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Kent Taylor: Contributions to Periodicals

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Section C:
This index includes contributions to periodicals
(Note: sequence within years is alphabetical)

1. THE ALPHA MUSELETTER, Vol. 27, No. 5
Delaware, February 1959
Taylor contribution: “Why”, “Peace” [Taylor’s first appearance]

2. OWL (Ohio Wesleyan Literary Magazine), No. 2
Delaware, n.d. [1961]
Taylor contribution: “Presence”

3. FENN COLLEGE POETRY FORUM WORKSHEETS, No. X
Cleveland, November 1963
Taylor contribution: “A Part of Time”

4. FENN COLLEGE POETRY FORUM WORKSHEETS, No. XI
Cleveland: December 20, 1963
Taylor contribution: “A Part of Time”

5. FREE LANCE, Vol. 7, No. 2
Cleveland, 1963
Taylor contribution: “Duluth”

6. MOTHER, No. 8
Pittsburgh, c. 1963
Taylor contribution: “Alone”, “Again”

7. SILVER CESSPOOL, Vol. 1, edited by d.a. levy
Cleveland, 1963
Taylor contribution: “Jewelry”, “Trite Things”, “Flotsam”, “To D.B.”, “Changing”, “Visions”

8. FREE LANCE, Vol. 8, No. 1
Cleveland, 1964
Taylor contribution: “Foreign”, “Still Times”

9. INPUT, Vol. 1, No. 3
New York, September 1964
Taylor contribution: “Ashes of the Phoenix”

10. INPUT, Vol. 1, No. 4
New York, December 1964
Taylor contribution: “Open Can in a Storm”, “Oct. 19”, “Cleveland Manifesto” (prose)

11. KAURI, No. 2, edited by Will Inman
New York, June-July 1964
Taylor contribution: letter excerpt

12. KAURI, No. 3, edited by Will Inman
New York, July-Aug. 1964
Taylor contribution: [untitled] “Listening for buttons…”, letter excerpt

13. MARRAHWANNA QUARTERLY, Vol. 1, No. 2, edited by d. a. levy
Cleveland, 1964-65
Taylor contribution: “Grandfather’s Speeches”, untitled print

14. RADICAL VOICE, Vol. 1, No. 2
Cleveland, 1964
Taylor contribution: book review

15. SILVER CESSPOOL, Vol. 2, edited by d.a. levy
Cleveland, 1964
Taylor contribution: “Shapes”

16. SILVER CESSPOOL, Vol. 3, edited by d.a. levy
Cleveland, 1964
Taylor contribution: “To The Suicides of the Golden Gate Bridge”

17. SILVER CESSPOOL, Vol. 5, edited by d.a. levy
Cleveland, 1964
Taylor contribution: [untitled] “We watch sponges…”, book review

18. TAMPA POETRY REVIEW, No.3, edited by Duane Locke
Tampa, 1964
Taylor contribution: [untitled] “Razor calling…”

19. 15¢, No. 1
Cleveland, 1965
Taylor contribution: “Dampness”, “Ifs”

20. 15¢, No. 2
Cleveland, 1965
Taylor contribution: “Cleveland”

21. FINE ARTS, Vol. 12, No. 577
Cleveland, 27 June 1965
Taylor contribution: “Duluth”

22. FREE LANCE, Vol. 9, No. 2
Cleveland, 1965
Taylor contribution: “Aug. 31, 1965”, “May 22, 1965”, “Tones” [Note:  these last two poems (“May 22, 1965” and “Tones”) were mistakenly printed as one]

23. GOOSEBERRY, No. 2
Cleveland, 1965
Taylor contribution: “15527 Madison”, [untitled] “Well usually…”, “For d.a. levy and John Cornillon”

24. KAURI, No.8, edited by Will Inman
NY, May-June 1965
Taylor contribution: [untitled] “Yes we must…”, letter excerpt

25. OLE, No. 3, edited by Douglas Blazek
Bensenville, 1965
Taylor contribution: [untitled] “My cat…”

26. PODIUM, Vol. 1, No. 1, edited by Jau Billera
Cleveland, 1965
Taylor contribution: [untitled] “The cliff…”, [untitled] “Oh the face…”

27. POET MEAT, No. 9/10, edited by Dave Cunliffe and Tina Morris
Blackburn, Summer 1965
Taylor contribution: [untitled] “Things are breaking…”

28. TAMPA POETRY REVIEW, No. 4, edited by Duane Locke
Tampa, 1965
Taylor contribution: “Bud”, [untitled] “If the radio…”

29. TAMPA POETRY REVIEW, No. 5, edited by Duane Locke
Tampa, 1965
Taylor contribution: “April 4”

30. TAMPA POETRY REVIEW #6, edited by Duane Locke
Tampa, 1965
Taylor contribution: “March 25, 1965”, “March 15, 1965”

31. BEGINNING, No. 1 , edited by Joe Walker
Cleveland, 1966
Taylor contribution: “Prospect Avenue”, “December 1-2, 1965”, “Events: Oct 15, 1965 , Cleveland”

32. EARTH, No. 2
Santa Monica, 1966
Taylor contribution: [untitled] “Books of numbers…”, [untitled] “The time the things…”

33. EIGHT PAGER, Series 1,  Part 2, edited by D.r. Wagner
New York, 1966
Taylor contribution: [untitled] “Memories crushing…”, “January 10, 1966”, “Feb. 10, 1966”

34. HIKA, Vol. 29, No. 1
Gambier, Fall 1966
Taylor contribution: “8-27-66”, “9-19-66”

35. KAURI, No. 12, edited by Will Inman
NY, January-February 1966
Taylor contribution: letter excerpt

36. MARRAHWANNA QUARTERLY, Vol. 2, No. 1, edited by d. a. levy
Cleveland, 1966
Taylor contribution: “May 6, 1965”, “November 18, 1965”, “Aug. 22, 1965”

37. MARRAHWANNA QUARTERLY, Vol. 2, No. 3, edited by d. a. levy Cleveland, 1966
Taylor contribution: [untitled] “Boohoo…” [Joan Taylor co-author]

38. MOONSTONES, Vol. 1, No. 2, edited by D.r. Wagner
Sacramento, 1966
Taylor contribution: “7-13-66” [Taylor guest edited the Cleveland section]

39. POETS AT THE GATE, Vol. 1, No. 1, edited by d. a. levy
Cleveland, March 1966
Taylor contribution: [untitled] “My poems are…”, [untitled] “Tonight some…”

40. POETS AT THE GATE, Vol. 1, No. 2, edited by d. a. levy
Cleveland, April 1966
Taylor contribution: [untitled] “Pieces of me…”

41. POETS AT THE GATE, Vol. 1, No. 4, edited by d. a. levy
Cleveland, July 1966
Taylor contribution: “A Call to Arms”

42. POTPOURRI, No. 7/8
Milwaukie, Summer 1966
Taylor contribution: “Road Land”

43. SUM, No. 1, edited by Carl Woideck
Lakewood, 1966
Taylor contribution: “Aug 2, 1965″, [untitled] “Pressures in the head…”, [untitled] “Chimney apartments…”

44. SUM, No. 2, edited by Carl Woideck
Lakewood, 1966
Taylor contribution: “John Handy’s Spanish Lady”

45. TAMPA POETRY REVIEW, No. 7, edited by Duane Locke
Tampa, 1966
Taylor contribution: [untitled] “Tables and eternity…”, “June 30, 1965”

46. TAMPA POETRY REVIEW, No. 8, edited by Duane Locke
Tampa, 1966
Taylor contribution: “Feb. 5, 1966”, “Feb. 14, 1966”, “December 25, 1965”

47. TAMPA POETRY REVIEW, No. 9, edited by Duane Locke
Tampa, 1966
Taylor contribution: “East to Cleveland”, “For the Living”, “3-5-66”, “3-25-66”, “The Seasonal Man”

48. WORMWOOD REVIEW, Vol. 6, No. 3, Issue 23, edited by Marvin Malone
Storrs/Stockton, August 1966
Taylor contribution: “Clear and Cold”, “Aug. 7, 1965”

49. ASSASSINATORS BROADSHEET, No. 1
Surrey, 1967
Taylor contribution: “7-13-66″, [untitled] “Panhandlers…”, [untitled] “Winter chimes…”

50. CONGRESS, No. 3, edited by Sam Seiffer
Bronx, 1967
Taylor contribution: [untitled] “My wife’s holier…”, “For K”, “4-5-67”

51. FREE LOVE PERIODICALLY, No. 1
Cleveland, 1967
Taylor contribution: “8-15-66”

52. FREE LOVE PERIODICALLY, No. 2
Cleveland, 1967
Taylor contribution: “Words”, “4-16-67”

53. GRIST, No. 10, edited by John Fowler
Lawrence, 1967
Taylor contribution: “4-11-66”

54. GRONK, No. 6/7, edited by bp Nichol
Toronto, 1967
Taylor contribution: untitled collage

55. MARRAHWANNA QUARTERLY, Vol. 3; No. 1, edited by d. a. levy
Cleveland, 1967
Taylor contribution: “11-30-66”, book review

56. MARRAHWANNA QUARTERLY, Vol. 3, No. 2, edited by d. a. levy
Cleveland, 1967
Taylor contribution: “Clear and Cold”, [untitled] “My cat caught…”, “East to Cleveland”, [untitled] “If the radio…”, “Atro-City”, “Road Land”, “A Call to Arms”, “I Feel Like Seven Days”, “9-4-66”

57. MARRAHWANNAH NEWSLETTER, No. 2, edited by d. a. levy
Cleveland, 1967
Taylor contribution: “Up Down Timothy Leary”, “Anti-Chant”

