The history of the Batman Gallery is detailed in the book “O Her Blackness Sparkles!” The Life and Times of the Batman Art Gallery, San Francisco 1960-1965, by Jack Foley.
Tag Archives: Michael McClure
Foot
Poet Richard Duerden was born in Utah and raised in the San Francisco Bay Area. He joined the Merchant Marines and the Marine Corps and was educated at the University of California.
A member of the San Francisco Renaissance poetry movement, Duerden founded the literary journals Foot and the Rivoli Review. His books of poetry include The Fork (1965), The Left Hand & The Glory of Her (1967), and The Air’s Nearly Perfect Elasticity (1979). His poetry was anthologized in The New American Poetry, 1945–1960 (1960, edited by Donald Allen). A selection of his manuscripts and correspondence is archived in the Stanford University Libraries and a smaller selection of his correspondence with poet Philip Whalen is archived at the Reed College Library.
Foot, No.1, edited by Richard Duerdan
San Francisco, September 1959
First edition, hand-sewn illustrated wrappers, 6.75″ x 8.5″, 56 pages. Cover illustration by Robert Duncan.
Contributors: Ebbe Borregaard, Richard Brautigan, Jess Collins, Richard Duerden, Robert Duncan, Larry Eigner, Eloise Nixon, Philip Whalen, Gary Snyder.
Foot, No. 2, edited by Richard Duerden and William Brown
San Francisco, 1962
First edition, saddle-stapled illustrated wrappers, 6.75″ x 8.75″, 80 pages. Illustrations by Philip Roeber and Philip Whalen.
Contributors: Philip Whalen, Philip Roeber, Joanne Snyder, Richard Duerden, Robert Duncan, Jack Spicer, Kenneth Rexroth, William Brown, Lew Welch, Leslie Thompson, Jess Collins, Gary Snyder, Michael McClure, Suzanne Duerden.
Foot, No. 3, edited by Richard Duerden
San Francisco, Spring 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.5″, 12 pages. Cover illustration by Robert Duncan.
Contributors: Robert Creeley, Duncan McNaughton, Richard Duerden, John Thorpe, Lawrence Kearney.
Foot, No. 4, edited by Richard Duerden
San Francisco, Summer 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.75″, 16 pages. Cover illustration by Terry Bell.
Contributors: Lawrence Kearney, Jerry Ratch, Duncan McNaughton, Don Cushman, James Koller.
Foot, No. 5, edited by Richard Duerden
San Francisco, Fall 1977
First edition, saddle-stapled illustrated wrappers, 7″ x 8.5″, 12 pages. Cover illustration by Leslie Scalapino.
Contributors: Leslie Scalapino, Richard Duerden, Michael Wolfe, Ron Loewinsohn.
Foot, No. 6, edited by Leslie Scalapino and Richard Duerden
Berkeley, 1978
First edition, perfect bound illustrated wrappers, 7″ x 9″, 40 pages. Cover illustration by Diane Sophia.
Contributors: Diane Sophia, Leslie Scalapino, Larry Kearney, John Thorpe, Philip Whalen, Diane Sophia, Don Cushman, Sherril Jaffe, Michael Davidson, Michael Wolfe, Duncan McNaughton, Robert Duncan, Norman Fischer, Bernadette Mayer, Peter Rabbit, Richard Duerden.
Foot, No. 7, edited by Richard Duerden
Berkeley, 1979
First edition, perfect bound illustrated wrappers, 7″ x 5.5″, 40 pages. Cover illustration by Terry Bell.
Contributors: Lawrence Kearney
Foot, No. 8, edited by Leslie Scalapino and Richard Duerden
Berkeley, 1980
First edition, perfect bound illustrated wrappers, 7″ x 9″, 52 pages.
Contributors: Keith Shein, Leslie Scalapino, Diane Sophia, Norma Smith, Sarah Menefee, Don Cushman, Joanne Kyger, Larry Eigner, Bill Berkson, Bob Grenier, Jackie Cantwell, Ted Pearson, Marc Lecard, Lawrence Kearney, Jeanne Lance, Duncan McNaughton, Michael Wolfe, Carla Harryman.
Wallace Berman – Posters and Prints
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This index collects posters and prints reproducing Berman’s photographs and verifax images
Berman, Wallace. GEORGE HERMS EXHIBITION
San Francisco: Batman Gallery, 1961
First edition, poster, 20″x 15″, offset printed in red and black on beige stock, designed by Wallace Berman announcing an exhibition of works by George Herms at the Batman Gallery in San Francisco, This is Berman’s first poster.
Berman, Wallace. 2ND LOS ANGELES FILM MAKER’S FESTIVAL
Los Angeles: Cinema Theatre, February 1963
First edition, poster, 12.5″ x 18″, offset printed from collage and manuscript, designed by Wallace Berman.
Berman, Wallace. LOVEWEED
n.p.: Wallace Berman, 1963
First edition, poster, 14.5″ x 10″, offset printed in black and gray-scale, designed by Wallace Berman.
Berman, Wallace. THIRD LOS ANGELES FILM MAKER’S FESTIVAL
Los Angeles: Cinema Theatre, October 1964
First edition, poster, 21.5″ x 22.5″, offset printed from verifax prints, designed by Wallace Berman.
Berman, Wallace. CMN / DENOMINATOR MIC.W736
Los Angeles: Wallace Berman, 1967
First edition, poster, 17″x21″, offset printed in black and yellow, designed by Wallace Berman.
Berman, Wallace. RETARD PARA. 33. SEC. 12. MM
Los Angeles: privately printed, 1967
First edition, poster, 17″ x 21″, offset printed in black and yellow, designed by Wallace Berman.
Berman, Wallace. POETRY IS A MUSCULAR PRINCIPLE
Los Angeles: Wallace Berman, 1966
First edition, broadside, 5.5″ x 8.5″, text by Michael McClure and photograph of McClure by Wallace Berman.
Berman, Wallace. OPT. 82. BOOSTER BNG. ANGUINEA/Y
Los Angeles: Black Sparrow Press, 1967
First edition, poster, 25″ x 22″, 385 numbered copies (100 signed by Berman), offset printed in black, red and orange.
[Publishers printed announcement reproduces image]
Berman, Wallace. MICHAEL MCCLURE’S THE BEARD
Los Angeles: Warner Playhouse, 1968
First edition, poster, 8.5″ x 14.5″, offset printed in red and gray-scale. Poster for the 1968 Los Angeles premiere of McClure’s play, after the productions had been shut down in New York and San Francisco. Poster designed and with a photo by Wallace Berman.
Berman, Wallace. RADIO/AETHER SERIES
Los Angeles: Gemini G.E.L., 1974
First edition, 50 copies plus 10 artist’s proofs, printed cloth-covered box containing 13 2-color mounted lithographs [photographed from original verifax] and a signed title page/colophon. Each lithograph measures 12″x13″ and reproduces a grid of four of Berman’s iconic hand-held radios with different images in each.
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Wallace Berman – Cover and Book Art
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This index collects book and periodical contributions, often in the form of cover art or photography
Lamantia, Philip and Antonin Artaud. NARCOTICA
San Francisco: Auerhahn Press, 1959
Cover photographs by Wallace Berman.
McClure, Michael. THE NEW BOOK / A BOOK OF TORTURE
New York: Grove Press/Evergreen Original, 1961
Author photograph on rear cover by Wallace Berman.
McClure, Michael. GHOST TANTRAS
San Francisco: City Lights, 1964
Cover photograph of author by Wallace Berman.
Heliczer, Piero. THE SOAP OPERA
London: Trigram Press, 1967
Two verifax images by Wallace Berman.
Hirschman, Jack. BLACK ALEPHS
London: Trigram Press, 1969
Cover photo-collage and chapter verifax images by Wallace Berman.
THE FLOATING BEAR, No. 37, edited by Diane di Prima
New York: The Floating Bear, 1969
Cover art by Wallace Berman.
