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Charles Bukowski: Contributions to Periodicals, 1970-1979

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SECTION D-2:
This index includes contributions to periodicals of poems and stories from 1970 to 1979*.

* Note: This is a work in progress and as such the sequence within years is alphabetical until more data is available

– – – 1970 – – – >

ADAM, Vol. 14, No. 2 (1970)

ADAM, Vol. 14, No. 7 (1970)

CALIFORNIA LIBRARIAN, Vol. 31, No. 4, edited by Don Kunitz
Sacramento: California Librarian, October 1970
“The Poetry Reading”
[library photocopy]




CANDID PRESS (1970)

CHICAGO REVIEW, Vol. 22, No. 1, edited by Harry Foster
mags_chicago2201Chicago: Chicago Review, Autumn 1970
“All Right, so Camus Had to Give Speeches before the Academies and Get His Ass Killed in a Car-Wreck”, “The Old Woman”



COTYLEDON, No. 2
Traverse City: Coyteldon Press, 1970
“A Hero’s Death”, “A Little Bit of Excitement”, “An Interesting Night”, “Robert Ryan: American Matador”, “Song”, “The Virgins of The Bulls”, “Those Sons of Bitches”

EPOS, Vol. 22, No. 2, edited by Will Tullos and Evelyn Thorne
mags_epos2202Crescent City: Epos, Winter 1970-71
“Blues Song”





EVERGREEN REVIEW, Vol. 14, No. 74, edited by Barney Rosset
New York: Evergreen Review, January 1970
“The Day We Talked about James Thurber”

EVERGREEN REVIEW, Vol. 14, No. 79, edited by Barney Rosset
New York: Evergreen Review, June 1970
“Soup, Cosmos and Tears”

FLING (1970)

GHOST DANCE, No. 12, edited by Hugh Fox
mags_ghostdance12East Lansing: Ghost Dance Press, (1970)
“The Poet’s Muse”





HEARSE, No. 14, edited by E. V. Griffith
Eureka: Hearse Press, 1970
“Sheets”





JEOPARDY, Vol. 6, edited by Carl Waluconis
mags_jeopardy06Bellingham: Jeopardy, March 1970
“The White Poets”, “The Black Poets”, “Excerpts from Short Non-Moon Shots to Nowhere”




KNIGHT, Vol. 7, No. 12
Los Angeles: Sirkay Publishing, 1970
“The Great Zen Wedding”

KNIGHT, Vol. 8, No. 5
Los Angeles: Sirkay Publishing, September 1970
“Nut Ward Just East of Hollywood”

KNIGHT, Vol. 8, No. 7
Los Angeles: Sirkay Publishing, 1970
“Registered Letter” (excerpt from Post Office)

NOLA EXPRESS, No. 45
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 49
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 54
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 55
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 57
New Orleans: Southern Louisiana Media Corp., Jun 12 to 27, 1970
“New Mexico”

NOLA EXPRESS, No. 60
New Orleans: Southern Louisiana Media Corp., 1970
“Love it or Leave it”

NOLA EXPRESS, No. 61
New Orleans: Southern Louisiana Media Corp., 1970
“All the Pussy We Want”

NOLA EXPRESS, No. 62
New Orleans: Southern Louisiana Media Corp., Aug 21-Sep 3, 1970
“Six Inches”

NOLA EXPRESS, No. 63
New Orleans: Southern Louisiana Media Corp., Sep 4-17, 1970
“I Think of the Little Men”

NOLA EXPRESS, No. 64
New Orleans: Southern Louisiana Media Corp., Sep 18-Oct 1, 1970
“An Evil Town”

NOLA EXPRESS, No. 67
New Orleans: Southern Louisiana Media Corp., 1970
“The Loner”

NOLA EXPRESS, No. 68
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 69
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 70
New Orleans: Southern Louisiana Media Corp., 1970
“The White Beard”

NORTON ANTHOLOGY OF POETRY (1970)

NOTES FROM UNDERGROUND, No. 3, edited by John Bryan
San Francisco: Underground Press, 1970
“Should We Burn Uncle Sam’s Ass?”

WHAT THERE IS LEFT TO UNDERSTAND ABOUT A LIGHT THAT IS NOT ABLE TO BE THERE
Sacramento: Runcible Spoon 1970
“Dooby Do Do Do”, “Shoot The Goat Through The Head And Paint The Bones Green”, “The Shit Shits”, “The Vast Area Of Space Nothingness With With Snakes Crawling Through You And Everything”

SOUNDINGS, Vol. 2, No. 1, edited by Donald E. Fitch
mags_soundings0201Santa Barbara: University of California, May 1970
“The Miracle”, “The Immortal Bombs, The Stinking Feet of God be Quiet”, “The Flower Lover”




SOUTHERN CALIFORNIA LIT SCENE, Vol. 1, No. 1, edited by William J. Robson
mags_socallit0101Long Beach: Southern California Lit Scene, December 1970
“The Wailing Wall”




STATEMENT, No. 28, edited by Roger Margolis
mags_statement28Los Angeles: California State College, May 1970
“On to Rome”





STEPPENWOLF, No. 4, edited by Philip Boatright
mags_steppenwolf04Omaha: Steppenwolf, Autumn, 1970
“Quits”





STOOGE, No. 5, edited by Laura Chester and Geoffrey Young
Oconomowoc Lake: Stooge, 1970
“An Answer to a Critic of Sorts”

WORMWOOD REVIEW, , Vol. 10, No. 1, Issue 37, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“One More Good One. Why Not?”, “Moonlight Ride”




WORMWOOD REVIEW, Vol. 10, No. 4, Issue 38, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“Down Like Stairways, Up Like Smoke”, “Another Academy”




WORMWOOD REVIEW, , Vol. 10, No. 4, Issue 39, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“A Correction To A Lady Of Poetry”, “A Warm Afternoon Just Off Sunset Boulevard”, “Boil Near Left Elbow”, “Yes”



WORMWOOD REVIEW, Vol. 10, No. 4, Issue 40, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“16 Jap Machine Gun Bullets”, “When All The Animals Lie Down”




– – – 1971 – – – >

ABYSS, Vol. 3, No. 1 (1971)

ADAM, Vol. 15, No. 3 (1971)

ADAM, Vol. 15, No. 5 (1971)

ADAM, Vol. 8, No. 11 (1971)

BEAR, No. 1, edited by A. P. Russo
Los Angeles: Bear,  1971
“The Answer”, “The Flu”

CRAZY HORSE, No. 9
Marshall: Southwest Minnesota State College, 1971
“That One”

EAST VILLAGE OTHER, Vol. 6, No. 11
New York: East Village Other Inc, 1971
“Swastika”

FLING, (1971)

FLING, (1971)

FLING, Vol. 14, No. 4 (1971)

FLING, Vol. 14, No. 5 (1971)

HALF N’ HALF, (1971)

HANGING LOOSE, No. 15
Brooklyn: Hanging Loose Press, 1971
“A Threat to My Immortality”, “The Garbageman”

HARRISON STREET REVIEW, No. 2 (1971)

HEARSE, No. 15, edited by E. V. Griffith
Eureka: Hearse Press, 1971
“The End of The Funhouse”, “Vallejo”

INTREPID, No. 18/19, edited by Allen De Loach
Buffalo: Intrepid Press, 1971
“A Blurb”, “That Liberating Moment”

INVISIBLE CITY, No. 1, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“5 Men in Black Passing My Window”, “Ah”, “Here”, “Rolled Again”, “Songs of Death”, “Style”, “The Bums at Phillipe’s”, “The Last Days of The Suicide Kid”, “You Might As Well Kiss Your Ass Goodbye”, “Zoo”

INVISIBLE CITY, No. 2, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“A Most Dark Night In April”, “Drinking”, “Last Act”, “The American Flag Shirt”, “Upon 2 Deaths”

INVISIBLE CITY, No. 3, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“2 Carnations”, “Pleasure Song”, “The Shower”, “The Writer”

LAUGH LITERARY AND MAN THE HUMPING GUNS, Vol. 1, No. 3, edited by Charles Bukowski and Neeli Cherry
Los Angeles: Hatchetman Press, 1971
“Bukowski To Cherry”, “The Time I Knocked Out Ernest Hemingway And Was Discovered As A New Literary Giant”

LEMMING, No. 1 (1971)

MADRONA, No. 2, edited by J.K. Osborne, John Levy, and Vassilis Zambaras
Seattle: Gemini Press, 1971
“The Best Love Poem I Can Write at the Moment”

MANO MANO, No. 2, edited by Larry Lake
Denver, Colorado: Bowery Press, 1971
“Girl In A Miniskirt Reading The Bible Outside My Window”, “Ha Ha Ha Ha Ha, Ha Ha”, “The Angels Of Sunday”

MEATBALL, No. 8 (1971)

MEDITERRANEAN REVIEW, Vol. 1, No. 3, edited by Robert DeMaria
Orient: Mediterranean Review, 1971
“Poem For An X-Bank Clerk”, “The Wine And The Cantos”

NEW YORK QUARTERLY, No. 7 (1971)

NEW YORK QUARTERLY, No. 8 (1971)

NOLA EXPRESS, No. 71
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 73
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 77
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 78
New Orleans: Southern Louisiana Media Corp., Apr 1-15, 1971

NOLA EXPRESS, No. 81
New Orleans: Southern Louisiana Media Corp., 1971

PIX, Vol. 3 (1971)

PULSE, No. 4, edited by Norm Moser
Santa Fe: Illuminations Press, Summer-Fall 1971
“A Need For Glue”, “Cancer Of The Eyeball”, “The Grammar Of Life”

QUETZAL, Vol. 1, No. 3 (1971)

ROGUE, No. 29 (1971)

SECOND AEON, No. 13, edited by Peter Finch
Cardiff: Second Aeon Publications, 1971
“Poem For Dante”, “Slim Killers”, “The Conditions”

THE MT. ALVERNO REVIEW, (1971)

THE SERIF, Vol. 8, No. 4, edited by Alex Glidzen and Dean H. Keller
Kent: Kent State University, 1971
“Untitled Essay on d.a. levy”

THROB, No. 1, edited by F. A. Nettlebeck
Manhattan Beach: Horsehead Nebula Press, 1971
“Bug”, “Summer”, “The Elephants”

THROB, No. 2, edited by F. A. Nettlebeck
Manhattan Beach: Horsehead Nebula Press, 1971
“Charles Bukowski Answers 10 Easy Questions”

UNMUZZLED OX, Vol. 1, No. 1, edited by Michael Andre
New York: Unmuzzled Ox, 1971
“Poem”, “Tragedy Is My Bacon”

VAGABOND, No. 10, edited by John Bennett
San Francisco: Vagabond Press, 1971

VAGABOND, No. 11, edited by John Bennett
San Francisco: Vagabond Press, 1971

VAGABOND, No. 12, edited by John Bennett
Redwood City: Vagabond Press, 1971

WORMWOOD REVIEW, No. 41 (1971)

WORMWOOD REVIEW, No. 42 (1971)

WORMWOOD REVIEW, No. 43 (1971)

WORMWOOD REVIEW, No. 44 (1971)

– – – 1972 – – – >

ADAM, Vol. 16, No. 1 (1972)
AMPHORA, No. 8 (1972)
ANTHOLOGY OF L.A. POETS, (1972)
BACHY, Vol. 1, No. 1 (1972)
BALONEY STREET, No. 3/4 (1972)
BALONEY STREET, No. 3/4 (1972)
BARTLEBY’S REVIEW, Vol. 1, No. 1 (1972)
CALIFORNIA STATE POETRY SOCIETY QUARTERLY, Vol. 1, No. 2 (1972)
CHICAGO REVIEW, Vol. 24, No. 3 (1972)
CORDUROY, Vol. 1, No. 3 (1972)
DOGTOWN, No. 1 (1972)
EVENT, Vol. 1, No. 3 (1972)
EVENT, Vol. 2, No. 1 (1972)
EVENT, Vol. 2, No. 2 (1972)
FERVENT VALLEY, No. 1 (1972)
FERVENT VALLEY, No. 2 (1972)
FLING, No. 3 (1972)
FLING, No. 5 (1972)
FLING, Vol. 14, No. 6 (1972)
HALF N’ HALF, (1972)
HARRISON STREET REVIEW, No. 3 (1972)
HEARSE, No. 17 (1972)
INTREPID, No. 23/24 (1972)
INVISIBLE CITY, No. 4 (1972)
INVISIBLE CITY, No. 7 (1972)
KNIGHT, Vol. 9, No. 7 (1972)
LOS ANGELES FREE PRESS, (1972)
LOS ANGELES FREE PRESS, (1972)
MAG, No. 2 (1972)
MAG, No. 4 (1972)
MAGAZINE, No. 5 (1972)
MINDSCAPES, (1972)
NEW YORK QUARTERLY, No. 10 (1972)
NEW YORK QUARTERLY, No. 12 (1972)
NEW YORK QUARTERLY, No. 9 (1972)
NOLA EXPRESS, No. 103 (1972)
NOLA EXPRESS, No. 104 (1972)
NOLA EXPRESS, No. 108 (1972)
NOLA EXPRESS, No. 113 (1972)
NOLA EXPRESS, No. 115 (1972)
NOLA EXPRESS, No. 116 (1972)
NOLA EXPRESS, No. 117 (1972)
NOLA EXPRESS, No. 119 (1972)
NOLA EXPRESS, No. 99 (1972)
PEBBLE, No. 9 (1972)
PIX, Vol. 4, No. 5 (1972)
PIX, Vol. 4, No. 7 (1972)
PIX, Vol. 4, No. 8 (1972)
PURE SMUTTE, No. 1 (1972)
SAN FRANCISCO BOOK REVIEW, No. 22 (1972)
SECOND AEON, No. 14 (1972)
SECOND AEON, No. 16/17 (1972)
SECOND COMING, Vol. 1, No. 2 (1972)
SECOND COMING, Vol. 1, No. 3 (1972)
SILVER, (1972)
STONECLOUD, No. 1 (1972)
THE, No. 13 (1972)
THE LITTLE MAGAZINE, Vol. 6, No. 1 (1972)
THE LITTLE MAGAZINE, Vol. 6, No. 2 & 3 (1972)
THE VENICE POETRY COMPANY PRESENTS, (1972)
UNMUZZLED OX, Vol. 1, No. 2 (1972)
UNMUZZLED OX, Vol. 1, No. 4 (1972)
VAGABOND, No. 13 (1972)
VAGABOND, No. 15 (1972)
WORMWOOD REVIEW, No. 45 (1972)
WORMWOOD REVIEW, No. 46 (1972)
WORMWOOD REVIEW, No. 47 (1972)
WORMWOOD REVIEW, No. 48 (1972)

Semina

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This index lists issues of Semina, the periodical edited by Wallace Berman; contributors are listed alphabetically


1. SEMINA, No. 1, edited by Wallace Berman
Los Angeles: Wallace Berman, 1955
Envelope measuring 4″ x 7.75″ with silver gelatin print of Cameron tipped on to the exterior, contains 8 letterpress and offset printed cards of various dimension, 150 copies.

Contributors include: E. I. Alexander [Robert Alexander], Charles Brittin, Cameron, Peder Carr, Jean Cocteau, Marion Grogan, Herman Hesse, Walter Hopps, David Meltzer.

2. SEMINA, No. 2, edited by Wallace Berman
Los Angeles: Wallace Berman, December 1957
Saddle-stapled in wrappers with offset and letterpress printed image tipped on to the front wrapper, 5.5″ x 8.5″, printed by Stone Brothers Printing [Robert Alexander and Wallace Berman].

Contributors include: John Altoon, Jack Anderson, Charles Baudelaire, Wallace Berman, Charles Brittin, Charles Bukowski, Cameron, Peder Carr, Lewis Carroll, Eric Cashen, Jean Cocteau, Judson Crews, Paul Eluard, Marion Grogan, Hermann Hesse, Walter Hopps, Marcia Jacobs, J.B. [James Boyer] May, Mike McClure, David Meltzer, John Reed, Idell T. Romero [Aya Tarlow], Rabindranath Tagore, Alexander Trocchi, Lynn Trocchi, Paul Valéry, Zack Walsh, Pantale Xantos [Wallace Berman].

3. SEMINA, No. 3, edited by Wallace Berman
San Francisco: Wallace Berman, 1958
Broadside measuring 6.5″ x 22″ folded and tipped into folder measuring 9″ x 11″ with offset and letterpress printed image tipped on to the front cover, 200 copies.

Contributors include: Mike McClure.

