weir, Stuart Gordon, Tatiana, Alfred Jarry, (translated by George Andrews), Jabouna Min Soudan (translated by Christopher Wanklyn).

Note: A copy of Gnaoua can be seen on the mantelpiece on the cover of Bob Dylan’s 1965 album “Bringing It All Back Home.”

2. Rose, Panama. THE HASHISH COOKBOOK
First edition:
(New York), Gnaoua Press, 1966
Saddle-stapled in printed and illustrated wrappers, 6″ x 8.25″, 28 pages, 10,000 copies, offset printed.

According to the Eddie Woods website , the Panama Rose pseudonym belongs to Ira Cohen’s then-girlfriend, Panama-born, Rosalind Schwartz. She and Ira were together from 1963, when they met in Tangier, until June 1968 in New York City. Rosalind did all the drawings for the cookbook, and then designed it. Just as she’d designed Ira’s seminal literary magazine Gnaoua, though all she was credited for in that regard were the cantharides beetles on the cover and copyright page.

3. De Roussy de Sales, Aymon. THE FOUNDING PIG
First edition: 
Tangier/NY: Gnaoua Press, 1966
Saddle-stapled in printed and illustrated wrappers, 37 pages. Illustrated by the author.



3. THE GREAT SOCIETY, No. 2, edited by Ira Cohen and Robert Richkin
New York: A Heddaoua Publication, 1967
Contributors include: William Burroughs, Paul Bowles, John Wieners, Ray Bresmer, Aymon de Roussy de Sales, Alexander Spingarn, Robert Richkin, Kip Coburn, Edward Marshall, Edward Field, Panama Rose, Hakin Khan, Harodl Norse, Melvin Clay, Janine Pommy-Vega, William Heine, Clive Matson, Erin Matson, Michael Perkins, Diane and Sheldon Rochlin, Piero Heliczer, Paolo Lionni, William Devore, Peter Birnbaum, Robert O’Driscoll, Jean-Jacques Lebel, Mohammed Mrabet, and Jack Smith [cover illustration].

Quixote

partial cover detail of Quixote Vol. V, No. 4, edited by Morris Edelson combined with Eighth Last Issue of the Buddhist Third Class Junkmail Oracle, edited by Steve Ferguson.

Morris Edelson, Ph.D., (April 25, 1937 to Nov. 25, 2017) was born in Los Angeles and spent his early years in Beaumont, Texas. In 1959, he joined the U.S. Army, served 3 years in Germany in a helicopter unit, and was a reporter for Stars and Stripes. With the GI bill, he obtained a bachelor’s and master’s degrees at Lamar University in Beaumont; was friends with Janis Joplin, started a coffee house and was in the civil rights movement. He joined the 1965 march from Selma to Montgomery, and spoke out against racism in Beaumont, which landed him in jail.

In Madison for graduate school, Morris started Quixote Magazine and published the works of the unknown and known, including Charles Bukowski, Allen Ginsberg, Pablo Neruda, and d.a. levy. He directed plays demanding fairness, equity, and social justice, including MacBird. He brought writers, poets, and acting troupes to Madison, including the Living Theatre, who lampooned public fears of nudity and sexuality, and the San Francisco Mime Troupe, who joined the Dow Sit-In in Oct. 1967.


CHECKLIST OF QUIXOTE MAGAZINE AND QUIXOTE PRESS PUBLICATIONS by Morris Edelson

A. Quixote Magazine 

1. QUIXOTE, Vol. 1, No. 1, edited by by Morris Edelson
Madison: Quixote, October 1965
Saddle-stapled in illustrated wrappers, 4.5″ x 5.5″, 48 pages, 200 copies [reprinted June 1968, 250 copies]

2. QUIXOTE, Vol. 1, No. 2, edited by by Morris Edelson
Madison: Quixote, December 1965
Saddle-stapled in illustrated wrappers, 4.5″ x 5.5″, 64 pages, 500 copies [reprinted July 1968, 500 copies]



3. QUIXOTE, Vol. 1, No. 3, edited by by Morris Edelson
Madison: Quixote, January 1966
Saddle-stapled in illustrated wrappers, 4.5″ x 7″, 64 pages, 500 copies [reprinted July 1968, 500 copies]




4. QUIXOTE, Vol. 1, No. 4, edited by by Morris Edelson
Madison: Quixote, February 1966
Saddle-stapled in illustrated wrappers, 4.5″ x 7″, 64 pages, 500 copies [reprinted April 1968, 250 copies]



5. QUIXOTE, Vol. 1, No. 5, edited by by Morris Edelson
Madison: Quixote, March 1966
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 68 pages, 500 copies




6. QUIXOTE, Vol. 1, No. 6, edited by by Morris Edelson
Madison: Quixote, April 1966
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 64 pages, 500 copies




