Tag Archives: mimeograph

The Rivoli Review

The Rivoli Review, Vol. Zero, No. One, edited by Richard Duerden 
mags_rivoli01San Francicso: The Rivoli Review 1963
Side-stapled illustrated wrappers, 8.5″ x 11″, 24 pages, mimeograph printed. Cover illustration by Jess Collins.

 

Contributors:
Ford Madox Ford – “Meary Walker”
Robert Duncan – “Weacing the Design”
James Koller – [untitled] “mottled brown birds…”
Richard Duerden – “Seven: #2 La Martine Place”
Denise Levertov – “Hypocrite Women”
Lynn Lonidier – “Chagall and Bella”
Ron Loewinsohn – “Art for Art’s Sake”, “The Rain, The Rain”
Gerald Gilbert – [untitled] “Sunshine…”
Lorenzo Thomas – “Grass”, “West”
Robert Peterson – “Critical Times”
Ron Loewinsohn – “Fuck You Roger Maris”
Philip Whalen – “Plums, Metaphysics, An Investigation, A Visit and a Short Funeral Ode”
Ron Loewinsohn – “It is to be Bathed in Light”

The Rivoli Review, Vol. Zero, No. Two, edited by Richard Duerden 
mags_rivoli02San Francicso: The Rivoli Review 1964
Side-stapled illustrated wrappers, 8.5″ x 14″, 30 pages, mimeograph printed.

 

Contributors:
James Koller – “The People are Coming”
Ron Loewinsohn – “A Place to Go”
Jess Collins – “Song of the Pied Parrot”
Lew Brown – “from Lionel”
Deneen Brown – “Azalea Poem”
George Stanley – “Argus”
Robert Duncan – “Passages III”, “Passages 3-4”
Richard Duerden – “Silence, and Katharsis”
Lew Brown – “The Broadjump”, “from Lionel”
Jack Anderson – “The Scale of It”
Richard Duerden – “The Sonata”
Jack Anderson – “Man in a Doorway”
Gerard Malanga – “Final Sonnet XC”

Charles Bukowski: Broadsides

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SECTION B:
This index includes broadsides featuring poems and stories from  the 1940’s to the late 1960’s: from Bukowski’s first appearance to roughly the time that his work started being published in collected volumes by John Martin’s Black Sparrow Press; the period of time covered by Sanford Dorbin’s Bibliography.


1. Bukowski, Charles. 20 TANKS FROM KASSELDOWN
First edition:
Washington D.C.: Black Sun Press, Spring 1946
Broadside, 12″ x 16″,  (c. 1000 copies). Published as part of PORTFOLIO AN IN­TERNATIONAL REVIEW, No. 3, edited by Caresse Crosby. (Dorbin D2, Krumhansl 1)

2. Bukowski, Charles. HIS WIFE, THE PAINTER
buk_hiswifeFirst edition:
Eureka: Hearse Press, June 1960
Broadside, 5″ x 11″, (c. 201 copies), letterpress printed. Published as Hearse Broadside No. 1. (Dorbin B1 and C248, Krumhansl 2 and 14a)

Note: according to Dorbin [see Dorbin B1], there were variant examples on paper without the blindstamp (Strathmore Artist) of this and three other Bukowski broadsides later assembled as part of Coffin, No.1. He believed that all could have been printed on scrap stock.

Note: according to Krumhansl, “201 copies were published 16 June 1960, 50 of which were distributed to various poets and friends of E.V. Griffith, publisher of Hearse Press. 150 copies were included in Coffin 1 and the remaining copy was used for the offset paste-up of Flower, Fist and Bestial Wail.”

3. Bukowski, Charles. THE PRIEST AND THE MATADOR
buk_priestFirst edition:
n.p.: privately printed, 1962
Broadside, 8.5″ x 11″, offset printed. (Dorbin B4, Krumhansl 10)
[not in archive]

Note: according to Krumhansl, “Published sometime in 1962. Bukowski believed that this item was produced by students at Northwestern or Purdue. Dorbin could not verify this information but ascertained that it was picked up by some mid-western area students after the publication of Run with the Hunted in 1962.”

4. Bukowski, Charles. SAME OLD THING, SHAKESPEARE THROUGH MAILER
buk_sameold
First edition:
Storrs: Wormwood Review, 1963
Broadside, 8.5″ x 11″, offset printed, (not in Dorbin, Krumhansl 11)

Note: an offprint of pages 2 and 3 from The Wormwood Review, Vol. 4, No. 3, Issue 11, edited by Marvin Malone (Storrs: The Wormwood Review, November 1963).

Note: according to Krumhansl, “500 copies, of which 29 were signed and numbered, were issued gratis sometime in 1963”.

5. Bukowski, Charles. THE PAPER ON THE FLOOR
First edition:
Eureka: Hearse Press, 1964
Folded broadside, 7″ x 11″ sheet folded once to make four pages, (151 copies), letterpress printed. Published as part of Coffin, No. 1, edited by E.V. Griffith (Dorbin C250, Krumhansl 14b)

Note: according to Krumhansl, “151 copies were published in 1964, 150 of which were laid into the portfolio [Coffin, No. 1] and one used in the offset paste-up of Flower, Fist and Bestial Wail“.

6. Bukowski, Charles. THE OLD MAN ON THE CORNER
First edition:
Eureka: Hearse Press, 1964
Broadside, 4″ x 11″, (150 copies), letterpress printed. Published as part of Coffin, No. 1, edited by E.V. Griffith (Dorbin C249, Krumhansl 14c)


7. Bukowski, Charles. WASTE BASKET 
First edition:
Eureka: Hearse Press, 1964
Broadside, 5″ x 6″, (150 copies), letterpress printed. Published as part of Coffin, No. 1, edited by E.V. Griffith (Dorbin C251, Krumhansl 14d)

8. Bukowski, Charles. TRUE STORY
buk_truestory_xFirst edition:
Los Angeles: Black Sparrow Press, 1966
Broadside, 10″ x 14.5″, 30 copies, letterpress printed by Philip Klein. (Dorbin B6, Krumhansl 18)
[not in archive]

Note: according to Krumhansl, “30 signed copies were published April 1966: 27 copies numbered 1-27 plus 3 copies lettered A-C. Designed and printed by Philip Klein.”

9. Bukowski, Charles. ON GOING OUT TO GET THE MAIL
buk_ongoing_x
First edition:
Los Angeles: Black Sparrow Press, 1966
Broadside, 10″ x 14.5″, 30 copies, letterpress printed by Philip Klein. (Dorbin B7, Krumhansl 19)
[not in archive]

Note: according to Krumhansl: “30 signed copies were published May 1966: 27 copies numbered 1-27 plus 3 copies lettered A-C. Designed and printed by Philip Klein.”

10. Bukowski, Charles. TO KISS THE WORMS GOODNIGHT
buk_tokiss_xFirst edition:
Los Angeles: Black Sparrow Press, 1966
Broadside, 10″ x 14.5″, 30 copies, letterpress printed by Philip Klein. (Dorbin B8, Krumhansl 20)
[not in archive]

Note: according to Krumhansl: “30 signed copies were published June 1966: 27 copies numbered 1-27 plus 3 copies lettered A-C. Designed and printed by Philip Klein.”

11. Bukowski, Charles. THE GIRLS / FOR THE MERCY MONGERS
buk_thegirls_xFirst edition:
Los Angeles: Black Sparrow Press, 1966
Broadside, 10″ x 14.5″, 30 copies, letterpress printed by Philip Klein. (Dorbin B9, Krumhansl 22)
[not in archive]

Note: according to Krumhansl: “30 signed copies were published July 1966: 27 copies numbered 1-27 plus 3 copies lettered A-C. Designed and printed by Philip Klein.”

12. Bukowski, Charles. THE FLOWER LOVER / I MET A GENIUS
buk_flowerloverFirst edition:
Los Angeles: Black Sparrow Press, 1966
Broadside, 10″ x 14.5″, 30 copies, letterpress printed by Philip Klein. (Dorbin B6, Krumhansl 24)
[not in archive]

Note: according to Krumhansl: “30 signed copies were published October 1966: 27 copies numbered 1-27 plus 3 copies lettered A-C. Designed and printed by Philip Klein.”

13. Bukowski, Charles. THE NATURE OF THE THREAT AND WHAT TO DO
First edition:
San Francisco: Nevada/Tattoo Press, 1969
Broadside, 8.5″ x 11″, offset printed. Published as part of  Peace Amongst the Ants (Krumhansl 33)


Charles Bukowski: Books and Chapbooks

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SECTION A:
This index includes books, chapbooks, booklets and bound offprints featuring poems and stories during the 1960’s: from Bukowski’s first book to roughly the time that his work started being published in collected volumes by John Martin’s Black Sparrow Press; the period of time covered by Sanford Dorbin’s Bibliography.


1. Bukowski, Charles. FLOWER, FIST AND BESTIAL WAIL
buk_flowerFirst edition:
Eureka: Hearse Press, October 1960
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.25″, 28 pages, (200 copies), offset printed, cover illustration by Ben Tibbs, edited by E.V. Griffith. Published as Hearse Chapbooks 5. (Dorbin A1, Krumhansl 3)

Note: Charles Bukowski’s first book.

2. Bukowski, Charles. A SIGNATURE OF CHARLES BUKOWSKI
mags_targets04First edition:
Albuquerque: Targets, December 1960
Saddle-stapled in printed and illustrated wrappers, 7″ x 8.5″, (6 hors commerce copies), offset printed. (Dorbin B2, Krumhansl 4)

Note: an offprint from Targets, No. 4, edited by W.L. Garner (Sandia Park, December 1960).

3. Bukowski, Charles. BUKOWSKI SIGNATURE 2
buk_sig2_xFirst edition:
Albuquerque: Targets, August-September 1961
Saddle-stapled in printed and illustrated wrappers, 7″ x 8.5″, offset printed. (Dorbin B3, Krumhansl 5)

Note: an offprint from Targets, No. 7, edited by W.L. Garner (Albuquerque, September 1961)

4. Bukowski, Charles. A CHARLES BUKOWSKI ALBUM
First edition:
New Orleans: Loujon Press, 1961
Side-stapled in printed and illustrated wrappers, 6″ x 9″, (10 copies), offset printed. (Krumhansl 6)

Note: offprint from The Outsider, No. 1, edited by Jon Edgar & Gypsy Lou Webb (New Orleans: Loujon Press, Fall 1961)

5. Bukowski, Charles. LONGSHOT POMES FOR BROKE PLAYERS
buk_longshotFirst edition:
New York: 7 Poets Press, (1962)
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 9.25″, 44 pages, (200 copies), offset printed, illustrations by Bukowski, edited and published by Carl Larsen. (Dorbin A3, Krumhansl 8)

Note: according to Krumhansl, “Bukowski’s title for this book Longshot Pomes for Broke Players, appears in its correct form on the front cover only. Illustrations by Bukowski on front cover, title pages, and throughout the text. Photograph of Bukowski and autobiographical material on recto of last leaf.”

6. Bukowski, Charles. RUN WITH THE HUNTED
buk_runFirst edition:
Chicago: Midwest Poetry Chapbooks, 1962
Saddle-stapled in printed wrappers, 5.5″ x 6.25″, 32 pages, (300 copies), offset printed, dedicated to William Corrington, edited by R.R. Cuscaden. Published as Midwest Poetry Chapbooks 1. (Dorbin A4, Krumhansl 9)

7. Bukowski, Charles. POEMS AND DRAWINGS
buk_poemsFirst edition:
Crescent City: Epos, 1962
Side-stapled sheets bound into printed wrappers, 6.5″ x 9.25″, 28 pages, (500 copies), letterpress printed, illustrations by Bukowski, edited by Will Tullos and Evelyn Thorne. Published as Epos Extra Issue. (Dorbin A2, Krumhansl 7)

Note: according to Krumhansl, “Of the 500 copies printed it is estimated that about 300 copies were sent gratis to subscribers of Epos magazine, the remaining 200 being for sale at the published price.”

8. Bukowski, Charles. IT CATCHES MY HEART IN ITS HANDS
First edition:
New Orleans: Loujon Press, 1963
Perfect-bound in printed and illustrated wrappers with dust jacket, 7.5″ x 10″, 98 pages, 777 copies, letterpress printed, introduction by William Corrington, illustrations by Frank Salantrie, dedicated to Gypsy Lou Webb, edited by Gypsy Lou and Jon Webb. Published as Gypsy Lou Series 1. (Dorbin A5, Krumhansl 12)

9. Bukowski, Charles. GRIP THE WALLS
mags_wormwood16First edition:
Storrs: Wormwood Review, 1964
Saddle stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 8 pages, 600 copies, offset printed. (Dorbin B5, Krumhansl 13)

Note: published as a detachable booklet in The Wormwood Review, Vol. 4, No. 4, Issue 16, edited by Marvin Malone (Storrs: The Wormwood Review Press, December 1964).

10. Bukowski, Charles. CRUCIFIX IN A DEATHHAND
First edition:
New York: Lyle Stuart, 1965
Perfect-bound in illustrated french-fold wrappers, 8.25″ x 12.25″, 102 pages, 3100 copies, letterpress printed, dedicated to Marina Louise Bukowski, illustrations by Noel Rockmore, edited by Gypsy Lou and Jon Webb. Published as Gypsy Lou Series 2. (Dorbin A6, Krumhansl 15)

11. Bukowski, Charles. COLD DOGS IN THE COURTYARD
buk_colddogsFirst edition:
Chicago: Literary Times and Cyfoeth Publications, 1965
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.25″, 24 pages, 500 copies, letterpress printed, “Foreward” by Bukowski, cover illustration by Betsy Millam, dedicated to Frances Bukowski, edited by Bukowski. (Dorbin A7, Krumhansl 16)

12. Bukowski, Charles. CONFESSIONS OF A MAN INSANE ENOUGH TO LIVE WITH BEASTS
buk_confessionsFirst edition:
Bensenville: Mimeo Press, August 1965
Saddle-stapled printed and illustrated wrappers, 5.5″ x 8.5″, 52 pages, 500 copies, text mimeograph printed, wrappers offset printed, introductory note by Steve Richmond, cover illustration by Anna Purcell, edited by Douglas Blazek. (Dorbin A8, Krumhansl 17)

Note: according to Krumhansl, “There is an introduction consisting of twelve lines excerpted from a Steve Richmond letter to Douglas Blazek on the verso of title page. Of the circa 500 copies, 25 copies were issued with a special autographed drawing by Bukowski. The special copies were announced in Ole, No. 3. This ‘long short story’ is the first appearance of the fictional character Henry Chinaski.”

13. Bukowski, Charles. THE GENIUS OF THE CROWD
buk_geniusFirst edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled sheets bound into printed and  illustrated wrappers, 4.5″ x 6″, 22 pages, 103 copies, letterpress printed by d.a. levy, block prints by Paula Marie Savarino, edited by d.a. levy. (Dorbin A9, Krumhansl 21)

According to Krumhansl, “Many sheets for this chapbook were printed on trimmed envelopes and are therefore double leaves, with envelope flap sections glued together.”

14. Bukowski, Charles. ALL THE ASSHOLES IN THE WORLD AND MINE
buk_alltheFirst edition:
Bensenville: Open Skull Press, 1966
Saddle-stapled in illustrated wrappers, 5.5″ x 8.5″, 28 pages, 400 copies, text mimeograph printed, wrappers offset printed, illustrated by Bukowski, dedicated to William Wantling, edited by Douglas Blazek. (Dorbin A10, Krumhansl 23)

15. Bukowski, Charles. NIGHT’S WORK (INCLUDING BUFFALO BILL)
mags_wormwood24First edition:
Storrs: Wormwood Review, 1966
Saddle stapled in printed and  illustrated wrappers, 5.5″ x 8.5″, 12 pages, 600 copies, offset printed. (Dorbin B11)

Note: Published as a detachable booklet in The Wormwood Review, Vol. 6, No. 4, Issue 24, edited by Marvin Malone (Storrs: The Wormwood Review, March 1967)

16. Bukowski, Charles. 2 BY BUKOWSKI
buk_2poemsFirst edition:
Los Angeles: Black Sparrow Press, 1967
Hand-sewn in printed wrappers, 5.5″ x 8.5″, 8 pages, 111 copies, letterpress printed by Philip Klein. (Dorbin B12, Krumhansl 25)

From the colophon: “Printed April, 1967 in Los Angeles by Philip Klein for the Black Sparrow Press. This edition is limited to ninety-nine copies; three copies lettered a, b and c, which are not for sale, and ninety-six numbered copies, for sale, all signed by the poet.”

Note: according to Krumhansl, “111 copies were published 7 April 1967, of which 99 were signed, the remaining 12 copies are unsigned, numbered 1-12, and marked ‘Review Copy’ in holograph red ink.”

17. Bukowski, Charles. THE CURTAINS ARE WAVING AND PEOPLE WALK THROUGH THE AFTERNOON HERE AND IN BERLIN AND IN NEW YORK CITY AND IN MEXICO
buk_curtainsFirst edition:
Los Angeles: Black Sparrow Press, 1967
Hand-sewn in printed wrappers, 6.25″ x 6.25″, 12 pages, 125 copies, letterpress printed by Graham Mackintosh. (Dorbin B14, Krumhansl 26)

From the colophon: “Designed and printed September, 1967 in San Francisco by Graham Mackintosh for the Black Sparrow Press. The edition is limited to one hundred and twenty five copies; three copies lettered a, b, c which are not for sale and one hundred and twenty two numbered copies, for sale, all signed by the poet.”

Note: according to Krumhansl, “According to John Martin, as Bukowski signed The Curtains he added a drawing to his signature in every tenth copy or so. Thus about fifteen copies contain an original drawing.”

18. Bukowski, Charles. AT TERROR STREET AND AGONY WAY
a. First edition, paperback issue, first state:
Los Angeles: Black Sparrow Press, May 1968
Perfect-bound in printed wrappers, 6″ x 8.5″, 89 pages, 18 copies, letterpress printed by Graham Mackintosh. (Dorbin A11, Krumhansl 27a)

Note: front cover of this state included a misprint whereby “Street” was misprinted as “Sreet”. According to John Martin 18 copies exist thus, without the white label which was affixed to the second state.

b. First edition, paperback issue, second state:
Los Angeles: Black Sparrow Press, May 1968
Perfect-bound in printed wrappers, 6″ x 8.5″, 89 pages, 747 copies, letterpress printed by Graham Mackintosh. (Dorbin A11, Krumhansl 27b)

Note: this state has a 3.5″ x 5.5″ printed white label tipped on to the front cover to correct the misprinting of the first state.

c. First edition, hardcover, numbered, signed and illustrated issue:
Los Angeles: Black Sparrow Press, May 1968
Hardcover in cloth-bound boards with printed paper spine label, 6″ x 9″, 89 pages, 75 numbered and signed copies, letterpress printed by Graham Mackintosh, with an original watercolor painting by Bukowski tipped in. (Dorbin A11, Krumhansl 27c)

Note: introductory note by Bukowski, dedicated to John Thomas, John Martin, and John the Baptist, edited by John Martin, printed prospectus issued.

From the colophon: “Designed and printed April, 1968 in San Francisco by Graham Mackintosh for the Black Sparrow Press. The edition is limited to 800 copies in wrappers and 75 hardbound, signed copies each with an original illustration by the poet.”

19. Bukowski, Charles. POEMS WRITTEN BEFORE JUMPING OUT OF AN 8 STORY WINDOW
buk_poemswrittenFirst edition:
Glendale: Poetry X/Change, 1968
Saddle-stapled sheets bound into illustrated wrappers, 6.5″ x 8.25″, 32 pages, (400 copies), offset printed, introductory note by Bukowski, cover illustration by P. David Horton, center-fold illustration by Bukowski, dedicated to Douglas Blazek. (Dorbin A12, Krumhansl 28)

Note: according to Krumhansl, “Circa 400 copies were published in the summer of 1968. Note on verso of title page: ‘… a Litmus first edition…’ Published by Darrell Kerr and Charles Potts. Originally this volume was to have been published by  Mel Buffington’s Blitz/Mad Virgin Press in August or September of 1965.”

20. Bukowski, Charles. NOTES OF A DIRTY OLD MAN
First edition:
North Hollywood: Essex House,  January 1969
Perfect-bound in printed and illustrated wrappers, 4.5″ x 6.5″, 256 pages, (c. 28,000 copies), offset printed, introductory note by Bukowski, cover illustration by Larry Gaynor. (Dorbin A13, Krumhansl 29)

Note: according to Krumhansl, “Collected from Bukowski’s weekly column in Open City, a Los Angeles underground newspaper. The newspaper published circa 92 issues between 1964-1969. Bukowski was listed as a Contributing Editor throughout the life of the paper and contributed to 87 issues.”

21. Bukowski, Charles. A BUKOWSKI SAMPLER
buk_samplerFirst edition:
Madison: Quixote Press, July 1969
Saddle-stapled in printed and illustrated wrappers, 7″ x 9.25″, 80 pages, 400 copies, offset printed, introduction by Douglas Blazek, illustrations by Bukowski, printed prospectus issued. (Dorbin A14, Krumhansl 30)

22. Bukowski, Charles. IF WE TAKE
buk_ifwea. First edition, regular issue:
Los Angeles: Black Sparrow Press, 1969
Hand-sewn with green thread in printed wrappers, 4.5″ x 5.5″, 16 pages, 350 copies, letterpress printed by Noel Young. (Krumhansl 31a)

Note: 350 unsigned copies issued, not 300 as stated in the colophon.

b. First edition, signed issue:
Los Angeles: Black Sparrow Press, 1969
Hand-sewn with red thread in printed wrappers, 4.5″ x 5.5″, 16 pages, 100 numbered and signed copies, plus one marked “File Copy”, letterpress printed by Noel Young. (Krumhansl 31b)

From the colophon: “Design by Barbara Martin. Printed by Noel Young. Published as a New Year’s Greeting to the friends of the Black Sparrow Press in an edition of 400 copies, 100 of which are numbered and signed by the author.”

23. Bukowski, Charles. THE DAYS RUN AWAY LIKE WILD HORSES OVER THE HILLS
a. First edition, paperback issue:
Los Angeles: Black Sparrow Press, 1969
Perfect-bound in printed wrappers, 6″ x 9.25″, 160 pages, 1243 copies, letterpress printed by Noel Young. (Krumhansl 32a)


b. First edition, hardcover, numbered and signed issue:
Los Angeles: Black Sparrow Press, 1969
Hardcover in printed paper-bound boards and cloth backstrip with paper label in acetate dust jacket, 6.5″ x 9.75″, 160 pages, 250 numbered and signed copies, letterpress printed by Noel Young. (Krumhansl 32b)

c. First edition, hardcover, numbered, signed and illustrated issue:
Los Angeles: Black Sparrow Press, 1969
Hardcover in printed paper-bound boards and patterned cloth backstrip with paper label in acetate dust jacket, 6.5″ x 9.75″, 160 pages, 63 numbered and signed copies with original artwork tipped in, letterpress printed by Noel Young. (Krumhansl 32c)

From the colophon: “Printed December 1969 in Santa Barbara by Noel Young for the Black Sparrow Press. Design by Barbara Martin. This edition is limited to 1250 copies in paper wrappers; 250 hardcover copies numbered & signed by the poet; & 50 numbered copies handbound in boards by Earle Gray, signed & with an original illustration by the poet.”

d. prospectus
Los Angeles: Black Sparrow Press, 1969
Broadside printed on both sides, 6″ x 9″, letterpress printed.