4. SEMINA, No. 4, edited by Wallace Berman
San Francisco: Wallace Berman, 1959
Folder measuring 8″ x 9.5″ with a half-tone of Shirley Berman tipped on to the front cover, internal letterpress printed pocket contains 23 offset lithograph, lithograph, and letterpress printed cards of various dimensions

Contributors include: I. E. Alexander [Robert Alexander], Wallace Berman, William Blake, Ray Bremser, William S. Burroughs, John Chance, Sou-ma Ch’ien (translation by Charles Guenther), Beverly Collins, Judson Crews, Charles Foster, Allen Ginsberg, Pierre Jean Jouve (translation by Howard Shulman), Robert Kaufman, Philip Lamantia, Ron Loewinsohn, Michael McClure, David Meltzer, Stuart Perkoff, John Reed, Idell T. Romero [Aya Tarlow], Charles Stark, Jules Supervielle (translation by Charles Guenther), John Wieners, Pantale Xantos [Wallace Berman], W.B. Yeats.

From the Colophon: Type handset on beat 5 x 8 Excelsior handpress / cover photo: “Wife” by W. Berman / San Francisco 1959 / Art is Love is God.

5. SEMINA, No. 5, edited by Wallace Berman
Larkspur: Wallace Berman, 1959
Folder measuring 5″ x 7.5″, internal letterpress printed pocket containing 18 offset lithograph and letterpress printed cards of various dimensions, 350 copies. Cover photo by Charles Brittin.

Contributors include: Antonin Artaud, Wallace Berman, John Chance, Sor Juana Ines De La Cruz (translated by Philip Lamantia), Kirby Doyle, John Hoffman, Larry Jordan, Robert Kaufman, Philip Lamantia, Christofer Maclaine, William Margolis, Michael McClure, Anne McKeever, David Meltzer, John Reed, Ruth Weiss, John Wieners, Pantale Xantos [Wallace Berman].

6. SEMINA, No. 6, edited by Wallace Berman
Larkspur: Wallace Berman, 1960
Folder measuring 8″ x 8.5″, internal letterpress printed pocket containing 14 offset lithograph printed cards each measuring 4.75″ x 5.75″, 335 copies. Cover photo by Wallace Berman.

Contributors include: David Meltzer

From the Colophon: The Clown a poem by David Meltzer 335 copies printed / Type handset on a warped 5 x 8 inch Handpress / Cover photo – Wallace Berman / Larkspur Calif. 1960

7. SEMINA, No. 7, edited by Wallace Berman
Larkspur: Wallace Berman, 1961
Folder measuring 5.5″ x 7.75″ with photo tipped on, internal letterpress printed pocket containing 17 offset lithograph and letterpress printed cards of various dimensions, 200 copies. Cover photo by Wallace Berman.

Contributors include: Wallace Berman

From the Colophon: ALEPH/ a gesture involving / photographs drawings & text / by Wallace Berman / 200 copies Larkspur Calif 1961 / for Shirley & Tosh / I love you

8. SEMINA, No. 8, edited by Wallace Berman
Los Angeles: Wallace Berman, 1963
Folder measuring 5.5″ x 7.25″ with photo tipped on, internal letterpress printed pocket containing 14 offset lithograph and letterpress printed cards of various dimensions, circa 200 copies. Cover image created by Dean Stockwell

Contributors include: A.A. [Antonin Artaud], W. [Wallace Berman], Cameron, K.D. [Kirby Doyle], J.K. [Jerry Katz], M.M. [Michael McClure], I.T.R. [Idell T. Romero [Aya Tarlow]], z.w. [Zack Walsh], J.W. [John Wieners].

9. SEMINA, No. 9, edited by Wallace Berman
Los Angeles: Wallace Berman, 1964
Envelope with photo tipped on to the exterior, contains one letterpress printed card, circa 200 copies. Cover image created by Wallace Berman

Contributors include: Michael McClure

 


Note: In 1992 George Herms published a facsimile edition of Semina (Venice: Love Press, 1992) in an edition of 300 numbered copies signed by Herms and laid into a printed chipboard box with numbered and signed colophon. The facsimile re-creation took four years to print and has been assembled in the fashion of the originals: handset letterpress on scraps of colored paper, photos, pastedowns, etc.

Charles Bukowski: Miscellaneous Prose

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SECTION E:
This index includes book and periodical appearances of letters, commentary, introductions, reviews, etc. in  the 1960’s: from Bukowski’s first book appearance to roughly the time that his work started being published in collected volumes by John Martin’s Black Sparrow Press; the period of time covered by Sanford Dorbin’s Bibliography.


1. NOMAD, No. 5/6, edited by Donald Factor and Anthony Linick
mags_nomad056Culver City, Winter-Spring I960
Bukowski contribution: “Manifesto: A Call For Our Own Critics” [commentary]
(Dorbin D11)



2. THE OUTSIDER, No. 1, edited by Jon Edgar & Gypsy Lou Webb
mags_outsider01New Orleans: Loujon Press, Fall 1961
Bukowski contribution: “Contributor’s Note” [commentary]
(Dorbin D17)



101. BLACK CAT REVIEW, No. 2, edited by Neeli Cherry
mags_blackcat01San Bernardino: The Cherry Press, March 1963
Bukowski contribution: “Yes, Cherry…” [letter], “Dear Neeli…” [letter]
(not in Dorbin)



119. RENAISSANCE, Vol. 1, No. 4, edited by John Bryan
San Francisco: Renaissance Publications, Winter, 1962
Bukowski contribution: “Peace, Baby, Is Hard Sell” [letter]
(Dorbin D18)


3. LITERARY TIMES, Vol. 2, No. 4, edited by Jay Robert Nash *
Chi­cago: Literary Times, March 1963
Bukowski contribution: “Charles Bukowski Speaks Out” [interview] (Dorbin D19)

4. THE OUTSIDER, Vol. 1, No. 3, edited by Jon Edgar & Gypsy Lou Webb
mags_outsider03
New Orleans: Loujon Press, Spring 1963
Bukowski contribution: “Dear Jon & Gypsy…”[letter], [letter], [letter] “Letters to The Editors from: Charles Bukowski”
(Dorbin D20-22)


5. MAINSTREAM, Vol. 16, No. 6, edited by R.R. Cuscaden
mags_mainstream1606New York City, June 1963
Bukowski contribution: “Little Magazines In America” [commentary]
(Dorbin D23)



6. LITERARY TIMES, Vol. 3, No. 4, edited by Jay Robert Nash *
Chi­cago: Literary Times, May 1964
Bukowski contribution: “Examining My Peers” [commentary]
(Dorbin D24)

7. LITERARY TIMES, Vol. 4, No. 2, edited by Jay Robert Nash *
Chi­cago: Literary Times, December 1964
Bukowski contribution: “Here’s What I Say” [interview]
(Dorbin D25)

7. MR. CLEAN AND OTHER POEMS by John William Corrington *
San Francisco: Amber House Press, 1964
Bukowski contribution: “Introduction”
(Dorbin D28)

8. FERMENT, No. 6, edited by Zoe Climenhaga *
Canton: Transient Press, June 1965
Bukowski contribution: “Lightning in a Dry Summer” [review of Corrington’s ANATOMY OF LOVE…]
(Dorbin D30)

9. KAURI, No. 10, edited by Will Inman
New York: n.p., September-October 1965
Bukowski contribution: “L.A. sept. 1965 hello Will Inman:…” [letter]
(Dorbin D31)

10. INTERMISSION, Vol. 1, No. 20, edited by Gene Cole *
Chicago: Hull House Theatre, October 1965
Bukowski contribution: “Dear Mr. Cole” [letter]
(Dorbin D32)

11. MY FACE IN WAX by Jory Sherman *
Chicago: Windfall Press, 1965
Bukowski contribution: “Introduction”
(Dorbin D33)

12. STEPPENWOLF, No. 1, edited by Susan Fromberg Schaeffer *
Winter 1965-66
Bukowski contribution: “Another Burial of a Once-Talent” [review of Corrington]
(Dorbin D34)

13. EARTH, No. 2, edited by Steve Richmond *
Santa Monica: Earth Books, 1966
Bukowski contribution: “In Defense of Poetry, a Certain Type of Life, a Certain Type of Blood-Filled Creature Who Will Someday Die” [commentary]
(Dorbin D35)

14. EL CORNO EMPLUMADO, No. 17, edited by Margaret Randall *
Mexico City: El Corno Emplumado, January 1966
Bukowski contribution: “Have been meaning to write…” [letter]
(Dorbin D36)

15. INTREPID, No. 8, edited by Allen de Loach *
Buffalo: Intrepid Press, June 1967
Bukowski contribution: “Letter from Charles Bukowski” [letter]
(Dorbin D55)

[* not in archive]

Charles Bukowski: Books and Chapbooks

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SECTION A:
This index includes books, chapbooks, booklets and bound offprints featuring poems and stories during the 1960’s: from Bukowski’s first book to roughly the time that his work started being published in collected volumes by John Martin’s Black Sparrow Press; the period of time covered by Sanford Dorbin’s Bibliography.


1. Bukowski, Charles. FLOWER, FIST AND BESTIAL WAIL
buk_flowerFirst edition:
Eureka: Hearse Press, October 1960
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.25″, 28 pages, (200 copies), offset printed, cover illustration by Ben Tibbs, edited by E.V. Griffith. Published as Hearse Chapbooks 5.
(Dorbin A1, Krumhansl 3)

Note: Charles Bukowski’s first book.

2. Bukowski, Charles. A SIGNATURE OF CHARLES BUKOWSKI
mags_targets04First edition:
Albuquerque: Targets, December 1960
Saddle-stapled in printed and illustrated wrappers, 7″ x 8.5″, (6 hors commerce copies), offset printed.
(Dorbin B2, Krumhansl 4)

Note: an offprint from Targets, No. 4, edited by W.L. Garner (Sandia Park, December 1960).

3. Bukowski, Charles. BUKOWSKI SIGNATURE 2
buk_sig2_xFirst edition:
Albuquerque: Targets, August-September 1961
Saddle-stapled in printed and illustrated wrappers, 7″ x 8.5″, offset printed.
(Dorbin B3, Krumhansl 5)

Note: an offprint from Targets, No. 7, edited by W.L. Garner (Albuquerque, September 1961)

4. Bukowski, Charles. A CHARLES BUKOWSKI ALBUM
First edition:
New Orleans: Loujon Press, 1961
Side-stapled in printed and illustrated wrappers, 6″ x 9″, (10 copies), offset printed.
(Krumhansl 6)

Note: offprint from The Outsider, No. 1, edited by Jon Edgar & Gypsy Lou Webb (New Orleans: Loujon Press, Fall 1961)

5. Bukowski, Charles. LONGSHOT POMES FOR BROKE PLAYERS
buk_longshotFirst edition:
New York: 7 Poets Press, (1962)
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 9.25″, 44 pages, (200 copies), offset printed, illustrations by Bukowski, edited and published by Carl Larsen.
(Dorbin A3, Krumhansl 8)

Note: according to Krumhansl, “Bukowski’s title for this book Longshot Pomes for Broke Players, appears in its correct form on the front cover only. Illustrations by Bukowski on front cover, title pages, and throughout the text. Photograph of Bukowski and autobiographical material on recto of last leaf.”

6. Bukowski, Charles. RUN WITH THE HUNTED
buk_runFirst edition:
Chicago: Midwest Poetry Chapbooks, 1962
Saddle-stapled in printed wrappers, 5.5″ x 6.25″, 32 pages, (300 copies), offset printed, dedicated to William Corrington, edited by R.R. Cuscaden. Published as Midwest Poetry Chapbooks 1.
(Dorbin A4, Krumhansl 9)

7. Bukowski, Charles. POEMS AND DRAWINGS
buk_poemsFirst edition:
Crescent City: Epos, 1962
Side-stapled sheets bound into printed wrappers, 6.5″ x 9.25″, 28 pages, (500 copies), letterpress printed, illustrations by Bukowski, edited by Will Tullos and Evelyn Thorne. Published as Epos Extra Issue.
(Dorbin A2, Krumhansl 7)

Note: according to Krumhansl, “Of the 500 copies printed it is estimated that about 300 copies were sent gratis to subscribers of Epos magazine, the remaining 200 being for sale at the published price.”

8. Bukowski, Charles. IT CATCHES MY HEART IN ITS HANDS
First edition:
New Orleans: Loujon Press, 1963
Perfect-bound in printed and illustrated wrappers with dust jacket, 7.5″ x 10″, 98 pages, 777 copies, letterpress printed, introduction by William Corrington, illustrations by Frank Salantrie, dedicated to Gypsy Lou Webb, edited by Gypsy Lou and Jon Webb. Published as Gypsy Lou Series 1.
(Dorbin A5, Krumhansl 12)

9. Bukowski, Charles. GRIP THE WALLS
mags_wormwood16First edition:
Storrs: Wormwood Review, 1964
Saddle stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 8 pages, 600 copies, offset printed.
(Dorbin B5, Krumhansl 13)

Note: published as a detachable booklet in The Wormwood Review, Vol. 4, No. 4, Issue 16, edited by Marvin Malone (Storrs: The Wormwood Review Press, December 1964).

10. Bukowski, Charles. CRUCIFIX IN A DEATHHAND
First edition:
New York: Lyle Stuart, 1965
Perfect-bound in illustrated french-fold wrappers, 8.25″ x 12.25″, 102 pages, 3100 copies, letterpress printed, dedicated to Marina Louise Bukowski, illustrations by Noel Rockmore, edited by Gypsy Lou and Jon Webb. Published as Gypsy Lou Series 2.
(Dorbin A6, Krumhansl 15)

11. Bukowski, Charles. COLD DOGS IN THE COURTYARD
buk_colddogsFirst edition:
Chicago: Literary Times and Cyfoeth Publications, 1965
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.25″, 24 pages, 500 copies, letterpress printed, “Foreward” by Bukowski, cover illustration by Betsy Millam, dedicated to Frances Bukowski, edited by Bukowski.
(Dorbin A7, Krumhansl 16)

12. Bukowski, Charles. CONFESSIONS OF A MAN INSANE ENOUGH TO LIVE WITH BEASTS
buk_confessionsFirst edition:
Bensenville: Mimeo Press, August 1965
Saddle-stapled printed and illustrated wrappers, 5.5″ x 8.5″, 52 pages, 500 copies, text mimeograph printed, wrappers offset printed, introductory note by Steve Richmond, cover illustration by Anna Purcell, edited by Douglas Blazek.
(Dorbin A8, Krumhansl 17)

Note: according to Krumhansl, “There is an introduction consisting of twelve lines excerpted from a Steve Richmond letter to Douglas Blazek on the verso of title page. Of the circa 500 copies, 25 copies were issued with a special autographed drawing by Bukowski. The special copies were announced in Ole, No. 3. This ‘long short story’ is the first appearance of the fictional character Henry Chinaski.”

13. Bukowski, Charles. THE GENIUS OF THE CROWD
buk_geniusFirst edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled sheets bound into printed and  illustrated wrappers, 4.5″ x 6″, 22 pages, 103 copies, letterpress printed by d.a. levy, block prints by Paula Marie Savarino, edited by d.a. levy.
(Dorbin A9, Krumhansl 21)

According to Krumhansl, “Many sheets for this chapbook were printed on trimmed envelopes and are therefore double leaves, with envelope flap sections glued together.”

14. Bukowski, Charles. ALL THE ASSHOLES IN THE WORLD AND MINE
buk_alltheFirst edition:
Bensenville: Open Skull Press, 1966
Saddle-stapled in illustrated wrappers, 5.5″ x 8.5″, 28 pages, 400 copies, text mimeograph printed, wrappers offset printed, illustrated by Bukowski, dedicated to William Wantling, edited by Douglas Blazek.
(Dorbin A10, Krumhansl 23)

15. Bukowski, Charles. NIGHT’S WORK (INCLUDING BUFFALO BILL)
mags_wormwood24First edition:
Storrs: Wormwood Review, 1966
Saddle stapled in printed and  illustrated wrappers, 5.5″ x 8.5″, 12 pages, 600 copies, offset printed. (Dorbin B11)

Note: Published as a detachable booklet in The Wormwood Review, Vol. 6, No. 4, Issue 24, edited by Marvin Malone (Storrs: The Wormwood Review, March 1967)

16. Bukowski, Charles. 2 BY BUKOWSKI
buk_2poemsFirst edition:
Los Angeles: Black Sparrow Press, 1967
Hand-sewn in printed wrappers, 5.5″ x 8.5″, 8 pages, 111 copies, letterpress printed by Philip Klein.
(Dorbin B12, Krumhansl 25)

From the colophon: “Printed April, 1967 in Los Angeles by Philip Klein for the Black Sparrow Press. This edition is limited to ninety-nine copies; three copies lettered a, b and c, which are not for sale, and ninety-six numbered copies, for sale, all signed by the poet.”