58. OLE, No. 7, edited by Douglas Blazek
Bensenville, 1967
Taylor contribution: seven book reviews

59. RUNCIBLE SPOON, edited by D.r. WAGNER and Barbara O’Connelly
Carmichael, 1967
Taylor contribution: “10-12-66”

60. RUNCIBLE SPOON, No. 7 , edited by D.r. WAGNER and Barbara O’Connelly
Carmichael, n.d. [c. 1967]
Taylor contribution: “Death of an Amusement Park”

61. SUM, No. 3, edited by Carl Woideck
Lakewood, 1967
Taylor contribution: “3-18-68 (for Jack Kerouac)”

62. TAMPA POETRY REVIEW, No. 10, edited by Duane Locke
Tampa, 1967
Taylor contribution: “The Change”, “9-4-66”

63. TAMPA POETRY REVIEW, No. 12, edited by Duane Locke
Tampa, 1967
Taylor contribution: “6-4-66”,  “Visits”, “Cleveland Falling”

64. THE WILLIE, No. 1
San Francisco, Summer 1967
Taylor contribution: “8-29-66”, “11-3-66”

65. ASYLUM, No. 6
Bootle, October 1968
Taylor contribution: “4-22-68”, “8-13-67”

66. GRIST, No. 11, edited by John Fowler
Lawrence, 1968
Taylor contribution: “Trip to Niagara”

67. THE LITTLE MAG, Vol. 1, No. 1
Niagara Falls, [1968]
Taylor contribution: “2-4-68”, “9-27-67”

68. TAMPA POETRY REVIEW, No. 14, edited by Duane Locke
Tampa, 1968
Taylor contribution: [untitled] “Clouds like…”

69. THE WILLIE, No. 2
San Francisco, Spring 1968
Taylor contribution: “5-12-66”, “Trip to Niagara”, “4-15-67”, “8-7-67”

70. ASPHODEL BOOK SHOP CATALOGUE #22
Cleveland, May 1969
Taylor contribution: “The Western Poem”

71. FREE LANCE, Vol. 13, Nos. 1&2
Cleveland, 1969
Taylor contribution: “Adelaide Simon”

72. MEATBALL, No. 1, edited by Joel Deutsch
San Francisco, May 1969
Taylor contribution: “9-26-68”, “For J.”, “12-29-68 Cleveland”, “2-23-69”

73. QUIXOTE, Vol. 4, No. 8
Madison, Spring 1969
Taylor contribution: “10-8-67”, “9-6-68”

74. SATTVAS REVIEW, No. 1, edited by Franklin W. Osinski
Cleveland, Fall 1969
Taylor contribution: “5-26-68”, “8-19-68”, “9-23-68”, “1-10-69”, “2-15-69”, “2-8-69”

75. UP:JUT [AKA POTATO]
Seattle, January 1969
Taylor contribution: “4-29-68”, “7-26-68”, “11-9-68”

76. AMERICAN REVOLUTION, Part 2
Los Angeles, 1970
Taylor contribution: “3-18-68 (for Jack Kerouac)”

77. ANN ARBOR REVIEW, No. 8/9
Ann Arbor, 1970
Taylor contribution: “U.S. #1”, “Harbor Inn Blues”

78. SATTVAS REVIEW, No. 2, edited by Franklin W. Osinski
Cleveland, Spring 1970
Taylor contribution: “7-14-68”, “12-22-69”

79. SECOND AEON, No. 12, edited by Peter Finch
Cardiff, 1970
Taylor contribution: “5-26-70”, “1-27-70”

80. SHADED ROOM, No. 1
Pittsburgh, March 1970
Taylor contribution: “Driving to Meet My Son”, “6-24-69”, “10-26-69”, “5-8-69”, “1-29-69”

81. TAMPA POETRY REVIEW, No. 19, edited by Duane Locke
Tampa, 1970
Taylor contribution: [untitled] “Old pain…”

82. ASPHODEL BOOK SHOP CATALOGUE, No. 27
Cleveland, February 1971
Taylor contribution: “Postcard to a Friend and My Son”

83. GLASS ONION, No. 1, edited by Roger Edwards
Together Publications, [1971]
Taylor contribution: [untitled] “The years have…”

84. MEATBALL, No. 8, edited by Joel Deutsch
San Francisco, 1971
Taylor contribution: “8-30-69”, “Lines Written a Few Hours before Learning that d.a. levy Had Shot Himself to Death”

85. SECOND AEON, No. 13, edited by Peter Finch
Cardiff, 1971
Taylor contribution: “The Western Poem”

86. ASPHODEL BOOK SHOP CATALOGUE, No. 31
Cleveland, February 1972
Taylor contribution: “Poem for a Wilting Flower”

87. SECOND AEON, No. 14, edited by Peter Finch
Cardiff, 1972
Taylor contribution: “6-7-70”, “10-25-70”

88. ASPHODEL BOOK SHOP CATALOGUE, No. 35
Burton, March 1973
Taylor contribution: “11-29-72”

89. SECOND AEON, No. 16/17, edited by Peter Finch
Cardiff, 1973
Taylor contribution: “San Jose – San Francisco”, “1-2-72”

90. INVISIBLE CITY, No. 16/17
Fairfax, June 1975
Taylor contribution: “To a Son Who Followed”

91. VAGABOND, No. 21, edited by John Bennett
Ellensburg, Nov. 1975
Taylor contribution: “The Academy Awards”, “Reunion”, “November 1974”, “2-7-74”, “5-28-72”

92. VAGABOND, No. 23/24, edited by John Bennett
Ellensburg, Spring 1976
Taylor contribution: “10-1-68”, “3-13-69”, “For Pam”, “11-10/11-25-73”, “Travel Notes”

93. VAGABOND, No. 25, edited by John Bennett
Ellensburg, Jan-Mar. 1977
Taylor contribution: “Round Trip from San Francisco”

94. VAGABOND, No. 27, edited by John Bennett
Ellensburg, Spring 1978
Taylor contribution: “3-17-78”, “1-2-78”, “Autumn”

95. ILHA DO DESTERRO, Vol. 1 , Nos. 2&3
Florianopolis, Brazil, 1979
Taylor contribution: “10-1-68”, plus commentary

96. SCREE, No. 13/14, edited by Kirk Robertson
Fallon, 1979
Taylor contribution: “9-23-77”, “To my Father”, “Enchantment with Plants”, “1-29-78”, “5-24-78”, “Ten Years Later”, “7-9-68”

97. VAGABOND, No. 29, edited by John Bennett
Ellensburg, Winter 1979
Taylor contribution: “The Cleveland Underground Poetry Scene: A Personal Reminiscence” (prose), “10-21-78”, “10-24-78”

98. PROCTOR BULLETIN, Vol. 3, No. 2
San Francisco, June 1980
Taylor contribution: “6-11-79”

99. PROCTOR BULLETIN, Vol. 3, No. 3
San Francisco, September 1980
Taylor contribution: “Dawn”

100. LIMBERLOST REVIEW, No. 9
Albuquerque, 1981
Taylor contribution: “3-31-69”

101. SUISUN VALLEY REVIEW, No. 1
Solano Community College, Spring 1981
Taylor contribution: “Silhouette”

102. UCSF JOURNAL, Vol. 5, No. 3
San Francisco, 1981
Taylor contribution: “Days of Smoke/Lightning Nights”, “Family Matters”

103. ALLY
Santa Cruz, 1982
Taylor contribution: “6-11-79”, “Lightning Nights”, “For My Mother”

104. TRANSOM, Vol. 2, No. 1
Metuchen, Spring 1982
Taylor contribution: “8-31-81”, “7-18-80”, “Contrivance for Bad Weather”, “Letter to Home”, “Star Shadows”

105. ALLY
Santa Cruz, 1983
Taylor contribution: “1-1-77”, “9-23-79”

106. SCREE, No. 22/23, edited by Kirk Robertson
Fallon, 1983
Taylor contribution: “Downtown”, “1-4-82”, “Delivery”, “Negatives”

107. ALLY
Santa Cruz, 1984
Taylor contribution: “Summer History”, “Cleveland”, [untitled] “Your unread pages…”

108. SYNAPSE, Vol. 28, No. 30
San Francisco, May 1984
Taylor contribution: “Silhouette”

109. ALLY
Santa Cruz, 1985
Taylor contribution: “Passage”

110. CREAM CITY REVIEW, Vol. 10, No. 1
Milwaukee, 1985
Taylor contribution: “Proofreader”

111. ABRAXAS, No. 34, edited by Ingrid Swanberg
Madison, 1986
Taylor contribution: “For the Destroyed Poets of Ohio”, “Family Matters”, “7-18-83”, “Heading North”, “A Belated Touche for d.a. levy”, “4 A.M.”

112. COW IN THE ROAD, Vol. 1, No. 1
San Jose, Winter 1986
Taylor contribution: “Survey”

113. COW IN THE ROAD, Vol. 1, No. 2
San Jose, Spring 1986
Taylor contribution: “Ode to Age 40”, “I-280”, “San Francisco/San Jose”

114. TAPROOT, First Series, No. 3
Cleveland Heights, 1986
Taylor contribution: “San Francisco Bus Depot”

115. ABRAXAS, No. 35/36, edited by Ingrid Swanberg
Madison: 1987
Taylor contribution: “Buying Groceries”, “Bay Bridge”, “N-Judah”

116. ASPHODEL BOOK SHOP CATALOGUE, No. 117
Burton, December 1987
Taylor contribution: “Returning to Cleveland with an Olive Branch”

117. WIDENER REVIEW, No. 4
PA , 1987
Taylor contribution: “Photograph of a Stranger”, “Graduation Postscript”, “To My Son”

118. PINCHPENNY, Vol. 9, No. 1
Sacramento, 1988
Taylor contribution: “Challenger”, brief commentary on VAGABOND magazine

119. THE QUARTERLY, No. 5, edited by Gordon Lish
New York, Spring 1988
Taylor contribution: “Escape”, “The Killer”, “For Janine at Six Months”, “Excuse”, “Dead Reckoning”

120. THE QUARTERLY, No. 6, edited by Gordon Lish
New York, Summer 1988
Taylor contribution: “What Happened to My Mother”, “Prisoner”

121. SWAMP ROOT, Vol. 1, No. 1, edited by Al Masarik
Jacksboro, January 1988
Taylor contribution: “Late Show”, “Art Pepper”, “Silhouette”

122. SWAMP ROOT, Vol. 1, No. 2/3
Jacksboro, December 1988
Taylor contribution: “Chasing Helen”, “Dancer”, “Silence”, “Pantomime at My Wife’s Grave”, “Solo”, “Ordinary Stars”, “April”, “Fugitive”, “Requiem”, “Lifelines”, “Returning to Cleveland with an Olive Branch”, “Carnival Masks”, “Passing Time”, “March” [Taylor is the featured poet for this issue.]