Note: from the verso: “The poetry of Charles Bukowski is by turns savage, tender, humorous. The individual poems are memorable, with a blood-freezing immediacy. The prey in Bukowski’s poems are life’s victims in precisely the same sense that we are all victims…”

Cavan McCarthy & Tlaloc

Tlaloc was founded by Cavan McCarthy, a librarian at the Brotherton Library, with the aim of providing an, “open forum for modern poetry.” First issued in December 1964, for a time it acted as a bi-weekly supplement to Ikon; Douglas Sandle was a member of the editorial board. By the time the second series of magazine was issued in 1965 (Tlaloc 7), it had become independent of Ikon and was published by McCarthy under the Location Press imprint; it was later published from Blackburn and then London when McCarthy relocated. The main emphasis of Tlaloc was on concrete and visual poetry; contributors included Dom Sylvester Houedard, Ian Hamilton Finlay and Angela Carter, amongst others. The last issue (Tlaloc 22) was published in 1970.

Charles Bukowski: Contributions to Periodicals

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SECTION D:
Contributions to Periodicals

This index includes contributions to periodicals of poems and stories from 1944 to 1969: from Bukowski’s first appearance to roughly the time that his work started being published in collected volumes by John Martin’s Black Sparrow Press; the period of time covered by Sanford Dorbin’s Bibliography.


1944

1. STORY, Vol. 24 No. 106, edited by Whit Burnett
mags_storyNew York City: Story Magazine, March-April 1944
“Aftermath of a Lengthy Rejection Slip” [prose]
(Dorbin D1)
[not in archive]



1946

2. PORTFOLIO AN IN­TERNATIONAL REVIEW, No. 3, edited by Caresse Crosby
mags_portfolio03_xWashington D.C.: Black Sun Press, Spring 1946
“20 Tanks from Kasseldown” [prose]
(Dorbin D2, Krumhansl 1)
[not in archive]



3. MATRIX, Vol. 9, No. 2, edited by Joseph Moskovitz
Philadelphia: Matrix, Summer 1946
“Soft and Fat Like Summer Roses” [poem], “The Reason Behind Reason” [prose], “Hello” [poem]
(Dorbin C1, D3)

4. MATRIX Vol. 9 No. 3-4, edited by Joseph Moskovitz
mags_matrix0934_xPhiladelphia: Matrix, Winter 1946-47
“Voice in a New York Subway” [poem], “Object Lesson” [poem], “Love, Love, Love” [prose]
(Dorbin C1a, C2, D4)
[not in archive]



1947

5. MATRIX, Vol. 10, No. 3-4, edited by Joseph Moskovitz
Philadelphia: Matrix, Fall-Winter 1947
“Cacoethes Scribendi” [prose]
(Dorbin D5)


1948

6. MATRIX, Vol. 11, No. 1-2, edited by Joseph Moskovitz
mags_matrix1101_xPhiladelphia: Matrix, Spring-Summer 1948
“Hard Without Music” [prose]
(Dorbin D6)
[not in archive]




1951

7. MATRIX, 14th year, No 32, edited by J. Moray, Frank Brookhouser, and S.E. Mackey
mags_matrix32Pleasanton: Matrix, 1951
“The Look” [poem]
(Dorbin C3)




8. THE NAKED EAR, No. 9, edited by Judson Crews
mags_nakedear09Taos: Motive Book Shop, 1956
“Lay Over” [poem]
(Dorbin C4)




9. HARLEQUIN, Vol. 1, No. 1, edited by Barbara Frye
Los Angeles, 1956
“Wash over Me, Tired Centuries” [poem]
(not in Dorbin)

10. QUIXOTE, No. 12, edited by Jean Rikhoff Hills
Gibraltar: Quixote, Winter 1956
“These Things” [poem], “You Smoke a Cigarette,” [poem]
(Dorbin C5-C6)



11. HARLEQUIN, Vol. 2, No. 1, edited by Barbara Frye and W.R. Lasater
mags_harlequin0201_xLos Angeles, 1957
“Essay on the Wine Gnat” [poem], “For They Had Things to Say” [poem], “Sun Coming Down” [poem], “On a Night You Don’t Sleep” [poem], “Did I Ever Tell You?” [poem], “Death Wants More Death” [poem], “The Editors Say:” [poem], “My Father” [poem], “The Rapists Story” [prose], “The Piano That Ate a Man, a Shirt and a Lion” [prose], “80 Airplanes Don’t Put You in the Clear” [prose]
(Dorbin C7-C14, D7-9)
[not in archive]

12. QUIXOTE, No. 13, edited by Jean Rikhoff Hills
mags_quixote13Gibraltar, Spring 1957
“Poem for Personnel Managers:” [poem], “As the Sparrow” [poem]
(Dorbin C15-C16)



13. EXISTARIA, No. 7, edited by Carl Larsen
Hermosa Beach, Septem­ber-October 1957
“1975” [poem], “Adventures of a Bug” [poem], “Friendly Advice to a lot of Young Men, and a lot of Old Men Too” [poem]
(Dorbin C17-C19)


14. SEMINA, No. 2, edited by Wallace Berman
mags_semina02Los Angeles: Wallace Berman, 1957
“Mine” [poem]
(Dorbin C20)




15. BELOIT POETRY JOURNAL, Vol. 8, No. 2, edited Chad Walsh and Robert Glauber
Beloit: Beloit, Winter 1957-58
“Treason” [poem]
(Dorbin C21)





1958

16. HEARSE, No. 2, edited by E.V. Griffith
Eureka: Hearse Press, February 1958
“Some Notes of Dr. Klarstein” [poem]
(Dorbin C22)




17. COMPASS REVIEW, No. 2, edited by Eric Pfeiffer and George A. Wolff
mags_compass02St. Louis, April 1958
“All-Yellow Flowers” [poem]
(Dorbin C23)




18. APPROACH, No. 27, edited by Albert Fowler and Helen Fowler
mags_approach27Rosemont: Approach, Spring 1958
“The Gypsies near Del Mar” [poem]
(Dorbin C24)




19. QUICKSILVER, Vol. 11, No. 2, edited by Grace Ross and Mabel M. Kuykendall
mags_quicksilver1102_xFort Worth, Summer 1958
“The Hunted” [poem]
(Dorbin C25)
[not in archive]



20. APPROACH, No. 28, edited by Albert Fowler and Helen Fowler
mags_approach 28Rosemont: Approach, Summer 1958
“On Seeing an old Civil War Painting with my Love” [poem]
(Dorbin C26)



21. QUICKSILVER, Vol. 11, No. 3, edited by Grace Ross and Mabel M. Kuykendall
mags_quicksilver1103_xFort Worth, Autumn 1958
“The Life of Borodin” [poem]
(Dorbin C27)




22. QUIXOTE, No. 19, edited by Jean Rikhoff Hills
Gibraltar, Autumn 1958
“Hell Yes, The Hydrogen Bomb” [prose]
(Dorbin D10)

23. SAN FRANCISCO REVIEW, No. 1, edited by R.H.Miller
mags_sfreview01
San Francisco, Winter 1958
“I Cannot Stand Tears” [poem], “10 Lions and the End of the World” [poem]
(Dorbin C28-C29)



1959

24. HEARSE, No. 4, edited by E.V. Griffith
Eureka: Hearse Press, January 1959
“Bring Down The Beams” [poem]
(Dorbin C30)




25. NOMAD, No. 1, edited by Donald Factor and Anthony Linick
mags_nomad01Culver City, Winter 1959
“On the Failure of a Poet, on the Failure of the Earth…” [poem], “I Taste the Ashes of Your Death” [poem], “Regard Me” [poem], “Winter Comes in a lot of Places in August” [poem]
(Dorbin C31-C34)

26. COASTLINES, Vol. 3, No. 4, Issue 12, edited by Gene Frumkin
mags_coastlines12Los Angeles: Coastlines, Spring 1959
“Dow Jones: Down” [poem]
(Dorbin C35)




27. THE HALF MOON, No. 1, edited by Richard Kelly
mags_halfmoon01Long Island, Summer 1959
“An Odd Day Destroying Beauty–” [poem]
(Dorbin C36)




28. QUICK­SILVER, Vol. 12, No. 2, edited by Grace Ross and Mabel M. Kuykendall
mags_quicksilver1202Fort Worth, Summer 1959
“The Day I Kicked a Bankroll out the Window” [poem]
(Dorbin C37)



29. EPOS, Vol. 10, No. 4, edited by Will Tullos and Evelyn Thorne
Crescent City: Epos, Summer 1959
“Soiree” [poem]
(Dorbin C38)

30. WANDERLUST, Vol. 2, No. 2, edited by A. Karl Austin, Jr.
Metairie: Wanderlust Magazine, July 1959
“The Crowded Men” [poem]
(Dorbin C39)
[not in archive]



31. THE GALLEY SAIL REVIEW, Vol. 1, No. 4, edited by Stanley McNail
mags_galleysail4San Francisco: Galley Sail Productions, Autumn 1959
“The Twins” [poem]
(Dorbin C40)



32. FLAME, Vol. 6, No. 3, edited by Lilith Lorraine
mags_flame0603Alpine, Autumn 1959
“I Think of the Olden Armies” [poem]
(Dorbin C41)




33. GALLOWS, No. 1, Jon T. Griffith
mags_gallows01Eureka, Octo­ber 1959
“What a Man I Was” [poem], “The Birds” [poem]
(Dorbin C42-43)




34. EPOS, Vol. 11, No. 2, edited by Will Tullos and Evelyn Thorne
mags_epos1102Crescent City: Epos, Winter 1959
“The Death of a Roach” [poem], “When Hugo Wolf Went Mad”
(Dorbin C44-C45)



35. ODYSSEY, Vol. 2, No. 1, Issue 5, edited by R.R. Cuscaden and Ronald Offen
mags_odyssey0201Chicago, 1959
“I Live Too Near the Slaughterhouse” [poem], “When Hugo Wolf Went Mad” [poem]
(Dorbin C45)



36. VIEWS, Vol. 5, No. 2, edited by Steven Block
mags_views0502Louisville: Views Associates, 1959
“And So We Go Our Way” [poem], “Not Quite So Soon”
(Dorbin C46-C47)
[not in archive]



1960

37. SCIMITAR & SONG, Vol. 22, No. 7, edited by Lura Thomas McNair
Sanford, January 1960
“H-Bomb” [poem]
(Dorbin C48)

38. WANDERLUST, Vol. 2, No. 4, edited by A. Karl Austin, Jr.
Metairie: Wanderlust Magazine, January 1960
“One Evening by the Hills” [poem]
(Dorbin C49)
[not in archive]



39. NOMAD, No. 5/6, edited by Donald Factor and Anthony Linick
mags_nomad056Culver City, Winter-Spring I960
“So Much for the Knifers, so Much for the Bellowing Dawns” [poem], “The Day It Rained at the Los Angeles County Museum” [poem]
(Dorbin C50-C51)


40. SCIMITAR AND SONG, Vol. 22, No. 9, edited by Lura Thomas McNair
Sanford, March 1960
“She Lives in the Wind” [poem]
(Dorbin C52)

41. COASTLINES, Vol. 4, No. 2-3, Issue 14-15, edited by Gene Frumkin
mags_coastlines1415Los Andeles, Spring 1960
“Plea to a Passing Maid” [poem], “No Charge” [poem], “Love Is a Piece of Paper Torn to Bits” [poem]
(Dorbin C53-C55)


42. MER­LIN’S MAGIC, Vol. 1, No. 8, edited by Merlin F. Teed
mags_merlins0108Brooklyn, April I960
“To a Lady Who Was Once Interested in the Arts” [poem]
(Dorbin C56)
[not in archive]


43. QUAGGA, Vol. 1, No. 2, edited by Donald Carroll, John Davis
mags_quagga0102Austin, May 1960
“Riot” [poem]
(Dorbin C57)




44. THE GALLEY SAIL REVIEW, Vol. 2, No. 2, Issue 6, edited by Stanley McNail
mags_galleysail6San Francisco: Galley Sail Productions, June 1960
“Conversation in a Cheap Room” [poem]
(Dorbin C58)
[not in archive]



45. MERLIN’S MAGIC, Vol. 1, No. 10, edited by Merlin F. Teed
mags_merlins0110Brooklyn, June 1960
“Home of the Beatnik: Venice, California” [poem]
(Dorbin C59)
[not in archive]


46. SCIMITAR AND SONG, Vol. 23, No. 1, edited by Lura Thomas McNair
Sanford, July 1960
“I Saw a Tramp Last Night” [poem]
(not in Dorbin)

47. QUICKSILVER, Vol. 13, No. 2, edited by Grace Ross and Mabel M. Kuykendall
mags_quicksilver1302_xFort Worth, Summer 1960
“Peace” [poem]
(Dorbin C60)




48. THE FREE LANCE, Vol. 6, No. 1, edited by Casper L. Jordan
mags_freelance0601Cleveland, Last Half 1960
“Wrong Number” [poem]
(Dorbin C61)




49. BEATITUDE, No. 16, edited by Alan Dienstag
San Francisco, July 1960
“Where the Hell Would Chopin Be?” [poem]
(Dorbin C62)




50. TARGETS, No. 3, edited by W.L. Garner
mags_targets03Albuquerque, September 1960
“The Japanese Wife” [poem]
(Dorbin C63)




51. QUICKSILVER, Vol. 13, No. 3, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth, Autumn I960
“Prayer for Broken-Handed Lovers” [poem]
(Dorbin C64)




52. QUAGGA, Vol. 1, No. 3, edited by Paul Schmidt, James Smith
mags_quagga0103Austin, September I960
“To the Whore Who Took My Poems:” [poem]
(Dorbin C65)




53. LITERARY ARTPRESS, Vol. 2, No. 1, edited by Patrick McManus
Cheney: Eastern Washington State College, Fall 1960
“Anthony” [poem]
(Dorbin C66)

54. EPOS, Vol. 12, No. 1, edited by Will Tullos and Evelyn Thorne
mags_epos1201Crescent City, Fall 1960
“Down Thru the Marching” [poem]
(Dorbin C67)




55. THE SPARROW, No. 14, edited by Felix Stefanile
mags_sparrow14Flushing, November 1960
“The Loser” [poem]
(Dorbin C68)




56. TARGETS, No. 4, edited by W.L. Garner
mags_targets04Sandia Park, December 1960
“Conversation on a Telephone” [poem], “Ashes” [poem], “Gambier, Oh!” [poem], “Hermit in the City” [poem], “Home from a Room Below the Plains” [poem], “Pull Me Through the Temples, Pull Me Through the Wine -” [poem], “Horse on Fire” [poem], “The Tragedy of the Leaves” [poem]
(Dorbin C69-76)

Note: This issue includes ‘A SIGNATURE OF CHARLES BUKOWSKI’ (Dorbin B2, Krumhansl 4)

57. EPOS, Vol. 12, No. 2, edited by Will Tullos and Evelyn Thorne
mags_epos1202Crescent City, Winter 1960
“The Sun Wields Mercy” [poem]
(Dorbin C77)




58. SIMBOLICA, No. 19, edited by Ignace Ingianni
Tiburon: Simbolica, I960
“Portions from a Wine-Stained Notebook” [prose]
(Dorbin D12)

59. RONGWRONG, No. 1, edited by Carl Larsen
mags_rongwrong01New York: 7 Poets Press, 1960
“The State of World Affairs from a 3rd Floor Window” [poem], “Hello, Willie Shoemaker” [poem], “Letter from the North” [poem]
[not in Dorbin]


60. IMPETUS, No. 5, edited by Guy Owen
mags_impetus05Deland: Stetson University, Winter 1960-61
“It’s Nothing to Laugh About” [poem]
(Dorbin C79)
[not in archive]




1961

61. MERLIN’S MAGIC, Vol. 2, No. 5, edited by Merlin F. Teed
mags_merlins0205Brooklyn, January 1961
“Light Light Light” [poem]
(Dorbin C80)
[not in archive]



62. MERLIN’S MAGIC, Vol. 2, No. 6, edited by Merlin F. Teed
mags_merlins0206Brooklyn, February-March 1961
“An Incident outside Normandy” [poem]
(Dorbin C81)
[not in archive]



63. SAN FRANCISCO REVIEW, Vol. 1, No. 8, edited by R.H. Miller
mags_sfreview08San Francisco, March 1961
“Candidate Middle of Left-Right Center” [poem], “Face While Shaving” [poem], “The Best Way to Get Famous Is to Run Away” [poem]
(Dorbin C82-C84)

64. LITERARY ARTPRESS, Vol. 2, No. 2, edited by Patrick McManus
Cheney: Eastern Washington College, Spring 1961
“Ants Crawl My Drunken Arms” [poem]
(Dorbin C85)




65. MERLIN’S MAGIC, Vol. 2, No. 7, edited by Merlin F. Teed
mags_merlins0207Brooklyn, April 1961
“Night Animal” [poem]
(Dorbin C86)
[not in archive]



66. TARGETS, No. 5, edited by W.L. Garner
Albuquerque, April 1961
“The Sunday Artist” [poem], “On Crusts and Such” [poem]
(Dorbin C87-C88)



67. WANDERLUST, No. 10, edited by A. Karl Austin, Jr.
Metairie: Wanderlust Magazine, April 1961
“Why Are All Your Poems Personal?” [poem]
(Dorbin C89)

68. OAK LEAVES, Vol. 3, No. 2, edited by Eldred F. Oakes
mags_oak0302West Seneca, Second Quarter 1961
“Saying Goodbye to Love” [poem]
(Dorbin C90)




69. MIDWEST, No. 2, edited by R.R. Cuscaden
mags_midwest02Chicago: Midwest, Summer 1961
“No Title at All…” [poem]
(Dorbin C91)




70. EPOS, Vol. 12, No. 4, edited by Will Tullos and Evelyn Thorne
mags_epos1204Crescent City, Summer 1961
“Evening Class, 20 Years Later” [poem]
(Dorbin C92)




71. EXPERIMENT, Vol. 8, No. 1-2, edited by John Gross
mags_experiment0801Seattle, Summer 1961
“Program on the Sand:” [poem]
(Dorbin C93)




72. RONGWRONG, No. 2, edited by Carl Larsen
mags_rongwrong02New York: 7 Poets Press, Summer 1961
“An Agreement on Tchaikovsky” [poem]
(Dorbin C94)




73. WANDERLUST, No. 11, edited by A. Karl Austin, Jr.
Metairie: Wanderlust Magazine, July 1961
“All the Rotting Week-Day Boats (San Pedro, California)” [poem]
(Dorbin C95)

74. RENAISSANCE, Vol. 1, No. 1, edited by John Bryan and Michael O’Donoghue
San Francisco: Renaissance Publications, July 1961
“The Way To Review a Play and Keep Everybody Happy but Me:” [poem]
(Dorbin C96)

75. HEARSE, No. 7, edited by E.V. Griffith
mags_hearse07Eureka: Hearse Press, (July 1961)
“The Old Movies” [poem], “I Am Visited by an Editor and a Poet” [poem]
(Dorbin C97-C98)


76. HEARSE, No. 8, edited by E.V. Griffith
mags_hearse08Eureka: Hearse Press, (July 1961)
“An Argument over Marshal Foch” [poem], “A Literary Romance” [poem], “Transition” [poem]
(Dorbin C99-C101)


77. SIGNET, Vol. 3, No. 9, edited by S.T. Friedman
Alamo, September 1961
“The Rented Room of Winter” [poem], “A Drink to the Fool” [poem], “Half Asleep Beside a Mourning Window” [poem]
C102-C103a)

78. TARGETS, No. 7, edited by W.L. Garner
Albuquerque, September 1961
“3:30 A.M. Conversation” [poem], “The Sheet” [poem], “The Elephant” [poem]
(Dorbin C104-C106)

Note: This issue includes ‘BUKOWSKI SIGNATURE 2’ (Dorbin B3, Krumhansl 5)

79. QUICKSILVER, Vol. 14, No. 3, edited by Grace Ross and Mabel M. Kuykendall 
Fort Worth, Autumn 1961
“Vegas” [poem]
(Dorbin C107)

80. DESCANT, Vol. 6, No. 1, edited by Betsy Colquitt and Mabel Major
mags_descant0601Fort Worth: Texas Christian University, Fall 1961
“Beagle” [poem], “Many Ways” [poem], “Export” [poem]
(Dorbin C109-C111)



81. THE OUTSIDER, No. 1, edited by Jon Edgar & Gypsy Lou Webb
mags_outsider01New Orleans: Loujon Press, Fall 1961
“Hooray Say the Roses” [poem], “Pay Your Rent or Get Out” [poem], “Shoes” [poem], “I Am With the Roots of Flowers” [poem], “Go with the Rockets and the Blondes” [poem], “A Real Thing, a Good Woman” [poem], “To a High Class Whore I Refused” [poem], “Old Man, Dead in a Room” [poem], “Love in a Back Room on the Row” [poem], “Nothing Subtle” [poem], “And Then: Age” [poem]
(Dorbin C112-C122)

Note: This issue includes ‘A CHARLES BUKOWSKI ALBUM’ (Krumhansl 6)

82. EPOS, Vol. 13, No. 2, edited by Will Tullos and Evelyn Thorne
mags_epos1302Crescent City: Epos, Winter 1961
“The Priest and the Matador” [poem]
(Dorbin C123)




83. SIGNET, Vol. 3, No. 12, edited by Sue Friedman
Alamo, December 1961
“The Ants” [poem], “Ringed Bathtub, Peacock or Bell” [poem]
(Dorbin C124-C125)
[not in archive]


84. TARGETS, No. 8, edited by W.L. Garner
December 1961
“After Receiving a Contributor’s Copy of Nothing After a 3-Year Wait” [poem]
(Dorbin C126)



85. CANTO, Vol. 1, No. 3, edited by Ken Margolis, James E. Clemons, et al.
mags_canto0103Los Angeles: The Delphic Press, Winter 1961
“Very” [poem], “The Night I  Nodded to George Raft in Vegas” [prose]
(Dorbin C127, D13)



86. SIMBOLICA, No. 20, edited by Ignace Ingianni
mags_simbolica20
Tiburon: Simbolica, Winter 1961
“You Can’t Get Something Without the Belly-Ache of a Bullet, And I Guess the Mushroom Now” [poem]
(Dorbin 
C128)

87. SUN, No. 1, edited by Tracy Thompson
mags_sun01San Francisco: Sun, 1961
“10:30 P.M.” [poem], “I’ve Fought Them from the Moment I Saw Light From the Womb” [poem]
(Dorbin C129-C130)



88. VENTURE, Vol. 4, No. 1, edited by Joseph J. Friedman
New York City: Venture Publications, 1961
“Serligev” [poem]
(Dorbin C131)




89. ANAGOGIC & PAIDEUMIC REVIEW, No. 5, edited by Sheri Martinelli
San Gregorio, 1961
“Poem for My Little Dog Who Growls Quite Well” [poem], “Scaled Like a Fish” [poem], “A Disorganized Poem on a Disorganized Day, with Women Running in and out and the Price of Beer up 2¢ a Can” [poem], “I Get all the Breaks” [poem]
(Dorbin C132-C134, D14)

