“Big Table was launched in Spring 1959 following the suppression of the Winter 1958 issue of The Chicago Review. An exposé in the Chicago Daily News revealed editors Irving Rosenthal’s and Paul Carroll’s plans to publish work by William S. Burroughs, Allen Ginsberg, Lawrence Ferlinghetti, and other Beat writers, and the administration quashed the magazine…”
Tag Archives: Paul Bowles
Big Table
“Big Table was launched in Spring 1959 following the suppression of the Winter 1958 issue of The Chicago Review. An exposé in the Chicago Daily News revealed editors Irving Rosenthal’s and Paul Carroll’s plans to publish work by William S. Burroughs, Allen Ginsberg, Lawrence Ferlinghetti, and other Beat writers, and the administration quashed the magazine.
Rosenthal and Carroll, along with other Chicago Review editors, resigned and with the suppressed material started Big Table. The first issue was edited by Rosenthal and Carroll, though Carroll had to withdraw his name in order to avoid being fired by Loyola University where he was employed. This issue contained work by Jack Kerouac (who named the magazine in a telegram: “CALL IT BIG TABLE”), Edward Dahlberg, and Burroughs (a section from Naked Lunch), and was summarily impounded by the US Post Office.
The lawsuit was unsuccessful and Big Table continued through 1960 and five issues. Rosenthal left the magazine after the first issue and Carroll stayed on as editor for the duration, publishing such writers and artists as Paul Bowles, Antonin Artaud, Leon Golub, John Logan, Robert Duncan, Denise Levertov, Robert Fulton, Harry Callahan, Douglas Woolf, Aaron Siskind, Paul Blackburn, Franz Kline, Diane di Prima, and Gregory Corso.”
— from A Secret Location on the Lower East Side
1. BIG TABLE, No. 1, edited by Irving Rosenthal and Paul Carroll
Chicago: Big Table, Spring 1959
First edition, sewn signatures bound in printed wrappers, 5.5″ x 8″, 158 pages, printed by The Profile Press of New York.
- Contents:
- Irving Rosenthal – “Editorial”
Jack Kerouac – “Old Angel Midnight”
Edward Dahlberg – “Further Sorrow of Priapus”
Edward Dahlberg – “The Garment of Ra”
William S. Burroughs – “Ten Episodes from Naked Lunch”
Gregory Corso – “Power, for Allen Ginsberg”
Gregory Corso – “Army”
Gregory Corso – “Police”
- Irving Rosenthal – “Editorial”
2. BIG TABLE, No. 2, edited by Paul Carroll
Chicago: Big Table, Summer 1959
First edition, sewn signatures bound in printed and illustrated wrappers, 5.5″ x 8″, 124 pages. Cover art by Leon Golub.
- Contents:
- John D. Keefauver – “The Daring Old Maid on the Flying Trapeze”
Serge Essenin – “The Tramp’s Confession”
Lawrence Alloway – “Heroes & Monsters & Mothers”
Leon Golub – “Plate: Horseman”
Leon Golub – “Plate: Burnt Man”
Allen Ginsberg – “Kaddish”
John Logan – “Fire”
Antonin Artaud – Three Exhortations”
Alan Ansen – “Anyone Who Can Pick Up a Frying Pan Owns Death”
Paul Bowles – “Burroughs in Tangier”
William S. Burroughs – “In Quest of Yage”
Gael Turnbull – “The Priests of Paris”
Brother Antoninus – “Zone of Death”
Andre Breton – “Despair”
Leon Golub – “Plate: Birth VII”
Leon Golub – “Plate: Orestes”
Edward Dahlberg – “Because I Was Flesh”
Paul Blackburn – “The Signals”
Margarita Liberaki – “Wedding”
Leon Golub – “Plate: Abraham Lincoln”
Leon Golub – “Plate: Columnar Head”
Lawrence Ferlinghetti – “The Great Chinese Dragon”
- John D. Keefauver – “The Daring Old Maid on the Flying Trapeze”
3. BIG TABLE, Vol. 1, No. 3, edited by Paul Carroll
Chicago: Big Table, 1959
First edition, sewn signatures bound in printed and photo-illustrated wrappers, 5.5″ x 8″, 120 pages. Cover photograph by Aaron Siskind.
