Tag Archives: Joel Oppenheimer

Yugen

YUGEN, No. 3, edited by LeRoi Jones and Hettie Cohen.

Edited by Beat poet LeRoi Jones and Hettie Cohen, Yugen was devoted to “A New Consciousness in the Arts and Letters”. Bringing together the Beats, Black Mountain poets, and the New York School poets of the late 1950s, Yugen took its name from the Japanese aesthetic term meaning “a profound mysterious sense of the beauty of universe … and the sad beauty of human suffering.”

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Yugen

Edited by Beat poet LeRoi Jones and Hettie Cohen, Yugen was devoted to “A New Consciousness in the Arts and Letters”. Bringing together the Beats, Black Mountain poets, and the New York School poets of the late 1950s, Yugen took its name from the Japanese aesthetic term meaning “a profound mysterious sense of the beauty of universe … and the sad beauty of human suffering.” Cohen, later Hettie Jones, had worked at the Partisan Review and brought with her a background in little-magazine design that gave Yugen an air of respectability and professionalism. The contents represented a new and untraditional approach to poetry. Jones and Cohen also founded Totem Press, which published important early books by Gary Snyder, Philip Whalen, Allen Ginsberg, Michael McClure, Diane di Prima, Jack Kerouac, and many others. Like Yugen, Totem Press books typically feature calligraphic covers that mix American abstract expressionism and Japanese Zen painting.


1. YUGEN, No. 1, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1958
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages. Printed in New York by Troubador Press. Cover art by Peter Schwartzburg with calligraphy by Rachel Spitzer. Illustrations by Hector Stewart, Peter Schwartzburg, Tomi Ungerer, and Allen Ginsberg. Titles and composition by Rachel Spitzer and Michael Aleshire

  • Contents:
    1. Philip Whalen – “Further Notice”
      Philip Whalen – “Takeout, 4:II:58”
      Philip Whalen – “Takeout, 15:IV:57”
      Ed James – [untitled] “Mother, be soft and unremembered…”
      Ed James – [untitled] “Hawks will cry…”
      Judson Crews – “Potaphor in a Wretched Wind”
      Judson Crews – “When We Were Young”
      Tom Postell – “Gertrude Stein Rides The Town Down El to New York City”
      Tom Postell – “I Want a Solid Piece of Sunlight and a Yardstick to Measure it with”
      Allen Polite – “Beg Him to Help”
      Allen Polite – “Touching Air”
      Stephen Tropp – “Early Poem for 2 People”
      Bobb Hamilton- “Judgement Day”
      LeRoi Jones – “Slice of Life”
      LeRoi Jones – “Lines to Garcia Lorca”
      Diane Di Prima – “Poem”
      Diane Di Prima – “For Pound, Cocteau & Picasso”
      Ernest Kean – “The Glass is Shattered”
      Jack Micheline – “Steps”
      Allen Ginsberg – [untitled] “We rode on a lonely bus…”
      Allen Ginsberg – “Hitch-Hiking Key West”
      Allen Ginsberg – “In a Red Bar”
      Allen Ginsberg – “On Burroughs’ Work”

2. YUGEN, No. 2, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1958
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages. Printed in New York by Troubador Press. Cover art and titles by Tomi Ungerer. Illustrations by Peter Schwarzburg.

  • Contents:
    1. Gregory Corso – “A Spontaneous Requiem for the American Indian”
      Tuli Kupferberg – “4 Haiku”
      Thomas Postell – “Harmony”
      LeRoi Jones – “Suppose Sorrow was a Time Machine”
      Barbara Ellen Moraff – “Poem for Theo”
      Ron Loewinsohn – “The Colossus of Havana”
      Ron Loewinsohn – “The Trucks”
      Diane Di Prima – “The Lovers”
      Oliver Pitcher – “Tango”
      James Boyer May – “The Back of Mind”
      Harold Briggs – “Being”
      Bobb Hamilton – “A Sentence”
      Gary Snyder – “Chion-in”
      Ben Spellman – “Fool”
      George Stade – “To a Candidate for the Ph.D in Seventeenth Century Literature”

3. YUGEN, No. 3, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1958
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages. Cover art by Peter Schwartzburg. Illustrations by Stanley Fisher.

  • Contents:
    1. Gary Snyder – “Praise for Sick Women”
      Gary Snyder – “Another for the Same”
      William S. Burroughs – “Have You Seen Pantapon Rose?”
      Charles Farber – “Morning Highway”
      Barbara Moraff – “Poem for Tamara”
      Barbara Moraff – “In a Hospital Room from a Halfclosed Lid”
      Barbara Moraff – “Wednesday Understands That”
      C. Jack Stamm – “Now When I Hear”
      Philip Whalen – “Soufflé”
      Gilbert Sorrentino – “The Darkness Surrounds Us”
      Allen Ginsberg – “A New Cottage in Berkeley”
      Mason Jordan Mason – “The Curse of Ham”
      Diane Di Prima – “Lullaby”
      George Stade – “To the White Goddess”
      George Stade – “Advice to the Lovelorn”
      Peter Orlovsky – “First Poem”
      Fivos Delfis – ”A Bird” (trans. Charles Guenther)
      Ray Bremser – “Part III (Poems of the City Madness)”
      Robin Blaser – “Quitting a Job”
      Thomas Jackrell – “Got Them”

4. YUGEN, No. 4, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1958
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 28 pages. Cover art by Fielding Dawson.

  • Contents:
    1. Charles Olson – “The Librarian”
      Peter Orlovsky – “Second Poem”
      Frank O’Hara – “To Hell with It”
      Frank O’Hara – “Music”
      Max Finstein – “The Deception”
      Max Finstein – “Savonarola’s Tune”
      Fielding Dawson – “My Old Buddy, for Leonard”
      Allen Ginsberg – “A Crazy Spiritual”
      Ray Bremser – “Penal Madness (Part 1)”
      Edward Marshall – “Jonah at Danbury”
      Edward Marshall – “At Tudor City”
      Joel Oppenheimer – “In the Clutch, for M.F.”
      Joel Oppenheimer – “Fugue”
      Judson Crews – “White Hollyhocks”
      Michael McClure – “The Chamber”
      Ron Loewinsohn – “7.20.58 – for Sue”
      Gary Snyder – “from Myths & Texts”
      Jack Kerouac – “2 Blues and 4 Haikus”
      John Wieners – “Spring 1956”
      Robert Creeley – “New Year’s”
      Robert Creeley – “Saturday Afternoon”
      Gregory Corso – “Away One Year”
      LeRoi Jones – “Parthenos”
      Gilbert Sorrentino – “A Fixture”
      Mason Jordan Mason – “Yes Yes Yes”
      Gregory Corso – “For Black Mountain”

5. YUGEN, No. 5, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1959
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 40 pages. Cover art by Basil King. Illustration by Fielding Dawson.

  • Contents:
    1. William Carlos Williams, – “A Formal Design”
      Allen Ginsberg – “from Kaddish”
      Barbara Guest – “Sunday Evening”
      Barbara Guest – “The Crisis”
      David Meltzer – “15th Raga / for Bela Lugosi”
      David Meltzer – “from Night Before Morning / Book One”
      Max Finstein – “A Blue Whale’s Heart”
      Paul Blackburn – “Ramas, Divendres, Diumenga”
      Paul Blackburn – “A Purity Defined”
      Philip Whalen – “I Return to San Francisco”
      Diane Di Prima – “Earthsong”
      John Wieners – “A Poem for Virgins (excerpt)”
      Walter Lowenfels – “The Nightingale, for D.H. Lawrence”
      Michael McClure – “Rant Block”
      Rainer Gerhardt – “Fragment” (trans. Jerome Rothenberg)
      Rainer Gerhardt – “Voices” (trans. Jerome Rothenberg)
      Frank O’Hara – “Ode on Causality”
      César Vallejo – “Black Stone on a White Stone” (trans. Lillian Lowenfels)
      Bruce Fearing – “Scenic Viewpoint”
      Jack Kerouac – “Sitting Under Tree Number Two”
      Barbara Moraff – [untitled] “Like a bowlegged woman…”
      Gregory Corso – “Food”
      Larry Eigner – [untitled] “No-one here…”
      Joel Oppenheimer – “The Issue at Hand”
      Gilbert Sorrentino – letter to the editor

6. YUGEN, No. 6, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1960
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 52 pages. Cover art by Basil King.

  • Contents:
    1. Michael McClure – “The Column”
      Charles Olson – “As of Bozeman”
      Charles Olson – “The Distances”
      Charles Olson – “Letter, May 2, 1959”
      Ron Loewinsohn – “Trees / 6”
      Ron Loewinsohn – “Etude, with Chair”
      Philip Lamantia – “Blank Poem for Poe”
      Paul Blackburn – “Song of the Wires”
      Robin Blaser – “Out to Dinner”
      Hubert Selby, Jr. – “Episode from Landsend”
      David Meltzer – “4th Raga / for John Kelly Reed”
      Ray Bremser – “Backyards & Deviations”
      Ed Dorn – “The 6th”
      Ed Dorn – “The 7th”
      Rochelle Owens – “Groshl Monkeys Horses”
      Paul Carroll – “By Its Familiar Accent We Recognize The Ghost”
      Robert Creeley – “The Joke”
      Robert Creeley – “Letter”
      Robert Creeley – “What’s for Dinner”
      Tristan Tzara – “Wheat” (trans. Daisy Aldan)
      Gary Snyder – “A Walk”
      Gary Snyder – “Wild Horses”
      Gary Snyder – “After Work”
      Gary Snyder – “On Vulture Peak”
      Edward Marshall – [untitled] “We as scoffers undercut the sea…”
      LeRoi Jones – “Node”
      LeRoi Jones – “The A, B, C’s”
      Jack Kerouac – “Rimbaud”
      David Wang – “II. Invocation”
      Kenneth Koch – “From a Book of Poetry”
      Larry Eigner – [untitled] “Night. Everything falls flat…”
      Edward Dahlberg – “On Passions and Asceticism”
      Frank O’Hara – “Personal Poem”

7. YUGEN, No. 7, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1961
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 65 pages. Cover art by Norman Bluhm.

