Tag Archives: 7 Flowers Press

Russell Atkins – Books

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SECTION A:
This index includes books, chapbooks, booklets, and other separate publications

1. Atkins, Russell. A PODIUM PRESENTATION *
First edition:
Brooklyn Heights: The Poetry Seminar Press, 1960
Saddle-stapled in printed and illustrated wrappers, 4.5″ x 8.5″, 8 pages, mimeograph printed.

Note: Atkins’ first book. The book’s opening poem previously appeared in the Seattle magazine Experiment: A Quarterly Of New Poetry (Vol IV, no. 1 [1951]). Back cover lists three of Atkins’ previous publications: “The Hypothetical Arbitrary Constant of Inhibition” (see The Free Lance 8:2 [1964]); “A Psychovisual Perspective for ‘Musical’ Composition” (see The Free Lance 3:2 [1955] and 5:1 [1958]); and “The Invalidity of Dominant Group Educational Forms” (see The Free Lance 7:2 [1963]).

2. Atkins, Russell. PHENOMENA
First edition:
Wilberforce: The Free Lance Poets and Prose Workshop and Wilberforce University Press, 1961
Saddle-stapled in printed and illustrated wrappers, 4.5″ x 8.5″, 79 pages.

3. Atkins, Russell. OBJECTS
First edition:
Eureka: Hearse Press, 1961
Saddle-stapled in illustrated wrappers, 5.5″ x 8.5″, 20 pages, 200 copies, offset printed. Cover illustration by Ben Tibbs. Published as the 16th Hearse Press Chapbook edited by E.V. Griffith.

4. Atkins, Russell. TWO BY ATKINS: THE ABORTIONIST & THE CORPSE
First edition:
Cleveland: Free Lance, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 40 pages. “Two poetic dramas to be set to music”.

Note: Two By Atkins: The Abortionist and The Corpse: Two Poetic Dramas To Be Set To Music was published by The Free Lance Press, a division of the Free Lance Poets and Prose Workshop, under the auspices of Caspar LeRoy Jordan. Both texts had originally been published in 1954, The Abortionist in The Free Lance: a magazine of poetry and prose and The Corpse in the Western Review (Iowa State University). Name on cover as “Rvssyll Atkyns.”

5. Atkins, Russell. OBJECTS 2
a. First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5” x 8.5”, 28 pages, 100 copies, letterpress printed by d.a. levy. Cover art by d.a. levy. This Renegade Press edition includes three poems that appear in OBJECTS (Eureka: Hearse Press, 1960) but is otherwise a different collection. (T&H P-07)

b. Second edition:
Cleveland: Renegade Press, 1964
Saddle-stapled in printed wrappers, 5.5” x 8.5”, 20 pages, letterpress printed by d.a. levy. Second Renegade Press printing with sequence of poems changed from first printing, plus one added poem. (T&H P-17)

6. Atkins, Russell. DISTANT THE SOUND [POLLUTED LAKE SERIES, No. 1]
First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 4.25″ x 6″, 12 pages, letterpress printed by d.a. levy. (T&H P-43)

7. Atkins, Russell. SPYRYTUAL
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled sheets bound in to printed wrappers, 4.25″ x 8.25″, 4 pages, 200 copies, letterpress and mimeograph printed by d.a. levy. (T&H P-112)

8. Atkins, Russell. OBJECTS FOR PIANO *
First edition:
Cleveland: Free Lance, 1967
Saddle-stapled in wrappers, 16 pages. Musical score. There is a short afterword in which the author’s interest in modern music is described.

Note: Dedicated to the memory of the co-founder of Free Lance Press, Adelaide Simon. Objects for Piano is the third in a series of chapbooks which included Objects and Objects 2. The decorative cover design adapts and incorporates a figure from one of Atkins’ essay on composition [“Psychovisual Perspective for ‘Musical’ Composition,” The Free Lance, Vol. 5, No. 1 (1958)].

9. Atkins, Russell. HERETOFORE
First edition:
London: Paul Breman Ltd, 1968
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 32 pages, offset printed. Published as Volume 7 in the Heritage Series.

10. Atkins, Russell. THE NAIL
First edition:
Cleveland: Free Lance Press, 1970
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 90 pages.

Note: The Nail was based on the eponymous story by Pedro Antonio de Alarcón and written in 1957 at the suggestion of composer Hale Smith. It is meant to be set to music for performance.

11. Atkins, Russell. HERE IN THE
First edition:
Cleveland: Cleveland State University Poetry Center, 1976
Perfect bound in printed wrappers, 5.5″ x 8.5″, 52 pages, offset printed. Published as Cleveland Poets Series No. 13.

12. Atkins, Russell. WHICHEVER
First edition:
Cleveland: Free Lance Press, 1978
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages, offset printed.

13. Atkins, Russell. MALEFICIUM
First edition:
Cleveland: Free Lance Press, 1971
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 72 pages, offset and xerography printed.

14. Atkins, Russell. JUXTAPOSITIONS *
First edition:
Cleveland: privately printed, 1991
Saddle-stapled in printed wrappers, 5.5″ x 11″, 28 pages, offset and xerography printed.

—

[* not in archive]

Kent Taylor: Contributions to Books and Other Publications

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Section B:
This index includes contributions to books and other publications

1. POETRY PARADE, edited by Lincoln B. Young
Appalachia: Young Publications, 1963
Taylor contribution: “A Time of Passing”

2. CLEVELAND MANIFESTO
Cleveland: The Asphodel Bookshop, 1964
First edition, single sheet mimeograph printed on both sides, statements by Russell Atkins, Jau Billera, d.a. levy, Russell Salamon, Adelaide Simon, Kent Taylor.
[untitled statement]
(T&H B-01)

3. MELODY OF THE MUSE, edited by Lincoln B. Young
Appalachia: n.p., [c. 1964]
Taylor contribution: “Perceivings”

4. 465, edited by d.a. levy
Cleveland: 7 Flowers Press, 1966
First edition, stapled silk-screened wrappers, 500 copies, mimeograph printed, cover art by Ralph & Diedra Poplar.
Taylor contribution: “Death of an Amusement Park”, “Euclid Avenue”, “55th-107th”

5. CLEVELAND CONCRETE
Cleveland: Free Love Press, 1966
First edition, stapled wrappers, ditto printed. [two untitled concrete poems.]

6. TELEGRAMS FROM CENTRAL CONTROL, edited by D.r. Wagner
Niagara Falls: Press : Today : Niagara, 1966
First edition, stapled printed wrappers, 350 copies, mimeograph printed.
Taylor contribution: “Para *Concrete*Manifesto-Part 3” (prose)

7. 306, edited by d.a. levy
Cleveland: 7 Flowers Press, 1967
First edition, stapled printed wrappers, 100± copies, mimeograph printed.
Taylor contribution: “Events: Oct. 15, 1965 , Cleveland”, “Hymn to the West Side”, “Ohio”
(T&H P-46)

8. CLEVELAND SAMPLER (FOR JAMES RUSSELL & D.A. LEVY)
Cleveland, 1967
Taylor contribution: “John Handy’s Spanish Lady”

9. OLE ANTHOLOGY, edited by Douglas Blazek
Glendale: Poetry Ex/Change, 1967
First edition, perfect bound printed wrappers, offset printed, 5,000 numbered copies.
Taylor contribution: [untitled] “My cat…”

10. THREE POEMS BY CLEVELAND POETS
Cleveland: 7 Flowers Press, 1967
Taylor contribution: “9-4-66”

11. TRIBUTE TO JIM LOWELL, edited by T.L. Kryss
Cleveland: Ghost Press, 1967
Taylor contribution: “Statement” (prose), “12-13-66”

12. UKANHAVYRFUCKINCITIBAK, edited by R.J. Sigmund
Cleveland: ghost press, 1968
Taylor contribution: “A Love Poem”

13. AMPER&AND, edited by T.L. Kryss and R. Wolter
San Francisco: Ampersand, 1969
First edition, stapled printed wrappers with red library tape binding, mimeograph printed.
Taylor contribution: “6-25-67”, “November Light”, “4-4-66”, “6-27-66”, [untitled] “One lamp flashes…”

14. PANAMA GOLD. edited by T.L. Kryss
Cleveland: Zero Publications, 1969
First edition, stapled silk-screened wrappers, mimeograph printed, cover art by Barbara O’Connelly, internal screen print by T.L. Kryss.
Taylor contribution: “The Western Poem”

15. DEATH ROW, edited by Don Cauble
Portland, OR: Dead Angel Press, 1970
Taylor contribution: “1-15-69”, “5-8-68”

16. GROUND ZERO
Cleveland: n.p., [c. 1970]
First edition, stapled wrappers, mimeograph printed.
Taylor contribution: “Williamsburg Bridge”, “Christmas Eve 1965”, [untitled] “My time/ sunken…”, [untitled] “Why the leaves…”, [untitled] “Leaves branches…”, [untitled] “Rainbow water…”, [untitled] “Sad climbing…”

Note: Two additional poems in this anthology may be attributable to Taylor. No poems in this anthology are accompanied by the poet’s name…

17. WHAT THERE IS LEFT TO UNDERSTAND…, edited by T.L. Kryss
Sacramento: n.p., 1970
Taylor contribution: “7-22-69”, “4-21-69”, “7-7-69”

18. WORDS ON PAPER-POETRY-FREE
n.p. [Cleveland], n.d. [c. 1971]
Taylor contribution: “4-26-71”

19. THE LIVING UNDERGROUND ANTHOLOGY, edited by Hugh Fox
Troy: Whitston Pub. Co., 1973
Taylor contribution: “8-5-69”, “3-9-70”, “2-28-70”, “4-2-70”, “ONE MORE FOR K”

20. ALLEGHENY STAR ROUTE
Cleveland: Black Rabbit Press, 1975
First edition, stapled sheets bound into printed wrappers, mimeograph printed.
Taylor contribution: “8-2-71”, “8-13-73” [mis-titled, should read: 8-13-71], “2-7-71”, “To My Son (Age 6)”, “Words” [this is a different poem than that which appears in FREE LOVE PERIODICALLY, #2 with the same title.]

21. SAN JOSE CAMPUS-COMMUNITY POETRY FESTIVAL POSTER SERIES
San Jose, 1977
Taylor contribution: [untitled haiku] [displayed on buses]

22. WE ARE THE SECRET LIVING LEPROSY, edited by T.L. Kryss
Cleveland: Black Rabbit Press, 1977
Taylor contribution: “Singularity”, “San Francisco”, “1-31-77”

23. VAGABOND ANTHOLOGY, edited By John Bennett
Ellensburg, WA: Vagabond Press, 1978
Taylor contribution: “Travel Notes”, “11-10/11-25-73”, “2-7-74”, “November 1974”, “Reunion”

24. PLANET DETROIT ANTHOLOGY OF URBAN POETRY, edited by Kurt Nimmo & Christine Lahey
Detroit, 1983
Taylor contribution: “Round Trip from San Francisco”, February Song”

25. ASPHODEL BOOK SHOP 25 YEARS TRIBUTE
April, 1988
Taylor contribution: “Brother James” (prose)

26. ONCE MORE WITH FEELING, edited by John Bennett
Ellensburg: Vagabond Press, 1988
Taylor contribution: “Chiaroscuro”, “Distances”, “Stranger”, “Undertow”, “Captive Audience”, “Flashback”, “Filling in the Blanks”

27. OF ASPHODEL: A MULLIGAN’S STEW CELEBRATING THE TWENTY-FIFTH YEAR OF THE ASPHODEL BOOKSTORE, JAMES LOWELL, PROP.
[Cleveland]: n.p.1988
Taylor contribution: “Cleveland Reminiscence”,”Ohio” [ printed by Tom Kryss?]

28. WORLD SOUNDS, edited by T.L. Kryss
Cleveland: Black Rabbit Press, 1989
Taylor contribution: “Clear and Cold”

29. ZEN CONCRETE & ETC., edited by Ingrid Swanberg
Madison: Ghost Pony Press, 1991
Taylor contribution: “The Cleveland Underground Poetry Scene: A Personal Reminiscence” (prose) [contains additional material than the version published in Vagabond], “Postscript” (prose)

30. AMERICAN RENEGADES CATALOG
Boulder: University of Colorado Press, 1992
Taylor contribution: “Meeting d.a. levy” (prose), “A Few Words about d.a. levy” (prose)

31. POETS ON PARNASSUS ANTHOLOGY, edited by David Watts & Joan Baranow
San Francisco: UCSF, 1994
Taylor contribution: “Chasing Helen”

32. VALENTINE, edited by Sabina Daley & Candice Walsh
New York, 1996
Taylor contribution: “Catching her Breath”

33. ARE YOU TALKING TO ME?
Brooklyn: Boog Literature, 1997
Audiotape.
Taylor contribution: “A Belated Touche for d.a. levy”

34. HARD LOVE–WRITINGS ON VIOLENCE AND INTIMACY, edited by Elizabeth Claman
Eugene: Queen of Swords Press, 1997
First edition, paperback.
Taylor contribution: “Folie a Deux”

35. BEBOP-REBOP
Providence, 1998
Audiotape & CD.
Taylor contribution: “Brain Tumor”, “Calling Card”, “Vegas”
[read by Dave Church who issued the recording]

36. RAGGED LION, A TRIBUTE TO JACK MICHELINE, edited by John Bennett
Ellensburg, WA: Vagabond Press, 1999
Taylor contribution: “February Death”

37. THE ASPHODEL: A TRIBUTE TO JIM LOWELL (TOO) ON THE OCCASION OF HIS 70TH BIRTHDAY
Vancouver: Kirpan Press, 2002
Taylor contribution: “A Note on Jim Lowell’s 70th Birthday” (prose)

38. THE CLEVELANDERS, Vol. 1, edited by Alan Horvath
Vancouver: Kirpan Press, 2002
Taylor contribution: “Fourth of July at Ocean Beach”, “Deficits”, “Blowing Smoke”, “Losing My Voice”, “Batman” (collage), “Strange Adventures” (collage), “Suzuki” (collage), “It’s Over” (collage)

39. HAPPY AS A BUDDHA ON A BUBBLEGUM BINGE, edited by David Kirschenbaum
New York, 2002
Taylor contribution: “Not Quite Janine”

40. LIVE READING AT LUNA’S CAFE: A TRIBUTE TO D.A. LEVY AND KENNETH PATCHEN
Sacramento, 2002
Audio of Taylor reading d.a.levy’s work and speaking about him.

41. ZERO SQUARED, TO RJS AND BACK
Cleveland: Black Rabbit Press, 2002
Taylor contribution: “Imagining R.J.S.” (prose)

42. MEASURED STEPS
Vancouver: Kirpan Press, 2004
Taylor contribution: “Woman at a Mental Health Clinic”, “Rehearsal”, “The Opposite of Hallucinating”, “Out of Breath”, “Chinatown Graffiti” (collage)

43. NOTES FROM CLEVELAND: SELECTED CORRESPONDENCE FROM JIM LOWELL TO KENT TAYLOR (1970-2003)
Kirpan Press, 2004
Taylor contribution: Introduction and 7 untitled inkings

44. REMAINS OF THE ASPHODEL ARE CONFUSING THE SEASONS, edited by Matthew Wascovich
Cleveland: Slow Toe Publications, 2004
Taylor contribution: “Signaling Jim”

45. SOMETIMES CITY UNDERCOVERS. LEVYFEST 2005, edited by S.A. Griffin & Bill Roberts
Los Angeles & Dover: Bottle Of Smoke Press & Rose of Sharon Press, Dec. 2005
Taylor contribution: “A Belated Touche for d.a. levy”, “Lines Written a Few Hours before Learning that d.a. levy Had Shot Himself to Death”

46. THE CLEVELANDERS, Vol. 2, edited by Alan Horvath
Vancouver, WA: Kirpan Press, 2006
Taylor contribution: “Cleveland Manifesto of Poetry” (prose), “The Man without a Part”, “The Faith of Jimmy McBride”, “Cleveland Archaeology”, “Failure of the Educational System”, “Home of the Brave”, “Still Life”, [untitled artwork]

47. CLOSING TIME – RABBITS OVER CLEVELAND
Cleveland: Mac Backs, 2006

48. ANIMALS WITHOUT BACKBONES, edited by Bree
Cleveland Heights: Green Panda Press, 2007
First edition, published as Green Panda Press Anthology #7.
Taylor contribution: “Lights Out”, “Second Wind”

49. D. A. LEVY & THE MIMEOGRAPH REVOLUTION, edited by Larry Smith & Ingrid Swanberg
Huron, Ohio: Bottom Dog Press, 2007
Taylor contribution: “For the Destroyed Poets of Ohio” (interview), “A Belated Touche for d.a. levy

50. (TAYLOR-MADE) RANDOM SIGHTINGS
Vancouver: Kirpan Press, 2007
Taylor contribution: untitled cover illustration and reprint of Fortuitons Motherfucer.

51. CLEVELAND POETRY SCENES — A PANORAMA & ANTHOLOGY, edited by Nina Freedlander Gibans, Mary E. Weems & Larry Smith
Huron, OH: Bottom Dog Press, 2008
Taylor contribution: “The Cleveland Underground Poetry Scene – A Personal Reminiscence” (prose)

52. THE CLEVELANDERS, Vol. 3, edited by Alan Horvath
Vancouver, WA: Kirpan Press, 2008
First edition, comb bound, 75 copies.
Taylor contribution: “Brain Tumor”, “Billie Holiday”, “Lost and Found”, [untitled artowrk]

53. FLOWER CLOCK: A SELECTION OF POEMS FROM THE CATALOGS OF THE ASPHODEL BOOK SHOP, 1963-2003
Ravenna: Black Rabbit Press, 2008
Taylor contribution: “Fourth of July at Ocean Beach”

54. RENEGADE FLOWERS, THE LEVYFEST 2014 ANTHOLOGY, edited by D.r. Wagner and John Dorsey
Cleveland: Hydeout Press, 2014
100 copies.
Taylor contribution: “10-28-98” (prose), “Bone Music”, “Chasing Helen”

55. IN THE COMPANY OF RUSSELL ATKINS, A Celebration by Friends on His 90th Birthday, edited by Diane Kendig and Robert E. McDonough
Cleveland: Red Giant Books, 2016
Taylor contribution: “Russell was key” (short prose intro), “for Russell Atkins “, “Chasing Helen”, “12-29-68 Cleveland “, “Harbor Inn Blues”

56. QUIET ROOMS, edited by D. R. Wagner and Dave Boles
Grass Valley: Cold River Press, 2020
Taylor contribution: “For Russell Atkins”, “Remains To Be Seen”, “Hymn To The West Side”, “Chasing Helen”, “Not Quite Janine”, “A Love Poem (for d. a.)”

57. CAPGRAS, edited by Tohm Bakelas
Denville NJ, Between Shadows Press, 2022
Taylor contribution: “White Night Blues”

Charles Bukowski: Books and Chapbooks

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SECTION A:
This index includes books, chapbooks, booklets and bound offprints featuring poems and stories during the 1960’s: from Bukowski’s first book to roughly the time that his work started being published in collected volumes by John Martin’s Black Sparrow Press; the period of time covered by Sanford Dorbin’s Bibliography.

1. Bukowski, Charles. FLOWER, FIST AND BESTIAL WAIL
First edition:
Eureka: Hearse Press, October 1960
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.25″, 28 pages, (200 copies), offset printed, cover illustration by Ben Tibbs, edited by E.V. Griffith. Published as Hearse Chapbooks 5.
(Dorbin A1, Krumhansl 3)

Note: Charles Bukowski’s first book.

2. Bukowski, Charles. A SIGNATURE OF CHARLES BUKOWSKI
First edition:
Albuquerque: Targets, December 1960
Saddle-stapled in printed and illustrated wrappers, 7″ x 8.5″, (6 hors commerce copies), offset printed.
(Dorbin B2, Krumhansl 4)

Note: an offprint from Targets, No. 4, edited by W.L. Garner (Sandia Park, December 1960).

3. Bukowski, Charles. BUKOWSKI SIGNATURE 2
First edition:
Albuquerque: Targets, August-September 1961
Saddle-stapled in printed and illustrated wrappers, 7″ x 8.5″, offset printed.
(Dorbin B3, Krumhansl 5)

Note: an offprint from Targets, No. 7, edited by W.L. Garner (Albuquerque, September 1961)

4. Bukowski, Charles. A CHARLES BUKOWSKI ALBUM
First edition:
New Orleans: Loujon Press, 1961
Side-stapled in printed and illustrated wrappers, 6″ x 9″, (10 copies), offset printed.
(Krumhansl 6)

Note: offprint from The Outsider, No. 1, edited by Jon Edgar & Gypsy Lou Webb (New Orleans: Loujon Press, Fall 1961)

5. Bukowski, Charles. LONGSHOT POMES FOR BROKE PLAYERS
First edition:
New York: 7 Poets Press, (1962)
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 9.25″, 44 pages, (200 copies), offset printed, illustrations by Bukowski, edited and published by Carl Larsen.
(Dorbin A3, Krumhansl 8)

Note: according to Krumhansl, “Bukowski’s title for this book Longshot Pomes for Broke Players, appears in its correct form on the front cover only. Illustrations by Bukowski on front cover, title pages, and throughout the text. Photograph of Bukowski and autobiographical material on recto of last leaf.”