123. TOOK, Vol. 1, No. 16, edited by Ed Mycue
San Francisco, 1988
Taylor contribution: “8-3-81”, “February Song”, “7-18-80”

124. ABRAXAS, No. 37, edited by Ingrid Swanberg
Madison: 1989
Taylor contribution: “One-Way”, “Note to My Wife”

125. CANCER SUPPORT COMMUNITY NEWSLETTER
San Francisco, Fall 1989
Taylor contribution: “Silence”

126. PAINTED BRIDE QUARTERLY, No. 36
Philadelphia, 1989
Taylor contribution: “Lifelines”, “There was Too Much to Hold”, “Lightning Bugs”

127. SWAMP ROOT, Vol. 1, No. 4
Jacksboro, 1989
Taylor contribution: “Flooding the Labyrinth”, “Hide-and-Seek”

128. BEVEAVEMENT FAMILY SERVICES NEWSLETTER, Vol. 12, No. 3
Corte Madera, 1990
Taylor contribution: “Pantomime at My Wife’s Grave”

129. SWAMP ROOT, Vol. 1, No. 5
Jacksboro, Winter/Spring, 1990
Taylor contribution: “Calendar”, “Cleaning the Wound”

130. SWAMP ROOT, Vol. 1, No. 6
Jacksboro, Summer/Fall 1990
Taylor contribution: “Murmurs”, “Commentator In”, “Stupid Questions”

131. ABRAXAS, No. 40/41, edited by Ingrid Swanberg
Madison: 1991
Taylor contribution: “Creatures of Habit”, “Jamais Vu”

132. THE FOLD, No. 1
San Francisco, Winter 1991
Taylor contribution: “Between the Lines”, “No Plans”

133. ONTHEBUS, Issue 6/7
Los Angeles, Winter/Spring 1991
Taylor contribution: “Waiting for Morning”

134. PEARL, No. 13
Long Beach, Spring/Summer 1991
Taylor contribution: “View from a Junk-Food Emporium”

135. SNAKESKIN, edited by Angi Lowry
Chicago: Anaconda press, 1991
Taylor contribution: “Offering”

136. ASPHODEL BOOK SHOP CATALOGUE, No. 149
Burton, August 1992
Taylor contribution: “Fourth of July at Ocean Beach”

137. ASTARTE, Vol. 1, No. 1
Boulder, 1992
Taylor contribution: “Shedding a Chimera”

138. BOMBAY GIN, Vol. 2, No. 2
Boulder , Summer 1992
Taylor contribution: “March Breakdown”

139. LISTENING EYE, edited by Grace Butcher
Geauga, 1992
Taylor contribution: “December”

140. F/X, Vol. 1, No. 1
Fort Collins, 1993
Taylor contribution: “Occupational Hazard”, “Boomerang”

141. GRIST ON-LINE, No. 3
New York, December 1993
Taylor contribution: “Keeping up with the Jonses”, “Fourth of July at Ocean Beach”, “Trip to Niagara” [These poems appear in both print and on-line formats.]

142. LISTENING EYE, edited by Grace Butcher
Geauga, 1993
Taylor contribution: “Changing Weather”

143. MAN ALIVE!, No. 5
Calverton, 1993
Taylor contribution: transcription of taped comments on d.a.levy [many errors]

144. RAIN CITY REVIEW, Vol. 1, No. 2
Portland, Spring 1993
Taylor contribution: “Test Site”, “Drunk in the Loom”

145. RED CEDAR REVIEW OF COLORADO,  No. 2
Louisville, 1993
Taylor contribution: “Blackout”, “Visitation”, “Spellbound”, “Monsters”

146. RED CEDAR REVIEW OF COLORADO, No. 3
Louisville, 1993
Taylor contribution: “Quick Change”

147. RED CEDAR REVIEW OF COLORADO, No. 5
Louisville, 1993
Taylor contribution: “Tabula Rasa”, “42 and Counting”

148. CAPRICE
Wichita, June 1994
Taylor contribution: “Rapture”, “Bargaining with the Millennium”

149. CORACLE POETRY, No. 1
Berkeley, Winter 1994
Taylor contribution: “Librarian”

150. LISTENING EYE, edited by Grace Butcher
Geauga, 1994
Taylor contribution: “A Plea to the Dead for Forgiveness”, “Jack-O-Lantern”

151. MA!, No. 6 
Calverton, 1994 [formerly MAN ALIVE!]
Taylor contribution: “Keeping up with the Jonses”

152. RAIN CITY REVIEW, Vol. 2, No. 4
Portland, Spring/Summer 1994
Taylor contribution: “Full Disclosure”, “Bone Music”

153. ATOM MIND, Vol. 4, No. 16
Albuquerque, Spring 1995
Taylor contribution: “Billie Holiday”, “Inner Sunset”

154. LISTENING EYE, edited by Grace Butcher
Geauga, 1995
Taylor contribution: “Occupational Hazard”, “Night Physics” [original version]

155. THE QUARTERLY, No. 30, edited by Gordon Lish
New York, Summer 1995
Taylor contribution: “Night Physics” [edited version]

156. LISTENING EYE, edited by Grace Butcher
Geauga, 1996
Taylor contribution: “Brain Tumor”

157. ONE TRICK PONY, No. 2, edited by Louis McKee
Philadelphia, Fall 1997
Taylor contribution: “Sanctuary”, “Low Clouds along the Coast”

158. RAIN CITY REVIEW, Vol. 2, No. 8
Portland, Winter/Spring 1997-1998
Taylor contribution: “Boomerang”

159. ASPHODEL BOOK SHOP CATALOGUE, No. 192
Burton, October 1998
Taylor contribution: “Waiting for Weldon”

160. BARD, No. 6, 24-7 Magazine Supplement
Providence, 1998
Taylor contribution: “Out of Time”

161. LUCID MOON, No. 31
Hampton, March 1999
Taylor contribution: “Bone Music”, “Full Disclosure”, “Chasing Helen”, “Night Physics”
[Titles of last two poems reversed.]

162. RATTAPALLAX, No. 2, edited by George Dickerson
New York, 1999
Taylor contribution: “Outpost”

163. SAY YES, Vol. 1, No. 1
Sacramento, 1999
Taylor contribution: “Incident in the N-Judah Tracks”, “White Night Blues”

164. RATTAPALLAX, No. 3, edited by George Dickerson
New York, 2000
Taylor contribution: “Flying through a Storm with James Wright”

165. RATTAPALLAX, No. 4, edited by George Dickerson
New York, 2000
Taylor contribution: “Drawing Blood”

166. RATTLE, Issue 14, Vol. 6, No. 2, edited by Alan Fox
Sherman Oaks, Winter 2000
Taylor contribution: “Out of Time”, “Deficits”

167. ONE TRICK PONY, No. 6
Philadelphia, Fall 2001
Taylor contribution: “Talking to Helen”, “Reply to a Scented Letter”

168. RATTAPALLAX, No. 5, edited by George Dickerson
New York, 2001
Taylor contribution: “Turning 57”, “Late Show at the Starlight Laundry”

169. RATTLE, Issue 15, Vol. 7, No. 1, edited by Alan Fox
Sherman Oaks, Summer 2001
Taylor contribution: “Seeing Things”

170. BOOG CITY, Issue 3, edited by David Kirschenbaum
New York City, February-March 2002
Taylor contribution: “Not Quite Janine”

171. ONTHEBUS, Issue 17/18
Los Angeles, 2002
Taylor contribution: “Brain Tumor”

172. JEFF MASER – BOOKSELLER, List No. 36
Richmond, November 2004
Taylor contribution: “Wake”, “For Nick Gabaldon”

173. THEE FLAT BIKE, No. 1, edited by Matthew Wascovich
Cleveland, 2004
Taylor contribution: “The Opposite of Hallucinating”, “Waiting for Weldon”, “Up in the Air”, “Airmail”, “Signaling Jim”

174. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 48, edited by Michael Mann
St. Paul, November, 2004
Taylor contribution: “Vegas”

175. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 49, edited by Michael Mann
St. Paul, January, 2005
Taylor contribution: “Slow Learner”

176. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 50, edited by Michael Mann
St. Paul, March 2005
Taylor contribution: “Loose Ends”

177. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 53, edited by Michael Mann
St. Paul, October 2005
Taylor contribution: “Christmas”

178. UNARMED-ADVENTUROUS POETRY JOURNAL #55, edited by Michael Mann
St. Paul, October 2005
Taylor contribution: “Keeping Warm”

179. ABRAXAS, No. 44/45, edited by Ingrid Swanberg
Madison, 2006
Taylor contribution: “Flying through a Storm with James Wright”

180. BOTTLE, No. 4, edited by Bill Roberts
Dover, 2006
Taylor contribution: “Night Physics”

181. BOTTLE, No. 5, edited by Bill Roberts
Dover, 2007
Taylor contribution: “Calling Cards”

182. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 60, edited by Michael Mann
St. Paul, 2009
Taylor contribution: “Ready or Not”