  • Contents:
    1. LeRoi Jones – “Putdown of the Whore of Babylon”
      Gilbert Sorrentino – “2 Book Reviews”
      Bruce Boyd – “Summer Nightmusic”
      Bruce Boyd – “This is How the Wind Sings…”
      Bruce Boyd – “A Quarrel of Minstrels”
      Bruce Boyd – “Water”
      Bruce Boyd – “Song”
      Bruce Boyd – “Poem”
      Robert Creeley – “The New World”
      Kenneth  Koch – “Guinevere, or The Death of the Kangaroo”
      George Stanley – “Parallels”
      George Stanley – “Winter”
      George Stanley – “Shapes”
      Frank O’Hara – “Personism: A Manifesto”
      Gregory Corso – “On Chessman’s Crime”
      Gregory Corso – “For Black Mountain-2”
      B. Smith  – “Empty Bed Blues”
      Stuart Z Perkoff, – “To Orpheus”
      Stuart Z Perkoff – “Poem”
      Stuart Z Perkoff – “Pithecanthropus Erectus”
      Gilbert Sorrentino – “Some Notes…”
      John Ashbery – “From a Comic Book”
      John Ashbery – “Leaving the Atocha Station”
      Philip Whalen  – “Literary Life in the Golden West”
      Philip Whalen – “Sincerity Shot, 23:III:58”
      Philip Whalen – “A Manuscript in Several Hands 3:III:60”
      Larry Eigner – “K in the USA”
      Larry Eigner – letter to the editor
      Max Finstein – “For Fair Eleanor”
      Joel Oppenheimer – “Morning Song”
      Diane Di Prima – “The Jungle”
      Charles Olson – “Theory of Society”
      Edward Marshall – “Sept. 1957”
      Joel Oppenheimer – letter to the editor
      Allen Ginsberg – “The End”
      LeRoi Jones – “Public Notice”
      Norman Bluhm – untitled drawing
      Frank O’Hara – “Denouement”

8. YUGEN, No. 8, edited by LeRoi Jones and Hettie Cohen-Jones
New York: Totem Press, 1962
First edition, saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 66 pages. Cover art by Basil King. Illustration by Aaron Roseman.

  • Contents:
    1. George Stanley – “The Message Held up to the Speeding Train on a Willow Hoop”
      George Stanley – “Punishment”
      George Stanley – “The Meteor”
      George Stanley – “The Implicit Acknowledgements”
      George Stanley – [untitled] “The larks…”
      George Stanley – “Valentine”
      George Stanley – “A False Start”
      Gilbert Sorrentino – book reviews of Duncan and Spicer
      Steve Jonas – “No. IV Orgasms”
      Steve Jonas – “Tensone with Relent”
      Steve Jonas – “Discourse”
      Steve Jonas – “To a Strayed Cat”
      Steve Jonas – “A Long Poem for Jack Spicer”
      William Burroughs – “The Cut Up Method of Brion Gysin”
      Speckled Red – “Red’s Dozens”
      George Stanley – book reviews of Finstein and Sorrentino
      Gilbert Sorrentino – “The Meeting”
      Gilbert Sorrentino – “The Memory”
      Edward Dorn – “Notes about Working and Waiting Around”
      Robert Creeley – “Some Notes on Olson’s Maximus”
      Edward Marshall – [untitled] “One writes when…”
      Edward Marshall – “Memory as Memorial in the Last”
      LeRoi Jones – “The Largest Ocean in the World”
      Charles Olson – “Place; & Names”
      Charles Olson – “Book ii, Chapter 37”

Online Resources:

· From a Secret Location – Yugen

· Reality Studio – Yugen

 

Joel Oppenheimer: Contributions to Periodicals

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Section C:
Contributions to Periodicals

[excluding reviews, letters, miscellaneous prose]

1. THE BLACK MOUNTAIN COLLEGE REVIEW, Vol. 1, No. 1, edited by M.C Richards, A. Kemeny, and H. Larsen

Black Mountain:Black Mountain Review, June 1951
“Sonnet”
(Butterick C1)
[not in archive]


2. ORIGIN, No. 14, edited by Cid Corman
Ashland: Origin Press, Autumn 1954
“Lovesong” [collected in A3], “An Approach to Le Bain” [collected in A3]
(Butterick C2-C3)



3. BLACK MOUNTAIN REVIEW, No. 4, edited by Robert Creeley
Black Mountain: Black Mountain College, Winter 1954
“The Gardner” [collected in A3], “Provence” [collected in A3]
(Butterick C4-C5)


4. BLACK MOUNTAIN REVIEW, No. 5, edited by Robert Creeley
Black Mountain: Black Mountain College, Summer 1955
“The Rain” [collected in A3]
(Butterick C6)



5. BLACK MOUNTAIN REVIEW, No. 6, edited by Robert Creeley
Black Mountain: Black Mountain College, Spring 1956
“Today an Ophelia”, “A” [collected in A3]
(Butterick C7-C8)



6. HEARSE, No. 1, edited by E.V. Griffith
Eureka: Hearse Press, 1957
“The Chart” [collected in A4], “The Charivari”, “The Anybody Blues” [collected in A4], “The Young Bloods” [collected in A4]
(Butterick C9-C12)


7. BLACK MOUNTAIN REVIEW, No. 7, edited by Robert Creeley
Black Mountain: Black Mountain College, Autumn 1957
“Young Mother Blues” [collected in A4], “Formal Verse, Father of Seventy-three” [collected in A4]
(Butterick C13-C14]


8. HEARSE, No. 2, edited by E.V. Griffith
Eureka: Hearse Press, 1958
“Lilies and Roses All Sorts of”, “The Plan” [collected in A4], “Eve”, “The Love Bit” [collected in A4]
(Butterick C15-C18)



9. CHICAGO REVIEW, Vol. 12, No. 3, edited by Irving Rosenthal
Chicago: University of Chicago, Autumn 1958
“Mare Nostrum” [collected in A4]
(Butterick C19)




10. HEARSE, No. 5, edited by E.V. Griffith
Eureka: Hearse Press, 1959
“Ah, These Ungenerous Lovers”, “To a Friend” [collected in A4]
(Butterick C20-C21)



11. NEON, No. 4, edited by Gilbert Sorrentino
Brooklyn: Neon Magazine, 1959
“Cartogtraphy” [collected in A4], “The Breadwinner” [collected in A4]
(Butterick C22-C23)



12. YUGEN, No. 4, edited by LeRoi Jones
New York: Totem Press, 1959
“In the Clutch”, “Fugue”
(Butterick C24-C25)




13. YUGEN, No. 5, edited by LeRoi Jones
New York: Totem Press, 1959
“The Issue at Hand” [collected in A4]
(Butterick C26)




14. THE NATION, No. 188
New York, April 1959
“April Fool” [collected in A4]
(Butterick C27)

15. THE GALLEY SAIL REVIEW, Vol. 2, No. 1, edited by Stanley McNail
San Francisco: The Galley Sail Review, Winter 1959-1960
“The Torn Nightgown” [collected in A4], “Mid-Passage” [collected in A4]
(Butterick C28-C29)


16. THE HASTY PAPERS: A ONE-SHOT REVIEW, edited by Alfred Leslie
New York: Hasty Papers, 1960
“A Fable”
(Butterick C30)

17. KULCHUR, No. 2, edited by Marc Schleifer
New York: Kulchur Press, 1960
“A View of the Trinity” [prose]
(Butterick C31)

18. NEON OBIT, edited by Gilbert Sorrentino
Brooklyn: Neon, 1960
“Romance is a Eulogy for the Dead Past”
(Butterick C32)




19. NOMAD, No. 5-6, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Winter-Spring I960
“A Love Poem”, “Statement”, “New Blues for the Moon”
(Butterick C33-C35)



20. THE FLOATING BEAR, No. 4, edited by Diane Di Prima and Leroi Jones
New York: The Floating Bear, 1961
“A Grace for Painters”, “Statement for Paterson Society” [prose]
(Butterick C36-C37)

21. THE FLOATING BEAR, No. 5, edited by Diane Di Prima and Leroi Jones
New York: The Floating Bear, April 1961
“New Flick in Town” [prose]
(Butterick C38)




22. PROVINCETOWN REVIEW, No. 4, edited by Bill Ward
New York: Provincetown Review, Summer 1961
“Shenandoah” [prose] [collected in A13]
(Butterick C39)

21. THE FLOATING BEAR, No. 8, edited by Diane Di Prima and Leroi Jones
New York: The Floating Bear, 1961
“America 17-18 Apr.” [reprinted separately as A10, collected in A9]
(Butterick C40)

22. THE FLOATING BEAR, No. 17, edited by Diane Di Prima and Leroi Jones
New York: The Floating Bear, 1961
“A Treatise” [reprinted in Pa’lante (New York, 1962), seaparately as A5, collected in A9]
(Butterick C41)



23. KULCHUR, No. 3, edited by Marc Schleifer
New York: Kulchur Press, 1961
“Not Even Important” [prose], “You Two Go That Way…” [prose]
(Butterick C42-C43)



24. KULCHUR, No. 4, edited by Marc Schleifer
New York: Kulchur Press, 1961
“Given Other Necessities” [review of The Newly Fallen by Edward Dorn]
(Butterick C44)

25. YUGEN, No. 7, edited by LeRoi Jones
New York: Totem Press, 1961
“Letter to LeRoi Jones”, “Morning Song”
(Butterick C45-C46)




25. PERISKOP, No. 3, edited by Wolfgang Hake
Cologne: Periskop, 1962
“The Lover”, “The Answer”, “The God” [translated into German by Anselm Hollo]
(Butterick C47-C49)



26. TROBAR, No. 4, edited by George Economou, Joan Kelly, and Robert Kelly
New York: Trobar, 1962
“Mathematics” [collected in A9]
(Butterick C50)