Note: according to Krumhansl, “111 copies were published 7 April 1967, of which 99 were signed, the remaining 12 copies are unsigned, numbered 1-12, and marked ‘Review Copy’ in holograph red ink.”

17. Bukowski, Charles. THE CURTAINS ARE WAVING AND PEOPLE WALK THROUGH THE AFTERNOON HERE AND IN BERLIN AND IN NEW YORK CITY AND IN MEXICO
buk_curtainsFirst edition:
Los Angeles: Black Sparrow Press, 1967
Hand-sewn in printed wrappers, 6.25″ x 6.25″, 12 pages, 125 copies, letterpress printed by Graham Mackintosh.
(Dorbin B14, Krumhansl 26)

From the colophon: “Designed and printed September, 1967 in San Francisco by Graham Mackintosh for the Black Sparrow Press. The edition is limited to one hundred and twenty five copies; three copies lettered a, b, c which are not for sale and one hundred and twenty two numbered copies, for sale, all signed by the poet.”

Note: according to Krumhansl, “According to John Martin, as Bukowski signed The Curtains he added a drawing to his signature in every tenth copy or so. Thus about fifteen copies contain an original drawing.”

18. Bukowski, Charles. AT TERROR STREET AND AGONY WAY
a. First edition, paperback issue, first state:
Los Angeles: Black Sparrow Press, May 1968
Perfect-bound in printed wrappers, 6″ x 8.5″, 89 pages, 18 copies, letterpress printed by Graham Mackintosh.
(Dorbin A11, Krumhansl 27a)

Note: front cover of this state included a misprint whereby “Street” was misprinted as “Sreet”. According to John Martin 18 copies exist thus, without the white label which was affixed to the second state.

b. First edition, paperback issue, second state:
Los Angeles: Black Sparrow Press, May 1968
Perfect-bound in printed wrappers, 6″ x 8.5″, 89 pages, 747 copies, letterpress printed by Graham Mackintosh.
(Dorbin A11, Krumhansl 27b)

Note: this state has a 3.5″ x 5.5″ printed white label tipped on to the front cover to correct the misprinting of the first state.

c. First edition, hardcover, numbered, signed and illustrated issue:
Los Angeles: Black Sparrow Press, May 1968
Hardcover in cloth-bound boards with printed paper spine label, 6″ x 9″, 89 pages, 75 numbered and signed copies, letterpress printed by Graham Mackintosh, with an original watercolor painting by Bukowski tipped in.
(Dorbin A11, Krumhansl 27c)

Note: introductory note by Bukowski, dedicated to John Thomas, John Martin, and John the Baptist, edited by John Martin, printed prospectus issued.

From the colophon: “Designed and printed April, 1968 in San Francisco by Graham Mackintosh for the Black Sparrow Press. The edition is limited to 800 copies in wrappers and 75 hardbound, signed copies each with an original illustration by the poet.”

19. Bukowski, Charles. POEMS WRITTEN BEFORE JUMPING OUT OF AN 8 STORY WINDOW
buk_poemswrittenFirst edition:
Glendale: Poetry X/Change, 1968
Saddle-stapled sheets bound into illustrated wrappers, 6.5″ x 8.25″, 32 pages, (400 copies), offset printed, introductory note by Bukowski, cover illustration by P. David Horton, center-fold illustration by Bukowski, dedicated to Douglas Blazek.
(Dorbin A12, Krumhansl 28)

Note: according to Krumhansl, “Circa 400 copies were published in the summer of 1968. Note on verso of title page: ‘… a Litmus first edition…’ Published by Darrell Kerr and Charles Potts. Originally this volume was to have been published by  Mel Buffington’s Blitz/Mad Virgin Press in August or September of 1965.”

20. Bukowski, Charles. NOTES OF A DIRTY OLD MAN
First edition:
North Hollywood: Essex House,  January 1969
Perfect-bound in printed and illustrated wrappers, 4.5″ x 6.5″, 256 pages, (c. 28,000 copies), offset printed, introductory note by Bukowski, cover illustration by Larry Gaynor.
(Dorbin A13, Krumhansl 29)

Note: according to Krumhansl, “Collected from Bukowski’s weekly column in Open City, a Los Angeles underground newspaper. The newspaper published circa 92 issues between 1964-1969. Bukowski was listed as a Contributing Editor throughout the life of the paper and contributed to 87 issues.”

21. Bukowski, Charles. A BUKOWSKI SAMPLER
buk_samplerFirst edition:
Madison: Quixote Press, July 1969
Saddle-stapled in printed and illustrated wrappers, 7″ x 9.25″, 80 pages, 400 copies, offset printed, introduction by Douglas Blazek, illustrations by Bukowski, printed prospectus issued.
(Dorbin A14, Krumhansl 30)

22. Bukowski, Charles. IF WE TAKE
buk_ifwea. First edition, regular issue:
Los Angeles: Black Sparrow Press, 1969
Hand-sewn with green thread in printed wrappers, 4.5″ x 5.5″, 16 pages, 350 copies, letterpress printed by Noel Young.
(Krumhansl 31a)

Note: 350 unsigned copies issued, not 300 as stated in the colophon.

b. First edition, signed issue:
Los Angeles: Black Sparrow Press, 1969
Hand-sewn with red thread in printed wrappers, 4.5″ x 5.5″, 16 pages, 100 numbered and signed copies, plus one marked “File Copy”, letterpress printed by Noel Young.
(Krumhansl 31b)

From the colophon: “Design by Barbara Martin. Printed by Noel Young. Published as a New Year’s Greeting to the friends of the Black Sparrow Press in an edition of 400 copies, 100 of which are numbered and signed by the author.”

23. Bukowski, Charles. THE DAYS RUN AWAY LIKE WILD HORSES OVER THE HILLS
a. First edition, paperback issue:
Los Angeles: Black Sparrow Press, 1969
Perfect-bound in printed wrappers, 6″ x 9.25″, 160 pages, 1243 copies, letterpress printed by Noel Young.
(Krumhansl 32a)

b. First edition, hardcover, numbered and signed issue:
Los Angeles: Black Sparrow Press, 1969
Hardcover in printed paper-bound boards and cloth backstrip with paper label in acetate dust jacket, 6.5″ x 9.75″, 160 pages, 250 numbered and signed copies, letterpress printed by Noel Young.
(Krumhansl 32b)

c. First edition, hardcover, numbered, signed and illustrated issue:
Los Angeles: Black Sparrow Press, 1969
Hardcover in printed paper-bound boards and patterned cloth backstrip with paper label in acetate dust jacket, 6.5″ x 9.75″, 160 pages, 63 numbered and signed copies with original artwork tipped in, letterpress printed by Noel Young.
(Krumhansl 32c)

From the colophon: “Printed December 1969 in Santa Barbara by Noel Young for the Black Sparrow Press. Design by Barbara Martin. This edition is limited to 1250 copies in paper wrappers; 250 hardcover copies numbered & signed by the poet; & 50 numbered copies handbound in boards by Earle Gray, signed & with an original illustration by the poet.”

d. prospectus
Los Angeles: Black Sparrow Press, 1969
Broadside printed on both sides, 6″ x 9″, letterpress printed.

Note: from the verso: “The poetry of Charles Bukowski is by turns savage, tender, humorous. The individual poems are memorable, with a blood-freezing immediacy. The prey in Bukowski’s poems are life’s victims in precisely the same sense that we are all victims…”

Charles Bukowski: Contributions to Periodicals

>> return to CHARLES BUKOWSKI main page >>

SECTION D:
Contributions to Periodicals

This index includes contributions to periodicals of poems and stories from 1944 to 1969: from Bukowski’s first appearance to roughly the time that his work started being published in collected volumes by John Martin’s Black Sparrow Press; the period of time covered by Sanford Dorbin’s Bibliography.


1944

1. STORY, Vol. 24 No. 106, edited by Whit Burnett *
mags_storyNew York City: Story Magazine, March-April 1944

Bukowski contribution: “Aftermath of a Lengthy Rejection Slip” [prose]
(Dorbin D1)


1946

2. PORTFOLIO AN IN­TERNATIONAL REVIEW, No. 3, edited by Caresse Crosby *
mags_portfolio03_xWashington D.C.: Black Sun Press, Spring 1946

Bukowski contribution: “20 Tanks from Kasseldown” [prose]
(Dorbin D2, Krumhansl 1)


3. MATRIX, Vol. 9, No. 2, edited by Joseph Moskovitz *
Philadelphia: Matrix, Summer 1946

Bukowski contribution: “Soft and Fat Like Summer Roses” [poem], “The Reason Behind Reason” [prose], “Hello” [poem]
(Dorbin C1, D3)

4. MATRIX Vol. 9 No. 3-4, edited by Joseph Moskovitz *
mags_matrix0934_xPhiladelphia: Matrix, Winter 1946-47

Bukowski contribution: “Voice in a New York Subway” [poem], “Object Lesson” [poem], “Love, Love, Love” [prose]
(Dorbin C1a, C2, D4)


1947

5. MATRIX, Vol. 10, No. 3-4, edited by Joseph Moskovitz *
Philadelphia: Matrix, Fall-Winter 1947

Bukowski contribution:  “Cacoethes Scribendi” [prose]
(Dorbin D5)


1948

6. MATRIX, Vol. 11, No. 1-2, edited by Joseph Moskovitz *
mags_matrix1101_xPhiladelphia: Matrix, Spring-Summer 1948

Bukowski contribution: “Hard Without Music” [prose]
(Dorbin D6)



1951

7. MATRIX, 14th year, No 32, edited by J. Moray, Frank Brookhouser, and S.E. Mackey
mags_matrix32Pleasanton: Matrix, 1951

Bukowski contribution: “The Look” [poem]
(Dorbin C3)



8. THE NAKED EAR, No. 9, edited by Judson Crews
mags_nakedear09Taos: Motive Book Shop, 1956

Bukowski contribution: “Lay Over” [poem]
(Dorbin C4)



9. HARLEQUIN, Vol. 1, No. 1, edited by Barbara Frye *
Los Angeles, 1956

Bukowski contribution: “Wash over Me, Tired Centuries” [poem]
(not in Dorbin)

10. QUIXOTE, No. 12, edited by Jean Rikhoff Hills
Gibraltar: Quixote, Winter 1956

Bukowski contribution: “These Things” [poem], “You Smoke a Cigarette,” [poem]
(Dorbin C5-C6)


11. HARLEQUIN, Vol. 2, No. 1, edited by Barbara Frye and W.R. Lasater *
mags_harlequin0201_xLos Angeles, 1957

Bukowski contribution: “Essay on the Wine Gnat” [poem], “For They Had Things to Say” [poem], “Sun Coming Down” [poem], “On a Night You Don’t Sleep” [poem], “Did I Ever Tell You?” [poem], “Death Wants More Death” [poem], “The Editors Say:” [poem], “My Father” [poem], “The Rapists Story” [prose], “The Piano That Ate a Man, a Shirt and a Lion” [prose], “80 Airplanes Don’t Put You in the Clear” [prose]
(Dorbin C7-C14, D7-9)

12. QUIXOTE, No. 13, edited by Jean Rikhoff Hills
mags_quixote13Gibraltar, Spring 1957

Bukowski contribution: “Poem for Personnel Managers:” [poem], “As the Sparrow” [poem]
(Dorbin C15-C16)


13. EXISTARIA, No. 7, edited by Carl Larsen
Hermosa Beach, Septem­ber-October 1957

Bukowski contribution: “1975” [poem], “Adventures of a Bug” [poem], “Friendly Advice to a lot of Young Men, and a lot of Old Men Too” [poem] (Dorbin C17-C19)

14. SEMINA, No. 2, edited by Wallace Berman
Los Angeles: Wallace Berman, 1957

Bukowski contribution: “Mine” [poem] (Dorbin C20)



15. BELOIT POETRY JOURNAL, Vol. 8, No. 2, edited Chad Walsh and Robert Glauber
Beloit: Beloit, Winter 1957-58

Bukowski contribution: “Treason” [poem] (Dorbin C21)




1958

16. HEARSE, No. 2, edited by E.V. Griffith
Eureka: Hearse Press, February 1958

Bukowski contribution: “Some Notes of Dr. Klarstein” [poem]
(Dorbin C22)


17. COMPASS REVIEW, No. 2, edited by Eric Pfeiffer and George A. Wolff
mags_compass02St. Louis, April 1958

Bukowski contribution: “All-Yellow Flowers” [poem]
(Dorbin C23)


18. APPROACH, No. 27, edited by Albert Fowler and Helen Fowler
mags_approach27Rosemont: Approach, Spring 1958

Bukowski contribution: “The Gypsies near Del Mar” [poem]
(Dorbin C24)


19. QUICKSILVER, Vol. 11, No. 2, edited by Grace Ross and Mabel M. Kuykendall *
mags_quicksilver1102_xFort Worth, Summer 1958

Bukowski contribution: “The Hunted” [poem]
(Dorbin C25)



20. APPROACH, No. 28, edited by Albert Fowler and Helen Fowler
mags_approach 28Rosemont: Approach, Summer 1958

Bukowski contribution: “On Seeing an old Civil War Painting with my Love” [poem]
(Dorbin C26)


21. QUICKSILVER, Vol. 11, No. 3, edited by Grace Ross and Mabel M. Kuykendall
mags_quicksilver1103_xFort Worth, Autumn 1958

Bukowski contribution: “The Life of Borodin” [poem]
(Dorbin C27)


22. QUIXOTE, No. 19, edited by Jean Rikhoff Hills *
Gibraltar, Autumn 1958

Bukowski contribution: “Hell Yes, The Hydrogen Bomb” [prose]
(Dorbin D10)

23. SAN FRANCISCO REVIEW, No. 1, edited by R.H.Miller
mags_sfreview01
San Francisco, Winter 1958

Bukowski contribution: “I Cannot Stand Tears” [poem], “10 Lions and the End of the World” [poem]
(Dorbin C28-C29)


1959

24. HEARSE, No. 4, edited by E.V. Griffith
Eureka: Hearse Press, January 1959

Bukowski contribution: “Bring Down The Beams” [poem]
(Dorbin C30)


25. NOMAD, No. 1, edited by Donald Factor and Anthony Linick
mags_nomad01Culver City, Winter 1959

Bukowski contribution: “On the Failure of a Poet, on the Failure of the Earth…” [poem], “I Taste the Ashes of Your Death” [poem], “Regard Me” [poem], “Winter Comes in a lot of Places in August” [poem]
(Dorbin C31-C34)

26. COASTLINES, Vol. 3, No. 4, Issue 12, edited by Gene Frumkin
mags_coastlines12Los Angeles: Coastlines, Spring 1959

Bukowski contribution: “Dow Jones: Down” [poem]
(Dorbin C35)


27. THE HALF MOON, No. 1, edited by Richard Kelly
mags_halfmoon01Long Island, Summer 1959

Bukowski contribution: “An Odd Day Destroying Beauty–” [poem]
(Dorbin C36)


28. QUICK­SILVER, Vol. 12, No. 2, edited by Grace Ross and Mabel M. Kuykendall
mags_quicksilver1202Fort Worth, Summer 1959

Bukowski contribution: “The Day I Kicked a Bankroll out the Window” [poem]
(Dorbin C37)


29. EPOS, Vol. 10, No. 4, edited by Will Tullos and Evelyn Thorne *
Crescent City: Epos, Summer 1959

Bukowski contribution: “Soiree” [poem]
(Dorbin C38)

30. WANDERLUST, Vol. 2, No. 2, edited by A. Karl Austin, Jr. *
Metairie: Wanderlust Magazine, July 1959

Bukowski contribution: “The Crowded Men” [poem]
(Dorbin C39)


31. THE GALLEY SAIL REVIEW, Vol. 1, No. 4, edited by Stanley McNail
mags_galleysail4San Francisco: Galley Sail Productions, Autumn 1959

Bukowski contribution:  “The Twins” [poem]
(Dorbin C40)


32. FLAME, Vol. 6, No. 3, edited by Lilith Lorraine
mags_flame0603Alpine, Autumn 1959

Bukowski contribution: “I Think of the Olden Armies” [poem]
(Dorbin C41)