6. Bukowski, Charles. RUN WITH THE HUNTED
First edition:
Chicago: Midwest Poetry Chapbooks, 1962
Saddle-stapled in printed wrappers, 5.5″ x 6.25″, 32 pages, (300 copies), offset printed, dedicated to William Corrington, edited by R.R. Cuscaden. Published as Midwest Poetry Chapbooks 1.
(Dorbin A4, Krumhansl 9)

7. Bukowski, Charles. POEMS AND DRAWINGS
First edition:
Crescent City: Epos, 1962
Side-stapled sheets bound into printed wrappers, 6.5″ x 9.25″, 28 pages, (500 copies), letterpress printed, illustrations by Bukowski, edited by Will Tullos and Evelyn Thorne. Published as Epos Extra Issue.
(Dorbin A2, Krumhansl 7)

Note: according to Krumhansl, “Of the 500 copies printed it is estimated that about 300 copies were sent gratis to subscribers of Epos magazine, the remaining 200 being for sale at the published price.”

8. Bukowski, Charles. IT CATCHES MY HEART IN ITS HANDS
First edition:
New Orleans: Loujon Press, 1963
Perfect-bound in printed and illustrated wrappers with dust jacket, 7.5″ x 10″, 98 pages, 777 copies, letterpress printed, introduction by William Corrington, illustrations by Frank Salantrie, dedicated to Gypsy Lou Webb, edited by Gypsy Lou and Jon Webb. Published as Gypsy Lou Series 1.
(Dorbin A5, Krumhansl 12)

9. Bukowski, Charles. GRIP THE WALLS
First edition:
Storrs: Wormwood Review, 1964
Saddle stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 8 pages, 600 copies, offset printed.
(Dorbin B5, Krumhansl 13)

Note: published as a detachable booklet in The Wormwood Review, Vol. 4, No. 4, Issue 16, edited by Marvin Malone (Storrs: The Wormwood Review Press, December 1964).

10. Bukowski, Charles. CRUCIFIX IN A DEATHHAND
First edition:
New York: Lyle Stuart, 1965
Perfect-bound in illustrated french-fold wrappers, 8.25″ x 12.25″, 102 pages, 3100 copies, letterpress printed, dedicated to Marina Louise Bukowski, illustrations by Noel Rockmore, edited by Gypsy Lou and Jon Webb. Published as Gypsy Lou Series 2.
(Dorbin A6, Krumhansl 15)

11. Bukowski, Charles. COLD DOGS IN THE COURTYARD
First edition:
Chicago: Literary Times and Cyfoeth Publications, 1965
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.25″, 24 pages, 500 copies, letterpress printed, “Foreward” by Bukowski, cover illustration by Betsy Millam, dedicated to Frances Bukowski, edited by Bukowski.
(Dorbin A7, Krumhansl 16)

12. Bukowski, Charles. CONFESSIONS OF A MAN INSANE ENOUGH TO LIVE WITH BEASTS
First edition:
Bensenville: Mimeo Press, August 1965
Saddle-stapled printed and illustrated wrappers, 5.5″ x 8.5″, 52 pages, 500 copies, text mimeograph printed, wrappers offset printed, introductory note by Steve Richmond, cover illustration by Anna Purcell, edited by Douglas Blazek.
(Dorbin A8, Krumhansl 17)

Note: according to Krumhansl, “There is an introduction consisting of twelve lines excerpted from a Steve Richmond letter to Douglas Blazek on the verso of title page. Of the circa 500 copies, 25 copies were issued with a special autographed drawing by Bukowski. The special copies were announced in Ole, No. 3. This ‘long short story’ is the first appearance of the fictional character Henry Chinaski.”

13. Bukowski, Charles. THE GENIUS OF THE CROWD
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled sheets bound into printed and illustrated wrappers, 4.5″ x 6″, 22 pages, 103 copies, letterpress printed by d.a. levy, block prints by Paula Marie Savarino, edited by d.a. levy.
(Dorbin A9, Krumhansl 21)

According to Krumhansl, “Many sheets for this chapbook were printed on trimmed envelopes and are therefore double leaves, with envelope flap sections glued together.”

14. Bukowski, Charles. ALL THE ASSHOLES IN THE WORLD AND MINE
First edition:
Bensenville: Open Skull Press, 1966
Saddle-stapled in illustrated wrappers, 5.5″ x 8.5″, 28 pages, 400 copies, text mimeograph printed, wrappers offset printed, illustrated by Bukowski, dedicated to William Wantling, edited by Douglas Blazek.
(Dorbin A10, Krumhansl 23)

15. Bukowski, Charles. NIGHT’S WORK (INCLUDING BUFFALO BILL)
First edition:
Storrs: Wormwood Review, 1966
Saddle stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 12 pages, 600 copies, offset printed. (Dorbin B11)

Note: Published as a detachable booklet in The Wormwood Review, Vol. 6, No. 4, Issue 24, edited by Marvin Malone (Storrs: The Wormwood Review, March 1967)

16. Bukowski, Charles. 2 BY BUKOWSKI
First edition:
Los Angeles: Black Sparrow Press, 1967
Hand-sewn in printed wrappers, 5.5″ x 8.5″, 8 pages, 111 copies, letterpress printed by Philip Klein.
(Dorbin B12, Krumhansl 25)

From the colophon: “Printed April, 1967 in Los Angeles by Philip Klein for the Black Sparrow Press. This edition is limited to ninety-nine copies; three copies lettered a, b and c, which are not for sale, and ninety-six numbered copies, for sale, all signed by the poet.”

Note: according to Krumhansl, “111 copies were published 7 April 1967, of which 99 were signed, the remaining 12 copies are unsigned, numbered 1-12, and marked ‘Review Copy’ in holograph red ink.”

17. Bukowski, Charles. THE CURTAINS ARE WAVING AND PEOPLE WALK THROUGH THE AFTERNOON HERE AND IN BERLIN AND IN NEW YORK CITY AND IN MEXICO
First edition:
Los Angeles: Black Sparrow Press, 1967
Hand-sewn in printed wrappers, 6.25″ x 6.25″, 12 pages, 125 copies, letterpress printed by Graham Mackintosh.
(Dorbin B14, Krumhansl 26)

From the colophon: “Designed and printed September, 1967 in San Francisco by Graham Mackintosh for the Black Sparrow Press. The edition is limited to one hundred and twenty five copies; three copies lettered a, b, c which are not for sale and one hundred and twenty two numbered copies, for sale, all signed by the poet.”

Note: according to Krumhansl, “According to John Martin, as Bukowski signed The Curtains he added a drawing to his signature in every tenth copy or so. Thus about fifteen copies contain an original drawing.”

18. Bukowski, Charles. AT TERROR STREET AND AGONY WAY
a. First edition, paperback issue, first state:
Los Angeles: Black Sparrow Press, May 1968
Perfect-bound in printed wrappers, 6″ x 8.5″, 89 pages, 18 copies, letterpress printed by Graham Mackintosh.
(Dorbin A11, Krumhansl 27a)

Note: front cover of this state included a misprint whereby “Street” was misprinted as “Sreet”. According to John Martin 18 copies exist thus, without the white label which was affixed to the second state.

b. First edition, paperback issue, second state:
Los Angeles: Black Sparrow Press, May 1968
Perfect-bound in printed wrappers, 6″ x 8.5″, 89 pages, 747 copies, letterpress printed by Graham Mackintosh.
(Dorbin A11, Krumhansl 27b)

Note: this state has a 3.5″ x 5.5″ printed white label tipped on to the front cover to correct the misprinting of the first state.

c. First edition, hardcover, numbered, signed and illustrated issue:
Los Angeles: Black Sparrow Press, May 1968
Hardcover in cloth-bound boards with printed paper spine label, 6″ x 9″, 89 pages, 75 numbered and signed copies, letterpress printed by Graham Mackintosh, with an original watercolor painting by Bukowski tipped in.
(Dorbin A11, Krumhansl 27c)

Note: introductory note by Bukowski, dedicated to John Thomas, John Martin, and John the Baptist, edited by John Martin, printed prospectus issued.

From the colophon: “Designed and printed April, 1968 in San Francisco by Graham Mackintosh for the Black Sparrow Press. The edition is limited to 800 copies in wrappers and 75 hardbound, signed copies each with an original illustration by the poet.”

19. Bukowski, Charles. POEMS WRITTEN BEFORE JUMPING OUT OF AN 8 STORY WINDOW
First edition:
Glendale: Poetry X/Change, 1968
Saddle-stapled sheets bound into illustrated wrappers, 6.5″ x 8.25″, 32 pages, (400 copies), offset printed, introductory note by Bukowski, cover illustration by P. David Horton, center-fold illustration by Bukowski, dedicated to Douglas Blazek.
(Dorbin A12, Krumhansl 28)

Note: according to Krumhansl, “Circa 400 copies were published in the summer of 1968. Note on verso of title page: ‘… a Litmus first edition…’ Published by Darrell Kerr and Charles Potts. Originally this volume was to have been published by Mel Buffington’s Blitz/Mad Virgin Press in August or September of 1965.”

20. Bukowski, Charles. NOTES OF A DIRTY OLD MAN
First edition:
North Hollywood: Essex House, January 1969
Perfect-bound in printed and illustrated wrappers, 4.5″ x 6.5″, 256 pages, (c. 28,000 copies), offset printed, introductory note by Bukowski, cover illustration by Larry Gaynor.
(Dorbin A13, Krumhansl 29)

Note: according to Krumhansl, “Collected from Bukowski’s weekly column in Open City, a Los Angeles underground newspaper. The newspaper published circa 92 issues between 1964-1969. Bukowski was listed as a Contributing Editor throughout the life of the paper and contributed to 87 issues.”

21. Bukowski, Charles. A BUKOWSKI SAMPLER
First edition:
Madison: Quixote Press, July 1969
Saddle-stapled in printed and illustrated wrappers, 7″ x 9.25″, 80 pages, 400 copies, offset printed, introduction by Douglas Blazek, illustrations by Bukowski, printed prospectus issued.
(Dorbin A14, Krumhansl 30)

22. Bukowski, Charles. IF WE TAKE
a. First edition, regular issue:
Los Angeles: Black Sparrow Press, 1969
Hand-sewn with green thread in printed wrappers, 4.5″ x 5.5″, 16 pages, 350 copies, letterpress printed by Noel Young.
(Krumhansl 31a)

Note: 350 unsigned copies issued, not 300 as stated in the colophon.

b. First edition, signed issue:
Los Angeles: Black Sparrow Press, 1969
Hand-sewn with red thread in printed wrappers, 4.5″ x 5.5″, 16 pages, 100 numbered and signed copies, plus one marked “File Copy”, letterpress printed by Noel Young.
(Krumhansl 31b)

From the colophon: “Design by Barbara Martin. Printed by Noel Young. Published as a New Year’s Greeting to the friends of the Black Sparrow Press in an edition of 400 copies, 100 of which are numbered and signed by the author.”

23. Bukowski, Charles. THE DAYS RUN AWAY LIKE WILD HORSES OVER THE HILLS
a. First edition, paperback issue:
Los Angeles: Black Sparrow Press, 1969
Perfect-bound in printed wrappers, 6″ x 9.25″, 160 pages, 1243 copies, letterpress printed by Noel Young.
(Krumhansl 32a)

b. First edition, hardcover, numbered and signed issue:
Los Angeles: Black Sparrow Press, 1969
Hardcover in printed paper-bound boards and cloth backstrip with paper label in acetate dust jacket, 6.5″ x 9.75″, 160 pages, 250 numbered and signed copies, letterpress printed by Noel Young.
(Krumhansl 32b)

c. First edition, hardcover, numbered, signed and illustrated issue:
Los Angeles: Black Sparrow Press, 1969
Hardcover in printed paper-bound boards and patterned cloth backstrip with paper label in acetate dust jacket, 6.5″ x 9.75″, 160 pages, 63 numbered and signed copies with original artwork tipped in, letterpress printed by Noel Young.
(Krumhansl 32c)

From the colophon: “Printed December 1969 in Santa Barbara by Noel Young for the Black Sparrow Press. Design by Barbara Martin. This edition is limited to 1250 copies in paper wrappers; 250 hardcover copies numbered & signed by the poet; & 50 numbered copies handbound in boards by Earle Gray, signed & with an original illustration by the poet.”

d. prospectus
Los Angeles: Black Sparrow Press, 1969
Broadside printed on both sides, 6″ x 9″, letterpress printed.

Note: from the verso: “The poetry of Charles Bukowski is by turns savage, tender, humorous. The individual poems are memorable, with a blood-freezing immediacy. The prey in Bukowski’s poems are life’s victims in precisely the same sense that we are all victims…”

—

Richard Krech

SECTION A: BOOKS, PAMPHLETS, BROADSIDES, ETC. BY RICHARD KRECH

A1. WE ARE ON THE VERGE OF ECSTACY
Cleveland: 7 flowers press, 1967
First edition, side-stapled sheets, cover hand-painted by Mara, 8½” x 11”, 6 pages, 250 copies, mimeograph printed by d.a. levy. (T&H P-138)

A2. HOW EASILY YOUR MIND CAN SLIP OFF
Carmichael: Runcible Spoon, 1967
First edition, stapled wrappers, cover illustration of Krech by Martha Krech, 5½” x 8½”, [16 pages], 500 copies, mimeograph printed, offset cover.

A3. THE HASHISH SCARAB
Sacramento: Runcible Spoon, 1968
First edition, stapled wrappers, cover photograph of the hashish scarab, 4¼” x 11”, [16 pages], 500 copies, mimeograph printed, offset cover.

A4. POEMS FROM THE INTERRUPTED JOURNAL
Milwaukee: Gunrunner Press, 1968
First edition, stapled wrappers, cover illustration by Martha Krech, 8½” x 11”, 10 pages, 250 copies, mimeograph printed, offset cover, dedicated to d. a. levy.

A5. MYTHOLOGY FOR THE PEOPLE’S LIBERATION
Berkeley: Undermine Press, 1968
First edition, stapled wrappers, cover collage by Krech, 5½” x 8½”, [12 pages], [250 copies], mimeograph printed, offset cover.

A6. POEMS FROM THE FREE WORLD
Berkeley: Richard Krech, 1972
First edition, stapled wrappers, cover collage and illustrations by Krech, 5½” x 8½”, [32 pages], [200 copies], photo-offset printed.

A7. THE INCOMPLEAT WORKS OF RICHARD KRECH; POEMS 1966-1974
Salt Lake City: Litmus, 1976
First edition, perfect-bound, illustrated by Krech, 5¼” x 8¼”, [90 pages], [500 copies], photo-offset printed.

A8. THE STATUE WITH NO FACE
Mukilteo: Empty Mirror Books, 2002
First edition, broadside, 8½” x 11”, 126 copies (100 trade copies and 26 lettered and signed copies), letterpress printed, published as Quartermoon Press Broadsides #1. Handset and printed by Jason Davis. This is Krech’s first broadside.

A9. THE 1932 3AF CLARET
Sebastopol: Dpress, 2002
First edition, hand-sewn wrappers, 5½” x 8”, [28 pages], [90 copies], photocopy printed.

A10. LIFE ON APPEAL
Pasadena & Richmond: palOmine Press, 2003
First edition, broadside, 4” x 6”, 26 lettered and signed copies, letterpress printed, published as palOmine press #1.

A11. WHAT I DID ON MY SUMMER VACATION
Berkeley: Jeff Maser – Bookseller, 2003
First edition, broadside, 7” x 11”, 126 copies (100 trade copies, 26 lettered and signed copies) letterpress printed, designed and printed at Occasional Works in Menlo Park.

A12. THE LOCATION OF THE TRIPLE JEWEL
Sebastopol: Dpress, 2003
First edition, hand-sewn wrappers, 5½” x 8¼”, [24 pages], [80 copies].

A13. BODHISATTVA OF THE PUBLIC DEFENDER’S OFFICE
[Albany]: Remitittur Broadside, 2004
First edition, broadside, illustrated by Briana Miller, 8½” x 11”, 226 copies (200 trade copies and 26 lettered and signed copies).

A14. POEMS FOR MARY’S GARDEN
Sebastopol: Dpress, 2005
First edition, hand-sewn wrappers, cover illustration by Briana Miller, centerfold illustration by Richard Krech, 5½” x 8½”, [24 pages], 26 lettered copies.

A15. THE DEVOUT MAN’S LATE NIGHT PRAYER
Berkeley: Low & Outside, 2005
First edition, stapled wrappers, 5½” x 8½”, 16 pages, 150 copies, letterpress covers, published as Low & Outside Number Two.

A16. DESIRE NO. 2
Berkeley: Low & Outside, 2005
First edition, broadside, 5” x 7”, [50 copies], letterpress printed, published as Low & Outside Broadside #1.

A17. POEMS: THEN, HERE, NOW
Morgantown: The Legal Studies Forum, 2005
First edition, perfect bound, 5¾” x 8¾”, 39 pages, [50 copies], offprint from The Legal Studies Forum, Volume XXIX, No. 1, 2005. (see C106)

A18. AFTER THE LAPIN AGILE
Dover: Bottle of Smoke Press, 2005
First edition, broadside, illustrated by Briana Miller, 5½” x 8½”, 126 copies (100 trade copies and 26 lettered and signed copies).

A19. RUMORS OF ELECTRICITY
Somerville: sunnyoutside press, 2006
First edition, first printing, stapled wrappers, 5” x 7”, 36 pages, 200 copies, letterpress printed covers. [Second printing in 2008, stapled wrappers, 5” x 7”, 36 pages, 200 copies, offset printed covers.]

A20. SECOND OPINION
[Dover]: Bottle of Smoke Press, [December 2006]
First edition, side-stapled sheets with library tape binding, 5½” x 4”, [7 pages], [100 copies], letterpress printed covers.

A21. SOME GLOBAL POSITIONING DHARMA
Santa Rosa: Red Barn Press, 2007
First edition, stapled wrappers, cover photograph by Filipe Alves, title page drawing by Briana Miller, 5½” x 8½”, [24 pages], [75 copies].

A22. ECOLOGICAL HEGEMONY
[Dover]: Guerilla Poetics Project, [May 2007]
First edition, broadside, 4¼” x 5½”, [800 copies], letterpress printed, [published as Guerilla Poetics Project broadside #19].

A23. ON THE FENCE
Sacramento: Poems-For-All, March 2007
First edition, stapled wrappers, 1¾” x 2”, [200 copies], [10 pages], published as Poems-For-All #735.

A24. COVERT INTERCEPT
Sacramento: Poems-For-All, March 2007
First edition, stapled wrappers, 1¾” x 2”, [200 copies], [4 pages], published as Poems-For-All #749.

A25. WE ARE ON THE VERGE OF ECSTACY, Selected Early Poems, 1965-1970
Cleveland Heights: Green Panda Press, 2007
First edition, stapled wrappers, 5½” x 8½”, [40 pages], [200 copies].

A26. FROM BOTH SIDES OF THE LINE BREAK
Florence: Glass Eye Books, 2007
First edition, stapled wrappers, 4¼” x 5½”, [20 pages], 100 copies (74 numbered trade copies and 26 lettered and signed copies].

A27. 3 BY RICHARD KRECH
Los Angeles: Rose of Sharon Press, February 2008
First edition, broadside, 8½” x 11”, [100 copies], folded once to make 4 pages, layout and design by S.A. Griffin, published as Meat Broadside #4.

A28. IN CHAMBERS: THE BODHISATTVA OF THE PUBLIC DEFENDER’SOFFICE
Buffalo: sunnyoutside press, 2008
First edition, perfect bound, 6” x 9”, 48 pages, [200 copies].

A29. WITHIN THE CURTILAGE
Dover: Bottle of Smoke Press, 2008
First edition, cover and frontispiece illustrations by Briana Miller, 5½” x 8¼”, 24 pages, 126 copies( 100 numbered copies in wrappers and 26 lettered and signed hardcover copies.

…………………………………………………………………………………………………………..

SECTION B: CONTRIBUTIONS TO BOOKS, ANTHOLOGIES, ETC.

B1. OLÉ ANTHOLOGY, edited by Douglas Blazek
Glendale: Poetry X/Change, 1967
First edition, perfect bound, 6¼” x 8½”, 89 pages, 5000 numbered copies. (DenBoer C15)

B2. D.A LEVY: A TRIBUTE TO THE MAN, AN ANTHOLOGY OF HIS POETRY, edited by r.j.s
Cleveland: Ghost Press, 1968
First edition, side-stapled sheets with library tape binding, 8½” x 11”, [250 pages], 1000 copies. (T&H C-01) (DenBoer B8). [Second printing in May 2007, perfect bound, 8½” x 11”, [250 pages], 400 copies.]