27. KULCHUR, Vol. 2, No. 5, edited by Marc Schleifer
New York: Kulchur Press, Spring 1962
Review of Come and Join the Dance by Joyce Glassman [signed “jacob hammer”], Review of For Love by Robert Creeley [signed “Tom White”]
(Butterick C51-C52)

28. THE NATION, Vol. 194, No. 5, edited by W.S. Merwin
New York: The Nation Company, May 1962
“Orpheus”
(Butterick C53)

29. THE OUTSIDER, No. 2, edited by Gypsy Lou and Jon Webb
New Orleans: The Outsider, Summer 1962
“A Long Way” [collected in A9], “The Present” [collected in A9]
(Butterick C54-C55)



30. THE FLOATING BEAR, No. 21, edited by Diane Di Prima and Leroi Jones
New York: The Floating Bear,  August 1962
“Best Reading Test” [book reviews]
(Butterick C56)




31. NOMAD, No. 10/11, edited by edited by Donald Factor and Anthony Linick
Culver City: Nomad, Autumn 1962
“La Revolucion”
(Butterick C57)

32. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 1, edited by Ed Sanders
New York: Fuck You Press, December 1962
“A Little Mayan Head”
(Butterick C58)




33. ECO CONTEMPORANEO, No. 5, edited by Miguel Grinberg
Buenos Aires: Miguel Grinberg, 1963
“Poema a la Muerte de William Carlos Williams” [collected A9]
(Butterick C59)
[not in archive]


34. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 4, edited by Ed Sanders
New York: Fuck You Press, Summer 1963
“Poem in Praise of Perseverance” [collected A9], “Public Affairs”
(Butterick C60-61)



35. JUDSON REVIEW, Vol. 1, No. 1, edited by Al Carmines, and Don Katzman
New York: Judson Review, May 1963
“Christmas Text”
(Butterick C62)

36. EVERGREEN REVIEW, Vol. 7, No. 28, edited by Barney Rosset
New York: Evergreen Review, January-February 1963
“Un bel di” [story] [collected in A13]
(Butterick C63)

37. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 3, edited by Ed Sanders
New York: Fuck You Press, May 1963
“A Long Testament”
(Butterick C64)




38. SIGNAL, Vol. 1, No. 1, edited by Bret Rohmer
New York: The Brownstone Press, Fall 1963
“The Brushes” [collected in A9], “African Memories” [collected in A9]
(Butterick C65-C66)

39. THE FLOATING BEAR, No. 21, edited by Diane Di Prima and Leroi Jones
New York: The Floating Bear, November 1963
“RIP” [prose] [signed “Aquarian”]
(Butterick C67)




40. KULCHUR, Vol. 3. No. 12, edited by Lita Hornick
New York: Kulchur Press, Winter 1963
“Some of My Best Peers” [prose]
(Butterick C68)

41. SIGNAL, Vol. 1, No. 2, edited by Bret Rohmer
New York: The Brownstone Press, 1964
“Mexican Standoff” [story]
(Butterick C69)

42. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 6, edited by Ed Sanders
New York: Fuck You Press, April 1964
“Fragments of a Letter from New York to San Francisco”, “Lesson I for Charles Olson”, “Balso/s Blues” [collected in A11], “For our Cousins”, “Where Are My Glasses”
(Butterick C70-C74)

43. WILD DOG, No. 7, edited by Drew Wagnon and Gino Clays
Pocatello: Wild Dog, April 1964
“Progress Report”, “Grown Alba” [collected in A9], “The Surgeon in Spite of Himself” [collected in A9], “Thirty Days, Next Case” [collected in A9], “The Three and a Half Minute Mile” [collected in A9]
(Butterick C75-C79)

44. JOGLARS, Vol. 1, No. 1, edited by Clark Coolidge and Michael Palmer
Providence: Joglars, Spring 1964
“The Riddle” [collected in A9], “The Title Repeats” [collected in A9], “Old Story” [collected in A9]
(Butterick C80-C82)



45. WILD DOG, No. 8, edited by Drew Wagnon and Gino Clays
Pocatello: Wild Dog, April 1964
“The World of Sports” [signed “Jay Oh”]
(Butterick C83)

46. THE NATION, No. 199
New York, September 1964
“Mythology” [collected in A9]
(Butterick C84)

47. ISLAND, No. 2, edited by Victor Coleman
Toronto: Island, December 1964
“The Recipe” [collected in A9], “The Cop-Out” [collected in A9], “Found Art” [collected in A9], “Sunday Morning” [collected in A9], “A Note” [collected in A9]
(Butterick C85-C89)

48. DAMASCUS ROAD No. 1, edited by Charles Hanna
Allentown: Damascus Road, 1965
“Nature Boy”, “Terror Coddler” [collected in A11], “A Five Act Play”
(Butterick C90-C92)

49. EVERGREEN REVIEW, Vol. 10, No. 39, edited by Barney Rosset
New York: Evergreen Review, June 1967
“Poem for the One-Hundred Fiftieth Anniversary of the Battle of New Orleans” [collected in A9]
(Butterick C93)

50. THE PARIS REVIEW, No. 36, edited by George A. Plimpton
Paris: The Paris Review, Winter 1966
“The New Nightgown” [collected in A11]
(Butterick C94)

51. CUCHULAIN, No. 1, edited by M. G. Stephens
New York: Cuchulain, 1967
“The Morning After” [collected in A11]
(Butterick C95)

52. GUERRILLA
Detroit, January 1967
“The Perfect Detonator: Scene 3”
(Butterick C96)

53. NEW MEASURE, No. 6
Oxford, Summer 1967
“The Travellers” [collected in A9]
(Butterick C97)

54. EVERGREEN REVIEW, Vol. 11, No. 47, edited by Barney Rosset
New York: Evergreen Review, June 1967
“The Three and a Half Minute Mile”
(Butterick C79)

55. THE GENRE OF SILENCE: A ONE-SHOT REVIEW
New York, June 1967
“Life Poem” [collected in A9], “Poem in Defense of Children” [collected in A9]
(Butterick C98-C99)

56. THE WORLD, No. 7
New York, October 1967
“Wrong Again” [collected in A9]
(Butterick C100)

57. INTREPID, No. 9, edited by Allen De Loach
New York: Intrepid, December 1967
“Fragment from the Works of Anacreon Recently Discovered in a Caern by the river Meander”
(Butterick C101)

58. CULTURAL AFFAIRS, No. 2
“A Magazine” [collected in A9]
(Butterick C102)

59. THE WORLD, No. 10
New York, February 1968
“A Valentine” [collected in A9]
(Butterick C103)

60. NOOSE, No. 2
New York, March 1968
“A Foreword for an As Yet Unwritten Novel”, “A Postscript to the Same Novel”
(Butterick C104-C105)

61. THE WORLD, No. 11
New York, April 1968
[untitled] “it is a long time / since we have talked…” [collected as “Poem for LeRoi” in A9]
(Butterick C106)

62. THE WORLD, No. 12
New York, June 1968
“In the Beginning” [collected in A9], “The Clash” [collected in A9]
(Butterick C107-C108)

63. FRIENDLY LOCAL PRESS, Vol. 1, No. 2-3
New York, June 1968
“Old Story” [collected in A9], “Hah-Hah” [collected in A9], “Pat  & Mike” [collected in A9], “The Great American Novel” [collected in A9]
(Butterick C109-112)

64. NOOSE, No. 17
New York, 12 July 1969
“A Poem for Children” [collected in A11] (Butterick C118)

65. EVERGREEN REVIEW, Vol. 13, No. 70
New York, September 1969
“Six-day and ball-bearing” [collected in A9] (Butterick C119)

66. EVERGREEN REVIEW, Vol. 13, No. 73
New York, December 1969
“A quiet Sunday at home” [story] [collected in A13] (Butterick C122)

 

Joel Oppenheimer: Books & Broadsides

>> return to JOEL OPPENHEIMER main page >>

Section A:
Books and Other Separate Publications

1. THE DANCER
First edition:
Highlands: Jonathan Williams, 1951
Single sheet measuring 10″ x 7″ folded once to make a 4-page booklet, 5.75″ x 7″, 150 copies. Illustration by Robert Rauschenberg. Printed at the The Sad Devil Press by Joel Oppenheimer at Black Mountain College. Published as Jargon 2. (Butterick A1)

2. FOUR POEMS TO SPRING
First edition:
Black Mountain: Joel Oppenheimer, May 1951
Printed wrappers, 4 pages. Hand-set, printed and bound by the author at the Black Mountain College print shop. (Butterick A2)

3. THE DUTIFUL SON
a. First edition, regular issue:
Highlands: Jonathan Williams, 1956
Hand-sewn and bound into french-fold wrappers with printed label tipped on, 6.5″x 10″, 36 pages, 200 copies, letterpress printed and bound by the Windhover Press in Short Hills. Frontispiece by Joseph Fiore. Printed announcement. Published as Jargon 16. (Butterick A3)

b. First edition, “author’s edition”:
Highlands: Jonathan Williams, 1956
Hand-sewn and bound into french-fold lithographed wrappers, 6.5″x 10″, 36 pages, 30 copies, letterpress printed and bound by the Windhover Press in Short Hills. Frontispiece and cover art by Joseph Fiore. Printed announcement. Published as Jargon 16. (Butterick A3)

4. THE LOVE BIT, AND OTHER POEMS
First edition:
New York: Totem Press / Corinth Books, 1962
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8″, 48 pages. Cover by Dan Rice. (Butterick A4)


5. THE GREAT AMERICAN DESERT
First edition:
New York: Grove Press, 1966
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8″, 40 pages, Published as Evergreen Playscript #3. (Butterick A5)


6. A TREATISE
New York: Brownstone Press, 1966
(Butterick A6)

7. SIRVENTES ON A SAD OCCURRENCE
First edition:
Madison: The Perishable Press Limited, Spring 1967
Hand-sewn in printed dust jacket 6.5″ x 7.25″, 20 pages, 130 signed copies. Letterpress printed by Walter Hamady. (Butterick A7)