- Contents:
- Allen Ginsberg – “Kaddish”
John Rechy – “The Fabulous Wedding of Miss Destiny”
Robert Duncan – “Evocation”
John Ashbery – “How much longer will I be able to inhabit the Divine Sepulcher”
John Ashbery – “April Fool’s Day”
Aaron Siskin – “Terrors & Pleasures of Levitation: four plates”
Edward Dahlberg – “Because I was Flesh”
Robert Creeley – “The Way”
James Wright – “A Whisper to the Ghost who woke Me”
Paul Carroll – “Father”
Norman Mailer – “Quick & Expensive Comment on the Talent in the Room”
Paul Blackburn – “Banyalbufar”
Edward Dorn – “The Air of June Sings”
Renee Riese Hubert – “Sizes”
Peter Orlovsky – “First Poem”
Lawrence Ferlinghetti – “Her”
Jean Genet – “The Beggars of Barcelona”
- Allen Ginsberg – “Kaddish”
4. BIG TABLE, Vol. 1, No. 4, edited by Paul Carroll
Chicago: Big Table, Spring 1960
First edition, sewn signatures bound in printed and illustrated wrappers, 5.5″ x 8″, 144 pages. Cover art by Robert Fulton.
- Contents:
- William S. Burroughs – “But is all Back Seat of Dreaming”
Richard G. Stern – “Two Talking”
John Ashbery – “Europe”
Douglas Woolf – “Wall to Wall”
Franz Kline – “Plate: Mister”
John Logan – “from Monologues of The Son of Saul”
Robert Creeley – “The Awakening, for Charles Olson”
Robert Creeley – “The Wife”
Robert Creeley – “The Memory” - Robert Creeley – “The Snow”
Harold Norse – “I Am in the Hub of the Fiery Force”
Harold Norse – “The Fire Sermon”
James Wright – “Snow Storm in the Mid-West”
James Wright – “A Young One in a Garden”
Lawrence Ferlinghetti – “New York – Albany”
Paul Blackburn – “The Idiot”
Paul Blackburn – “Homage to the Spirit”
Frank O’Hara – “Les Luths”
Frank O’Hara – “Joe’s Jacket”
Robert Duncan – “Four Pictures of the Real Universe”
Denise Levertov – “The Rainwalkers”
Gregory Corso – “Rembrandt – Self Portrait”
Gregory Corso – “Emily Dickenson”
Gregory Corso – “Walk”
Kenneth Koch – “Lunch”
Allen Ginsberg – “Message”
William Hunt – Song from the End of the Earth”
Michael McClure – “Two Poems from a Small Secret Book”
Bill Berkson – “Poem”
Paul Carroll – “34′-23′-35′”
Diane Di Prima – [untitled] “I am a woman and my poems…”
Philip Lamantia – “Still Poem 8”
Philip Lamantia – “Cool Apocalypse”
David Meltzer – “from Notes for a History”
Gary Snyder – “The Manichaeans”
Leroi Jones – “For Hettie in her Fifth Month”
Charles Olson – “Maximus, to Gloucester, Sunday, July 19”
Robert Creeley – “Olson & Others”
Allen Ginsberg – “Notes on Young Poets”
Paul Blackburn – “Writing for the Ear”
Paul Carroll – “Five Poets in their Skins”
- William S. Burroughs – “But is all Back Seat of Dreaming”
5. BIG TABLE, Vol. 2, No. 5, edited by Paul Carroll
Chicago: Big Table, 1960
First edition, sewn signatures bound in printed and illustrated wrappers, 5.5″ x 8″, 128 pages. Cover art by Harry Callahan.
- Contents:
- Douglas Woolf – “Stand Still”
Frank O’Hara – “Naptha”
Edward Dahlberg – “Because I was Flesh”
Frederick Tristan – “The Bread Tree”
Frederick Tristan – “The Whole Sea is yet to Come”
Robert Duncan – “Apprehensions”
Paul Bowles – “He of the Assembly”
Kenneth Koch – “Farms’ Thoughts”
John Rechy – “Between two Lions”
Bill Berkson – “Poem for Frank O’Hara”
Pablo Neruda – “Lone Gentleman” (trans. Clayton Eshleman)
Pablo Neruda – “Death” (trans. Clayton Eshleman)
John Updike – “Archangel”
John Ashbery – “Night” - John Ashbery – “A Last Word”
Harold Rosenberg – “from Arshile Gorky”
David Meltzer – “Rain Poem”
David Meltzer – “Heroes: Zap, the Zen Monk”
Alain Robbe-Grillet – “Scene”
John Schultz – “Witness”
- Douglas Woolf – “Stand Still”
Online Resources:
From a Secret Location – Big Table
Reality Studio – Big Table
References Consulted:
Maynard, Joe and Barry Miles. William S. Burroughs: A Bibliography, 1953-73
Charlottesville: University Press of Virginia, 1978
Bardo Matrix – Books
>> return to BARDO MATRIX main page >>
SECTION A:
This index includes books, chapbooks, and booklets of poetry and prose
1. Maclise, Angus. THE CLOUD DOCTRINE
First edition:
Kathmandu: Dreamweapon Press, 1974
Saddle-stapled in printed and illustrated wrappers, 7.5″ x 10.75″, 16 pages, letterpress printed on handmade paper. Cover woodblock print from a photograph by Ira Cohen.