183. UNARMED-ADVENTUROUS POETRY JOURNAL,  No. 61, edited by Michael Mann
St. Paul, 2009
Taylor contribution: “Lately”

184. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 63, edited by Michael Mann
St. Paul, April 2011
Taylor contribution: “Close Parenthesis”

185. MISER MAGAZINE, No. 5, edited by Nicole Hennessy and Lauren Dulay
Lakewood, June 2013
Taylor contribution: “What’s Left”

186. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 66, edited by Michael Mann
St. Paul, February 2014
Taylor contribution: “What’s Left”

187. BIG HAMMER, #19, edited by Dave Roskos
Island Heights: Iniquity Press/Vendetta Books, February 2017
Taylor contribution: “Woman at a Mental Health Clinic” (haiku)

188. HAIKUS, NEARKUS, FAUXKUS, FUCKYOUS, #1, edited by Thom Bakelas
Taylor contribution: Denville NJ, Between Shadows Press, 2021
75 copies
Taylor contribution: “Ann’s Answer”, “Thinking Of Cuz”, “Actuarial Tables”

189. PERIODICALS, #1, edited by Lucy Wilkinson
Manchester/Glasgow, Death Of Workers Whilst Building Skyscrapers Press, 2022
250 copies
Taylor contribution: “Late Show At The Starlight Laundry”

Kent Taylor: Books and Broadsides

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Section A:
This index includes books and other separate publications

1. Taylor, Kent. SELECTED POEMS
First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5” x 8.5”, 20 pages, letterpress printed by d.a. levy. Cover art by d.a. levy. (T&H P-14)


2. Taylor, Kent. ALEATORY LETTERS
First edition:
Cleveland: Renegade Press, November 1964
Side-stapled sheets bound in to printed and illustrated wrappers, 14 pages, 57 numbered copies, letterpress printed by d.a. levy and Kent Taylor. Linoleum block prints by Kent Taylor. (T&H P-39)

3. Taylor, Kent. FORTUITONS MOTHERFUCER (with d.a. levy)
a. First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers with newspaper insert, 5.75″ x 8.5″, 10 pages, 75 copies, letterpress printed by d.a. levy. Note: cover variants exist in two different sizes and two different colored cover stocks. (T&H P-63)

levy_fortuitonsb. Facsimile edition:
Toronto: Letters Bookshop, 1995
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 10 pages, 30 numbered copies, photocopy. 



4. [Polluted Lake Series] Taylor, Kent. “MIST…“
polluted04First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 5.5″ x 4.5″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 4.
(T&H P-46)

5. [Ohio City Series]  Taylor, Kent. “OVER…“
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 3.5″, 14 pages, letterpress and mimeograph printed by d.a. levy. Published as Ohio City Series, No. 2. (T&H P-65)

6. Taylor, Kent. LATE STATIONS
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled sheets bound in to illustrated wrappers, 5.5″ x 8.5″, 21 pages, 200 copies, letterpress and mimeograph printed by d.a. levy. Cover linoleum block print by Carl Woideck, introduction by d.a. levy.
(T&H P-76)

7. Taylor, Kent. SHITSHEET
First edition:
(Niagara Falls): (d.r. wagner), 1966
Broadside.
“JANUARY 19, 1966”, “FEBRUARY 10, 1966”
[not in archive]

8. Taylor, Kent. TORN BIRDS
First edition:
San Francisco: Black Rabbit Press, May 1969
Side-stapled and bound in silk-screened wrappers, 8.5″ x 11″, 48 pages, 500 copies, mimeograph printed. Cover art and introduction by T.L. Kryss, blurb by d.a. levy.

9. Taylor, Kent. CLEVELAND DREAMS
First edition:
Cardiff, Wales: Second Aeon Publications, 1971
Saddle-stapled in printed and illustrated wrappers, 5″ x 8.25″, 16 pages, 500 copies, offset printed. Cover art by Rebecca Morales.


10. Taylor, Kent. SHIT OUTSIDE WHEN EATING BERRIES
First edition:
Cleveland: Black Rabbit Press, August 1971
Side-stapled in silkscreen cover, 8.5″ x 11″, 32 pages, 268 copies, mimeograph printed.



11. Taylor, Kent. EMPTY GROUND
First edition:
Cleveland: Black Rabbit Press, Winter 1976
Side-stapled and bound in silkscreened wrappers, 6.75″ x 8.75″, 28 pages, 133 copies, mimeograph printed. Cover art by Carolyn Kryss.

12. Taylor, Kent. DRIVING LIKE THE SUN
First edition:
Ellensburg: Vagabond Press, 1976
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 36 pages, offset printed. Cover design by Cindy Bennett. Published as Vagabond Chapbook 6.

13. Taylor, Kent. LATE SHOW AT THE STARLIGHT LAUNDRY
First edition:
Cleveland: Black Rabbit Press, August 1989
Side-stapled and bound in silkscreened wrappers, 6.5″ x 9.5″, 40 pages, xerography printed. Cover art by T.L. Kryss. Illustrations by Carolyn Kryss.


14. Taylor, Kent. RABBITS HAVE FLED
First edition:
Cleveland: Black Rabbit Press, January 1991
Side-stapled in silkscreened wrappers, 5″ x 6.5″, 24 pages, xerography printed. Cover art by Carolyn Kryss. Photograph by John Bennett.


15. Taylor, Kent. NIGHT PHYSICS
First edition:
Vancouver, WA: Kirpan Press, 2002
Side-stapled in printed cover, 75 numbered and signed copies.

16. Taylor, Kent. SOMETHING ABOUT FLOWERS
First edition:
Buffalo: University of Buffalo, December 2002
Folded broadside, 5.5″ x 8.5″, 2000 copies, offset printed. Illustrated by d.a. levy. Printed as part of the University of Buffalo Holiday Broadside series: fourth series, number four.

17. Taylor, Kent. ADMISSIBLE EVIDENCE (RANDOM SIGHTINGS)(with d.a.levy)
First edition:
Vancouver, WA: Kirpan Press, 2003
Side-stapled, 100 numbered copies, includes audio CD of Taylor and levy reading.

18. Taylor, Kent. NOT QUITE JANINE
First edition:
Berkeley: Jeff Maser Bookseller, 2003
Broadside, 126 copies, printed by Ann Rosener at Occasional Works in Menlo Park as part of the 911 Camelia Street broadside series.

19. Taylor, Kent. JAMES R. LOWELL MEMORIAL CARD
First edition:
Cleveland: Feb., 2004
“SIGNALING JIM”

20. Taylor, Kent. CHASING HELEN
First edition:
Kent: Costmary Press, April 2004
Broadside, 5″ x 8.5″,40 numbered copies, letterpress printed.



21. Taylor, Kent. REMAINS TO BE SEEN
First edition:
Pasadena,CA: verdant press, 2004
Broadside, printed in an edition of 126 copies (100 numbered and 26 lettered and signed), printed for Jeff Maser on the occasion of the 2004 San Francisco Antiquarian Book Fair printed in two colors. verdant press broadside number seven.

22. Taylor, Kent. REFUSING THE LEDGE
First edition:
Charlestown: Black Rabbit Press, May 2004
Saddle-stapled in illustrated wrappers, 5.5″ x 8.5″, 32 pages, 75 copies. Dedication: “for Jim”.



23. Taylor, Kent. DAYS OF ENDLESS NIGHTS
First edition:
Vancouver, WA:Kirpan Press, 2005
Stapled sheets glued into printed wrappers, 60 numbered copies. Eleven poems, cover image by Alan Horvath, author photo by Cindy Marx. Includes a bibliography of author’s books.

24. Taylor, Kent. LOOKING FOR D.A LEVY(RANDOM SIGHTINGS) – THE D.A.LEVY BIBLIOGRAPHY – VOLUME 1 [1963-1966], with Alan Horvath
First edition:
Vancouver, WA: Kirpan press, 2006
Comb bound, laser printed. 70 copies.

25. Taylor, Kent. CONNECTING THE DOTS
First edition:
Dover: Bottle of Smoke Press, 2006
Broadside. Designed and printed by Bill Roberts for the friends of Bottle of Smoke Press and published on the occasion of levyfest in Cleveland, Ohio on October 28 & 29, 2006.

26. Taylor, Kent. LOOKING FOR D.A LEVY(RANDOM SIGHTINGS) – THE D.A.LEVY BIBLIOGRAPHY – VOLUME 2 [1967-1968], with Alan Horvath
First edition:
Vancouver, WA: Kirpan Press, 2006
Comb bound, laser printed. 75 copies. Cover silkscreen by Tom Kryss.

27. Taylor, Kent. BEDTIME STORY
First edition:
Vancouver, WA: Kirpan Press, 2008
Card-broadside. 80 copies, 15 signed and numbered.

28. Taylor, Kent. ODE TO LIFE
First edition:
Vancouver & Cleveland: Kirpan Press & Black Rabbit Press, 2008 Broadside. Published as card #12 from “STORIES FROM THE FLATS” broadside series. Cover by Tom Kryss, envelope by Alan Horvath.

29. Taylor, Kent. BLACK SOOT IN WHITE SNOW
First edition:
Vancouver, WA: Kirpan Press, 2009
Comb bound, photographs and afterword by Taylor. 70 numbered copies, 15 signed.

30. Taylor, Kent. PALIMPSEST
First edition:
Vancouver: Kirpan Press, 2009
Broadside, 80 copies. Illustrated with a collage by Taylor titled “Girl in Black Stockings”. Published as #39 in “Stories From The Flats Broadside Series 2”.

31. Taylor, Kent. NIGHT PHYSICS
First edition:
Caracas, Venezuela: 48th Street Press, June 2014
Broadside, 20 signed numbered copies. Published by Christopher Byck.