8. WHEN THE DRUMS STOPPED
Kriya Press, Pleasant Valley 1967
Broadside, 100 copies. (Butterick A8)

9. IN TIME: POEMS 1962-1968
Indianapolis: Bobbs Merrill 1969
Hardcover issue only. (Butterick A9)

10. 17-18 APRIL 1961
Sommerville: Press of The Black Flag Raised, 1970
Folded broadside. Published as Press of The Black Flag Raised No. 5. (Butterick A10)

11. ON OCCASION
Indianapolis: Bobbs-Merrill Company 1973
Paperback and hardcover issues. (Butterick A11)

12. THE WRONG SEASON
Indianapolis: Bobbs-Merrill 1973
Hardcover issue only. (Butterick A12)

13. PAN’S EYES: STORIES
Amherst, Mulch Press, 1974
Paperback and hardcover numbered and signed issues. (Butterick A13)

14. THE LESSON; ART; HYACINTHS; NATURE
Kent: Zephyrus Image, 1974
Broadside. Printed for Kent State Arts Festival by Holbrook Teter. (Butterick A14)

15. THE WOMAN POEMS
Indianapolis: Bobbs-Merrill 1975
Hardcover issue only. (Butterick A15)

[n.b. notes have not been made about inclusion of items in archive]

Joel Oppenheimer

Portrait of Joel Oppenheimer by Jonathan Williams

Joel Oppenheimer Checklist:

Section A: Books and Broadsides
Section B: Contributions to Books and Anthologies
Section C: Contributions to Periodicals


Having been a student at Black Mountain College from 1950 to 1953, taking courses with Charles Olson and publishing in The Black Mountain Review edited by Robert Creeley, Joel Oppenheimer is one of those writers most legitimately a part of the group known in recent literary history as the Black Mountain Poets, and is included as such in Donald Allen’s famous anthology, The New American Poetry. Oppenheimer’s writing is hardly restricted to representing a literary movement, however, and his subsequent reputation is as much a result of his life and literary activities in New York as it is due to his Black Mountain connections — especially, since 1972, his regular column in the Village Voice. He has also been project director for the St. Mark’s Poetry Project as well as director of New York City’s Teachers and Writers Collaborative, and served as Poet in Residence at the City College of New York. Oppenheimer was born in 1930 in Yonkers, N.Y. [and died at 58 of lung cancer in Henniker, New Hampshire on October 11, 1988.] His papers are among the literary archives in the Special Collection of The University of Connecticut Library.

—George F. Butterick, Joel Oppenheimer, A Checklist of his Writings


References Consulted:

Butterick, George F. JOEL OPPENHEIMER: A CHECKLIST OF HIS WRITINGS
Storrs: University of Connecticut Library, 1975

Gilmore, Lyman. DON’T TOUCH THE POET: THE LIFE AND TIMES OF JOEL OPPENHEIMER
New Jersey: Talisman House, 1998

Fuck You/ a magazine of the arts

fyp

 

Fuck You/ a magazine of the arts, published by Ed Sanders from a “secret location on the Lower East Side” of New York City,  was a deliberately provocative mimeographed periodical that ran for 13 issues from 1962 to 1965. Each issue featured line drawings by Sanders and included contributions from such writers and artists as Tuli Kupferberg, Carol Bergé, John Wieners, Andy Warhol, Ray Bremser, Lenore Kandel, Charles Olson, Joel Oppenheimer, Peter Orlovsky, Philip Whalen, Allen Ginsberg, Herbert Huncke, Julian Beck, Frank O’Hara, Leroi Jones, Diane Di Prima, William Burroughs, Gary Snyder, Robert Kelly, Judith Malina, Carl Solomon, Gregory Corso, Robert Duncan, Robert Creeley, Michael McClure, Ted Berrigan, Joe Brainard, Gilbert Sorrentino, and many others.


1. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 1, edited by Ed Sanders
New York: Ed Sanders, February 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 26 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editors Note: “Send me your banned manuscripts, your peace-grams, your cosmic data, your huddled masses yearning to be free, your collections of freak-beams, plans for the pacifist holocaust, I lift my speedoprint mimeo beside the golden door…”

Contents:
Jean Morton – “To Us”
Jean Morton – “Prayer”
Ed Sanders – “Soft-Man I”
Ed Sanders – “Soft-Man II”
Ed Sanders – “Soft-Man IIII”
Ed Sanders – “Soft-Man V”
Ed Sanders – “Soft-Man VI”
Allen Hoffman – “Hymn to Amun-Ra-Sanders, The Sun Disc”
Paul Berner – “Freak-Gram: Some Notes on Nonviolent Suicide”
Nelon Barr – “A Bouquet of Fuck Yous”

2. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 2, edited by Ed Sanders
New York: Ed Sanders, April 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 34 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editors Note: “Send me yr goddamn manuscripts. Cut me in on yr freak-beams. I’ll print anything.”

Contents:
Margaret X – “Ronnie: An Unapproved Litany”
Eric Weinberger – “Brownsville Jail — Mar. 12, 1962”
Ed Sanders – “Cemetery Hill”
Ed Sanders – “Soft Man VII”
Ed Sanders – “Soft Man VIII”
Ed Sanders – “Soft Man IX”
Robert Brookings Gore – “Fishy”
Robert Brookings Gore – “What?”
Jim Forest – “Notes Written in the Night”
Nelson Barr – “Ash Wednesday Revisited”
Nelson Barr – “A Bouquet of Fuckyous, offering #2”

3. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 3, edited by Ed Sanders
New York: Ed Sanders, June 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 38 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editors Note: “Send me yr banned manuscripts, fire me yr cosmic data, visions of the incomprehensible, arcanics, outpukes from the jack-batty, notes from the all, I’ll print anything.”

Contents:
Penny X – “Crotch Poem”
Al Fowler – “Poems, Wargasms, Hymns to Young Men & Women”
Ed Sanders – “Poems”
Ed Sanders – “Soft Man X”
Bob K – “Canticle”
John Harriman – “Two Poems While High”
Nelson Barr – “A Bouquet of Fuckyous”
Tuli Kupferberg – “Pacifist Primer”
Tuli Kupferberg – “6996th Psalm”
Tuli Kupferberg – “Cool”

4. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 4, edited by Ed Sanders
New York: Ed Sanders, August 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 54 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editor’s Note: “Send me yr bloody manuscripts! I’ll print anything”

Contents:
Eric Weinberger – [untitled] “For me/ even for me…”
Carol Berge – “Lovesong”
Michael McClure – [untitled] “The mind pain comes over me…”
Taylor Mead – [untitled] “I can’t write…”
C.V.J. Anderson – “August Sixth for Reiko”
John Wieners – “Cocaine”
Ray Bremser – “Lacerations Manuscript”
Ed Sanders – “from On Guerilla Lovefare”
Tuli Kupferberg – “The Man with the Scissors”
John C. Harriman – “3 for Diane Wakoski”
Elin Paulson – [untitled] “in a forever eternity…”
John Keys – “Poem” [“what has made us…”]
John Keys – “New Age of Arm Lifting”
John Keys – “Remembrances of Things Past”
Steve Wever – [untitled] “Your Azzole is…”
Mary E. Mayo – “The Highlanders”
Jackson Mac Low – “Observations in My Neighborhood”
Nelson Barr – “Darkangelgirl”
Nelson Barr – “A Bouquet of Fuckyous, offering #4”

5. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 1, edited by Ed Sanders
New York: Ed Sanders, December 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 62 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editor’s Note: “Barf me your frick data. Retch me in on your bable vectors, your arcanics, your spew, I’ll print anything.”

Contents:
Ed Sanders – “Fuck You, The Talk of the Town”
Charles Olson – “Three Poems from The Maximus Poems”
Lenore Kandel – [untitled] “to fuck with love…”
Al Fowler – “Heroin”
Al Fowler – “Takeoff”
Al Fowler – “Larson O.D.’s; Fowler Scare Shitless”
Al Fowler – “The Hip Lady Pacifist…”
Al Fowler – “Cock City”
Al Fowler – “Caroline”
Al Fowler – “Vision”
Barbara Moraff – [untitled] “Spaniel luz…”
Mark Samara – “Camping Out with Ed Sanders”
Ed Marshall – “Steps of Entering the Skin”
Bonnie Bremser – “Fowl-Play”
Millard Friedman – “Opening”
Ron Rice – [untitled] “Creation from zero…”
Charles Polandik – “Thru Service from New York to Chicago”
Joel Oppenheimer – “A Little Mayan Head”
John Keys – “Revision”
Kirby Congdon – [untitled] “I stagger under the boat…”
John Thomas – “Fat Dr. Bonelli”
Ed Sanders – “Blow Job Poem”
Mary Mayo – “Canticle”
Nelson Barr – “A Bouquet of Fuckyous”

6. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 2, edited by Ed Sanders
New York: Ed Sanders, December 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 68 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editor’s Note: “Skin me with your poetry, your banned manuscripts, your babble, plans for the pacifist holocaust, I’ll print anything.”