33. GALLOWS, No. 1, Jon T. Griffith
mags_gallows01Eureka, Octo­ber 1959

Bukowski contribution: “What a Man I Was” [poem], “The Birds” [poem]
(Dorbin C42-43)


34. EPOS, Vol. 11, No. 2, edited by Will Tullos and Evelyn Thorne
mags_epos1102Crescent City: Epos, Winter 1959

Bukowski contribution: “The Death of a Roach” [poem], “When Hugo Wolf Went Mad”
(Dorbin C44-C45)


35. ODYSSEY, Vol. 2, No. 1, Issue 5, edited by R.R. Cuscaden and Ronald Offen
mags_odyssey0201Chicago, 1959

Bukowski contribution: “I Live Too Near the Slaughterhouse” [poem], “When Hugo Wolf Went Mad” [poem]
(Dorbin C45)

36. VIEWS, Vol. 5, No. 2, edited by Steven Block *
mags_views0502Louisville: Views Associates, 1959

Bukowski contribution: “And So We Go Our Way” [poem], “Not Quite So Soon”
(Dorbin C46-C47)



1960

37. SCIMITAR & SONG, Vol. 22, No. 7, edited by Lura Thomas McNair *
Sanford, January 1960

Bukowski contribution:  “H-Bomb” [poem]
(Dorbin C48)

38. WANDERLUST, Vol. 2, No. 4, edited by A. Karl Austin, Jr. *
Metairie: Wanderlust Magazine, January 1960

Bukowski contribution: “One Evening by the Hills” [poem]
(Dorbin C49)


39. NOMAD, No. 5/6, edited by Donald Factor and Anthony Linick
mags_nomad056Culver City, Winter-Spring I960

Bukowski contribution: “So Much for the Knifers, so Much for the Bellowing Dawns” [poem], “The Day It Rained at the Los Angeles County Museum” [poem]
(Dorbin C50-C51)

40. SCIMITAR AND SONG, Vol. 22, No. 9, edited by Lura Thomas McNair *
Sanford, March 1960

Bukowski contribution: “She Lives in the Wind” [poem]
(Dorbin C52)

41. COASTLINES, Vol. 4, No. 2-3, Issue 14-15, edited by Gene Frumkin
mags_coastlines1415Los Angeles: Coastlines, Spring 1960

Bukowski contribution: “Plea to a Passing Maid” [poem], “No Charge” [poem], “Love Is a Piece of Paper Torn to Bits” [poem]
(Dorbin C53-C55)

42. MER­LIN’S MAGIC, Vol. 1, No. 8, edited by Merlin F. Teed *
mags_merlins0108Brooklyn, April I960

Bukowski contribution: “To a Lady Who Was Once Interested in the Arts” [poem]
(Dorbin C56)


43. QUAGGA, Vol. 1, No. 2, edited by Donald Carroll, John Davis
mags_quagga0102Austin, May 1960

Bukowski contribution: “Riot” [poem]
(Dorbin C57)



44. THE GALLEY SAIL REVIEW, Vol. 2, No. 2, Issue 6, edited by Stanley McNail
mags_galleysail6San Francisco: Galley Sail Productions, June 1960

Bukowski contribution: “Conversation in a Cheap Room” [poem]
(Dorbin C58)


45. MERLIN’S MAGIC, Vol. 1, No. 10, edited by Merlin F. Teed *
mags_merlins0110Brooklyn, June 1960

Bukowski contribution: “Home of the Beatnik: Venice, California” [poem]
(Dorbin C59)


46. SCIMITAR AND SONG, Vol. 23, No. 1, edited by Lura Thomas McNair *
Sanford, July 1960

Bukowski contribution: “I Saw a Tramp Last Night” [poem]
(not in Dorbin)

47. QUICKSILVER, Vol. 13, No. 2, edited by Grace Ross and Mabel M. Kuykendall
mags_quicksilver1302_xFort Worth, Summer 1960

Bukowski contribution: “Peace” [poem]
(Dorbin C60)



48. THE FREE LANCE, Vol. 6, No. 1, edited by Casper L. Jordan
mags_freelance0601Cleveland, Last Half 1960

Bukowski contribution: “Wrong Number” [poem]
(Dorbin C61)



49. BEATITUDE, No. 16, edited by Alan Dienstag
San Francisco, July 1960

Bukowski contribution: “Where the Hell Would Chopin Be?” [poem]
(Dorbin C62)


50. TARGETS, No. 3, edited by W.L. Garner
mags_targets03Albuquerque, September 1960

Bukowski contribution: “The Japanese Wife” [poem]
(Dorbin C63)

51. QUICKSILVER, Vol. 13, No. 3, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth, Autumn I960

Bukowski contribution: “Prayer for Broken-Handed Lovers” [poem]
(Dorbin C64)


52. QUAGGA, Vol. 1, No. 3, edited by Paul Schmidt, James Smith
mags_quagga0103Austin, September I960

Bukowski contribution: “To the Whore Who Took My Poems:” [poem]
(Dorbin C65)


53. LITERARY ARTPRESS, Vol. 2, No. 1, edited by Patrick McManus *
Cheney: Eastern Washington State College, Fall 1960

Bukowski contribution:  “Anthony” [poem]
(Dorbin C66)

54. EPOS, Vol. 12, No. 1, edited by Will Tullos and Evelyn Thorne
mags_epos1201Crescent City, Fall 1960

Bukowski contribution: “Down Thru the Marching” [poem]
(Dorbin C67)


55. THE SPARROW, No. 14, edited by Felix Stefanile
mags_sparrow14Flushing, November 1960

Bukowski contribution: “The Loser” [poem]
(Dorbin C68)



56. TARGETS, No. 4, edited by W.L. Garner
mags_targets04Sandia Park, December 1960

Bukowski contribution: “Conversation on a Telephone” [poem], “Ashes” [poem], “Gambier, Oh!” [poem], “Hermit in the City” [poem], “Home from a Room Below the Plains” [poem], “Pull Me Through the Temples, Pull Me Through the Wine -” [poem], “Horse on Fire” [poem], “The Tragedy of the Leaves” [poem]
(Dorbin C69-76)

Note: This issue includes ‘A SIGNATURE OF CHARLES BUKOWSKI’ (Dorbin B2, Krumhansl 4)

57. EPOS, Vol. 12, No. 2, edited by Will Tullos and Evelyn Thorne
mags_epos1202Crescent City, Winter 1960

Bukowski contribution: “The Sun Wields Mercy” [poem]
(Dorbin C77)


58. SIMBOLICA, No. 19, edited by Ignace Ingianni *
Tiburon: Simbolica, I960

Bukowski contribution: “Portions from a Wine-Stained Notebook” [prose]
(Dorbin D12)

59. RONGWRONG, No. 1, edited by Carl Larsen
mags_rongwrong01New York: 7 Poets Press, 1960

Bukowski contribution: “The State of World Affairs from a 3rd Floor Window” [poem], “Hello, Willie Shoemaker” [poem], “Letter from the North” [poem]
[not in Dorbin]

60. IMPETUS, No. 5, edited by Guy Owen *
mags_impetus05Deland: Stetson University, Winter 1960-61

Bukowski contribution: “It’s Nothing to Laugh About” [poem]
(Dorbin C79)



1961

61. MERLIN’S MAGIC, Vol. 2, No. 5, edited by Merlin F. Teed *
mags_merlins0205Brooklyn, January 1961

Bukowski contribution: “Light Light Light” [poem]
(Dorbin C80)


62. MERLIN’S MAGIC, Vol. 2, No. 6, edited by Merlin F. Teed *
mags_merlins0206Brooklyn, February-March 1961

Bukowski contribution: “An Incident outside Normandy” [poem]
(Dorbin C81)


63. SAN FRANCISCO REVIEW, Vol. 1, No. 8, edited by R.H. Miller
mags_sfreview08San Francisco, March 1961

Bukowski contribution: “Candidate Middle of Left-Right Center” [poem], “Face While Shaving” [poem], “The Best Way to Get Famous Is to Run Away” [poem]
(Dorbin C82-C84)

64. LITERARY ARTPRESS, Vol. 2, No. 2, edited by Patrick McManus
Cheney: Eastern Washington College, Spring 1961

Bukowski contribution: “Ants Crawl My Drunken Arms” [poem]
(Dorbin C85)


65. MERLIN’S MAGIC, Vol. 2, No. 7, edited by Merlin F. Teed *
mags_merlins0207Brooklyn, April 1961

Bukowski contribution: “Night Animal” [poem]
(Dorbin C86)



66. TARGETS, No. 5, edited by W.L. Garner
Albuquerque, April 1961

Bukowski contribution: “The Sunday Artist” [poem], “On Crusts and Such” [poem]
(Dorbin C87-C88)


67. WANDERLUST, No. 10, edited by A. Karl Austin, Jr.
Metairie: Wanderlust Magazine, April 1961

Bukowski contribution: “Why Are All Your Poems Personal?” [poem]
(Dorbin C89)

68. OAK LEAVES, Vol. 3, No. 2, edited by Eldred F. Oakes
mags_oak0302West Seneca, Second Quarter 1961

Bukowski contribution: “Saying Goodbye to Love” [poem]
(Dorbin C90)


69. MIDWEST, No. 2, edited by R.R. Cuscaden
mags_midwest02Chicago: Midwest, Summer 1961

Bukowski contribution: “No Title at All…” [poem]
(Dorbin C91)



70. EPOS, Vol. 12, No. 4, edited by Will Tullos and Evelyn Thorne
mags_epos1204Crescent City, Summer 1961

Bukowski contribution: “Evening Class, 20 Years Later” [poem]
(Dorbin C92)


71. EXPERIMENT, Vol. 8, No. 1-2, edited by John Gross
mags_experiment0801Seattle, Summer 1961

Bukowski contribution: “Program on the Sand:” [poem]
(Dorbin C93)


72. RONGWRONG, No. 2, edited by Carl Larsen
mags_rongwrong02New York: 7 Poets Press, Summer 1961

Bukowski contribution: “An Agreement on Tchaikovsky” [poem]
(Dorbin C94)


73. WANDERLUST, No. 11, edited by A. Karl Austin, Jr. *
Metairie: Wanderlust Magazine, July 1961

Bukowski contribution: “All the Rotting Week-Day Boats (San Pedro, California)” [poem]
(Dorbin C95)

74. RENAISSANCE, Vol. 1, No. 1, edited by John Bryan and Michael O’Donoghue *
San Francisco: Renaissance Publications, July 1961

Bukowski contribution: “The Way To Review a Play and Keep Everybody Happy but Me:” [poem]
(Dorbin C96)

75. HEARSE, No. 7, edited by E.V. Griffith
mags_hearse07Eureka: Hearse Press, (July 1961)

Bukowski contribution: “The Old Movies” [poem], “I Am Visited by an Editor and a Poet” [poem]
(Dorbin C97-C98)


76. HEARSE, No. 8, edited by E.V. Griffith
mags_hearse08Eureka: Hearse Press, (July 1961)

Bukowski contribution: “An Argument over Marshal Foch” [poem], “A Literary Romance” [poem], “Transition” [poem]
(Dorbin C99-C101)

77. SIGNET, Vol. 3, No. 9, edited by S.T. Friedman
Alamo, September 1961

Bukowski contribution: “The Rented Room of Winter” [poem], “A Drink to the Fool” [poem], “Half Asleep Beside a Mourning Window” [poem]
(C102-C103a)

78. TARGETS, No. 7, edited by W.L. Garner
Albuquerque, September 1961

Bukowski contribution: “3:30 A.M. Conversation” [poem], “The Sheet” [poem], “The Elephant” [poem]
(Dorbin C104-C106)

Note: This issue includes ‘BUKOWSKI SIGNATURE 2’ (Dorbin B3, Krumhansl 5)

79. QUICKSILVER, Vol. 14, No. 3, edited by Grace Ross and Mabel M. Kuykendall 
Fort Worth, Autumn 1961

Bukowski contribution: “Vegas” [poem]
(Dorbin C107)

80. DESCANT, Vol. 6, No. 1, edited by Betsy Colquitt and Mabel Major
mags_descant0601Fort Worth: Texas Christian University, Fall 1961

Bukowski contribution: “Beagle” [poem], “Many Ways” [poem], “Export” [poem]
(Dorbin C109-C111)


81. THE OUTSIDER, No. 1, edited by Jon Edgar & Gypsy Lou Webb
mags_outsider01New Orleans: Loujon Press, Fall 1961

Bukowski contribution: “Hooray Say the Roses” [poem], “Pay Your Rent or Get Out” [poem], “Shoes” [poem], “I Am With the Roots of Flowers” [poem], “Go with the Rockets and the Blondes” [poem], “A Real Thing, a Good Woman” [poem], “To a High Class Whore I Refused” [poem], “Old Man, Dead in a Room” [poem], “Love in a Back Room on the Row” [poem], “Nothing Subtle” [poem], “And Then: Age” [poem]
(Dorbin C112-C122)

Note: This issue includes ‘A CHARLES BUKOWSKI ALBUM’ (Krumhansl 6)

82. EPOS, Vol. 13, No. 2, edited by Will Tullos and Evelyn Thorne
mags_epos1302Crescent City: Epos, Winter 1961

Bukowski contribution: “The Priest and the Matador” [poem]
(Dorbin C123)


83. SIGNET, Vol. 3, No. 12, edited by Sue Friedman
Alamo, December 1961

Bukowski contribution: “The Ants” [poem], “Ringed Bathtub, Peacock or Bell” [poem]
(Dorbin C124-C125)


84. TARGETS, No. 8, edited by W.L. Garner
December 1961

Bukowski contribution: “After Receiving a Contributor’s Copy of Nothing After a 3-Year Wait” [poem]
(Dorbin C126)

85. CANTO, Vol. 1, No. 3, edited by Ken Margolis, James E. Clemons, et al.
mags_canto0103Los Angeles: The Delphic Press, Winter 1961

Bukowski contribution: “Very” [poem], “The Night I  Nodded to George Raft in Vegas” [prose]
(Dorbin C127, D13)


86. SIMBOLICA, No. 20, edited by Ignace Ingianni
mags_simbolica20
Tiburon: Simbolica, Winter 1961

Bukowski contribution: “You Can’t Get Something Without the Belly-Ache of a Bullet, And I Guess the Mushroom Now” [poem]
(Dorbin 
C128)

87. SUN, No. 1, edited by Tracy Thompson
mags_sun01San Francisco: Sun, 1961

Bukowski contribution: “10:30 P.M.” [poem], “I’ve Fought Them from the Moment I Saw Light From the Womb” [poem]
(Dorbin C129-C130)

88. VENTURE, Vol. 4, No. 1, edited by Joseph J. Friedman
New York City: Venture Publications, 1961

Bukowski contribution: “Serligev” [poem]
(Dorbin C131)



89. ANAGOGIC & PAIDEUMIC REVIEW, No. 5, edited by Sheri Martinelli
San Gregorio, 1961

Bukowski contribution: “Poem for My Little Dog Who Growls Quite Well” [poem], “Scaled Like a Fish” [poem], “A Disorganized Poem on a Disorganized Day, with Women Running in and out and the Price of Beer up 2¢ a Can” [poem], “I Get all the Breaks” [poem]
(Dorbin C132-C134, D14)

90. THE ANAGOGIC & PAIDEUMIC RE­VIEW, No. 6, edited by Sheri Martinelli *
Half Moon Bay, 1961

Bukowski contribution: “Poem for Liz:” [poem], “No Title” [prose]
(Dorbin C135, D15)

91. SIMBOLICA, No. 21, edited by Ignace Ingianni *
TIburon: Simbolica, 1961

Bukowski contribution: “Ample Sewers” [poem], “Dialogue: Dead Man on the Fence” [prose]
(Dorbin C136, D16)

92. MIDWEST, No. 3, edited by R.R. Cuscaden
mags_midwest03Chicago: Midwest, Winter 1961-1962

Bukowski contribution: “A Minor Impulse to Complain” [poem], “Sundays Kill More Men than Bombs” [poem], “Monday Beach, Cold Day” [poem]
(not in Dorbin)


1962

93. MICA, No. 5, edited by Helmut Bonheim and Raymond Federman
mags_mica05Santa Barbara, Winter 1962

Bukowski contribution: “A Poem For Ernest H.–” [poem], “Answer to a Note on the Dresser:” [poem], “Warning” [poem]
(Dorbin C137-C139)

94. BRAND X, No. 1, edited by Carl Larsen
mags_brandx01
New York: 7 Poets Press, January 1962

Bukowski contribution: “Fast Pace” [poem]
(Dorbin C140)