32. Taylor, Kent. WAITING FOR WELDON
First edition:
Caracas, Venezuela: 48th Street Press, June 2014
Broadside, 20 signed numbered copies. Published by Christopher Byck.

33. Taylor, Kent. SOLID FLESH FOR FOOD #2
First edition:
Leicester: Solid Flesh For Food Press, 2016
Published under an imprint of Concrete Meat Press. 26 numbered copies, one author’s copy, and some unnumbered copies.

34. Taylor, Kent. MEDICAL RECORDS
San Diego: Poems-For-All, 2017
Published as #1548 in the Poems-For-All series edited by Robert Hansen

35. Taylor, Kent. DEATH IS IN THE HOUSE TONIGHT
Manchester: Death of Workers Whilst Building Skyscrapers, 2018
Photos by Evans Kati and Tom Jarmusch. Book design, bound and sewn by Lucy J. Wilkinson.

36. Taylor, Kent. A BELATED TOUCHE FOR D A LEVY
San Diego:Poems-For-All. 2018
Published as #1740 in the Poems-For-All series by Robert Hansen

37. Taylor, Kent. HAIKU FOR D.A.
San Diego: Poems-For-All, 2019
Published as #1853 in the Poems-For-All series edited by Robert Hansen

38. Taylor, Kent. “LINES WRITTEN A FEW HOURS BEFORE LEARNING THAT D.A. LEVY HAD SHOT HIMSELF TO DEATH” 
Manchester: Death of Workers Whilst Building Skyscrapers Press, 2019
Broadside, 30 copies. Photograph by Tom Jarmusch. Designed and bound by Lucy Wilkinson.

39. Taylor, Kent. ASHES SCATTER OVER THIS CITY
Denville N.J.:Between Shadows Press, 2021
100 copies. edited by Tohm Bakelas

40 Taylor, Kent. “RESOLUTION“
Denville NJ, Between Shadows Press, 2022
Broadside, 20 copies, edited by Tohm Bakelas

d.a. levy: Publications Edited and Published

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Section D:
This index includes publication edited and published by d.a. levy (excluding periodicals and serial publications: see Section E)

1. levy, d.a. FRAGMENTS OF A SHATTERED MIRROR
levy_fragmentsFirst edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 44 pages, 100 numbered and signed copies, letterpress printed by d.a. levy. The poet’s first book. (T&H P-01)

2. levy, d.a. VARIATIONS ON FLIP
First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 36 pages, 100 numbered and signed copies, letterpress printed by d.a. levy. (T&H P-02)


3. levy, d.a. MORE WITHDRAWED OR LESS
levy_morewitha. First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 36 pages, 100 numbered and signed copies, letterpress printed in multiple colors by d.a. levy.
(T&H P-03)

b. Second printing, revised:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 21 pages, 100 copies, signed, letterpress printed by d.a. levy. (T&H P-16)

This printing includes poems in a different sequence than the first printing, plus one additional poem.

4. Beck, George Robert. DREAMS AT THE TEA-TABLE
First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 32 pages, 100 numbered copies, letterpress printed by d.a. levy. (T&H P-04)


5. Billera, Jau. PURGATORY AND CAROUSELS
Second edition, first printing thus:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 40 pages, letterpress printed by d.a. levy. Cover art by d.a. levy. (T&H P-05)

This Renegade Press edition reprints the first section titled Purgatory and Carousels from the Free Lance Press edition of the same title printed in 1963; this edition also adds a new section, not in the first, titled Carousels.

6. Morris, Richard Allen. BRUSHED POEMS & A LITTLE PUTSCH
Second edition, first printing thus:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages, letterpress printed by d.a. levy. Cover art by d.a. levy. (T&H P-06)

This Renegade Press edition is a second printing after a self-published first printing by Morris in Pacific Beach, California.

7. Atkins, Russell. OBJECTS 2
a. First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 28 pages, letterpress printed by d.a. levy. Cover art by d.a. levy. (T&H P-07)

This Renegade Press edition includes three poems that appear in Objects (Eureka: Hearse Press, 1960) but is otherwise a different collection.

b. Second printing, revised:
Cleveland: Renegade Press, 1964
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 20 pages, letterpress printed by d.a. levy. (T&H P-17)

This  printing has the sequence of poems changed from the first printing, plus added one poem.

8. Czaban, Jr., Lester. NIGHT GARDEN *
First edition:
Cleveland: Renegade Press, 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. Published as the first “Un-‘Pop Art’ Postcard”. (T&H P-09)

9. levy, d.a. A STUDY IN AERODYNAMICS
First edition:
Cleveland: Renegade Press, 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. (T&H P-10)

10. levy, d.a. THREE LEGGED INTROVERT
First edition:
Cleveland: Renegade Press, 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. Published as the second “Un-‘Pop Art’ Postcard”. (T&H P-11)


11. levy, d.a. ANKARA
First edition:
Cleveland: Renegade Press, 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. Published as the third “Un-‘Pop Art’ Postcard”. (T&H P-12)


12. levy, d.a. HAPPY HIROSHIMA DAY
First edition:
Cleveland: n.p., 1963
Folding card, 9″ x 3″, letterpress printed by d.a. levy. (T&H P-13)

13. Taylor, Kent. SELECTED POEMS OF KENT TAYLOR
First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 20 pages, letterpress printed by d.a. levy. Cover art by d.a. levy. (T&H P-14)


14. Heckman, Carl. CORNPONETONEPOME
levy_ cornponeFirst edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5″ x 7.5″, 20 pages, letterpress printed by d.a. levy. (T&H P-15)



15. Berge, Carol. THE VULNERABLE ISLAND
First edition:
Cleveland: Renegade Press, 1964
Side-stapled in printed wrappers, 5.5″ x 8.5″, 20 pages, 105 copies, letterpress printed by d.a. levy. Dedication: “for E.R. Lyon”. (T&H P-18)


16. Crews, Judson. SELECTED POEMS
First edition:
Cleveland: Renegade Press, 1964
Side-stapled in printed wrappers, 4.75″ x 7″, 16 pages, 100 copies, letterpress printed by d.a. levy. Block prints by Lester Czaban Jr. (T&H P-19)


17. Katzman, Allan. THE BLOODLETTING
a. First edition:
Cleveland: Renegade Press, 1964
Side-stapled in printed wrappers, 5.5″ x 6.5″, 16 pages, 100 copies, letterpress printed by d.a. levy. (T&H P-20)


b. First edition, second printing:
Cleveland: Renegade Press, 1965
Side-stapled in wrappers made from maps, 4.5″ x 5.25″, 10 pages, 200 copies, mimeograph printed by d.a. levy.
(T&H P-57)

18. Konyecsni, John. BIRDS *
First edition:
Cleveland: Renegade Press, 1964
Postcard, 3″ x 5″, letterpress printed by d.a. levy. Block print by John Konyecsni. (T&H P-21)

19. Czaban Jr., Lester. STEALING
First edition:
Cleveland: Renegade Press, 1964
Postcard, 3″ x 5″, letterpress printed by d.a. levy. Block print by Lester Czaban, Jr. (T&H P-23)



20. Levey, Charlene. ECSTATIC NOMAD *
First edition:
Cleveland: Renegade Press, 1964
Postcard, 3″ x 5″, letterpress printed by d.a. levy. Block print by Charlene Levey.
(T&H P-24)

21. Salamon, Russell. THE TRIAL *
First edition:
Cleveland: Renegade Press, 1964
Postcard, 3″ x 5″, letterpress printed by d.a. levy. Block print by Russell Salamon. (T&H P-25)

22. Keys, John. KEY’S
First edition:
Cleveland: Renegade Press, 1964
Side-stapled in printed wrappers, 5.5″ x 6.5″, 16 pages, 100 copies, letterpress printed by d.a. levy. (T&H P-26)


23. levy, d.a. 5 CLEVELAND PRINTS
First edition:
Cleveland: Renegade Press, 1964
Five prints laid into printed wrappers, 11.5″ x 6.75″, 50 copies, letterpress printed and with prints by d.a. levy. (T&H P-27)

24. levy, d.a. 6 CLEVELAND PRINTS, Volume 2
First edition:
Cleveland: Renegade Press, 1964
Six prints laid into printed wrappers, 10″ x 6″, 50 copies, letterpress printed and with prints by d.a. levy. (T&H P-28)

25. Randall, Margaret. POEMS OF THE GLASS
First edition:
Cleveland: Renegade Press, 1964
Side-stapled in printed wrappers, 5″ x 7″, 16 pages, 100 copies, letterpress printed by d.a. levy. Block prints by Cathy Crayton. Dedication: “for Sergio”. (T&H P-29)

26. Rasey, Dave. SUBWAYS
levy_subwaysFirst edition:
Cleveland: Renegade Press, 1964
Side-stapled in printed and illustrated wrappers, 5″ x 7″, 12 pages, letterpress printed by d.a. levy. Block prints by A. Sypher (pseud. Marvin Malone). Dedication: “for Carol Bergé”. (T&H P-30)

27. Salamon, Russell. PARENT[HETICAL POP]PIES
First edition:
Cleveland: Renegade Press, 1964
Side-stapled and bound in printed wrappers, 4.75″ x 7″, 16 pages, 100 copies, letterpress printed and with block prints by d.a. levy. Dedication: “for Lewis Turco”. (T&H P-31)

28. Sanders, Ed. KING LORD, QUEEN FREAK
a. First edition:
Cleveland: Renegade Press, 1964
Side-stapled and bound in printed wrappers, 6″ x 7″, 16 pages, 105 copies, letterpress printed and with prints by d.a. levy. Dedication: “to the dope-freaks, poets, madmen & mother fuckers of the Lower East Side”. (T&H P-32)

b. First edition, second printing:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 4.5″ x 7″, 12 pages, letterpress printed and with block prints by d.a. levy. Dedication: “to the dope-freaks, poets, madmen & mother fuckers of the Lower East Side”. (T&H P-59)