90. THE ANAGOGIC & PAIDEUMIC RE­VIEW, No. 6, edited by Sheri Martinelli
Half Moon Bay, 1961
“Poem for Liz:” [poem], “No Title” [prose]
(Dorbin C135, D15)

91. SIMBOLICA, No. 21, edited by Ignace Ingianni
TIburon: Simbolica, 1961
“Ample Sewers” [poem], “Dialogue: Dead Man on the Fence” [prose]
(Dorbin C136, D16)

92. MIDWEST, No. 3, edited by R.R. Cuscaden
mags_midwest03Chicago: Midwest, Winter 1961-1962
“A Minor Impulse to Complain” [poem], “Sundays Kill More Men than Bombs” [poem], “Monday Beach, Cold Day” [poem]
(not in Dorbin)



1962

93. MICA, No. 5, edited by Helmut Bonheim and Raymond Federman
mags_mica05Santa Barbara, Winter 1962
“A Poem For Ernest H.–” [poem], “Answer to a Note on the Dresser:” [poem], “Warning” [poem]
(Dorbin C137-C139)


94. BRAND X, No. 1, edited by Carl Larsen
mags_brandx01
New York: 7 Poets Press, January 1962
“Fast Pace” [poem]
(Dorbin C140)





95. QUICKSILVER, Vol. 15, No, 1
Fort Worth, Spring 1962
“2 Outside, as Bones Break in My Kitchen” [poem]
(Dorbin C141)

96. SATIS, No. 5, edited by Matthew Mead
mags_satis05Newcastle upon Tyne: Malcolm Rutherford, Spring-Summer 1962
“A 350 Dollar Horse and a Hundred Dollar Whore” [poem], “What Seems to Be the Trouble, Gentlemen?” [poem]
(Dorbin C142-C143)

97. SUN, No. 4, edited by Tracy Thompson
mags_sun04San Francisco: Sun, April 1962
“Love Song to a Woman Who Visited Santa Anita on a Wednesday” [poem], “The Southeast Comer of Snow” [poem]
(Dorbin C144-C145)


98. SIGNET, Vol. 4, No. 4
Alamo, May 1962
“The Dead Stay Alive Too Long and the Living Live Too Little” [poem], “Peccavi” [poem]
(Dorbin C146-C147)

99. BRAND X, No. 5, edited by Carl Larsen
mags_brandx05New York: 7 Poets Press, May 1962
“My Faithful Indian Servant” [poem]
(Dorbin C147a)




100. BLACK CAT REVIEW, No. 1, edited by Neeli Cherry
mags_blackcat01San Bernardino: The Cherry Press, June 1962
“New York as I Remember? And I Guess It Hasn’t Changed” [poem]
(Dorbin C148)



101. TARGETS, No. 10, edited by W.L. Garner
mags_targets10Albuquerque, June 1962
“Have You Ever Pulled a Lions Tail?” [poem], “Imbecile Night” [poem], “A Poem Is a City” [poem]
(Dorbin C149-C151)


102. THE OUTSIDER, Vol. 1, No. 2, edited by Jon Edgar & Gypsy Lou Webb
mags_outsider02New Orleans: Loujon Press, Summer 1962
“Sick Leave” [poem], “To a Lady Who Believes Me Dead” [poem]
(Dorbin C152-C153)



103. MIDWEST, No. 4, edited by R.R. Cuscaden
mags_midwest04Chicago: Midwest, Summer 1962
“12,000 Dollars in 3 Months” [poem]
(Dorbin C154)




104. CHOICE, No. 2, edited by Aaron Siskind and Roger Logan
Chicago: Choice Magazine, Summer 1962
“9 Rings” [poem]
(Dorbin C155)




105. RENAISSANCE, Vol. 1, No. 3, edited by John Bryan
mags_renaissance0103San Francisco: Renaissance Publications, Summer 1962
“War and Piece” [poem], “The Biggest Breasts” [poem], “Information upon an Empire of Coins” [poem]
(Dorbin C156-C158)

106. EL CORNO EMPLUMADO, No. 3, edited by Sergio Mondragon and Margaret Randall
mags_corno03Mexico City: El Corno Emplumado, Julio 1962
“9 A.M.” [poem], “A Rat Rises” [poem], “The Imaginative Ladies” [poem]
(Dorbin C159-C161)



107. SUN, No. 7, edited by Tracy Thompson
mags_sun07San Francisco: Sun, July 1962
“Using Up a Mostly Useless Night” [poem]
(Dorbin C162)




108. OUTCRY, No. 1, edited by Lee Hollane and C.P. Galle
mags_outcry010Washington D.C.: Poet’s Press, July 1962
“Room Service” [poem]
(Dorbin C163)




109. SUN, No. 8, edited by Tracy Thompson
mags_sun08San Francisco: Sun, August 1962
“The Consummation of Grief” [poem]
(Dorbin C164)




110. TAR­GETS, No. 11, edited by W.L. Garner
mags_targets11Albuquerque, September 1962
“Our Breath’s Fondness Burns Like Gruel in Beggary” [poem], “Counsel” [poem], “Out of It” [poem]
(Dorbin C165-C167)


111. NORTHWEST REVIEW, Vol. 5, No. 4, edited by Edward Van Aelstyn
mags_northwest0504Eugene: University of Oregon, Fall 1962
“The Pleasures of the Damned” [poem], “The Dead Flowers of Myself” [poem], “Woman on the Street” [poem]
(Dorbin C168-C170)


112. EPOS, Vol. 14, No. 1, edited by Will Tullos and Evelyn Thorne
Crescent City: Epos, Fall 1962
“2 Views” [poem]
(Dorbin C171)




113. RONGWRONG, No. 4, edited by David Cohn, O.W. Crane, Carl Larsen, et al.
New York City: 7 Poets Press, Fall 1962
“Something in Me Wants to Sing and Scream All Day Long” [poem]
(Dorbin C172)

114. THE WORMWOOD REVIEW, Vol. 2, No. 3, Issue 7, edited by Marvin Malone and Alexander Taylor
mags_wormwood007Storrs: The Wormwood Review, October 1962
“Thank God for Alleys” [poem]
(Dorbin C173)




115. MICA, No. 7, edited by Helmut Bonheim and Raymond Federman
mags_mica07Santa Barbara, November 1962
“WW 2” [poem]
(Dorbin C174)




116. TARGETS, No. 12, edited by W.L. Garner
mags_targets12Albuquerque, December 1962
“Mongolian Coasts Shining in Light” [poem]
(Dorbin C175)




117. THE WORMWOOD REVIEW, Vol. 2, No. 4, Issue 8, edited by Marvin Malone and Alexander Taylor
mags_wormwood08Storrs: The Wormwood Review, December 1962
“For Jane” [poem], “The Sharks” [poem]
(Dorbin C176-C177)




118. SOUTH AND WEST, Vol. 1, No. 3, edited by Sue Abbott Boyd
mags_southand0103_xFort Smith: South and West, Winter 1962
“To A Lady Who Believes Me Dead” [poem]
(Dorbin C153)
[not in archive]



119. MUMMY, No. 1, edited by Harold Chumbly
San Francisco: Mummy, 1962
“Sartre Will Shave” [poem], “Love is a Form of Selfishness:” [poem], “Madness” [poem], “Bistro Scene, or: Skid Row: Hollywood” [poem]
(Dorbin C178-C181)
[not in archive]

120. IN/SERT, No. 4, edited by Vic Flack
mags_insert04Portland: In/sert, 1962
“The Passing of a Dark Gray Moment” [poem]
(Dorbin C182)





1963

121. THE EMERSON REVIEW, Vol. 1, No. 1, edited by Shelley Gross
mags_emerson1Hollywood, Winter 1963
“Experience” {poem], “Weather Report” poem], “Part of an Ordinary Day of an Inordinate Man:” [poem]
(Dorbin C184)


122. NORTHWEST REVIEW, Vol. 6, No. 1, edited by Edward van Aelstyn
Eugene: University of Oregon, Winter 1963
“I Have Lived in England” [poem]
(Dorbin C185)




123. SIGNET, Vol. 5, No. 1, edited by Sue Friedman
Alamo, January 1963
“Corrections of Self, Mostly After Whitman” [poem], “The Raid of the Monkeys” [poem]
(Dorbin C186-C187)



124. NORTHWEST REVIEW, Vol. 6, No. 2, edited by Edward Van Aelstyn
mags_northwest0602Eugene: University of Oregon, Spring 1963
“A Drawer of Fish” [poem]
(Dorbin C188)




125. THE OUTSIDER, Vol. 1, No. 3, edited by Jon Edgar & Gypsy Lou Webb
mags_outsider03
New Orleans: Loujon Press, Spring 1963
“The Tragedy of the Leaves, [poem], “The Priest and the Matador” [poem], “Old Man Dead in a Room” [poem], “The House” [poem], “Event” [poem], “Dinner, Rain & Transport” [poem]
(Dorbin C189-C191)

126. LITERARY TIMES, Vol. 2, No. 5, edited by Jay Robert Nash
Chi­cago: Literary Times, April-May 1963
“A Night in the Hotel Lobby-” [poem]
(Dorbin C192)

127. SIGNET, Vol. 5, No. 5, edited by Sue Friedman
mags_signet0505Alamo, May 1963
“The Snow of Italy” [poem]
(Dorbin C193)




128. EPOS, Vol. 14, No. 4, edited by Will Tullos and Evelyn Thorne
mags_epos1404Crescent City: Epos, Summer 1963
“The Singular Self” [poem]
(Dorbin C194)




129. EL CORNO EMPLUMADO, No. 7, edited by Sergio Mondragon and Margaret Randall
Mexico City: El Corno Emplumado, Julio 1963
“Beans with Garlic” [poem], “I Think of Hemingway” [poem], “Love Bound at the Wrist and Hung Like a Salomey” [poem]
(Dorbin C195-C197)


130. TARGETS, No. 15, edited by W.L. Garner
mags_targets15_xAlbuquerque, September 1963
“I Know what the Tigers Said” [poem], “Letter to a Small and Kindly Princess” [poem], “I Thought of Ships, of Armies, Hanging On…”, [poem] “2 Flies” [poem], “Answer to Some Sacramento Letters:”[poem], “Stop Drinking, Drinking, Drinking…” [poem]
(Dorbin C198-C203)

131. NORTHWEST REVIEW, Vol. 6, No. 4, edited by Edward Van Aelstyn
Eugene: University of Oregon, Fall 1963
“Breakthrough” [poem], “The Tragedy of the Leaves” [poem], “I Taste the Ashes of Your Death” [poem]
(Dorbin C204)

 

132. SOUTH AND WEST, Vol. 2, No. 2, edited by Sue Abbott Boyd
mags_southand0202Fort Smith: South and West, Fall 1963
“Burnt Fuse” [poem]
(Dorbin C205)




133. THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 11, edited by Marvin Malone
mags_wormwood11Storrs: The Wormwood Review, November 1963
“Same Old Thing, Shakespeare Through Mailer-” [poem], “Rhyming Poem” [poem]
(Dorbin 
C206-C207)


134. THE WORMWOOD REVIEW, Vol. 3, No. 4, Issue 12, edited by Marvin Malone
mags_wormwood12Storrs: The Wormwood Review, December 1963
[untitled]: “it’s not / who lived here…” [poem],  “Poem for My 43rd Birthday” [poem], “The End” [poem], “The Vulgar Sounds Rise My Mystery” [poem]
(Dorbin C208-C211)

135. OUTCRY, No. 1½, edited by Lee Hollane and C.P. Galle
mags_outcry015Washington D.C.: Poet’s Press, 1963
“Tonight” [poem], “For One I Knew” [poem], “Remains” [poem], “Yours for Trout” [poem]
(Dorbin C212-C215)


136. SCIAMACHY, No. 5, edited by Millea Levin
mags_sciamachy05Winnetka: Sciamachy, 1963
“Existence” [poem], “Notice” [poem]
(Dorbin C216-C217)




137. COASTLINES, Vol. 5, No. 4, Issue 20, edited by Barding Dahl and Alexandra Garrett
mags_coastlines0504Santa Monica: Coastlines, 1963
“Warble In” [poem]
(not in Dorbin)





1964

138. AMÉRICAS, Vol. 16, No. 1
Washington D.C.: Pan American Union, January 1964
“Bull” [poem], “The Tragedy of the Leaves” [poem]
(Dorbin C218)

139. THE GOLIARDS, No. 1
Tampa, “Leapday 1964”
“A Trick to Dull Our Bleeding” [poem]
(Dorbin C219)

140. SOUTH AND WEST, Vol. 2, No. 4, edited by Sue Abbott Boyd
mags_southand0204Fort Smith: South and West Inc, Spring 1964
“Possession” [poem]
(Dorbin C219a)




141. THE WORMWOOD REVIEW, Vol. 4, No. 1, Issue 13, edited by Marvin Malone
mags_wormwood13Storrs: The Wormwood Review, May 1964
“The Hours” [poem]
(Dorbin C220)




142. MIDWEST, No. 7, edited by R.R. Cuscaden
Chicago: Midwest, Sumer 1964
mags_midwest07“Through the Streets of Anywhere”[poem], “Bayonets In Candlelight” [poem]
(Dorbin C221-C222)




143. THE WORMWOOD REVIEW, Vol. 4, No. 2, Issue 14, edited by Marvin Malone
mags_wormwood14Storrs: The Wormwood Review, August 1964
“Beerbottle” [poem], “What to Do with Contributor’s Copies?” [poem]
(Dorbin C223-C223a)



144. FLORIDA EDUCATION, Vol. 42, No. 1, edited by Ed Henderson
Jacksonville: Florida Education Association, September 1964
“The Priest and the Matador” [poem]
(not in Dorbin)
[not in archive]


145. SOUTH AND WEST, Vol. 3, No. 2, edited by Sue Abbott Boyd
Fort Smith: South and West, Autumn 1964
“Rosebitch” [poem]
(Dorbin C224)




146. DUST, Vol. 1, No. 3, edited by Leonard Fulton
mags_dust0103El Cerrito: Dust Books, Fall 1964
“Ice for the Eagles” [poem], “Bad Night” [poem]
(Dorbin C225-C226)




147. THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 15, edited by Marvin Malone
mags_wormwood15Storrs: The Wormwood Review, November 1964
“Practice” [poem]
(Dorbin C227)




148. FLORIDA EDUCA­TION, Vol. 42, No. 4, edited by Ed Henderson
Jacksonville: Florida Education Association, December 1964
“Startled into Steam of Life like Fire” [poem]
(Dorbin C228)
[not in archive]


149. THE WORMWOOD REVIEW, Vol. 4, No. 4, Issue 16
mags_wormwood16Storrs: The Wormwood Review Press, December 1964
“The Dogs” [poem], “Poetess—For S.S.V.” [poem], “The Literary Life:” [poem], “When You Wait for the Dawn to Crawl Through the Screen like a Burglar to Take Your Life Away —” [poem], “Sleeping Woman” [poem], “The New Place” [poem]
(Dorbin C229-C234)

Note: This issue contains the booklet GRIP THE WALLS (Krumhansl 13)

150. OLE, No. 1, edited by Douglas Blazek
mags_ole1Bensenville: The Mimeo Press, 1964
“Watchdog” [poem], “Freedom” [poem], “Age” [poem]
(Dorbin C235-C237)



151. NADADA, No. 1, edited by Timothy Baum and Gerard Malanga
mags_nadada01New York: Nadada Inc., August 1964
“My Real Love in Athens” [poem]
(Dorbin C238)




152. NOTES FROM UNDER­GROUND, No. 1, edited by John Bryan
San Francisco: Underground Press, 1964
“The Night They Took Whitey” [poem], “The Swan” [poem], “Insomnia” [poem], “6 A.M.” [poem], “Murder” [prose]
(Dorbin C239-C242, D26)


153. SCIAMACHY, No. 6, edited by Millea Levin
mags_sciamachy06Winnetka: Sciamachy, 1964
“Fragile” [poem], “4:30 A.M.” [poem]
(Dorbin C243-C244)




154. CHAT NOIR REVIEW, Vol. 2, No. 3, edited by Robert Herron Ingalls
mags_chat0203Chicago, 1964
“Fleg” [poem]
(Dorbin C245)




155. COAST­LINES, Vol. 6, No. 1-2, Issue 21/22, edited by Gene Frumkin
mags_coastlines0612Los Angeles: Coastlines, 1964
“Upon Listening to Symphony Music While Drunk” [poem], “Everything” [poem]
(Dorbin C246-C247)



156. COFFIN, No. 1, edited by E.V. Griffiths
buk_coffinEureka: Hearse Press, 1964
“His Wife, The Painter” [poem], “The Old Man on the Corner” [poem], “The Paper on the Floor” [poem], “Waste Basket” [poem]
(Dorbin C248-C251, Krumhansl 14)


157. EPOS, Vol. 16, No. 2, edited by Will Tullos and Evelyn Thorne
mags_epos1602Crescent City, Winter 1964-65
“Advice for Some Young Man in the Year 2064 A.D.” [poem]
(Dorbin C252)




1965

158. DUST, Vol. 1, No. 4, edited by Leonard Fulton
mags_dust0104El Cerrito: Dust Books, Winter 1965
“Uruguay or Hell” [poem]
(Dorbin C253)




159. BORDER, Vol. 1, No. 1, edited by Wayne Philpot
Fort Smith, January 1965
“The Simplicity of Everything” [poem]
(Dorbin C254)

160. WILD DOG, No. 13, edited by Drew Wagnon and Gino Clays
mags_wild13San Fran­cisco: Wild Dog, 12 January 1965
“The Madness of the Windows” [poem], “Game” [game], “The Vile World of Windows and Hammers -” [poem], “Down by the Wings” [poem]
(Dorbin C255-C258)

161. OPEN CITY PRESS, Vol. 1, No. 6
San Francisco, 6-13 January 1965
“If I Could Only Be Asleep” [prose]
(Dorbin D28)

162. JACARANDA, No. 6, edited by Joel Climenhaga
mags_jacaranda06Canton: Transient Press, February 1965
“Snow Bracero” [poem], “Non-Particular and Continuing Thoughts of Very Little Con­solation against the Knife —” [poem], “Naturally” [poem], “If You Teeth Your Vowels with the Right Amount of Vulgarity -” [poem]
(Dorbin C259-C262)

163. OLE, No. 2, edited by Douglas Blazek
mags_ole2Bensenville, March 1965
“A Rambling Essay on Poetics and the Bleeding Life Written while Drinking a Six-Pack (Tall)” [prose]
(Dorbin D29)



164. SANTA FE NEW MEXICAN
Santa Fe, 21 March 1965
“And the Mouse Knows and the Windowpane and the Chair” [poem]
(Dorbin C262a)

165. SOUTHERN POETRY REVIEW, Vol. 5, No. 2, edited by Guy Owen
mags_southern0502Raleigh, Spring 1965
“The Drowning” [poem], “18 Cars Full of Men Thinking What Could Have Been” [poem]
(Dorbin C263-C264)



166. EPOS, Vol. 16, No. 3, edited by Will Tullos and Evelyn Thorne
mags_epos1603Crescent City: Epos, Spring 1965
“The Terror of the Breath upon the Hand” [poem]
(Dorbin C265)




167. GRAFFITI, No. 1, edited by Steve Stern
Washington D.C.: Graffiti, Spring 1965
“I Think It’s Time You Kissed an Owl” [poem]
(Dorbin C266)

168. BORDER, Vol. 1, No. 2, edited by Wayne Philpot
mags_border0102Forst Smith: Border Press, April 1965
“I Keep Wanting to See about Everything but I Can’t Get Started” [poem]
(Dorbin C267)



169. FLORIDA EDUCATION, Vol. 42, No. 9, edited by Ed Henderson
Tallahassee: Florida Education Association, May 1965
“The Day It Rained at the Los Angeles County Museum” [poem], “Side of the Sun” [poem], “Suicide” [poem], “The Tragedy of the Leaves” [poem], “Love & Fame & Death” [poem], “Old Man Dead in a Room” [poem], “Hooray Say the Roses” [poem], “The Kings Are Gone” [poem]
(Dorbin C51, C268-C270)
[not in archive]

170. FERMENT, No. 6, edited by Zoe Climenhaga
Canton: Transient Press, June 1965
“Ignis Fatuus” [poem], “Straight Down the Necktie” [poem], “V.G. and 9 Innings of This -” [poem]
(Dorbin C271-C273)

171. BLITZ, No. 1, edited by Bobby Watson and Mel Buffington
mags_blitz01La Grande: Mad Virgin Press, Summer 1965
“86’d” [poem], “On Going Out to Get the Mail” [poem], “Spain Sits like a Hidden Flower in My Coffeepot” [poem]
(Dorbin C274-C276)


173. EPOS, Vol. 16, No. 4, edited by Will Tullos and Evelyn Thorne
mags_epos1604Crescent City: EPOS, Summer 1965
“4:30 A.M.” [poem]
(not in Dorbin)




174. BORDER, Vol. 1, No. 3, edited by Wayne Philpott
mags_border0103Fort Smith: Border Press, July 1965
“A Drink for a Lady on Talent Night” [poem]
(not in Dorbin)




175. THE WORMWOOD REVIEW, Vol. 5, No. 2, Issue 18, edited by Marvin Malone
mags_wormwood18Storrs: The Wormwood Review, July 1965
“. . . American Express, Athens, Greece:” [poem]
(Dorbin C277)




176. FERMENT, No. 7, edited by Zoe Climenhaga
Canton: Transient Press, July 1965
“Countryside” [poem]
(Dorbin C278)

177. GRAFFITI, No. 2, edited by Steve Stern
Washington D.C.: Graffiti, August 1965
“I Am Interviewed by a Guggenheim” [poem], “Sad-Eyed Mules of Men” [poem]
(Dorbin C279-C280)

178. OYEZ, Vol. 1, edited by Heather Nissenson-Greendale
mags_oyez01Chicago, Fall 1965
“The Bones of My Uncle” [poem]
(Dorbin C281)




179. ANTE, Vol. 1, No. 4, edited by William Harris
mags_ante0104Los Angeles: Echo Press, Fall 1965
“A Division” [poem], “Ivan the Terrible” [poem]
(Dorbin C282-C283)




180. EVIDENCE, No. 9, edited by Alan Bevan
mags_evidence09Toronto: The Executive Press, Fall 1965
“I Thought of Ships, of Armies, Hanging On…” [poem], “A Night of Mozart” [poem], “A Trainride in Hell” [poem], “The State of World Affairs from a 3rd Story Window” [poem]
(Dorbin C200, C284-C285)

181. INTERMISSION, Vol. 1, No. 20, edited by Gene Cole
Chicago: Hull House Theatre, October 1965
“Tired of Wild and Vacant Eyes” [poem]
(not in Dorbin)

182. KAURI, No. 10, edited by Will Inman
mags_kauri10New York: Kauri, September-October 1965
“A Party Here – Machineguns, Tanks, an Army Fighting against Men on Rooftops” [poem]
(Dorbin C286)



183. THE NEW LANTERN CLUB REVIEW, No. 3, edited by Michael Brown and Reinhard H. Friederich
mags_newlantern03Houston, October 1965
“On A Grant” [poem], “I Am Eaten by Butterflies” [poem]
(Dorbin C287-C288)



184. SANTA FE NEW MEXICAN, 116th year, No. 274
Santa FE, 17 October 1965
“My Mother, Bless Her” [poem]
(Dorbin C289)

185. OLE, No. 3, edited by Douglas Blazek
mags_ole3Bensenville, November 1965
“Drunk Again and Wondering, Wondering…” [poem]
(Dorbin C290)



186. SHOWCASE, No. 2, edited by James Gove
mags_showcase02Barstow, November-December 1965
“The High-Rise of the New World” [poem], “On the Train to Del Mar” [poem]
(Dorbin C291-C292)



187. KAURI, No. 11, edited by Will Inman
New York: Kauri, November-December 1965
“I Am Afraid That I Will Continue to Drink Myself to Death for These Small Reasons Mentioned Here and for Other Reasons That Neither of Us Has Time for Because I Have the Need to Get Drunk Now—” [poem]
(Dorbin C293)

188. EARTH, No. 1, edited by Steve Richmond
mags_earth01Santa Monica: Earth Books and Gallery, 1965
“Freedom” [poem], “Rimbaud Be Damned: I Have Withstood 99,000 Seasons in Hell and I Still Look Down into This Glass Wondering, Wondering” [poem]
(Dorbin C236, C294)

189. BLITZ, No. 2, edited by Bobby Watson and Mel Buffington
mags_blitz2La Grande: Mad Virgin Press, late 1965
“40 Cigarettes” [poem], “A Dirty Joke” [poem], “The Rock” [poem]
(Dorbin C295-C297)



190. THE MARRAHWANNAH QUARTERLY, No. 4, edited by d.a. levy
levy_mq0104Cleveland: Renegade Press, 1965
“The Hell of It Is to Throw Away Rejected Poems That Seem to Say Something Anyhow Even If Perhaps Not Too Well—” [poem]
(Dorbin C298)



1966

191. SIMBOLICA, No. 26, edited by Ignace Ingianni
Tiburon: Simbolica, Janu­ary 1966
“On Beercans and Sugar Cartoons” [poem]
(Dorbin C140a)

192. THE WORMWOOD REVIEW, Vol. 5, No. 3, Issue 19, edited by Marvin Malone
mags_wormwood19Storrs: The Wormwood Review, February 1966
“Birth” [poem], “About My Very Tortured Friend, Peter:” [poem]
(Dorbin C299-C300)



193. THE WORMWOOD REVIEW, Vol. 5, No. 4, Issue 20, edited by Marvin Malone
mags_wormwood20Storrs: The Wormwood Review, February 1966
“Finish” [poem], “Female and Breakdown and Peace” [poem], “6:21 P.M.” [poem]
(Dorbin C301-C303)



194. INTERMISSION, Vol. 2, No. 29, edited by Gene Cole
Chicago: Hull House Theatre, 6 March 1966
“Notes On An Undelighted Existence” [poem]
(Dorbin C303a)




195. KAURI, No. 13, edited by Will Inman
New York: Kauri, March-April 1966
“The Funnypaper And/Or Comic Life”, “H-Bomb,”
(Dorbin C304-C305)



196. THE GOODLY COMPANY, No. 5, edited by G. Russell Morgan
mags_goodly05Kalamazoo, April 1966
“A Killer Gets Ready”
(Dorbin C306)




197. SPECTRO­SCOPE, Vol. 1, No. 1
Fort Smith, April 1966
“The Devious Good Of Rescuing The Suffering”, “Essay For Your Mother-Nothingness”
(Dorbin C307, D39)

198. OUTCAST, No. 1, edited by Jean & Veryl Rosenbaum
Santa Fe: Outcast, Spring 1966
“And Now I Sit In A Small Paper Place”
(Dorbin C308)
[n.b. The present copy contains no Bukowski contribution, though he’s listed as a contributor.]