7. QUIXOTE, Vol. 1, No. 7, edited by by Morris Edelson
Madison: Quixote, May 1966
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 57 pages, 500 copies




8. QUIXOTE, Vol 1, No. 8, edited by by Morris Edelson
Madison: Quixote, June 1966
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 76 pages, 500 copies




9. QUIXOTE, Vol. 1, No. 9, edited by by Morris Edelson
Madison: Quixote, August 1966
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 88 pages, 400 copies




10. Kupferman, David. MILKMAN MAX (A Quixote Supplement) Madison: Quixote, August 1966
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 35 pages, 500 copies [reprinted January 1967, 500 copies; third printing June  1967, 500 copies]


11. QUIXOTE, Vol. 2, No. 1, edited by by Morris Edelson
Madison: Quixote, October 1966
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 77 pages, 500 copies




12. QUIXOTE, Vol. 2, No. 2, edited by by Morris Edelson
Madison: Quixote, November 1966
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 79 pages, 500 copies




13. THE DESTRUCTION OF PHILADELPHIA (A Quixote Supplement), edited by Mike Maggid
Madison: Quixote, December 1966
Saddle-stapled in illustrated wrappers, 8.5″ x 11″, 72 pages, 500 copies. Published as Quixote Vol. 2, No. 3



14. QUIXOTE, Vol. 2, No. 4, edited by by Morris Edelson
Madison: Quixote, February 1967
Saddle-stapled in illustrated wrappers, , 7″ x 8.5″, 90 pages, 500 copies




15. QUIXOTE, Vol. 2, No. 5, edited by by Morris Edelson
Madison: Quixote, March 1968
Saddle-stapled in illustrated wrappers, , 7″ x 8.5″, 90 pages, 500 copies




16. QUIXOTE, Vol. 2, No. 6, edited by by Morris Edelson
Madison: Quixote, April 1968
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 88 pages, 500 copies




17. QUIXOTE, Vol. 2, No. 7, edited by by Morris Edelson
Madison: Quixote, May 1967
Saddle-stapled in illustrated wrappers, 8.5″ x 11″, 128 pages, 500 copies



18. QUIXOTE, Vol. 2, No. 8, edited by by Morris Edelson
Madison: Quixote, June 1967
Saddle-stapled in illustrated wrappers, 5.5″ x 8.5″, 78 pages, 400 copies




19. FOUR CONTEMPORARY POLISH POETS, translated by Victor Contoski
Madison: Quixote, July 1967
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 84 pages

20. Watt, Bob. WATT’S HAPPENING (A Quixote Supplement)
Madison: Quixote, August 1967
Saddle-stapled in illustrated wrappers, 7″ x  8.5″, 48 pages, 500 copies [reprinted December 1967, 500 copies]



21. Ochester, Ed. WE LIKE IT HERE (A Quixote Supplement)
Madison: Quixote, September 1967
Saddle-stapled in illustrated wrappers, 6.5″ x 7.5″, 50 pages, 500 copies




22. QUIXOTE, Vol. 3, No. 1, edited by by Morris Edelson
Madison: Quixote, October 1967
Saddle-stapled in illustrated wrappers, 4.5″ x 6″, 88 pages, 500 copies




23. QUIXOTE, Vol. 3 (A Quixote Supplement), edited by by Morris Edelson
Madison: Quixote, November 1967
Saddle-stapled in illustrated wrappers, 94 pages

[anthology] 100 POEMS BY CONTRIBUTORS TO LITTLE MAGAZINES, edited by Morris Edelson
Madison: Quixote, November 1967
Saddle-stapled in illustrated wrappers, 4.5″ x 7″, 80 pages, 500 copies

, coven handwritten letter, ,4 1/2″ x 7, 80 pp 0 *B**M»MMMi«MflMBB«««f i _ A – _ _ ” x “.« . . i ._ _ -*>- ^*” I A A _*_. * hi
3) – * p/Vv/PUt<?
vDecember Quixote (December 1967) volume not numbered, cover: ”cancer”, 7 1/2″ x
6 1/2″, 68 pp.
^Oilman, Magic Cereal (December 1967), 400 copies, 8 1/2″ x 5 1/2″, 78 pp.
\, III, no\4 (February 1968) 500 copies, covert “Hell no I won’t go”, 8 1/2″ x
7″, 92 pp.
^Grossinger, Starmaker and Hough, The Vibrating Serpent (March 1968) 600 copies,
^ . R 1^” ~ TV*” rr * – p 1. s’vt’j..^ .-p^^^
-s^Gc. Nonnevi, Oi am War()^>ril 1968) 400 copies, 8 1/2″ x 5 1/2″, 20 pp c
NJawer, Heas T^>n.3.’^&8) 400 copies, 8 1/2″ x 5 1/2″, pages not numbered or ordered.
•v c- <;
\Watt, The Gentle Rape of the Mind (April 1968)* 680 copies, 8 1/2″ x 5 1/2″, 40 pp« \ ~”~~
V Robinson, Hoy I Love (April 1968) 150ff copies, 8 1/2″ x 5 1/2″, pages not numbered.
\
>
Woea finer. The Foreat and the Trees (May 1968) 250 copies; reprinted November 1968,
250 copies, 8 1/2″ x 5 1/2″, pages not numbered. Ulv^Llc p( >>
Vol III, no 9 or so (May 1968) 600 copies, cover Gretchen Gray, 8 1/2″ x 11″, 96 pp c
(JXne 1968)* 300 copies, 8 1/2″ x 13 1/2″, 41 pp.
\Northwest Poets (July 1968)* 500 copies, 8 1/2″ x 7″, 86 pp,^(5eHolrnc^
Blaxek^Life in a Common Gun (September 1968)300, copies on buff, 100 on white,
9″ x 7″, pages not numbered. ,_->'” \J