FRUIT CUP, No. ZERO, edited by Mary Beach
San Francisco: Beach Books, 1969
Two verifax images by Wallace Berman.
McClure, Michael. HYMNS TO ST GERYON / DARK BROWN
London: Cape Goliard Press, 1969
Cover art by Wallace Berman.
CATERPILLAR, No. 14, edited by Clayton Eshelman
New York & Sherman Oaks: Caterpillar, 1970
Cover art “Topanga Seed” by Wallace Berman.
Meltzer, David. LUNA
Los Angeles: Black Sparrow Press, 1970
Cover art by Wallace Berman.
[printed prospectus reproduces moon image]
CATERPILLAR 17, edited by Clayton Eshelman
Berkeley & Sherman Oaks: Caterpillar, 1971
Cover art by Wallace Berman.
Perkoff, Stuart Z. ALPHABET
Los Angeles: The Red Hill Press, 1973
Cover art by Wallace Berman.
Meltzer, David. HERO/LIL
Los Angeles: Black Sparrow Press, 1973
Cover art by Wallace Berman.
Mallarmé, Stéphane. IGITUR [translation by Jack Hirschman]
Los Angeles: Press of the Pegacycle Lady, 1974
Cover photograph by Wallace Berman.
[printed prospectus reproduces image]
Rothernberg, Jerome. ABULAFIA’S CIRCLE [published as Tree No. 6]
Milwaukee: Membrane Press, 1979
Cover art by Wallace Berman.
McClure, Michael. REBEL LIONS
New York: New Directions, 1991
Cover art by Wallace Berman.
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Semina
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This index lists issues of Semina, the periodical edited by Wallace Berman; contributors are listed alphabetically
1. SEMINA, No. 1, edited by Wallace Berman
Los Angeles: Wallace Berman, 1955
Envelope measuring 4″ x 7.75″ with silver gelatin print of Cameron tipped on to the exterior, contains 8 letterpress and offset printed cards of various dimension, 150 copies.
Contributors include: E. I. Alexander [Robert Alexander], Charles Brittin, Cameron, Peder Carr, Jean Cocteau, Marion Grogan, Herman Hesse, Walter Hopps, David Meltzer.
2. SEMINA, No. 2, edited by Wallace Berman
Los Angeles: Wallace Berman, December 1957
Saddle-stapled in wrappers with offset and letterpress printed image tipped on to the front wrapper, 5.5″ x 8.5″, printed by Stone Brothers Printing [Robert Alexander and Wallace Berman].
Contributors include: John Altoon, Jack Anderson, Charles Baudelaire, Wallace Berman, Charles Brittin, Charles Bukowski, Cameron, Peder Carr, Lewis Carroll, Eric Cashen, Jean Cocteau, Judson Crews, Paul Eluard, Marion Grogan, Hermann Hesse, Walter Hopps, Marcia Jacobs, J.B. [James Boyer] May, Mike McClure, David Meltzer, John Reed, Idell T. Romero [Aya Tarlow], Rabindranath Tagore, Alexander Trocchi, Lynn Trocchi, Paul Valéry, Zack Walsh, Pantale Xantos [Wallace Berman].
3. SEMINA, No. 3, edited by Wallace Berman
San Francisco: Wallace Berman, 1958
Broadside measuring 6.5″ x 22″ folded and tipped into folder measuring 9″ x 11″ with offset and letterpress printed image tipped on to the front cover, 200 copies.
Contributors include: Mike McClure.
4. SEMINA, No. 4, edited by Wallace Berman
San Francisco: Wallace Berman, 1959
Folder measuring 8″ x 9.5″ with a half-tone of Shirley Berman tipped on to the front cover, internal letterpress printed pocket contains 23 offset lithograph, lithograph, and letterpress printed cards of various dimensions
Contributors include: I. E. Alexander [Robert Alexander], Wallace Berman, William Blake, Ray Bremser, William S. Burroughs, John Chance, Sou-ma Ch’ien (translation by Charles Guenther), Beverly Collins, Judson Crews, Charles Foster, Allen Ginsberg, Pierre Jean Jouve (translation by Howard Shulman), Robert Kaufman, Philip Lamantia, Ron Loewinsohn, Michael McClure, David Meltzer, Stuart Perkoff, John Reed, Idell T. Romero [Aya Tarlow], Charles Stark, Jules Supervielle (translation by Charles Guenther), John Wieners, Pantale Xantos [Wallace Berman], W.B. Yeats.
From the Colophon: Type handset on beat 5 x 8 Excelsior handpress / cover photo: “Wife” by W. Berman / San Francisco 1959 / Art is Love is God.
5. SEMINA, No. 5, edited by Wallace Berman
Larkspur: Wallace Berman, 1959
Folder measuring 5″ x 7.5″, internal letterpress printed pocket containing 18 offset lithograph and letterpress printed cards of various dimensions, 350 copies. Cover photo by Charles Brittin.
Contributors include: Antonin Artaud, Wallace Berman, John Chance, Sor Juana Ines De La Cruz (translated by Philip Lamantia), Kirby Doyle, John Hoffman, Larry Jordan, Robert Kaufman, Philip Lamantia, Christofer Maclaine, William Margolis, Michael McClure, Anne McKeever, David Meltzer, John Reed, Ruth Weiss, John Wieners, Pantale Xantos [Wallace Berman].
6. SEMINA, No. 6, edited by Wallace Berman
Larkspur: Wallace Berman, 1960
Folder measuring 8″ x 8.5″, internal letterpress printed pocket containing 14 offset lithograph printed cards each measuring 4.75″ x 5.75″, 335 copies. Cover photo by Wallace Berman.
Contributors include: David Meltzer
From the Colophon: The Clown a poem by David Meltzer 335 copies printed / Type handset on a warped 5 x 8 inch Handpress / Cover photo – Wallace Berman / Larkspur Calif. 1960
7. SEMINA, No. 7, edited by Wallace Berman
Larkspur: Wallace Berman, 1961
Folder measuring 5.5″ x 7.75″ with photo tipped on, internal letterpress printed pocket containing 17 offset lithograph and letterpress printed cards of various dimensions, 200 copies. Cover photo by Wallace Berman.
Contributors include: Wallace Berman
From the Colophon: ALEPH/ a gesture involving / photographs drawings & text / by Wallace Berman / 200 copies Larkspur Calif 1961 / for Shirley & Tosh / I love you
8. SEMINA, No. 8, edited by Wallace Berman
Los Angeles: Wallace Berman, 1963
Folder measuring 5.5″ x 7.25″ with photo tipped on, internal letterpress printed pocket containing 14 offset lithograph and letterpress printed cards of various dimensions, circa 200 copies. Cover image created by Dean Stockwell
Contributors include: A.A. [Antonin Artaud], W. [Wallace Berman], Cameron, K.D. [Kirby Doyle], J.K. [Jerry Katz], M.M. [Michael McClure], I.T.R. [Idell T. Romero [Aya Tarlow]], z.w. [Zack Walsh], J.W. [John Wieners].
9. SEMINA, No. 9, edited by Wallace Berman
Los Angeles: Wallace Berman, 1964
Envelope with photo tipped on to the exterior, contains one letterpress printed card, circa 200 copies. Cover image created by Wallace Berman
Contributors include: Michael McClure
Note: In 1992 George Herms published a facsimile edition of Semina (Venice: Love Press, 1992) in an edition of 300 numbered copies signed by Herms and laid into a printed chipboard box with numbered and signed colophon. The facsimile re-creation took four years to print and has been assembled in the fashion of the originals: handset letterpress on scraps of colored paper, photos, pastedowns, etc.