B3. THE ANTHOLOGY OF POEMS READ AT COSMEP, edited by Richard Krech and John Oliver Simon
Berkeley: Undermine Press & Aldebaran Review, 1968
First edition, stapled wrappers, 7” x 8½”, 70 pages, 500 copies. (DenBoer B9)

B4. ONLY HUMANS WITH SONGS TO SING, edited by Bob Auerbach, Dan Georgakis, and Haj Razavi
New York: Ikon Press / Smyrna Press, [1968]
First edition, stapled wrappers, silkscreen cover by Nancy Colin, 6” x 9”, [72 pages], offset printed.

B5. LUNG SOCKET, edited by Brown Miller
San Francisco: Open Skull Press, 1968
First edition, side-stapled sheets, 8½” x 11”, front cover collage by Douglas Blazek, back cover collage by Charles Plymell, 58 pages, 300 copies. (DenBoer B13)

B6. AMPERSAND, edited by T.L. Kryss and R. Wolter
San Francisco: Ampersand, March 1969
First edition, side-stapled sheets with library tape binding, 8½” x 11”, [86 pages].

B7. CAMPFIRES OF THE RESISTANCE; POETRY FROM THE MOVEMENT, edited by Todd Gitlin
NY: The Bobbs-Merrill Company, 1971
First edition, perfect bound wrappers and hardcover in dust-jacket, 6” x 9”, 295 pages

B8. LIVING UNDERGROUND: AN ANTHOLOGY OF CONTEMPORARY AMERICAN POETRY, edited by Hugh Fox
Troy: Whitson Publishing, 1973
First edition, hardcover with no dust-jacket, 6¼” x 9”, 479 pages.

B9. AVALANCHE 7, 1776-1976 ON REVOLUTION
Berkeley: East Bay Poets Union, 1976
First edition, side-stapled sheets, 8½” x 11”, [17 pages].

B10. PACIFIC NORTHWESTERN SPIRITUAL POETRY, edited by Charles Potts
Walla Walla: Tsunami, 1998
First edition, perfect bound, cover art by Robert McNealy, 6” x 9”, 383 pages.

B11. AFTER THE RED BARN RAFTER, edited by Bree
Cleveland Heights: Green Panda Press, 2007
First edition, stapled wrappers, 7” x 8½”, [12 pages], digitally printed.

B12. THE LAST STENCILS ON EARTH
Sacramento: The Book Collector / Sal Mimeo / The Carma Bums, 2007
First edition, side-stapled sheets, 8½” x 11”, [19 pages], [200 copies], mimeograph printed.

B13. GPP READER, edited by Ed Kauffman
[Dover]: Guerilla Poetics Project, 2007
First edition, perfect bound, 6” x 9”, 141 pages, 200 copies.

B14. 3 POETS 3 POEMS
Dover: Bottle of Smoke, November 2007
First edition, hand-sewn wrappers, 7” x 8¼”, [4 pages], 104 copies, letterpress printed. (Roberts 91)

B15. ANIMALS WITHOUT BACKBONES, edited by Bree
Cleveland Heights: Green Panda Press, 2007
First edition, stapled wrappers, 5½” x 8½”, [12 pages], digitally printed, published as Green Panda Press Anthology #7.

B16. KA-BOOM 1968-2008
[Dover]: Bottle of Smoke, [2008]
First edition, envelope containing broadsides, 5¾” x 8¾”, [103 copies], letterpress printed. (Roberts 96a)

B17. BERKELEY DAZE, edited by Richard Denner
Sebastopol: dPress, 2008
First edition, perfect bound, 7” x 10”, 494 pages, photocopy printed.

…………………………………………………………………………………………………………..

SECTION C: CONTRIBUTIONS TO PERIODICALS

1965

C1. COMMUNITY LIBERTARIAN #1, edited by Richard Krech
Berkeley, May 1965

C2. KAURI #11, edited by Will Inman
New York, November-December 1965

C3. MAGIC DRAGON #1
Mitchell Gardens: Friends World Institute, 1965

C4. MAGIC DRAGON #2
Mitchell Gardens: Friends World Institute, 1965

C5. PRINTED EDUCATIONAL MATERIAL #1, edited by Richard Krech
[New York]: Undermine Press, 1965

C6. PRINTED EDUCATIONAL MATERIAL #3, edited by Richard Krech
[New York]: Undermine Press, 1965

1966

C7. AVALANCHE #1, edited by Richard Krech
Berkeley: Undermine Press, Summer 1966

C8. AVALANCHE #2, edited by Richard Krech
Berkeley: Undermine Press, Fall 1966

C9. FAT FROG #14, edited by Sharon Asselin
San Bruno, [1966]

C10. LOVELETTER #3, edited by Al Young
Palo Alto, [1966]

C11. LOVELETTER Triple Number #4, 5, 6, edited by Al Young
Palo Alto, [1966]

C12. MIMEO #2, edited by Sam Cornish
Baltimore, [1966]

C13. OLÉ #6, edited by Douglas Blazek
Bensenville, 1966

C14. POETRY NEWSLETTER #8, edited by Wally Depew
New York, 1966

C15. SPERO, Volume 1, Issue 2, edited by Douglas and Kathy Casement
Chicago: Spero, 1966

C16. UNIVERSITY OF TAMPA POETRY REVIEW #9, edited by Duane Locke
Tampa, 1966

C17. KAURI #13, edited by Will Inman
New York, March-April 1966

C18. WORK #4, edited by John Sinclair
Detroit: Artists Workshop Press, Summer / Fall / Winter 1966

C19. KAURI #14, edited by Will Inman
New York, May-June 1966

C20. KAURI #15, edited by Will Inman
New York, July-August 1966

1967

C21. AVALANCHE #3, edited by Richard Krech
Berkeley: Undermine Press, Summer 1967

C22. AXOLOTL
Oakland: Merritt College Literary Magazine, June 1967

C23. BLACK SUN, Volume 2, Number 2, edited by Harvey Tucker
New York, 1967

C24. CONGRESS #1, edited by Sam Seiffer
Bronx, 1967

C25. CONGRESS #2, edited by Sam Seiffer
New York, [1967]

C26. ENTRAILS #3, edited by Gene Bloom and Mike Bernardi
New York, February-March 1967

C27. ENTRAILS #4, edited by Mike Bernardi
New York, July-August 1967

C28. THE FLASH OF PASADENA #5, edited by Darrel Kerr
Pasadena, June 1, 1967

C29. LUV #3, edited by David W. Harris
Toronto: Fleye Press, 1967

C30. KAURI #21, edited by Will Inman
New York, July-August 1967

C31. MAGDALENE SYNDROME GAZETTE #5, edited by David Tammer
Chico, circa 1967

C32. MANHATTAN REVIEW #3, edited by Eric Oatman
New York, 1967

C33. MIMEO, Volume 2, #3, edited by Sam Cornish
Cambridge, circa 1967

C34. MIMEO, Volume 2, #4, edited by Sam Cornish
Baltimore, circa 1967

C35. OLÉ #8, edited by Douglas Blazek
Wood Dale, 1967

C36. POETRY NEWSLETTER #9 & 10, edited by Wally Depew
Sacramento, circa 1967

C37. POETRY NEWSLETTER #12, edited by Wally Depew
Scranton, circa 1967

C38. NEXUS #14, edited by Jerome Kulek
San Francisco, Jan-Feb 1967

C39. THE WORKSHEET DIRECTORY #5
Monmouth: February 1967

C40. THE BERKELEY BARB, Volume 4, Number 7, Issue 79, edited by Max Scheer
Berkeley: February 17, 1967

C41. THE BERKELEY BARB, Volume 4, Number 10, Issue 82, edited by Max Scheer
Berkeley: March 10, 1967

C42. SMALL PRESS REVIEW, Volume 1, Number 1, edited by Len Fulton
El Cerrito: Spring, 1967

C43. THE HELIX, Volume 1, Number 6, Edited by Paul Dorpat
Seattle: June 23, 1967

C44. SMALL PRESS REVIEW, Volume 1, Number 2, edited by Len Fulton
El Cerrito: Fall, 1967

C45. THE BERKELEY BARB, Volume 5, Number 17, Issue 62, edited by Max Scheer
Berkeley: October 27, 1967

1968

C46. ALDEBARAN REVIEW #1, edited by John Oliver Simon
Berkeley: 1968

C47. ALDEBARAN REVIEW #2, edited by John Oliver Simon
Berkeley, 1968

C48. ALDEBARAN REVIEW #3, edited by John Oliver Simon
Berkeley, 1968

C49. AVALANCHE #4, edited by Richard Krech
Berkeley: Undermine Press, Spring 1968

C50. CAMEL’S COMING #8-9, edited by Richard Morris
Reno, 1968

C51. CONGRESS #4, edited by Sam Seiffer
New York, [1968]

C52. THE FAT FROG, edited by Sharon Asselin
San Francisco, [1968]

C53. GROUND ZERO #1, edited by r.j.s.
Cleveland, [1968]

C54. LITMUS #5/6, edited by Charles Potts
Seattle, 1968

C55. THE LITTLE MAG #1, edited by Larry Coleman
Niagara Falls, [1968]

C56. THE LITTLE MAG #3, edited by Larry Coleman
Niagara Falls, [1968]

C57. LITMUS #8, edited by Charles Potts
Berkeley, 1968

C58. LITMUS #9, edited by Charles Potts
Berkeley, 1968

C59. TOUCAN, Volume 1, #2, edited by Alex Gildzen and R.L. Carothers
Kent, 1968

C60. COPKILLER #1, edited by Robert Head and Darlene Fife
New Orleans, January 1968

C61. SANDSCRIPT #1, edited by Sharon Asselin
San Bruno, February 1968

C62. GRASS PROFIT REVIEW #1
Berkeley, Feb. 25, 1968

C63. THE WILLIE #2, edited by The Willie
Los Angeles, Spring 1968

C64. GRASS PROFIT REVIEW #5
Berkeley, April 8, 1968

C65. PRESENCE #3, edited by Dan Connell
Buffalo, Summer 1968

C66. AXOLOTL
Oakland: Merritt College Literary Magazine, June 1968

C67. GRASS PROFIT REVIEW #6
Berkeley, June 10, 1968

C68. SAN FRANCISCO EXPRESS TIMES, Volume 1, Number 23, edited by Marvin Garson
San Francisco: June 12, 1968

C69. SAN FRANCISCO EXPRESS TIMES, Volume 1, Number 24, edited by Marvin Garson
San Francisco: June 19, 1968

C70. GRASS PROFIT REVIEW #7
Berkeley, June 29, 1968

C71. BARRICADES #2
Berkeley: Berkeley Commune, July 1968

C72. GRASS PROFIT REVIEW #8
Berkeley, July 17, 1968

C73. THE BERKELEY BARB, Volume 7, Number 9, Issue 159, edited by Max Scheer
Berkeley: August 30, 1968

C74. WORDJOCK #4, edited by Charles Tidler
Tipton, November 1968

C75. CONNECTIONS, Volume 2, Number 4
Madison: November 27, 1968

C76. SMALL PRESS REVIEW, Volume 1, Number 3, edited by Len Fulton
El Cerrito: Winter, 1968

1969

C77. AUDIT #3, edited by Edward Kissam
Buffalo, 1969

C78. AVALANCHE #5, edited by Richard Krech
Berkeley: Undermine Press, Winter 1969

C79. JOURNAL FOR THE PROTECTION OF ALL BEINGS #3, edited by Sandra Corrie and Laura Stine
San Francisco: City Lights, 1969, Printed by Noh Directions Press (Cook 76)

C80. DUST #12, Volume 3, Number 4, edited by Andrew Curry
Paradise: Dustbooks, Spring 1969

C81. SAN FRANCISCO GOOD TIMES, Volume II, Number 28, edited by Marvin Garson
San Francisco: July 24, 1969

C82. THE HELIX, Volume 10, Number 8, edited by Paul Dorpat
Seattle: November 27, 1969

1970

C83. RUNCIBLE SPOON #2, FINAL RESTING PLACE OF THE 10,000 NAMES OF THE BUDDHA, edited by D.r. Wagner
Sacramento: Runcible Spoon, 1970

C84. RUNCIBLE SPOON #3, ALL OF US TOGETHER, edited by D.r. Wagner
Sacramento: Runcible Spoon, 1970

C85. CONSUMPTION, Volume 3, Numbers 1 & 2, THE WHITES OF THEIR EYES: REVOLUTIONARY POEMS, edited by Paul Hunter, Patti Parson, and Tom Parson
Seattle: Consumption, March 1970

1971

C86. ALDEBARAN REVIEW #11, edited by John Oliver Simon
Berkeley, 1971

C87. LITMUS #10, edited by Charles Potts
Salt Lake City, 1971

C88. LITMUS #11, edited by Charles Potts
Salt Lake City, 1971

1977

C89. ALDEBARAN REVIEW #25, edited by John Oliver Simon
Berkeley, 1977

2001

C90. THE TEMPLE #19, Volume 5, Number 3, edited by Charles Potts
Walla Walla, 2001

C91. ECSTATIC PEACE POETRY JOURNAL #3, edited by Thurston Moore
Northampton, Winter 2001/2002

2002

C92. BUTCHER’S BLOCK #5, edited by David Greenspan
Oneonta, 2002

2003

C93. ECSTATIC PEACE POETRY JOURNAL #4, edited by Thurston Moore Northampton, Summer 2003

C94. ECSTATIC PEACE POETRY JOURNAL #5, edited by Thurston Moore
Northampton, Winter/Spring 2003

C95. EXIT 13 #11, edited by Tom Plante
Fanwood, 2003

C96. CALIFORNIA DEFENDER
Sacramento: California State Public Defender’s Association, Summer 2003

C97. SHUFFLE BOIL #4, edited by David Meltzer and Steve Dickerson
Berkeley, 2003

2004

C98. BOTTLE OF SMOKE #2, edited by Bill Roberts
Bear, 2004 (Roberts 28)

C99. X-RAY #10, edited by Johnny Brewton
Pasadena: X-Ray Book Co., 2004

C100. 6-PACK #3, edited by Bill Roberts
Bear, July 2004 (Roberts 34, 59)

C101. BATHTUB GIN #15, edited by Christopher Harter
Bloomington, Fall/Winter 2004

2005

C102. BUTCHER’S BLOCK #6, edited by David Greenspan
Oneonta, 2005

C103. VAN GOGH’S EAR #4, edited by Ian Ayers
Paris: French Connection Press, 2005

C104. EXIT 13 #12, edited by Tom Plante
Fanwood, 2005

C105. BOTTLE OF SMOKE #3, edited by Bill Roberts
Dover, 2005 (Roberts 50)

C106. LEGAL STUDIES FORUM, Volume XXIX, Number 1, edited by James R. Elkins
Morgantown: University of West Virginia, 2005

C107. BAGAZINE #1, edited by Johnny Brewton
Ventura: X-Ray Book Co., 2005

2006

C108. LEGAL STUDIES FORUM, Volume XXX, Numbers 1&2, edited by James R. Elkins
Morgantown: University of West Virginia, 2006

C109. BOTTLE OF SMOKE #4, edited by Bill Roberts
Dover, 2006 (Roberts 72)

C110. ECSTATIC PEACE POETRY JOURNAL #7, edited by Thurston Moore Northampton, Spring/Summer 2006

C111. EXIT 13 #13, edited by Tom Plante
Fanwood, 2006

C112. KICKASS REVIEW Volume VI, Number 7, edited by Richard Denner
Sebastopol, 2006

C113. MIRAGE #4 (PERIOD(ICAL) #135, edited by Kevin Killian and Dodie Bellamy
San Francisco, 2006

C114. KICKASS REVIEW Volume VI, Number 8, edited by Richard Denner
Sebastopol, 2006

C115. CACJ FORUM, Volume 33, Number 3
Sacramento: California Attorneys for Criminal Justice, October 2006

2007

C116. LEGAL STUDIES FORUM, Volume XXXI, Number 1, edited by James R. Elkins
Morgantown: University of West Virginia, 2007

C117. BAGAZINE #2, edited by Johnny Brewton
Pasadena: X-Ray Book Co., 2007

C118. EXIT 13 #14, edited by Tom Plante
Fanwood, 2007

C119. ZYGOTE IN MY COFFEE #4, edited by Brian Fugett
Kettering: Summer/Fall 2007

2008

C120. LEGAL STUDIES FORUM, Volume XXXII, Number 1, edited by James R. Elkins
Morgantown: University of West Virginia, 2008

C121. CONCRETE MEAT SHEET #8, edited by Adrian Manning
Leicester: 2008

C122. BAGAZINE #3, edited by Johnny Brewton
Pasadena: X-Ray Book Co., 2008

C123. ACBA BULLETIN, Volume 39, #2
Oakland: Alameda County Bar Association, Spring 2008

C124. NIBBLE, 2nd bite, edited by Jeff Fleming
Oakland: July 2008

C125. ZYGOTE IN MY COFFEE #5, edited by Brian Fugett
Kettering: Spring/Summer 2008

C126. CONCRETE MEAT SHEET #10, edited by Adrian Manning
Leicester: July 2008

2009

C127. NIBBLE, 4th bite, edited by Jeff Fleming
Oakland: January 2009

C128. NIBBLE, 7th bite, edited by Jeff Fleming
Oakland: March 2009

C129. BOTTLE OF SMOKE #6, edited by Bill Roberts
Dover: 2009

C130. OCTOTHORP #1, edited by David Michael MacNamara
Buffalo: sunnyoutside press, 2009

…………………………………………………………………………………………………………..

SECTION D: PUBLICATIONS EDITED, PRINTED, OR PUBLISHED

Undermine Press Chapbooks

D1. Upton, Michael. SEVEN SONGS OF MORNING
Berkeley: Undermine Press, 1966
Stapled wrappers, cover self portrait by Upton, 5½” x 8½”, 500 copies, photo-offset printed.

D2. Abramson, Martin P. FOOTPRINTS
Berkeley: Undermine Press, 1967
Stapled wrappers, frontispiece photograph of Abramson by Harold Adler, 5½” x 8½”, 500 copies, photo-offset printed.

D3. Wagner, D.r. BOOK FOR BARB
Berkeley: Undermine Press, 1967
Stapled wrappers, front cover photograph of Wagner and lettering by Barbara O’Connelly, 5½” x 8½”, 500 copies, photo-offset printed.

D4. Krech, Richard. MYTHOLOGY FOR THE PEOPLE’S LIBERATION
Berkeley: Undermine Press, August 10, 1968
Stapled wrappers, cover art and illustration by Krech, 5½” x 8½”, photo-offset printed. (see also A5)

D5. Thomson, John. DEADFLOWERS
Berkeley: Undermine Press, November 1968
Stapled wrappers, cover art and illustrations by John Thompson, 7” x 10”, 500 copies printed by Noh Directions Press, photo-offset printed.

D6. Xavier, Paul. THE ANARCHIST PAPERS, PICK POCKET POETS SERIES NUMBER TWENTY FIVE
Berkeley: Undermine Press, February 1969
Stapled wrappers, 5” x 6½”, 1000 copies printed by Noh Directions Press, photo-offset printed.

D7. Simon, John Oliver. DANCING BEAR
Berkeley: Undermine Press, September 1969
Stapled wrappers, front cover photograph by Victor Wilkotz, inside photograph and back cover photograph of Simon by Martin Schewitzer, 6” x 9”, 500 copies: 100 copies signed by Simon and published as AVALANCHE #6, and 400 trade copies, photo-offset printed.