Contents:
John Wieners – [untitled] “You talk of going…”
Tuli Kupferberg – “I Say”
Carol Berge – “How to Screw a Bear and Find God”
Taylor Mead – “from His Diary”
Paul Blackburn – “The One-Night Stand”
Barry Wallenstein – “Times of Our Time”
Ray Bremser – “Eternity Grinding Allen’s Giant Beyonds”
Ray Bremser – “Rolling with the Wind”
David Rattray – “In God We Trust”
John Keys – “Poem for Charles Olson come Summer”
Hank Dixon – “Billie the Kid Revisited”
Elin Paulson – “With Love Still”
Pasquale Cocco – [untitled] “I’d love to…”
Bob K. – “from Carolcurla”
Nelson Barr – “Call Me not Back”
Nelson Barr – “Another Bouquet of Fuckyous”
Al Fowler – “Babble”
Al Fowler – “I Want You”
Al Fowler – “Musee de Beaux Enfant”
Al Fowler – “Child”
Al Fowler – “Democracy”
Al Fowler – “Telephone Conversation”
Al Fowler – “The Room. Junk Withdrawal”

7. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 3, edited by Ed Sanders
New York: Ed Sanders, May 1963
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 80 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

Contents:
Ed Sanders – “Spurt Spurt”
Lenore Kandel – “Hero the Rider”
Rochelle Owens – “To an Arrogant Fart”
Peter Orlovsky – “Second Sex Experiment”
Jean Forest – “Queen #3”
Carol Berge – “The Love Hang”
Marc Samara – “Camping Out with Taylor Mead”
Joel Oppenheimer – “A Long Testament”
Ray Bremser – “The Cup of Sex”
Robert Kaye – “Mawdroogle”
John Thomas – “Okay Okay”
John Thomas – “For Basho”
Jay Socin – “Graffiti in a Public John”
Al Katzman – “Lament”
Barbara Moraff – “The Abdominal Snowman”
Barbara Moraff – [untitled] “during the past few months…”
Nancy Ellison – “Caca Caca”
John Keys – “Poem for the Aircraft”
Martin Segal – [untitled] “Here I have come…”
Taylor Mead – “Taylor Mead on Dope”
Jackson Mac Low – “19th Light Poem”
Szabo – “Poem for Marilyn”
Nelson Barr – “Bouquet of Fuckyous”

8. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 4, edited by Ed Sanders
New York: Ed Sanders, Summer 1963
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 74 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

Contents:
Ed Sanders – “Defiance”
Szabo – “Poem for Hustlers”
Lenore Kandel – “Grant Avenue”
Philip Whalen – “Duerden says: ‘Life is Therapy'”
Paul Blackburn – “Here They Go”
Joel Oppenheimer – “Public Affairs”
Joel Oppenheimer – “Poem in Praise of Perseverance”
John Harriman – “Antoninous Paper Number Two”
Barbara Moraff – [untitled] “im a hip song mistress…”
Barbara Moraff – [untitled] “ground like barren…”
Barbara Moraff – [untitled] “hiking out of sight…”
Barbara Moraff – [untitled] “the reactions…”
George Economou – “Carmen Mentulae”
Carol Berge – “An Answer to one of the Other Women”
Harry Fainlight – “42nd Street”
Rochelle Owens – “Manananimal”
George Montgomery – “Cockman”
Andrew Hoyem – “An Invocation to the Muse in her Low Haunts”
Al Fowler – “Junky II – Speedball”
Al Fowler – “Statutory Rape – (the plea)”
Al Fowler – “Junky”
Ed Sanders – “Three Poems from The Gobble Gang Poems”
Michael McClure – “Fuck Essay”
Nelson Barr – “A Bouquet of Fuckyous, offering #8”

9. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 5, edited by Ed Sanders
New York: Ed Sanders, December 1963
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 90 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editor’s Note: “Manuscripts! Manuscripts! puke us your spew, magic, music, loves, logoi, and vapours! Onward in the R?-vectors, all you blazing m.f.’s”

Contents:
Ed Sanders – “Total Assault on the Culture”
Allen Ginsberg – “The Change: Kyoto-Tokyo Express July 18, 1963”
Isis – “Incantation for the REvival of the Dead Osiris”
Robert Kaye – “8th & 42nd”
Robert Kaye – “for Quang Duc”
Robert Kaye – [untitled] “under falling water…”
Robert Kaye – [untitled] “i’m dead…”
Lenore Kandel – “Love Fuck Poem”
Tuli Kupferberg – “A Black & White Manifesto”
Peter Orlovsky – “Allen Jerking Off on Bed”
Mary Mayo – “The Dream of the Starving Birds”
Robert Nichols – “Message”
Robert Nichols – “Bakhunin”
Diane Wakowski – “Ordinary Poem, to Bob”
Julian Beck – [untitled] “horse pimples…”
Julian Beck – “Anarchy”
Julian Beck – [untitled] “that the collective not be…”
John Keys – “Impressions Taken from the Same Canteen”
John Keys – “Erikson”
John Keys – “Lesson 2”
Jim Standish – “Three Poems from the Mushroom Poems”
Harry Fainlight – “O London”
Herbert Huncke – “The Party”
Nelson Barr – “Love Poem”
Nelson Barr – “A Bouquet of Fuck Yous, offering #9”

10. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 6, edited by Ed Sanders
New York: Ed Sanders, April/May 1963
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 108 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

From the Editor’s Note: “Manuscripts!! we need high level poetic data, music, criticism, reviews, surveys, stories, magic, etc…. while we exist we should like to puke forth some totally mind-stomping issues…”

Contents:
Ed Sanders – “A Call to Action”
Harry Fainlight – “For the Ghost of Hart Crane”
Allen Ginsberg – “Walt Whitman”
Harry Fainlight – “Le Poete a Quatorze Ans”
Harry Fainlight – “Mescaline Notes”
Frank O’Hara – “Un Chant d’Amor”
Frank O’Hara – “In the Movies”
Peter Orlovsky – “Thank God….”
Ray Bremser – “Three Small Prater to the Genii”
Ray Bremser – “Frontal Phrenal Fit”
Al Fowler – [untitled] “are you going to the…”
Al Fowler – “Soup Poem”
Al Fowler – “My Last Shot of Stuff”
Szabo – “The Szabo Poems”
Diane Di Prima – “An Anniversary Poem, for Alan”
Diane Di Prima – “Take 3/16/61”
Diane Di Prima – “Take 3/15/61”
LeRoi Jones – “Houdini”
LeRoi Jones – “Letter to Elijah Muhammed”
LeRoi Jones – “Political Poem”
LeRoi Jones – “Double Feel”
Joel Oppenheimer – “Fragments of a Letter from New York to San Francisco”
Joel Oppenheimer – “For Our Cousins”
Joel Oppenheimer – “Where are My Glasses”
Joel Oppenheimer – “Balso’s Blues”
Carol Berge – “Chant for Half the World”
John Keys – “Star: Saskatchewan Two”
Nancy Ellison – [untitled] “i lie long mornings…”
Nancy Ellison – [untitled] “weed that hides rock…”
Nancy Ellison – [untitled] “i feel my body covered with dust…”
Nelson Barr – [untitled] “wingdlass, stingsalt skald’s brow hornhelmed…”
Nelson Barr – “A Bouquet of Fuckyou’s, offering #10”

11. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 7, edited by Ed Sanders
New York: Ed Sanders, September 1964
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 172 pages, mimeograph printed. Cover art by Robert LaVigne and illustrations by Ed Sanders.

Contents:
Ed Sanders – “Resistance against Goon Squads”
Charles Olson – “West Gloucester”
John Wieners – “The Imperatrice”
John Wieners – “Confession”
John Wieners – “Le Chariot”
John Wieners – [untitled] “And if to die…”
Robert Creeley – “Something”
Robert Creeley – “Two Times”
Allen Ginsberg – “from Long Unfinished Poem”
Robert Duncan – “Old Testament”
Robert Duncan – “New Testament”
William Burroughs – “Fluck you fluck you fluck you”
Norman Mailer – “The Executioner’s Song”
Gary Snyder – “Hymn to the Goddess San Francisco in Paradise”
Gregory Corso – “God is a Masturbator”
Philip Whalen – “Statement of Condition”
Philip Whalen – “The Great Beyond Denver”
Philip Whalen – “Papyrus Catalogue”
Philip Whalen – “Vector Analysis”
Philip Whalen – “Against the Magic War: An Open Letter to Robert Duncan”
Michael McClure – “Airs from a Forgotten Book”
Judith Malina – “On the Day of the Death…”
Harry Fainlight – “The Spider”
Robert Kelly – “In Commentary on the Gospel…”
Robery Kelly – “Poem for Ed Sanders”
Carl Solomon – “Nobody Tells Me the Truth Any More”
Carl Solomon – “Stringing Them Along”
Carl Solomon – “Relationships”
Carl Solomon – “The Delinquents”
Carl Solomon – “The Lunatic and Modern Art”
Arnaut Daniel – “Sirventes”
Arnaut Daniel – “Sirventes” (trans. Paul Blackburn)
Al Fowler – “Junky”
Al Fowler – “Larson O.D.’s; Fowler Scared Shitless”
Al Fowler – “Heroin”
Al Fowler – “Takeoff”
Al Fowler – “The Room. Junk Withdrawal”
Al Fowler – “Junky II – Speedball”
Antonin Artaud – [untitled] “The message of…” (trans. Robert Cordier)
Philip Lamantia – “Blue Grace”
Alden Van Buskirk – “The Ivory Bastard”
Alden Van Buskirk – “Kitchen”
Alden Van Buskirk – “Last Will And”
Alden Van Buskirk – “from Forest Park Fragments”
Alden Van Buskirk – “Lami, Leather Nightingale”

12. FUCK YOU/ A MAGAZINE OF THE ARTS, Volume 5, Number 8, edited by Ed Sanders
New York: Fug Press, March 1965
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 154 pages, mimeograph printed. Cover art by Andy Warhol and illustrations by Ed Sanders.