Fuck You/ a magazine of the arts
Fuck You/ a magazine of the arts, published by Ed Sanders from a “secret location on the Lower East Side” of New York City, was a deliberately provocative mimeographed periodical that ran for 13 issues from 1962 to 1965. Each issue featured line drawings by Sanders and included contributions from such writers and artists as Tuli Kupferberg, Carol Bergé, John Wieners, Andy Warhol, Ray Bremser, Lenore Kandel, Charles Olson, Joel Oppenheimer, Peter Orlovsky, Philip Whalen, Allen Ginsberg, Herbert Huncke, Julian Beck, Frank O’Hara, Leroi Jones, Diane Di Prima, William Burroughs, Gary Snyder, Robert Kelly, Judith Malina, Carl Solomon, Gregory Corso, Robert Duncan, Robert Creeley, Michael McClure, Ted Berrigan, Joe Brainard, Gilbert Sorrentino, and many others.
1. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 1, edited by Ed Sanders
New York: Ed Sanders, February 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 26 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.
From the Editors Note: “Send me your banned manuscripts, your peace-grams, your cosmic data, your huddled masses yearning to be free, your collections of freak-beams, plans for the pacifist holocaust, I lift my speedoprint mimeo beside the golden door…”
Contents:
Jean Morton – “To Us”
Jean Morton – “Prayer”
Ed Sanders – “Soft-Man I”
Ed Sanders – “Soft-Man II”
Ed Sanders – “Soft-Man IIII”
Ed Sanders – “Soft-Man V”
Ed Sanders – “Soft-Man VI”
Allen Hoffman – “Hymn to Amun-Ra-Sanders, The Sun Disc”
Paul Berner – “Freak-Gram: Some Notes on Nonviolent Suicide”
Nelon Barr – “A Bouquet of Fuck Yous”
2. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 2, edited by Ed Sanders
New York: Ed Sanders, April 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 34 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.
From the Editors Note: “Send me yr goddamn manuscripts. Cut me in on yr freak-beams. I’ll print anything.”
Contents:
Margaret X – “Ronnie: An Unapproved Litany”
Eric Weinberger – “Brownsville Jail — Mar. 12, 1962”
Ed Sanders – “Cemetery Hill”
Ed Sanders – “Soft Man VII”
Ed Sanders – “Soft Man VIII”
Ed Sanders – “Soft Man IX”
Robert Brookings Gore – “Fishy”
Robert Brookings Gore – “What?”
Jim Forest – “Notes Written in the Night”
Nelson Barr – “Ash Wednesday Revisited”
Nelson Barr – “A Bouquet of Fuckyous, offering #2”
3. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 3, edited by Ed Sanders
New York: Ed Sanders, June 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 38 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.
From the Editors Note: “Send me yr banned manuscripts, fire me yr cosmic data, visions of the incomprehensible, arcanics, outpukes from the jack-batty, notes from the all, I’ll print anything.”
Contents:
Penny X – “Crotch Poem”
Al Fowler – “Poems, Wargasms, Hymns to Young Men & Women”
Ed Sanders – “Poems”
Ed Sanders – “Soft Man X”
Bob K – “Canticle”
John Harriman – “Two Poems While High”
Nelson Barr – “A Bouquet of Fuckyous”
Tuli Kupferberg – “Pacifist Primer”
Tuli Kupferberg – “6996th Psalm”
Tuli Kupferberg – “Cool”
4. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 4, edited by Ed Sanders
New York: Ed Sanders, August 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 54 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.
From the Editor’s Note: “Send me yr bloody manuscripts! I’ll print anything”
Contents:
Eric Weinberger – [untitled] “For me/ even for me…”
Carol Berge – “Lovesong”
Michael McClure – [untitled] “The mind pain comes over me…”
Taylor Mead – [untitled] “I can’t write…”
C.V.J. Anderson – “August Sixth for Reiko”
John Wieners – “Cocaine”
Ray Bremser – “Lacerations Manuscript”
Ed Sanders – “from On Guerilla Lovefare”
Tuli Kupferberg – “The Man with the Scissors”
John C. Harriman – “3 for Diane Wakoski”
Elin Paulson – [untitled] “in a forever eternity…”
John Keys – “Poem” [“what has made us…”]
John Keys – “New Age of Arm Lifting”
John Keys – “Remembrances of Things Past”
Steve Wever – [untitled] “Your Azzole is…”
Mary E. Mayo – “The Highlanders”
Jackson Mac Low – “Observations in My Neighborhood”
Nelson Barr – “Darkangelgirl”
Nelson Barr – “A Bouquet of Fuckyous, offering #4”
5. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 1, edited by Ed Sanders
New York: Ed Sanders, December 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 62 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.
From the Editor’s Note: “Barf me your frick data. Retch me in on your bable vectors, your arcanics, your spew, I’ll print anything.”
Contents:
Ed Sanders – “Fuck You, The Talk of the Town”
Charles Olson – “Three Poems from The Maximus Poems”
Lenore Kandel – [untitled] “to fuck with love…”
Al Fowler – “Heroin”
Al Fowler – “Takeoff”
Al Fowler – “Larson O.D.’s; Fowler Scare Shitless”
Al Fowler – “The Hip Lady Pacifist…”
Al Fowler – “Cock City”
Al Fowler – “Caroline”
Al Fowler – “Vision”
Barbara Moraff – [untitled] “Spaniel luz…”
Mark Samara – “Camping Out with Ed Sanders”
Ed Marshall – “Steps of Entering the Skin”
Bonnie Bremser – “Fowl-Play”
Millard Friedman – “Opening”
Ron Rice – [untitled] “Creation from zero…”
Charles Polandik – “Thru Service from New York to Chicago”
Joel Oppenheimer – “A Little Mayan Head”
John Keys – “Revision”
Kirby Congdon – [untitled] “I stagger under the boat…”
John Thomas – “Fat Dr. Bonelli”
Ed Sanders – “Blow Job Poem”
Mary Mayo – “Canticle”
Nelson Barr – “A Bouquet of Fuckyous”
6. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 2, edited by Ed Sanders
New York: Ed Sanders, December 1962
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 68 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.
From the Editor’s Note: “Skin me with your poetry, your banned manuscripts, your babble, plans for the pacifist holocaust, I’ll print anything.”
Contents:
John Wieners – [untitled] “You talk of going…”
Tuli Kupferberg – “I Say”
Carol Berge – “How to Screw a Bear and Find God”
Taylor Mead – “from His Diary”
Paul Blackburn – “The One-Night Stand”
Barry Wallenstein – “Times of Our Time”
Ray Bremser – “Eternity Grinding Allen’s Giant Beyonds”
Ray Bremser – “Rolling with the Wind”
David Rattray – “In God We Trust”
John Keys – “Poem for Charles Olson come Summer”
Hank Dixon – “Billie the Kid Revisited”
Elin Paulson – “With Love Still”
Pasquale Cocco – [untitled] “I’d love to…”
Bob K. – “from Carolcurla”
Nelson Barr – “Call Me not Back”
Nelson Barr – “Another Bouquet of Fuckyous”
Al Fowler – “Babble”
Al Fowler – “I Want You”
Al Fowler – “Musee de Beaux Enfant”
Al Fowler – “Child”
Al Fowler – “Democracy”
Al Fowler – “Telephone Conversation”
Al Fowler – “The Room. Junk Withdrawal”
7. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 3, edited by Ed Sanders
New York: Ed Sanders, May 1963
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 80 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.
Contents:
Ed Sanders – “Spurt Spurt”
Lenore Kandel – “Hero the Rider”
Rochelle Owens – “To an Arrogant Fart”
Peter Orlovsky – “Second Sex Experiment”
Jean Forest – “Queen #3”
Carol Berge – “The Love Hang”
Marc Samara – “Camping Out with Taylor Mead”
Joel Oppenheimer – “A Long Testament”
Ray Bremser – “The Cup of Sex”
Robert Kaye – “Mawdroogle”
John Thomas – “Okay Okay”
John Thomas – “For Basho”
Jay Socin – “Graffiti in a Public John”
Al Katzman – “Lament”
Barbara Moraff – “The Abdominal Snowman”
Barbara Moraff – [untitled] “during the past few months…”
Nancy Ellison – “Caca Caca”
John Keys – “Poem for the Aircraft”
Martin Segal – [untitled] “Here I have come…”
Taylor Mead – “Taylor Mead on Dope”
Jackson Mac Low – “19th Light Poem”
Szabo – “Poem for Marilyn”
Nelson Barr – “Bouquet of Fuckyous”
8. FUCK YOU/ A MAGAZINE OF THE ARTS, No. 5, Vol. 4, edited by Ed Sanders
New York: Ed Sanders, Summer 1963
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 74 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.