D8. THE ANTHOLOGY, OF POEMS READ AT COSMEP, Berkeley, California, May 23-26, 1968, edited by Richard Krech and John Oliver Simon.
Berkeley: Undermine Press, 1968
Stapled wrappers, cover photographs by Harold Adler, additional photographs by Harold Adler and Beth Borosund, poetry reading leaflet collages by Jan Kepley and Richard Krech, 500 copies printed with 50 numbered and signed by Noh Directions Press. [see also B3]

Undermine Press Periodicals

D9. AVALANCHE #1, edited by Richard Krech
Berkeley: Undermine Press, Summer 1966
Stapled wrappers, cover art by Martha Krech, 5½” x 8½”, 44 pages, 500 copies, photo-offset printed. (see also C7)

D10. AVALANCHE #2, edited by Richard Krech
Berkeley: Undermine Press, Fall 1966
Stapled wrappers, front cover by Patricia Oberhaus, back cover by John Thomson, 5½” x 8½”, 48 pages, 500 copies, photo-offset printed. (see also C8)

D11. AVALANCHE #3, Special Rock and Roll Issue, edited by Richard Krech
Berkeley: Undermine Press, Summer 1967
Stapled wrappers, covers by Patricia Oberhaus, 5½” x 8½”, 60 pages, 500 copies, photo-offset printed. (see also C21)

D12. AVALANCHE #4, edited by Richard Krech
Berkeley: Undermine Press, Spring 1968
Stapled wrappers, covers by Martha Krech, 5½” x 8½”, 76 pages, 500 copies, photo-offset printed. (see also C49)

D13. AVALANCHE #5, Special Roadmap Supplement, edited by Richard Krech
Berkeley: Undermine Press, Winter 1969
Single 8½” x 14” sheet folded twice to make 8 sections, 500 copies, photo-offset printed, printed by Noh Direction Press. (see also C78)

D14. AVALANCHE #6, DANCING BEAR by John Oliver Simon
Berkeley: Undermine Press, September 1969
Stapled wrappers, front cover photograph by Victor Wilkotz, inside photograph and back cover photograph of Simon by Martin Schewitzer, 6” x 9”, 100 copies signed by Simon, photo-offset printed, published as AVALANCHE #6. (see also D7)

Undermine Press Miscellany

D15. Monson. YOU LOOK AT THE PILE OF UNPAID BILLS
Berkeley: Undermine Press, May 1966
Broadside, illustrated with a drawing of Monson by Martha Krech, 8½” x 11”, 250 copies printed by Berkeley Free Press, published as Broadside Number One.

D16-18. PRINTED EDUCATIONAL MATERIAL, edited by Richard Krech
[New York]: Undermine Press, 1965-1966
Side-stapled sheets, three issues containing anonymous poetry, letters, quotations, 8½” x 11”, 4 pages, mimeograph printed. (see also C5, C6)

Noh Directions Press Periodicals

D19-D28. THE GRASS PROFIT REVIEW
Berkeley: March 11 – October 20, 1968
Single 8½” x 11” sheet, mimeograph and photo-offset printed, 10 issues published containing anonymous poetry, articles, information. (see also C62, C64, C67, C70, C72)

D29-D33. SAN FRANCISCO EXPRESS TIMES, TELEGRAPH AVENUE EDITION
Berkeley: March 14 – May 14, 1969
Single 8½” x 14” sheet, five issues containing anonymous photographs, articles, poetry, People’s Park news, photo-offset printed, distributed for free on Telegraph Avenue.

D34-D39. TELEGRAPH AVENUE LIBERATION FRONT MANUAL
Berkeley: September 19 – October 31, 1969
Single 8½” x 14” sheet, six issues containing anonymous photographs, articles, poetry, news, comics, photo-offset printed, distributed for free on Telegraph Avenue.

Noh Directions Press Ephemera and Job Work

D40. BERKELEY COMMUNE
[Berkeley]: Noh Directions, n.d.
Single 8½” x 14” sheet folded to make four pages, photo-offset printed, job work printed for Persian Fuckers Anonymous & Unlimited

D41. BERKELEY LIBERATION PROGRAM
[Berkeley]: [Noh Directions], n.d.
Stapled wrappers, 7” x 8½”, [8 pages], photo-offset printed

D42. DANGEROUS POETRY FROM NOH DIRECTIONS PRESS
[Berkeley]: Noh Directions, n.d.
Single 8½” x 14” sheet folded to make four pages, photo-offset printed, lists available publications: Aldebaran Review, Avalanche, etc.

D43. ELDRIDGE CLEAVER IS FREE
[Berkeley]: Noh Directions, 1969
Stapled wrappers, 5½” x 8½”, [8 pages], contents reprinted from Black Panther newspaper and White Panther Manifesto.

D44. INTERNATIONAL CONSPIRACY-FREE MYTHOLOGY
[Berkeley]: [Noh Directions], n.d.
Single 8½” x 11” sheet folded to make four pages, photo-offset printed.

D45. THE MARIJUANA CONSUMERS AND DEALERS GUIDE, MARY JANE SUPERWEED
[Berkeley]: Chthon Press [printed by Noh Directions Press], 1968
Stapled wrappers, 5½” x 8½”, 16 pages.

D46. Waldman, Joel. ICE PRINCESS
Berkeley: Noh Directions, 1968
Perfect bound, 5½” x 8½”, 38 pages, photo-offset printed.

D47. MEXICO 68, FOR NATIONAL COUNCIL OF STRIKE COMMITTEE OF MEXICO CITY
[Berkeley]: Noh Directions, n.d.
Stapled wrappers, 5½” x 8½”, [32 pages], photo-offset printed.

D48. PAUL LANCER’S CONDENSED BULLETS WITH BOMBS AND BUCKSHOT
Berkeley: Noh Directions, 1969
Stapled wrappers, cover art and illustrations by M.A., 7¼” x 8½”, [36 pages], photo-offset printed.

D49. REAL FACTS
[Berkeley]: [Noh Directions], n.d.
Stapled wrappers, 5½” x 8½”, [14 pages], photo-offset printed.

D50. TRICONTINENTAL SUPPLEMENT
[Berkeley]: [Noh Directions], n.d.
Single 8½” x 14” sheet folded to make four pages, photo-offset printed, Job work printed for Berkeley Commune

Miscellaneous

D51. Spicer, Jack. THE HOLY GRAIL
Berkeley: Jolly Rogers Press, 1969
Stapled wrappers, 5½” x 8½”, 18 pages, mimeograph photo-offset printed. Pirated edition [printed and published by Richard Krech and John Oliver Simon at Noh Directions Press].

D52. COMMUNITY LIBERTARIAN #1, edited by Richard Krech
Berkeley, May 1965
Stapled sheets, 8½” x 11”, 22 pages, mimeograph printed. (see also C1)

…………………………………………………………………………………………………………..

REFERENCES CONSULTED:

Clay, Steven and Rodney Phillips. A SECRET LOCATION ON THE LOWER EAST SIDE: Adventures in Writing, 1960-1980
New York: New York Public Library / Granary Books, 1998

Cook, Ralph T. CITY LIGHTS BOOKS: A DESCRIPTIVE BIBLIOGRAPHY
Metuchen: Scarecrow Press, 1992

DenBoer, James. A BIBLIOGRAPHY OF THE PUBLISHED WORKS OF DOUGLAS BLAZEK (1961-2001)
Florence: Glass Eye Books, 2003

Dorbin, Sanford. A BIBLIOGRAPHY OF CHARLES BUKOWSKI
Los Angeles: Black Sparrow Press, 1969

Fox, Hugh. CHARLES BUKOWSKI: A CRITICAL AND BIBLIOGRAPHIC STUDY
Somerville: Abyss Publications, 1969

Harter, Christopher. AN AUTHOR INDEX TO LITTLE MAGAZINES OF THE MIMEOGRAPH REVOLUTION
Lanham: Scarecrow Press, 2008

Jernigan, Michael. DETROIT ARTISTS WORKSHOP PRESS BIBLIOGRAPHY
Detroit: Michael Jernigan, 2009

Roberts, Bill. BOTTLE OF SMOKE PRESS: A BIBLIOGRAPHIC CHECKLIST OF THE FIRST ONE HUNDRED PUBLICATIONS
Dover: Bottle of Smoke Press, 2008

Taylor, Kent and Alan Horvath. LOOKING FOR D.A. LEVY (RANDOM SIGHTINGS, THE D.A. LEVY BIBLIOGRAPHY, Volumes 1 & 2
Vancouver: Kirpan Press, 2006, 2008

Russell Atkins

Russell Atkins Checklist:
Section A: Books
Section B: Contributions to Books and Anthologies
Section C: Contributions to Periodicals

The Free Lance [coming soon]

Poet, composer, and editor Russell Atkins was born in Cleveland, Ohio. Raised by his grandmother, mother, and aunt, he developed a love of music early on and studied piano from the age of seven. Atkins went on to study music at the Cleveland School of Arts and the Cleveland Institute of Music. He was also involved in the Karamu House, considered the oldest African American theater in the United States and home to many productions of Langston Hughes’s dramatic works. In 1950, Atkins co-founded, with Adelaide Simon, the magazine Free Lance. Recognized as one of the oldest, most influential little magazines of the Black avant-garde, the journal did much to disseminate innovative writing in the African American community and influenced the New American Poetry. During these years, Atkins corresponded with many poets, including Marianne Moore, Langston Hughes, and LeRoi Jones (Amiri Baraka).

Music is central to Atkins’s methods of writing; he once wrote of his practice, “I would ‘compose’ like a painter and write poems like a composer.” Atkins developed a mode of composition he calls “phenomenalism,” in which image and sound combinations extend the possibilities of semantic meaning through sonic play and visual forms. He is often described as a “concrete poet,” and his influential essay “A Psychovisual Perspective for ‘Musical’ Composition” elaborated on the visual aspects of musical and verse composition.

Online Resources:
Deep Cleveland: biographical data
Eclipse: facsimiles of Atkins work

References Consulted:

Griffith, E.V. SHEAF, HEARSE, COFFIN, POETRY NOW: A HISTORY
Eureka: Hearse Press, 1996

Harter, Christopher. AN AUTHOR INDEX TO LITTLE MAGAZINES OF THE MIMEOGRAPH REVOLUTION
Lanham: Scarecrow Press, 2008

LOOKING FOR D.A. LEVY (RANDOM SIGHTINGS): THE D.A. LEVY BIBLIOGRAPHY, Volume 1 [1963-1966], edited by Kent Taylor and Alan Horvath
Vancouver: Kirpan Press, 2006

LOOKING FOR D.A. LEVY (RANDOM SIGHTINGS): THE D.A. LEVY BIBLIOGRAPHY, Volume 2 [1967-1968], edited by Kent Taylor and Alan Horvath
Vancouver: Kirpan Press, 2008

Lowell, James R. “A Preliminary Checklist of the Writings of d.a. levy (1942-1968)” appearing in THE SERIF, Kent State University Library Quarterly, Vol. VIII, No. 4, December, 1971

…

Kent Taylor

taylorink

Kent Taylor started writing poetry his freshman year at Ohio Wesleyan University. After quitting medical school at Ohio State University, he returned to Cleveland, and became a charter member of the underground poetry scene that erupted there during the 1960s. His first six books were published by d. a. levy. Taylor moved to San Francisco in 1970. Publications include 24 books and hundreds of appearances in anthologies and periodicals.

Section A: Books and Broadsides
Section B: Contributions to Books and Other Publications
Section C: Contributions to Periodicals
Sections D-G: Other Work

Further Reading and Reference:

THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE: The Art and Poetry of d.a. levy, edited by Mike Golden. NY: Seven Stories Press, 1999.

D.A. LEVY & THE MIMEOGRAPH REVOLUTION, edited by Larry Smith and Ingrid Swanberg. Huron: Bottom Dog Press, 2007

LOOKING FOR D.A. LEVY (RANDOM SIGHTINGS): THE D.A. LEVY BIBLIOGRAPHY, Volume 1 [1963-1966], edited by Kent Taylor and Alan Horvath. Vancouver: Kirpan Press, 2006

LOOKING FOR D.A. LEVY (RANDOM SIGHTINGS): THE D.A. LEVY BIBLIOGRAPHY, Volume 2 [1967-1968], edited by Kent Taylor and Alan Horvath. Vancouver: Kirpan Press, 2008

ZEN CONCRETE & ETC. BY D.A. LEVY, edited by Ingrid Swanberg. Madison: Ghost Pony Press, 1991

Additional Resources:

Cleveland Memory Project

d.a. levy home page

Deep Cleveland

Literary Kicks

Kent Taylor: Contributions to Periodicals

>> return to Kent Taylor main page >>

Section C:
This index includes contributions to periodicals
(Note: sequence within years is alphabetical)

1. THE ALPHA MUSELETTER, Vol. 27, No. 5
Delaware, February 1959
Taylor contribution: “Why”, “Peace” [Taylor’s first appearance]

2. OWL (Ohio Wesleyan Literary Magazine), No. 2
Delaware, n.d. [1961]
Taylor contribution: “Presence”

3. FENN COLLEGE POETRY FORUM WORKSHEETS, No. X
Cleveland, November 1963
Taylor contribution: “A Part of Time”

4. FENN COLLEGE POETRY FORUM WORKSHEETS, No. XI
Cleveland: December 20, 1963
Taylor contribution: “A Part of Time”

5. FREE LANCE, Vol. 7, No. 2
Cleveland, 1963
Taylor contribution: “Duluth”

6. MOTHER, No. 8
Pittsburgh, c. 1963
Taylor contribution: “Alone”, “Again”

7. SILVER CESSPOOL, Vol. 1, edited by d.a. levy
Cleveland, 1963
Taylor contribution: “Jewelry”, “Trite Things”, “Flotsam”, “To D.B.”, “Changing”, “Visions”

8. FREE LANCE, Vol. 8, No. 1
Cleveland, 1964
Taylor contribution: “Foreign”, “Still Times”

9. INPUT, Vol. 1, No. 3
New York, September 1964
Taylor contribution: “Ashes of the Phoenix”

10. INPUT, Vol. 1, No. 4
New York, December 1964
Taylor contribution: “Open Can in a Storm”, “Oct. 19”, “Cleveland Manifesto” (prose)

11. KAURI, No. 2, edited by Will Inman
New York, June-July 1964
Taylor contribution: letter excerpt

12. KAURI, No. 3, edited by Will Inman
New York, July-Aug. 1964
Taylor contribution: [untitled] “Listening for buttons…”, letter excerpt

13. MARRAHWANNA QUARTERLY, Vol. 1, No. 2, edited by d. a. levy
Cleveland, 1964-65
Taylor contribution: “Grandfather’s Speeches”, untitled print

14. RADICAL VOICE, Vol. 1, No. 2
Cleveland, 1964
Taylor contribution: book review

15. SILVER CESSPOOL, Vol. 2, edited by d.a. levy
Cleveland, 1964
Taylor contribution: “Shapes”

16. SILVER CESSPOOL, Vol. 3, edited by d.a. levy
Cleveland, 1964
Taylor contribution: “To The Suicides of the Golden Gate Bridge”

17. SILVER CESSPOOL, Vol. 5, edited by d.a. levy
Cleveland, 1964
Taylor contribution: [untitled] “We watch sponges…”, book review

18. TAMPA POETRY REVIEW, No.3, edited by Duane Locke
Tampa, 1964
Taylor contribution: [untitled] “Razor calling…”

19. 15¢, No. 1
Cleveland, 1965
Taylor contribution: “Dampness”, “Ifs”

20. 15¢, No. 2
Cleveland, 1965
Taylor contribution: “Cleveland”

21. FINE ARTS, Vol. 12, No. 577
Cleveland, 27 June 1965
Taylor contribution: “Duluth”

22. FREE LANCE, Vol. 9, No. 2
Cleveland, 1965
Taylor contribution: “Aug. 31, 1965”, “May 22, 1965”, “Tones” [Note: these last two poems (“May 22, 1965” and “Tones”) were mistakenly printed as one]

23. GOOSEBERRY, No. 2
Cleveland, 1965
Taylor contribution: “15527 Madison”, [untitled] “Well usually…”, “For d.a. levy and John Cornillon”

24. KAURI, No.8, edited by Will Inman
NY, May-June 1965
Taylor contribution: [untitled] “Yes we must…”, letter excerpt

25. OLE, No. 3, edited by Douglas Blazek
Bensenville, 1965
Taylor contribution: [untitled] “My cat…”

26. PODIUM, Vol. 1, No. 1, edited by Jau Billera
Cleveland, 1965
Taylor contribution: [untitled] “The cliff…”, [untitled] “Oh the face…”

27. POET MEAT, No. 9/10, edited by Dave Cunliffe and Tina Morris
Blackburn, Summer 1965
Taylor contribution: [untitled] “Things are breaking…”

28. TAMPA POETRY REVIEW, No. 4, edited by Duane Locke
Tampa, 1965
Taylor contribution: “Bud”, [untitled] “If the radio…”

29. TAMPA POETRY REVIEW, No. 5, edited by Duane Locke
Tampa, 1965
Taylor contribution: “April 4”

30. TAMPA POETRY REVIEW #6, edited by Duane Locke
Tampa, 1965
Taylor contribution: “March 25, 1965”, “March 15, 1965”

31. BEGINNING, No. 1 , edited by Joe Walker
Cleveland, 1966
Taylor contribution: “Prospect Avenue”, “December 1-2, 1965”, “Events: Oct 15, 1965 , Cleveland”

32. EARTH, No. 2
Santa Monica, 1966
Taylor contribution: [untitled] “Books of numbers…”, [untitled] “The time the things…”

33. EIGHT PAGER, Series 1, Part 2, edited by D.r. Wagner
New York, 1966
Taylor contribution: [untitled] “Memories crushing…”, “January 10, 1966”, “Feb. 10, 1966”

34. HIKA, Vol. 29, No. 1
Gambier, Fall 1966
Taylor contribution: “8-27-66”, “9-19-66”

35. KAURI, No. 12, edited by Will Inman
NY, January-February 1966
Taylor contribution: letter excerpt

36. MARRAHWANNA QUARTERLY, Vol. 2, No. 1, edited by d. a. levy
Cleveland, 1966
Taylor contribution: “May 6, 1965”, “November 18, 1965”, “Aug. 22, 1965”

37. MARRAHWANNA QUARTERLY, Vol. 2, No. 3, edited by d. a. levy Cleveland, 1966
Taylor contribution: [untitled] “Boohoo…” [Joan Taylor co-author]

38. MOONSTONES, Vol. 1, No. 2, edited by D.r. Wagner
Sacramento, 1966
Taylor contribution: “7-13-66” [Taylor guest edited the Cleveland section]

39. POETS AT THE GATE, Vol. 1, No. 1, edited by d. a. levy
Cleveland, March 1966
Taylor contribution: [untitled] “My poems are…”, [untitled] “Tonight some…”

40. POETS AT THE GATE, Vol. 1, No. 2, edited by d. a. levy
Cleveland, April 1966
Taylor contribution: [untitled] “Pieces of me…”

41. POETS AT THE GATE, Vol. 1, No. 4, edited by d. a. levy
Cleveland, July 1966
Taylor contribution: “A Call to Arms”

42. POTPOURRI, No. 7/8
Milwaukie, Summer 1966
Taylor contribution: “Road Land”

43. SUM, No. 1, edited by Carl Woideck
Lakewood, 1966
Taylor contribution: “Aug 2, 1965″, [untitled] “Pressures in the head…”, [untitled] “Chimney apartments…”

44. SUM, No. 2, edited by Carl Woideck
Lakewood, 1966
Taylor contribution: “John Handy’s Spanish Lady”

45. TAMPA POETRY REVIEW, No. 7, edited by Duane Locke
Tampa, 1966
Taylor contribution: [untitled] “Tables and eternity…”, “June 30, 1965”

46. TAMPA POETRY REVIEW, No. 8, edited by Duane Locke
Tampa, 1966
Taylor contribution: “Feb. 5, 1966”, “Feb. 14, 1966”, “December 25, 1965”

47. TAMPA POETRY REVIEW, No. 9, edited by Duane Locke
Tampa, 1966
Taylor contribution: “East to Cleveland”, “For the Living”, “3-5-66”, “3-25-66”, “The Seasonal Man”

48. WORMWOOD REVIEW, Vol. 6, No. 3, Issue 23, edited by Marvin Malone
Storrs/Stockton, August 1966
Taylor contribution: “Clear and Cold”, “Aug. 7, 1965”

49. ASSASSINATORS BROADSHEET, No. 1
Surrey, 1967
Taylor contribution: “7-13-66″, [untitled] “Panhandlers…”, [untitled] “Winter chimes…”

50. CONGRESS, No. 3, edited by Sam Seiffer
Bronx, 1967
Taylor contribution: [untitled] “My wife’s holier…”, “For K”, “4-5-67”

51. FREE LOVE PERIODICALLY, No. 1
Cleveland, 1967
Taylor contribution: “8-15-66”

52. FREE LOVE PERIODICALLY, No. 2
Cleveland, 1967
Taylor contribution: “Words”, “4-16-67”

53. GRIST, No. 10, edited by John Fowler
Lawrence, 1967
Taylor contribution: “4-11-66”

54. GRONK, No. 6/7, edited by bp Nichol
Toronto, 1967
Taylor contribution: untitled collage

55. MARRAHWANNA QUARTERLY, Vol. 3; No. 1, edited by d. a. levy
Cleveland, 1967
Taylor contribution: “11-30-66”, book review

56. MARRAHWANNA QUARTERLY, Vol. 3, No. 2, edited by d. a. levy
Cleveland, 1967
Taylor contribution: “Clear and Cold”, [untitled] “My cat caught…”, “East to Cleveland”, [untitled] “If the radio…”, “Atro-City”, “Road Land”, “A Call to Arms”, “I Feel Like Seven Days”, “9-4-66”

57. MARRAHWANNAH NEWSLETTER, No. 2, edited by d. a. levy
Cleveland, 1967
Taylor contribution: “Up Down Timothy Leary”, “Anti-Chant”