Contents:
Ed Sanders – “Fuck You – The Talk of the Town”
Lawrence Ferlinghetti – “To Fuck is to Love Again”
Michael McClure – “Poisoned Wheat”
Michael McClure – “Poem Cards”
Ed Sanders – “from the Gobble Gang Poems”
LeRoi Jones – “Word from the Right Wing”
LeRoi Jones – “Western Front”
Allen Ginsberg – “from Journals”
Allen Ginsberg – “Dream”
Ted Berrigan – “Sonnet III”
Ted Berrigan – “Sonnet LXVII”
Ted Berrigan – “Sonnet LXXVI”
Ted Berrigan – “Sonnet LXXVIII”
W.H. Auden -“A Gobble Poem”
Gerard Malanga – “Friends”
Vincent Ferrini – “IHS”
Peter Orlovsky – “Three Pages of Drawings with Notes…”
Harry Fainlight – “Street”
Gergory Corso – “At the Big A”
Claude Pelieu – “Four Shriek Pages…”
Al Fowler – [untitled] “man is the disconnected beast…”
Elise Cowan – [untitled] “A cockroach…”
Elsie Cowan – [untitled] “The first eye opens…”
Elsie Cowan – [untitled] “Easy to love…”
Elsie Cowan – [untitled] “I took the skin of corpses…”
John Keys – “The Relationships”
Robert Kaye – [untitled] “suffering cannot be merited…”
John Francis Putman – “Mythology”
John Francis Putman – “Freebie Peek at Remaindered Girlie Mags”
John Francis Putman – “All Saints Day”
Carol Berge – “Thank You”
Bill Fritsch – [untitled] “I stared into your…”
Al Katzman – “Directions I (for John Keys)”
Al Katzman – “The Bloodletting”
Gerard Malanga – “In the pores of his forehead…”
Gerard Malanga – “Some Thoughts of Jean Shrimpton”
Gerard Malanga – “Charles Olson among the White Trees”
Nancy Ellison – [untitled] “I sing the grave…”
Nelson Barr – “Guernica”

13. FUCK YOU/ A MAGAZINE OF THE ARTS, Volume 5, Number 9
New York: Ed Sanders, June 1965
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 100 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.

Contents:
Ed Sanders – “Notes from the Editor”
Joe Brainard – untitled illustration
Pindar – “The First Olympian Ode”
Tom Veitch – “You Got a Point There, Pop”
Harry Fainlight – “Interregnum”
Harry Fainlight – “Image for Fowler”
Harry Fainlight – “The Question”
Harry Fainlight – “Cruising”
Harry Fainlight – “To Noreen”
Harry Fainlight – “Magic Song”
Gilbert Sorrentino – “from The Perfect Fiction”
John Wieners – “Memories of You”
Alden Van Buskirk – “The Pimple”
Szabo – [untitled] “Billy the Kid, the criminal…”
Taylor Mead – “My Monthly”
Robert Kelly – “Sporting News”
Lenore Kandel – “In the Comics”
David Henderson – [untitled] “David A. Wood…”
Al Fowler – [untitled] “night. in the orchards…”
Janine Pommey – “On Train From Living Theatre Heist to Paris”
Ted Berrigan – “Book Review”


References Consulted:

Clay, Steven and Rodney Phillips. A SECRET LOCATION ON THE LOWER EAST SIDE: ADVENTURES IN WRITING, 1960-1980
New York: New York Public Library / Granary Books, 1998

Marx, Jake. “Index to Fuck You / A Magazine of the Arts” in THE SERIF: QUARTERLY OF THE KENT STATE UNIVERSITY LIBRARIES, Volume VIII, Number 3
Kent: The Kent State University Libraries, September 1971


Online Resources:

· Boo-Hooray – Ed Sanders: Fuck You / A Magazine of the Arts

· From a Secret Location – Fuck You/ a magazine of the arts

· Reality Studio – Fuck You Press Archive

· Ubu Web – Fuck You: A Magazine of the Arts (1962-1965)

The Jargon Society

Jargon’s first publication, which contained a poem by Jonathan Williams and an engraving by David Ruff, was published in San Francisco in 1951. The press blossomed at Black Mountain College where its peripatetic director moved to study photography with Harry Callahan and Aaron Siskind. Jargon’s second publication was a poem by Joel Oppenheimer (“The Dancer”) with a drawing by Robert Rauschenberg. Over the next several years the press would publish Kenneth Patchen, Robert Creeley, The Maximus Poems by Charles Olson, more work by Williams, Louis Zukofsky, Denise Levertov, Michael McClure, Mina Loy, Robert Duncan, Fielding Dawson, Irving Layton, Guy Davenport, Paul Metcalf—the list goes on and on.

When asked why he published what he had, Williams replied, “For pleasure surely. I am a stubborn, mountaineer Celt with an orphic, priapic, sybaritic streak that must have come to me, along with H. P. Lovecraft, from Outer Cosmic Infinity. Or maybe Flash Gordon brought it from Mongo? Jargon has allowed me to fill my shelves with books I cared for as passionately as I cared for the beloved books of childhood—which I still have: Oz, The Hobbit, The Wind in the Willows, Dr. Doolittle, Ransome, Kipling, et al.”

— Steve Clay and Rodney Phillips in A SECRET LOCATION ON THE LOWER EAST SIDE (Granary Books, 1998)


1. Williams, Jonathan. GARBAGE LITTERS THE IRON FACE OF THE SUN’S CHILD
First edition:
San Francisco: Jargon, June 1951
Broadside measuring 4″ x 13″ folded twice to make a 4″ x 5″ leaflet, 50 copies, letterpress printed by David Ruff at The Print Workshop. Engraving by David Ruff Published as Jargon 1. (Jaffe A4)

2. Oppenheimer, Joel. THE DANCER
jargon_dancerFirst edition:
Highlands: Jonathan Williams, 1951
Single sheet measuring 10″ x 7″ folded once to make a 4-page booklet, 5.75″ x 7″, 150 copies. Illustration by Robert Rauschenberg. Printed at the The Sad Devil Press by Joel Oppenheimer at Black Mountain College. Published as Jargon 2. (Butterick A1)

3. Williams, Jonathan. RED / GRAY 
a. First edition, regular issue:
Black Mountain: Jonathan Williams, January 1952
Folio sheet folded three times to make a 12-page gate-fold booklet, 8.5″ x 10″ (when folded), 100 copies. Drawings by Paul Ellsworth tipped in. Printed at the The Sad Devil Press by Joel Oppenheimer at Black Mountain College. Published as Jargon 3. Printed announcement. (Jaffe A7)

b. First edition, signed issue:
Black Mountain: Jonathan Williams, January 1952
Folio sheet folded three times to make a 12-page gate-fold booklet, 8.5″ x 10″ (when folded), 50 copies signed by the writer and illustrator. Drawings by Paul Ellsworth tipped in. Printed at the The Sad Devil Press by Joel Oppenheimer at Black Mountain College. Published as Jargon 3. (Jaffe A7)

4. Kalos, Victor. THE DOUBLE-BACKED BEAST
Black Mountain, 1952
Drawings by Dan Rice, 25 copies.

5. Williams, Jonathan. FOUR STOPPAGES / A CONFIGURATION
First edition:
Stuttgart: Jonathan Williams, 1953
Folio sheet measuring 40″ x 15″ folded three times to make eight panels in envelope with Williams’ printed military return address, 200 copies. Drawings by Charles Oscar. Published as Jargon 5. (Jaffe A8)

6. Patchen, Kenneth. FABLES & OTHER LITTLE TALES
a. First edition, regular issue:
Karlsruhe-Baden: Jonathan Williams · Publisher, Summer 1953
Perfect-bound in printed dust jacket, 6.5″ x 9.25″, 130 pages, 450 copies. Published as Jargon 6. (Morgan A21a)

b. First edition, “author’s edition”:
Karlsruhe-Baden: Jonathan Williams · Publisher, Summer 1953
Perfect-bound in hand-painted dust jacket, 6.5″ x 9.25″, 130 pages, 50 copies. Published as Jargon 6. (Morgan A21b)

7. Olson, Charles. THE MAXIMUS POEMS / 1-10
a. First edition, regular issue:
Stuttgart: Jonathan Williams · Publisher, Summer 1953
Hand-sewn in printed and illustrated dust jacket, 9.25 x 12″, 46 pages plus Foreword by Creeley, 300 copies. Calligraphy by Jonathan Williams. (Butterick & Glover A8)

b. First edition, “donor’s edition”:
Stuttgart: Jonathan Williams · Publisher, Summer 1953
Hand-sewn in printed and illustrated dust jacket, 9.25 x 12″, 46 pages plus Foreword by Creeley, 50 signed copies on special paper and boxed. Calligraphy by Jonathan Williams. (Butterick & Glover A8)

8. Creeley, Robert. THE IMMORAL PROPOSITION
First edition:
Karlsruhe-Durlach: Jonathan Williams, Autumn 1953
String-bound in illustrated wrappers, 9″ x 6.5″, 16 pages, 200 copies. Illustrated by René Laubiès. Printed by Verlagsdruckerei Gebr. Tron KG. Published as Jargon 8. (Novik A3)

9. Olson, Charles. THE MAXIMUS POEMS / 11-22
a. First edition, regular issue:
Suttgart: Jonathan Williams, Spring 1956
Perfect-bound in printed and illustrated dust jacket, 9.25 x 12″, 52 pages, 350 copies, letterpress printed by Dr. Cantz’sche Druckerei in Stuttgart-Bad Cannstatt. Calligraphy by Jonathan Williams. Published as Jargon 9. (Butterick & Glover A11)

b. First edition, “patron’s edition”:
Suttgart: Jonathan Williams · Publisher, Spring 1956
Perfect-bound in printed and illustrated dust jacket, 9.25 x 12″, 52 pages, 25 signed copies on special paper and boxed, letterpress printed by Dr. Cantz’sche Druckerei in Stuttgart-Bad Cannstatt.. Calligraphy by Jonathan Williams. Published as Jargon 9. (Butterick & Glover A11)

10. Creeley, Robert. ALL THAT IS LOVELY IN MEN
jargon_allthatFirst edition: 
Asheville: Jonathan Williams, 1955
Perfect bound in printed and illustrated wrappers, 6″ x 8″, 44 pages, 200 copies. Drawings by Dan Rice, photograph by Jonathan Williams. Signed by Creeley and Rice on the colophon page. Printed by the Biltmore Press in Asheville. Published as Jargon 10. (Novik A6)

11. Patchen, Kenneth. POEM-SCAPES
a. First edition, regular issue:
Highlands: Jonathan Williams, January 1958
Perfect-bound in printed and illustrated dust jacket, 5″ x 8″, 42 pages, 325 copies, printed by The Stephens Press in Asheville. Cover photograph by Harry Redl. Published as Jargon 11. (Morgan A28d)

b. First edition, painted issue:
Highlands: Jonathan Williams, January 1958
Hardcover in hand-painted dust jacket, 5″ x 8″, 42 pages, 75 numbered and signed copies, printed by The Stephens Press in Asheville. Published as Jargon 11. (Morgan A28c)

c. First edition, “gold and gray edition”:
Highlands: Jonathan Williams, January 1958
Hardcover in hand-painted dust jacket, 5″ x 8″, 42 pages, 42 numbered and signed copies with a manuscript poem, printed by The Stephens Press in Asheville. Published as Jargon 11. (Morgan A28b)

12. Zukofsky, Louis. A TEST OF POETRY
Second edition:
New York: Jargon / Corinth Books, 1964
Perfect-bound in printed wrappers, 5.5″ x 8″, 166 pages. Published as Jargon 11.