95. QUICKSILVER, Vol. 15, No, 1 *
Fort Worth, Spring 1962

Bukowski contribution: “2 Outside, as Bones Break in My Kitchen” [poem]
(Dorbin C141)

96. SATIS, No. 5, edited by Matthew Mead
mags_satis05Newcastle upon Tyne: Malcolm Rutherford, Spring-Summer 1962

Bukowski contribution: “A 350 Dollar Horse and a Hundred Dollar Whore” [poem], “What Seems to Be the Trouble, Gentlemen?” [poem]
(Dorbin C142-C143)

97. SUN, No. 4, edited by Tracy Thompson
mags_sun04San Francisco: Sun, April 1962

Bukowski contribution: “Love Song to a Woman Who Visited Santa Anita on a Wednesday” [poem], “The Southeast Comer of Snow” [poem] (Dorbin C144-C145)

98. SIGNET, Vol. 4, No. 4 *
Alamo, May 1962

Bukowski contribution: “The Dead Stay Alive Too Long and the Living Live Too Little” [poem], “Peccavi” [poem]
(Dorbin C146-C147)

99. BRAND X, No. 5, edited by Carl Larsen
mags_brandx05New York: 7 Poets Press, May 1962

Bukowski contribution: “My Faithful Indian Servant” [poem]
(Dorbin C147a)


100. BLACK CAT REVIEW, No. 1, edited by Neeli Cherry
mags_blackcat01San Bernardino: The Cherry Press, June 1962

Bukowski contribution: “New York as I Remember? And I Guess It Hasn’t Changed” [poem]
(Dorbin C148)


101. TARGETS, No. 10, edited by W.L. Garner
mags_targets10Albuquerque, June 1962

Bukowski contribution: “Have You Ever Pulled a Lions Tail?” [poem], “Imbecile Night” [poem], “A Poem Is a City” [poem]
(Dorbin C149-C151)

102. THE OUTSIDER, Vol. 1, No. 2, edited by Jon Edgar & Gypsy Lou Webb
mags_outsider02New Orleans: Loujon Press, Summer 1962

Bukowski contribution: “Sick Leave” [poem], “To a Lady Who Believes Me Dead” [poem]
(Dorbin C152-C153)


103. MIDWEST, No. 4, edited by R.R. Cuscaden
mags_midwest04Chicago: Midwest, Summer 1962

Bukowski contribution: “12,000 Dollars in 3 Months” [poem]
(Dorbin C154)


104. CHOICE, No. 2, edited by Aaron Siskind and Roger Logan
Chicago: Choice Magazine, Summer 1962

Bukowski contribution: “9 Rings” [poem]
(Dorbin C155)



105. RENAISSANCE, Vol. 1, No. 3, edited by John Bryan
mags_renaissance0103San Francisco: Renaissance Publications, Summer 1962

Bukowski contribution: “War and Piece” [poem], “The Biggest Breasts” [poem], “Information upon an Empire of Coins” [poem]
(Dorbin C156-C158)

106. EL CORNO EMPLUMADO, No. 3, edited by Sergio Mondragon and Margaret Randall
mags_corno03Mexico City: El Corno Emplumado, Julio 1962

Bukowski contribution: “9 A.M.” [poem], “A Rat Rises” [poem], “The Imaginative Ladies” [poem]
(Dorbin C159-C161)


107. SUN, No. 7, edited by Tracy Thompson
mags_sun07San Francisco: Sun, July 1962

Bukowski contribution: “Using Up a Mostly Useless Night” [poem]
(Dorbin C162)


108. OUTCRY, No. 1, edited by Lee Hollane and C.P. Galle
mags_outcry010Washington D.C.: Poet’s Press, July 1962

Bukowski contribution: “Room Service” [poem]
(Dorbin C163)



109. SUN, No. 8, edited by Tracy Thompson
mags_sun08San Francisco: Sun, August 1962

Bukowski contribution: “The Consummation of Grief” [poem]
(Dorbin C164)


110. TAR­GETS, No. 11, edited by W.L. Garner
mags_targets11Albuquerque, September 1962

Bukowski contribution: “Our Breath’s Fondness Burns Like Gruel in Beggary” [poem], “Counsel” [poem], “Out of It” [poem]
(Dorbin C165-C167)

111. NORTHWEST REVIEW, Vol. 5, No. 4, edited by Edward Van Aelstyn
mags_northwest0504Eugene: University of Oregon, Fall 1962

Bukowski contribution: “The Pleasures of the Damned” [poem], “The Dead Flowers of Myself” [poem], “Woman on the Street” [poem] (Dorbin C168-C170)

112. EPOS, Vol. 14, No. 1, edited by Will Tullos and Evelyn Thorne
Crescent City: Epos, Fall 1962

Bukowski contribution: “2 Views” [poem]
(Dorbin C171)



113. RONGWRONG, No. 4, edited by David Cohn, O.W. Crane, Carl Larsen, et al.
New York City: 7 Poets Press, Fall 1962

Bukowski contribution: “Something in Me Wants to Sing and Scream All Day Long” [poem]
(Dorbin C172)

114. THE WORMWOOD REVIEW, Vol. 2, No. 3, Issue 7, edited by Marvin Malone and Alexander Taylor
mags_wormwood007Storrs: The Wormwood Review, October 1962

Bukowski contribution: “Thank God for Alleys” [poem]
(Dorbin C173)


115. MICA, No. 7, edited by Helmut Bonheim and Raymond Federman
mags_mica07Santa Barbara, November 1962

Bukowski contribution: “WW 2” [poem]
(Dorbin C174)



116. TARGETS, No. 12, edited by W.L. Garner
mags_targets12Albuquerque, December 1962

Bukowski contribution: “Mongolian Coasts Shining in Light” [poem]
(Dorbin C175)


117. THE WORMWOOD REVIEW, Vol. 2, No. 4, Issue 8, edited by Marvin Malone and Alexander Taylor
mags_wormwood08Storrs: The Wormwood Review, December 1962

Bukowski contribution: “For Jane” [poem], “The Sharks” [poem]
(Dorbin C176-C177)


118. SOUTH AND WEST, Vol. 1, No. 3, edited by Sue Abbott Boyd *
mags_southand0103_xFort Smith: South and West, Winter 1962

Bukowski contribution: “To A Lady Who Believes Me Dead” [poem]
(Dorbin C153)


119. MUMMY, No. 1, edited by Harold Chumbly *
San Francisco: Mummy, 1962

Bukowski contribution: “Sartre Will Shave” [poem], “Love is a Form of Selfishness:” [poem], “Madness” [poem], “Bistro Scene, or: Skid Row: Hollywood” [poem]
(Dorbin C178-C181)

120. IN/SERT, No. 4, edited by Vic Flack
mags_insert04Portland: In/sert, 1962

Bukowski contribution: “The Passing of a Dark Gray Moment” [poem]
(Dorbin C182)



1963

121. THE EMERSON REVIEW, Vol. 1, No. 1, edited by Shelley Gross
mags_emerson1Hollywood, Winter 1963

Bukowski contribution: “Experience” {poem], “Weather Report” poem], “Part of an Ordinary Day of an Inordinate Man:” [poem]
(Dorbin C184)

122. NORTHWEST REVIEW, Vol. 6, No. 1, edited by Edward van Aelstyn
Eugene: University of Oregon, Winter 1963

Bukowski contribution: “I Have Lived in England” [poem]
(Dorbin C185)


123. SIGNET, Vol. 5, No. 1, edited by Sue Friedman
Alamo, January 1963

Bukowski contribution: “Corrections of Self, Mostly After Whitman” [poem], “The Raid of the Monkeys” [poem]
(Dorbin C186-C187)

124. NORTHWEST REVIEW, Vol. 6, No. 2, edited by Edward Van Aelstyn
mags_northwest0602Eugene: University of Oregon, Spring 1963

Bukowski contribution: “A Drawer of Fish” [poem]
(Dorbin C188)



125. THE OUTSIDER, Vol. 1, No. 3, edited by Jon Edgar & Gypsy Lou Webb
mags_outsider03
New Orleans: Loujon Press, Spring 1963

Bukowski contribution: “The Tragedy of the Leaves, [poem], “The Priest and the Matador” [poem], “Old Man Dead in a Room” [poem], “The House” [poem], “Event” [poem], “Dinner, Rain & Transport” [poem]
(Dorbin C189-C191)

126. LITERARY TIMES, Vol. 2, No. 5, edited by Jay Robert Nash *
Chi­cago: Literary Times, April-May 1963

Bukowski contribution: “A Night in the Hotel Lobby-” [poem]
(Dorbin C192)

127. SIGNET, Vol. 5, No. 5, edited by Sue Friedman
mags_signet0505Alamo, May 1963

Bukowski contribution: “The Snow of Italy” [poem]
(Dorbin C193)


128. EPOS, Vol. 14, No. 4, edited by Will Tullos and Evelyn Thorne
mags_epos1404Crescent City: Epos, Summer 1963

Bukowski contribution: “The Singular Self” [poem]
(Dorbin C194)



129. EL CORNO EMPLUMADO, No. 7, edited by Sergio Mondragon and Margaret Randall
Mexico City: El Corno Emplumado, Julio 1963

Bukowski contribution: “Beans with Garlic” [poem], “I Think of Hemingway” [poem], “Love Bound at the Wrist and Hung Like a Salomey” [poem]
(Dorbin C195-C197)

130. TARGETS, No. 15, edited by W.L. Garner
mags_targets15_xAlbuquerque, September 1963

Bukowski contribution: “I Know what the Tigers Said” [poem], “Letter to a Small and Kindly Princess” [poem], “I Thought of Ships, of Armies, Hanging On…”, [poem] “2 Flies” [poem], “Answer to Some Sacramento Letters:”[poem], “Stop Drinking, Drinking, Drinking…” [poem]
(Dorbin C198-C203)

131. NORTHWEST REVIEW, Vol. 6, No. 4, edited by Edward Van Aelstyn
Eugene: University of Oregon, Fall 1963

Bukowski contribution: “Breakthrough” [poem], “The Tragedy of the Leaves” [poem], “I Taste the Ashes of Your Death” [poem]
(Dorbin C204)
 

132. SOUTH AND WEST, Vol. 2, No. 2, edited by Sue Abbott Boyd
mags_southand0202Fort Smith: South and West, Fall 1963

Bukowski contribution: “Burnt Fuse” [poem]
(Dorbin C205)



133. THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 11, edited by Marvin Malone
mags_wormwood11Storrs: The Wormwood Review, November 1963

Bukowski contribution: “Same Old Thing, Shakespeare Through Mailer-” [poem], “Rhyming Poem” [poem]
(Dorbin 
C206-C207)

134. THE WORMWOOD REVIEW, Vol. 3, No. 4, Issue 12, edited by Marvin Malone
mags_wormwood12Storrs: The Wormwood Review, December 1963

Bukowski contribution:  [untitled]: “it’s not / who lived here…” [poem],  “Poem for My 43rd Birthday” [poem], “The End” [poem], “The Vulgar Sounds Rise My Mystery” [poem]
(Dorbin C208-C211)

135. OUTCRY, No. 1½, edited by Lee Hollane and C.P. Galle
mags_outcry015Washington D.C.: Poet’s Press, 1963

Bukowski contribution: “Tonight” [poem], “For One I Knew” [poem], “Remains” [poem], “Yours for Trout” [poem]
(Dorbin C212-C215)

136. SCIAMACHY, No. 5, edited by Millea Levin
mags_sciamachy05Winnetka: Sciamachy, 1963

Bukowski contribution: “Existence” [poem], “Notice” [poem]
(Dorbin C216-C217)


137. COASTLINES, Vol. 5, No. 4, Issue 20, edited by Barding Dahl and Alexandra Garrett
mags_coastlines0504Santa Monica: Coastlines, 1963

Bukowski contribution: “Warble In” [poem]
(not in Dorbin)




1964

138. AMÉRICAS, Vol. 16, No. 1 *
Washington D.C.: Pan American Union, January 1964

Bukowski contribution: “Bull” [poem], “The Tragedy of the Leaves” [poem]
(Dorbin C218)

139. THE GOLIARDS, No. 1 *
Tampa, “Leapday 1964”

Bukowski contribution: “A Trick to Dull Our Bleeding” [poem] (Dorbin C219)

140. SOUTH AND WEST, Vol. 2, No. 4, edited by Sue Abbott Boyd
mags_southand0204Fort Smith: South and West Inc, Spring 1964

Bukowski contribution: “Possession” [poem] (Dorbin C219a)



141. THE WORMWOOD REVIEW, Vol. 4, No. 1, Issue 13, edited by Marvin Malone
mags_wormwood13Storrs: The Wormwood Review, May 1964

Bukowski contribution: “The Hours” [poem] (Dorbin C220)



142. MIDWEST, No. 7, edited by R.R. Cuscaden
mags_midwest07Chicago: Midwest, Sumer 1964

Bukowski contribution: “Through the Streets of Anywhere”[poem], “Bayonets In Candlelight” [poem]
(Dorbin C221-C222)

143. THE WORMWOOD REVIEW, Vol. 4, No. 2, Issue 14, edited by Marvin Malone
mags_wormwood14Storrs: The Wormwood Review, August 1964

Bukowski contribution: “Beerbottle” [poem], “What to Do with Contributor’s Copies?” [poem] (Dorbin C223-C223a)


144. FLORIDA EDUCATION, Vol. 42, No. 1, edited by Ed Henderson *
Jacksonville: Florida Education Association, September 1964

Bukowski contribution: “The Priest and the Matador” [poem] (not in Dorbin)


145. SOUTH AND WEST, Vol. 3, No. 2, edited by Sue Abbott Boyd
Fort Smith: South and West, Autumn 1964

Bukowski contribution: “Rosebitch” [poem] (Dorbin C224)



146. DUST, Vol. 1, No. 3, edited by Leonard Fulton
mags_dust0103El Cerrito: Dust Books, Fall 1964

Bukowski contribution: “Ice for the Eagles” [poem], “Bad Night” [poem]
(Dorbin C225-C226)


147. THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 15, edited by Marvin Malone
mags_wormwood15Storrs: The Wormwood Review, November 1964

Bukowski contribution: “Practice” [poem]
(Dorbin C227)



148. FLORIDA EDUCA­TION, Vol. 42, No. 4, edited by Ed Henderson *
Jacksonville: Florida Education Association, December 1964

Bukowski contribution: “Startled into Steam of Life like Fire” [poem]
(Dorbin C228)

149. THE WORMWOOD REVIEW, Vol. 4, No. 4, Issue 16
mags_wormwood16Storrs: The Wormwood Review Press, December 1964

Bukowski contribution: “The Dogs” [poem], “Poetess—For S.S.V.” [poem], “The Literary Life:” [poem], “When You Wait for the Dawn to Crawl Through the Screen like a Burglar to Take Your Life Away —” [poem], “Sleeping Woman” [poem], “The New Place” [poem]
(Dorbin C229-C234)

Note: This issue contains the booklet GRIP THE WALLS (Krumhansl 13)

150. OLE, No. 1, edited by Douglas Blazek
mags_ole1Bensenville: The Mimeo Press, 1964

Bukowski contribution: “Watchdog” [poem], “Freedom” [poem], “Age” [poem]
(Dorbin C235-C237)


151. NADADA, No. 1, edited by Timothy Baum and Gerard Malanga
mags_nadada01New York: Nadada Inc., August 1964

Bukowski contribution: “My Real Love in Athens” [poem]
(Dorbin C238)


152. NOTES FROM UNDER­GROUND, No. 1, edited by John Bryan
San Francisco: Underground Press, 1964

Bukowski contribution: “The Night They Took Whitey” [poem], “The Swan” [poem], “Insomnia” [poem], “6 A.M.” [poem], “Murder” [prose]
(Dorbin C239-C242, D26)

153. SCIAMACHY, No. 6, edited by Millea Levin
mags_sciamachy06Winnetka: Sciamachy, 1964

Bukowski contribution: “Fragile” [poem], “4:30 A.M.” [poem]
(Dorbin C243-C244)


154. CHAT NOIR REVIEW, Vol. 2, No. 3, edited by Robert Herron Ingalls
mags_chat0203Chicago, 1964

Bukowski contribution: “Fleg” [poem] (Dorbin C245)



155. COAST­LINES, Vol. 6, No. 1-2, Issue 21/22, edited by Barding Dahl, Eleanor Edelstein, Alexandra Garrett
mags_coastlines0612Los Angeles: Coastlines, 1964