58. OLE, No. 7, edited by Douglas Blazek
Bensenville, 1967
Taylor contribution: seven book reviews

59. RUNCIBLE SPOON, edited by D.r. WAGNER and Barbara O’Connelly
Carmichael, 1967
Taylor contribution: “10-12-66”

60. RUNCIBLE SPOON, No. 7 , edited by D.r. WAGNER and Barbara O’Connelly
Carmichael, n.d. [c. 1967]
Taylor contribution: “Death of an Amusement Park”

61. SUM, No. 3, edited by Carl Woideck
Lakewood, 1967
Taylor contribution: “3-18-68 (for Jack Kerouac)”

62. TAMPA POETRY REVIEW, No. 10, edited by Duane Locke
Tampa, 1967
Taylor contribution: “The Change”, “9-4-66”

63. TAMPA POETRY REVIEW, No. 12, edited by Duane Locke
Tampa, 1967
Taylor contribution: “6-4-66”, “Visits”, “Cleveland Falling”

64. THE WILLIE, No. 1
San Francisco, Summer 1967
Taylor contribution: “8-29-66”, “11-3-66”

65. ASYLUM, No. 6
Bootle, October 1968
Taylor contribution: “4-22-68”, “8-13-67”

66. GRIST, No. 11, edited by John Fowler
Lawrence, 1968
Taylor contribution: “Trip to Niagara”

67. THE LITTLE MAG, Vol. 1, No. 1
Niagara Falls, [1968]
Taylor contribution: “2-4-68”, “9-27-67”

68. TAMPA POETRY REVIEW, No. 14, edited by Duane Locke
Tampa, 1968
Taylor contribution: [untitled] “Clouds like…”

69. THE WILLIE, No. 2
San Francisco, Spring 1968
Taylor contribution: “5-12-66”, “Trip to Niagara”, “4-15-67”, “8-7-67”

70. ASPHODEL BOOK SHOP CATALOGUE #22
Cleveland, May 1969
Taylor contribution: “The Western Poem”

71. FREE LANCE, Vol. 13, Nos. 1&2
Cleveland, 1969
Taylor contribution: “Adelaide Simon”

72. MEATBALL, No. 1, edited by Joel Deutsch
San Francisco, May 1969
Taylor contribution: “9-26-68”, “For J.”, “12-29-68 Cleveland”, “2-23-69”

73. QUIXOTE, Vol. 4, No. 8
Madison, Spring 1969
Taylor contribution: “10-8-67”, “9-6-68”

74. SATTVAS REVIEW, No. 1, edited by Franklin W. Osinski
Cleveland, Fall 1969
Taylor contribution: “5-26-68”, “8-19-68”, “9-23-68”, “1-10-69”, “2-15-69”, “2-8-69”

75. UP:JUT [AKA POTATO]
Seattle, January 1969
Taylor contribution: “4-29-68”, “7-26-68”, “11-9-68”

76. AMERICAN REVOLUTION, Part 2
Los Angeles, 1970
Taylor contribution: “3-18-68 (for Jack Kerouac)”

77. ANN ARBOR REVIEW, No. 8/9
Ann Arbor, 1970
Taylor contribution: “U.S. #1”, “Harbor Inn Blues”

78. SATTVAS REVIEW, No. 2, edited by Franklin W. Osinski
Cleveland, Spring 1970
Taylor contribution: “7-14-68”, “12-22-69”

79. SECOND AEON, No. 12, edited by Peter Finch
Cardiff, 1970
Taylor contribution: “5-26-70”, “1-27-70”

80. SHADED ROOM, No. 1
Pittsburgh, March 1970
Taylor contribution: “Driving to Meet My Son”, “6-24-69”, “10-26-69”, “5-8-69”, “1-29-69”

81. TAMPA POETRY REVIEW, No. 19, edited by Duane Locke
Tampa, 1970
Taylor contribution: [untitled] “Old pain…”

82. ASPHODEL BOOK SHOP CATALOGUE, No. 27
Cleveland, February 1971
Taylor contribution: “Postcard to a Friend and My Son”

83. GLASS ONION, No. 1, edited by Roger Edwards
Together Publications, [1971]
Taylor contribution: [untitled] “The years have…”

84. MEATBALL, No. 8, edited by Joel Deutsch
San Francisco, 1971
Taylor contribution: “8-30-69”, “Lines Written a Few Hours before Learning that d.a. levy Had Shot Himself to Death”

85. SECOND AEON, No. 13, edited by Peter Finch
Cardiff, 1971
Taylor contribution: “The Western Poem”

86. ASPHODEL BOOK SHOP CATALOGUE, No. 31
Cleveland, February 1972
Taylor contribution: “Poem for a Wilting Flower”

87. SECOND AEON, No. 14, edited by Peter Finch
Cardiff, 1972
Taylor contribution: “6-7-70”, “10-25-70”

88. ASPHODEL BOOK SHOP CATALOGUE, No. 35
Burton, March 1973
Taylor contribution: “11-29-72”

89. SECOND AEON, No. 16/17, edited by Peter Finch
Cardiff, 1973
Taylor contribution: “San Jose – San Francisco”, “1-2-72”

90. INVISIBLE CITY, No. 16/17
Fairfax, June 1975
Taylor contribution: “To a Son Who Followed”

91. VAGABOND, No. 21, edited by John Bennett
Ellensburg, Nov. 1975
Taylor contribution: “The Academy Awards”, “Reunion”, “November 1974”, “2-7-74”, “5-28-72”

92. VAGABOND, No. 23/24, edited by John Bennett
Ellensburg, Spring 1976
Taylor contribution: “10-1-68”, “3-13-69”, “For Pam”, “11-10/11-25-73”, “Travel Notes”

93. VAGABOND, No. 25, edited by John Bennett
Ellensburg, Jan-Mar. 1977
Taylor contribution: “Round Trip from San Francisco”

94. VAGABOND, No. 27, edited by John Bennett
Ellensburg, Spring 1978
Taylor contribution: “3-17-78”, “1-2-78”, “Autumn”

95. ILHA DO DESTERRO, Vol. 1 , Nos. 2&3
Florianopolis, Brazil, 1979
Taylor contribution: “10-1-68”, plus commentary

96. SCREE, No. 13/14, edited by Kirk Robertson
Fallon, 1979
Taylor contribution: “9-23-77”, “To my Father”, “Enchantment with Plants”, “1-29-78”, “5-24-78”, “Ten Years Later”, “7-9-68”

97. VAGABOND, No. 29, edited by John Bennett
Ellensburg, Winter 1979
Taylor contribution: “The Cleveland Underground Poetry Scene: A Personal Reminiscence” (prose), “10-21-78”, “10-24-78”

98. PROCTOR BULLETIN, Vol. 3, No. 2
San Francisco, June 1980
Taylor contribution: “6-11-79”

99. PROCTOR BULLETIN, Vol. 3, No. 3
San Francisco, September 1980
Taylor contribution: “Dawn”

100. LIMBERLOST REVIEW, No. 9
Albuquerque, 1981
Taylor contribution: “3-31-69”

101. SUISUN VALLEY REVIEW, No. 1
Solano Community College, Spring 1981
Taylor contribution: “Silhouette”

102. UCSF JOURNAL, Vol. 5, No. 3
San Francisco, 1981
Taylor contribution: “Days of Smoke/Lightning Nights”, “Family Matters”

103. ALLY
Santa Cruz, 1982
Taylor contribution: “6-11-79”, “Lightning Nights”, “For My Mother”

104. TRANSOM, Vol. 2, No. 1
Metuchen, Spring 1982
Taylor contribution: “8-31-81”, “7-18-80”, “Contrivance for Bad Weather”, “Letter to Home”, “Star Shadows”

105. ALLY
Santa Cruz, 1983
Taylor contribution: “1-1-77”, “9-23-79”

106. SCREE, No. 22/23, edited by Kirk Robertson
Fallon, 1983
Taylor contribution: “Downtown”, “1-4-82”, “Delivery”, “Negatives”

107. ALLY
Santa Cruz, 1984
Taylor contribution: “Summer History”, “Cleveland”, [untitled] “Your unread pages…”

108. SYNAPSE, Vol. 28, No. 30
San Francisco, May 1984
Taylor contribution: “Silhouette”

109. ALLY
Santa Cruz, 1985
Taylor contribution: “Passage”

110. CREAM CITY REVIEW, Vol. 10, No. 1
Milwaukee, 1985
Taylor contribution: “Proofreader”

111. ABRAXAS, No. 34, edited by Ingrid Swanberg
Madison, 1986
Taylor contribution: “For the Destroyed Poets of Ohio”, “Family Matters”, “7-18-83”, “Heading North”, “A Belated Touche for d.a. levy”, “4 A.M.”

112. COW IN THE ROAD, Vol. 1, No. 1
San Jose, Winter 1986
Taylor contribution: “Survey”

113. COW IN THE ROAD, Vol. 1, No. 2
San Jose, Spring 1986
Taylor contribution: “Ode to Age 40”, “I-280”, “San Francisco/San Jose”

114. TAPROOT, First Series, No. 3
Cleveland Heights, 1986
Taylor contribution: “San Francisco Bus Depot”

115. ABRAXAS, No. 35/36, edited by Ingrid Swanberg
Madison: 1987
Taylor contribution: “Buying Groceries”, “Bay Bridge”, “N-Judah”

116. ASPHODEL BOOK SHOP CATALOGUE, No. 117
Burton, December 1987
Taylor contribution: “Returning to Cleveland with an Olive Branch”

117. WIDENER REVIEW, No. 4
PA , 1987
Taylor contribution: “Photograph of a Stranger”, “Graduation Postscript”, “To My Son”

118. PINCHPENNY, Vol. 9, No. 1
Sacramento, 1988
Taylor contribution: “Challenger”, brief commentary on VAGABOND magazine

119. THE QUARTERLY, No. 5, edited by Gordon Lish
New York, Spring 1988
Taylor contribution: “Escape”, “The Killer”, “For Janine at Six Months”, “Excuse”, “Dead Reckoning”

120. THE QUARTERLY, No. 6, edited by Gordon Lish
New York, Summer 1988
Taylor contribution: “What Happened to My Mother”, “Prisoner”

121. SWAMP ROOT, Vol. 1, No. 1, edited by Al Masarik
Jacksboro, January 1988
Taylor contribution: “Late Show”, “Art Pepper”, “Silhouette”

122. SWAMP ROOT, Vol. 1, No. 2/3
Jacksboro, December 1988
Taylor contribution: “Chasing Helen”, “Dancer”, “Silence”, “Pantomime at My Wife’s Grave”, “Solo”, “Ordinary Stars”, “April”, “Fugitive”, “Requiem”, “Lifelines”, “Returning to Cleveland with an Olive Branch”, “Carnival Masks”, “Passing Time”, “March” [Taylor is the featured poet for this issue.]

123. TOOK, Vol. 1, No. 16, edited by Ed Mycue
San Francisco, 1988
Taylor contribution: “8-3-81”, “February Song”, “7-18-80”

124. ABRAXAS, No. 37, edited by Ingrid Swanberg
Madison: 1989
Taylor contribution: “One-Way”, “Note to My Wife”

125. CANCER SUPPORT COMMUNITY NEWSLETTER
San Francisco, Fall 1989
Taylor contribution: “Silence”

126. PAINTED BRIDE QUARTERLY, No. 36
Philadelphia, 1989
Taylor contribution: “Lifelines”, “There was Too Much to Hold”, “Lightning Bugs”

127. SWAMP ROOT, Vol. 1, No. 4
Jacksboro, 1989
Taylor contribution: “Flooding the Labyrinth”, “Hide-and-Seek”

128. BEVEAVEMENT FAMILY SERVICES NEWSLETTER, Vol. 12, No. 3
Corte Madera, 1990
Taylor contribution: “Pantomime at My Wife’s Grave”

129. SWAMP ROOT, Vol. 1, No. 5
Jacksboro, Winter/Spring, 1990
Taylor contribution: “Calendar”, “Cleaning the Wound”

130. SWAMP ROOT, Vol. 1, No. 6
Jacksboro, Summer/Fall 1990
Taylor contribution: “Murmurs”, “Commentator In”, “Stupid Questions”

131. ABRAXAS, No. 40/41, edited by Ingrid Swanberg
Madison: 1991
Taylor contribution: “Creatures of Habit”, “Jamais Vu”

132. THE FOLD, No. 1
San Francisco, Winter 1991
Taylor contribution: “Between the Lines”, “No Plans”

133. ONTHEBUS, Issue 6/7
Los Angeles, Winter/Spring 1991
Taylor contribution: “Waiting for Morning”

134. PEARL, No. 13
Long Beach, Spring/Summer 1991
Taylor contribution: “View from a Junk-Food Emporium”

135. SNAKESKIN, edited by Angi Lowry
Chicago: Anaconda press, 1991
Taylor contribution: “Offering”

136. ASPHODEL BOOK SHOP CATALOGUE, No. 149
Burton, August 1992
Taylor contribution: “Fourth of July at Ocean Beach”

137. ASTARTE, Vol. 1, No. 1
Boulder, 1992
Taylor contribution: “Shedding a Chimera”

138. BOMBAY GIN, Vol. 2, No. 2
Boulder , Summer 1992
Taylor contribution: “March Breakdown”

139. LISTENING EYE, edited by Grace Butcher
Geauga, 1992
Taylor contribution: “December”

140. F/X, Vol. 1, No. 1
Fort Collins, 1993
Taylor contribution: “Occupational Hazard”, “Boomerang”

141. GRIST ON-LINE, No. 3
New York, December 1993
Taylor contribution: “Keeping up with the Jonses”, “Fourth of July at Ocean Beach”, “Trip to Niagara” [These poems appear in both print and on-line formats.]

142. LISTENING EYE, edited by Grace Butcher
Geauga, 1993
Taylor contribution: “Changing Weather”

143. MAN ALIVE!, No. 5
Calverton, 1993
Taylor contribution: transcription of taped comments on d.a.levy [many errors]

144. RAIN CITY REVIEW, Vol. 1, No. 2
Portland, Spring 1993
Taylor contribution: “Test Site”, “Drunk in the Loom”

145. RED CEDAR REVIEW OF COLORADO, No. 2
Louisville, 1993
Taylor contribution: “Blackout”, “Visitation”, “Spellbound”, “Monsters”

146. RED CEDAR REVIEW OF COLORADO, No. 3
Louisville, 1993
Taylor contribution: “Quick Change”

147. RED CEDAR REVIEW OF COLORADO, No. 5
Louisville, 1993
Taylor contribution: “Tabula Rasa”, “42 and Counting”

148. CAPRICE
Wichita, June 1994
Taylor contribution: “Rapture”, “Bargaining with the Millennium”

149. CORACLE POETRY, No. 1
Berkeley, Winter 1994
Taylor contribution: “Librarian”

150. LISTENING EYE, edited by Grace Butcher
Geauga, 1994
Taylor contribution: “A Plea to the Dead for Forgiveness”, “Jack-O-Lantern”

151. MA!, No. 6
Calverton, 1994 [formerly MAN ALIVE!]
Taylor contribution: “Keeping up with the Jonses”

152. RAIN CITY REVIEW, Vol. 2, No. 4
Portland, Spring/Summer 1994
Taylor contribution: “Full Disclosure”, “Bone Music”

153. ATOM MIND, Vol. 4, No. 16
Albuquerque, Spring 1995
Taylor contribution: “Billie Holiday”, “Inner Sunset”

154. LISTENING EYE, edited by Grace Butcher
Geauga, 1995
Taylor contribution: “Occupational Hazard”, “Night Physics” [original version]

155. THE QUARTERLY, No. 30, edited by Gordon Lish
New York, Summer 1995
Taylor contribution: “Night Physics” [edited version]

156. LISTENING EYE, edited by Grace Butcher
Geauga, 1996
Taylor contribution: “Brain Tumor”

157. ONE TRICK PONY, No. 2, edited by Louis McKee
Philadelphia, Fall 1997
Taylor contribution: “Sanctuary”, “Low Clouds along the Coast”

158. RAIN CITY REVIEW, Vol. 2, No. 8
Portland, Winter/Spring 1997-1998
Taylor contribution: “Boomerang”

159. ASPHODEL BOOK SHOP CATALOGUE, No. 192
Burton, October 1998
Taylor contribution: “Waiting for Weldon”

160. BARD, No. 6, 24-7 Magazine Supplement
Providence, 1998
Taylor contribution: “Out of Time”

161. LUCID MOON, No. 31
Hampton, March 1999
Taylor contribution: “Bone Music”, “Full Disclosure”, “Chasing Helen”, “Night Physics”
[Titles of last two poems reversed.]

162. RATTAPALLAX, No. 2, edited by George Dickerson
New York, 1999
Taylor contribution: “Outpost”

163. SAY YES, Vol. 1, No. 1
Sacramento, 1999
Taylor contribution: “Incident in the N-Judah Tracks”, “White Night Blues”

164. RATTAPALLAX, No. 3, edited by George Dickerson
New York, 2000
Taylor contribution: “Flying through a Storm with James Wright”

165. RATTAPALLAX, No. 4, edited by George Dickerson
New York, 2000
Taylor contribution: “Drawing Blood”

166. RATTLE, Issue 14, Vol. 6, No. 2, edited by Alan Fox
Sherman Oaks, Winter 2000
Taylor contribution: “Out of Time”, “Deficits”

167. ONE TRICK PONY, No. 6
Philadelphia, Fall 2001
Taylor contribution: “Talking to Helen”, “Reply to a Scented Letter”

168. RATTAPALLAX, No. 5, edited by George Dickerson
New York, 2001
Taylor contribution: “Turning 57”, “Late Show at the Starlight Laundry”

169. RATTLE, Issue 15, Vol. 7, No. 1, edited by Alan Fox
Sherman Oaks, Summer 2001
Taylor contribution: “Seeing Things”

170. BOOG CITY, Issue 3, edited by David Kirschenbaum
New York City, February-March 2002
Taylor contribution: “Not Quite Janine”

171. ONTHEBUS, Issue 17/18
Los Angeles, 2002
Taylor contribution: “Brain Tumor”

172. JEFF MASER – BOOKSELLER, List No. 36
Richmond, November 2004
Taylor contribution: “Wake”, “For Nick Gabaldon”

173. THEE FLAT BIKE, No. 1, edited by Matthew Wascovich
Cleveland, 2004
Taylor contribution: “The Opposite of Hallucinating”, “Waiting for Weldon”, “Up in the Air”, “Airmail”, “Signaling Jim”

174. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 48, edited by Michael Mann
St. Paul, November, 2004
Taylor contribution: “Vegas”

175. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 49, edited by Michael Mann
St. Paul, January, 2005
Taylor contribution: “Slow Learner”

176. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 50, edited by Michael Mann
St. Paul, March 2005
Taylor contribution: “Loose Ends”

177. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 53, edited by Michael Mann
St. Paul, October 2005
Taylor contribution: “Christmas”

178. UNARMED-ADVENTUROUS POETRY JOURNAL #55, edited by Michael Mann
St. Paul, October 2005
Taylor contribution: “Keeping Warm”

179. ABRAXAS, No. 44/45, edited by Ingrid Swanberg
Madison, 2006
Taylor contribution: “Flying through a Storm with James Wright”

180. BOTTLE, No. 4, edited by Bill Roberts
Dover, 2006
Taylor contribution: “Night Physics”

181. BOTTLE, No. 5, edited by Bill Roberts
Dover, 2007
Taylor contribution: “Calling Cards”

182. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 60, edited by Michael Mann
St. Paul, 2009
Taylor contribution: “Ready or Not”

183. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 61, edited by Michael Mann
St. Paul, 2009
Taylor contribution: “Lately”

184. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 63, edited by Michael Mann
St. Paul, April 2011
Taylor contribution: “Close Parenthesis”

185. MISER MAGAZINE, No. 5, edited by Nicole Hennessy and Lauren Dulay
Lakewood, June 2013
Taylor contribution: “What’s Left”

186. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 66, edited by Michael Mann
St. Paul, February 2014
Taylor contribution: “What’s Left”

187. BIG HAMMER, #19, edited by Dave Roskos
Island Heights: Iniquity Press/Vendetta Books, February 2017
Taylor contribution: “Woman at a Mental Health Clinic” (haiku)

188. HAIKUS, NEARKUS, FAUXKUS, FUCKYOUS, #1, edited by Thom Bakelas
Taylor contribution: Denville NJ, Between Shadows Press, 2021
75 copies
Taylor contribution: “Ann’s Answer”, “Thinking Of Cuz”, “Actuarial Tables”

189. PERIODICALS, #1, edited by Lucy Wilkinson

Manchester/Glasgow, Death Of Workers Whilst Building Skyscrapers Press, 2022
250 copies

Taylor contribution: “Late Show At The Starlight Laundry”

Kent Taylor: Books and Broadsides

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Section A:
This index includes books and other separate publications

1. Taylor, Kent. SELECTED POEMS
First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5” x 8.5”, 20 pages, letterpress printed by d.a. levy. Cover art by d.a. levy. (T&H P-14)

2. Taylor, Kent. ALEATORY LETTERS
First edition:
Cleveland: Renegade Press, November 1964
Side-stapled sheets bound in to printed and illustrated wrappers, 14 pages, 57 numbered copies, letterpress printed by d.a. levy and Kent Taylor. Linoleum block prints by Kent Taylor. (T&H P-39)

3. Taylor, Kent. FORTUITONS MOTHERFUCER (with d.a. levy)
a. First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers with newspaper insert, 5.75″ x 8.5″, 10 pages, 75 copies, letterpress printed by d.a. levy. Note: cover variants exist in two different sizes and two different colored cover stocks. (T&H P-63)

b. Facsimile edition:
Toronto: Letters Bookshop, 1995
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 10 pages, 30 numbered copies, photocopy.