199. EARTH, No. 2, edited by Steve Richmond
Santa Monica: Earth Books, Spring 1966
“True Story”, [untitled]: “god I got the sad blue blues…”, “I Love You”, “3 Lovers”, “I Am Read To:”, “The People”, “In Defense Of A Certain Type Of Poetry, A Certain Type Of Life, A Certain Type Of Blood-Filled Creature Who Will Some­day Die —”
(Dorbin C309-C314, D35)

200. OLE, No. 4, edited by Douglas Blazek
mags_ole4Bensenville, May 1966
“O, We Are The Outcasts, O We Burn In Wondrous Flame!”
(Dorbin C315)



201. KAURI, No. 14, edited by Will Inman
New York: Kauri, May-June 1966
“Bach & A Bumblebee & An Old Newspaper”
(Dorbin C316)




202. DUST, Vol. 2, No. 4, Issue 8, edited by Leonard Fulton
mags_dust8El Cerrito: Dust Books, Spring-Summer 1966
“A Fine Day And The World Looks Good”
(Dorbin C317)




203. OLE, No. 5, edited by Douglas Blazek
mags_ole5Bensenville, June 1966
“The Old Pro”
(Dorbin D41)




204. THE WORMWOOD REVIEW, Vol. 6, No. 1, Issue 21, edited by Marvin Malone
mags_wormwood21Storrs: The Wormwood Review, July 1966
“Dear Friend”, “One Hundred And Ninety-nine Pounds Of Clay Leaning Forward”, “A World, Really-”
(Dorbin C318-C319a)


205. OLE, No. 6, edited by Douglas Blazek
mags_ole6Bensenville, July 1966
“Nature Poem”‘The Noiseless Care Of A Blue Violet,”
(Dorbin C320-C321)


206. THE WORMWOOD REVIEW, Vol. 6, No. 2, Issue 22, edited by Marvin Malone
mags_wormwood22Storrs: The Wormwood Review, July 1966
“Notes On A Bluebird Flying Past My Window”, “In This Place We Eat Apples And Cut Our Fingers On Beer-cans”
(Dorbin C322-C322a)


207. ENTRAILS, No. 1, edited by Gene Bloom
mags_entrails01New York: Whisper Shit Press, July 1966
“2-Ezra-Buk”, “One Hundred And Ten Years Hanging On The Cross”
(Dorbin C323-C324)



208. LABRIS, No. 4-5, edited by Max Kazan
mags_labris45Lier, July 1966
“The State Of World Affairs From A Third Floor Window”, “The Priest and the Matador”, “When Hugo Wolf Went Mad”, “The Tragedy of the Leaves”, “Age”, “What Seems to be the Trouble Gentlemen”, “Machineguns, Towers & Timeclocks”
(Dorbin C45, C76, C123, C237, C325-C326)

209. AMERICAN TURF MONTHLY, Vol. 20, No. 240
New York City, July 1966
“No. 6”
(Dorbin C327)

210. SHOWCASE, No. 3, edited by James Gove
mags_showcase03Barstow: Showcase, July 1966
“Poem For My Daughter”, “Good Morning”
(Dorbin C328-C329)




211. KAURI, No. 15, edited by Will Inman
New York: Kauri, July-August 1966
“Save the World!”
(not in Dorbin)




212. AVALANCHE, No. 1, edited by Richard Krech
mags_avalanche01Berkeley: Undermine Press, Summer 1966
“A Conversation On Morality, Eternity And Copulation:”, “For The Girl Standing Outside My Window:”, “A Kind Of Lecture On A Dull Day When There Isn’t Even A Fly Around To Kill”
(Not in Dorbin)

213. OUTCAST, No. 2, edited by Jean & Veryl Rosenbaum
Santa Fe: Outcast, Summer 1966
“My God, My Mother, Most Holy Thing: Shaken And Awaken The Drunken Hell Of Myself And Save Me!”
(Dorbin C330)

214. VAGABOND, Vol. 1, No. 2, edited by John Bennett
mags_vagabond0102Munich, Summer 1966
“I Will Never Ride A Horse Along The Sands Of Normandy Or Against The Sides Of Your Brain, Lilac-Raining Like It is Tonight…”
(Dorbin C331)


215. INTERMISSION, edited by Gene Cole
mags_intermission966Chicago: Hull House Theatre, September 1966
“Portrait Of A Soul For Flies”, “The Terror Of Sunlight Is People Walking Through Who Were Long Ago Lost In Intention And Who Have Now Turned To Mobile Shit”
(Dorbin C332-C333)

216. ENTRAILS, No. 2, edited by Gene Bloom
mags_entrails02New York: Whisper Shit Press, September-October 1966
“God”
(Dorbin C334)



217. OUTCAST, No. 3, edited by Jean & Veryl Rosenbaum
Santa Fe: Outcast, October 1966
“And The Mouse Knows And The Windowpane And The Chair”
(Dorbin C262a)

218. AVA­LANCHE, No. 2, edited by Richard Krech
mags_avalanche2Berkeley: The Undermine Press, Fall 1966
“Guilt Obsession Behind A Cloud Of Rockets:”
(Dorbin C335)




219. BLITZ, No. 3, edited by Bobby Watson and Mel Buffington
La Grande, Fall 1966
“Oh My God, I Love Everything So Much It Makes Me Vomit”
(Dorbin C335a)

220. VAGABOND, Vol. 1, No. 3, edited by John Bennett
mags_vagabond0103Munich, Fall 1966
“These Mad Windows That Taste Life And Cut Me If I Go Through Them”
(Dorbin C336)



221. THE HIRAM POETRY REVIEW, No. 1, edited by Hale Chatfield
mags_hiram01Hiram: English Department of Hiram College, Fall-Winter 1966
“The Great One:”
(Dorbin C337)



222. DARE, Vol. 4, No. 8, edited by Jack Cashin
Cleveland: Cashin Publishing, November 1966
“The Moment of Truth”
(Dorbin C339)

[not in archive]



223. GRIST, No. 9, edited by John E. Fowler
mags_grist09Lawrence, November 1966
“Hot”, “Fire”
(Dorbin C340-C341)




224. KAURI, No. 17, edited by Will Inman
New York: Kauri, November-December 1966
“Moyamensing Prison:”
(Dorbin C342)




225. SOME/THING, Vol. 2, No. 1, Issue 3, edited by David Antin and Jerome Rothenberg
mags_something03New York City, Winter 1966
“Drawing Of A Band Concert On A Matchbox:”
(Dorbin C343)




226. THE EIGHT PAGER, Series 1, Part 3, edited by D.R. Wagner
Niagara Falls: New York Press Today Niagara, 1966
“The Stupid Are Best At The Cruelties:”, “The Sex-Obsessed Ladies Walking By Me After Work”
(Dorbin C344-C345)

227. NOTES FROM UNDERGROUND, No. 2, edited by John Thomas
mags_notes02Los Angeles, 1966
“A Nice Place”, “All The White Rats”
(Dorbin C346-C347)




228. MOONSTONES, No. 2, edited by D.R. Wagner
mags_moonstones2Niagara Falls: Moonstones, 1966
“A Man Gets Tired”
(Dorbin C348)




229. GRANDE RONDE REVIEW, No. 6, edited by Ben L. Hiatt
mags_granderonde06La Grande, 1966
“The Hairy Hairy Fist, And Love Will Die”
(Dorbin C349)



230. INTREPID, No. 6, edited by Allen De Loach
mags_intrepid6Buffalo: Intrepid Press, 1966
“Imperfection Says Grace”
(Dorbin C350)




231. POETRY NEWSLETTER, No. 9/10, edited by Wally Depew
mags_poetry910Sacramento, 1966
“The Sadness Of Rainpipes And Murder, And Myself Alive”
(Dorbin C351)



232. AVALANCHE, No. 3, edited by Richard Krech
mags_avalanche03Berkeley: The Undermine Press, Winter 1966
“Living”
(Dorbin C352)




233. ICONOLATRE, No. 18/19, edited by Alex Hand and Alan Turner
mags_iconolatre18West Hartlepool: Iconolatre Press, 1966
“The Serious Boys”, “Officers Club, A.P.O. : (for M.K. and J;B.)”, “Swastika Star Buttoned To My Ass”, “Yellow”, “Crazy Man, Another One -“, “He Even Looked Like A Nice Guy”, “A Last Shot On Two Good Horses”
(Dorbin C353-C359)

234. XENIA, edited by Stuart McCarrell and Robert Burleigh
Chicago, 1966
“Rich Man”
(Dorbin C360)

235. SIMBOLICA, No. 27, edited by Ignace Ingianni
Tiburon, 1966
“Who Killed Charles Bukowski?”
(Dorbin C183)


1977

236. OUTCAST, No. 4, edited by Jean & Veryl Rosenbaum
Santa Fe, January 1967
“Cement Man On Cement Horse”, “Love”
(Dorbin C361-C362)

237. GRIST, No. 11, edited by John E. Fowler
Lawrence, January 1967
[untitled]: “a kind of argument…”, “One For The Old Man”
(Dorbin C363-C364)



238. NEXUS, Vol. 3, No. 1, Issue 14, edited by Jerome Kulek
San Francisco, January-February 1967
“And There Are Enough Of Those Now”
(Dorbin C365)

239. KAURI, No. 18, edited by Will Inman
New York: Kauri, January-February 1967
“Sometimes When I Feel Blue I Listen To Mahler”
(Dorbin C366)



240. THE WORMWOOD REVIEW, Vol. 6, No. 4, Issue  24, edited by Marvin Malone
mags_wormwood24Storrs: The Wormwood Review, March 1967
“Buffalo Bill”, “A Little Atomic Bomb”, “The Colored Birds”, “Somebody Always Breaking My Dainty Solitude”, “Fag, Fag, Fag”, “The Screw-Game”
(Dorbin C367-C372)


241. INTREPID, No. 7, edited by Allen De Loach
mags_intrepid07Buffalo: Intrepid Press, March 1967
“Men’s Crapper”
(Dorbin C373)




242. KAURI, No. 19, edited by Will Inman
New York: Kauri, March-April 1967
“Notes from Underground”
(not in Dorbin)




243. NEXUS, Vol. 3, No. 2, Issue 15, edited by Jerome Kulek
San Francisco, March-April 1967
“Tough Luck”
(Dorbin C374)
[n.b. The present copy contains no Bukowski contribution, and he is not listed as a contributor.]

244. OUTCAST, No. 5, edited by Jean & Veryl Rosenbaum
Santa Fe: Outcast, April 1967
“My Mother, Bless Her”
(Dorbin C289)



245. CONGRESS, No. 1, edited by Sam Seiffer
mags_congress01
Bronx: Congress, Spring 1967
“The Way The Dead Love”
(Dorbin D45)




246. WRITER’S FORUM, Vol. 2, No. 4, edited by Newton Berry
New York City, Spring 1967
[untitled]: “immersion in a Cause in old shower cap gives…”
(Dorbin C375)

247. PRISM INTERNATIONAL, Vol. 6, No. 3
mags_prism0603Vancouver, Spring 1967
“The Seminar”
(Dorbin C376)




248. VAGABOND, No. 4, edited by John Bennett
mags_vagabond0104Munich, Spring 1967
“We Do Our Work”
(Dorbin C377)




249. DOWN HERE, No. 2, edited by Michael Perkins
New York City, Spring 1967
“Down To 2 Bottle Of Beer And Smoking Old Cigar Stubs:”, “Green”
(Dorbin C377a-C377b)



250. OLE, No. 8, edited by Douglas Blazek
mags_ole08Wood Dale: Ole, April 1967
“Love Makes Its Gun Into The Horrible Cunt Of Life”
(Dorbin C378)



251. THE FLASH OF PASADENA, No. 4, edited by David Laidig
mags_flash4Pasadena, 12 May 1967
“A Rambling Essay on Poetics and the Bleeding Life Written While Drinking A Six-Pack (Tall)”
(previously appears in Dorbin D29)



252. LITERARY TIMES, Vol. 4, No. 6, edited by Jay Robert Nash
Chicago: Literary Times, May-June 1967
“What Made You Lose Your Inspiration?”, “The Dwarf With The Big Punch”
(Dorbin C378a-C378b)

253. THE FLASH OF PASADENA, No. 5, edited by David Laidig
mags_flash5Pasadena, 1 June 1967
“Truth’s A Hell Of A Word”
(Dorbin C379)




254. THE WILLIE, No. 1, edited by William Hageman
mags_willie1San Francisco: The Manic Press, Summer 1967
“The Kiss-Off”, “One Hundred and Ninetyseven Degrees”
(Dorbin C380-C381)


255. VAGABOND, No. 5, edited by John Bennett
mags_vagabond04Munich, Summer 1967
“The Flower Lover”, “I Met A Genius”
(Dorbin C382-C383)




256. CHOICE, No. 5, edited by Aaron Siskind and Roger Logan
Chicago: Choice Magazine, Summer, 1967
“People As Flowers”, “To Hell With Robert Schumann”
(Dorbin C384-C385)

257. OUTCAST, No. 6, edited by Jean & Veryl Rosenbaum
Santa Fe: Outcast, July 1967
“Heat”
(Dorbin C386)



258. TUCSON DAILY CITIZEN
Tucson, 15 July 1967
“Fuzz”
(Dorbin C387)

259. ENTRAILS, No. 4, edited by Gene Bloom
mags_entrails4New York: Whispershit Press, July-August 1967
“The Faces Are Gnawing At My Walk But Have Not Yet Come In…”
(Dorbin C388)



260. SALTED FEATHERS, No. 10, edited by Dick Bakken
mags_salted10Portland: Wine Press, August 1967
“Answer To A Note Found In The Mailbox:”
(Dorbin C389)




261. KLACTO/23 SPECIAL, edited by Carl Weissner
Heidelberg: Panic Press, September 1967
“Finish”, “Communists”, “Escape”, “An Action Afternoon”, “Worms”
(Dorbin C301, 390-C393)



262. OUTCAST, No. 7, edited by Jean & Veryl Rosenbaum
Santa Fe: Outcast, October 1967
“We Knew We Were Dead”
(not in Dorbin)




OPEN CITY, No. 28, edited by John Bryan
Los Angeles, 10-16 November 1967
“Easy Money”
(Dorbin 
C394)

263. OPEN CITY, No. 30, edited by John Bryan
Los Angeles, 23-29 November 1967
“Nobody Knows The Trouble I’ve Seen”
(Dorbin C395)

264. INTREPID, No. 9, edited by Allen De Loach
mags_intrepid9Buffalo: Intrepid Press, December 1967
“Poem For The Death Of An American Serviceman In Vietnam:”, “A Bad Night – Blame The Bourbon”, “From The Dept. Of English”
(Dorbin C396-C398)


265. THE OTHER, No. 4, edited by Richard Mangelsderff
Milwaukee, 1967
“Fire Station”, “Anything: Say, A Bandage On The Musket Of A Gun In The Private Collection Of A Man In A House, A House On A Hill, A Hill In The Sun-”
(Dorbin C399-C399a)


1968

266. OUTCAST, No. 8, edited by Jean & Veryl Rosenbaum
mags_outcast08_xSanta Fe: Outcast, January 1968
“My Eyes Sleep”
(Dorbin C400)



267. COPKILLER, No. 1, edited by Robert Head and Darlene Fife
mags_copkiller1New Orleans, January 1968
“The Status Q. For Me And Yew…”
(Dorbin C401)




268. THE WILLIE, No. 2, edited by William Hageman
mags_willie02San Francisco: Manic Press, Spring 1968
“Bogart In The World Of The Dead”
(Dorbin C402)




269. THE HIRAM POETRY REVIEW, No. 4, edited by Hale Chatfield
mags_hiram04Hiram: Hiram College, Spring-Summer 1968
“Regular Grind: The Coffee Life”
(Dorbin C403)




270. THE WORMWOOD REVIEW, Vol. 8, No. 1, Issue 29, edited by Marvin Malone
mags_wormwood29Storrs: The Wormwood Review, April 1968
“One For Ging, With Klux Top”, “Footnote Upon The Construction Of The Masses:”
(Dorbin C404-C405)



271. RENAISSANCE, OPEN CITY, No. 52, edited by John Bryan
Los Aneles, 1-14 May 1968
“A Picture Book For Marina Bukowski”
(Dorbin C406)

272. RENAISSANCE, OPEN CITY, No. 70, edited by John Bryan
Los Aneles, 20-26 September 1968
“Take Me Out To The Ballgame”
(Dorbin C407)

273. THE LAMPETER MUSE, Vol. 3, No. 3, edited by Norman Weinstein
New York: Bard College, Fall 1968
“A Literary Romance”
(not in Dorbin; previously appeared in Hearse 8)




274. THE HIRAM POETRY REVIEW, No. 5, edited by Hale Chatfield
mags_hiram05Hiram: Hiram College, Fall-Winter 1968
“Just Another Wino”
(Dorbin C408)




275. THE WORMWOOD REVIEW, Vol. 8, No. 2, Issue 30, edited by Marvin Malone
mags_wormwood30Storrs: The Wormwood Review, October 1968
“No Hole In The Sky”
(Dorbin C409)




276. GHOST-DANCE, No. 1, edited by Hugh Fox
East Lansing, October 1968
“Yellow Sun Yellow Cat Eye Kitchen Floor”
(Dorbin C410)

277. THE WORMWOOD REVIEW, Vol. 8, No. 3, Issue 31, edited by Marvin Malone
mags_wormwood31Storrs: The Worm Wood Review, October 1968
“The Underground”
(Dorbin C411)




278. OPEN CITY, No. 80, edited by John Bryan
Los Angeles, 29 Novem­ber-5 December 1968
“The Drowning Of The Ants”, “Junky Daughter”, “Six Chink Fishermen”
(Dorbin C412-C414)

279. INTRANSIT, edited by Andy Warhol and Gerard Malanga
mags_intransitEugene: Toad Press, 1968
“That’s Where They Came From”, “It Is Very Good To Know When You Are Done”, “Poem for Brigitte Bardot”
(not in Dorbin)



1969

280. EVERGREEN REVIEW, No. 63, edited by Barney Rosset
New York: Evergreen Review, February 1969
“Even The Sun Was Afraid”
(Dorbin C415)

281. INTREPID, No. 11/12, edited by Allen De Loach
Buffalo: Intrepid Press, March 1969
“Don’t Worry, Baby, I’ll Get It”, “Notebook:”
(Dorbin C416a-C416b)




282. THE OUTSIDER, Vol. 2, No. 4/5, edited by Jon Edgar & Gypsy Lou Webb
Tucson: Loujon Press, Winter 1968-69
“Kaakaa & Other Immolations””Beef Tongue”, “Like A Flyswatter”, “The Last Round”
(Dorbin C417-C420)



283. PENGUIN MODERN POETS, No. 13
mags_penguin13London: Penguin Books, 1969
“Crucifix In A Deathhand”, “A Nice Day”, “Sunflower”, “The Loss, The Loss, The Loss”, “They, All Of Them, Know”, “Confession For Those Who Do Not Breathe At Funerals”, “I Wait In The White Rain”, “Sway With Me”, “A Report Upon The Consumption Of Myself”, “A Farewell Thing While Breathing”, “I Write This Upon The Last Drink’s Hammer”, “When The Berry Bush Dies I’ll Swim Down The Green River With My Hair On Fire”, “I Was Born To Hustle Roses Down The Avenues Of The Dead”, “Something For The Touts, The Nuns, The Grocery Clerks And You…”
(Dorbin C421-C434)

284. VAGABOND, No. 7, edited by John Bennett
New Orleans, Summer 1969
“And All The Snow Melted”
(Dorbin C437)




285. LAUGH LITERARY AND MAN THE HUMPING GUNS, No. 1, edited by Charles Bukowski and Neeli Cherry
mags_laugh01Los Angeles: Laugh Literary, May 1969
“The Grand Pricks Of The Hob-Nailed Sun”, “I Thought I Was Going To Get Some”
(Dorbin C438-C439)



286. THE WORMWOOD REVIEW, Vol. 9, No. 1, Issue 33, edited by Marvin Malone
mags_wormwood33Storrs: The Wormwood Review, July 1969
“The Ladies Still Don’t Care”
(Dorbin C440)




287. HEARSE, No. 10, edited by E.V. Griffith
mags_hearse10Eureka: Hearse Press, August 1969
“The Days Run Away Like Wild Horses Over The Hills”
(Dorbin C441)



288. EVERGREEN REVIEW, No. 70, edited by Barney Rosset
New York City, September 1969
“The Birth, Life And Death Of An Underground Newspaper”
(Dorbin D145)

289. CATERPILLAR, No. 8/9, edited by Clayton Eshelman
mags_caterpillar08New York: Caterpillar, October 1969
“What a Man I Was”
(previously appeared in Dorbin C42)




290. STOOGE, No. 3, edited by Geoffrey Young and Laura Chester
mags_stooge03n.p., n.d. (1969)
“Shoelace”, “My Hell”, “Nothing for a Title…”, “O, Yes”, “A Bottomless Joint on Sunset near Western”
(not in Dorbin)


Charles Bukowski

buk


Section A: Books and Chapbooks
Section B: Broadsides
Section C: Contributions to Books and Anthologies
Section D: Contributions to Periodicals
Section E: Miscellaneous Prose


Henry Charles Bukowski (August 16, 1920 – March 9, 1994) was a German-born American poet, novelist, and short story writer.