Contents:
Ed Sanders – “Defiance”
Szabo – “Poem for Hustlers”
Lenore Kandel – “Grant Avenue”
Philip Whalen – “Duerden says: ‘Life is Therapy'”
Paul Blackburn – “Here They Go”
Joel Oppenheimer – “Public Affairs”
Joel Oppenheimer – “Poem in Praise of Perseverance”
John Harriman – “Antoninous Paper Number Two”
Barbara Moraff – [untitled] “im a hip song mistress…”
Barbara Moraff – [untitled] “ground like barren…”
Barbara Moraff – [untitled] “hiking out of sight…”
Barbara Moraff – [untitled] “the reactions…”
George Economou – “Carmen Mentulae”
Carol Berge – “An Answer to one of the Other Women”
Harry Fainlight – “42nd Street”
Rochelle Owens – “Manananimal”
George Montgomery – “Cockman”
Andrew Hoyem – “An Invocation to the Muse in her Low Haunts”
Al Fowler – “Junky II – Speedball”
Al Fowler – “Statutory Rape – (the plea)”
Al Fowler – “Junky”
Ed Sanders – “Three Poems from The Gobble Gang Poems”
Michael McClure – “Fuck Essay”
Nelson Barr – “A Bouquet of Fuckyous, offering #8”
9. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 5, edited by Ed Sanders
New York: Ed Sanders, December 1963
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 90 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.
From the Editor’s Note: “Manuscripts! Manuscripts! puke us your spew, magic, music, loves, logoi, and vapours! Onward in the Re-vectors, all you blazing m.f.’s”
Contents:
Ed Sanders – “Total Assault on the Culture”
Allen Ginsberg – “The Change: Kyoto-Tokyo Express July 18, 1963”
Isis – “Incantation for the REvival of the Dead Osiris”
Robert Kaye – “8th & 42nd”
Robert Kaye – “for Quang Duc”
Robert Kaye – [untitled] “under falling water…”
Robert Kaye – [untitled] “i’m dead…”
Lenore Kandel – “Love Fuck Poem”
Tuli Kupferberg – “A Black & White Manifesto”
Peter Orlovsky – “Allen Jerking Off on Bed”
Mary Mayo – “The Dream of the Starving Birds”
Robert Nichols – “Message”
Robert Nichols – “Bakhunin”
Diane Wakowski – “Ordinary Poem, to Bob”
Julian Beck – [untitled] “horse pimples…”
Julian Beck – “Anarchy”
Julian Beck – [untitled] “that the collective not be…”
John Keys – “Impressions Taken from the Same Canteen”
John Keys – “Erikson”
John Keys – “Lesson 2”
Jim Standish – “Three Poems from the Mushroom Poems”
Harry Fainlight – “O London”
Herbert Huncke – “The Party”
Nelson Barr – “Love Poem”
Nelson Barr – “A Bouquet of Fuck Yous, offering #9”
10. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 6, edited by Ed Sanders
New York: Ed Sanders, April/May 1963
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 108 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.
From the Editor’s Note: “Manuscripts!! we need high level poetic data, music, criticism, reviews, surveys, stories, magic, etc…. while we exist we should like to puke forth some totally mind-stomping issues…”
Contents:
Ed Sanders – “A Call to Action”
Harry Fainlight – “For the Ghost of Hart Crane”
Allen Ginsberg – “Walt Whitman”
Harry Fainlight – “Le Poete a Quatorze Ans”
Harry Fainlight – “Mescaline Notes”
Frank O’Hara – “Un Chant d’Amor”
Frank O’Hara – “In the Movies”
Peter Orlovsky – “Thank God….”
Ray Bremser – “Three Small Prater to the Genii”
Ray Bremser – “Frontal Phrenal Fit”
Al Fowler – [untitled] “are you going to the…”
Al Fowler – “Soup Poem”
Al Fowler – “My Last Shot of Stuff”
Szabo – “The Szabo Poems”
Diane Di Prima – “An Anniversary Poem, for Alan”
Diane Di Prima – “Take 3/16/61”
Diane Di Prima – “Take 3/15/61”
LeRoi Jones – “Houdini”
LeRoi Jones – “Letter to Elijah Muhammed”
LeRoi Jones – “Political Poem”
LeRoi Jones – “Double Feel”
Joel Oppenheimer – “Fragments of a Letter from New York to San Francisco”
Joel Oppenheimer – “For Our Cousins”
Joel Oppenheimer – “Where are My Glasses”
Joel Oppenheimer – “Balso’s Blues”
Carol Berge – “Chant for Half the World”
John Keys – “Star: Saskatchewan Two”
Nancy Ellison – [untitled] “i lie long mornings…”
Nancy Ellison – [untitled] “weed that hides rock…”
Nancy Ellison – [untitled] “i feel my body covered with dust…”
Nelson Barr – [untitled] “wingdlass, stingsalt skald’s brow hornhelmed…”
Nelson Barr – “A Bouquet of Fuckyou’s, offering #10”
11. FUCK YOU/ A MAGAZINE OF THE ARTS, Number 5, Volume 7, edited by Ed Sanders
New York: Ed Sanders, September 1964
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 172 pages, mimeograph printed. Cover art by Robert LaVigne and illustrations by Ed Sanders.
Contents:
Ed Sanders – “Resistance against Goon Squads”
Charles Olson – “West Gloucester”
John Wieners – “The Imperatrice”
John Wieners – “Confession”
John Wieners – “Le Chariot”
John Wieners – [untitled] “And if to die…”
Robert Creeley – “Something”
Robert Creeley – “Two Times”
Allen Ginsberg – “from Long Unfinished Poem”
Robert Duncan – “Old Testament”
Robert Duncan – “New Testament”
William Burroughs – “Fluck you fluck you fluck you”
Norman Mailer – “The Executioner’s Song”
Gary Snyder – “Hymn to the Goddess San Francisco in Paradise”
Gregory Corso – “God is a Masturbator”
Philip Whalen – “Statement of Condition”
Philip Whalen – “The Great Beyond Denver”
Philip Whalen – “Papyrus Catalogue”
Philip Whalen – “Vector Analysis”
Philip Whalen – “Against the Magic War: An Open Letter to Robert Duncan”
Michael McClure – “Airs from a Forgotten Book”
Judith Malina – “On the Day of the Death…”
Harry Fainlight – “The Spider”
Robert Kelly – “In Commentary on the Gospel…”
Robery Kelly – “Poem for Ed Sanders”
Carl Solomon – “Nobody Tells Me the Truth Any More”
Carl Solomon – “Stringing Them Along”
Carl Solomon – “Relationships”
Carl Solomon – “The Delinquents”
Carl Solomon – “The Lunatic and Modern Art”
Arnaut Daniel – “Sirventes”
Arnaut Daniel – “Sirventes” (trans. Paul Blackburn)
Al Fowler – “Junky”
Al Fowler – “Larson O.D.’s; Fowler Scared Shitless”
Al Fowler – “Heroin”
Al Fowler – “Takeoff”
Al Fowler – “The Room. Junk Withdrawal”
Al Fowler – “Junky II – Speedball”
Antonin Artaud – [untitled] “The message of…” (trans. Robert Cordier)
Philip Lamantia – “Blue Grace”
Alden Van Buskirk – “The Ivory Bastard”
Alden Van Buskirk – “Kitchen”
Alden Van Buskirk – “Last Will And”
Alden Van Buskirk – “from Forest Park Fragments”
Alden Van Buskirk – “Lami, Leather Nightingale”
12. FUCK YOU/ A MAGAZINE OF THE ARTS, Volume 5, Number 8, edited by Ed Sanders
New York: Fug Press, March 1965
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 154 pages, mimeograph printed. Cover art by Andy Warhol and illustrations by Ed Sanders.