4. [Polluted Lake Series] Taylor, Kent. “MIST…“
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 5.5″ x 4.5″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 4.
(T&H P-46)

5. [Ohio City Series] Taylor, Kent. “OVER…“
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 3.5″, 14 pages, letterpress and mimeograph printed by d.a. levy. Published as Ohio City Series, No. 2. (T&H P-65)

6. Taylor, Kent. LATE STATIONS
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled sheets bound in to illustrated wrappers, 5.5″ x 8.5″, 21 pages, 200 copies, letterpress and mimeograph printed by d.a. levy. Cover linoleum block print by Carl Woideck, introduction by d.a. levy.
(T&H P-76)

7. Taylor, Kent. SHITSHEET
First edition:
(Niagara Falls): (d.r. wagner), 1966
Broadside.
“JANUARY 19, 1966”, “FEBRUARY 10, 1966”
[not in archive]

8. Taylor, Kent. TORN BIRDS
First edition:
San Francisco: Black Rabbit Press, May 1969
Side-stapled and bound in silk-screened wrappers, 8.5″ x 11″, 48 pages, 500 copies, mimeograph printed. Cover art and introduction by T.L. Kryss, blurb by d.a. levy.

9. Taylor, Kent. CLEVELAND DREAMS
First edition:
Cardiff, Wales: Second Aeon Publications, 1971
Saddle-stapled in printed and illustrated wrappers, 5″ x 8.25″, 16 pages, 500 copies, offset printed. Cover art by Rebecca Morales.

10. Taylor, Kent. SHIT OUTSIDE WHEN EATING BERRIES
First edition:
Cleveland: Black Rabbit Press, August 1971
Side-stapled in silkscreen cover, 8.5″ x 11″, 32 pages, 268 copies, mimeograph printed.

11. Taylor, Kent. EMPTY GROUND
First edition:
Cleveland: Black Rabbit Press, Winter 1976
Side-stapled and bound in silkscreened wrappers, 6.75″ x 8.75″, 28 pages, 133 copies, mimeograph printed. Cover art by Carolyn Kryss.

12. Taylor, Kent. DRIVING LIKE THE SUN
First edition:
Ellensburg: Vagabond Press, 1976
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 36 pages, offset printed. Cover design by Cindy Bennett. Published as Vagabond Chapbook 6.

13. Taylor, Kent. LATE SHOW AT THE STARLIGHT LAUNDRY
First edition:
Cleveland: Black Rabbit Press, August 1989
Side-stapled and bound in silkscreened wrappers, 6.5″ x 9.5″, 40 pages, xerography printed. Cover art by T.L. Kryss. Illustrations by Carolyn Kryss.

14. Taylor, Kent. RABBITS HAVE FLED
First edition:
Cleveland: Black Rabbit Press, January 1991
Side-stapled in silkscreened wrappers, 5″ x 6.5″, 24 pages, xerography printed. Cover art by Carolyn Kryss. Photograph by John Bennett.

15. Taylor, Kent. NIGHT PHYSICS
First edition:
Vancouver, WA: Kirpan Press, 2002
Side-stapled in printed cover, 75 numbered and signed copies.

16. Taylor, Kent. SOMETHING ABOUT FLOWERS
First edition:
Buffalo: University of Buffalo, December 2002
Folded broadside, 5.5″ x 8.5″, 2000 copies, offset printed. Illustrated by d.a. levy. Printed as part of the University of Buffalo Holiday Broadside series: fourth series, number four.

17. Taylor, Kent. ADMISSIBLE EVIDENCE (RANDOM SIGHTINGS)(with d.a.levy)
First edition:
Vancouver, WA: Kirpan Press, 2003
Side-stapled, 100 numbered copies, includes audio CD of Taylor and levy reading.

18. Taylor, Kent. NOT QUITE JANINE
First edition:
Berkeley: Jeff Maser Bookseller, 2003
Broadside, 126 copies, printed by Ann Rosener at Occasional Works in Menlo Park as part of the 911 Camelia Street broadside series.

19. Taylor, Kent. JAMES R. LOWELL MEMORIAL CARD
First edition:
Cleveland: Feb., 2004
“SIGNALING JIM”

20. Taylor, Kent. CHASING HELEN
First edition:
Kent: Costmary Press, April 2004
Broadside, 5″ x 8.5″,40 numbered copies, letterpress printed.

21. Taylor, Kent. REMAINS TO BE SEEN
First edition:
Pasadena,CA: verdant press, 2004
Broadside, printed in an edition of 126 copies (100 numbered and 26 lettered and signed), printed for Jeff Maser on the occasion of the 2004 San Francisco Antiquarian Book Fair printed in two colors. verdant press broadside number seven.

22. Taylor, Kent. REFUSING THE LEDGE
First edition:
Charlestown: Black Rabbit Press, May 2004
Saddle-stapled in illustrated wrappers, 5.5″ x 8.5″, 32 pages, 75 copies. Dedication: “for Jim”.

23. Taylor, Kent. DAYS OF ENDLESS NIGHTS
First edition:
Vancouver, WA:Kirpan Press, 2005
Stapled sheets glued into printed wrappers, 60 numbered copies. Eleven poems, cover image by Alan Horvath, author photo by Cindy Marx. Includes a bibliography of author’s books.

24. Taylor, Kent. LOOKING FOR D.A LEVY(RANDOM SIGHTINGS) – THE D.A.LEVY BIBLIOGRAPHY – VOLUME 1 [1963-1966], with Alan Horvath
First edition:
Vancouver, WA: Kirpan press, 2006
Comb bound, laser printed. 70 copies.

25. Taylor, Kent. CONNECTING THE DOTS
First edition:
Dover: Bottle of Smoke Press, 2006
Broadside. Designed and printed by Bill Roberts for the friends of Bottle of Smoke Press and published on the occasion of levyfest in Cleveland, Ohio on October 28 & 29, 2006.

26. Taylor, Kent. LOOKING FOR D.A LEVY(RANDOM SIGHTINGS) – THE D.A.LEVY BIBLIOGRAPHY – VOLUME 2 [1967-1968], with Alan Horvath
First edition:
Vancouver, WA: Kirpan Press, 2006
Comb bound, laser printed. 75 copies. Cover silkscreen by Tom Kryss.

27. Taylor, Kent. BEDTIME STORY
First edition:
Vancouver, WA: Kirpan Press, 2008
Card-broadside. 80 copies, 15 signed and numbered.

28. Taylor, Kent. ODE TO LIFE
First edition:
Vancouver & Cleveland: Kirpan Press & Black Rabbit Press, 2008 Broadside. Published as card #12 from “STORIES FROM THE FLATS” broadside series. Cover by Tom Kryss, envelope by Alan Horvath.

29. Taylor, Kent. BLACK SOOT IN WHITE SNOW
First edition:
Vancouver, WA: Kirpan Press, 2009
Comb bound, photographs and afterword by Taylor. 70 numbered copies, 15 signed.

30. Taylor, Kent. PALIMPSEST
First edition:
Vancouver: Kirpan Press, 2009
Broadside, 80 copies. Illustrated with a collage by Taylor titled “Girl in Black Stockings”. Published as #39 in “Stories From The Flats Broadside Series 2”.

31. Taylor, Kent. NIGHT PHYSICS
First edition:
Caracas, Venezuela: 48th Street Press, June 2014
Broadside, 20 signed numbered copies. Published by Christopher Byck.

32. Taylor, Kent. WAITING FOR WELDON
First edition:
Caracas, Venezuela: 48th Street Press, June 2014
Broadside, 20 signed numbered copies. Published by Christopher Byck.

33. Taylor, Kent. SOLID FLESH FOR FOOD #2
First edition:
Leicester: Solid Flesh For Food Press, 2016
Published under an imprint of Concrete Meat Press. 26 numbered copies, one author’s copy, and some unnumbered copies.

34. Taylor, Kent. MEDICAL RECORDS
San Diego: Poems-For-All, 2017
Published as #1548 in the Poems-For-All series edited by Robert Hansen

35. Taylor, Kent. DEATH IS IN THE HOUSE TONIGHT
Manchester: Death of Workers Whilst Building Skyscrapers, 2018
Photos by Evans Kati and Tom Jarmusch. Book design, bound and sewn by Lucy J. Wilkinson.

36. Taylor, Kent. A BELATED TOUCHE FOR D A LEVY
San Diego:Poems-For-All. 2018
Published as #1740 in the Poems-For-All series by Robert Hansen

37. Taylor, Kent. HAIKU FOR D.A.
San Diego: Poems-For-All, 2019
Published as #1853 in the Poems-For-All series edited by Robert Hansen

38. Taylor, Kent. “LINES WRITTEN A FEW HOURS BEFORE LEARNING THAT D.A. LEVY HAD SHOT HIMSELF TO DEATH”
Manchester: Death of Workers Whilst Building Skyscrapers Press, 2019
Broadside, 30 copies. Photograph by Tom Jarmusch. Designed and bound by Lucy Wilkinson.

39. Taylor, Kent. ASHES SCATTER OVER THIS CITY
Denville N.J.:Between Shadows Press, 2021
100 copies. edited by Tohm Bakelas

40 Taylor, Kent. “RESOLUTION“
Denville NJ, Between Shadows Press, 2022
Broadside, 20 copies, edited by Tohm Bakelas

d.a. levy: Publications Edited and Published

>> return to d.a. levy main page >>

Section D:
This index includes publication edited and published by d.a. levy (excluding periodicals and serial publications: see Section E)

1. levy, d.a. FRAGMENTS OF A SHATTERED MIRROR
First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 44 pages, 100 numbered and signed copies, letterpress printed by d.a. levy. The poet’s first book. (T&H P-01)

2. levy, d.a. VARIATIONS ON FLIP
First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 36 pages, 100 numbered and signed copies, letterpress printed by d.a. levy. (T&H P-02)

3. levy, d.a. MORE WITHDRAWED OR LESS
a. First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 36 pages, 100 numbered and signed copies, letterpress printed in multiple colors by d.a. levy.
(T&H P-03)

b. Second printing, revised:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 21 pages, 100 copies, signed, letterpress printed by d.a. levy. (T&H P-16)

This printing includes poems in a different sequence than the first printing, plus one additional poem.

4. Beck, George Robert. DREAMS AT THE TEA-TABLE
First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 32 pages, 100 numbered copies, letterpress printed by d.a. levy. (T&H P-04)

5. Billera, Jau. PURGATORY AND CAROUSELS
Second edition, first printing thus:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 40 pages, letterpress printed by d.a. levy. Cover art by d.a. levy. (T&H P-05)

This Renegade Press edition reprints the first section titled Purgatory and Carousels from the Free Lance Press edition of the same title printed in 1963; this edition also adds a new section, not in the first, titled Carousels.

6. Morris, Richard Allen. BRUSHED POEMS & A LITTLE PUTSCH
Second edition, first printing thus:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages, letterpress printed by d.a. levy. Cover art by d.a. levy. (T&H P-06)

This Renegade Press edition is a second printing after a self-published first printing by Morris in Pacific Beach, California.

7. Atkins, Russell. OBJECTS 2
a. First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 28 pages, letterpress printed by d.a. levy. Cover art by d.a. levy. (T&H P-07)

This Renegade Press edition includes three poems that appear in Objects (Eureka: Hearse Press, 1960) but is otherwise a different collection.

b. Second printing, revised:
Cleveland: Renegade Press, 1964
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 20 pages, letterpress printed by d.a. levy. (T&H P-17)

This printing has the sequence of poems changed from the first printing, plus added one poem.

8. Czaban, Jr., Lester. NIGHT GARDEN *
First edition:
Cleveland: Renegade Press, 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. Published as the first “Un-‘Pop Art’ Postcard”. (T&H P-09)

9. levy, d.a. A STUDY IN AERODYNAMICS
First edition:
Cleveland: Renegade Press, 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. (T&H P-10)

10. levy, d.a. THREE LEGGED INTROVERT
First edition:
Cleveland: Renegade Press, 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. Published as the second “Un-‘Pop Art’ Postcard”. (T&H P-11)

11. levy, d.a. ANKARA
First edition:
Cleveland: Renegade Press, 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. Published as the third “Un-‘Pop Art’ Postcard”. (T&H P-12)

12. levy, d.a. HAPPY HIROSHIMA DAY
First edition:
Cleveland: n.p., 1963
Folding card, 9″ x 3″, letterpress printed by d.a. levy. (T&H P-13)

13. Taylor, Kent. SELECTED POEMS OF KENT TAYLOR
First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 20 pages, letterpress printed by d.a. levy. Cover art by d.a. levy. (T&H P-14)

14. Heckman, Carl. CORNPONETONEPOME
First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5″ x 7.5″, 20 pages, letterpress printed by d.a. levy. (T&H P-15)

15. Berge, Carol. THE VULNERABLE ISLAND
First edition:
Cleveland: Renegade Press, 1964
Side-stapled in printed wrappers, 5.5″ x 8.5″, 20 pages, 105 copies, letterpress printed by d.a. levy. Dedication: “for E.R. Lyon”. (T&H P-18)

16. Crews, Judson. SELECTED POEMS
First edition:
Cleveland: Renegade Press, 1964
Side-stapled in printed wrappers, 4.75″ x 7″, 16 pages, 100 copies, letterpress printed by d.a. levy. Block prints by Lester Czaban Jr. (T&H P-19)

17. Katzman, Allan. THE BLOODLETTING
a. First edition:
Cleveland: Renegade Press, 1964
Side-stapled in printed wrappers, 5.5″ x 6.5″, 16 pages, 100 copies, letterpress printed by d.a. levy. (T&H P-20)

b. First edition, second printing:
Cleveland: Renegade Press, 1965
Side-stapled in wrappers made from maps, 4.5″ x 5.25″, 10 pages, 200 copies, mimeograph printed by d.a. levy.
(T&H P-57)

18. Konyecsni, John. BIRDS *
First edition:
Cleveland: Renegade Press, 1964
Postcard, 3″ x 5″, letterpress printed by d.a. levy. Block print by John Konyecsni. (T&H P-21)

19. Czaban Jr., Lester. STEALING
First edition:
Cleveland: Renegade Press, 1964
Postcard, 3″ x 5″, letterpress printed by d.a. levy. Block print by Lester Czaban, Jr. (T&H P-23)

20. Levey, Charlene. ECSTATIC NOMAD *
First edition:
Cleveland: Renegade Press, 1964
Postcard, 3″ x 5″, letterpress printed by d.a. levy. Block print by Charlene Levey.
(T&H P-24)

21. Salamon, Russell. THE TRIAL *
First edition:
Cleveland: Renegade Press, 1964
Postcard, 3″ x 5″, letterpress printed by d.a. levy. Block print by Russell Salamon. (T&H P-25)

22. Keys, John. KEY’S
First edition:
Cleveland: Renegade Press, 1964
Side-stapled in printed wrappers, 5.5″ x 6.5″, 16 pages, 100 copies, letterpress printed by d.a. levy. (T&H P-26)

23. levy, d.a. 5 CLEVELAND PRINTS
First edition:
Cleveland: Renegade Press, 1964
Five prints laid into printed wrappers, 11.5″ x 6.75″, 50 copies, letterpress printed and with prints by d.a. levy. (T&H P-27)

24. levy, d.a. 6 CLEVELAND PRINTS, Volume 2
First edition:
Cleveland: Renegade Press, 1964
Six prints laid into printed wrappers, 10″ x 6″, 50 copies, letterpress printed and with prints by d.a. levy. (T&H P-28)

25. Randall, Margaret. POEMS OF THE GLASS
First edition:
Cleveland: Renegade Press, 1964
Side-stapled in printed wrappers, 5″ x 7″, 16 pages, 100 copies, letterpress printed by d.a. levy. Block prints by Cathy Crayton. Dedication: “for Sergio”. (T&H P-29)

26. Rasey, Dave. SUBWAYS
First edition:
Cleveland: Renegade Press, 1964
Side-stapled in printed and illustrated wrappers, 5″ x 7″, 12 pages, letterpress printed by d.a. levy. Block prints by A. Sypher (pseud. Marvin Malone). Dedication: “for Carol Bergé”. (T&H P-30)

27. Salamon, Russell. PARENT[HETICAL POP]PIES
First edition:
Cleveland: Renegade Press, 1964
Side-stapled and bound in printed wrappers, 4.75″ x 7″, 16 pages, 100 copies, letterpress printed and with block prints by d.a. levy. Dedication: “for Lewis Turco”. (T&H P-31)

28. Sanders, Ed. KING LORD, QUEEN FREAK
a. First edition:
Cleveland: Renegade Press, 1964
Side-stapled and bound in printed wrappers, 6″ x 7″, 16 pages, 105 copies, letterpress printed and with prints by d.a. levy. Dedication: “to the dope-freaks, poets, madmen & mother fuckers of the Lower East Side”. (T&H P-32)

b. First edition, second printing:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 4.5″ x 7″, 12 pages, letterpress printed and with block prints by d.a. levy. Dedication: “to the dope-freaks, poets, madmen & mother fuckers of the Lower East Side”. (T&H P-59)

29. Schramm, Irene. WHO IS DEAD
First edition:
Cleveland: Renegade Press, 1964
Saddle-stapled in printed wrappers, 5.75″ x 8.5″, 16 pages, letterpress printed by d.a. levy. Dedication: “for ee”. (T&H P-33)

30. Taylor, Kent. ALEATORY LETTERS
First edition:
Cleveland: Renegade Press, 1964
Side-stapled and bound in printed and illustrated wrappers, 6″ x 7″, 14 pages, 57 numbered copies, letterpress printed by d.a. levy and Kent Taylor. Illustrated with block prints by Kent Taylor. (T&H P-39)

31. levy, d.a. FAREWELL THE FLOATING CUNT
First edition:
Cleveland: Renegade Press, 1964
Side-stapled and bound in printed wrappers, 6″ x 6.25″, 14 pages, 105 copies, letterpress printed and with block prints by d.a. levy. Dedication: “for my brother, James”.
(T&H P-40)

32. [Polluted Lake Series] Atkins, Russell. DISTANT THE SOUND
First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 4.25″ x 6″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 1. (T&H P-43)

33. [Polluted Lake Series] Cook, Geoffrey A. [untitled] “WOUND…”
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 2″ x 5″, 16 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 2. (T&H P-44)

34. [Polluted Lake Series] Albrecht, Erik K. [untitled] “OH4286AW…”
First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed and illustrated wrappers, 5″ x 4.5″, 12 pages, letterpress printed by d.a. levy. Cover art by Dave Williams. Published as Polluted Lake Series, No. 3. (T&H P-45)

35. [Polluted Lake Series] Taylor, Kent. [untitled] “MIST…”
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 5.5″ x 4.5″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 4. (T&H P-46)

36. [Polluted Lake Series] Salamon, Russell. CONFLICT IN SONATA FORM
First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 5.5″ x 4.5″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 5.
(T&H P-47)

37. [Polluted Lake Series] levy, d.a. “ASTER F…”
First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 5.5″ x 4.5″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 6.
(T&H P-48)

38. [Polluted Lake Series] Morgan, Edwin. SCOTCH MIST
First edition:
Cleveland: Renegade Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 2″, 16 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 7. (T&H P-49)

39. [Polluted Lake Series] Houedard, Dom Sylvester. VIENNA CIRCLES
First edition:
Cleveland: Renegade Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 2.5″, 12 pages, letterpress printed by d.a. levy. Dedication: “for Ernst Jandl”. Published as Polluted Lake Series, No. 8. (T&H P-50)

40. [Polluted Lake Series] Dogin, Sam. SHIT TARGET
First edition:
Cleveland: Renegade Press, 1965
Side-stapled and bound in wrappers made from wallpaper, 6″ x 8.75″, 2 pages, photocopy printed. Published as Polluted Lake Series, No. 9.
(T&H P-51)

41. [Polluted Lake Series] Cornillon, Susan Koppelman. SUSAN UNDER JOHN
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers made from wallpaper, 5″ x 3.5″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 10. (T&H P-52)

42. [Polluted Lake Series] Denis, Alan [pseud. d.a. levy]. SLEEP
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 4.5″ x 2″, 8 pages, letterpress and mimeograph printed by d.a. levy. Published using levy’s pseudonym Alan Denis. Dedication: “for Saint Ronald Jump”. Published as Polluted Lake Series, No. 11. (T&H P-53)

43. [Polluted Lake Series] Dagmar. SHADOWS OVER LAKE ERIE
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in wrappers made from wallpaper, 4.75″ x 4″, 8 pages, letterpress and mimeograph printed by d.a. levy. Published as Polluted Lake Series, No. 12.
(T&H P-54)

44. Larsen, Carl. LEAH
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 5.5″ x 8.5″, 10 pages, 100 copies, letterpress printed by d.a. levy. (T&H P-58)

45. levy, d.a. ALEATORY ATTEMPTS AT MONEY MAKING *
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in plain wrappers, 4 copies. (T&H P-60)

46. levy, d.a. CHALCHIHUITLICUE *
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 3 pages, 37 copies, letterpress printed by d.a. levy. Dedication: “for Carol Bergé”. (T&H P-61)

47. levy, d.a. 50 SECONDS TIL BLASTOFF *
First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 50 pages, 37 copies, letterpress printed by d.a. levy. (T&H P-62)

48. levy, d.a. and Kent Taylor. FORTUITONS MOTHERFUCER
a. First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers with newspaper insert, 5.75″ x 8.5″, 10 pages, 75 copies, letterpress printed by d.a. levy. Note: cover variants exist in two different sizes and two different colored cover stocks. (T&H P-63)

b. Facsimile edition:
Toronto: Letters Bookshop, 1995
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 10 pages, 30 numbered copies, photocopy printed.