Note: The Cloud Doctrine was one of the first books produced by the Kathmandu beat poetry presses, and set the template for the books issued in this style.
2. Corso, Gregory. WAY OUT: A POEM IN DISCORD
First edition:
Kathmandu: Bardo Matrix, 1974
Machine-sewn in printed and illustrated wrappers, 8.5″ x 10.75″, 22 pages, 500 numbered copies, letterpress printed on handmade paper by Sharada Printing Press. Published as Starstreams Poetry Series No. 1.
Note: Slip laid-in listing the cast for the first, and only, performance of this poem/play in Kathmandu, Nepal. The cast members included Ira Cohen and Angus MacLise
3. Ford, Charles Henri. 7 POEMS
First edition:
Kathmandu: Bardo Matrix, 1974
Side-stapled in printed and photo-illustrated wrappers, 500 numbered copies, printed by Sharada Printing Press. Cover photo of Ford by Ira Cohen. Published as Starstreams Poetry Series No. 3.
Note: This is the third book in the Starstreams series but Ira Cohen gives it a 1974 publishing date in his publication list which would have it appearing before Cohen’s 7 Marvels, published as number two in the series.
4. Cohen, Ira. POEM FOR LA MALINCHE
First edition:
Kathmandu: Bardo Matrix/Bureau of Surrealist Research, c.1974
Undboud sheets laid into printed wrappers, 500 copies. Cover art by Dana Young (uncredited).
5. Cohen, Ira. 7 MARVELS
First edition:
Kathmandu: Bardo Matrix, 1975
Unbound in printed and illustrated wrappers, 9″ x 11″, 15 leaves of various dimensions, 500 numbered copies, letterpress printed at Sharada Printing Press. Woodblocks hand printed by Nawang Norbu cut by Tibetan craftsmen after Marvel Comix. Colophon illustration designed by John Chick. Published as Starstreams Poetry Series Number 2.
Contents: [untitled] “O Surfer Surfing & Surfed…”, [untitled] “Forests of eyelids…”, “for Geoffrey Humphreys”, “For Frank Herbert & The Bene Tleilaxu Face Dancers”, “Silver Shoetrees in Hermes’ Closet”, [untitled] “1. I have with me the perception…”, [untitled] “The earth-stealers have arrived!”
6. Maclise, Angus. THE SUBLIMINAL REPORT
First edition:
Kathmandu: Bardo Matrix, 1975
Machine-sewn in printed and illustrated wrappers, 8.5″ x 10.75″, 28 pages, 500 numbered copies, letterpress printed on handmade paper. Cover woodblock print from a photograph by Ira Cohen. Published as Starstreams Poetry Series, No. 4
According to Ira Cohen: “The Subliminal Report included two photos printed in silver ink on white machine made paper, one a mylar portrait of Angus taken in New York, the other a stone garuda sinking into the ground in Dhoka Tole just in front of the Raj Photo Shop where the negatives were developed and first printed…There was a very special collaboration going on here between the artists and artisans, Nepalis and foreigners, which was mutually inspiring and gives the books their unique quality. The Subliminal Report was the first book to utilize Bhutanese silk paper as cover stock.”
7. Bowles, Paul. NEXT TO NOTHING
First edition:
Kathmandu: Bardo Matrix, 1976
Machine-sewn in printed and illustrated wrappers, 7.25″ x 9.5″, 24 pages, 500 numbered copies, letterpress printed at Sharada Printing Press. Cover verifax by Maya, frontispiece collage by Dana Young, title page illustration by Sidney Hushour, illustration by Petra Vogt, colophon illustration by Lee Baarslag, back cover image supplied by Bowles. Published as Starstreams 5.