Contents:
Ed Sanders – “Fuck You – The Talk of the Town”
Lawrence Ferlinghetti – “To Fuck is to Love Again”
Michael McClure – “Poisoned Wheat”
Michael McClure – “Poem Cards”
Ed Sanders – “from the Gobble Gang Poems”
LeRoi Jones – “Word from the Right Wing”
LeRoi Jones – “Western Front”
Allen Ginsberg – “from Journals”
Allen Ginsberg – “Dream”
Ted Berrigan – “Sonnet III”
Ted Berrigan – “Sonnet LXVII”
Ted Berrigan – “Sonnet LXXVI”
Ted Berrigan – “Sonnet LXXVIII”
W.H. Auden -“A Gobble Poem”
Gerard Malanga – “Friends”
Vincent Ferrini – “IHS”
Peter Orlovsky – “Three Pages of Drawings with Notes…”
Harry Fainlight – “Street”
Gergory Corso – “At the Big A”
Claude Pelieu – “Four Shriek Pages…”
Al Fowler – [untitled] “man is the disconnected beast…”
Elise Cowan – [untitled] “A cockroach…”
Elsie Cowan – [untitled] “The first eye opens…”
Elsie Cowan – [untitled] “Easy to love…”
Elsie Cowan – [untitled] “I took the skin of corpses…”
John Keys – “The Relationships”
Robert Kaye – [untitled] “suffering cannot be merited…”
John Francis Putman – “Mythology”
John Francis Putman – “Freebie Peek at Remaindered Girlie Mags”
John Francis Putman – “All Saints Day”
Carol Berge – “Thank You”
Bill Fritsch – [untitled] “I stared into your…”
Al Katzman – “Directions I (for John Keys)”
Al Katzman – “The Bloodletting”
Gerard Malanga – “In the pores of his forehead…”
Gerard Malanga – “Some Thoughts of Jean Shrimpton”
Gerard Malanga – “Charles Olson among the White Trees”
Nancy Ellison – [untitled] “I sing the grave…”
Nelson Barr – “Guernica”
13. FUCK YOU/ A MAGAZINE OF THE ARTS, Volume 5, Number 9
New York: Ed Sanders, June 1965
First edition, side-stapled in printed and illustrated cover, 8.5″ x 11″, 100 pages, mimeograph printed. Cover art and illustrations by Ed Sanders.
Contents:
Ed Sanders – “Notes from the Editor”
Joe Brainard – untitled illustration
Pindar – “The First Olympian Ode”
Tom Veitch – “You Got a Point There, Pop”
Harry Fainlight – “Interregnum”
Harry Fainlight – “Image for Fowler”
Harry Fainlight – “The Question”
Harry Fainlight – “Cruising”
Harry Fainlight – “To Noreen”
Harry Fainlight – “Magic Song”
Gilbert Sorrentino – “from The Perfect Fiction”
John Wieners – “Memories of You”
Alden Van Buskirk – “The Pimple”
Szabo – [untitled] “Billy the Kid, the criminal…”
Taylor Mead – “My Monthly”
Robert Kelly – “Sporting News”
Lenore Kandel – “In the Comics”
David Henderson – [untitled] “David A. Wood…”
Al Fowler – [untitled] “night. in the orchards…”
Janine Pommey – “On Train From Living Theatre Heist to Paris”
Ted Berrigan – “Book Review”
References Consulted:
Clay, Steven and Rodney Phillips. A SECRET LOCATION ON THE LOWER EAST SIDE: ADVENTURES IN WRITING, 1960-1980
New York: New York Public Library / Granary Books, 1998
Marx, Jake. “Index to Fuck You / A Magazine of the Arts” in THE SERIF: QUARTERLY OF THE KENT STATE UNIVERSITY LIBRARIES, Volume VIII, Number 3
Kent: The Kent State University Libraries, September 1971
Online Resources:
· Boo-Hooray – Ed Sanders: Fuck You / A Magazine of the Arts
· From a Secret Location – Fuck You/ a magazine of the arts
· Reality Studio – Fuck You Press Archive
· Ubu Web – Fuck You: A Magazine of the Arts (1962-1965)
Measure
“The three simple, almost starkly working-class issues of Measure followed glorious and overlooked “underground” poet John Wieners from Black Mountain College home to Boston, across country to San Francisco, and back to Boston again. In his years in San Francisco, from 1958 to 1960, Wieners attended (sometimes serving as host at his Scott Street apartment) the legendary Sunday afternoon poetry workshops of the charismatic poets Robert Duncan and Jack Spicer. Also present at the workshops were George Stanley, Harold Dull, Robin Blaser (The Pacific Nation), and many others…”
— from A Secret Location on the Lower East Side (Granary Books, 1998)
1. MEASURE, No. 1, edited by John Wieners
Boston: Measure, Summer 1957
First edition, saddle-stapled in printed wrappers, 5.5″ x 8.5″, 48 pages, letterpress printed at the Press of Villiers Publications.
“Measure is edited by John Wieners. It will be issued with the four seasons only through your support… Please understand that the opinions expressed in this magazine do not necessarily reflect those of the city.”
- Contents:
- Tom Balas – “Le Fou”
Charles Olson – “Le Bonheur!”
Charles Olson – “The Charge”
Charles Olson – “Spring”
Edward Marshall – “One:”
Edward Marshall – “Two:”
Robin Blaser – “Poem”
Robin Blaser – “Letters to Freud”
Robin Blaser – “Poem by the Charles River”
Edward Dorn – “The Rick of Green Wood”
Larry Eigner – “Millionem”
Larry Eigner – “Brink”
Frank O’Hara – “Section 9 from Second Avenue”
Fielding Dawson – “Two Drawings”
Stephen Jonas – “Word on Measure”
Stephen Jonas – “Expanded Word on Measure”
Michael Rumaker – “Father”
Gavin Douglas – “The Blanket”
Jack Spicer – “Song for Bird and Myself”
Jonathan Williams – “Two Poems for Whitman, the Husbandman”
Robert Duncan – “The Propositions”
- Tom Balas – “Le Fou”
2. MEASURE, No. 2, edited by John Wieners
San Francisco: Measure, Winter 1958
First edition, saddle-stapled in printed wrappers, 5.5″ x 8.5″, 64 pages, letterpress printed at the Press of Villiers Publications.
“Magick is for the ones who ball, i.e. throw across”
- Contents:
- Michael Rumaker – “The Use of the Unconscious”
Robin Blaser – “The Hunger of Sound”
Robert Creeley – “Juggler’s Thot”
Michael Rumaker – “8 Dreams”
Jack Kerouac – “4 Choruses”
Charles Olson – “Descensus Spiritus No. 1”
Robert Duncan – “The Maiden”
Robert Creeley – “They Say”
Robert Creeley – “She Went to Say”
Jack Kerouac – “235th Chorus”
Edward Dorn – “Notes from the Fields”
Robert Duncan – “The Dance”
Stuart Z. Perkoff – “Feats of Death, Feasts of Love”
V. R. Lang – “The Recidivists”
Gregory Corso – “Yaaaah”
James Broughton – “Feathers or Lead”
Michael McClure – “The Magazine Cover”
Michael McClure – “One & Two”
Robert Creeley – “The Tunnel”
Robert Creeley – “Just Friends”
Richard Duerden – “Musica No. 3”
Stephen Jonas – “Books 3 & 4 from a Long Poem”
- Michael Rumaker – “The Use of the Unconscious”
3. MEASURE, No. 3, edited by John Wieners
Milton: Measure, Winter 1962
First edition, saddle-stapled in printed wrappers, 5.5″ x 8.5″, 36 pages, letterpress printed at the Press of Villiers Publications.