B. Quixote Press

1.

Dave Haselwood Books

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Section D:
This index collects books and other items printed by Dave Haselwood from 1965 to 1970.


1. McClure, Michael. UNTO CAESAR
mcclure_untoFirst edition:
(San Francisco): (Dave Haselwood), (1965)
Hand-sewn in printed wrappers, 6.5″ x 4″,  24 pages, circa 60 copies. (Haselwood 1)

2. Hoyem, Andrew. THE MUSIC ROOM
First edition:
San Francisco: Haselwood, 1965
Hand-sewn in printed wrappers, 6.5″ x 4″,  16 pages, circa 100 copies. Illustrated by Bruce Conner. (Haselwood 2)

3. Wieners, John. CHINOISERIE
First edition:
San Francisco: Dave Haselwood, 1965
Hand-sewn in printed wrappers, 6.5″ x 4″,  20 pages, circa 100 copies. (Haselwood 3)

4. Wieners, John. THE HOTEL WENTLEY POEMS
Second edition revised:
San Francisco: Dave Haselwood, 1965
Saddle-stapled in illustrated wrappers, 6″ x 8.5″, 28 pages. Illustration by Robert La Vigne. These are the “original versions” of the poems. (Haselwood 4)

5. McClure, Michael. DREAM TABLE
First edition:
San Francisco: Dave Haselwood, 1965
30 double-sided printed cards, 2.5″ x 3.5″, 200 sets (30 signed). Each card is printed with a Lion and a Tree ornament on one side and two words on the other. (Haselwood 5)

6. Williams, Jonathan. PAEAN TO DVORAK, DEEMER & McCLURE
First edition:
San Francisco: Dave Haselwood, 1966
Hand-sewn in printed wrappers, 6.5″ x 4″,  32 pages, circa 100 copies. (Haselwood 6)

7. Johnson, Ronald. ASSORTED JUNGLES: ROUSSEAU
First edition:
San Francisco: Dave Haselwood, 1966
Hand-sewn in printed wrappers, 6.5″ x 4″,  32 pages, circa 100 copies. (Haselwood 7)

8. Hoyem, Andrew. CHIMERAS
First edition:
San Francisco: Dave Haselwood, 1966
Hand-sewn in printed wrappers, 6.25″ x 9.5″,  28 pages. (Haselwood 8)



9. Plymell, Charles. APOCALYPSE ROSE
First edition:
San Francisco: Dave Haselwood, 1966
Saddle-stapled in printed wrappers, 6″ x 9″,  52 pages. Introduction by Allen Ginsberg. (Haselwood 9)


10. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
First edition:
(San Francisco): (Dave Haselwood), (1966)
24 cards in printed envelope, 2″ x 2″, envelope measures 4.5 x 5.75″. Each card is printed with  four words one side and a “hallucinogram” on the other. Illustrated by Bruce Conner. (Haselwood 10)

11. McClure, Michael and Bruce Conner. MANDALAS
First edition:
San Francisco: Dave Haselwood, 1966
Saddle-stapled in printed wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. (Haselwood 11)

Note: Printed announcement issued.

12. Ferlinghetti, Lawrence. AFTER THE CRIES OF THE BIRDS
First edition:
San Francisco: Dave Haselwood: 1967
Saddle-stapled in printed wrappers, 6″ x 8″, 16 pages. (Haselwood 12)



13. Whalen, Philip. T/O
First edition:
San Francisco: Dave Haselwood, 1967
Hand-sewn in printed wrappers, 6.5″ x 4″,  32 pages, circa 80 copies. (Haselwood 13)

14. Burroughs, William S. and Brion Gysin. THE EXTERMINATOR
First edition, second printing:
San Francisco: Dave Haselwood, 1967
Perfect-bound in illustrated and printed wrappers, 6″ x 9″, 51 pages, 1000 copies. (Haselwood 14)



15. McClure, Michael. DARK BROWN
First edition, second printing:
Perfect-bound in illustrated and printed wrappers, 5.5″ x 8.5″. (Haselwood 15)

16. Brown, Geoffrey. TENDING BAR AT THE FILLMORE AUDITORIUM ON ARTISTS’ LIBERATION FRONT BENEFIT NIGHT
First edition:
San Francisco: Dave Haselwood Books, 1967
Folded broadside, 8.6″ x 10.75″.