29. Schramm, Irene. WHO IS DEAD
First edition:
Cleveland: Renegade Press, 1964
Saddle-stapled in printed wrappers, 5.75″ x 8.5″, 16 pages, letterpress printed by d.a. levy. Dedication: “for ee”. (T&H P-33)


30. Taylor, Kent. ALEATORY LETTERS 
First edition:
Cleveland: Renegade Press, 1964
Side-stapled and bound in printed and illustrated wrappers, 6″ x 7″, 14 pages, 57 numbered copies, letterpress printed by d.a. levy and Kent Taylor. Illustrated with block prints by Kent Taylor. (T&H P-39)

31. levy, d.a. FAREWELL THE FLOATING CUNT
levy_farewellFirst edition:
Cleveland: Renegade Press, 1964
Side-stapled and bound in printed wrappers, 6″ x 6.25″, 14 pages, 105 copies, letterpress printed and with block prints by d.a. levy. Dedication: “for my brother, James”.
(T&H P-40)

32. [Polluted Lake Series] Atkins, Russell. DISTANT THE SOUND
levy_polluted01First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 4.25″ x 6″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 1. (T&H P-43)

33. [Polluted Lake Series] Cook, Geoffrey A. [untitled] “WOUND…”
levy_polluted02First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 2″ x 5″, 16 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 2. (T&H P-44)

34. [Polluted Lake Series] Albrecht, Erik K. [untitled] “OH4286AW…”
levy_polluted03First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed and illustrated wrappers, 5″ x 4.5″, 12 pages,  letterpress printed by d.a. levy. Cover art by Dave Williams. Published as Polluted Lake Series, No. 3. (T&H P-45)

35. [Polluted Lake Series] Taylor, Kent. [untitled] “MIST…”
levy_polluted04First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 5.5″ x 4.5″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 4. (T&H P-46)

36. [Polluted Lake Series] Salamon, Russell. CONFLICT IN SONATA FORM
levy_polluted05First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 5.5″ x 4.5″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 5.
(T&H P-47)

37. [Polluted Lake Series] levy, d.a. “ASTER F…”
levy_polluted06First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 5.5″ x 4.5″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 6.
(T&H P-48)

38. [Polluted Lake Series] Morgan, Edwin. SCOTCH MIST
levy_polluted07First edition:
Cleveland: Renegade Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 2″, 16 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 7. (T&H P-49)

39. [Polluted Lake Series] Houedard, Dom Sylvester. VIENNA CIRCLES
levy_polluted08First edition:
Cleveland: Renegade Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 2.5″, 12 pages, letterpress printed by d.a. levy. Dedication: “for Ernst Jandl”. Published as Polluted Lake Series, No. 8. (T&H P-50)

40. [Polluted Lake Series] Dogin, Sam. SHIT TARGET
levy_polluted09First edition:
Cleveland: Renegade Press, 1965
Side-stapled and bound in wrappers made from wallpaper, 6″ x 8.75″, 2 pages, photocopy printed. Published as Polluted Lake Series, No. 9.
(T&H P-51)

41. [Polluted Lake Series] Cornillon, Susan Koppelman. SUSAN UNDER JOHN
levy_polluted10First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers made from wallpaper, 5″ x 3.5″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 10. (T&H P-52)

42. [Polluted Lake Series] Denis, Alan [pseud. d.a. levy]. SLEEP
levy_polluted11First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 4.5″ x 2″, 8 pages, letterpress and mimeograph printed by d.a. levy. Published using levy’s pseudonym Alan Denis. Dedication: “for Saint Ronald Jump”. Published as Polluted Lake Series, No. 11. (T&H P-53)

43. [Polluted Lake Series] Dagmar. SHADOWS OVER LAKE ERIE
levy_polluted12First edition:
Cleveland: Renegade Press, 1965
Side-stapled in wrappers made from wallpaper, 4.75″ x 4″, 8 pages, letterpress and mimeograph printed by d.a. levy. Published as Polluted Lake Series, No. 12.
(T&H P-54)

44. Larsen, Carl. LEAH
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 5.5″ x 8.5″, 10 pages, 100 copies, letterpress printed by d.a. levy. (T&H P-58)


45. levy, d.a. ALEATORY ATTEMPTS AT MONEY MAKING *
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in plain wrappers, 4 copies. (T&H P-60)

46. levy, d.a. CHALCHIHUITLICUE *
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 3 pages, 37 copies, letterpress printed by d.a. levy. Dedication: “for Carol Bergé”. (T&H P-61)

47. levy, d.a. 50 SECONDS TIL BLASTOFF *
First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 50 pages, 37 copies, letterpress printed by d.a. levy. (T&H P-62)

48. levy, d.a. and Kent Taylor. FORTUITONS MOTHERFUCER
a. First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers with newspaper insert, 5.75″ x 8.5″, 10 pages, 75 copies, letterpress printed by d.a. levy. Note: cover variants exist in two different sizes and two different colored cover stocks. (T&H P-63)

levy_fortuitonsb. Facsimile edition:
Toronto: Letters Bookshop, 1995
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 10 pages, 30 numbered copies, photocopy printed. 



49. [Ohio City Series] Szuter, Thom. SUMMER FROM UNDER A BUSH
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 3.5″, 28 pages, letterpress  printed by d.a. levy. Published as Ohio City Series, No. 1. (T&H P-64)

50. [Ohio City Series] Kent Taylor. [untitled] “OVER…”
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 3.5″, 14 pages, letterpress  printed by d.a. levy. Published as Ohio City Series, No. 2. (T&H P-65)

51. [Ohio City Series] Cornillon, Susan Koppelman. FUCK POEMS
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 7″, 10 pages, letterpress  printed by d.a. levy. Published as Ohio City Series, No. 3.
(T&H P-66)

52. [Ohio City Series] Nichol, bp. CYCLES ETC.
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 7″, 8 pages, letterpress printed by d.a. levy. Published as Ohio City Series, No. 4.
(T&H P-67)

53. [Ohio City Series] Albrecht, Eric K. WORDS AND NUMBERS
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 7″, 12 pages, letterpress  printed by d.a. levy. Published as Ohio City Series, No. 5.
(T&H P-68)

54. [Ohio City Series] levy, d.a. GOT BUTTER ON IT
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 7″, 12 pages, letterpress printed by d.a. levy. Dedication: “for Bud”. Published as Ohio City Series, No. 6. (T&H P-69)

55. [Ohio City Series] Dagmar. BIRMINGHAM BREAKDOWN
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 7″, 10 pages, letterpress and mimeograph printed by d.a. levy. Published as Ohio City Series, No. 7.  (T&H P-70)

56. Bergé, Carol. LUMINA
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.75″ x 4.25″, 8 pages, 178 copies, letterpress printed by d.a. levy.  (T&H P-71)

57. Harris, Marguerite. MOON
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.25″ x 5.75″, 6 pages, 200 copies, letterpress printed by d.a. levy.
(T&H P-72)

58. Szuter, Thom. WINTER: 1965
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.75″ x 2.5″, 8 pages, 78 copies, letterpress printed by d.a. levy. (T&H P-73)

59. levy, d.a. PLASTIC SAXOPHONE FOUND IN AN EGYPTIAN TOMB
First edition:
Cleveland: n.p., 1966
Side-stapled in printed and illustrated cover, 8.5″ x 11″, 11 pages, 100 copies, spirit duplicator printed. (T&H P-74)


60. levy, d.a. WHITE LIGHT
levy_whitelightFirst edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed wrappers, 10″ x 3.75″, 26 pages, letterpress printed by d.a. levy. Dedication: “for Sam Dogin”. (T&H P-75)

61. Taylor, Kent. LATE STATIONS
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in illustrated wrappers, 5.5″ x 8.5″, 21 pages, 200 copies, letterpress and mimeograph printed by d.a. levy. Cover block print by Carl Woideck, introduction by d.a. levy.
(T&H P-76)

62. [anthology] LONG DONGS, edited by d.a. levy
levy_longdongsFirst edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed wrappers, 5.5″ x 8.5″, 30 pages, 300 copies, letterpress and mimeograph printed by d.a. levy. Cover art by Beorna. Contributors include Joe Nickell, Steve Richmond,  Douglas Blazek. (T&H P-77)

63. Butcher, Grace. THE BRIGHT COLORED DARK
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in illustrated wrappers, 5.5″ x 8.5″, 22 pages, 250 copies, mimeograph printed by d.a. levy. Cover art by Baldwin Ford, introduction by d.a. levy. (T&H P-78)

64. THE PARA-CONCRETE MANIFESTO, edited by d.a. levy *
First edition:
Cleveland: 7 Flowers Press, 1966
Single sheet, 8.5″ x 11″, mimeograph printed by d.a. levy. Contributors include d.a. levy, D.r. Wagner, Kent Taylor.
(T&H P-82)

65. levy, d.a. THE CEMENT FUCK
levy_cementFirst edition:
Cleveland: Renegade Press, 1966
Side-stapled and  bound in painted wrappers, 8.5″ x 11″, 20 pages, 110 copies, mimeograph printed by d.a. levy. Cover art  by Mara. Introduction by Khu-en-oho. Partial mimeograph stencil bound in. (T&H P-88)

66. levy, d.a. VISUALIZED PRAYERS & HYMN FOR THE AMERICAN $GOD$
levy_visualizedFirst edition:
Cleveland: Renegade Press, 1966
Side-stapled in printed wrappers, 9″ x 5.75″, 12 pages, 115 copies, mimeograph printed by d.a. levy. Dedicated “to americans dying in foreign countries when there are battles to be fought in america”. (T&H P-89)

67. levy, d.a. LINES FOR LADY JANE
First edition:
Cleveland: n.p., 1966
Side-stapled in card covers with unique painting tipped on to each copy, 5″ x 7″, 2 pages, mimeograph and letterpress printed with block prints and oil paint by d.a. levy. (T&H P-90)

