
An eclectic periodical, published coincident with Tom Clark’s Fulbright study and posting as Instructor in American Poetry at the University of Essex. The titles varied but each was denoted “A One Shot Magazine… No Copyright No Nothin.”
An eclectic periodical, published coincident with Tom Clark’s Fulbright study and posting as Instructor in American Poetry at the University of Essex. The titles varied but each was denoted “A One Shot Magazine… No Copyright No Nothin.”
Edited by Tom Clark, the Once Series is an eclectic periodical, published coincident with Clark’s Fulbright study and posting as Instructor in American Poetry at the University of Essex. The titles varied (all words concluding with ‘CE’) but each was denoted “A One Shot Magazine… No Copyright No Nothin.”
According to Tom Clark: “When I went on from Cambridge to the U. of Essex in 1965 I began editing a mimeograph magazine of my own, the Once series, and through that project got into long-distance postal contact with many younger American poets, particularly those living on the Lower East Side of New York…
“The magazines had deliberately uncataloguable titles: Once, Twice, Thrice, Thrice and a Half, Frice, Vice, Ice, Nice, Slice, Slice Vol. 1, No. 2, and Spice. I filled up the mimeo series with the spillover of poems I was receiving for the Paris Review — which could handle only a fraction of the good new work that was coming in to me — as well as with some ‘assignments’ from friends far and near…
“Joe’s series of covers, a throwaway tour de force of periodical art, lent class, consistency and uniformity to the Once series, bringing a surprising illusion of orderly design to an otherwise rather undisciplined and chaotic enterprise.
“Most of the works I published in the Once series were somewhat or in some way more outlandish or strange than what I could cull for the Paris Review.”
1. ONCE: A One Shot Magazine, Vol. 1, No. 1, edited by Tom Clark
Brightlingsea: Tom Clark, 1966
First edition, side-stapled in illustrated cover, 8″ x 13″, 14 leaves printed recto only, mimeograph printed.
2. TWICE: A One Shot Magazine, Vol. 1, No. 1, edited by Tom Clark
Brightlingsea: Tom Clark, 1966
First edition, side-stapled in illustrated cover, 8″ x 13″, 7 leaves printed recto only, mimeograph printed.
3. THRICE: A One Shot Magazine, Vol. 1, No. 1, edited by Tom Clark
Brightlingsea: Tom Clark, March 1966
First edition, side-stapled in illustrated cover, 8″ x 13″, 25 leaves printed recto only, mimeograph printed.
4. THRICE AND A HALF: A One Shot Magazine, Vol. 1, No. 1, edited by Tom Clark
Brightlingsea: Tom Clark, 1966
First edition, side-stapled in illustrated cover, 8″ x 13″, 2 leaves printed recto only, mimeograph printed.
5. FRICE: A One Shot Magazine, Vol. 1, No. 1, edited by Tom Clark
Brightlingsea: Tom Clark, April 1966
First edition, side-stapled in illustrated cover, 8″ x 13″, 24 leaves printed recto only, mimeograph printed. Cover art by Joe Brainard.
6. VICE: A One Shot Magazine, Vol. 1, No. 1, edited by Tom Clark
Brightlingsea: Tom Clark, 1966
First edition, side-stapled in illustrated cover, 8″ x 13″, 27 leaves printed recto only, mimeograph printed. Cover art by Joe Brainard.
7. ICE: A One Shot Magazine, Vol. 1, No. 1, edited by Tom Clark
Brightlingsea: Tom Clark, 1966
First edition, side-stapled in illustrated cover, 8″ x 13″, 20 leaves printed recto only, mimeograph printed.
8. NICE: A One Shot Magazine, Vol. 1, No. 1, edited by Tom Clark
Brightlingsea: Tom Clark, 1966
First edition, side-stapled in illustrated cover, 8″ x 13″, 20 leaves printed recto only, mimeograph printed. Cover art by Joe Brainard.