17. Welch, Lew. COURSES
First edition:
San Francisco: Dave Haselwood, 1968
Hand-sewn in printed suede wrappers, 6.5″ x 4.25″, 28 pages, 50 copies. (Haselwood 16)

18. McClure, Michael. THE SERMONS OF JEAN HARLOW & THE CURSES OF BILLY THE KID
a. First edition, regular copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
Saddle-stapled in printed wrappers, 6″ x 9.25″, 24 pages, 1200 copies. (Haselwood 17)

b. First edition, hardcover, signed copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
Hardcover in printed paper-covered boards, 6″ x 9.25″, 24 pages, 50 copies signed. (Haselwood 17)

19. Ginsberg, Allen. INDIAN JOURNALS
a. First edition, regular copies:
San Francisco: City Lights Books with Dave Haselwood Books, 1970
Perfect bound in illustrated and printed wrappers, 5.5″ x 8.25″, 212 pages. (Haselwood 18)

b. First edition, hardcover, signed copies:
San Francisco: City Lights Books with Dave Haselwood Books, 1970
Hardcover in cloth-covered boards in printed and illustrated dust jacket, 5.5″ x 8.25″, 212 pages. (Haselwood 18)

Fuck You/ a magazine of the arts

Fuck You/ a magazine of the arts ran for thirteen issues from 1962 to 1965. Considered one of the most influential underground magazines of the early sixties, Ed Sanders’ Fuck You was a deliberately fypprovocative mimeographed journal, at first emphasizing poetry and later expanding to include other writing. Each issue is illustrated with line drawings by Sanders.

Contributors include Sanders, Tuli Kupferberg, Carol Bergé, John Wieners, Andy Warhol, Ray Bremser, Lenore Kandel, Charles Olson, Joel Oppenheimer, Peter Orlovsky, Philip Whalen, Allen Ginsberg, Herbert Huncke, Julian Beck, Frank O’Hara, Leroi Jones, Diane Di Prima, William Burroughs, Gary Snyder, Robert Kelly, Judith Malina, Carl Solomon, Gregory Corso, Robert Duncan, Robert Creeley, Michael McClure, Ted Berrigan, Joe Brainard, Gilbert Sorrentino, and many others — a virtual “who’s who” of avant garde poetry in the Sixties.


1. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 1, edited by Ed Sanders
New York: February 1962

2. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 2, edited by Ed Sanders
New York: April 1962

3. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 3, edited by Ed Sanders
New York: June 1962

4. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 4, edited by Ed Sanders
New York: August 1962

5. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 1, edited by Ed Sanders
New York: December 1962
First edition, side-stapled printed wrappers, 8.5″ x 11″, mimeograph. Cover by Ed Sanders.

Note: “Dedicated to pacifism, national defense thru nonviolent resistance, total assault on the culture, vaginal zapping, multilateral indiscriminate apertural conjugation, Hole Cons, Crotch Lake, Peace Eye, mad bands of stompers for peace, & all those groped by J. Edgar Hoover in the silent halls of congress.”

6. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 2, edited by Ed Sanders
New York: December 1962

7. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 3, edited by Ed Sanders
New York: May 1963

Note: “Dedicated to pacifism, National Defense thru Nonviolent Resistance, Anarchia the Goddess, Orlovsky’s long Egyptian finger, Peace Eye, Hole Cons, Peace Walk Dicking, dope thrill Banana rites, Acapulco Gold, Panamanian Red, Honduras Brown, windowbox freak grass, the anarcho-commio-greaser conspiracy, submarine boarders, mad bands of stompers for Peace, and all those groped by J. Edgar Hoover in the silent halls of Congress”.

8. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 4, edited by Ed Sanders
New York: Summer 1963

9. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 5, edited by Ed Sanders
New York: December 1963

10. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 6, edited by Ed Sanders
New York: April/May 1963

11. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 7, edited by Ed Sanders
New York: September 1964

12. FUCK YOU/ A MAGAZINE OF THE ARTS, Volume 5, Number 8, edited by Ed Sanders
New York: March 1965
Cover artwork by Andy Warhol.

13. FUCK YOU/ A MAGAZINE OF THE ARTS, Volume 5, Number 9
New York: June 1965

[n.b. notes have not been made about archive inclusion of items]


Online Resources:

· Reality Studio – Fuck You Press Archive