8. Cohen, Ira. POEMS FROM THE COSMIC CRYPT
First edition:
Kathmandu: Kali Press/Bardo Matrix, 1976
Hardcover in paper-bound boards with paper title label, 7.5″ x 9.75″, 90 pages, 500 copies, illustrated by Petra Vogt, introduction by Angus MacLise.
9. Cohen, Ira. OPIUM ELEMENTALS
First edition:
Kathmandu: Bardo Matrix, 1976
Machine-sewn in printed and illustrated wrappers, 12″ x 9.25″, 50 pages, 350 numbered and signed copies, letterpress printed at Sharada Printing Press. Designed and illustrated by Dana Young. Published as A Starstreams Special Edition.
Contents: “Emergent Waxwork” [poem], “The Mirage Poem” [poem]
10. di Prima, Diane. LOBA PART II
First edition:
Pt. Reyes and Kathmandu: Eidolon Editions, 1976
Saddle-stapled in printed and illustrated wrappers, 7.5″ x 10.25″, 36 pages, 550 copies (50 hardbound), letterpress printed on handmade paper. Illustrated by Josie Grant.
From the colophon: printed for Eidolon Editions by Dreamweapon in the Kingdom of Nepal, being the 24th printing of the Independent Presses of Kathmandu…
11. Valenza, Roberto Francisco. THE CLEARING STAGE
First edition:
Kathmandu: Bardo Matrix, 1976
500 copies.
12. Falk, Jane. CKROWWW
First edition:
Kathmandu: Bardo Matrix, 1976
500 copies. Published as Starstreams Poetry Series No. 6.
13. Sagaray [pseud. Jane Falk]. THE WITCH SPEAKS
First edition:
Kathmandu: Snake Tongue, 1976
Machine-sewn in printed and illustrated wrappers, 7″ x 8.25″, 36 pages, 230 numbered copies, letterpress printed on handmade paper by Sharada Printing Press. Cover art by Chandra Man Maskay. Illustrated by author.
14. Gaynor, Iris M. EXITS
First edition:
Kathmandu: Bardo Matrix, 1977
Machine-sewn in printed and illustrated wrappers, 5.5″ x 10.75″, 14 pages, 200 numbered copies, letterpress printed on handmade paper by Sharada Printing Press. Cover art by Lee Baarslag. Published as a Starstreams Special Edition.
15. Cohen, Ira. GILDED SPLINTERS
First edition:
Kathmandu: Bardo Matrix, 1977
500 copies.
Note: cover illustration by Jimmy Thapa
16. Valenza, Roberto Francisco. LOST CONTACT
First edition:
Kathmandu: Bardo Matrix, 1977
250 copies.
—
Bardo Matrix
The Bardo Matrix Press was founded in Kathmandu in the early 1970s by original Velvet Underground drummer, artist, and poet Angus MacLise and poet, photographer, and publisher Ira Cohen as a publishing outgrowth of the Colorado artists’ collective of the same name. MacLise and Cohen commenced to issue pamphlets, booklets, posters, books, and broadsides by not only themselves and their fellow travellers, but also by some of the most important names of post-war literature: Paul Bowles, Gregory Corso, Diane Di Prima, and Charles Henri Ford were among the chosen.
The publications were printed in editions of anywhere from a couple of dozen to a few hundred, usually utilizing fine printing techniques such as wood blocks, letterpress, special inks, and handmade paper. But this was not based on traditional thoughts on fine printing, but rather on the opportunity to create something cheap and beautiful. There was a built-in audience for these publications on “Freak Street” in Kathmandu, where people in the circle of Bardo Matrix operated a small bookshop which did decent business selling wood-block printed headshop posters alongside poetry broadsides, these publications, as well as second-hand English language paperback books.
After the 1979 death of Angus MacLise, the activity of the Bardo Matrix Press quietly faded out. Ira Cohen returned to New York City where he was a highly visible member of the poetic demimonde until his passing in 2011, shortly after he had helped stage an exhibition on the life and work of Angus MacLise.
Bardo Matrix Checklist:
Section A: Books
Section B: Broadsides
Section C: Spirit Catcher Bookshop
Online Resources:
· Big Bridge – Ira Cohen: The Great Rice Paper Adventure
· Granary Books – Bardo Matrix Collection
· University of Delaware – Bardo Matrix Press