68. levy, d.a. SCARAB
First edition:
Cleveland: n.p., 1966
Side-stapled and bound in printed card covers, 4.5″ x 7″, 12 pages, mimeograph and letterpress printed by d.a. levy. (T&H P-91)


69. levy, d.a. HAPY HIROSHIMA DAY
First edition thus, second printing:
Cleveland: n.p., 1966
Single 6″ x 7″ sheet folded once to make four pages, letterpress printed and with a block print by d.a. levy. (T&H P-93)

70. Naville, Edouard. THE LITANY OF RA *
First edition:
Cleveland: n.p., 1966
Side-stapled in illustrated wrappers, 8.5″ x 11″, 12 pages, 33 copies, mimeograph printed. Introduction by d.a. levy. (T&H P-94)


71. Barker, Richard. 3 POEMS
First edition:
Cleveland: n.p., 1966
Corner-stapled with illustrated cover, 8.5″ x 11″, 6 pages, 100 copies, mimeograph printed by d.a. levy. Cover art by d.a. levy.
(T&H P-95)

72. levy, d.a. THE GREAT TIBETAN TRAIN ROBBERY MYSTERY PLAY IN COLOR: A MANDALA HERNIA RUPTURED WORD GAME
levy_greattibetanFirst edition:
Swamp Erie, n.p., 1966
Side-stapled in printed wrappers, 5″ x 8″, 38 pages, 73 copies, mimeograph printed. Includes multiple sheets laid in with hand-written titling. Distributed by Ganglia Press as Singing Hands Series #3.
(T&H P-96)

Note: According to the Ganglia Press Index (Ganglia, Series 1, No. 8) this item was “printed in Cleveland by 7 Flowers Press & distributed by Ganglia”.

73. THE PUKING PIGEON #1 OR THE FUCKING DUCK #1 OR THE SEARCHING FOR THE HOLY HOUKAH REVEALED #1, edited by d.a. levy
First edition:
Cleveland: 400 Rabbit Press, 1966
Side-stapled in illustrated wrappers, 5″ x 6″, 14 pages, 115 copies, mimeograph printed by d.a. levy. Cover art by d.a. levy. Illustration by Dagmar. Contributors include Paul Blackburn, d.a. levy, W.E. Wyatt, Luis Garcia, Jerry Younkins, Allen Katzman, and Lyndon John Puw. (T&H P-101)

74. Rhody, Randy. PARACHUTES
levy_parachutesFirst edition:
Cleveland: 400 Rabbit Press, 1966
Side-stapled and bound in painted wrappers, 6.75″ x 8.5″, 6 pages, 125 copies, mimeograph printed by d.a. levy. Unique water-color cover art by MaRa. (T&H P-102)

75. Blackburn, Paul. 16 SLOPPY HAIKU & A LYRIC FOR ROBERT REARDON
levy_16sloppyhaikuFirst edition:
Cleveland: 400 Rabbit Press, 1966
Side-stapled in illustrated cover, 8.5″ x 11″, 10 pages, 45 copies, mimeograph printed by d.a. levy. Cover art by Al Diamonstein. Dedication: “for Eunice and Maia”. (T&H P-103)

76. levy, d.a. and D.r. Wagner. BLACK HAT AT THE END OF THE BAR
levy_blackhatFirst edition:
Cleveland: 400 Rabbit Press, 1966
Side-stapled in hand-painted wrappers, 8.75″ x 5″, 26 pages, 120 copies, mimeograph printed by d.a. levy with additional hand-written, hand-painted, and collage elements by d.a. levy and Mara. Text is co-authored by levy and Wagner. (T&H P-104)

77. Diamondstein, Al. DEATH TO ALL NON-BELIEVERS
First edition:
Cleveland: 400 Rabbit Press, 1966
Saddle-stapled in plain wrappers, 4.5″ x 2″, 20 pages, “approximately” 50 copies, mimeograph printed by d.a. levy. (T&H P-105)

78. 465, AN ANTHOLOGY OF CLEVELAND POETS, edited by d.a. levy
levy_465First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled in silk-screened cover, 8.5″ x 11″, 64 pages, 500 copies, mimeograph printed by d.a. levy. Cover silkscreen by Ralph and Diedra Poplar. (T&H P-106)

Contributors include Russell Atkins, Judith Hawthorne Albrecht, Grace Butcher, Geoffrey Cook, John Cornillon, Susan Cornillon, Joel Marc Deutsch, Joel Friedman, Bennet Hassink, Walter R. Keller, Joyce Guion, T.L. Kryss, Jacob Leed, d.a. levy, Mara, Franklin W.W. Osinski, r.j.s., Thom Szuter, Kent Taylor, Don Thomas, Kathie Lenehan. Preface by Rene Char.

Note: 465 was the first address of Jim Lowell’s Asphodel Book Shop in The Arcade in Cleveland.

79. levy, d.a. CLEVELAND UNDERCOVERS
levy_undercoversa. First edition, regular copies:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in illustrated wrappers, 6″ x 8.5″, 18 pages, 500 copies, letterpress and mimeograph printed by d.a. levy.  Cover art by dagmar. Dedicated to Jim Lowell. (T&H P-107)

b. First edition, special copies:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in collaged and printed wrappers, 6″ x 8.5″, 18 pages, 65 special copies with “Freak” covers by the author, letterpress and mimeograph printed by d.a. levy.  Dedicated to Jim Lowell. (T&H P-107)

80. levy, d.a. GREAT MAN SLEEPING IN A CLOSET
levy_greatmanFirst edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled in printed and collaged wrappers, 4.75″ x 2.5″, 6 pages, letterpress and mimeograph printed by d.a. levy. Dedicated to Richard Allen Morris. (T&H P-108)

81. levy, d.a. THE NORTH AMERICAN BOOK OF THE DEAD
levy_nabotd2Second edition, revised:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed and hand-painted wrappers, 8.5″ x 11″, 56 pages, 210 copies, mimeograph printed by d.a. levy. Unique cover painting by d.a. levy. This is the first 7 Flowers Press edition, but the second revised printing after the Free Lance Press edition (see A17). (T&H P-109)

82. levy, d.a. & D.r. Wagner. THE EGYPTIAN STROBOSCOPE 
a. First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in silk-screened wrappers, 8.5″ x 14″, 68 pages, 108 copies, mimeograph printed by d.a. levy. Cover art by Grady Jones.
(T&H P-110) *

levy_egyptianb.First edition, second printing:
Cleveland: Grass Coin Publishing Company, 1967
Side-stapled in collaged wrappers, 8.5″ x 14″, 46 pages, 100 copies, mimeograph printed by d.a. levy. Cover art by Dagmar. (T&H P-145)

“This is one of the publications seized by the cleveland police in the dec. 1966 blitz-bomb”.

83. Albrecht, Erik K. OCTOBER
a. First edition, regular copies
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed wrappers, 2.25″ x 6″, 12 pages, 100 copies, letterpress printed by d.a. levy. (T&H P-111)

b. First edition, special copies
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed wrappers, 2.25″ x 6″, 12 pages, 20 special copies with cover art by Beorna, letterpress printed by d.a. levy. (not in T&H)

84. Atkins, Russell. SPYRYTUAL
levy_spyrytualFirst edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed wrappers, 4.25″ x 8.25″, 4 pages, 200 copies, letterpress and mimeograph printed by d.a. levy. (T&H P-112)


85. Walker, Joe. 4 POEMS FROM THE CHICAGO MS.
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in illustrated wrappers, 4″ x 6″, 10 pages, 100 copies, letterpress printed by d.a. levy. Cover by Dana Crumb. (T&H P-113)


86. Leed Jacob. POEMS OF JACOB LEED
levy_poemsjacoba. First edition, regular copies:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed and illustrated wrappers, 6.5″ x 6″, 14 pages, 205 copies, letterpress printed and with block prints by d.a. levy. (T&H P-114)

b. First edition, special copies:
Cleveland: 7 Flowers Press, 1966
Side-stapled  in hand-painted wrappers with library tape binding, 8.5″ x 11″, 20 pages, 5 copies, letterpress printed and with hand-painted cover and 3 full painted pages by d.a. levy. (not in T&H)

87. Sauls, Roger. PAIDEUMIC DREAMS / MIRACLES & ECSTASIES
a. First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled in printed and painted wrappers, 8.5″ x 11″, 40 pages, 200 copies, mimeograph printed and with unique cover painting by d.a. levy. Introduction by D.r. Wagner. (T&H P-115)

levy_paideumicb. First edition, second printing :
Cleveland: The Grass Coin Publishing Co., 1967
Side-stapled in illustrated wrappers, 8.5″ x 11″, 22 pages, 125 copies, mimeograph printed by d.a. levy. Cover art by MaRa. Introduction by D.r. Wagner. (T&H P-148)

Note from the title page: “This volume of poems is one of the ‘allegedly obscene’ books seized by the cleveland police in december 1966. The city has continued its campaign to obliterate all non-aryan writings, intoxicants & spokesmen. This printing is in protest to the lack of intelligent police leadership.”