“THE CITY / 1 AM – Unreasonable fear, of the shadows of Harry Lime, of the dead reappearing”
- Contents:
- James Schuyler – “Shed Market”
James Schuyler – “Joint”
Gerrit Lansing – “Explorers”
Barbara Guest – “Safe Flights”
Barbara Guest – [untitled] “Once when he was a small boy…”
Barbara Guest – “Abruptly, as if a Forest Might Say”
Helen Adam – “Anaid si Taerg (Great is Diana)”
Madeline Gleason – “Wind Said, Marry”
Robert Duncan – “What do I Know of the Old Lore?”
Jack Spicer – “Central Park West”
Larry Eigner – “Poem”
Tom Field – [untitled] “Form is never more than the extension…”
Edward Marshall – “Times Square”
Edward Marshall – “2”
Edward Marshall – “3”
John Wieners – “The Imperatrice”
Philip Lamantia – “Opus Magnum”
Sheri Martinelli – “Ruth Gildenberg”
Michael Rumaker – “The River at Night”
Charles Olson – “The Year is a Great Circle…”
Charles Olson – “The Post Virginal”
Charles Olson – [untitled] “Descartes, age 34…”
John Haines – “Poem”
John Haines – “Pawnee Dust”
- James Schuyler – “Shed Market”
Oyez Press
Oyez Press was founded in 1964 by Robert Hawley and Stevens van Strum in Berkeley, California. Its inaugural run was a series of 10 broadsides featuring poems by Michael McClure, Brother Antoninus, Josephine Miles, Robert Duncan, Robert Creeley, David Meltzer, Denise Levertov, Charles Olson, Gary Snyder and William Bronk. These broadsides were printed by Dave Haselwood’s Auerhahn Press based in San Francisco.
Oyez would continue to publish books for over 20 years by poets primarily from the Black Mountain school and the Bay Area “Renaissance”; publishing over 80 books in addition to numerous keepsakes and broadsides, featuring authors such as David Meltzer, Josephine Miles, Lew Welch, Philip Lamantia, and many others.
The first Oyez book was a collection of poetry by David Meltzer. It was during this period that Hawley began his business relationship with printer Graham Mackintosh. The Oyez poetry editions were well regarded for the simplicity and elegance of their designs. Although not all Oyez books were designed by Mackintosh, several of his designs did receive awards, including an edition of William Everson’s Single Source that was selected as one of the 50 books of the year by the American Institute of Graphic Arts.
A note on this index: the sequence of publication for Oyez items has been difficult to establish. The Oyez bibliography lists items alphabetically rather than chronologically. Items here are listed chronologically but alphabetically within years where no further sequential information is available.
Section A:
Books and Broadsides
A1. McClure, Michael. TWO FOR BRUCE CONNOR
First edition:
Berkeley: Oyez, 1964
Broadside, 12″ x 17″, 500 copies, letterpress printed at the Auerhahn Press. Published as Oyez 1.
A2. Everson, William. THE ROSE OF SOLITUDE
First edition:
Berkeley: Oyez 1964
Broadside, 13″ x 17.5″, letterpress printed at the Auerhahn Press. Published as Oyez 2.
A3. Miles, Josephine. IN IDENTITY
First edition:
San Francisco: Oyez, 1964
Broadside, 11.5″ x 17″, letterpress printed at the Auerhahn Press. Published as Oyez 3.
A4. Duncan, Robert. WINE
First edition:
San Francisco: Oyez, 1964
Broadside, 11.5″ x 17″, letterpress printed at the Auerhahn Press. Published as Oyez 4.
A5. Creeley, Robert. TWO POEMS
First edition:
San Francisco: Oyez, 1964
Broadside, 11.25″ x 16.5″, 423 copies, letterpress printed at the Auerhahn Press. Published as Oyez 5.
A6. Meltzer, David. THE BLACKEST ROSE
First edition:
Berkeley: Oyez, 1964
Broadside, 10.75″ x 17.5″, letterpress printed at the Auerhahn Press. Published as Oyez 6.
A7. Levertov, Denise. CITY PSALM
First edition:
Berkeley: Oyez, 1964
Broadside, 11.5″ x 17.5″, 300 copies, letterpress printed at the Auerhahn Press. Published as Oyez 7.
A8. Olson, Charles. SIGNATURE TO PETITION
First edition:
San Francisco: Oyez 1964.
Broadside, 11″ x 17.25″, letterpress printed at the Auerhahn Press. Published as Oyez 8.
A9. Snyder, Gary. HOP, SKIP, AND JUMP
First edition:
San Francisco: Oyez, 1964
Broadside, 11″ x 17.5″, 350 copies, letterpress printed at the Auerhahn Press. Published as Oyez 9.
A10. Bronk, William. THE CIPHER
First edition:
Berkeley: Oyez, 1965
Broadside, 10.75″ x 17.5″, letterpress printed at the Auerhahn Press. Published as Oyez 10.
A11. Meltzer, David. THE PROCESS
a. First edition, regular copies:
Berkeley: Oyez, 1965
Perfect-bound printed and illustrated wrappers, 37 pages, 475 copies. Designed by Dave Haselwood and printed by Graham Mackintosh. Cover illustration by Peter Le Blanc.
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1965
Hardcover in printed and illustrated dust jacket, 37 pages, 25 numbered and signed copies. Designed by Dave Haselwood and printed by Graham Mackintosh. Cover illustration by Peter Le Blanc.
items are alphabetized by author within years from this point on
A12. Dijkstra, Bram. FACES IN SKIN
First edition:
Berkeley: Oyez, 1965
Saddle-stapled in plain wrappers in printed and illustrated dust jacket, 32 pages, 500 copies.
A13. Duncan, Robert. MEDEA AT KOLCHIS: THE MAIDEN HEAD
a. First edition, regular copies:
Berkeley: Oyez, 1965
Saddle-stapled in illustrated wrappers, 44 pages, 500 copies.
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1965
Hardcover, 44 pages, 28 copies, numbered and signed.
A14. Kherdian, David. DAVID MELTZER: A SKETCH AND CHECKLIST
First edition:
Berkeley: Oyez, 1965
Saddle-stapled printed wrappers, 9 pages, 500 copies
A15. Kherdian, David. GARY SNYDER: A BIOGRAPHICAL SKETCH AND DESCRIPTIVE CHECKLIST
First edition:
Berkeley: Oyez, 1965
Saddle-stapled printed wrappers, 30 pages, 500 copies
A16. McClure, Michael. THE BEARD
First edition:
(San Francisco): (Oyez Press), April 1965
First edition, perfect-bound wrappers, 71 pages, 350 copies planned, 330 produced. (Clements A20)
A17. McClure, Michael. POISONED WHEAT
a. First edition, regular copies:
(San Francisco): (Oyez Press), April 1965
Saddle-stapled illustrated wrappers. 5.75″ x 7.75″, 16 pages, 576 copies. (Clements A21)
b. First edition, hardcover, numbered and signed copies:
(San Francisco): (Oyez Press), April 1965
Hardcover in printed dust wrapper, 5.75″ x 7.75″, 16 pages, 24 copies lettered alpha through omega and signed by the author. Bound by Dorothy Hawley.
(Clements A21)
A18. McGaugh, Lawrence. A FIFTH SUNDAY
First edition:
Berkeley: Oyez, 1965
Paperback, 26 pages, 500 copies
A19. Welch, Lew. ON OUT
First edition:
Berkeley: Oyez, 1965
Stapled sheets bound into printed wrappers, 6″ x 9.25″, 36 pages, 500 copies. Printed by Graham Mackintosh, photograph of poet by Jim Hatch. Dedication: “This book is for Magda”
A20. Alexander, D. NOT A WORD
First edition:
Berkeley: Oyez, 1966
Stapled wrappers, 58 pages, 500 copies.