9. SLICE: A One Shot Magazine, Vol. 1, No. 1, edited by Tom Clark
Brightlingsea: Tom Clark, 1966
First edition, side-stapled in illustrated cover, 8″ x 13″, 26 leaves printed recto only, mimeograph printed. Cover art by Joe Brainard.
10. SLICE: A One Shot Magazine, Vol. 1, No. 2, edited by Tom Clark
Brightlingsea: Tom Clark, 1967
First edition, side-stapled in illustrated cover, 8″ x 13″, 7 leaves printed recto only, mimeograph printed. Cover art by Joe Brainard.
11. SPICE, edited by Tom Clark
Brightlingsea: Tom Clark, 1967
First edition, side-stapled in illustrated cover, 8″ x 13″, 24 leaves printed recto only, mimeograph printed. Cover art by Joe Brainard.
“Big Table was launched in Spring 1959 following the suppression of the Winter 1958 issue of The Chicago Review. An exposé in the Chicago Daily News revealed editors Irving Rosenthal’s and Paul Carroll’s plans to publish work by William S. Burroughs, Allen Ginsberg, Lawrence Ferlinghetti, and other Beat writers, and the administration quashed the magazine…”
“Big Table was launched in Spring 1959 following the suppression of the Winter 1958 issue of The Chicago Review. An exposé in the Chicago Daily News revealed editors Irving Rosenthal’s and Paul Carroll’s plans to publish work by William S. Burroughs, Allen Ginsberg, Lawrence Ferlinghetti, and other Beat writers, and the administration quashed the magazine.
Rosenthal and Carroll, along with other Chicago Review editors, resigned and with the suppressed material started Big Table. The first issue was edited by Rosenthal and Carroll, though Carroll had to withdraw his name in order to avoid being fired by Loyola University where he was employed. This issue contained work by Jack Kerouac (who named the magazine in a telegram: “CALL IT BIG TABLE”), Edward Dahlberg, and Burroughs (a section from Naked Lunch), and was summarily impounded by the US Post Office.
The lawsuit was unsuccessful and Big Table continued through 1960 and five issues. Rosenthal left the magazine after the first issue and Carroll stayed on as editor for the duration, publishing such writers and artists as Paul Bowles, Antonin Artaud, Leon Golub, John Logan, Robert Duncan, Denise Levertov, Robert Fulton, Harry Callahan, Douglas Woolf, Aaron Siskind, Paul Blackburn, Franz Kline, Diane di Prima, and Gregory Corso.”
— from A Secret Location on the Lower East Side
1. BIG TABLE, No. 1, edited by Irving Rosenthal and Paul Carroll
Chicago: Big Table, Spring 1959
First edition, sewn signatures bound in printed wrappers, 5.5″ x 8″, 158 pages, printed by The Profile Press of New York.
2. BIG TABLE, No. 2, edited by Paul Carroll
Chicago: Big Table, Summer 1959
First edition, sewn signatures bound in printed and illustrated wrappers, 5.5″ x 8″, 124 pages. Cover art by Leon Golub.
3. BIG TABLE, Vol. 1, No. 3, edited by Paul Carroll
Chicago: Big Table, 1959
First edition, sewn signatures bound in printed and photo-illustrated wrappers, 5.5″ x 8″, 120 pages. Cover photograph by Aaron Siskind.
4. BIG TABLE, Vol. 1, No. 4, edited by Paul Carroll
Chicago: Big Table, Spring 1960
First edition, sewn signatures bound in printed and illustrated wrappers, 5.5″ x 8″, 144 pages. Cover art by Robert Fulton.
5. BIG TABLE, Vol. 2, No. 5, edited by Paul Carroll
Chicago: Big Table, 1960
First edition, sewn signatures bound in printed and illustrated wrappers, 5.5″ x 8″, 128 pages. Cover art by Harry Callahan.
Online Resources:
From a Secret Location – Big Table
Reality Studio – Big Table
References Consulted:
Maynard, Joe and Barry Miles. William S. Burroughs: A Bibliography, 1953-73
Charlottesville: University Press of Virginia, 1978