49. [Ohio City Series] Szuter, Thom. SUMMER FROM UNDER A BUSH
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 3.5″, 28 pages, letterpress printed by d.a. levy. Published as Ohio City Series, No. 1. (T&H P-64)

50. [Ohio City Series] Kent Taylor. [untitled] “OVER…”
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 3.5″, 14 pages, letterpress printed by d.a. levy. Published as Ohio City Series, No. 2. (T&H P-65)

51. [Ohio City Series] Cornillon, Susan Koppelman. FUCK POEMS
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 7″, 10 pages, letterpress printed by d.a. levy. Published as Ohio City Series, No. 3.
(T&H P-66)

52. [Ohio City Series] Nichol, bp. CYCLES ETC.
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 7″, 8 pages, letterpress printed by d.a. levy. Published as Ohio City Series, No. 4.
(T&H P-67)

53. [Ohio City Series] Albrecht, Eric K. WORDS AND NUMBERS
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 7″, 12 pages, letterpress printed by d.a. levy. Published as Ohio City Series, No. 5.
(T&H P-68)

54. [Ohio City Series] levy, d.a. GOT BUTTER ON IT
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 7″, 12 pages, letterpress printed by d.a. levy. Dedication: “for Bud”. Published as Ohio City Series, No. 6. (T&H P-69)

55. [Ohio City Series] Dagmar. BIRMINGHAM BREAKDOWN
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.5″ x 7″, 10 pages, letterpress and mimeograph printed by d.a. levy. Published as Ohio City Series, No. 7. (T&H P-70)

56. Bergé, Carol. LUMINA
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.75″ x 4.25″, 8 pages, 178 copies, letterpress printed by d.a. levy. (T&H P-71)

57. Harris, Marguerite. MOON
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.25″ x 5.75″, 6 pages, 200 copies, letterpress printed by d.a. levy.
(T&H P-72)

58. Szuter, Thom. WINTER: 1965
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled and bound in printed wrappers, 5.75″ x 2.5″, 8 pages, 78 copies, letterpress printed by d.a. levy. (T&H P-73)

59. levy, d.a. PLASTIC SAXOPHONE FOUND IN AN EGYPTIAN TOMB
First edition:
Cleveland: n.p., 1966
Side-stapled in printed and illustrated cover, 8.5″ x 11″, 11 pages, 100 copies, spirit duplicator printed. (T&H P-74)

60. levy, d.a. WHITE LIGHT
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed wrappers, 10″ x 3.75″, 26 pages, letterpress printed by d.a. levy. Dedication: “for Sam Dogin”. (T&H P-75)

61. Taylor, Kent. LATE STATIONS
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in illustrated wrappers, 5.5″ x 8.5″, 21 pages, 200 copies, letterpress and mimeograph printed by d.a. levy. Cover block print by Carl Woideck, introduction by d.a. levy.
(T&H P-76)

62. [anthology] LONG DONGS, edited by d.a. levy
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed wrappers, 5.5″ x 8.5″, 30 pages, 300 copies, letterpress and mimeograph printed by d.a. levy. Cover art by Beorna. Contributors include Joe Nickell, Steve Richmond, Douglas Blazek. (T&H P-77)

63. Butcher, Grace. THE BRIGHT COLORED DARK
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in illustrated wrappers, 5.5″ x 8.5″, 22 pages, 250 copies, mimeograph printed by d.a. levy. Cover art by Baldwin Ford, introduction by d.a. levy. (T&H P-78)

64. THE PARA-CONCRETE MANIFESTO, edited by d.a. levy *
First edition:
Cleveland: 7 Flowers Press, 1966
Single sheet, 8.5″ x 11″, mimeograph printed by d.a. levy. Contributors include d.a. levy, D.r. Wagner, Kent Taylor.
(T&H P-82)

65. levy, d.a. THE CEMENT FUCK
First edition:
Cleveland: Renegade Press, 1966
Side-stapled and bound in painted wrappers, 8.5″ x 11″, 20 pages, 110 copies, mimeograph printed by d.a. levy. Cover art by Mara. Introduction by Khu-en-oho. Partial mimeograph stencil bound in. (T&H P-88)

66. levy, d.a. VISUALIZED PRAYERS & HYMN FOR THE AMERICAN $GOD$
First edition:
Cleveland: Renegade Press, 1966
Side-stapled in printed wrappers, 9″ x 5.75″, 12 pages, 115 copies, mimeograph printed by d.a. levy. Dedicated “to americans dying in foreign countries when there are battles to be fought in america”. (T&H P-89)

67. levy, d.a. LINES FOR LADY JANE
First edition:
Cleveland: n.p., 1966
Side-stapled in card covers with unique painting tipped on to each copy, 5″ x 7″, 2 pages, mimeograph and letterpress printed with block prints and oil paint by d.a. levy. (T&H P-90)

68. levy, d.a. SCARAB
First edition:
Cleveland: n.p., 1966
Side-stapled and bound in printed card covers, 4.5″ x 7″, 12 pages, mimeograph and letterpress printed by d.a. levy. (T&H P-91)

69. levy, d.a. HAPY HIROSHIMA DAY
First edition thus, second printing:
Cleveland: n.p., 1966
Single 6″ x 7″ sheet folded once to make four pages, letterpress printed and with a block print by d.a. levy. (T&H P-93)

70. Naville, Edouard. THE LITANY OF RA *
First edition:
Cleveland: n.p., 1966
Side-stapled in illustrated wrappers, 8.5″ x 11″, 12 pages, 33 copies, mimeograph printed. Introduction by d.a. levy. (T&H P-94)

71. Barker, Richard. 3 POEMS
First edition:
Cleveland: n.p., 1966
Corner-stapled with illustrated cover, 8.5″ x 11″, 6 pages, 100 copies, mimeograph printed by d.a. levy. Cover art by d.a. levy.
(T&H P-95)

72. levy, d.a. THE GREAT TIBETAN TRAIN ROBBERY MYSTERY PLAY IN COLOR: A MANDALA HERNIA RUPTURED WORD GAME
First edition:
Swamp Erie, n.p., 1966
Side-stapled in printed wrappers, 5″ x 8″, 38 pages, 73 copies, mimeograph printed. Includes multiple sheets laid in with hand-written titling. Distributed by Ganglia Press as Singing Hands Series #3.
(T&H P-96)

Note: According to the Ganglia Press Index (Ganglia, Series 1, No. 8) this item was “printed in Cleveland by 7 Flowers Press & distributed by Ganglia”.

73. THE PUKING PIGEON #1 OR THE FUCKING DUCK #1 OR THE SEARCHING FOR THE HOLY HOUKAH REVEALED #1, edited by d.a. levy
First edition:
Cleveland: 400 Rabbit Press, 1966
Side-stapled in illustrated wrappers, 5″ x 6″, 14 pages, 115 copies, mimeograph printed by d.a. levy. Cover art by d.a. levy. Illustration by Dagmar. Contributors include Paul Blackburn, d.a. levy, W.E. Wyatt, Luis Garcia, Jerry Younkins, Allen Katzman, and Lyndon John Puw. (T&H P-101)

74. Rhody, Randy. PARACHUTES
First edition:
Cleveland: 400 Rabbit Press, 1966
Side-stapled and bound in painted wrappers, 6.75″ x 8.5″, 6 pages, 125 copies, mimeograph printed by d.a. levy. Unique water-color cover art by MaRa. (T&H P-102)

75. Blackburn, Paul. 16 SLOPPY HAIKU & A LYRIC FOR ROBERT REARDON
First edition:
Cleveland: 400 Rabbit Press, 1966
Side-stapled in illustrated cover, 8.5″ x 11″, 10 pages, 45 copies, mimeograph printed by d.a. levy. Cover art by Al Diamonstein. Dedication: “for Eunice and Maia”. (T&H P-103)

76. levy, d.a. and D.r. Wagner. BLACK HAT AT THE END OF THE BAR
First edition:
Cleveland: 400 Rabbit Press, 1966
Side-stapled in hand-painted wrappers, 8.75″ x 5″, 26 pages, 120 copies, mimeograph printed by d.a. levy with additional hand-written, hand-painted, and collage elements by d.a. levy and Mara. Text is co-authored by levy and Wagner. (T&H P-104)

77. Diamondstein, Al. DEATH TO ALL NON-BELIEVERS
First edition:
Cleveland: 400 Rabbit Press, 1966
Saddle-stapled in plain wrappers, 4.5″ x 2″, 20 pages, “approximately” 50 copies, mimeograph printed by d.a. levy. (T&H P-105)

78. 465, AN ANTHOLOGY OF CLEVELAND POETS, edited by d.a. levy
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled in silk-screened cover, 8.5″ x 11″, 64 pages, 500 copies, mimeograph printed by d.a. levy. Cover silkscreen by Ralph and Diedra Poplar. (T&H P-106)

Contributors include Russell Atkins, Judith Hawthorne Albrecht, Grace Butcher, Geoffrey Cook, John Cornillon, Susan Cornillon, Joel Marc Deutsch, Joel Friedman, Bennet Hassink, Walter R. Keller, Joyce Guion, T.L. Kryss, Jacob Leed, d.a. levy, Mara, Franklin W.W. Osinski, r.j.s., Thom Szuter, Kent Taylor, Don Thomas, Kathie Lenehan. Preface by Rene Char.

Note: 465 was the first address of Jim Lowell’s Asphodel Book Shop in The Arcade in Cleveland.

79. levy, d.a. CLEVELAND UNDERCOVERS
a. First edition, regular copies:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in illustrated wrappers, 6″ x 8.5″, 18 pages, 500 copies, letterpress and mimeograph printed by d.a. levy. Cover art by dagmar. Dedicated to Jim Lowell. (T&H P-107)

b. First edition, special copies:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in collaged and printed wrappers, 6″ x 8.5″, 18 pages, 65 special copies with “Freak” covers by the author, letterpress and mimeograph printed by d.a. levy. Dedicated to Jim Lowell. (T&H P-107)

80. levy, d.a. GREAT MAN SLEEPING IN A CLOSET
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled in printed and collaged wrappers, 4.75″ x 2.5″, 6 pages, letterpress and mimeograph printed by d.a. levy. Dedicated to Richard Allen Morris. (T&H P-108)

81. levy, d.a. THE NORTH AMERICAN BOOK OF THE DEAD
Second edition, revised:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed and hand-painted wrappers, 8.5″ x 11″, 56 pages, 210 copies, mimeograph printed by d.a. levy. Unique cover painting by d.a. levy. This is the first 7 Flowers Press edition, but the second revised printing after the Free Lance Press edition (see A17). (T&H P-109)

82. levy, d.a. & D.r. Wagner. THE EGYPTIAN STROBOSCOPE
a. First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in silk-screened wrappers, 8.5″ x 14″, 68 pages, 108 copies, mimeograph printed by d.a. levy. Cover art by Grady Jones.
(T&H P-110) *

b.First edition, second printing:
Cleveland: Grass Coin Publishing Company, 1967
Side-stapled in collaged wrappers, 8.5″ x 14″, 46 pages, 100 copies, mimeograph printed by d.a. levy. Cover art by Dagmar. (T&H P-145)

“This is one of the publications seized by the cleveland police in the dec. 1966 blitz-bomb”.

83. Albrecht, Erik K. OCTOBER
a. First edition, regular copies
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed wrappers, 2.25″ x 6″, 12 pages, 100 copies, letterpress printed by d.a. levy. (T&H P-111)

b. First edition, special copies
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed wrappers, 2.25″ x 6″, 12 pages, 20 special copies with cover art by Beorna, letterpress printed by d.a. levy. (not in T&H)

84. Atkins, Russell. SPYRYTUAL
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed wrappers, 4.25″ x 8.25″, 4 pages, 200 copies, letterpress and mimeograph printed by d.a. levy. (T&H P-112)

85. Walker, Joe. 4 POEMS FROM THE CHICAGO MS.
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in illustrated wrappers, 4″ x 6″, 10 pages, 100 copies, letterpress printed by d.a. levy. Cover by Dana Crumb. (T&H P-113)

86. Leed Jacob. POEMS OF JACOB LEED
a. First edition, regular copies:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed and illustrated wrappers, 6.5″ x 6″, 14 pages, 205 copies, letterpress printed and with block prints by d.a. levy. (T&H P-114)

b. First edition, special copies:
Cleveland: 7 Flowers Press, 1966
Side-stapled in hand-painted wrappers with library tape binding, 8.5″ x 11″, 20 pages, 5 copies, letterpress printed and with hand-painted cover and 3 full painted pages by d.a. levy. (not in T&H)

87. Sauls, Roger. PAIDEUMIC DREAMS / MIRACLES & ECSTASIES
a. First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled in printed and painted wrappers, 8.5″ x 11″, 40 pages, 200 copies, mimeograph printed and with unique cover painting by d.a. levy. Introduction by D.r. Wagner. (T&H P-115)

b. First edition, second printing :
Cleveland: The Grass Coin Publishing Co., 1967
Side-stapled in illustrated wrappers, 8.5″ x 11″, 22 pages, 125 copies, mimeograph printed by d.a. levy. Cover art by MaRa. Introduction by D.r. Wagner. (T&H P-148)

Note from the title page: “This volume of poems is one of the ‘allegedly obscene’ books seized by the cleveland police in december 1966. The city has continued its campaign to obliterate all non-aryan writings, intoxicants & spokesmen. This printing is in protest to the lack of intelligent police leadership.”

88. Bukowski, Charles. GENIUS OF THE CROWD
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed and illustrated wrappers, 4.5″ x 6″, 22 pages, 103 copies, letterpress printed by d.a. levy. Prints by Paula Marie Savarino. (T&H P-117)

89. Montgomery, George. THE MARY-JANE PAPERS
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled in illustrated cover, 8.5″ x 14″, 22 pages, 200 copies, mimeograph printed and with an introduction by d.a. levy. (T&H P-118)

90. Wood, Kay. GREENWOOD
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled in illustrated wrappers, 8.5″ x 11″, 16 pages, 103 copies, letterpress and mimeograph printed by d.a. levy. Block prints by Grady Jones. (T&H P-119)

91. Shulman, Matthew H. THE BALLAD OF NO BERETS
First edition:
Cleveland: 7 Flowers Press, 1966
Broadside, 8″ x 10.5″, mimeograph printed by d.a. levy. (T&H P-121)

92. 306, AN ANTHOLOGY OF CLEVELAND POETS, edited by d.a. levy
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled in silk-screened cover, 8.5″ x 11″, 50 pages, 306 copies, mimeograph and spirit duplicator printed and with an introduction by d.a. levy. Original artwork by Mara. Cover photograph of Jim Lowell standing in front of the Asphodel book shop by Martin Szuter. (T&H P-124)

Contributors include Judith H. Albrecht, Marion Black, Joel Marc Deutsch, Joyce Guion, Tim Hall, T.L. Kryss, d.a. levy, RJS, Kent Taylor, Carl Woideck, MJW.

Note: 306 was the W. Superior address for the Asphodel Book Shop following the departure from The Arcade.

93. levy, d.a. KIBBUTZ IN THE SKY
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled in illustrated wrapper, 8.5″ x 11″, 13 pages, 150 copies, mimeograph printed by d.a. levy. Cover art by j.r.s. (T&H P-132)

94. levy, d.a. KIBBUTZ IN THE SKY, BOOK II
a. First edition, first printing *
Cleveland: 7 Flowers Press, 1967
Side-stapled in printed cover, 8.5″ x 11″, 8 pages, 200 copies, mimeograph printed by d.a. levy.
(T&H P-133)

b. First edition, second printing
Cleveland: Free Love Press, 1967
Side-stapled in illustrated cover, 8.5″ x 11″, 8 pages, 200 copies, spirit duplicator printed by d.a. levy. (not in T&H)

95. levy, d.a. THE BOX LUNCH TRAVEL-OG OF FREMONT GULCH
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled sheets in printed and illustrated cover, 8.5″ x 11″, 10 pages, spirit duplicator printed by d.a. levy.
(Lowell A32, T&H P-134)

96. JAMES R. LOWELL DEFENSE FUND, edited by d.a. levy
First edition:
Cleveland: n.p., 1967
Corner-stapled in illustrated cover, 8.5″ x 11″, 4 pages, mimeograph printed by d.a. levy.
(T&H P-134)

Contributors include d.a. levy and Joe Brainard.

97. Krech, Richard. WE ARE ON THE VERGE OF ECSTACY
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled in hand-painted cover, 8.5″ x 11″, 14 pages, 250 copies, mimeograph printed by d.a. levy. Unique cover art by Mara. (T&H P-138)

98. Shulman, Matt. FLAGS OF LONELINESS
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled and bound in wrappers made from Geology of Ohio map, 4.5″ x 6″, 8 pages, 200 copies, mimeograph printed by d.a. levy. (T&H P-139)

99. Wyatt, W.E. POEMS OF W.E. WYATT
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled in printed and illustrated cover, 8.5″ x 11″, 22 pages, 200 copies, mimeograph printed by d.a. levy. Drawings by Mara.
(T&H P-140)

100. THREE POEMS BY CLEVELAND POETS, edited by d.a. levy
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled in hand-painted wrappers, 4.5″ x 5.5″, 4 pages, 86 copies, mimeograph printed by d.a. levy. Cover art by Mara. (T&H P-141)

Contributors include Kent Taylor, Carl Woideck, and d.a. levy.

101. Wagner, D.r. THE DAY IS A PRAYER THEY CAN’T UNDERSTAND!
a. First edition, hand-painted copies:
Cleveland: 7 FlowersPress, 1967
Side-stapled in hand-painted cover, 8.5″ x 11″, 40 pages, 150 copies, mimeograph printed and with cover art by d.a. levy. Introduction by T.L. Kryss, and “note by publisher” by d.a. levy.
(T&H P-142)

b. First edition, collage copies:
Cleveland: 7 FlowersPress, 1967
Side-stapled in original collage cover, 8.5″ x 11″, 40 pages, 150 copies, mimeograph printed and with cover art by d.a. levy. Introduction by T.L. Kryss, and “note by publisher” by d.a. levy.
(T&H P-142)

Note: the total print run is 150; no count or priority to hand-painted or collage cover copies.

102. Saint-Eden, Dennis. NAPALM/ HYDROEM POR NADIE/ PSAMBA
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled and bound in silk-screened wrappers, 8.5″ x 11″, 16 pages, 275 copies, mimeograph printed by d.a. levy. Cover silkscreen by T.L. Kryss. (T&H P-143)

103. Fowler, Gene. GENE FOWLER WRITES *
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled, 8.5″ x 11″, 10 pages, 250 copies, mimeograph printed by d.a. levy. (T&H P-144)

Note: this is the first separate edition of this reprint from Poetry Newsletter: “Home Correspondence Course in Enlightenment”.

104. levy, d.a. POEM FOR JULIE
First edition:
Cleveland: Grass Coin Publishing Co., 1967
Side-stapled in silk-screened cover, 8.5″ x 11″, 8 pages, 260 copies, mimeograph printed by d.a. levy. Cover illustration after a photo by M.J. Roach. (T&H P-146)

105. POETRY SURVIVAL FUND, edited by d.a. levy
First edition:
Cleveland: Grass Coin Publishing Co., 1967
Side-stapled in painted cover, 5.5″ x 8.5″, 6 pages, mimeograph printed by d.a. levy. Cover art by Joyce Guion. (T&H P-147)

Contributors include Grace Butcher, Cleo Malone, Basho, Joyce Guion, d.a. levy, D.r. Wagner.