A21. Duncan, Robert. THE YEAR AS CATCHES
a. First edition, regular copies:
Berkeley: Oyez, 1966
Paperback, 93 pages, 1800 copies.
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1966
Hardcover, 93 pages, 30 copies, numbered and signed.
A22. Duncan, Robert. OF THE WAR PASSAGES, 22-27
a. First edition, regular copies:
Berkeley: Oyez, 1966
Paperback, 11 pages, 500 copies.
b. First edition, numbered and signed copies:
Berkeley: Oyez, 1966
Paperback, 11 pages, 100 copies, numbered and signed.
c. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1966
Hardcover, 11 pages, 6 copies, numbered and signed.
A23. Everson, William. SINGLE SOURCE: THE EARLY POEMS OF WILLIAM EVERSON (1934-1940)
a. First edition, regular hardcover copies:
Berkeley: Oyez, 1966
Hardcover, 105 pages, 1000 copies
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1966
Hardcover, 105 pages, 25 copies, numbered and signed
A24. Fabilli, Mary. THE OLD ONES
a. First edition, regular copies:
Berkeley: Oyez, 1966
Paperback, 28 pages, 500 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1966
Hardcover, 28 pages, 3 copies
A25. Hogg, Robert. THE CONNEXIONS
First edition:
Berkeley: Oyez, 1966
Paperback, 40 pages, 500 copies
A26. Lamantia, Philip. TOUCH OF THE MARVELOUS
a. First edition, regular copies:
Berkeley: Oyez, 1966
Paperback, 65 pages, 1450 copies
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1966
Hardcover, 65 pages, 50 copies, numbered and signed.
A27. Miles, Josephine. CIVIL POEMS
First edition :
Berkeley: Oyez, 1966
First edition, paperback, 16 pages, 500 copies
A28. Miles, Josephine. FIELDS OF LEARNING
First edition:
Berkeley: Oyez, 1966
Paperback, 25 pages, 500 copies
A29. Dusenbery, Gail. THE MARK
a. First edition, regular copies:
Berkeley: Oyez, 1967
Paperback, 68 pages, 1200 copies.
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1967
Hardcover, 68 pages, 26 copies, numbered and signed.
A30. Everson, William. IN THE FICTIVE WISH
First edition:
Berkeley: Oyez, 1967
Hardcover, 22 pages, 200 copies, numbered and signed.
A31. Korte, Mary Norbert. HYMN TO THE GENTLE SUN
a. First edition, regular copies:
Berkeley: Oyez, 1967
Paperback, 45 pages, 900 copies
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1967
Hardcover, 45 pages, 26 copies, numbered and signed
A32. Meltzer, David. JOURNAL OF THE BIRTH
First edition:
Berkeley: Oyez, 1967
Paperback, 19 pages, 1000 copies
A33. Meltzer, David. THE DARK CONTINENT
a. First edition, regular copies:
Berkeley: Oyez, 1967
Paperback, 94 pages, 1000 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1967
Hardcover, 94 pages, 26 copies
A34. Antoninus, Brother (William Everson). ROBINSON JEFFERS: FRAGMENTS OF AN OLDER FURY
First edition:
Berkeley: Oyez, 1968
Hardcover, 173 pages, 2600 copies
A35. Charters, Ann. OLSON/MELVILLE: A STUDY IN AFFINITY
a. First edition, regular copies:
Berkeley: Oyez, 1968
Paperback, 90 pages, 1000 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1968
Hardcover, 90 pages, 500 copies
A36. Fabilli, Mary. AURORA BLIGH & EARLY POEMS
a. First edition, regular copies:
Berkeley: Oyez, 1968
Paperback, 108 pages, 500 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1968
B. First edition, hardcover, 108 pages, 250 copies
A37. Korte, Mary Norbert. BEGINNING OF LINES
a. First edition, regular copies:
Berkeley: Oyez, 1968
Paperback, 37 pages, 500 copies
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1968
Hardcover, 37 pages, 200 copies, numbered and signed
A38. Antoninus, Brother. THE LAST CRUSADE
First edition:
Berkeley: Oyez, 1969
Hardcover, 18 pages, 165 numbered and signed copies
A39. Boar, Gerard (Ebbe Borregaard). SKETCHES FOR 13 SONNETS
First edition:
Berkeley: Oyez, 1969
Paperback, (12 pages), 1600 copies
A40. Charters, Samuel. TO THIS PLACE
a. First edition, regular copies:
Berkeley: Oyez, 1969
Saddle-stapled wrappers, 50 pages, 750 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1969
Hardcover, 50 pages, 250 copies
A41. McGaugh, Lawrence. VACUUM CANTOS
a. First edition, regular copies:
Berkeley: Oyez, 1969
Paperback, 30 pages, 500 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1969
Hardcover, 30 pages, 30 copies
A42. Blazek, Douglas. FLUX & REFLUX
First edition:
Berkeley: Oyez, 1970
Paperback, 57 pages, 1000 copies
A43. Chiarrello, Gail (Gail Dusenbery). THE BHANGRA DANCE
First edition:
Berkeley: Oyez, 1970
Paperback, 34 pages, 485 copies.
A44. Edelman, Richard Wayne. THE WEDDING FEAST
First edition:
Berkeley: Oyez, 1970
Paperback, 37 pages, 1000 copies. Introduction by Denise Levertov.
A45. Hottel, Christopher. THE KNIVES OF DAWN
First edition:
Berkeley: Oyez, 1970
Paperback, 37 pages, 1000 copies
A46. Korte, Mary Norbert. THE MIDNIGHT BRIDGE
First edition:
Berkeley: Oyez, 1970
Paperback, 44 pages, 1000 copies
A47. Levertov, Denise. SUMMER POEMS, 1969
a. First edition, regular copies:
Berkeley: Oyez, 1970
Paperback, 10 pages, 300 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1970
Hardcover, 10 pages, 50 copies
A48. Olson, Charles. THE SPECIAL VIEW OF HISTORY
a. First edition, regular copies:
Berkeley: Oyez, 1970
Paperback, 61 pages, 1000 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1970
Hardcover, 61 pages, 500 copies
A49. Charters, Samuel. SOME POEMS POETS
a. First edition, regular copies:
Berkeley: Oyez, 1971
Paperback, 118 pages, 1000 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1971
Hardcover, 118 pages, 500 copies
A50. Di Prima, Dianne. KERHONKSON JOURNAL, 1966
First edition:
Berkeley: Oyez, 1971
Paperback, 39 pages, 1000 copies
A51. Everson, William. EARTH POETRY
First edition:
Berkeley: Oyez, 1971
Paperback, 4 pages
A52. Brugnola, Orlanda. KING OF THORNBUSHES
a. First edition, regular copies:
Berkeley: Oyez, 1972
Paperback, 39 pages, 500 copies
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1972
Hardcover, 39 pages, 20 copies, numbered and signed
A53. Charters, Samuel. FROM A SWEDISH NOTEBOOK
a. First edition, regular copies:
Berkeley: Oyez, 1972
Paperback, 60 pages, 500 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1972
Hardcover, 60 pages, 500 copies
A54. Eigner, Larry. SELECTED POEMS
a. First edition, regular copies:
Berkeley: Oyez, 1972
Paperback, 125 pages, 1000 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1972
Hardcover in dust jacket, 125 pages, 500 copies
A55. Horsley, James. GOD’S NAKED DAUGHTER
a. First edition, regular copies:
Berkeley: Oyez, 1972
Paperback, 38 pages, 850 copies
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1972
Hardcover, 38 pages, 150 copies, numbered and signed.