Bukowski contribution: “Upon Listening to Symphony Music While Drunk” [poem], “Everything” [poem]
(Dorbin C246-C247)

156. COFFIN, No. 1, edited by E.V. Griffiths
buk_coffinEureka: Hearse Press, 1964

Bukowski contribution: “His Wife, The Painter” [poem], “The Old Man on the Corner” [poem], “The Paper on the Floor” [poem], “Waste Basket” [poem]
(Dorbin C248-C251, Krumhansl 14)

157. EPOS, Vol. 16, No. 2, edited by Will Tullos and Evelyn Thorne
mags_epos1602Crescent City, Winter 1964-65

Bukowski contribution: “Advice for Some Young Man in the Year 2064 A.D.” [poem] (Dorbin C252)




1965

158. DUST, Vol. 1, No. 4, edited by Leonard Fulton
mags_dust0104El Cerrito: Dust Books, Winter 1965

Bukowski contribution: “Uruguay or Hell” [poem] (Dorbin C253)



159. BORDER, Vol. 1, No. 1, edited by Wayne Philpot *
Fort Smith, January 1965

Bukowski contribution: “The Simplicity of Everything” [poem]
(Dorbin C254)

160. WILD DOG, No. 13, edited by Drew Wagnon and Gino Clays
mags_wild13San Fran­cisco: Wild Dog, 12 January 1965

Bukowski contribution: “The Madness of the Windows” [poem], “Game” [game], “The Vile World of Windows and Hammers -” [poem], “Down by the Wings” [poem]
(Dorbin C255-C258)

161. OPEN CITY PRESS, Vol. 1, No. 6 *
San Francisco, 6-13 January 1965

Bukowski contribution: “If I Could Only Be Asleep” [prose]
(Dorbin D28)

162. JACARANDA, No. 6, edited by Joel Climenhaga
mags_jacaranda06Canton: Transient Press, February 1965

Bukowski contribution: “Snow Bracero” [poem], “Non-Particular and Continuing Thoughts of Very Little Con­solation against the Knife —” [poem], “Naturally” [poem], “If You Teeth Your Vowels with the Right Amount of Vulgarity -” [poem]
(Dorbin C259-C262)

163. OLE, No. 2, edited by Douglas Blazek
mags_ole2Bensenville, March 1965

Bukowski contribution: “A Rambling Essay on Poetics and the Bleeding Life Written while Drinking a Six-Pack (Tall)” [prose]
(Dorbin D29)

164. SANTA FE NEW MEXICAN*
Santa Fe, 21 March 1965

Bukowski contribution: “And the Mouse Knows and the Windowpane and the Chair” [poem]
(Dorbin C262a)

165. SOUTHERN POETRY REVIEW, Vol. 5, No. 2, edited by Guy Owen
mags_southern0502Raleigh, Spring 1965

Bukowski contribution: “The Drowning” [poem], “18 Cars Full of Men Thinking What Could Have Been” [poem]
(Dorbin C263-C264)

166. EPOS, Vol. 16, No. 3, edited by Will Tullos and Evelyn Thorne
mags_epos1603Crescent City: Epos, Spring 1965

Bukowski contribution: “The Terror of the Breath upon the Hand” [poem]
(Dorbin C265)


167. GRAFFITI, No. 1, edited by Steve Stern *
Washington D.C.: Graffiti, Spring 1965

Bukowski contribution: “I Think It’s Time You Kissed an Owl” [poem]
(Dorbin C266)

168. BORDER, Vol. 1, No. 2, edited by Wayne Philpot
mags_border0102Fort Smith: Border Press, April 1965

Bukowski contribution: “I Keep Wanting to See about Everything but I Can’t Get Started” [poem]
(Dorbin C267)

169. FLORIDA EDUCATION, Vol. 42, No. 9, edited by Ed Henderson *
Tallahassee: Florida Education Association, May 1965

Bukowski contribution: “The Day It Rained at the Los Angeles County Museum” [poem], “Side of the Sun” [poem], “Suicide” [poem], “The Tragedy of the Leaves” [poem], “Love & Fame & Death” [poem], “Old Man Dead in a Room” [poem], “Hooray Say the Roses” [poem], “The Kings Are Gone” [poem]
(Dorbin C51, C268-C270)

170. FERMENT, No. 6, edited by Zoe Climenhaga *
Canton: Transient Press, June 1965

Bukowski contribution: “Ignis Fatuus” [poem], “Straight Down the Necktie” [poem], “V.G. and 9 Innings of This -” [poem]
(Dorbin C271-C273)

171. BLITZ, No. 1, edited by Bobby Watson and Mel Buffington
mags_blitz01La Grande: Mad Virgin Press, Summer 1965

Bukowski contribution: “86’d” [poem], “On Going Out to Get the Mail” [poem], “Spain Sits like a Hidden Flower in My Coffeepot” [poem]
(Dorbin C274-C276)

173. EPOS, Vol. 16, No. 4, edited by Will Tullos and Evelyn Thorne
mags_epos1604Crescent City: EPOS, Summer 1965

Bukowski contribution: “4:30 A.M.” [poem]
(not in Dorbin)



174. BORDER, Vol. 1, No. 3, edited by Wayne Philpott
mags_border0103Fort Smith: Border Press, July 1965

Bukowski contribution: “A Drink for a Lady on Talent Night” [poem]
(not in Dorbin)


175. THE WORMWOOD REVIEW, Vol. 5, No. 2, Issue 18, edited by Marvin Malone
mags_wormwood18Storrs: The Wormwood Review, July 1965

Bukowski contribution: “. . . American Express, Athens, Greece:” [poem]
(Dorbin C277)


176. FERMENT, No. 7, edited by Zoe Climenhaga *
Canton: Transient Press, July 1965

Bukowski contribution: “Countryside” [poem]
(Dorbin C278)

177. GRAFFITI, No. 2, edited by Steve Stern *
Washington D.C.: Graffiti, August 1965

Bukowski contribution: “I Am Interviewed by a Guggenheim” [poem], “Sad-Eyed Mules of Men” [poem]
(Dorbin C279-C280)

178. OYEZ, Vol. 1, edited by Heather Nissenson-Greendale
mags_oyez01Chicago, Fall 1965

Bukowski contribution: “The Bones of My Uncle” [poem]
(Dorbin C281)


179. ANTE, Vol. 1, No. 4, edited by William Harris
mags_ante0104Los Angeles: Echo Press, Fall 1965

Bukowski contribution: “A Division” [poem], “Ivan the Terrible” [poem]
(Dorbin C282-C283)


180. EVIDENCE, No. 9, edited by Alan Bevan
mags_evidence09Toronto: The Executive Press, Fall 1965

Bukowski contribution: “I Thought of Ships, of Armies, Hanging On…” [poem], “A Night of Mozart” [poem], “A Trainride in Hell” [poem]
(Dorbin C200, C284-C285)

181. INTERMISSION, Vol. 1, No. 20, edited by Gene Cole *
Chicago: Hull House Theatre, October 1965

Bukowski contribution: “Tired of Wild and Vacant Eyes” [poem]
(not in Dorbin)

182. KAURI, No. 10, edited by Will Inman
mags_kauri10New York: Kauri, September-October 1965

Bukowski contribution: “A Party Here – Machineguns, Tanks, an Army Fighting against Men on Rooftops” [poem]
(Dorbin C286)

183. THE NEW LANTERN CLUB REVIEW, No. 3, edited by Michael Brown and Reinhard H. Friederich
mags_newlantern03Houston, October 1965

Bukowski contribution: “On A Grant” [poem], “I Am Eaten by Butterflies” [poem]
(Dorbin C287-C288)


184. SANTA FE NEW MEXICAN, 116th year, No. 274
Santa FE, 17 October 1965

Bukowski contribution: “My Mother, Bless Her” [poem]
(Dorbin C289)

185. OLE, No. 3, edited by Douglas Blazek
mags_ole3Bensenville, November 1965

Bukowski contribution: “Drunk Again and Wondering, Wondering…” [poem]
(Dorbin C290)


186. SHOWCASE, No. 2, edited by James Gove
mags_showcase02Barstow, November-December 1965

Bukowski contribution: “The High-Rise of the New World” [poem], “On the Train to Del Mar” [poem]
(Dorbin C291-C292)

187. KAURI, No. 11, edited by Will Inman
New York: Kauri, November-December 1965

Bukowski contribution: “I Am Afraid That I Will Continue to Drink Myself to Death for These Small Reasons Mentioned Here and for Other Reasons That Neither of Us Has Time for Because I Have the Need to Get Drunk Now—” [poem]
(Dorbin C293)

188. EARTH, No. 1, edited by Steve Richmond
mags_earth01Santa Monica: Earth Books and Gallery, 1965

Bukowski contribution: “Freedom” [poem], “Rimbaud Be Damned: I Have Withstood 99,000 Seasons in Hell and I Still Look Down into This Glass Wondering, Wondering” [poem]
(Dorbin C236, C294)

189. BLITZ, No. 2, edited by Bobby Watson and Mel Buffington
mags_blitz2La Grande: Mad Virgin Press, late 1965

Bukowski contribution: “40 Cigarettes” [poem], “A Dirty Joke” [poem], “The Rock” [poem]
(Dorbin C295-C297)


190. THE MARRAHWANNAH QUARTERLY, No. 4, edited by d.a. levy
levy_mq0104Cleveland: Renegade Press, 1965

Bukowski contribution: “The Hell of It Is to Throw Away Rejected Poems That Seem to Say Something Anyhow Even If Perhaps Not Too Well—” [poem]
(Dorbin C298)


1966

191. SIMBOLICA, No. 26, edited by Ignace Ingianni *
Tiburon: Simbolica, Janu­ary 1966

Bukowski contribution: “On Beercans and Sugar Cartoons” [poem] (Dorbin C140a)

192. THE WORMWOOD REVIEW, Vol. 5, No. 3, Issue 19, edited by Marvin Malone
mags_wormwood19Storrs: The Wormwood Review, February 1966

Bukowski contribution: “Birth” [poem], “About My Very Tortured Friend, Peter:” [poem]
(Dorbin C299-C300)


193. THE WORMWOOD REVIEW, Vol. 5, No. 4, Issue 20, edited by Marvin Malone
mags_wormwood20Storrs: The Wormwood Review, February 1966

Bukowski contribution: “Finish” [poem], “Female and Breakdown and Peace” [poem], “6:21 P.M.” [poem]
(Dorbin C301-C303)

194. INTERMISSION, Vol. 2, No. 29, edited by Gene Cole
Chicago: Hull House Theatre, 6 March 1966

Bukowski contribution: “Notes On An Undelighted Existence” [poem]
(Dorbin C303a)


195. KAURI, No. 13, edited by Will Inman
New York: Kauri, March-April 1966

Bukowski contribution: “The Funnypaper And/Or Comic Life”, “H-Bomb”
(Dorbin C304-C305)


196. THE GOODLY COMPANY, No. 5, edited by G. Russell Morgan
mags_goodly05Kalamazoo, April 1966

Bukowski contribution: “A Killer Gets Ready”
(Dorbin C306)



197. SPECTRO­SCOPE, Vol. 1, No. 1 *
Fort Smith, April 1966

Bukowski contribution: “The Devious Good Of Rescuing The Suffering”, “Essay For Your Mother-Nothingness”
(Dorbin C307, D39)

198. OUTCAST, No. 1, edited by Jean & Veryl Rosenbaum
Santa Fe: Outcast, Spring 1966

Bukowski contribution: “And Now I Sit In A Small Paper Place”
(Dorbin C308)

[n.b. The present copy contains no Bukowski contribution, though he’s listed as a contributor.]

199. EARTH, No. 2, edited by Steve Richmond *
Santa Monica: Earth Books, Spring 1966

Bukowski contribution: “True Story”, [untitled]: “god I got the sad blue blues…”, “I Love You”, “3 Lovers”, “I Am Read To:”, “The People”, “In Defense Of A Certain Type Of Poetry, A Certain Type Of Life, A Certain Type Of Blood-Filled Creature Who Will Some­day Die —”
(Dorbin C309-C314, D35)

200. OLE, No. 4, edited by Douglas Blazek
mags_ole4Bensenville, May 1966

Bukowski contribution: “O, We Are The Outcasts, O We Burn In Wondrous Flame!”
(Dorbin C315)


201. KAURI, No. 14, edited by Will Inman
New York: Kauri, May-June 1966

Bukowski contribution: “Bach & A Bumblebee & An Old Newspaper”
(Dorbin C316)


202. DUST, Vol. 2, No. 4, Issue 8, edited by Leonard Fulton
mags_dust8El Cerrito: Dust Books, Spring-Summer 1966

Bukowski contribution: “A Fine Day And The World Looks Good”
(Dorbin C317)


203. OLE, No. 5, edited by Douglas Blazek
mags_ole5Bensenville, June 1966

Bukowski contribution: “The Old Pro”
(Dorbin D41)



204. THE WORMWOOD REVIEW, Vol. 6, No. 1, Issue 21, edited by Marvin Malone
mags_wormwood21Storrs: The Wormwood Review, July 1966

Bukowski contribution: “Dear Friend”, “One Hundred And Ninety-nine Pounds Of Clay Leaning Forward”, “A World, Really-”
(Dorbin C318-C319a)

205. OLE, No. 6, edited by Douglas Blazek
mags_ole6Bensenville, July 1966

Bukowski contribution: “Nature Poem”, “The Noiseless Care Of A Blue Violet”
(Dorbin C320-C321)


206. THE WORMWOOD REVIEW, Vol. 6, No. 2, Issue 22, edited by Marvin Malone
mags_wormwood22Storrs: The Wormwood Review, July 1966

Bukowski contribution: “Notes On A Bluebird Flying Past My Window”, “In This Place We Eat Apples And Cut Our Fingers On Beer-cans”
(Dorbin C322-C322a)

207. ENTRAILS, No. 1, edited by Gene Bloom
mags_entrails01New York: Whisper Shit Press, July 1966

Bukowski contribution: “2-Ezra-Buk”, “One Hundred And Ten Years Hanging On The Cross”
(Dorbin C323-C324)


208. LABRIS, No. 4-5, edited by Max Kazan
mags_labris45Lier, July 1966

Bukowski contribution: “The State Of World Affairs From A Third Floor Window”, “The Priest and the Matador”, “When Hugo Wolf Went Mad”, “The Tragedy of the Leaves”, “Age”, “What Seems to be the Trouble Gentlemen”, “Machineguns, Towers & Timeclocks”
(Dorbin C45, C76, C123, C237, C325-C326)

209. AMERICAN TURF MONTHLY, Vol. 20, No. 240 *
New York City, July 1966

Bukowski contribution: “No. 6”
(Dorbin C327)

210. SHOWCASE, No. 3, edited by James Gove
mags_showcase03Barstow: Showcase, July 1966

Bukowski contribution: “Poem For My Daughter”, “Good Morning”
(Dorbin C328-C329)


211. KAURI, No. 15, edited by Will Inman
New York: Kauri, July-August 1966

Bukowski contribution: “Save the World!”
(not in Dorbin)



212. AVALANCHE, No. 1, edited by Richard Krech
mags_avalanche01Berkeley: Undermine Press, Summer 1966

Bukowski contribution: “A Conversation On Morality, Eternity And Copulation:”, “For The Girl Standing Outside My Window:”, “A Kind Of Lecture On A Dull Day When There Isn’t Even A Fly Around To Kill”
(Not in Dorbin)

213. OUTCAST, No. 2, edited by Jean & Veryl Rosenbaum *
Santa Fe: Outcast, Summer 1966

Bukowski contribution: “My God, My Mother, Most Holy Thing: Shaken And Awaken The Drunken Hell Of Myself And Save Me!”
(Dorbin C330)

214. VAGABOND, Vol. 1, No. 2, edited by John Bennett
mags_vagabond0102Munich, Summer 1966

Bukowski contribution: “I Will Never Ride A Horse Along The Sands Of Normandy Or Against The Sides Of Your Brain, Lilac-Raining Like It is Tonight…”
(Dorbin C331)

215. INTERMISSION, edited by Gene Cole
mags_intermission966Chicago: Hull House Theatre, September 1966

Bukowski contribution: “Portrait Of A Soul For Flies”, “The Terror Of Sunlight Is People Walking Through Who Were Long Ago Lost In Intention And Who Have Now Turned To Mobile Shit”
(Dorbin C332-C333)

216. ENTRAILS, No. 2, edited by Gene Bloom
mags_entrails02New York: Whisper Shit Press, September-October 1966

Bukowski contribution: “God”
(Dorbin C334)