106. SWAMP ERIE PIPE DREAM, Vol. 1, No. 1, edited by d.a. levy
First edition:
Cleveland: n.p., May 1967
Tabloid format, 11.5″ x 15.5″, 4 pages, offset printed. (T&H P-153)

107. levy, d.a. THE TIBETAN STROBOSCOPE
First edition:
Cleveland: Ayizan Press, 1968
Saddle-stapled in printed and illustrated wrappers, 7.5″ x 11.75″, 32 pages, 4000 copies (though 3000 are rumored to have been destroyed by the author), offset printed on newsprint. Dedicated to Allen Ginsberg, Alan Watts, Robert Aitken, Phillip Kapleau, Paul Reps, and Philip Whalen. (Lowell A44, T&H P-174)

“An experiment in destructive writing other communications and concrete prose”.

108. Ferguson, Steve and Mara. FLOWERS FOR BRIAN SHERMAN
First edition:
Cleveland: Ayizan Press, 1968
Side-stapled sheets in silk-screened wrappers, 7″ x 8″, 10 pages, 150 copies, mimeograph printed by d.a. levy. Cover art by T. L. Kryss.
(T&H P-175)

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[* not in archive]

d.a. levy: Books and Other Separate Publications

>> return to d.a. levy main page >>

Section A:
This index includes books and other separate publications

2. levy, d.a. VARIATIONS ON FLIP
First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 36 pages, 100 numbered and signed copies, letterpress printed by d.a. levy. (T&H P-02)

3. levy, d.a. MORE WITHDRAWED OR LESS
a. First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 36 pages, 100 numbered and signed copies, letterpress printed in multiple colors by d.a. levy. (T&H P-03)

b. Second printing, revised:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 21 pages, 100 copies, signed, letterpress printed by d.a. levy. (T&H P-16)

This printing includes poems in a different sequence than in the first printing, plus one additional poem.

4. levy, d.a. A STUDY IN AERODYNAMICS
First edition:
Cleveland: n.p., July 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. (T&H P-10)

5. levy, d.a. THREE LEGGED INTROVERT
First edition:
Cleveland: n.p., July 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. Published as the second “Un-‘Pop Art’ Postcard”. (T&H P-11)

6. levy, d.a. ANKARA
First edition:
Cleveland: n.p., August 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. Published as the third “Un-‘Pop Art’ Postcard”. (T&H P-12)

7. levy, d.a. HAPPY HIROSHIMA DAY
First edition:
Cleveland: n.p., 1963
Folding card, 9″ x 3″, letterpress printed by d.a. levy. (T&H P-13)

8. levy, d.a. 5 CLEVELAND PRINTS
First edition:
Cleveland: Renegade Press, 1964
Five prints laid into printed wrappers, 11.5″ x 6.75″, 50 copies, letterpress printed and with prints by d.a. levy. (T&H P-27)

9. levy, d.a. 6 CLEVELAND PRINTS, Vol. 2
First edition:
Cleveland: Renegade Press, 1964
Six prints laid into printed wrappers, 10″ x 6″, 50 copies, letterpress printed and with prints by d.a. levy. (T&H P-28)

10. levy, d.a. FAREWELL THE FLOATING CUNT
First edition:
Cleveland: Renegade Press, 1964
Side-stapled and bound in printed wrappers, 6″ x 6.25″, 14 pages, 105 copies, letterpress printed and with block prints by d.a. levy. Dedication: “for my brother, James”.
(T&H P-40)

11. [Polluted Lake Series] levy, d.a. [untitled] “ASTER F…”
First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 5.5″ x 4.5″, 12 pages, letterpress printed by d.a. levy. Published as Polluted Lake Series, No. 6. (T&H P-48)

12. [Polluted Lake Series] Denis, Alan [pseud. d.a. levy]. SLEEP
First edition:
Side-stapled in printed wrappers, 4.5″ x 2″, 8 pages, letterpress and mimeograph printed by d.a. levy. Published using levy’s pseudonym Alan Denis. Dedication: “for Saint Ronald Jump”. Published as Polluted Lake Series, No. 11. (T&H P-53)

13. levy, d.a. ALEATORY ATTEMPTS AT MONEY MAKING *
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in plain wrappers, 4 copies. (T&H P-60)

14. levy, d.a. CHALCHIHUITLICUE *
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 3 pages, 37 copies, letterpress printed by d.a. levy. Dedication: “for Carol Bergé”. (T&H P-61)

15. levy, d.a. 50 SECONDS TIL BLASTOFF *
First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 50 pages, 37 copies, letterpress printed by d.a. levy. (T&H P-62)

16. [Ohio City Series] levy, d.a. GOT BUTTER ON IT
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 7″, 12 pages, letterpress printed by d.a. levy. Dedication: “for Bud”. Published as Ohio City Series, No. 6. (T&H P-69)

17. levy, d.a. NORTH AMERICAN BOOK OF THE DEAD
a. First edition, regular copies:
Cleveland: The Free Lance Press, 1965
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 20 pages, mimeograph printed. This first edition includes parts 1 and 2. (T&H B-03)

b. First edition, special copies:
Cleveland: The Free Lance Press, 1965
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 20 pages, 7 copies with 3 paintings by d.a. levy bound in, mimeograph printed. This first edition includes parts 1 and 2. (T&H B-03)

c. Second edition, revised:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed and hand-painted wrappers, 8.5″ x 11″, 56 pages, 210 copies, mimeograph printed by d.a. levy. Unique cover painting by d.a. levy. This is the first 7 Flowers Press edition, but the second revised printing after the Free Lance Press edition, and is expanded to include parts 1-5. (T&H P-109)

18. levy, d.a. PLASTIC SAXOPHONE FOUND IN AN EGYPTIAN TOMB
First edition:
Cleveland: n.p., 1966
Side-stapled in printed and illustrated cover, 8.5″ x 11″, 11 pages, 100 copies, spirit duplicator printed. (T&H P-74)

19. levy, d.a. WHITE LIGHT
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in printed wrappers, 10″ x 3.75″, 26 pages, letterpress printed by d.a. levy. Dedication: “for Sam Dogin”. (T&H P-75)

20. levy, d.a. THE CEMENT FUCK
First edition:
Cleveland: Renegade Press, 1966
Side-stapled and bound in painted wrapper, 8.5″ x 11″, 20 pages, 110 copies, mimeograph printed by d.a. levy. Original cover art by Mara. Introduction by Khu-en-oho.
(T&H P-88)

21. levy, d.a. VISUALIZED PRAYERS & HYMN FOR THE AMERICAN $GOD$
First edition:
Cleveland: Renegade Press, 1966
Side-stapled in printed wrappers, 9″ x 5.75″, 12 pages, 115 copies, mimeograph printed by d.a. levy. Dedicated “to americans dying in foreign countries when there are battles to be fought in america”. (T&H P-89)

22. levy, d.a. LINES FOR LADY JANE
First edition:
Cleveland: n.p., 1966
Side-stapled in card covers with unique painting tipped on to each copy, 5″ x 7″, 2 pages, mimeograph and letterpress printed with block prints and oil paint by d.a. levy. (T&H P-90)

23. levy, d.a. SCARAB
First edition:
Cleveland: n.p., 1966
Side-stapled and bound in printed card covers, 4.5″ x 7″, 12 pages, mimeograph and letterpress printed by d.a. levy. (T&H P-91)

24. levy, d.a. HAPY HIROSHIMA DAY
First edition thus, second printing:
Cleveland: n.p., 1966
Single 6″ x 7″ sheet folded once to make four pages, letterpress printed and with a block print by d.a. levy. (T&H P-93)

25. levy, d.a. THE GREAT TIBETAN TRAIN ROBBERY MYSTERY PLAY IN COLOR: A MANDALA HERNIA RUPTURED WORD GAME
First edition:
Swamp Erie, n.p., 1966
Side-stapled in printed wrappers, 5″ x 8″, 38 pages, 73 copies, mimeograph printed. Includes multiple sheets laid in with hand-written titling. Distributed by Ganglia Press as Singing Hands Series #3.
(T&H P-96)

Note: According to the Ganglia Press Index (Ganglia, Series 1, No. 8) this item was “printed in Cleveland by 7 Flowers Press & distributed by Ganglia”.

26. levy, d.a. CLEVELAND UNDERCOVERS
a. First edition, regular copies:
Cleveland: 7 Flowers Press, 1966
Side-stapled and bound in illustrated wrappers, 6″ x 8.5″, 18 pages, 500 copies, letterpress and mimeograph printed by d.a. levy. Cover art by dagmar. Dedicated to Jim Lowell. (T&H P-107)

27. levy, d.a. CLEVELAND: THE RECTAL EYE VISIONS
First edition:
Niagara Falls: press : today : niagara, 1966
Side-stapled in unprinted wrappers. 8.5″ x 13″, 40 pages, 126 copies. Introduction “Putting Things in Perspective a Little” by Douglas Blazek.
(T&H B-05)

28. levy, d.a. GREAT MAN SLEEPING IN A CLOSET
First edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled in printed and collaged wrappers, 4.75″ x 2.5″, 6 pages, letterpress and mimeograph printed by d.a. levy. Dedicated to Richard Allen Morris. (T&H P-108)

29. levy, d.a. KIBBUTZ IN THE SKY
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled in illustrated cover, 8.5″ x 11″, 13 pages, 150 copies, mimeograph printed by d.a. levy. Cover art by j.r.s. (T&H P-132)

30. levy, d.a. KIBBUTZ IN THE SKY, BOOK 2
a. First edition, first printing
Cleveland: 7 Flowers Press, 1967
Side-stapled, 8.5″ x 11″, 8 pages, 200 copies, mimeograph printed by d.a. levy.
(T&H P-133)

b. First edition, second printing
Cleveland: Free Love Press, 1967
Side-stapled in illustrated cover, 8.5″ x 11″, 8 pages, 200 copies, spirit duplicator printed by d.a. levy. (not in T&H)

31. levy, d.a. THE BOX LUNCH TRAVEL-OG OF FREMONT GULCH
First edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled in printed and illustrated cover, 8.5″ x 11″, 10 pages, spirit duplicator printed by d.a. levy. (T&H P-134)

32. levy, d.a. POEM FOR JULIE
First edition:
Cleveland: Grass Coin Publishing, 1967
Side-stapled in silk-screened cover, 8.5″ x 11″, 8 pages, 260 copies, mimeograph printed by d.a. levy. Cover illustration after a photo by M.J. Roach. (T&H P-146)

33. levy, d.a. POEMS
First edition:
Cleveland: Find-us-if-you-can Press, 1967
Side stapled in printed cover, 8.5″ x 11″, 24 pages, spirit duplicator printed. Edited by Matt Shulman. (T&H B-06)

34. levy, d.a. LETTRE TO ALAN KATZMAN
First edition:
Parma Heights: Find-us-if-you-can Press, 1967
Side stapled in printed cover, 8.5″ x 11″, 4 pages, spirit duplicator printed. (T&H B-07)

35. levy, d.a. TANTRIC STROBE (PARTS 1 & 2)
First edition:
Cleveland: Ghost Press, July 1967
Stapled sheets and bound in illustrated wrappers, 8.5″ x 11″, 24 pages, 150 copies. Cover art and internal silkscreens by Kryss. Published as Persecuted Poet Series #2.
(T&H B-08)

36. levy, d.a. TOMB STONE AS A LONELY CHARM
First edition:
Sacramento: Runcible Spoon, 1967
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 8 pages, 500 copies, mimeograph printed. (T&H B-10)

37. levy, d.a. TOMB STONE AS A LONELY CHARM, PART 2
First edition:
Sacramento: Runcible Spoon, 1968
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 6 pages, 500 copies, mimeograph printed. (T&H B-11)

38. levy, d.a. TOMB STONE AS A LONELY CHARM, PART 3
First edition:
Sacramento: Runcible Spoon, 1968
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 6 pages, 500 copies, mimeograph printed. (T&H B-12)

39. levy, d.a. THE BEGINNING OF SUNNY DAWN
First edition:
Cleveland: Ghostflower Press, 1968
Side-stapled in illustrated cover, 8.5″ x 11″, 10 pages, 236 copies, spirit duplicator and mimeograph printed. Cover art by Sandy Webb. (T&H B-13)

40. levy, d.a. SUBURBAN MONASTERY DEATH POEM
a. First edition:
Cleveland: Zero Edition, 1968
Side-stapled and bound in illustrated wrappers, 8.5″ x 11″, 28 pages, 500 copies, mimeograph printed. Cover art by Barb O’Connelly.
(T&H B-14)

b. First edition, second printing:
Cleveland: Offense Fund, May 1976
Saddle-stapled in printed and illustrated wrappers, 7.25″ x 8.75″, 40 pages. Cover photographs by Mark Kaufman. (not in T&H)

41. levy, d.a. POEMS
First edition:
Madison: Quixote Press, 1968
Top-stapled in printed wrappers, 4 ” x 14″, 15 pages, 150 copies, offset printed. (T&H B-15)

42. levy, d.a. THE TIBETAN STROBOSCOPE
First edition:
Cleveland: Ayizan Press, 1968
Saddle-stapled in printed and illustrated wrappers, 7.5″ x 11.75″, 32 pages, 4000 copies (though 3000 are rumored to have been destroyed by the author), offset printed on newsprint. Dedicated to Allen Ginsberg, Alan Watts, Robert Aitken, Phillip Kapleau, Paul Reps, and Philip Whalen. “An experiment in destructive writing other communications and concrete prose”.
(T&H P-174)

43. levy, d.a. ZEN CONCRETE: TRANSLATIONS & A NEW INTERPRETATION OF BUDDHIST DOCTRINES
First edition:
n.p.: Blewointment Press, October 1968
Side-stapled in illustrated wrappers, 48 pages, 8.5″ x 11″, 300 copies, mimeograph and offset printed. Front cover photo by M.J. Roach.
(T&H B-16)

44. levy, d.a. PROSE: ON POETRY IN THE WHOLESALE EDUCATION AND CULTURE SYSTEM
a. First edition, first printing:
Milwaukee: Gunrunner Press, 1968
Saddle-stapled in printed and illustrated wrappers, 8.5″ x 11″, 20 pages, 300 copies, offset and mimeograph printed. Folded one-page letter laid in from editor Jim Soric: “Letter to Those Who Haven’t Heard: d.a. levy is Dead”. Purportedly the last piece written for publication by d.a. levy. (T&H B-17)

b. First edition, second printing:
Milwaukee: Gunrunner Press, n.d. [c. 1968]
Saddle-stapled in printed wrappers, 8.5″ x 11″, 12 pages, 250 copies, offset printed. (not in T&H)

c. First edition, third printing:
Cleveland: Offense Fund, November 1974
Side-stapled and bound in printed and illustrated wrappers, 5.5″ x 8.5″, 20 pages, 380 copies. Silkscreen insert by T.L. Kryss. (not in T&H)

45. levy, d.a. POEM FOR BEVERLY
First edition:
Cleveland: Cold Mountain Publishing Company, December 1968
Side-stapled and bound in silk-screened wrappers, 5.5″ x 8.5″, 8 pages, 400 copies. Cover silkscreen by T.L. Kryss. (T&H B-18)

46.levy, d.a. THE MADISON POEMS
a. First edition *
Madison: Quixote Press, January-March 1969
Silk-screened manila envelope measuring 9.25″ x 12″, contains reproductions of collages and concrete poems on loose cards and paper-stock, a folio of cards, and a side-stapled booklet with collage covers containing The Madison Poems, and Suburban Monastery Death Poem. Cover silkscreen by T.L. Kryss. Publisher’s Preface by Morris Edelson, Introduction by Dave Wagner. Published as Quixote Vol. 4, No. 6. (T&H B-19)

[included in The Madison Poems]
levy, d.a. 7 CONCRETE POEMS / CONCRETE POEMS / ELECTRIC GREEK POEMS (for Bob Gabriner)
Loose sheets in folio measuring 5.5″ x 6″, offset printed. This is a collection of poems under 3 different titles (as noted above): 6 under the 1st title (the title says “7”, but there were only 6); 7 under the 2nd title; and 6 under the 3rd. Each poem is printed on separate card (cards of varying sizes), and the cards are inserted in a blue wraparound pocket that serves as the cover.

b. Second edition
Madison: Quixote Press, May 1972
Silk-screened manila envelope measuring 9.25″ x 12″, contains reproductions of collages and concrete poems on loose cards and paper-stock, a folio of cards, and a side-stapled booklet with collage covers containing The Madison Poems, and Suburban Monastery Death Poem, plus a reproduction of The Tibetan Stroboscope. Cover silkscreen by T.L. Kryss. Publisher’s Preface by Morris Edelson, Introduction by Dave Wagner. Published as a reproduction of Quixote Vol. 4, No. 6. (T&H B-19)

47. levy, d.a. SONGS FOR DEAD CHILDREN
First edition:
San Francisco: Black Rabbit Press, May 1969
Side-stapled and bound in silkscreened wrappers, 8.5″ x 11″, 6 pages, 100 copies, silkscreen and mimeograph printed. Cover art by Barbara O’ Connelly. (T&H B-20)

48. levy, d.a. THE BEGINNING OF SUNNY DAWN & RED LADY
First edition, thus:
San Francisco: Open Skull Press, 1969
Saddle-stapled in illustrated wrappers, 8″ x 9 “, 20 pages, 500 copies, offset printed. Cover art by Douglas Blazek. This is the second printing of The Beginning of Sunny Dawn, first published by Ghostflower Press in 1968 in an edition of 236 copies. This is the first printing of Red Lady. (T&H B-23)

49. levy, d.a. RED LADY
First edition, thus:
Cleveland: Para-Shakti Press, November 1969
Side-stapled in printed wrapper, 6.25″ x 7.5″, 22 pages, 500 copies, mimeograph printed. Originally published along with “The Beginning of Sunny Dawn” in an edition of 500 by Open Skull Press in 1969. (T&H B-21)

Second edition, thus:
Vancouver: blewointmentpress, March 1970
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 12 pages, 700 numbered copies, offset and mimeograph printed. Cover photo by Klaas Verboom. Originally published along with “The Beginning of Sunny Dawn” in an edition of 500 by Open Skull Press in 1969. (not in T&H)

50. levy, d.a. POSTCARD
First edition:
Toronto: Ganglia Press, 1969
Folding card with printed and illustrated cover, 4.25″ x 5″. Cover drawing by levy. Published as “#26 in the mimeo march to total madness. A Ganglia 5¢ gun for the revolution.”
(T&H B-22)

51. levy, d.a. STONE SARCOPHAGUS
First edition:
Madison: Radical America, c.1970
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 24 pages. Issued as “the first in a series of poetry pamphlets published by Radical America”.
(not in T&H)

52. levy, d.a. NOTES: VARIATIONS ON A SHORT POEM
First edition:
Sacramento: Runcible Spoon, 1970
Side-stapled in printed cover, 4.25″ x 5.5″, 12 pages, 300 copies, mimeograph printed. Cover illustration by Allen Ginsberg.
(T&H B-24)

53. levy, d.a. THE MADISON COLLAGES
First edition:
Cleveland: Offense Fund, November 1975
Top-stapled in silk-screened cover with library tape binding, 9″ x 13.5″, 48 pages, 350 copies, silkscreen and offset printed. Cover silkscreen by T.L. Kryss. The Madison Collages were first published in an envelope by Quixote Press in Madison in 1969 (see A46). (T&H B-25)

54. levy, d.a. SCARAB POEMS
First edition:
n.p.: Writersforum, 1978
Side-stapled in hand-printed and illustrated wrappers, 14 pages, 6″ x 8″. (T&H B-26)

55. levy, d.a. KIBBUTZ IN THE SKY, BOOK 3
First edition, thus:
Brigham: Samisdat, n.d. [c.1978]
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 16 pages. Published as Samisdat, Vol. 12, No. 4, 67th release. (not in T&H)

56. levy, d.a. BERET: A CONCRETE POEM FOR THE WAR MONUMENTS
First edition, thus:
Detroit: Planet Detroit Poems, August 1984
Saddle-stapled in un-printed wrappers [present image is of title page], 5.5″ x 8.5″, 16 pages.
(not in T&H)

—

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verdant press

Tag Archives: 7 Flowers Press

Russell Atkins – Books

Kent Taylor: Contributions to Books and Other Publications

Charles Bukowski: Books and Chapbooks

Richard Krech

Russell Atkins

Kent Taylor

Kent Taylor: Contributions to Periodicals

Kent Taylor: Books and Broadsides

d.a. levy: Publications Edited and Published

d.a. levy: Books and Other Separate Publications

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