His writing was influenced by the social, cultural, and economic ambiance of his home city of Los Angeles. His work addresses the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women, and the drudgery of work. Bukowski wrote thousands of poems, hundreds of short stories and six novels, eventually publishing over sixty books. The FBI kept a file on him as a result of his column, Notes of a Dirty Old Man, in the LA underground newspaper Open City. Bukowski published extensively in small literary magazines and with small presses beginning in the early 1940s and continuing on through the early 1990s.

Regarding Bukowski’s enduring popular appeal, Adam Kirsch of The New Yorker wrote, “the secret of Bukowski’s appeal. . . [is that] he combines the confessional poet’s promise of intimacy with the larger-than-life aplomb of a pulp-fiction hero.”

When Bukowski was 24, his short story “Aftermath of a Lengthy Rejection Slip” was published in Story magazine. Two years later, another short story, “20 Tanks from Kasseldown”, was published by the Black Sun Press in Issue III of Portfolio: An Intercontinental Quarterly, a limited-run, loose-leaf broadside collection printed in 1946 and edited by Caresse Crosby. Failing to break into the literary world, Bukowski grew disillusioned with the publication process and quit writing for almost a decade, a time that he referred to as a “ten-year drunk”. These “lost years” formed the basis for his later semi-autobiographical chronicles, although they are fictionalized versions of Bukowski’s life through his highly stylized alter-ego, Henry Chinaski.

During part of this period he continued living in Los Angeles, working at a pickle factory for a short time but also spending some time roaming about the United States, working sporadically and staying in cheap rooming houses. In the early 1950s, Bukowski took a job as a fill-in letter carrier with the U.S. Postal Service in Los Angeles but resigned just before he reached three years’ service.

By 1960, Bukowski had returned to the post office in Los Angeles where he began work as a letter filing clerk, a position he held for more than a decade.

Jon and Louise Webb, now recognized as giants of the post-war ‘small-press movement’, published The Outsider literary magazine and featured some of Bukowski’s poetry. Under the Loujon Press imprint, they published Bukowski’s It Catches My Heart in Its Hands in 1963 and Crucifix in a Deathhand in 1965.

Beginning in 1967, Bukowski wrote the column “Notes of a Dirty Old Man” for Los Angeles’ Open City, an underground newspaper. When Open City was shut down in 1969, the column was picked up by the Los Angeles Free Press as well as the hippie underground paper NOLA Express in New Orleans. In 1969 Bukowski and Neeli Cherkovski launched their own short-lived mimeographed literary magazine, Laugh Literary and Man the Humping Guns. They produced 3 issues over the next 2 years.

In 1969 Bukowski accepted an offer from Black Sparrow Press publisher John Martin and quit his post office job to dedicate himself to full-time writing. He was then 49 years old. As he explained in a letter at the time, “I have one of two choices – stay in the post office and go crazy … or stay out here and play at writer and starve. I have decided to starve.” Less than one month after leaving the postal service he finished his first novel, Post Office. As a measure of respect for Martin’s financial support and faith in a relatively unknown writer, Bukowski published almost all of his subsequent major works with Black Sparrow Press. An avid supporter of small independent presses, he continued to submit poems and short stories to innumerable small publications throughout his career.

Bukowski died of leukemia on March 9, 1994, in San Pedro, aged 73, shortly after completing his last novel, Pulp.


References consulted:

Debritto, Abel. “Cacoethes Scribendi: A Comprehensive Checklist of Charles Bukowski’s Earliest Publications, 1940-1969”, published in RESOURCES FOR AMERICAN LITERARY STUDY, Vol. 35, edited by Jackson R. Bryer and Richard Kopley
New York: AMS Press, September 2012

Dorbin, Sanford. A BIBLIOGRAPHY OF CHARLES BUKOWSKI
Los Angeles: Black Sparrow Press, 1969

Fogel, Al. CHARLES BUKOWSKI: A COMPREHENSIVE PRICE GUIDE & CHECKLIST — 1944-1999
Surfside: The Sole Proprietor Press, 1999

Krumhansl, Aaron. A DESCRIPTIVE BIBLIOGRAPHY OF THE PRIMARY PUBLICATIONS OF CHARLES BUKOWSKI
Santa Rosa: Black Sparrow Press, 1999


Online resources:
Collecting Bukowski
Bukowski.net
Wormwood Review

d.a. levy: Periodicals and Series Edited and Published

>> return to d.a. levy main page >>

Section E:
Periodicals and Series Edited and Published

1. THE SILVER CESSPOOL, Nos. 1-5
Cleveland: Renegade Press, 1963-1964

2. THE MARRAHWANNA QUARTERLY, Vol. 1, No. 1-Vol. 4, No. 2 (14 issues)
Cleveland: Renegade Press, 1964-1968

3. POLLUTED LAKE SERIES, Nos. 1-12
Cleveland: Renegade Press, 1965

4. OHIO CITY SERIES, Nos. 1-7
Cleveland: 7 Flowers Press, 1965

5. POETS AT THE GATE, Nos. 1-4
Cleveland: n.p., 1966

6. SHIT SHEET, Nos. 1-2
Cleveland: n.p., 1966

7. MARRAHWANNAH NEWSLETTER, Nos. 1-4
Cleveland: n.p.,1967

8. SWAMP ERIE PIPE DREAM, Vol. 1, No. 1
Cleveland: n.p., May 1967

9. BUDDHIST 3RD CLASS JUNKMAIL ORACLE, Nos. 1-17
Cleveland: n.p., 1967-1968
[Levy edited the first 17 numbers; the series was continued by Steve Ferguson]


1. THE SILVER CESSPOOL

A. THE SILVER CESSPOOL, Vol. 1, edited by d.a. levy
levy_silverc1First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 20 pages, 100 copies, letterpress printed by d.a. levy. Prints by Lester Czaban Jr. Contributors: Jau Billera, Russell Salamon, d.a. levy, Kent Taylor.
(Lowell B1, T&H P-08)

B. THE SILVER CESSPOOL, Vol. 2, edited by d.a. levy
levy_silverc2
First edition:
Cleveland: Renegade Press, 1964
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 16 pages,100 copies, letterpress printed by d.a. levy. Contributors: David Jeffery, Russell Atkins, Loring Williams, Jau Billera, d.a. levy, Kent Taylor, Irene Schramm, Stephen Massaro, Adelaide Simon, Russell Salamon.
(Lowell B1, T&H P-34)

C. THE SILVER CESSPOOL, Vol. 3, edited by d.a. levy
levy_silverc3First edition:
Cleveland: Renegade Press, 1964
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 20 pages, 100 copies, letterpress printed by d.a. levy. Prints by Charlene Levey, Lester Czaban Jr., and Russell Salamon. Contributors: Frank Ankenbrand Jr., Kent Taylor, Irene Schramm, Russell Atkins, d.a. levy, L.S. Torgoff, Julie Suk, Fay Fox, Russell Salamon, Adelaide Simon.
(Lowell B1, T&H P-35)

D. THE SILVER CESSPOOL, Vol. 4, edited by d.a. levy
levy_silverc4First edition:
Cleveland: Renegade Press, 1964
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 16 pages,100 copies, letterpress printed by d.a. levy. Prints by John Konyecsni, and d.a. levy. Contributors: Judson Crews, Kirby Congdon, James D. Callahan, d.a. levy, Rondald Caplan, Keith Davie, Lewis Turco, L.S. Torgoff.
(Lowell B1, T&H P-36)

E. THE SILVER CESSPOOL, Vol. 5, edited by d.a. levy
levy_silverc5
a. First edition, regular copies:
Cleveland: Renegade Press, 1964
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 16 pages, 86 copies, letterpress printed by d.a. levy. Contributors: Will Inman, Milton Phillips, David Federman, Dave Rasey, Ted Berrigan, Adelaide Simon, Kent Taylor, A. Greenshoot, Ariella.
(Lowell B1, T&H P-37)

b. First edition, special copies:
Cleveland: Renegade Press, 1964
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 16 pages, 14 special illustrated copies, letterpress printed by d.a. levy. Illustrated by d.a. levy. Contributors: Will Inman, Milton Phillips, David Federman, Dave Rasey, Ted Berrigan, Adelaide Simon, Kent Taylor, A. Greenshoot, Ariella.
(Lowell B1, T&H P-37)


2. THE MARRAHWANNA QUARTERLY

A. THE MARRAHWANNA QUARTERLY, Vol. 1, No. 1, edited by d.a. levy
levy_mq0101First edition:
Cleveland: Renegade Press, 1964
Side-stapled sheets in printed wrappers, 5.5″ x 6.5″, 20 pages, 150 copies, letterpress printed by d.a. levy. Contributors: Russell Salamon, John Keys, d.a. levy, Roberta E. Badger, Margaret Randall, Marvin Malone, Ann, Carl Larsen, George Montgomery, J. Cornillon, Dave Rasey, Erik Kiviat, Allen Katzman, George R. Beck, and Judson Crews. Prints by Celeste Simon, d.a.levy, and Pat Crayton.
(Lowell B2, T&H P-38)

B. THE MARRAHWANNA QUARTERLY, Vol. 1, No. 2, edited by d.a. levy
levy_mq0102First edition:
Cleveland: Renegade Press, Winter 1964-5
Side-stapled sheets in printed wrappers, 6″ x 8.5″, 21 pages, 150 copies, letterpress and spirit dupicator printed by d.a. levy. Contributors: Tuli Kupferberg, D. Blazek, R. Blossom, John Cornillon, d.a. levy [disguised as (e)y(e)], Szabo, Marguerite Harris, Kent Taylor, Steve Richmond. Linoleum block prints by Katherine Wasil, cuz, Kent Taylor.
(Lowell B2, T&H P-42)

C. THE MARRAHWANNA QUARTERLY, Vol. 1, No. 3, edited by d.a. levy
levy_mq0103First edition:
Cleveland: Renegade Press, 1965
Side-stapled sheets in printed wrappers, 6.5″ x 8.5″, 20 pages, 200 copies, letterpress and mimeograph printed by d.a. levy. Contributors: Grace Butcher, Russell Salamon, W.E. Wyatt, Jeff A. Cook, Joe Nickell, and George Bowering. Illustrations by Steve Ferguson.
(Lowell B2, T&H P-55)

D. THE MARRAHWANNAH QUARTERLY, Vol. 1, No. 4, edited by d.a. levy
levy_mq0104First edition:
Cleveland: Renegade Press, 1965
Side-stapled sheets in printed wrappers, 8.5″ x 11″, 44 pages, 200 copies, letterpress, mimeograph, and spirit duplicator printed by d.a. levy. Contributors: Charles Bukowski, E.K.Albrecht, Thom Szuter, d.a.levy, Bennet Hassink, Gonzalo Arango, Per H. Berrefjord, Freda Norton, Roger Sauls, Douglas Blazek, Art Rosh, and Carol Paul.
(Lowell B2, T&H P-56)

E. THE MARY JANE QUARTERLY, Vol. 2, No. 1, edited by d.a. levy
levy_mq0201First edition:
Cleveland: Renegade Press, 1966
Side-stapled sheets in printed wrappers, 8.5″ x 11″, 52 pages, 200 copies, letterpress and mimeograph printed by d.a. levy. Contributors: Kent Taylor, Diane Wakoski, Robert Lowry, Sergio Mondragón, Margaret Randall, Joe “Ace” Walker, John Mongomery, Grace Butcher, John Harriman, d.a.levy, Kay Wood, Bennet Hassink, Carl Larsen, George Montgomery. Dedication: “This issue of the Marrahwannah Quarterly is dedicated to Guru Ronald Jump / imprisoned for poverty”.
(Lowell B2, T&H P-83).

F. THE MARIJUANA QUARTERLY, Vol. 2, No. 2, edited by d.a. levy
levy_mq0202First edition:
Cleveland: Renegade Press, 1966
Side-stapled sheets in printed cover, 8.5″ x 11″, 54 pages, 200 copies, letterpress and mimeograph printed by d.a. levy. Contributors: Ray Bremser, Allen Katzman, Rolla Rieder, D.r. Wagner, Irene Schram, d.a.levy, Richard Barker, Bill Wyatt, John Cornillon, Jacob Leed, rjs, George Montgomery, Russell Atkins, Barbara A. Holland, Matt Shulman, Allen Planz, Kitty Estrella, Aurelia Ford. This issue is dedicated to John Sinclair.
(Lowell B2, T&H P-84)

G. THE MARIHUANA QUARTERLY, Vol. 2, No. 3, edited by d.a. levy
levy_mq0203First edition:
Cleveland: Renegade Press, 1966
Side-stapled sheets in printed cover, 8.5″ x 11″, 56 pages, 200 copies, letterpress and mimeorgraph printed by d.a. levy. Contributors: Mara, Carl Woideck, Thom Szuter, Kent & Joan Taylor, The Albrechts, Joe Walker, d.a. levy, Bill Bisset, E.R. Baxter, David Sandberg, Steve Ferguson, John Wherry, Donald Thomas, Alan Dimenstein, D.r. Wagner, Sid Rufus, Walter Lowenfels, George Montgomery, Alex Gildzen, Brother James, Lady Char, W.E. Wyatt, Don Thomas. This issue is dedicated to Big Leonard “who recently discorporated & went to heaven…”.
(Lowell B2, T&H P-85)

H. THE MARIJUANA QUARTERLY, Vol. 2, No. 4, edited by d.a. levy
levy_mq0204First edition:
Cleveland: Renegade Press, 1966
Side-stapled sheets in illustrated cover, 8.5″ x 11″,  60 pages, mimeograph printed by d.a. levy. Contributors: Allen Ginsberg, D.r. Wagner, T.L. Kryss, Roger Sauls, Tristan Corbiere, Dagmar, Rene Char, d.a. levy, Carl Woideck, C.J. Torrance, Sigmond Raoul, Reb Barker, Malcolm Hall, T.L. Kryss.
(Lowell B2, T&H P-86)

I. THE MARRAHWANNAH QUARTERLY, Vol. 3, No. 1, edited by d.a. levy
levy_mq0301First edition:
Cleveland: Renegade Press, 1967
Side-stapled sheets in printed and illustrated covers, 8.5″ x 11″, 24 pages, mimeograph printed by d.a. levy. Contributors: Kent Taylor, d a levy, T.L. Kryss, David W. Harris, Allen Ginsberg, Douglas Blazek, Joel Marc Deutsch, Eugene Jolas, Brown Miller, Dave Cunliffe,Steve Ferguson.
(Lowell B2, T&H P-125)

x—

J. THE KIF QUART-O or THE MAR*AHHHH-WANNNAH QUARTERLY, Vol. 3, No. 2, edited by d.a. levy
levy_mq0302First edition:
Cleveland: Renegade Press, 1967
Side-stapled sheets in silkcreen cover, 8.5″ x 11″, mimeograph printed by d.a. levy. Contributors: E.R. Baxter, Kent Taylor, George Dowden, David W. Harris, D.r. Wagner, Carl Woideck, d.a. levy. Cover silkscreen by T.L. Kryss.
(Lowell B2, T&H P-126)

K. THE MARRAHWANNAH QUARTERLY, Vol. 3, No. 3, edited by d.a. levy
levy_mq0303First edition:
Cleveland: Renegade Press, 1967
Side-stapled sheets in hand-painted wrappers, 8.5″ x 11″, 200 copies, mimeograph printed by d.a. levy. Contributors: bp nichol, d.a. levy, T.L. Kryss, D.W. Harris, Russell Atkins, Adam Kadmon, E.S. Harmon, Allen Ginsberg, Bill Bissett, E.R. Baxter, rjs, J.D. Kuch, Bob Cobbing, D.r. WagnerIvo Vroom, Mara. Published as The Concrete Issue. Dedicated to “poet, publisher, martyr: r.j.s.”.
(Lowell B2, T&H P-127)

L. THE MARRAHWANNAH QUARTERLY, Vol. 3, No. 4, edited by d.a. levy
levy_mq0304
First edition:
Cleveland: Renegade Press, 1967
Side-stapled wrappers in silkscreen cover, 8.5″ x 11″, mimeograph printed by d.a. levy. Contributors: d.a. levy. Cover silkscreen by T.L. Kryss.
(Lowell B2, T&H P-128)

M. THE MARRAHWANNAH QUARTERLY, Vol. 4, No. 1, edited by d.a. levy
levy_mq0401First edition:
Cleveland: Renegade Press, Winter 1967-1968
Side-stapled sheets bound in to printed wrappers, 8.5″ x 11″, mimeograph printed by d.a. levy. Contributors: T.L.Kryss, Rolla Rieder, W.Y. Evans-Wentz, George Montgomery, rjs, d.a. levy, Jiri Valoch.
(Lowell B2, T&H P-162)

N. THE MARRAHWANNAH QUARTERLY, Vol. 4, No. 2, edited by d.a. levy
levy_mq0402First edition:
Cleveland: Renegade Press, 1967-1968
Side-stapled sheets in printed and hand-painted wrappers, 8.5″ x 11″, 200 copies. Contributors: Don Thomas, Baxter, rjs.
(Lowell B2, T&H P-163)


3. POLLUTED LAKE SERIES

A. POLLUTED LAKE SERIES, No. 1:
Atkins, Russell. DISTANT THE SOUND

levy_polluted01First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 4.25″ x 6″, 12 pages, letterpress printed by d.a. levy.
(T&H P-43)

B. POLLUTED LAKE SERIES, No. 2:
Cook, Geoffrey A. “WOUND…”

levy_polluted02First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 2″ x 5″, 16 pages, letterpress printed by d.a. levy.
(T&H P-44)

C. POLLUTED LAKE SERIES, No. 3:
Albrecht, Erik K. “OH4286AW…”

levy_polluted03First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed and illustrated wrappers, 5″ x 4.5″, 12 pages,  letterpress printed by d.a. levy. Cover art by Dave Williams.
(T&H P-45)

D. POLLUTED LAKE SERIES, No. 4:
Taylor, Kent. “MIST…”

levy_polluted04First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 5.5″ x 4.5″, 12 pages, letterpress printed by d.a. levy.
(T&H P-46)

E. POLLUTED LAKE SERIES, No. 5:
Salamon, Russell. CONFLICT IN SONATA FORM

levy_polluted05First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 5.5″ x 4.5″, 12 pages, letterpress printed by d.a. levy.
(T&H P-47)

F. POLLUTED LAKE SERIES, No. 6:
levy, d.a. “ASTER F…”

levy_polluted06First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 5.5″ x 4.5″, 12 pages, letterpress printed by d.a. levy.
(T&H P-48)

G. POLLUTED LAKE SERIES, No. 7:
Morgan, Edwin. SCOTCH MIST

levy_polluted07First edition:
Cleveland: Renegade Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 2″, 16 pages, letterpress printed by d.a. levy.
(T&H P-49)

H. POLLUTED LAKE SERIES, No. 8:
Houedard, Dom Sylvester. VIENNA CIRCLES

levy_polluted08First edition:
Cleveland: Renegade Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 2.5″, 12 pages, letterpress printed by d.a. levy. Dedication: “for Ernst Jandl”.
(T&H P-50)

I. POLLUTED LAKE SERIES, No. 9:
Dogin, Sam. SHIT TARGET

levy_polluted09First edition:
Cleveland: Renegade Press, 1965
Side-stapled sheet bound in to wrappers made from wallpaper, 6″ x 8.75″, 2 pages, photocopy printed.
(T&H P-51)

J. POLLUTED LAKE SERIES, No. 10:
Cornillon, Susan Koppelman. SUSAN UNDER JOHN

levy_polluted10First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers made from wallpaper, 5″ x 3.5″, 12 pages, letterpress printed by d.a. levy.
(T&H P-52)

K. POLLUTED LAKE SERIES, No. 11:
Denis, Alan. SLEEP

levy_polluted11First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 4.5″ x 2″, 8 pages, letterpress and mimeograph printed by d.a. levy. Published using levy’s pseudonym Alan Denis. Dedication: “for Saint Ronald Jump”.
(see Lowell B3, T&H P-53)

L. POLLUTED LAKE SERIES, No. 12:
Dagmar. SHADOWS OVER LAKE ERIE

levy_polluted12First edition:
Cleveland: Renegade Press, 1965
Side-stapled in wrappers made from wallpaper, 4.75″ x 4″, 8 pages, letterpress and mimeograph printed by d.a. levy.
(T&H P-54)


4. OHIO CITY SERIES

A. OHIO CITY SERIES, No. 1:
Szuter, Thom. SUMMER FROM UNDER A BUSH

First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 3.5″, 28 pages, letterpress and mimeograph printed by d.a. levy.
(T&H P-64)

B. OHIO CITY SERIES, No. 2:
Kent Taylor. “OVER…”
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 3.5″, 14 pages, letterpress and mimeograph printed by d.a. levy.
(T&H P-65)

C. OHIO CITY SERIES, No. 3
Cornillon, Susan Koppelman. FUCK POEMS

First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 7″, 10 pages, letterpress and mimeograph printed by d.a. levy.
(T&H P-66)

D. OHIO CITY SERIES, No. 4
Nichol, bp. CYCLES ETC.

First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 7″, 8 pages, letterpress and mimeograph printed by d.a. levy.
(T&H P-67)

E. OHIO CITY SERIES, No. 5
Albrecht, Eric K. WORDS AND NUMBERS

First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 7″, 12 pages, letterpress and mimeograph printed by d.a. levy.
(T&H P-68)

F. OHIO CITY SERIES, No. 6
levy, d.a. GOT BUTTER ON IT

First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 7″, 12 pages, letterpress printed by d.a. levy. Dedication: “for Bud”.
(T&H P-69)

G. OHIO CITY SERIES, No. 7
Dagmar. BIRMINGHAM BREAKDOWN

First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled sheets bound in to printed wrappers, 5.5″ x 7″, 10 pages, letterpress and mimeograph printed by d.a. levy.
(T&H P-70)