88. Bukowski, Charles. GENIUS OF THE CROWD
levy_geniusFirst edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed  and illustrated wrappers, 4.5″ x 6″, 22 pages, 103 copies, letterpress printed by d.a. levy. Prints by Paula Marie Savarino. (T&H P-117)

89. Montgomery, George. THE MARY-JANE PAPERS
levy_themaryjaneFirst edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled in illustrated cover, 8.5″ x 14″, 22 pages, 200 copies, mimeograph printed and with an introduction by d.a. levy. (T&H P-118)


90. Wood, Kay. GREENWOOD
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled in illustrated wrappers, 8.5″ x 11″, 16 pages, 103 copies, letterpress and mimeograph printed by d.a. levy. Block prints by Grady Jones. (T&H P-119)

91. Shulman, Matthew H. THE BALLAD OF NO BERETS
First edition:
Cleveland: 7 Flowers Press, 1966
Broadside, 8″ x 10.5″, mimeograph printed by d.a. levy. (T&H P-121)



92. 306, AN ANTHOLOGY OF CLEVELAND POETS, edited by d.a. levy
levy_306First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled in silk-screened cover, 8.5″ x 11″, 50 pages, 306 copies, mimeograph and spirit duplicator printed and with an introduction by d.a. levy. Original artwork by Mara. Cover photograph of Jim Lowell standing in front of the Asphodel book shop by Martin Szuter. (T&H P-124)

Contributors include Judith H. Albrecht, Marion Black, Joel Marc Deutsch, Joyce Guion, Tim Hall, T.L. Kryss, d.a. levy, RJS, Kent Taylor, Carl Woideck, MJW.

Note: 306 was the W. Superior address for the Asphodel Book Shop following the departure from The Arcade.

93. levy, d.a. KIBBUTZ IN THE SKY
levy_kibbutzFirst edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled in illustrated wrapper, 8.5″ x 11″, 13 pages, 150 copies, mimeograph printed by d.a. levy. Cover art by j.r.s. (T&H P-132)


94. levy, d.a. KIBBUTZ IN THE SKY, BOOK II 
a. First edition, first printing *
Cleveland: 7 Flowers Press, 1967
Side-stapled in printed cover, 8.5″ x 11″, 8 pages, 200 copies, mimeograph printed by d.a. levy.
(T&H P-133)


b. First edition, second printing
Cleveland: Free Love Press, 1967
Side-stapled in illustrated cover, 8.5″ x 11″, 8 pages, 200 copies, spirit duplicator printed by d.a. levy. (not in T&H)


95. levy, d.a. THE BOX LUNCH TRAVEL-OG OF FREMONT GULCH
levy_boxlunchFirst edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled sheets in printed and illustrated cover, 8.5″ x 11″, 10 pages, spirit duplicator printed by d.a. levy.
(Lowell A32, T&H P-134)

96. JAMES R. LOWELL DEFENSE FUND, edited by d.a. levy
First edition:
Cleveland: n.p., 1967
Corner-stapled in illustrated cover, 8.5″ x 11″, 4 pages, mimeograph printed by d.a. levy.
(T&H P-134)

Contributors include d.a. levy and Joe Brainard.

97. Krech, Richard. WE ARE ON THE VERGE OF ECSTACY
levy_weareonFirst edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled in hand-painted cover, 8.5″ x 11″, 14 pages, 250 copies, mimeograph printed by d.a. levy. Unique cover art by Mara. (T&H P-138)


98. Shulman, Matt. FLAGS OF LONELINESS
levy_flagsFirst edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled and bound in wrappers made from Geology of Ohio map, 4.5″ x 6″, 8 pages, 200 copies, mimeograph printed by d.a. levy. (T&H P-139)

99. Wyatt, W.E. POEMS OF W.E. WYATT
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled in printed and illustrated cover, 8.5″ x 11″, 22 pages, 200 copies, mimeograph printed by d.a. levy. Drawings by Mara.
(T&H P-140)

100. THREE POEMS BY CLEVELAND POETS, edited by d.a. levy
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled in hand-painted wrappers, 4.5″ x 5.5″, 4 pages, 86 copies, mimeograph printed by d.a. levy. Cover art by Mara. (T&H P-141)

Contributors include Kent Taylor, Carl Woideck, and d.a. levy.

101. Wagner, D.r. THE DAY IS A PRAYER THEY CAN’T UNDERSTAND!
levy_thedayisa. First edition, hand-painted copies:
Cleveland: 7 FlowersPress, 1967
Side-stapled in hand-painted cover, 8.5″ x 11″, 40 pages, 150 copies, mimeograph printed and with cover art by d.a. levy. Introduction by T.L. Kryss, and “note by publisher” by d.a. levy.
(T&H P-142)

b. First edition, collage copies:
Cleveland: 7 FlowersPress, 1967
Side-stapled in original collage cover, 8.5″ x 11″, 40 pages, 150 copies, mimeograph printed and with cover art by d.a. levy. Introduction by T.L. Kryss, and “note by publisher” by d.a. levy.
(T&H P-142)

Note: the total print run is 150; no count or priority to hand-painted or collage cover copies.

102. Saint-Eden, Dennis. NAPALM/ HYDROEM POR NADIE/ PSAMBA
levy_napalmFirst edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled and bound in silk-screened wrappers, 8.5″ x 11″, 16 pages, 275 copies, mimeograph printed by d.a. levy. Cover silkscreen by T.L. Kryss. (T&H P-143)

103. Fowler, Gene. GENE FOWLER WRITES *
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled, 8.5″ x 11″, 10 pages, 250 copies, mimeograph printed by d.a. levy. (T&H P-144)

Note: this is the first separate edition of this reprint from Poetry Newsletter: “Home Correspondence Course in Enlightenment”.

104. levy, d.a. POEM FOR JULIE
levy_poemforjulieFirst edition:
Cleveland: Grass Coin Publishing Co., 1967
Side-stapled in silk-screened cover, 8.5″ x 11″, 8 pages, 260 copies, mimeograph printed by d.a. levy. Cover illustration after a photo by M.J. Roach. (T&H P-146)

105. POETRY SURVIVAL FUND, edited by d.a. levy
levy_poetrysurvivalFirst edition:
Cleveland: Grass Coin Publishing Co., 1967
Side-stapled in painted cover, 5.5″ x 8.5″, 6 pages, mimeograph printed by d.a. levy. Cover art by Joyce Guion. (T&H P-147)

Contributors include Grace Butcher, Cleo Malone, Basho, Joyce Guion, d.a. levy, D.r. Wagner.

106. SWAMP ERIE PIPE DREAM, Vol. 1, No. 1, edited by d.a. levy
First edition:
Cleveland: n.p., May 1967
Tabloid format, 11.5″ x 15.5″, 4 pages, offset printed.  (T&H P-153)



107. levy, d.a. THE TIBETAN STROBOSCOPE
levy_tibetanstroboFirst edition:
Cleveland: Ayizan Press, 1968
Saddle-stapled in printed and illustrated wrappers, 7.5″ x 11.75″, 32 pages, 4000 copies (though 3000 are rumored to have been destroyed by the author), offset printed on newsprint. Dedicated to Allen Ginsberg, Alan Watts, Robert Aitken, Phillip Kapleau, Paul Reps, and Philip Whalen.  (Lowell A44, T&H P-174)

“An experiment in destructive writing other communications and concrete prose”.

108. Ferguson, Steve and Mara. FLOWERS FOR BRIAN SHERMAN
First edition:
Cleveland: Ayizan Press, 1968
Side-stapled sheets in silk-screened wrappers, 7″ x 8″, 10 pages, 150 copies, mimeograph printed by d.a. levy. Cover art by T. L. Kryss.
(T&H P-175)

—

[* not in archive]

d.a. levy

· Jim Lowell’s d.a. levy checklist

· Alan Horvath and Kirpan Press

References Consulted:

THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE: The Art and Poetry of d.a. levy, edited by Mike Golden. NY: Seven Stories Press, 1999.

D.A. LEVY & THE MIMEOGRAPH REVOLUTION, edited by Larry Smith and Ingrid Swanberg. Huron: Bottom Dog Press, 2007

LOOKING FOR D.A. LEVY (RANDOM SIGHTINGS): THE D.A. LEVY BIBLIOGRAPHY, Volume 1 [1963-1966], edited by Kent Taylor and Alan Horvath. Vancouver: Kirpan Press, 2006

LOOKING FOR D.A. LEVY (RANDOM SIGHTINGS): THE D.A. LEVY BIBLIOGRAPHY, Volume 2 [1967-1968], edited by Kent Taylor and Alan Horvath. Vancouver: Kirpan Press, 2008

ZEN CONCRETE & ETC. BY D.A. LEVY, edited by Ingrid Swanberg. Madison: Ghost Pony Press, 1991

Online Resources:

· Cleveland Memory Project
· d.a. levy home page
· Deep Cleveland
· Literary Kicks

Some notes on printing methods:

Mimeograph:
The stencil duplicator or mimeograph machine is a low-cost duplicating machine that works by forcing black ink through a stencil onto levy_greattibetanpaper. The mimeograph process should not be confused with the spirit duplicator process.

Unlike spirit duplicators (where the only ink available is depleted from the master image), mimeograph technology works by forcing a replenishable supply of ink through the stencil master. In theory, the mimeography process could be continued indefinitely, especially if a durable stencil master were used (e.g. a thin metal foil). In practice, most low-cost mimeo stencils gradually wear out over the course of producing several hundred copies. Typically the stencil deteriorates gradually, producing a characteristic degraded image quality until the stencil tears, abruptly ending the print run. If further copies are desired at this point, another stencil must be made.

Spirit Duplicator:
A spirit duplicator (also referred to as a Ditto machine in North America, Banda machine in the UK or Roneo in Australia, France and South Africa) was a printing method invented in 1923. The term “spirit duplicator” refers to the alcohols which were a major component of the solvents used as “inks” in these machines.

The usual wax color was aniline purple (mauve), a cheap, moderately durable pigment that provided good contrast, but masters were also manufactured in red, green, blue, black, and the hard-to-find orange, yellow, and brown. All except black reproduced in pastel shades: pink, mint, sky blue, and so on.

Spirit duplicators had the useful ability to print multiple colors in a single pass, which made them popular with cartoonists. Multi-colored designs could be made by swapping out the waxed second sheets; for instance, shading in only the red portion of an illustration while the top sheet was positioned over a red-waxed second sheet. This was possible because the duplicating fluid was not ink, but a clear solvent.