13a. Williams, Jonathan. AMEN / HUZZA / SELAH
a. First edition, regular issue:
Black Mountain: Jargon, Summer 1960
Perfect-bound in printed and illustrated french-fold wrappers, 5.5″ x 8″, 44 pages, 700 copies. Preface by Louis Zukofsky. Photographs by Jonathan Williams. Published as Jargon 13a. (Jaffe A15)

b. First edition, special issue:
Black Mountain: Jargon, Summer 1960
Perfect-bound in printed and illustrated french-fold wrappers, 5.5″ x 8″, 44 pages, 50 copies. Preface by Louis Zukofsky. Photographs by Jonathan Williams. Published as Jargon 13a. (Jaffe A15)

13b. Williams, Jonathan. ELEGIES AND CELEBRATIONS 
a. First edition, regular issue:
Highlands: Jargon, Summer 1962
Perfect-bound in printed and illustrated french-fold wrappers, 5.5″ x 8″, 48 pages, 700 copies. Preface by Robert Duncan. Photographs by Aaron Siskind and Jonathan Williams. Published as Jargon 13b. (Jaffe A22)

b. First edition, special issue:
Highlands: Jargon, Summer 1962
Perfect-bound in printed and illustrated french-fold wrappers, 5.5″ x 8″, 48 pages, 50 copies. Preface by Robert Duncan. Photographs by Aaron Siskind and Jonathan Williams. Published as Jargon 13b. (Jaffe A22)

13c. Williams, Jonathan. JAMMIN’ THE GREEK SCENE 
Note by Charles Olson. Drawings by Fielding Dawson. James Jaffe notes, “Approximately 4 proof copies were produced for a projected edition of 300 copies, but the book, with a cover designed by Fielding Dawson, was never published.” Karlsruhe, 1959. (Jaffe A16)

14. Duncan, Robert. LETTERS: POEMS 1953-1956
a. First edition, regular copies:
Highlands: Jonathan Williams, 1958
Bound in marbled wrappers, 6.75″ x 10″, 450 numbered and signed copies. Drawings by Robert Duncan. Printed by Claude Fredericks. Published as Jargon 14. (Bertholf A9a)

b. First edition, hardcover copies:
Highlands: Jonathan Williams, 1958
Hardcover, 6.75″ x 10″, 60 numbered and signed copies. Drawings by Robert Duncan. Printed by Claude Fredericks. Published as Jargon 14. (Bertholf A9b)

15. Zukofsky, Louis. SOME TIME
a. First edition, regular issue:
Sutgart: Jonathan Williams, Autumn 1956
Hand-sewn with coptic binding in printed and illustrated cover, 6″ x 10″, 35 pages, 300 copies, letterpress printed by Dr. Cantz’sche Druckerei in Stuttgart-Bad Cannstatt. A song setting on the cover by Celia Zukofsky. Published as Jargon 15.

b. First edition, “author’s edition”:
Sutgart: Jonathan Williams, 1956
Hand-sewn with coptic binding in printed and illustrated cover, 6″ x 10″, 35 pages, 50 copies, letterpress printed by Dr. Cantz’sche Druckerei in Stuttgart-Bad Cannstatt. A song setting on the cover by Celia Zukofsky.

16. Oppenheimer, Joel. THE DUTIFUL SON
a. First edition, regular issue:
Highlands: Jonathan Williams, 1956
Hand-sewn and bound into french-fold wrappers with printed label tipped on, 6.5″ x 10″, 36 pages, 200 copies, letterpress printed and bound by the Windhover Press in Short Hills. Frontispiece by Joseph Fiore. Printed announcement. Published as Jargon 16. (Butterick A3)

b. First edition, “author’s edition”:
Highlands: Jonathan Williams, 1956
Hand-sewn and bound into french-fold lithographed wrappers, 6.5″ x 10″, 36 pages, 30 copies, letterpress printed and bound by the Windhover Press in Short Hills. Frontispiece and cover art by Joseph Fiore. Printed announcement. Published as Jargon 16. (Butterick A3)

17. Perkoff, Stuart Z. THE SUICIDE ROOM 
a. First edition, regular issue:
Karlsruhe: Jonathan Williams, 1956
Bound in printed and illustrated wrappers, 7.25″ x 9″, 200 copies. Drawing by Fielding Dawson. Photograph by Charles Kessler. Published as Jargon 17.

b. First edition, hardcover issue:
Karlsruhe: Jonathan Williams, 1956
Bound in printed and illustrated wrappers, 7.25″ x 9″, 25 numbered and signed copies. Drawing by Fielding Dawson. Photograph by Charles Kessler. Published as Jargon 17.

18. Irving Layton. THE IMPROVED BINOCULARS
a. First edition:
Highlands: Jonathan Williams, Autumn 1956
Perfect-bound in printed and photo-illustrated French-fold wrappers, 6″ x 9″, 112 pages, 500 copies. Introduction by William Carlos Williams. Printed by the Stephens Press in Asheville. Published as Jargon 18. (Bennett & Polson A12)

b. Second edition:
Highlands: Jonathan Williams, Winter 1957
Perfect-bound in printed and photo-illustrated French-fold wrappers, 6″ x 9″, 144 pages, 1000 copies. Introduction by William Carlos Williams. Printed by the Stephens Press in Asheville. This second edition adds 30 poems and features a different photo on the cover. (Bennett & Polson A13)

19. Denise Levertov. OVERLAND TO THE ISLANDS
a. First edition, regular copies:
Highlands: Jonathan Williams, 1958
Perfect-bound in printed and illustrated dust jacket, 6″ x 9.75″, 450 copies. Illustrated by Al Kresch. Calligraphy by Jonathan Williams. Printed by Heritage Printers in Charlotte. Published as Jargon 19. (Wilson A4a)

b. First edition, “author’s edition”:
Highlands: Jonathan Williams, Spring 1964
Perfect-bound in printed and marbled dust jacket, 6″ x 9.75″, 50 numbered and signed copies. Illustrated by Al Kresch. Printed by Heritage Printers in Charlotte. Published as Jargon 19. (Wilson A4b)

20. Michael McClure. PASSAGE
mcclure_passageFirst edition:
Big Sur: Jonathan Williams, 1956
Hand-sewn in printed wrappers, 7.25″ x 10.75″, 12 pages, 200 copies. Cover by Jonathan Williams. Printed by the Windhover Press. Published as Jargon 20.  (Clements A1)

21. Kenneth Patchen. HURRAH FOR ANYTHING
a. First edition, regular issue:
Highlands: Jonathan Williams, 1957
Perfect-bound in printed and illustrated dust jacket, 5.5″ x 8.25″, 62 pages, 2500 copies, Drawings by Kenneth Patchen. Published as Jargon 21. (Morgan A26a)

b. First edition, painted issue:
Highlands: Jonathan Williams, 1957
Perfect-bound in printed and illustrated dust jacket, 5.5″ x 8.25″, 62 pages, 100 copies, Drawings by Kenneth Patchen. Published as Jargon 21. (Morgan A26b)

22. Henry Miller. THE RED NOTEBOOK
First edition:
Highlands: Jonathan Williams|Jargon Books, 1958
Perfect-bound in printed and illustrated french-fold wrappers, 5.5″ x 8″, 92 pages, 2000 copies. Facsimile of one of two notebooks which Miller kept during his Air-Conditioned Nightmare tour across America in the early 1940’s. Author photograph by Wynn Bullock. Published as Jargon 22.

23. Mina Loy. LUNAR BAEDEKER AND TIME-TABLES
a. First edition, regular issue:
Highlands: Jonathan Williams, 1958
Perfect-bound in printed and illustrated dust jacket, 5.5″ x 9.75″, 82 pages, 450 copies. Forewords by William Carlos Williams, Kenneth Rexroth, and Denise Levertov. Illustrated by Emerson Woelffer. Published as Jargon 23.

b. First edition, “author’s edition”:
Cloth-covered boards in acetate dust jacket, 5.5″ x 9.75″, 82 pages, 50 numbered and signed copies. Forewords by William Carlos Williams, Kenneth Rexroth, and Denise Levertov. Illustrated by Emerson Woelffer. Published as Jargon 23.