5. POETS AT THE GATE

A. POETS AT THE GATE , Vol. 1, No. 1, edited by d.a. levy
First edition:
Cleveland: n.p., March 1966
Corner-stapled sheets, 8.5” x 11″, 20 pages, spirit duplicator printed by d.a. levy. Contributors: John Cornillon, Kent Taylor, Adelaide Simon, Grace Butcher, d.a. levy, Joe Walker, John R. Wherry, Geoffrey A. Cook, Eric K. Albrecht, Norman Jordan, E. Hale Chatfield, RJS, Thom Szuter, Walter R. Keller.
(Lowell B6, T&H P-79)

B. POETS AT THE GATE, Vol. 1, No. 2, edited by d.a. levy
First edition:
Cleveland: n.p., April 1966
Corner-stapled sheets, 8.5″ x 11″, 22 pages, spirit duplicator printed by d.a. levy. Contributors: Joe Walker, J.T. Hartmann, Kent Taylor, d.a. levy, W.E. Wyatt, Roger Sauls, Margaret Randall, Thom Szuter.
(Lowell B6, T&H P-80)

C. POETS AT THE GATE, Vol. 1, No. 3, edited by d.a. levy
First edition:
Cleveland: n.p., April 1966
Side-stapled sheets, 8.5″ x 11″, 14 pages, spirit duplicator printed by d.a. levy. Contributors: E.R. Baxter, D.r. Wagner, Tod Roy, Richard Barker, d.a. levy, Eric Albrecht, R. Crumb.
(Lowell B6, T&H P-81)
[not in archive]

D. POETS AT THE GATE, Vol. 1, No. 4, edited by d.a. levy
First edition:
Cleveland: Free Love Press, July 1966
Side-stapled sheets, 8.5″ x 11″, 24 pages, spirit duplicator printed. Contributors: Kent Taylor, D.r. Wagner, Randy Rhody, E.R. Baxter, d.a. levy, J.T. Hartmann, RJS, Dagmar, Mike Nelson, Joel Friedman.
(Lowell B6, T&H P-92)


6. SHIT SHEET

A. SHIT SHEET, No. 1, edited by d.a. levy
First edition:
Cleveland: The University Fringe Anti-Christian Movement – Cleveland Branch, 1966
Side-stapled sheets, 8.5″ x 11″, 6 pages, mimeograph printed by d.a. levy.
(Lowell B8, T&H P-122)
[not in archive]

B. SHIT SHEET, No. 2, edited by d.a. levy
First edition:
Cleveland: The Militant Pseudo-Buddhist Council of America, 1966
Side-stapled sheets, 8.5″ x 11″, 4 pages, mimeograph printed by d.a. levy. Contributors: Richard Krech, George Montgomery
(Lowell B8, T&H P-123)


7. THE MARRAHWANNAH NEWSLETTER

A. THE MARRAHWANNAH NEWSLETTER, No. 1, edited by d.a. levy
First edition:
Cleveland: n.p., 1967
Side-stapled sheets, 8.5″ x 11″, 10 pages, mimeograph printed by d.a. levy. Contributors: d.a. levy.
(T&H P-149)

B. THE MARRAHWANNAH NEWSLETTER, No. 2, edited by d.a. levy
First edition:
Cleveland: n.p., 1967
Side-stapled sheets, 8.5″ x 11″, 10 pages, mimeograph printed by d.a. levy. Contributors: d.a. levy, George Montgomery, Kent Taylor.
(T&H P-150)
[not in archive]

C. THE MARRAHWANNAH NEWSLETTER, No. 3, edited by d.a. levy
First edition:
Cleveland: n.p., 1967
Side-stapled sheets, 8.5″ x 11″, 10 pages, mimeograph printed by d.a. levy. Contributors: d.a. levy.
(T&H P-151)
[not in archive]

D. THE MARRAHWANNAH NEWSLETTER, No. 4, edited by d.a. levy
First edition:
Cleveland: n.p., 1967
(T&H P-152)
[not in archive]


8. SWAMP ERIE PIPE DREAM

A. SWAMP ERIE PIPE DREAM, Vol. 1, No. 1, edited by d.a. levy
First edition:
Cleveland: n.p., May 1967
Newspaper format, 11.5″ x 15.5″, 4 pages, offset printed. Contributors: d.a. levy.
(T&H P-153)



9. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE

A. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, No. 1, edited by d.a. levy
First edition:
Cleveland: n.p., June 1967
Newspaper format, 11.5″ x 15.25″, 4 pages, offset, dedicated to r.j.s. (Lowell B11, T&H P-154)

B. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, No. 2, edited by d.a. levy
Cleveland: n.p., July 1967
First edition, newspaper format, 11.5″ x 15.25″, 4 pages, offset. d.a. levy collage: BORIS SEZ LOVE. (Lowell B11, T&H P-154)

C. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, No. 3, edited by d.a. levy
Cleveland: n.p., 1967
First edition, newspaper format, 11.5″ x 15.25″, 4 pages, offset. (Lowell B11, T&H P-156)

D. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, No. 4, edited by d.a. levy
Cleveland: n.p., August-September 1967
First edition, newspaper format, 11.5″ x 15.25″, 4 pages, offset. (Lowell B11, T&H P-157)

E. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, No. 5, edited by d.a. levy
Cleveland: n.p., 1967
First edition, newspaper format, 11.5″ x 15.25″, 4 pages, offset. (Lowell B11, T&H P-158)

F. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, No. 6, edited by d.a. levy
Cleveland: n.p., 1967
First edition, newspaper format, 11.5″ x 15.25″, 4 pages, offset. Contributors include: Russell Atkins: TRAINYARD BY NIGHT, Gene Fowler: [letter]. (Lowell B11, T&H P-159)

G. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, No. 7, edited by d.a. levy
Cleveland: n.p., October 1967
First edition, newspaper format, 11.5″ x 15.25″, 8 pages, offset. Contributors include: Douglas Blazek: WISDOM SHOP, d.a. levy collage: PYRAMID EFFECT-. (Lowell B11, T&H P-160)

H. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, No. 8, edited by d.a. levy
Cleveland: n.p., November-December 1967
First edition, newspaper format, 11.5″ x 15.25″, 8 pages, offset. Contributors include: Gary Snyder: BUDDHIST ANARCHISM. (Lowell B11, T&H P-161)

I. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, No. 9, edited by d.a. levy
Cleveland: n.p., 1968
First edition, newspaper format, 11.5″ x 15.25″, 8 pages, offset. Contributors include: Ingrid Swanberg: TO SIBYL, D.r. Wagner: EGYPTIAN PLACES, T.L. Kryss: BELLA LUGOSI. (Lowell B11, T&H P-164)

J. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, No. 10, edited by d.a. levy
Cleveland: n.p., 1968
First edition, newspaper format, 11.5″ x 15.25″, 12 pages, offset. Contributors include: Franklin Osinsky: WHAT EDUCATION?, Geoffrey A. Cook: ON THE UNDERGROUND MOVIES, cover by Mara. (Lowell B11, T&H P-165)

K. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, No. 11, edited by d.a. levy
Cleveland: n.p., March-April 1968
First edition, newspaper format, 11.5″ x 15.25″, 12 pages, offset. Contributors include: d.a. levy: PRAY FOR NIEL CAROTHERS, Richard Morris: HOW TO END THE BALANCE OF PAYMENTS DEFECIT, Stan Helibrun: #2, cover by d.a. levy. (Lowell B11, T&H P-166)

L. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, No. 12, edited by d.a. levy
Cleveland: n.p., April-May 1968
First edition, newspaper format, 11.5″ x 15.25″, 12 pages, offset. Contributors include: Allen Ginsberg: REFLECTIONS ON THE MANTRA, Gary Snyder: BUDDHISM & THE COMING REVOLUTION, captain zero (r.j.s.): GROUND ZERO: UN-ZIP: DEACTIVATE YOUR MEYEND. (Lowell B11, T&H P-167)

M. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, Vol. 2, No. 1, Issue 13, edited by d.a. levy
Cleveland: n.p., June 1968
First edition, newspaper format, 11.5″ x 15.25″, 16 pages, offset. Contributors include: captain zero (r.j.s.): GROUND ZERO CLEVELAND, d.a. levy: DOES THE CLEVELAND PLAIN DEALER ADVOCATE THE USE OF LSD? • GASSHO, T.L. Kryss collage: USE ORDER BLANK BELOW. (Lowell B11, T&H P-168)

N. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, Vol.2, No. 2, Issue 14, edited by d.a. levy
Cleveland: n.p., July 1968
First edition, newspaper format, 11.5″ x 15.25″, 16 pages, offset. Contributors include: d.a. levy: CEMENT ASSAY ON THE POEMS OF JETSUN MILAREPA • FOR MARPA (THE TRANSLATER) • SONG #108 • SONG #69 • SONG #736 • GREEN NETTLE SOUP • ON THE SLAYING OF THE RED DRAGON ROCK DEMON • BLIND MYTH DOING A DEATH DANCE ON GROUND ZERO (FOR WILLIE), Charles Bukowski: 7TH RACE WHEN THE ANGELS SWUNG LOW AND BURNED • I WANTED TO OVERTHROW THE GOVERNMENT BUT ALL I BROUGHT DOWN WAS SOMEBODY’S WIFE, Gene Fowler: SHAMAN STANDS ON THE PRE-DAWN MOUNTAIN, A DARK MANE ON A THUNDER CLOUD, Allen Ginsberg: HISTORY OF THE JEWISH SOCIALIST PARTY IN AMERICA • CLEVELAND AIRPORT, Underground Thought Patrol: TELL ME ABOUT YR LEVEL OF CONSCIOUSNESS. (Lowell B11, T&H P-169)

O. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, Vol.2, No. 3, Issue 15, edited by d.a. levy
Cleveland: n.p., August-September 1968
First edition, newspaper format, 11.5″ x 15.25″, 16 pages, offset. Contributors include: Don Thomas: SKYGREY REVISITED, Bob Watt: TWO MARRIAGE POEMS • POWER, levy collage: NORTH AMERICAN JEWISH TANTRA. (Lowell B11, T&H P-170)

P. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, 2nd LAST ISSUE, edited by d.a. levy
Cleveland: n.p., November 1968
First edition, newspaper format, 11.5″ x 15.25″, 16 pages, offset. Contributors include: d.a. levy: CLEVELAND NOW?. (Lowell B11, T&H P-171)

Q. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, 3rd LAST ISSUE, edited by d.a. levy
Cleveland: n.p., December 1968
First edition, newspaper format, 11.5″ x 15.25″, 16 pages, offset. While this issue was laid out by levy, it was published after his death. Contributors include: T.L. Kryss cover, D.r. Wagner: AND THAT’S WHY WE HAVE EARS, Dominique: POEM, rjs: CHRISTMAS CLEVELAND 1968. levy collage at centerfold?. (Lowell B11, T&H P-176)

* Remaining issues of TBTCJO were edited by Steve Ferguson

R. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, 4th LAST ISSUE, edited and compiled by Steve Ferguson
Cleveland: n.p., 1967
First edition, newspaper format, 11.5″ x 15.25″, offset, cover photo of levy by M.J. Roach, [contributors include: Blazek: THE PIED PIPER OF ADVANCED PERCEPTION, rjs: AS A MATTER OF RECORD – THE PREVIOUSLY PROMISED DISTORTIONS AND SPECULATIONS ON THE SUICIDE OF D.A. LEVY. levy poetry: THE EVOLUTION OF COMPARATIVE LITERATURE • PROSE: ON POETRY IN THE WHOLESALE EDUCATION & CULTURE SYSTEM.

S. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, 5th LAST ISSUE, edited and compiled by Steve Ferguson
Cleveland: n.p., May 1969
First edition, newspaper format, 11.5″ x 15.25″, offset. Contributors include: Douglas Blazek: THE OUTRAGE OF A LONELY ROOM, Howard McCord: FOR D.A. LEVY, Ron Padgett: SKY, Raymond DiPalma: THE NOON NEWS. levy collage: SHE’LL FIGHT TO THE END FOR DICK.

T. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, 6th LAST ISSUE, edited by Steve Ferguson
Cleveland: June, 1969
First edition, newspaper format.

U. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, 7th LAST ISSUE, edited by Steve Ferguson
Cleveland: n.p., 1969
First edition, newspaper format.

V. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, 8th LAST ISSUE, edited by Steve Ferguson
Cleveland: n.p., August 1969
First edition, newspaper format, contributors include: r.j.s.: RJS COSMEP.

W. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, 9th LAST ISSUE, edited by Steve Ferguson
Cleveland: September, 1969
First edition, newspaper format.

X. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, 10th LAST ISSUE, edited and compiled by Steve Ferguson
Cleveland: October, 1969
First edition, newspaper format.

Y. THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE, 11th LAST ISSUE, edited and compiled by Steve Ferguson
Cleveland: n.p., December 1969
First edition, newspaper format, [contributors include: Judson Crews: A REVISION • AS KNOTTY A UESTION • EX CORPUS, Douglas Blazek: POEM TO MY DEAD LETTER QUEEN •  AFTER SEEING 2001:SPACE ODYSSEY • THE UTTER LOGIC OF NORMAL TRAGEDY. levy poems: RECTAL EYE VISION #2 • two excepts from SUNNY DAWN • GREAT MAN SLEEPING IN A CLOSET • SONGS FOR DEAD CHILDREN.

d.a. levy: Contributions to Periodicals

>> return to d.a. levy main page >>

Section C:
This index includes contributions to periodicals
(Note: sequence within years is alphabetical by title)


1963

1. THE FREE LANCE, Vol. 7, No. 2, edited by Casper LeRoy Jordan
mags_freelancev7n2Cleveland: The Free Lance, 1963
“And Sappho’s Kiss”, [untitled] “They brought the dawn down…”, [untitled] “This strange little bird…”

Note: cover art by d.a. levy



1964

2. THE AMERICAN WEAVE, Vol. 28, No. 1, edited by Loring and Alice Crane Williams
mags_americanweave
Cleveland: American Weave Press, Spring and Summer 1964
“Centiparty”, “A Square Lady”




3. DIAMOND SANGHA, Vol. 4, No. 5
mags_diamondsv4n5
Honolulu: Koka An, September 1964
[untitled] “The sun crashes through…”, [untitled] “Hundreds of sparrows…”, [untitled] “I walked to the end…”



4. THE FREE LANCE, Vol. 8, No. 1, edited by Casper LeRoy Jordan
mags_freelancev8n1Cleveland: The Free Lance, 1964
[untitled] “Sun bleached desert skin…”

Note: cover art by d.a. levy



5. THE FREE LANCE, Vol. 8, No. 2, edited by Casper LeRoy Jordan
mags_freelancev8n2Cleveland: The Free Lance, 1964
“Ode to a Non-Union Truckdriver passing through Northeastern Ohio”

Note: cover art by d.a. levy


6. INPUT, Vol. 1, No. 4, edited by Peter Salmansohn and Frank Roth
mags_inputv1n4New York: Input, December 1964
“How to be a Poet and Influence People”





7. KAURI, No. 4, edited by Will Inman
mags_kauri4
New York: Kauri, August-September 1964
“Freedom”





8. KAURI, No. 5, edited by Will Inman
mags_kauri5
New York: Kauri, November-December 1964
“Surrealist Scene”





9. THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 15, edited by Marvin Malone
mags_wormwoodn15
Storrs: The Wormwood Review, 1964
“Aleatoric Poem for the New Dominant”, “No Gamekeeper Shot a Luminous Owl”





1965

10. 15¢, No. 1, edited by Susan and John Cornillon
Cleveland: n.p., n.d. [1965]
“The Suburban Prophets (for R.D.)”

11. BLITZ, No. 2, edited by Bobby Watson and Mel Buffington
mags_blitz
La Grande: Blitz/Mad Virgin, 1965
“I Tell Myself a Story because I am Bored – Part 2 (from The Journal of Ugly Sundown)”




12. BORDER, Vol. 1, No. 3, edited by Wayne Philpott
mags_borderv1n3
Fort Smith: Border Press, July 1965
“Flamenca”





13. COERCION, No. 4, edited by Clarence Major
mags_coercionOmaha: Winter 1965
“Vaginal Visionaries”

Note: includes Clarence Major essay on the renegade press, “Another One of the Biggest Little Prospects”

14. EL CORNO EMPLUMADO, No. 15, edited by Sergio Mondragón and Margaret Randall
Mexico City: El Corno Emplumado, July 1965
“Van Gogh”

Note: includes one levy illustration



15. EARTH, No. 1, edited by Steve Richmond
mags_earth1Santa Monica: Earth Books & Gallery, 1965
“‘Dith”




16. THE FENN LITERARY OMNIBUS, Vol. 3, edited by Keith M. Davie
mags_fennliteraryCleveland: Fenn College Writers’ Club, 1965
“Lady A”, “Necropolis”

Note: cover art by d.a. levy



17. THE FREE LANCE, Vol. 9, No. 1, edited by Casper LeRoy Jordan
Cleveland: The Free Lance, 1965
“Cleveland Undercovers #7”

Note: cover art by d.a. levy

18. THE FREE LANCE, Vol. 9, No. 2, edited by Casper LeRoy Jordan
Cleveland: The Free Lance, 1965

Note: cover art by d.a. levy

19. GOOSEBERRY, No. 2, edited by John Cornillon and Susan Koppelman Cornillon
mags_gooseberry2Cleveland: Gooseberry Publications, n.d. [c.1965]
“from The Destroyed Journal”





20. HEAD SECOND, edited by Erik Kiviat
mags_headsecondStaatsburg: Head, n.p. [c.1965]
Cover and illustrations by d.a. levy





21. INPUT, Vol. 2, No. 1, Issue 5, edited by Peter Salmansohn and Frank Roth
mags_input5New York: Input, Spring 1965
“Cock Suck Poem”





22. KAURI, No. 7, edited by Will Inman
mags_kauri7
New York: Kauri, March-April 1965
“Poem for the Day I Decided I Would Rather be d.a. levy than a Great Poet”




23. MAGAZINE, No. 2, edited by Kirby Congdon
mags_magazine2
New York: Crank Books, 1965
“The Wandering White”

Note: includes a history and manifesto of the renegade press by d.a. levy.



24. OLE, No. 2, edited by Douglas Blazek
mags_ole2
Bensenville: Open Skull Press, 1965
“Bourgeoisie Chant”





25. REGION, No. 4, edited by David Morton
mags_region4Minneapolis: Region Magazine, 1965
“Tantric Frontiers”, “Dark Moon”





26. TRACE, Vol. 6, No. 6, edited by James Boyer May
mags_tracev6n6London: Villiers Publications, May 1965
“Fleuf Fiejd”, “Metropolis Complex Areolex”, “Rain is a Wild Horse” 




27. UNIVERSITY OF TAMPA POETRY REVIEW, edited by Duane Locke
mags_utampa
Tampa: Poetry Review, 1965
“Sunpoem”, “Bukowski Drinks a Lot”






1966

28. BLEW OINTMENT, Vol. 4, No. 1, edited by Bill Bissett
mags_blewointmentv4n1
Vancouver: blewointment press, 1966
“Visualized Prayer to the American God #2”, “Visualized Prayer to the American God #4”




29. DO-IT!, No. 1, edited by Matt Shulman
mags_doit1
Omaha: Do-It, 1966
“The Suburban Prophets”, “Light on, The Old Test (for Charles Olson)”,  “The Ballad of No Berets”

Note: cover art by d.a. levy

30. DO-IT!, Vol. 1, No. 2, edited by Matt Shulman
mags_doit2
Omaha: Do-It, August 15, 1966
“A Mantra to Protect One from the Viet Cong (North and South)”, “A Non of Viet Nam Gothic for the Alamo”



31. DUST, No. 8, edited by Len Fulton
mags_dust8
El Cerrito: Dust Books, Spring-Summer 1966
“Cleveland Undercovers #10”





32. THE EIGHT PAGER, A HAPPENING IN 8 PARTS, Series 1, Part 1
mags_eightpagers1p1New York: press : today : niagara, 1966
“segment from A Destroyed Journal”, “from The North American Book of the Dead”, [untitled] “I always thought people…”



33. GANGLIA, No. 3, edited by David Aylward and BP Nichol
mags_ganglia3Toronto: Ganglia Press, January 1966
“To Jim Lowells Goldfish”, No-Rooms (for Carol Bergé)”,  “Haiku & Senryu”




34. GRIST, No. 8, edited by John E. Fowler and George Kimball
mags_grist8Lawrence: Abington Book Shop, 1966
“Himeros”, “For a Rainy Day”





35. GRIST, No. 9, edited by John E. Fowler and George Kimball
mags_grist9
Lawrence: Abington Book Shop, 1966
[untitled] “I am moving…”





36. HIKA, Vol. 28, No. 3, edited by Michael K. Berryhill and Michael Kirchberger
mags_hikav28n3Gambier: Kenyon College, Spring-Summer 1966
“If You Break an Iron Angels Wings”





37. INTREPID, No. 6, edited by Allen De Loach
mags_intrepid6
New York: Intrepid Press, 1966
“Yes, Me Too”





LABRIS, No. 4-5, edited by Max Kazan, et al
mags_labris45Lier: Labris, July 1966
“Bourgeoisie Chant”





38. MAINLY, No. 3
mags_mainly3
Brecon, Wales: Mainly, May 1966
[untitled] “She smiles quietly…”





39. MAINLY, No. 4
mags_mainly4
Brecon, Wales: Mainly, September 1966
“A Line for the Hawk Faced God who Carried the Sun at Dawn”, “Sappho”




40. MOONSTONES, Vol. 1, No. 2, edited by D.r. Wagner
mags_moonstones2
Niagara Falls: press:today:niagara, 1966
“Iron Cross of the Sun”

Note: back cover art by d.a. levy



41. POETRY NEWSLETTER, No. 9/10, edited by Wally Depew, Mike Perkins, and Linda Bandt
mags_poetrynews910Sacramento: Poetry Newsletter, 1966
“American Opinion”, “Cleveland on the Picket Line…” [letter]




42. POETRY NEWSLETTER, No. 11, edited by Wally Depew and Linda Bandt
mags_poetrynews11Scranton: Poetry Newsletter, 1966
“Revision #5”, “R.E. Vision #8 for W.E. Wyatt”





43. SPANISH FLEYE, THE TAMARACK REVIEW
mags_spanishfleye
Toronto: Spanish Fleye, 1966
“Beret”, “Visualized Prayer to the American God”, “Hymn & Invocation for the American God”



44. SPERO, Vol. 1, Issue 2, edited by Douglas and Kathy Casement
mags_sperov1n2
Chicago: Spero, 1966
“New Ethnic Poem for the Beat Generation in Cleveland”




45. SUM, No. 2, edited by Carl Woideck
Lakewood: Sum, 1966
“They Have Stolen my Dream Time”





46. TLALOC, No. 13, edited by Cavan McCarthy
mags_tlaloc13Leeds: Tlaloc, 1966
“Chalchihuitlicue No.13 (Rain Poem Concrete)”, “Chalchihuitlicue No.14 (Light Rain Poem Concrete)”, “The Para-Concrete Manifesto”



47. VINCENT, No. 1, edited by Frank Murphy
mags_vincent
New York: Vincent, 1966
“The Ice Breaker”






1967

48. ASSASSINATORS BROADSHEET, No. 1, edited by Chris Torrance and Bill Wyatt
mags_assassinators
Surrey: n.p., March 1967
“Sitting on a Bench Near T Square (for David Meltzer)”, “Poem for our Lady of Songs & Dimensions”, “The Suburban Prophets”

Note: flyer laid-in titled: “Project Bring Cleveland into the 20th Century” describing levy’s indictment written by rjs and appears to be an order form for UCANHAVYRFUKINCITIBAK

49. BLACK MASK, No. 8, edited by Ben Morea and Ron Hahne
mags_blackmask
New York: Black Mask, October – November 1967
[untitled] “… you see d.r. they are murdering the children we didnt have time to become…”

50. BLEWOINTMENT PRESS, Vol. 5, No. 1
mags_blewointmentv5n1
Vancouver: blewointment press, January 1967
“Scarab #2”, “2/8/66 from The Book”, “Letter to Lady Bergé”, “The Para-Concrete Manifesto”, “Visualized Prayer to the American God #1”, “Visualized Prayer to the American God #2”, “Visualized Prayer to the American God #3”, “Visualized Prayer to the American God #4”, “Bourgeoisie Chant”,

51. CONGRESS, No. 1, edited by Sam Seiffer
mags_congress1
Bronx: Congress, 1967
“Praps (1)”

Note: essay by Sam Seiffer titled, “The First Freedom” discusses the arrest and indictment of Jim Lowell and d.a. levy in Cleveland in 1966-7.