217. OUTCAST, No. 3, edited by Jean & Veryl Rosenbaum *
Santa Fe: Outcast, October 1966

Bukowski contribution: “And The Mouse Knows And The Windowpane And The Chair”
(Dorbin C262a)

218. AVA­LANCHE, No. 2, edited by Richard Krech
mags_avalanche2Berkeley: The Undermine Press, Fall 1966

Bukowski contribution: “Guilt Obsession Behind A Cloud Of Rockets:”
(Dorbin C335)


219. BLITZ, No. 3, edited by Bobby Watson and Mel Buffington *
La Grande, Fall 1966

Bukowski contribution: “Oh My God, I Love Everything So Much It Makes Me Vomit”
(Dorbin C335a)

220. VAGABOND, Vol. 1, No. 3, edited by John Bennett
mags_vagabond0103Munich, Fall 1966

Bukowski contribution: “These Mad Windows That Taste Life And Cut Me If I Go Through Them”
(Dorbin C336)


221. THE HIRAM POETRY REVIEW, No. 1, edited by Hale Chatfield
mags_hiram01Hiram: English Department of Hiram College, Fall-Winter 1966

Bukowski contribution: “The Great One:”
(Dorbin C337)


222. DARE, Vol. 4, No. 8, edited by Jack Cashin *
Cleveland: Cashin Publishing, November 1966

Bukowski contribution: “The Moment of Truth”
(Dorbin C339)



223. GRIST, No. 9, edited by John E. Fowler
mags_grist09Lawrence, November 1966

Bukowski contribution: “Hot”, “Fire” (Dorbin C340-C341)



224. KAURI, No. 17, edited by Will Inman
New York: Kauri, November-December 1966

Bukowski contribution: “Moyamensing Prison:” (Dorbin C342)



225. SOME/THING, Vol. 2, No. 1, Issue 3, edited by David Antin and Jerome Rothenberg
mags_something03New York City, Winter 1966

Bukowski contribution: “Drawing Of A Band Concert On A Matchbox:”
(Dorbin C343)


226. THE EIGHT PAGER, Series 1, Part 3, edited by D.R. Wagner
Niagara Falls: New York Press Today Niagara, 1966

Bukowski contribution: “The Stupid Are Best At The Cruelties:”, “The Sex-Obsessed Ladies Walking By Me After Work”
(Dorbin C344-C345)

227. NOTES FROM UNDERGROUND, No. 2, edited by John Thomas
mags_notes02Los Angeles, 1966

Bukowski contribution: “A Nice Place”, “All The White Rats”
(Dorbin C346-C347)


228. MOONSTONES, No. 2, edited by D.R. Wagner
mags_moonstones2Niagara Falls: Moonstones, 1966

Bukowski contribution: “A Man Gets Tired” (Dorbin C348)



229. GRANDE RONDE REVIEW, No. 6, edited by Ben L. Hiatt
mags_granderonde06La Grande, 1966

Bukowski contribution: “The Hairy Hairy Fist, And Love Will Die”
(Dorbin C349)

230. INTREPID, No. 6, edited by Allen De Loach
mags_intrepid6Buffalo: Intrepid Press, 1966

Bukowski contribution: “Imperfection Says Grace”
(Dorbin C350)


231. POETRY NEWSLETTER, No. 9/10, edited by Wally Depew
mags_poetry910Sacramento, 1966

Bukowski contribution: “The Sadness Of Rainpipes And Murder, And Myself Alive” (Dorbin C351)


232. AVALANCHE, No. 3, edited by Richard Krech
mags_avalanche03Berkeley: The Undermine Press, Winter 1966

Bukowski contribution: “Living”
(Dorbin C352)



233. ICONOLATRE, No. 18/19, edited by Alex Hand and Alan Turner
mags_iconolatre18West Hartlepool: Iconolatre Press, 1966

Bukowski contribution: “The Serious Boys”, “Officers Club, A.P.O. : (for M.K. and J;B.)”, “Swastika Star Buttoned To My Ass”, “Yellow”, “Crazy Man, Another One -“, “He Even Looked Like A Nice Guy”, “A Last Shot On Two Good Horses”
(Dorbin C353-C359)

234. XENIA, edited by Stuart McCarrell and Robert Burleigh *
Chicago, 1966

Bukowski contribution: “Rich Man”
(Dorbin C360)

235. SIMBOLICA, No. 27, edited by Ignace Ingianni *
Tiburon, 1966

Bukowski contribution: “Who Killed Charles Bukowski?”
(Dorbin C183)


1977

236. OUTCAST, No. 4, edited by Jean & Veryl Rosenbaum *
Santa Fe, January 1967

Bukowski contribution: “Cement Man On Cement Horse”, “Love” (Dorbin C361-C362)

237. GRIST, No. 11, edited by John E. Fowler
Lawrence, January 1967

Bukowski contribution: [untitled]: “a kind of argument…”, “One For The Old Man” (Dorbin C363-C364)


238. NEXUS, Vol. 3, No. 1, Issue 14, edited by Jerome Kulek *
San Francisco, January-February 1967

Bukowski contribution: “And There Are Enough Of Those Now” (Dorbin C365)

239. KAURI, No. 18, edited by Will Inman
New York: Kauri, January-February 1967

Bukowski contribution: “Sometimes When I Feel Blue I Listen To Mahler”
(Dorbin C366)


240. THE WORMWOOD REVIEW, Vol. 6, No. 4, Issue  24, edited by Marvin Malone
mags_wormwood24Storrs: The Wormwood Review, March 1967

Bukowski contribution: “Buffalo Bill”, “A Little Atomic Bomb”, “The Colored Birds”, “Somebody Always Breaking My Dainty Solitude”, “Fag, Fag, Fag”, “The Screw-Game”
(Dorbin C367-C372)

241. INTREPID, No. 7, edited by Allen De Loach
mags_intrepid07Buffalo: Intrepid Press, March 1967

Bukowski contribution: “Men’s Crapper” (Dorbin C373)



242. KAURI, No. 19, edited by Will Inman
New York: Kauri, March-April 1967

Bukowski contribution: “Notes from Underground”
(not in Dorbin)


243. NEXUS, Vol. 3, No. 2, Issue 15, edited by Jerome Kulek
San Francisco, March-April 1967

Bukowski contribution: “Tough Luck” (Dorbin C374)

[n.b. The present copy contains no Bukowski contribution, and he is not listed as a contributor.]

244. OUTCAST, No. 5, edited by Jean & Veryl Rosenbaum
Santa Fe: Outcast, April 1967

Bukowski contribution: “My Mother, Bless Her”
(Dorbin C289)

245. CONGRESS, No. 1, edited by Sam Seiffer
mags_congress01
Bronx: Congress, Spring 1967

Bukowski contribution: “The Way The Dead Love”
(Dorbin D45)


246. WRITER’S FORUM, Vol. 2, No. 4, edited by Newton Berry *
New York City, Spring 1967

Bukowski contribution: [untitled]: “immersion in a Cause in old shower cap gives…”
(Dorbin C375)

247. PRISM INTERNATIONAL, Vol. 6, No. 3, edited by Jacob Zilber
mags_prism0603Vancouver: University of British Columbia, Spring 1967

Bukowski contribution: “The Seminar” (Dorbin C376)


248. VAGABOND, No. 4, edited by John Bennett
mags_vagabond0104Munich, Spring 1967

Bukowski contribution: “We Do Our Work” (Dorbin C377)



249. DOWN HERE, No. 2, edited by Michael Perkins
New York: Tompkins Square Press, Spring 1967

Bukowski contribution: “Down To 2 Bottle Of Beer And Smoking Old Cigar Stubs:”, “Green” (Dorbin C377a-C377b)


250. OLE, No. 8, edited by Douglas Blazek
mags_ole08Wood Dale: Ole, April 1967

Bukowski contribution: “Love Makes Its Gun Into The Horrible Cunt Of Life”
(Dorbin C378)


251. THE FLASH OF PASADENA, No. 4, edited by David Laidig
mags_flash4Pasadena, 12 May 1967

Bukowski contribution: “A Rambling Essay on Poetics and the Bleeding Life Written While Drinking A Six-Pack (Tall)”
(previously appears in Dorbin D29)

252. LITERARY TIMES, Vol. 4, No. 6, edited by Jay Robert Nash *
Chicago: Literary Times, May-June 1967

Bukowski contribution: “What Made You Lose Your Inspiration?”, “The Dwarf With The Big Punch”
(Dorbin C378a-C378b)

253. THE FLASH OF PASADENA, No. 5, edited by David Laidig
mags_flash5Pasadena, 1 June 1967

Bukowski contribution: “Truth’s A Hell Of A Word”
(Dorbin C379)


254. THE WILLIE, No. 1, edited by William Hageman
mags_willie1San Francisco: The Manic Press, Summer 1967

Bukowski contribution: “The Kiss-Off”, “One Hundred and Ninetyseven Degrees” (Dorbin C380-C381)


255. VAGABOND, No. 5, edited by John Bennett
mags_vagabond04Munich, Summer 1967

Bukowski contribution: “The Flower Lover”, “I Met A Genius”
(Dorbin C382-C383)


256. CHOICE, No. 5, edited by Aaron Siskind and Roger Logan *
Chicago: Choice Magazine, Summer, 1967

Bukowski contribution: “People As Flowers”, “To Hell With Robert Schumann”
(Dorbin C384-C385)

257. OUTCAST, No. 6, edited by Jean & Veryl Rosenbaum
Santa Fe: Outcast, July 1967

Bukowski contribution: “Heat” (Dorbin C386)


258. TUCSON DAILY CITIZEN *
Tucson, 15 July 1967

Bukowski contribution: “Fuzz”
(Dorbin C387)

259. ENTRAILS, No. 4, edited by Gene Bloom
mags_entrails4New York: Whispershit Press, July-August 1967

Bukowski contribution: “The Faces Are Gnawing At My Walk But Have Not Yet Come In…” (Dorbin C388)


260. SALTED FEATHERS, No. 10, edited by Dick Bakken
mags_salted10Portland: Wine Press, August 1967

Bukowski contribution: “Answer To A Note Found In The Mailbox:”
(Dorbin C389)


261. KLACTO/23 SPECIAL, edited by Carl Weissner
Heidelberg: Panic Press, September 1967

Bukowski contribution: “Finish”, “Communists”, “Escape”, “An Action Afternoon”, “Worms” (Dorbin C301, 390-C393)


262. OUTCAST, No. 7, edited by Jean & Veryl Rosenbaum
Santa Fe: Outcast, October 1967

Bukowski contribution: “We Knew We Were Dead”
(not in Dorbin)

OPEN CITY, No. 28, edited by John Bryan *
Los Angeles, 10-16 November 1967

Bukowski contribution: “Easy Money”
(Dorbin 
C394)

263. OPEN CITY, No. 30, edited by John Bryan *
Los Angeles, 23-29 November 1967

Bukowski contribution: “Nobody Knows The Trouble I’ve Seen” (Dorbin C395)

264. INTREPID, No. 9, edited by Allen De Loach
mags_intrepid9Buffalo: Intrepid Press, December 1967

Bukowski contribution: “Poem For The Death Of An American Serviceman In Vietnam:”, “A Bad Night – Blame The Bourbon”, “From The Dept. Of English”
(Dorbin C396-C398)

265. THE OTHER, No. 4, edited by Richard Mangelsderff *
Milwaukee, 1967

Bukowski contribution: “Fire Station”, “Anything: Say, A Bandage On The Musket Of A Gun In The Private Collection Of A Man In A House, A House On A Hill, A Hill In The Sun-”
(Dorbin C399-C399a)


1968

266. OUTCAST, No. 8, edited by Jean & Veryl Rosenbaum
mags_outcast08_xSanta Fe: Outcast, January 1968

Bukowski contribution: “My Eyes Sleep” (Dorbin C400)


267. COPKILLER, No. 1, edited by Robert Head and Darlene Fife
mags_copkiller1New Orleans, January 1968

Bukowski contribution: “The Status Q. For Me And Yew…”
(Dorbin C401)


268. THE WILLIE, No. 2, edited by William Hageman
mags_willie02San Francisco: Manic Press, Spring 1968

Bukowski contribution: “Bogart In The World Of The Dead”
(Dorbin C402)


269. THE HIRAM POETRY REVIEW, No. 4, edited by Hale Chatfield
mags_hiram04Hiram: Hiram College, Spring-Summer 1968

Bukowski contribution: “Regular Grind: The Coffee Life”
(Dorbin C403)


270. THE WORMWOOD REVIEW, Vol. 8, No. 1, Issue 29, edited by Marvin Malone
mags_wormwood29Storrs: The Wormwood Review, April 1968

Bukowski contribution: “One For Ging, With Klux Top”, “Footnote Upon The Construction Of The Masses:”
(Dorbin C404-C405)

271. RENAISSANCE, OPEN CITY, No. 52, edited by John Bryan *
Los Aneles, 1-14 May 1968

Bukowski contribution: “A Picture Book For Marina Bukowski” (Dorbin C406)

272. RENAISSANCE, OPEN CITY, No. 70, edited by John Bryan *
Los Aneles, 20-26 September 1968

Bukowski contribution: “Take Me Out To The Ballgame” (Dorbin C407)

273. THE LAMPETER MUSE, Vol. 3, No. 3, edited by Norman Weinstein
New York: Bard College, Fall 1968

Bukowski contribution: “A Literary Romance”
(not in Dorbin; previously appeared in Hearse 8)



274. THE HIRAM POETRY REVIEW, No. 5, edited by Hale Chatfield
mags_hiram05Hiram: Hiram College, Fall-Winter 1968

Bukowski contribution: “Just Another Wino”
(Dorbin C408)



275. THE WORMWOOD REVIEW, Vol. 8, No. 2, Issue 30, edited by Marvin Malone
mags_wormwood30Storrs: The Wormwood Review, October 1968

Bukowski contribution: “No Hole In The Sky” (Dorbin C409)



276. GHOST-DANCE, No. 1, edited by Hugh Fox *
East Lansing, October 1968

Bukowski contribution: “Yellow Sun Yellow Cat Eye Kitchen Floor” (Dorbin C410)

277. THE WORMWOOD REVIEW, Vol. 8, No. 3, Issue 31, edited by Marvin Malone
mags_wormwood31Storrs: The Worm Wood Review, October 1968

Bukowski contribution: “The Underground”
(Dorbin C411)



278. OPEN CITY, No. 80, edited by John Bryan *
Los Angeles, 29 Novem­ber-5 December 1968

Bukowski contribution: “The Drowning Of The Ants”, “Junky Daughter”, “Six Chink Fishermen”
(Dorbin C412-C414)

279. INTRANSIT, edited by Andy Warhol and Gerard Malanga
mags_intransitEugene: Toad Press, 1968

Bukowski contribution: “That’s Where They Came From”, “It Is Very Good To Know When You Are Done”, “Poem for Brigitte Bardot”
(not in Dorbin)


1969

280. EVERGREEN REVIEW, No. 63, edited by Barney Rosset *
New York: Evergreen Review, February 1969

Bukowski contribution: “Even The Sun Was Afraid”
(Dorbin C415)

281. INTREPID, No. 11/12, edited by Allen De Loach
Buffalo: Intrepid Press, March 1969

Bukowski contribution: “Don’t Worry, Baby, I’ll Get It”, “Notebook:”
(Dorbin C416a-C416b)


282. THE OUTSIDER, Vol. 2, No. 4/5, edited by Jon Edgar & Gypsy Lou Webb
Tucson: Loujon Press, Winter 1968-69

Bukowski contribution: “Kaakaa & Other Immolations””Beef Tongue”, “Like A Flyswatter”, “The Last Round”
(Dorbin C417-C420)

283. PENGUIN MODERN POETS, No. 13
mags_penguin13London: Penguin Books, 1969

Bukowski contribution: “Crucifix In A Deathhand”, “A Nice Day”, “Sunflower”, “The Loss, The Loss, The Loss”, “They, All Of Them, Know”, “Confession For Those Who Do Not Breathe At Funerals”, “I Wait In The White Rain”, “Sway With Me”, “A Report Upon The Consumption Of Myself”, “A Farewell Thing While Breathing”, “I Write This Upon The Last Drink’s Hammer”, “When The Berry Bush Dies I’ll Swim Down The Green River With My Hair On Fire”, “I Was Born To Hustle Roses Down The Avenues Of The Dead”, “Something For The Touts, The Nuns, The Grocery Clerks And You…”
(Dorbin C421-C434)

284. VAGABOND, No. 7, edited by John Bennett
New Orleans, Summer 1969

Bukowski contribution: “And All The Snow Melted”
(Dorbin C437)


285. LAUGH LITERARY AND MAN THE HUMPING GUNS, No. 1, edited by Charles Bukowski and Neeli Cherry
mags_laugh01Los Angeles: Laugh Literary, May 1969

Bukowski contribution: “The Grand Pricks Of The Hob-Nailed Sun”, “I Thought I Was Going To Get Some”
(Dorbin C438-C439)

286. THE WORMWOOD REVIEW, Vol. 9, No. 1, Issue 33, edited by Marvin Malone
mags_wormwood33Storrs: The Wormwood Review, July 1969

Bukowski contribution: “The Ladies Still Don’t Care”
(Dorbin C440)


287. HEARSE, No. 10, edited by E.V. Griffith
mags_hearse10Eureka: Hearse Press, August 1969

Bukowski contribution: “The Days Run Away Like Wild Horses Over The Hills”
(Dorbin C441)


288. EVERGREEN REVIEW, No. 70, edited by Barney Rosset *
New York City, September 1969

Bukowski contribution: “The Birth, Life And Death Of An Underground Newspaper”
(Dorbin D145)

289. CATERPILLAR, No. 8/9, edited by Clayton Eshelman
mags_caterpillar08New York: Caterpillar, October 1969

Bukowski contribution: “What a Man I Was” (previously appeared in Dorbin C42)



290. STOOGE, No. 3, edited by Geoffrey Young and Laura Chester
mags_stooge03n.p., n.d. (1969)

Bukowski contribution: “Shoelace”, “My Hell”, “Nothing for a Title…”, “O, Yes”, “A Bottomless Joint on Sunset near Western”
(not in Dorbin)

[* not in archive]

Charles Bukowski

buk


Section A: Books and Chapbooks
Section B: Broadsides
Section C: Contributions to Books and Anthologies
Section D: Contributions to Periodicals
Section E: Miscellaneous Prose


Henry Charles Bukowski (August 16, 1920 – March 9, 1994) was a German-born American poet, novelist, and short story writer.