24. Charles Olson. THE MAXIMUS POEMS
a. First edition, regular issue:
New York: Jargon|Corinth Books, November 1960
Perfect-bound in printed and illustrated wrappers, 6″ x 9″, 160 pages, 1893 copies, Photograph by Frederick Sommer. Published in association with Corinth Books. Published as Jargon 24. (Butterick & Glover A14)

b. First edition, numbered issue:
New York: Jargon|Corinth Books, November 1960
Hardcover, 6″ x 9″, 160 pages, 75 numbered copies, Photograph by Frederick Sommer. Published in association with Corinth Books. Published as Jargon 24. (Butterick & Glover A14)

c. First edition, lettered and signed issue:
New York: Jargon|Corinth Books, November 1960
Hardcover, 6″ x 9″, 160 pages, 26 lettered and signed copies, Photograph by Frederick Sommer. Published in association with Corinth Books. Published as Jargon 24. (Butterick & Glover A14)

25. Paul C. Metcalf. WILL WEST
Asheville, 1956.
500 copies

26. Robert Creeley. THE WHIP
a. First edition, regular copies:
Worchester: Migrant Books, Summer 1957
Perfect-bound in printed and illustrated wrappers, 5″ x 6.75″, 49 pages, 500 copies. Cover design by René Laubiès. Printed by Mossén Alcover in Palma de Mallorca. Published as Jargon 26 (Novik A8)

a. First edition, hardcover copies:
Worchester: Migrant Books, Summer 1957
Cloth-covered boards with printed spine, 5″ x 6.75″, 49 pages, 100 copies.  Printed by Mossén Alcover in Palma de Mallorca. Illustrated by Kirsten Hoeck. Published as Jargon 26 (Novik A8)

27. Peyton Houston. SONNET VARIATIONS
Highlands, 1962
Photograph by Henry Holmes Smith.

28. Irving Layton. A LAUGHTER IN THE MIND
First edition:
Highlands: Jonathan Williams, 1958
Perfect-bound in printed and illustrated french-fold wrappers, 5.5″ x 8″, 58 pages, 1000 copies. Cover photograph by Frederick Sommer. Published as Jargon 28. (Bennett & Polson A14)

29. Bob Brown. 1450-1950
First edition:
New York, Jargon|Corinth, 1959
Perfect-bound in printed and illustrated wrappers, 5.5″ x 8.5″, 70 pages, 2000 copies. Cover photograph by Jonathan Williams. Printed by Heritage Printers in Charlotte. Published as Jargon 29.

30. Jonathan Williams. THE EMPIRE FINALS AT VERONA
First edition:
Highlands: Jonathan Williams, September 1959
Perfect-bound in printed and illustrated French-fold wrappers, 8″ x 10.75″, 32 pages, 1000 copies. Drawings and collage by Fielding Dawson. Published as Jargon 30. (Jaffe A12)

31. Williams, Jonathan ed. 14 POETS, 1 ARTIST 
First edition:
New York: Jonathan Williams, 1958
Unbound printed wrappers containing 14 printed pages, 5.75″ x 9″, 1000 copies. Drawings by Fielding Dawson. Contributors include Paul Blackburn, Bob Brown, Edward Dahlberg, Max Finstein, Allen Ginsberg, Paul Goodman, Denise Levertov, Walter Lowenfels, Edward Marshall, E.A. Navaretta, Joel Oppenheimer, Gilbert Sorrentino, Jonathan Williams and Louis Zukofsky. Published as Jargon 31.

32. Walter Lowenfels. SOME DEATHS
Highlands: Jonathan Williams, Summer 1964
Perfect-bound in printed and illustrated wrappers, 6.25″ x 9″, 112 pages, 1500 copies, printed by Heritage Printers in Charlotte. Introduction by Jonathan Williams. Photographs by Robert Schiller and African news sources. Published as Jargon 32.

33. Robert Creeley. A FORM OF WOMEN
First edition:
New York: Jargon Books|Corinth Books, 1959
Perfect-bound in printed and illustrated wrappers, 5.5″ x 8″, 64 pages, 2000 copies. Cover photograph by Robert Schiller. Printed by Heritage Printers in Charlotte. Published as Jargon 33. (Novik A9)

34. Bob Brown. THE SELECTED POEMS
Introduction by Kay Boyle. Drawing by Reuben Nakian. Jargon 34 was projected but never published.

35. Irving Layton. A RED CARPET FOR THE SUN
Highlands: Jonathan Williams, 1959
1000 copies. Photograph by Harry Callahan. (Bennett & Polson A17)

36. Larry Eigner. ON MY EYES
Highlands, 1960
500 copies. Introduction by Denise Levertov. Photographs by Harry Callahan.

37. Russell Edson. WHAT A MAN CAN SEE
First edition:
Penland: The Jargon Society, 1969
Perfect-bound in printed and illustrated french-fold wrappers and unprinted glassine dust jacket, 7.5″ x 10″, 86 pages, 1000 copies. Drawings by Ray Johnson. Printed by Heritage Printers in Charlotte. Published as Jargon 37.

38. Giuseppe Gioachino Belli. THE ROMAN SONNETS
Highlands, 1960
2000 copies. Translated by Harold Norse. Preface by William Carlos Williams. Introduction by Alberto Moravia. Cover by Ray Johnson. Collage by Jean-Jacques Lebel.

39. Jonathan Williams. LORD! LORD! LORD!
First edition:
Highlands: Jonathan Williams, 1959
Folding card, 5.5″ x 4.5″, 200 copies, handset and printed “for the friends of the Jargon Press” by Igal Roodenko. Published as Jargon 39. (Jaffe A13)

40. Gilbert Sorrentino. THE DARKNESS SURROUNDS US
First edition:
Highlands: Jonathan Williams, October 1960
Saddle stapled in printed and photo-illustrated dust jacket, 6″ x 9″, 48 pages, 1000 copies, printed by Heritage Printers in Charlotte. Introduction by Joel Oppenheimer. Collage and drawings by Fielding Dawson. Published as Jargon 40 [?](McPheron A1)

41. Lou Harrison. JARGON’S CHRISTMAS IN 1960: THREE CHORUSES FROM OPERA LIBRETTI
First edition:
Highlands: Jonathan Williams, 1960
Hand-sewn in wrappers, 5.5″ x 4″, 4 pages, 200 copies. Published as Jargon 41.


42. Ronald Johnson. A LINE OF POETRY, A ROW OF TREES
a. First edition, regular copies:
Highlands: The Nantahala Foundation, 1964
Perfect-bound in printed and illustrated french-fold wrappers and glassine dust jacket, 6.5″ x 10″, 80 pages, 500 copies with errata slip noting the omitted dedication to Olson laid in. Illustrated by Thomas George. Printed at the Auerhahn Press in San Francisco. The author’s first book. Published as Jargon 42. (Auerhahn 35)

b. First edition, hardcover copies:
Highlands: The Nantahala Foundation, 1964
Perfect-bound in printed and illustrated french-fold wrappers and glassine dust jacket, 6.5″ x 10″, 80 pages, 50 numbered and signed copies with errata slip noting the omitted dedication to Olson laid in. Illustrated by Thomas George. Printed at the Auerhahn Press in San Francisco. The author’s first book. Published as Jargon 42.  (Auerhahn 35)

43. Paul C. Metcalf. GENOA: A TELLING OF WONDERS
Highlands, 1965
Iconography by Jonathan Williams.

44. Buckminster Fuller. UNTITLED EPIC POEM ON THE HISTORY OF INDUSTRIALIZATION
a. First edition, regular issue:
Highlands: The Nantahala Foundation, 1962
Perfect-bound in printed and illustrated french-fold wrappers and printed glassine dust jacket, 5″ x 7.5″, 227 pages, 2000 copies. Introduction by Russell Davenport. Printed by Heritage Printers in Charlotte. Published as Jargon 44.

a. First edition, numbered and signed issue:
Highlands: The Nantahala Foundation, 1962
Perfect-bound in printed and illustrated french-fold wrappers and printed glassine dust jacket, 5″ x 7.5″, 227 pages, 100 copies. Introduction by Russell Davenport. Printed by Heritage Printers in Charlotte. Published as Jargon 44.

45. Sherwood Anderson. SIX MID-AMERICAN CHANTS
Highlands, 1964
Photographs by Art Sinsabaugh. Preface by Edward Dahlberg. Postface by Frederick Eckman

46. Guy Davenport. FLOWERS AND LEAVES
First edition:
Highlands: The Nantahala Foundation, 1966
Perfect-bound in printed and illustrated french-fold wrappers, 6.25″ x 9.5″, 114 pages. Cover photograph by Ralph Eugene Meatyard. Designed and printed by Andrew Hoyem in San Francisco. Published as Jargon 46.

47. Merle Hoyleman. Letters to Christopher
Introduction by George Marion O’Donnell. Jargon 47 was projected but never published.

48. Lorine Niedecker. TENDERNESS & GRISTLE: THE COLLECTED POEMS (1936-1966)
First edition:
Penland: The Jargon Society, 1968
Perfect-bound in printed and illustrated wrappers, 6″ x 10″, 2000 copies. Plant prints by A. Doyle Moore. Printed by the Falcon Press in Philadelphia. Published as Jargon 48.

49. Alfred Hamilton Starr. POEMS
Penland, 1970
Introduction by Geof Hewitt. Drawings by Philip Van Aver. Photograph by Simpson Kalisher.

50. Doris Ulmann. THE APPALACHIAN PHOTOGRAPHS OF DORIS ULMANN
Penland, 1971
Introduction by John Jacob Nies. Preface by Jonathan Williams.

[n.b. notes have not been made about inclusion of items in archive]


Online Resources:

Jacket Magazine

The Jargon Society


References Consulted:

Bell, Millicent. THE JARGON IDEA
Providence: Brown University, 1963

Bennett, Joy and James Polson. IRVING LAYTON: A BIBLIOGRAPHY 1935-1977
Montreal: Concordia University Libraries, 1979

Butterick, George F. and Albert Glover. A BIBLIOGRAPHY OF WORKS BY CHARLES OLSON
New York: The Phoenix Book Shop, 1967

Jaffe, James S. JONATHAN WILLIAMS: A BIBLIOGRAPHIC CHECKLIST OF HIS WRITINGS, 1950-1988
Haverford: James S. Jaffe Rare Books, 1989

McPheron, William. GILBERT SORRENTINO: A DESCRIPTIVE BIBLIOGRAPHY
Elmwood Park: Dalkey Archive Press, 1991

Morgan, Richard G. KENNETH PATCHEN, AN ANNOTATED DESCRIPTIVE BIBLIOGRAPHY
Mamaroneck: Paul P. Appel – Publisher, 1978

Williams, Jonathan. JARGON AT FORTY: 1951-1991
Buffalo: State University of New York, 1991

Zukofsky, Celia. A BIBLIOGRAPHY OF LOUIS ZUKOFSKY
Los Angeles: Black Sparrow Press, 1969