52. CONGRESS, No. 2, edited by Sam Seiffer
mags_congress2
Bronx: Congress, 1967
“Praps 1 (Three)”, “Censorship”, “Levy by Levy”





53. CONGRESS, No. 3, edited by Sam Seiffer
mags_congress3
New York: Congress, 1967
“from The Tantric Strobe”, “from Kibbutz in the Sky Book 3”, “Spontaneous Contact in the Mind: Cancelled”

Note: d.a. levy is listed as the Cleveland editor, cover photo of the Be-In at the lagoon in front of the Cleveland Art Museum by Martin Szutter.

54. DIAMOND SANGHA, Vol. 7, Nos. 2 & 3
mags_diamondsv7n23Honolulu: Koka An, March – June 1967
[untitled] “On the second trail…” (excerpt from The North American Book of the Dead, Part IV, 1966)



55. ENTRAILS, Vol. 3, edited by Gene Bloom and Mike Berardi
mags_entrails3New York: Whispershit Press, February-March 1967
“R.E. Vision #10”, “Underground Advertisement #3”



56. EUPHORIA (FORMERLY TARGET), No. 5, edited by Paul J. Green
mags_euphoria5Peterborough: Euphoria, n.d. [c. 1967]
“Prosecutor, as Hired Gunslinger”, “P’er Aps 6 (We Wait for You Return)”




57. FAT FROG, No. 1, edited by Sharon Asselin
mags_fatfrogSan Francisco: Steven Andrews Press, n.d. [c.1967]
“Notes/Variations on a Short Poem”

Note: page of ‘Defense Funds’ lists levy as a spokesman for ‘The Blood-and-Guts-Revolution-no-Nonsense-Poetry’

58. THE FLASH OF PASADENA, No. 5, edited by David Laidig
mags_flash5Pasadena: David Laidig Publishing, 1967
“What Can I Say?”, “Visualized Prayer for the American God #6”




59. FREE LOVE PERIODICALLY, No. 1, edited by RJS
mags_freelove1
Cleveland: Free Love Press, n.d. [c.1967]
“We are all Putting Out / But Noone is Receiving”, “Poem for Lama Ginsberg”




60. FREE LOVE PERIODICALLY, No. 2, guest-edited by Tom Kryss
mags_freelove2
Cleveland: Free Love Press, June 1967
“There Seems to be Some Discrepancy or Why is RJS in Jail?”, “What Can I Say?”, “Psychedelic Information Center”, “Visualized Prayer for the American God #5”

Note: cover by Dagmar [cover drawing was also used on the rear cover of Tom Kryss’ 13 Tricks To Set Free The Wind (Ghost Press, Cleveland, 1966)]

61. GRONK, No. 3, edited by David W. Harris, et al
mags_gronk3Toronto: Fleye Press, March 1967
“Unmailed Letters to Ed Pederson and (the Mysterious) Annburgers”




62. HOW-TLALOC, edited by Cavan McCarthy
mags_howtlalocLeeds: Location Press, n.d. [c.1967]
“Chalchihuitlicue (for Carol Berge’.. 1965 & 1966)”




63. THE LAST TIMES, edited by Charles Plymell, Claude Pélieu, et al
San Francisco: 1967
“Introduction”





64. MATRIX, No. 2, edited by Tony Dash and Brian Wake
mags_matrix2Bootle: Matrix, November 1967
“The Great Surrealist Dream Happening of the Asphodel & Other Ecstasies that were Still / Born in Cleveland (for Ptah Lowell)”, “Turner”



65. MOONSTONES, No. 3, edited by D.r. Wagner
Sacramento: Runcible Spoon, 1967
“Insulin Shock Letter”





66. OLE, No. 7, edited by Douglas Blazek
mags_ole7Bensenville: Open Skull Press, 1967
“Kaprow!”





67. ONSLAUGHT ’67, No. 1
mags_onslaught
Pepper Pike: Onslaught, April 1967
“The Bells of the Cherokee Ponies”





68. POLEMIC, Vol. 11, No. 2, edited by Walter E. Wadas
mags_polemic
Cleveland: Western Reserve University, Spring 1967
“Road Road Go Away”




69. SUM, No. 3, edited by Carl Woideck
mags_sum3Sacramento: SUM, n.d. [c.1967]
[untitled] “The sunlight shining thru…” 





70. TARGET, No. 3, edited by Paul J. Green
mags_target3Peterborough: Target, 1967
“Love Poem of a Lion”, “Mar 2 & 3”





71. THE WILLIE, No. 1, edited by William Hageman
mags_willie1San Francisco: Manic Press, Summer 1967
“Cleveland Uber Alles”, “The Bells of the Cherokee Ponies”

Note: this version of “Cleveland Uber Alles” is different than the one that appears in Kibbutz in The Sky #1.


72. WINE BUTTON, edited by Dave Fraser, Robert Serling, Dick Sweeney
mags_winebuttonHighland Park: Wine Button, n.d. [c.1967]
“The Bells of the Cherokee Ponies”






1968

73. ASYLUM, No. 4, edited by Tony Dash and Brian Wake
mags_asylum4Bootle: Asylum Publications, March 1968
“Praps i/7 (for j.s.)”





74. ASYLUM, No. 6, edited by Tony Dash
mags_asylum6Bootle: Asylum Publications, October 1968
“A Fragment from the Destroyed Journal…”, “To Jim Lowells Goldfish”

Note: includes special supplement:  Eleven Cleveland Poets section with an introduction by George Dowden including Dominique, Alex Gildzen, T.L. Kryss, d.a. levy, John Pitts, rjs, John Rose, Jeanne Sonville, Steve Slavik, Tammy, Kent Taylor.

75. AVALANCHE, No. 4, edited by Richard Krech
mags_avalanche4Berkeley: Undermine Press, 1968
“Additions to The North American Book of the Dead”




76. THE FREE LANCE, Vol. 12, Nos. 1 & 2, edited by Casper LeRoy Jordan and Russell Atkins
mags_freelance12Cleveland: Free Lance, 1968
“Ode to a Non-Union Truckdriver Passing through Northeastern Ohio”, “World War III”, [untitled] “Sun bleached desert skin…”



77. INTRANSIT, edited by Gerard Malanga and Andy Warhol
mags_intransitEugene: Toad Press, 1968
“Rebirth Blues”





78. THE MARIJUANA REVIEW, Vol. 1, No. 1, edited by Michael Aldrich & Ed Sanders
mags_marijreview1Buffalo: Lemar International, October-December 1968

Note: although there is no content attributed to d.a. levy, he is listed as the Cleveland Correspondent.

79. MOONSTONES, No. 4, edited by D.r. Wagner and Barbara O’Connelly
mags_moonstones4Sacramento: Runcible Spoon, 1968

Note: untitled illustration by d.a. levy




80. MOTHER, No. 11, edited by Ronald Caplan
mags_mother11Pittsburgh: Mother Press, n.d. [c.1968]
[untitled] “its the way she died…”.





81. NOLA EXPRESS, No. 14
New Orleans: NOLA Express, n.d. [c.1968]
cover collage by d.a. levy.

82. ORPHEUS, Vol. 2 No. 2, edited by Charlie Adrian, et al
mags_orpheusv2n2Phoenix: Orpheus, n.d. [c.1968]
“Mar 1”





83. RADICAL AMERICA, Vol. 2, No. 5, edited by Paul Buhle
mags_radamv2n5Madison: Students for a Democratic Society, September – October 1968
“Visualized Prayer to the American God #2”




84. RADICAL AMERICA, Vol. 2, No. 6, edited by Paul Buhle
mags_radamv2n6Madison: Students for a Democratic Society, November – December 1968
“Sitting on a Bench Near T Square”, “Suburban Monastery Death Poem, Part Six”, “R.E. Vision #2”



85. RENAISSANCE, OPEN CITY SECTION TWO, edited by Charles Bukowski
n.p.: Open City, n.d. [c.1968]
“Poem to Michael Solomon”

86. TOUCAN, Vol. 1, No. 2, edited by R.L. Carothers and Alex Gildzen
mags_toucan12Kent: Toucan, Winter 1968
“Warriors Rest”





87. WORDJOCK, Vol. 1, No. 3, edited by Charles Tidler
mags_wordjockv1n3West Layfayette: Wordjock, May 1968
“Egyptian Sunset for D.R.”





88. THE WORMWOOD REVIEW, Vol. 8, No. 4, ISSUE 32, edited by Marvin Malone
mags_wormwoodn32Storrs: The Wormwood Review, 1968
“Hindu Strobe Book #2, Page 1”, “Song #236 by Milarepa”





1969

89. ALDEBARAN REVIEW, No. 6, edited by John Oliver Simon
mags_aldebarann6Berkeley: Noh Directions Press, August-September 1969
“Green Nettle Soup”, “On the Slaying of the Red Dragon Rock Demon”



90. AND, No. 5, edited by John Rowan and Bob Cobbing
mags_and5
n.p.: Writers Forum, 1969
“Notice”, “Chalchihuitlice… (for Carol Berge)”,  “Bread Vision”




91. THE BIG US
Cleveland: Outpost, January 1969
“R.E. Vision #2”

92. CAMELS COMING, No. 4, edited by Richard Morris
Reno: Camels Coming, February – March 1969
“Angela”





93. THE DRUNKEN BOAT, Vol. 1, No. 1, edited by Hugh Knox
mags_drunkenboatPiscataway, Scrotum Press, 1969
[untitled] “I want to go where…”





94. DUST, Vol. 3, No. 4, Issue 12, edited by Andrew Curry
mags_dust12Paradise, CA: Dustbooks, 1969
“A Non of Vietnam Gothic for The Alamo”, “Praps (1) Two”, “Road Road Go Away-”




95. THE FREE LANCE, Vol. 13, Nos. 1 & 2, edited by Casper L. Jordan and Russell Atkins
Cleveland: The Free Lance, 1969
“The Magic Wheel (for Adelaide Simon)”





96. THE GOLIARDS, No. 7, edited by Jerry Burns
mags_goliardsSan Francisco: Goliards Press, June 1969
“The Burning of San Francisco – Summer 1968: ‘An Attempt to Silence the Neon Motherfucker'”




97. THE OUTSIDER, Vol. 2, Nos. 4 & 5, edited by Gypsy Lou and Jon Webb
mags_outsider45New Orleans: Loujon Press, Winter 1968-69
“For the Pigs, Rats & Adorable other Beasts of Saintly Cleveland, O.”




98. PRO-JECT, No. 1, edited by Robert Serling and David Fraser
mags_project1Detroit: Pro-Ject, Winter-Spring 1969
“To D——“





99. QUIXOTE, Vol. 4, No. 5, edited by Morris Edelson
mags_quixotev4n5Madison: Quixote Press, 1969
“For George”, “Letter from an Invisible Greek”





100. QUIXOTE, Vol. 4, No. 6, edited by Morris Edelson
Madison: Quixote Press, January-March 1969
“The Madison Poems”, “Suburban Monastery Death Poem”, “7 Concrete Poems / Concrete Poems / Electric Greek Poems (For Bob Gabriner)”


101. QUIXOTE, Vol. 5, No. 4, edited by Morris Edelson
mags_quixotev5n4Madison: Quixote Press, 1969
two levy letters.





102. RADICAL AMERICA, Vol. 3, No. 4, edited by Paul Buhle and Dale Tomich
mags_radamv3n4Madison: Students for a Democratic Society, July – August 1969
“R. E. Vivion #8 / part II – for Art Kleps”




103. RUNCIBLE FOLD, No. 3, edited by D.r. Wagner
Sacramento: Runcible Spoon, n.d. [c.1969]
“Education of a Food Fadist”

104. SATTVAS REVIEW, Vol. 1, No. 1, edited by Franklin W.W. Osinski
mags_sattvas1Cleveland: Sattvas Press, Fall 1969
“from Prose: On Poetry in the Wholesale Education And Culture System”




105. SECOND AEON, No. 7, edited by Peter Finch
mags_secondaeon7Cardiff: Second Aeon, 1969
“Part Zero – Celebration with Rada Drums (from Suburban Monastery Death Poem)”




106. LARVAE DU GOLDEN GATE, Vol. 1, No. 2, edited by Leon Spiro
mags_starwestSausalito: SB Gazette, n.d. [c. 1969]
“Blind Myth Doing a Death Dance on Ground Zero (for Willie)” [Reprinted from The Buddhist Third Class Junkmail Oracle Vol. 2, No. 2, Issue 14 (Cleveland, 1968) (T&H P-164).]


107. WASTE PAPER, No. 4, AN IRREGULAR HUNGRY GENERATION NEWSLETTER, edited by Tridib Mitra & Alo Mitra
mags_wastepaper4
Howrah: Waste Paper, September 1969
“Thinking of Rimbaud (for Thom Szuter)”




1970s

108. DAVKA, Vol. 1, No. 1, edited by Aron Manheimer
mags_davkaLos Angeles: Davka, November – December 1970
“New Year”





109. FOURTH DIMENSION, No. 7, edited by P.J. Kemp
mags_4thdimensionRichford: Samisdat, n.d.[c. 1976]
“Tell Me About Yr Level of Consciousness”





110. INVISIBLE CITY, No. 8
Fairfax, CA: Red Hill Press, April 1973
[untitled] “Now, that’s why there are more poets…”

111. NOLA EXPRESS
New Orleans: NOLA Express, June 9-22 1972
“North American Book of the Dead, Part I”

112. PHOENIX, No. 3/4, edited by Leopold Reif
Berlin: Phoenix, 1970
“Part Zero – Celebration with Rada Drums (from Suburban Monastery Death Poem)”

113. QUIXOTE, Vol. 7, No. 5, edited by Morris Edelson
Madison: Quixote Press, 1973
“I Found It at the Movies (or) Hummed-Off in a Laundro-Mat (for Franklin Rosemont)”, “Its a Matter of Presentation”



114. QUIXOTE, Vol. 7, No. 69, edited by Morris Edelson
mags_quixotev7n69Madison: Quixote Press, April 1973
“More Fun… with Your Guns” [collage]

[note cover has Vol.7, No. 96, but masthead reads Vol.7, No.93]


115. QUIXOTE, Vol. 8, No. 3, edited by Morris Edelson
mags_quixotev8n3Madison: Quixote Press, 1974
“Night People”, “The Result is Always Circular, 2”, “Motion Poem”




116. RESPONSE, No. 8, edited by Bill Novak
Waltham: Response, Fall 1970
“New Year”

117. RESPONSE, No. 10, edited by Bill Novak
Waltham: Response, Spring 1971
“Poem to Michael Solomon”

118. THE SERIF, Vol. 8, No. 4, edited by Alex Glidzen and Dean H. Keller
mags_serifv8n4
Kent: Kent State University, December 1971
“The Bells of the Cherokee Ponies”

Note: contains Jim Lowell’s A Preliminary Checklist of the Writings of d.a. levy (1942-1968)


119. STONE COUNTRY, Vol. 74, No. 1, edited by Judy Neeld
mags_stonecv74n1
Madison: Stone Country Press, 1974
“Shell Stop”





120. VAGABOND, No. 10, edited by John Bennett
mags_vagabond10San Francisco: Vagabond Press, 1971
“Third Quarter”





121. THE WHITES OF THEIR EYES: REVOLUTIONARY POEMS , CONSUMPTION, Vol. 3, Nos. 1 & 2, edited by Paul Hunter, Patti Parson, and Tom Parson
mags_whiteseyesSeattle: Craft Associates, March 1970
“The Bells of the Cherokee Ponies”, “Bourgeoisie Chant”





1980s+

122. BOMBAY GIN, Vol. 2, No. 2
mags_bombayginv2n2Boulder: Naropa Institute, Summer 1992
“This Game is Under Way!”





123. THE COVENTRY READER
Cleveland Heights: The Coventry Reader, Summer 1988
“Tombstone as a Lonely Charm”

124. THE COVENTRY READER
Cleveland Heights: The Coventry Reader, October 1988
“Prose: On Poetry in the Wholesale Education & Culture System”, “The River”, “Road, Road Go Away”, “Lady A-Bourgeoisie Chant”, “Lines for Lady Jane”, “Great Man Sleeping in a Closet”, “The Bells of the Cherokee Ponies”, “Maralien #1”, “Roses That”, “The New Ethnic Folk Poem for the Beat Generation in Cleveland”, “Songs for Dead Children”, “One Death in the Life of Julie, Concrete Poems: Electric Music”, “2 Censorship Poems”, “Impose it on Yourself”, “Visualized Prayer to the American God #3”, “Visualized Prayer to the American God #4”, “Sun Poem”, “Idol of Death”, “Original Light Rock”, “Film Village”

125. MINESHAFT, Number 12
Lewisburg: Mineshaft, October 2003
“She’ll Fight to the End for Dick (from The Madison Collages)”




126. PLANET DETROIT, Vol. 1 No. 1, edited by Kurt Nimmo
mags_planetdetroitDetroit: Planet Detroit, 1984
“Lettre to Cleveland (from Kibbutz in the Sky)”





127. THE TULE REVIEW, Summer 1995, edited by Julia Connor and Mary Zeppa
mags_tulereviewSacramento: The Sacramento Poetry Center, Summer 1995
“Night People”, “Mausoleums of the Ta Tsing Dynasty”, “Black Pony”, “When the Light Went On”, “Ode to David Hume”, “2 Censorship Poems”, “The Meat Rose”, “Sun Poem”, “Guatemala Tourist Commission”, “Logic 21”, “Interior Travel”, “Visualized Prayer To The American God #3”, “Visualized Prayer To The American God #4”

Note: cover art by d.a. levy

128. UNMUZZLED OX, edited by Michael Andre and Erika Rothenberg
mags_unmuzzledoxNew York: Unmuzzled Ox Foundation, 1981
“Maralien 1”, “Maralien 2”, “Maralien 3”





d.a. levy: Books and Other Separate Publications

>> return to d.a. levy main page >>

Section A:
This index includes books and other separate publications


1. levy, d.a. FRAGMENTS OF A SHATTERED MIRROR
levy_fragmentsFirst edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 44 pages, 100 numbered and signed copies, letterpress printed by d.a. levy. The poet’s first book. (Lowell A2, T&H P-01)

2. levy, d.a. VARIATIONS ON FLIP
First edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 36 pages, 100 numbered and signed copies, letterpress printed by d.a. levy. (Lowell A1, T&H P-02)

3. levy, d.a. MORE WITHDRAWED OR LESS
levy_morewithFirst edition:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 36 pages, 100 numbered and signed copies, letterpress printed in multiple colors by d.a. levy. (Lowell A3, T&H P-03)

4. levy, d.a. A STUDY IN AERODYNAMICS
First edition:
Cleveland: n.p., July 1963
Postcard, 3″ x 5″, letterpress printed and  with a block print by d.a. levy. (T&H P-10)

5. levy, d.a. THREE LEGGED INTROVERT
First edition:
Cleveland: n.p., July 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. (T&H P-11)

6. levy, d.a. ANKARA
First edition:
Cleveland: n.p., August 1963
Postcard, 3″ x 5″, letterpress printed and with a block print by d.a. levy. (T&H P-12)

7. levy, d.a. HAPPY HIROSHIMA DAY
First edition:
Single card folded once, letterpress printed and block print by d.a. levy. (T&H P-13)
[not in archive]

8. levy, d.a. MORE WITHDRAWED OR LESS
Second printing revised:
Cleveland: Renegade Press, 1963
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 21 pages, 100 copies, signed, letterpress printed by d.a. levy. This printing includes poems in a different sequence than in the first printing and some additions and omissions. (Lowell A4, T&H P-16)

9. levy, d.a. 5 CLEVELAND PRINTS
First edition:
Cleveland: Renegade Press, 1964
Five prints laid into printed wrappers, 11.5″ x 6.75″, 50 copies, letterpress printed and with prints by d.a. levy. (Lowell A7, T&H P-27)

10. levy, d.a. 6 CLEVELAND PRINTS, Vol. 2
First edition:
Cleveland: Renegade Press, 1964
Six prints laid into printed wrappers, 10″ x 6″, 50 copies, letterpress printed and with prints by d.a. levy. (Lowell A8, T&H P-28)

11. levy, d.a. FAREWELL THE FLOATING CUNT
levy_farewellFirst edition:
Cleveland: Renegade Press, 1964
Side-stapled sheets bound into printed wrappers, 6″ x 6.25″, 14 pages, 105 copies, letterpress printed and with block prints by d.a. levy. Dedication: “for my brother, James”. (Lowell A6, T&H P-40)

12. levy, d.a. “ASTER F…” [Polluted Lake Series, No. 6]
levy_polluted06First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 4.25″ x 5.5″, 12 pages, 100 copies, letterpress printed by d.a. levy. (Lowell B3, T&H P-48)

13. levy, d.a. SLEEP [Polluted Lake Series, No. 11]
levy_polluted11First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 4.5″ x 2″, 8 pages, 100 copies, letterpress and mimeograph printed by d.a. levy. Published using levy’s pseudonym Alan Denis. (Lowell B3, T&H P-53)

14. levy, d.a. CHALCHIHUITLICUE
First edition:
Cleveland: Renegade Press, 1965
Side-stapled in printed wrappers, 3 pages, 37 copies, letterpress printed by d.a. levy. Dedication: “for Carol Bergé”. (T&H P-61)
[not in archive]

15. levy, d.a. 50 SECONDS TIL BLASTOFF
First edition:
Cleveland: Renegade Press, 1965
Saddle-stapled in printed wrappers, 50 pages, 37 copies, letterpress printed by d.a. levy. (T&H P-62)
[not in archive]

16. levy, d.a. GOT BUTTER ON IT [Ohio City Series, No. 6]
levy_ohiocity6
First edition:
Cleveland: 7 Flowers Press, 1965
Side-stapled sheets tipped into printed wrappers, 5.5″ x 7″, 9 pages, 100 copies, letterpress printed by d.a. levy. (Lowell B4, T&H P-69)

17. levy, d.a. NORTH AMERICAN BOOK OF THE DEAD, PART 1 & 2
levy_nabotda. First edition, regular copies:
Cleveland: The Free Lance Press, 1965
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 20 pages, mimeograph printed. (Lowell A12, T&H B-03)

b. First edition, special copies:
Cleveland: The Free Lance Press, 1965
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 20 pages, 7 copies with 3 paintings by d.a. levy bound in, mimeograph printed. (Lowell A12, T&H B-03)

18. levy, d.a. PLASTIC SAXOPHONE FOUND IN AN EGYPTIAN TOMB
First edition:
Cleveland: n.p., 1966
Side-stapled sheets in printed and illustrated cover, 8.5″ x 11″, 11 pages, 100 copies, spirit duplicator printed. (Lowell A25, T&H P-74)


19. levy, d.a. WHITE LIGHT
levy_whitelightFirst edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled sheets bound in to printed wrappers, 10″ x 3.75″, 26 pages, letterpress printed by d.a. levy. Dedication: “for Sam Dogin”. (Lowell A27, T&H P-75)

20. levy, d.a. THE CEMENT FUCK
levy_cementFirst edition:
Cleveland: Renegade Press, 1966
Side-stapled sheets bound in to painted wrapper, 8.5″ x 11″, 20 pages, 110 copies, mimeograph printed by d.a. levy. Original cover art  by Mara. Introduction by Khu-en-oho. Partial mimeograph stencil bound in. (Lowell A24, T&H P-88)

21. levy, d.a. VISUALIZED PRAYERS & HYMN FOR THE AMERICAN $GOD$
levy_visualizedFirst edition:
Cleveland: Renegade Press, 1966
Side-stapled in printed wrappers, 9″ x 5.75″, 12 pages, 115 copies, mimeograph printed by d.a. levy. Dedicated “to americans dying in foreign countries when there are battles to be fought in america”. (Lowell A16, T&H P-89)

22. levy, d.a. LINES FOR LADY JANE
First edition:
Cleveland: n.p., 1966
Side-stapled sheets in card covers with unique painting tipped on to each copy, 5″ x 7″, 2 pages, 100 copies, mimeograph and letterpress printed with block prints and oil paint by d.a. levy. (Lowell A22, T&H P-90)

23. levy, d.a. SCARAB
First edition:
Cleveland: n.p., 1966
First edition, stapled sheets bound in to printed wrappers, 4.5″ x 7″, 12 pages, mimeograph and letterpress printed by d.a. levy. (Lowell A26, T&H P-91)

24. levy, d.a. HAPY HIROSHIMA DAY
First edition thus, second printing:
Cleveland: n.p., 1966
Single 6″ x 7″ sheet folded once to make four pages, letterpress printed and with a block print by d.a. levy. (T&H P-93)

25. levy, d.a. THE GREAT TIBETAN TRAIN ROBBERY MYSTERY PLAY IN COLOR: A MANDALA HERNIA RUPTURED WORD GAME 
levy_greattibetanFirst edition:
Swamp Erie, n.p., 1966
Side-stapled in printed wrappers, 5″ x 8″, 38 pages, 73 copies, mimeograph printed. Includes multiple sheets laid in with hand-written titling. Distributed by Ganglia Press as Singing Hands Series #3. (Lowell 17, T&H P-96)

Note: According to the Ganglia Press Index (Ganglia, Series 1, No. 8) this item was “printed in Cleveland by 7 Flowers Press & distributed by Ganglia”.