His writing was influenced by the social, cultural, and economic ambiance of his home city of Los Angeles. His work addresses the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women, and the drudgery of work. Bukowski wrote thousands of poems, hundreds of short stories and six novels, eventually publishing over sixty books. The FBI kept a file on him as a result of his column, Notes of a Dirty Old Man, in the LA underground newspaper Open City. Bukowski published extensively in small literary magazines and with small presses beginning in the early 1940s and continuing on through the early 1990s.

Regarding Bukowski’s enduring popular appeal, Adam Kirsch of The New Yorker wrote, “the secret of Bukowski’s appeal. . . [is that] he combines the confessional poet’s promise of intimacy with the larger-than-life aplomb of a pulp-fiction hero.”

When Bukowski was 24, his short story “Aftermath of a Lengthy Rejection Slip” was published in Story magazine. Two years later, another short story, “20 Tanks from Kasseldown”, was published by the Black Sun Press in Issue III of Portfolio: An Intercontinental Quarterly, a limited-run, loose-leaf broadside collection printed in 1946 and edited by Caresse Crosby. Failing to break into the literary world, Bukowski grew disillusioned with the publication process and quit writing for almost a decade, a time that he referred to as a “ten-year drunk”. These “lost years” formed the basis for his later semi-autobiographical chronicles, although they are fictionalized versions of Bukowski’s life through his highly stylized alter-ego, Henry Chinaski.

During part of this period he continued living in Los Angeles, working at a pickle factory for a short time but also spending some time roaming about the United States, working sporadically and staying in cheap rooming houses. In the early 1950s, Bukowski took a job as a fill-in letter carrier with the U.S. Postal Service in Los Angeles but resigned just before he reached three years’ service.

By 1960, Bukowski had returned to the post office in Los Angeles where he began work as a letter filing clerk, a position he held for more than a decade.

Jon and Louise Webb, now recognized as giants of the post-war ‘small-press movement’, published The Outsider literary magazine and featured some of Bukowski’s poetry. Under the Loujon Press imprint, they published Bukowski’s It Catches My Heart in Its Hands in 1963 and Crucifix in a Deathhand in 1965.

Beginning in 1967, Bukowski wrote the column “Notes of a Dirty Old Man” for Los Angeles’ Open City, an underground newspaper. When Open City was shut down in 1969, the column was picked up by the Los Angeles Free Press as well as the hippie underground paper NOLA Express in New Orleans. In 1969 Bukowski and Neeli Cherkovski launched their own short-lived mimeographed literary magazine, Laugh Literary and Man the Humping Guns. They produced 3 issues over the next 2 years.

In 1969 Bukowski accepted an offer from Black Sparrow Press publisher John Martin and quit his post office job to dedicate himself to full-time writing. He was then 49 years old. As he explained in a letter at the time, “I have one of two choices – stay in the post office and go crazy … or stay out here and play at writer and starve. I have decided to starve.” Less than one month after leaving the postal service he finished his first novel, Post Office. As a measure of respect for Martin’s financial support and faith in a relatively unknown writer, Bukowski published almost all of his subsequent major works with Black Sparrow Press. An avid supporter of small independent presses, he continued to submit poems and short stories to innumerable small publications throughout his career.

Bukowski died of leukemia on March 9, 1994, in San Pedro, aged 73, shortly after completing his last novel, Pulp.


References consulted:

Debritto, Abel. “Cacoethes Scribendi: A Comprehensive Checklist of Charles Bukowski’s Earliest Publications, 1940-1969”, published in RESOURCES FOR AMERICAN LITERARY STUDY, Vol. 35, edited by Jackson R. Bryer and Richard Kopley
New York: AMS Press, September 2012

Dorbin, Sanford. A BIBLIOGRAPHY OF CHARLES BUKOWSKI
Los Angeles: Black Sparrow Press, 1969

Fogel, Al. CHARLES BUKOWSKI: A COMPREHENSIVE PRICE GUIDE & CHECKLIST — 1944-1999
Surfside: The Sole Proprietor Press, 1999

Krumhansl, Aaron. A DESCRIPTIVE BIBLIOGRAPHY OF THE PRIMARY PUBLICATIONS OF CHARLES BUKOWSKI
Santa Rosa: Black Sparrow Press, 1999


Online resources:
Collecting Bukowski
Bukowski.net
Wormwood Review

Wallace Berman – Solo and Select Group Exhibitions

>> return to WALLACE BERMAN main page >>

This index collects solo and select group exhibitions; gallery, dates, location, catalog, and ephemera information provided, when available…


1957

Wallace Berman / Exhibition
June 8 – July 9, 1957
Ferus Gallery, Los Angeles
poster (pictured)




1965

Studio Exhibition
October 10-17, 1965
Los Angeles
Curated by Wallace Berman
announcement (pictured)



1967

Exhibition
February 26, 1967
Topanga Community House, Topanga
Curated by Wallace Berman
announcement (pictured)


1968

Wallace Berman: Verifax Collages
September 17 – November 17, 1968
The Jewish Museum, New York City
Curated by Kynaston McSchine
no catalog; announcement (pictured)

berman_lacmaWallace Berman
April 30 – June 2, 1968
Los Angeles County Museum of Art, Los Angeles
brochure (pictured)




1969

Exhibition / Wallace Berman
December 14, 1969
Topanga
Curated by Wallace Berman
no catalog


1973

Exhibition / Wallace Berman
June 9, 1973
Mermaid Tavern, Topanga
Curated by Wallace Berman
no catalog; flyer (pictured)



1974

berman_radioRadio Aether Series
Gemini G.E.L., Los Angeles
Portfolio of prints published; brochure (pictured)




1977

Wallace Berman
July – August, 1977
Timothea Stewart Gallery, Los Angeles
catalog (pictured)




1978

berman_whitneyWallace Berman
January 18 – March 5, 1978
Whitney Museum of American Art, New York City
brochure (pictured)


berman_retrospectiveWallace Berman Retrospective
October 24 – November 26, 1978
Otis Art Institute, Los Angeles
catalog (pictured); postcard




1979

Wallace Berman / Gallery Exhibition
April 11 – May 10, 1979
L.A. Louver, Los Angeles
no catalog

Work by Wallace Berman / Art is Love is God
June 26 – July 14, 1979
L.A. Louver, Los Angeles
no catalog

Wallace Berman / Retrospective Exhibition
September 21 – November 1979
University Art Museum, Berkeley
no catalog; announcement (pictured)


1982

Wallace Berman
March 4 – 27, 1982
Charles Cowles Gallery, New York City
no catalog; brochure (pictured)




1985

Selections from the Diana Zlotnick Collection
March 19 – April 27, 1985
Fisher Gallery, Los Angeles
Curated by Stella Paul
brochure (pictured)


Past Presence / Contemporary Sources
March 30 – May 9, 1985
College of Notre Dame Art Gallery, Belmont
brochure (pictured)




1988

Wallace Berman / Works from the Estate
January 9 – January 30, 1988
L.A. Louver Gallery, Venice
no catalog; brochure (pictured)



Different Drummers
May 12 – August 14, 1988
Hirshhorn Museum and Sculpture Garden, Washington D.C.
catalog (pictured)


Assemblage
October 8 – November 13, 1988
Herron Gallery, Indianapolis
flyer (pictured)



1990

Wallace Berman, A Gesture Involving Verifax Collage, Photographs, Text and Sculpture
October 13 – November 10, 1990
Louver Gallery, New York City
no catalog; brochure (pictured)



1992

Overlay
March 21 – April 18, 1992
Louver Gallery, New York City
announcement (pictured)



Poem Makers: Wallace Berman, George Herms, and Jess
June 5 – July 12, 1992
L.A. Louver Gallery, Los Angeles
catalog [Semina facsimile]; brochure  (pictured)


Wallace Berman
December 31, 1992 – February 7, 1993
The Institute of Contemporary Art, Amsterdam
catalog (pictured)




1997

Sunshine and Noir: Art in Los Angeles 1960 – 1997
Louisiana Museum of Modern Art, Humlebaek
May 16-September 7, 1997
catalog (pictured)



1999

berman_arrangedArranged Marriage
October 28 – December 10, 1999
Roth Horowitz, New York City
catalog (pictured)


Group Show / Wallace Berman and Jeff Koons, Allan McCollum, Al Ruppersberg, Andy Warhol
October 29 – December 18, 1999
Nicole Klagsbrun, New York City
no catalog; brochure (pictured)



2000

“Art Is Love Is God”, une introduction, 1957 – 1976
June 17 – September 17, 2000
le Musée d’Art Moderne et Contemporain, Geneva
no catalog


2005

Aleph – A Film by Wallace Berman
January 04 – March 06, 2005
The Jewish Museum, New York City
no catalog

Assemblage and Collage in California in the 1960s
June 16 – August 31, 2005
871 Fine Arts, San Francisco
Curated by Adrienne Fish
catalog; announcement (pictured)

Wallace Berman
September 10 – October 15, 2005
Patricia Faure Gallery, Los Angeles
no catalog; announcement (pictured)




2006

Wallace Berman
September 6 – October 28, 2006
871 Fine Arts, San Francisco
Curated by Adrienne Fish
announcement (pictured)


2007

Wallace Berman – Photographs and Other Works
November 30, 2007- January 19, 2008
Michael Kohn Gallery, Los Angeles
no catalog


2008

All is Personal: the Art of Wallace Berman
September 26 – November 23, 2008
Camden Art Center, London
catalog (pictured)




2009

Verifax Collages
January 10 – March 10, 2009
Galerie Frank Elbaz, Paris
Curated by Sophie Dannenmüller
catalog (pictured)


berman_kohnShe – Wallace Berman and Richard Prince
January 15 – March 7, 2009
Michael Kohn Gallery, Los Angeles
Curated by Kristine McKenna
catalog; brochure (pictured)


2010

Bebop Kabbalah
October 30 – December 24, 2010
Galerie Frank Elbaz, Paris
Curated by Sophie Dannenmüller
catalog (pictured)


Verifax
June 11 – July 24, 2010
Anne Mosseri-Mario Galerie, Zurich
no catalog

Wallace Berman
November 6 – January 9, 2010
Nicole Klagsbrun Gallery, New York City
catalog (pictured)




2011

The Ephemeral World of Wallace Berman and Circle
February 1 – April 25, 2011
871 Fine Arts, San Francisco
Curated by Adrienne Fish
announcement (pictured)


Speaking in Tongues : The Art of Wallace Berman and Robert Heinecken
October 2, 2011 – January 22, 2012
Armory Center for the Arts, Pasadena
catalog; postcard (pictured)


2013

Into the Mystic
November 17, 2012 – January 26, 2013
Kohn Gallery, Los Angeles
no catalog


2016

Wallace Berman American Aleph
May 6 – June 25, 2016
Kohn Gallery, Los Angeles
catalog (pictured)




2018

Wallace Berman – Visual Music
September 8 – October 11, 2018
Galerie Frank Elbaz, Paris
catalog (pictured)




2019

Dilexi Gallery The Early Years
June 8 – August 3, 2019
Brian Gross Fine Art, San Francisco

Wallace Berman

berman_arranged

Wallace Berman was born in 1926 in Staten Island, New York. In the 1930s, his family moved to the Jewish district (Boyle Heights) in Los Angeles. After being expelled from high school for gambling in the early 1940s, Berman immersed himself in the growing West Coast jazz scene. During this period, he briefly attended the Jepson Art School and Chouinard Art School, but departed when he found the training too academic for his needs.

In 1949, while working in a factory finishing antique furniture, he began to make sculptures from unused scraps and reject materials. By the early 1950s, Berman had become a full-time artist and an active figure in the beat community in Los Angeles and San Francisco. Many art historians consider him to be the ‘father’ of the California assemblage movement. Moving between the two cities, Berman devoted himself to his mail art publication SEMINA, which contained a sampling of beat poetry and images selected by Berman.

In 1963, permanently settled in Topanga Canyon in the Los Angeles area, Berman began work on verifax collages (printed images, often from magazines and newspapers, mounted in collage fashion onto a flat surface, sometimes with solid bright areas of acrylic paint). He continued creating these works, as well as rock assemblages, until his death in 1976.


Wallace Berman Checklist:

Section A: Solo and Select Group Exhibitions
Section B: Posters and Prints
Section C: Cover and Book Art
Section D: Semina


Further Reading and Reference:

ART AS A MUSCULAR PRINCIPLE, 10 Artists and San Francisco 1950-1965, edited by Merril Greene and Alix Meier
Mount Holyoke: John and Norah Warbeke Gallery, 1975

ART IN LOS ANGELES: SEVENTEEN ARTISTS IN THE SIXTIES, edited by Maurice Tuchman
Los Angeles: Los Angeles County Museum of Art, 1981

ASSEMBLAGE IN CALIFORNIA: WORKS FROM THE LATE 50’S AND EARLY 60’S
Irvine: Art Gallery, University of California, 1968

DIFFERENT DRUMMERS, edited by Frank Gettings
Washington DC: Smithsonian Hirshhorn Museum and Sculpture Garden, 1988

LA POP IN THE SIXTIES, edited by Anne Ayres
Newport Beach: Newport Harbor Art Museum, 1989

SAN FRANCISCO RENAISSANCE PHOTOGRAPHS OF THE ’50S AND ’60S, edited and with an introduction by Merril Greene
New York: Gotham Book Mart Gallery, 1975

SECRET EXHIBITION: SIX CALIFORNIA ARTISTS OF THE COLD WAR ERA, edited by Rebecca Solnit
San Francisco: City Lights, 1990

SUPPORT THE REVOLUTION, edited by Tosh Berman, Michael McClure, David Meltzer, Colin Gardner, Walter Hopps, Christopher Knight, Eduardo Lipschutz-Villa, Charles Brittin
Amsterdam: Institute of Contemporary Art, 1992

THIRD RAIL, Issue 9, edited by Uri Hertz
Los Angeles: Third Rail, 1988

UTOPIA AND DISSENT: ART, POETRY, AND POLITICS IN CALIFORNIA, by Richard Cándida Smith
Berkeley: University of California Press, 1995)


Online Resources:

· Art Net – Wallace Berman
· Kohn Gallery – Wallace Berman
· Ubuweb – Wallace Berman
· University of Delaware – Wallace Berman and Semina


Collaborators:

· Robert Alexander
· Cameron
· Jay De Feo
· Bobby Driscoll
· Dave Haselwood
· Michael McClure
· David Meltzer
· Dean Stockwell ( D.·. )
· Russ Tamblyn