26. levy, d.a. CLEVELAND UNDERCOVERS
levy_undercoversa. First edition, regular copies:
Cleveland: 7 Flowers Press, 1966
Side-stapled sheets bound into illustrated wrappers, 6″ x 8.5″, 18 pages, 500 copies, letterpress and mimeograph printed by d.a. levy.  Dedicated to Jim Lowell. Cover block print by dagmar. (Lowell A15, T&H P-107)

b. First edition, special copies:
Cleveland: 7 Flowers Press, 1966
Side-stapled sheets bound into collaged and printed wrappers, 6″ x 8.5″, 18 pages, 65 special copies with “Freak” covers by the author, letterpress and mimeograph printed by d.a. levy.  Dedicated to Jim Lowell. (Lowell A15, T&H P-107)

27. levy, d.a. CLEVELAND: THE RECTAL EYE VISIONS
First edition:
Niagara Falls: press : today : niagara, 1966
Side-stapled in unprinted wrapper. 8.5″ x 13″, 40 pages, 126 copies. Introduction “Putting Things in Perspective a Little” by Douglas Blazek. (Lowell A19, T&H B-05)

28. levy, d.a. GREAT MAN SLEEPING IN A CLOSET
levy_greatmanFirst edition:
Cleveland: 7 Flowers Press, 1966
Side-stapled in printed and collaged wrappers, 4.75″ x 2.5″, 6 pages, letterpress and mimeograph printed by d.a. levy. Dedicated for Richard Allen Morris. (Lowell A21, T&H P-108)

29. levy, d.a. THE NORTH AMERICAN BOOK OF THE DEAD
levy_nabotd2First edition, thus:
Cleveland: 7 Flowers Press, 1966
Side-stapled sheets bound into printed and hand-painted wrappers, 8.5″ x 11″, 56 pages, 210 copies, mimeograph printed by d.a. levy. Unique cover painting by d.a. levy. This is the first 7 Flowers Press edition, but the second revised printing after the Free Lance Press edition (see A15). (Lowell A23, T&H P-109)

30. levy, d.a. KIBBUTZ IN THE SKY
levy_kibbutzFirst edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled sheets in illustrated wrapper, 8.5″ x 11″, 13 pages, 150 copies, mimeograph printed by d.a. levy. (Lowell A29, T&H P-132)


31. levy, d.a. KIBBUTZ IN THE SKY, BOOK 2
a. First edition, first printing
Cleveland: 7 Flowers Press, 1967
Side-stapled sheets, 8.5″ x 11″, 8 pages, 200 copies, mimeograph printed by d.a. levy. (Lowell A30, T&H P-133)

b. First edition, second printing
Cleveland: Free Love Press, 1967
Side-stapled sheets in illustrated cover, 8.5″ x 11″, 8 pages, 200 copies, spirit duplicator printed by d.a. levy. (not in Lowell nor T&H)


32. levy, d.a. THE BOX LUNCH TRAVEL-OG OF FREMONT GULCH
levy_boxlunchFirst edition:
Cleveland: 7 Flowers Press, 1967
Side-stapled sheets in printed and illustrated wrapper, 8.5″ x 11″, 10 pages, spirit duplicator printed by d.a. levy. (Lowell A32, T&H P-134)


33. levy, d.a. POEM FOR JULIE
levy_poemforjulieFirst edition:
Cleveland: Grass Coin Publishing, 1967
Side-stapled in silk-screened cover, 8.5″ x 11″, 8 pages, 260 copies, mimeograph printed by d.a. levy. Cover illustration after a photo by M.J. Roach. (Lowell A31, T&H P-146)

34. levy, d.a. POEMS
First edition:
Cleveland: Find-us-if-you-can Press, 1967
Side stapled sheets in printed cover, 8.5″ x 11″, 24 pages, spirit duplicator printed.
(T&H B-06)


35. levy, d.a. TANTRIC STROBE (PARTS 1 & 2)
First edition:
Cleveland: Ghost Press, July 1967
First edition, stapled sheets glued into illustrated wrappers, 8.5″ x 11″, 24 pages, 150 copies. Published as Persecuted Poet Series #2. Cover art and internal silkscreens by Kryss.(Lowell A31, T&H B-08)

36. levy, d.a. TOMB STONE AS A LONELY CHARM
levy_tombstone1First edition:
Sacramento: Runcible Spoon, 1967
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 8 pages, 500 copies, mimeograph printed. (Lowell A37, T&H B-10)


37. levy, d.a. TOMB STONE AS A LONELY CHARM, PART 2
levy_tombstone2First edition:
Sacramento: Runcible Spoon, 1968
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 6 pages, 500 copies, mimeograph printed. (Lowell A37, T&H B-11)


38. levy, d.a. TOMB STONE AS A LONELY CHARM, PART 3
First edition:
Sacramento: Runcible Spoon, 1968
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 6 pages, 500 copies, mimeograph printed. (Lowell A37, T&H B-12)


39. levy, d.a. THE BEGINNING OF SUNNY DAWN
levy_beginningFirst edition:
Cleveland: Ghostflower Press, 1968
Side-stapled sheets in illustrated cover, 8.5″ x 11″, 10 pages, 236 copies, signed by levy, spirit duplicator and mimeograph printed. Cover art by Sandy Webb. (Lowell A43, T&H B-13)

40. levy, d.a. SUBURBAN MONASTERY DEATH POEM
levy_suburbanFirst edition:
Cleveland: Zero Edition, 1968
Side-stapled sheets bound into illustrated wrappers, 8.5″ x 11″, 28 pages, 500 copies, mimeograph printed. Cover art by Barb O’Connelly. (Lowell A42, T&H B-14)

41. levy, d.a. POEMS
First edition:
Madison: Quixote Press, 1968
Top-stapled sheets in printed wrappers, 4 ” x 14″, 15 pages, 150 copies, offset printed. (Lowell A41, T&H B-15)



42. levy, d.a. THE TIBETAN STROBOSCOPE
levy_tibetanstroboFirst edition:
Cleveland: Ayizan Press, 1968
Saddle-stapled in printed and illustrated wrappers, 7.5″ x 11.75″, 32 pages, 4000 copies (though 3000 are rumored to have been destroyed by the author), offset printed on newsprint. Dedicated to Allen Ginsberg, Alan Watts, Robert Aitken, Phillip Kapleau, Paul Reps, and Philip Whalen. “An experiment in destructive writing other communications and concrete prose”.
(Lowell A44, T&H P-174)

43. levy, d.a. ZEN CONCRETE: TRANSLATIONS & A NEW INTERPRETATION OF BUDDHIST DOCTRINES
levy_zenconcreteFirst edition:
n.p.: Blewointment Press, October 1968
First edition, 48 pages, 8.5″ x 11″, stapled sheets with illustrated cover, 300 copies, mimeograph and offset printed. Front cover photo by M.J. Roach. (Lowell A39, T&H B-16)

44. levy, d.a. PROSE: ON POETRY IN THE WHOLESALE EDUCATION AND CULTURE SYSTEM
levy_prose1a. First edition, first printing:
Milwaukee: Gunrunner Press, 1968
Saddle-stapled in printed and illustrated wrappers, 8.5″ x 11″, 20 pages, 300 copies, offset and mimeograph printed. Folded one-page letter laid in from editor Jim Soric: “Letter to Those Who Haven’t Heard: d.a. levy is Dead”. Purportedly the last piece written for publication by d.a. levy. (Lowell A38, T&H B-17)

b. First edition, second printing:
Milwaukee: Gunrunner Press, n.d. [c. 1968]
Saddle-stapled in printed wrappers, 8.5″ x 11″, 12 pages, 250 copies, offset printed. (T&H B-17)



45. levy, d.a. POEM FOR BEVERLY
levy_poembeverlyFirst edition:
Cleveland: Cold Mountain Publishing Company, December 1968
Side-stapled sheets bound into silk-screened wrappers, 5.5″ x 8.5″, 8 pages, 400 copies. Cover silkscreen by T.L. Kryss. (Lowell A40, T&H B-18)

46.levy, d.a. THE MADISON POEMS
a. First edition
Madison: Quixote Press, January-March 1969
Silk-screened manila envelope measuring 9.25″ x 12″, contains reproductions of collages and concrete poems on loose cards and paper-stock, a folio of cards, and  a side-stapled booklet with collage covers containing The Madison Poems, and Suburban Monastery Death Poem. Cover silkscreen by T.L. Kryss. Publisher’s Preface by Morris Edelson, Introduction by Dave Wagner. Published as Quixote Vol. 4, No. 6.
(Lowell A46, T&H B-19)

[included in The Madison Poems]
levy, d.a. 7 CONCRETE POEMS / CONCRETE POEMS / ELECTRIC GREEK POEMS (for Bob Gabriner)

levy_7concreteLoose sheets in folio measuring 5.5″ x 6″, offset printed. This is a collection of poems under 3 different titles (as noted above): 6 under the 1st title (the title says “7”, but there were only 6); 7 under the 2nd title; and 6 under the 3rd. Each poem is printed on separate card (cards of varying sizes), and the cards are inserted in a blue wraparound pocket that serves as the cover.

b. Second edition
Madison: Quixote Press, May 1972
Silk-screened manila envelope measuring 9.25″ x 12″, contains reproductions of collages and concrete poems on loose cards and paper-stock, a folio of cards, and  a side-stapled booklet with collage covers containing The Madison Poems, and Suburban Monastery Death Poem, plus a reproduction of The Tibetan Stroboscope. Cover silkscreen by T.L. Kryss. Publisher’s Preface by Morris Edelson, Introduction by Dave Wagner. Published as a reproduction of Quixote Vol. 4, No. 6. (T&H B-19)

47. levy, d.a. SONGS FOR DEAD CHILDREN
levy_songsfordeadFirst edition:
San Francisco: Black Rabbit Press, May 1969
Side-stapled sheets bound into silkscreened wrappers, 8.5″ x 11″, 6 pages, 100 copies, silkscreen and mimeograph printed. Cover art by Barbara O’ Connelly. (Lowell A48, T&H B-20)

48. levy, d.a. THE BEGINNING OF SUNNY DAWN & RED LADY
levy_beginningred
First edition, thus:
San Francisco: Open Skull Press, 1969
Saddle-stapled in illustrated wrappers, 8″ x 9 “, 20 pages, 500 copies, offset printed. Cover art by Douglas Blazek. This is the second printing of The Beginning of Sunny Dawn, first published by Ghostflower Press in 1968 in an edition of 236 copies. This is the first printing of Red Lady. (T&H B-23)

49. levy, d.a. RED LADY
levy_redlady1First edition, thus:
Cleveland: Para-Shakti Press, November 1969
Side-stapled in printed wrapper, 6.25″ x 7.5″, 22 pages, 500 copies, mimeograph printed. Initially published in an edition of 500 copies by Open Skull Press in 1969. (T&H B-21)

50. levy, d.a. POSTCARD
levy_postcardFirst edition:
Toronto: Ganglia Press, 1969
Folding card with printed and illustrated cover, 4.25″ x 5″. Cover drawing by levy. Published as “#26 in the mimeo march to total madness. A Ganglia 5¢ gun for the revolution.”
(T&H B-22)

51. levy, d.a. TO BE A DISCREPANCY IN CLEVELAND
levy_discrepancyFirst edition:
Cambridge: Radical America, n.d. [c.1970]
Saddle-stapled in printed and illustrated wrappers 5.25″ x 8.5″, 46 pages. Poems reprinted from D.A. Levy: A Tribute to the Man (Cleveland: Ghost Press, 1968), Poems (Madison: Quixote Press, 1968), The Madison Poems (Madison: Quixote Press, January-March 1969). (not in T&H)

52. levy, d.a. STONE SARCOPHAGUS
levy_sarcophagusMadison: Radical America, n.d. (1970)
First edition, stapled wrappers, 5.5″ x 8.5″, 24 pages. Issued as “the first in a series of poetry pamphlets published by Radical America”.
(not in T&H)

 

53. levy, d.a. RED LADY
levy_redlady2First edition:
Vancouver: blewointmentpress, March 1970
Saddle-stapled in illustrated wrappers, 7″ x 8.5″, 12 pages, 700 numbered copies, offset and mimeograph printed. Cover photo by Klaas Verboom. Originally published in an edition of 500 by Open Skull Press. (not in T&H)

54. levy, d.a. NOTES: VARIATIONS ON A SHORT POEM
levy_notesFirst edition:
Sacramento: Runcible Spoon, 1970
Side-stapled sheets with printed cover, 4.25″ x 5.5″, 12 pages, 300 copies, mimeograph printed. Cover illustration by Allen Ginsberg.
(Lowell A49, T&H B-24)

55. levy, d.a. PRIVATE NO PARKING
levy_privateFirst edition:
Madison: RPM Printing, 1972
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 52 pages, 1000 copies, offset printed.
(T&H C-02)

Note: From Morris Edelson’s introduction: “levy… was invited in 1968 by Quixote to spend some time in Madison. he came, slept at Grace and Dave Wagner’s, visited some Freshman English classes and Comparative Literature Department meetings, gave a non-reading, and taught/didn’t teach a class: it was a Free University class in telepathy, d.a. never went but the class met anyway, thinking he was trying to tell them something. he was.”

54. levy, d.a. PROSE: ON POETRY IN THE WHOLESALE EDUCATION & CULTURE SYSTEM
First edition, third printing:
Cleveland: Offense Fund, November 1974
Side-stapled sheets bound into printed and illustrated wrappers, 5.5″ x 8.5″, 20 pages, 380 copies. Silkscreen insert by T.L. Kryss. Previously published by Gunrunner Press in Milwaukee in 1968. (not in T&H)

56. levy, d.a. THE MADISON COLLAGES
First edition:
Cleveland: Offense Fund, November 1975
Top-stapled sheets in silk-screened cover with library tape binding, 9″ x 13.5″, 48 pages, 350 copies, silkscreen and offset printed. Cover silkscreen by T.L. Kryss. The Madison Collages were first published in an envelope by Quixote Press in Madison in 1969 (see A43). (T&H B-25)

57. levy, d.a. TOMBSTONE AS A LONELY CHARM (PARTS I, II, & III)
First edition, thus:
Cleveland: Falling Down Press, May 1975
Side-stapled sheets bound in to illustrated wrappers, 5.75″ x 9″,  28 pages, 100 copies, silkscreen and mimeograph printed. Cover art by Michael Schaefer. (not in T&H)

58. levy, d.a. BARKING RABBIT
First edition, thus:
Cleveland: Falling Down Press, March 1976
Side-stapled in silk-screened cover, 8.5″ x 11″, 26 pages, 200 copies. Cover silkscreen by T.L. Kryss, illustration by M. Schaefer. Reprints material from The Buddhist Third Class Junkmail Oracle, NOLA Express, Campfires of the Resistance, Unmuzzled Ox, and The Box Lunch Travel-og of Freemont Gulch. (T&H C-04)

59. levy, d.a. COLLECTED POEMS
First edition:
Ephraim: Druid Books, 1976
Perfect-bound illustrated wrappers, paperback, 5.5″ x 8.5″, 232 pages, offset printed. (T&H CO-05)



60. levy, d.a. RED CAT OF REASON (BARKING TOO)
First edition, thus:
Cleveland: Falling Down Press, April 1976
Top-stapled and bound in to silk-screened wrappers, 7″ x 13.25″, 26 pages, 120 copies, silkscreen and mimeograph printed. Reprints material from The Buddhist Third Class Junkmail Oracle, Poems (Quixote Press), For Stan Heliburn Who Fled from Freedom, Quixote, For John R. Scott Who Painted Flowers, Graffiti, Red Lady, The Madison Poems (Quixote Press). (T&H C-06)

61. levy, d.a. SUBURBAN MONASTERY DEATH POEM
levy_suburban2Second, separate edition:
Cleveland: Offense Fund, May 1976
Saddle-stapled in printed and illustrated wrappers, 7.25″ x 8.75″, 40 pages. Cover photographs by Mark Kaufman. (not in T&H)


62. levy, d.a. THE PRAPS I SERIES
First edition:
n.p.: Mostly Broken Scabs Press, 1977
Side-stapled and bound in to silk-screened wrappers, 8.5″ x 12″, 28 pages, 125 copies. Includes material reprinted from D.A. Levy: A Tribute to the Man (Cleveland: Ghost Press, 1968). (not in T&H)

63. levy, d.a. SCARAB POEMS
levy_scarabFirst edition:
n.p.: Writersforum, 1978
Side-stapled in hand-printed and illustrated wrappers, 14 pages, 6″ x 8″. (T&H B-26)



64. levy, d.a. KIBBUTZ IN THE SKY
levy_kibbutz2First edition, thus:
Brigham: Samisdat, n.d. [c.1978]
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 16 pages. Published as Samisdat, Vol. 12, No. 4, 67th release. (not in T&H)


65. levy, d.a. BERET: A CONCRETE POEM FOR THE WAR MONUMENTS
levy_beretFirst edition, thus:
Detroit: Planet Detroit Poems, August 1984
Saddle-stapled in un-printed wrappers [present image is of title page], 5.5″ x 8.5″, 16 pages.
(not in T&H)


d.a. levy


d.a. levy Checklist:

Section A: Books and Other Separate Publications
Section B: Contributions to Books and Other Publications
Section C: Contributions to Periodicals
Section D: Publications Edited and Published
Section E: Periodicals and Series Edited and Published

Jim Lowell’s d.a. levy checklist

Falling Down Press and Kirpan Press


References Consulted:

THE BUDDHIST THIRD CLASS JUNKMAIL ORACLE: The Art and Poetry of d.a. levy, edited by Mike Golden. NY: Seven Stories Press, 1999.

D.A. LEVY & THE MIMEOGRAPH REVOLUTION, edited by Larry Smith and Ingrid Swanberg. Huron: Bottom Dog Press, 2007

LOOKING FOR D.A. LEVY (RANDOM SIGHTINGS): THE D.A. LEVY BIBLIOGRAPHY, Volume 1 [1963-1966], edited by Kent Taylor and Alan Horvath. Vancouver: Kirpan Press, 2006

LOOKING FOR D.A. LEVY (RANDOM SIGHTINGS): THE D.A. LEVY BIBLIOGRAPHY, Volume 2 [1967-1968], edited by Kent Taylor and Alan Horvath. Vancouver: Kirpan Press, 2008

ZEN CONCRETE & ETC. BY D.A. LEVY, edited by Ingrid Swanberg. Madison: Ghost Pony Press, 1991


Online Resources:

· Cleveland Memory Project
· d.a. levy home page
· Deep Cleveland
· Literary Kicks


Some notes on printing methods:

Mimeograph:
The stencil duplicator or mimeograph machine is a low-cost duplicating machine that works by forcing black ink through a stencil onto levy_greattibetanpaper. The mimeograph process should not be confused with the spirit duplicator process.

Unlike spirit duplicators (where the only ink available is depleted from the master image), mimeograph technology works by forcing a replenishable supply of ink through the stencil master. In theory, the mimeography process could be continued indefinitely, especially if a durable stencil master were used (e.g. a thin metal foil). In practice, most low-cost mimeo stencils gradually wear out over the course of producing several hundred copies. Typically the stencil deteriorates gradually, producing a characteristic degraded image quality until the stencil tears, abruptly ending the print run. If further copies are desired at this point, another stencil must be made.

Spirit Duplicator:
A spirit duplicator (also referred to as a Ditto machine in North America, Banda machine in the UK or Roneo in Australia, France and South Africa) was a printing method invented in 1923. The term “spirit duplicator” refers to the alcohols which were a major component of the solvents used as “inks” in these machines.

The usual wax color was aniline purple (mauve), a cheap, moderately durable pigment that provided good contrast, but masters were also manufactured in red, green, blue, black, and the hard-to-find orange, yellow, and brown. All except black reproduced in pastel shades: pink, mint, sky blue, and so on.

Spirit duplicators had the useful ability to print multiple colors in a single pass, which made them popular with cartoonists. Multi-colored designs could be made by swapping out the waxed second sheets; for instance, shading in only the red portion of an illustration while the top sheet was positioned over a red-waxed second sheet. This was possible because the duplicating fluid was not ink, but a clear solvent.