A56. Hooker, Craig Michael. HONOR AWAKENS AGAIN
First edition:
Berkeley: Oyez, 1973
Paperback, 34 pages, 500 copies
A57. Palmer, Doug. IN QUIRE
First edition:
Berkeley: Oyez, 1973
Paperback, 56 pages, 650 copies
A58. Cebulski, F.J. CORM
a. First edition, regular copies:
Berkeley: Oyez, 1974
Paperback, 59 pages, 750 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1974
Hardcover, 59 pages, 250 copies
A59. Hill, Lindsay. AVELAVAL
a. First edition, regular copies:
Berkeley: Oyez, 1974
Paperback, 59 pages, 500 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1974
Hardcover, 59 pages, 250 copies
A60. Meltzer, David. BLUE RAGS
a. First edition, regular copies:
Berkeley: Oyez, 1974
Paperback, 25 pages, 1000 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1974
Hardcover, 25 pages, 250 copies
A61. Everson, William. ARCHETYPE WEST: THE PACIFIC COAST AS A LITERARY REGION
a. First edition, regular copies:
Berkeley: Oyez, 1975
Paperback, 181 pages, 1000 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1975
Hardcover, 181 pages, 500 copies
A62. Fabilli, Mary. THE ANIMAL KINGDOM: POEMS & DRAWINGS
First edition:
Berkeley: Oyez, 1975
Paperback, 69 pages, 500 copies
A63. Meltzer, David. HARPS
a. First edition, regular copies:
Berkeley: Oyez, 1975
Paperback, 28 pages, 500 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1975
Hardcover, 28 pages, 500 copies
A64. Alvarado de Ricord, Elsie; Lucha Corpi, and Concha Michel. FIREFLIGHT
First edition:
Berkeley: Oyez, 1976
Paperback, 109 pages, 1000 copies. Translated by Catherine Rodriguez-Nieto.
A65. Charters, Samuel. IN LAGOS
First edition:
Berkeley: Oyez, 1976
Paperback, 15 pages, 600 copies.
A66. Everson, William. RIVER-ROOT
a. First edition, regular copies:
Berkeley: Oyez, 1976
Paperback, 45 pages, 1000 copies
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1976
Hardcover, 45 pages 250 copies, numbered and signed
A67. Garcia, Luis. BEANS
First edition:
Berkeley: Oyez, 1976
Paperback, 67 pages, 1000 copies
A68. Morrison, Rusane. SUMMER PATCHWORK
First edition:
Berkeley: Oyez, 1976
Paperback, 24 pages, 500 copies
A69. Meltzer, David. TWO-WAY MIRROR
a. First edition, regular copies:
Berkeley: Oyez, 1977
Paperback, 149 pages, 1000 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1977
Hardcover, 149 pages, 500 copies
A70. Canan, Janine. OF YOUR SEED
First edition:
Berkeley: Oyez, 1977
Paperback, 60 pages, 500 copies.
A71. Clark, Naomi. BURGLARIES AND CELEBRATIONS
a. First edition, regular copies:
Berkeley: Oyez, 1977
Paperback, 80 pages, 750 copies.
b. First edition, hardcover copies:
Berkeley: Oyez, 1977
Hardcover, 80 pages, 250 copies. Foreword by William Everson.
A72. Dean, Robert. DINNER AT MME
a. First edition, regular copies:
Berkeley: Oyez, 1977
Paperback, 40 pages, 1000 copies.
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1977
Hardcover, 40 pages, 50 copies, numbered and signed
A73. Gitin, David. LEGWORK
a. First edition, regular copies:
Berkeley: Oyez, 1977
Paperback, 59 pages, 950 copies
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1977
Hardcover, 59 pages, 50 copies, numbered and signed
A74. Lummis, Dayton. CLOSETS OF MERCY
First edition:
Berkeley: Oyez, 1977
Paperback, 33 pages, 500 copies
A75. Korn, Richard. THE JUDGMENT OF THE CONDOR
a. First edition, regular copies:
Berkeley: Oyez, 1978
Paperback, 80 pages, 500 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1978
Hardcover, 80 pages, 250 copies
A76. Korte, Mary Norbert. MAMMALS OF DELIGHT
a. First edition, regular copies:
Berkeley: Oyez, 1978
Paperback, 37 pages, 550 copies
b. First edition, hardcover, numbered and signed copies:
Berkeley: Oyez, 1978
Hardcover, 37 pages, 50 copies, numbered and signed
A77. Charters, Samuel. OF THOSE WHO DIED
First edition:
Berkeley: Oyez, 1980
Paperback, 22 pages, 1000 copies.
A78. Everson, William. EARTH POETRY
a. First edition, regular copies:
Berkeley: Oyez, 1980
Paperback, 251 pages, 1000 copies
b. First edition, hardcover copies:
Berkeley: Oyez, 1980
Hardcover, 251 pages, 500 copies
A79. Hiller, Tobey. CROSSINGS
First edition:
Berkeley: Oyez, 1980
Paperback, 17 pages, 600 copies
A80. Korn, Richard and Brugnola Orlanda. JOB
First edition:
Berkeley: Oyez, 1981
Paperback, 22 pages, 1000 copies
A81. Hiller, Tobey. CERTAIN WEATHERS
First edition:
Berkeley: Oyez, 1987
Paperback, 62 pages, 500 copies
A82. Charters, Samuel. A COUNTRY YEAR
First edition:
Berkeley: Oyez, 1992
Paperback, 140 pages, 1000 copies.
Four Seasons Foundation
Donald Merriam Allen (Iowa, 1912 – San Francisco, August 29, 2004) was an influential editor, publisher, and translator of contemporary American literature. He is perhaps best known for his project The New American Poetry 1945-1960 (Grove Press, 1960), a seminal anthology that introduced a revolutionary new generation of postwar poetry that was to change the course of American literature.
In 1960, Allen moved from New York to San Francisco, where he established Grey Fox and the Four Seasons Foundation, two significant literary presses where he continued to publish work from Beat, San Francisco Renaissance, Black Mountain, and New York School writers, as well as younger new voices. Among the authors he published were Richard Brautigan, Robert Creeley, Edward Dorn, Robert Duncan, Jack Kerouac, Joanne Kyger, Philip Lamantia, Frank O’Hara, Charles Olson, John Rechy, Aaron Shurin, Gary Snyder, Jack Spicer, Lew Welch, and Philip Whalen.
Four Seasons Foundation, A Preliminary Checklist
1. Welch, Lew. STEP OUT ONTO THE PLANET
San Francisco: Four Seasons Foundation 1963
First edition, broadside, 9.5″ x 12.5″, 300 signed copies, offset printed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964.
2. Whalen, Philip. THREE MORNINGS
San Francisco: Four Seasons Foundation 1963
First edition, broadside, 9.5″ x 12.5″, 300 signed copies, offset printed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964.
3. Snyder, Gary. NANAO KNOWS
San Francisco: Four Seasons Foundation 1964
First edition, broadside, 9.5″ x 12.5″, 300 signed copies, offset printed. Printed for the occasion of a reading at Longshoreman’s Hall, San Francisco, June 12, 1964.
4. Olson, Charles. A BIBLIOGRAPHY ON AMERICA FOR ED DORN
San Francisco: Four Seasons Foundation (1964)
First edition, saddle-stapled printed wrappers, 6″ x 8″, 16 pages. Published as Writing 1
5. Dorn, Edward; Rumaker, Michael; Tallman, Warren. PROSE 1
San Francisco: Four Seasons Foundation, 1964
First edition, saddle-stapled printed wrappers, 36 pages. Published as Writing 2
6. 12 POETS & 1 PAINTER
San Francisco: Four Seasons Foundation, 1964
First edition, saddle-stapled printed and illustrated wrappers, 32 pages. Contributors include: LeRoi Jones, Joanne Kyger, Robert Creeley, Denise Levertov, Lawrence Ferlinghetti, Robert Duncan, Gary Snyder, Lew Welch, Allen Ginsberg, Charles Olson, Max Finstein, Bruce Boyd. Illustrated by Jess Collins. Published as Writing 3
7. Loewinsohn, Ron. AGAINST THE SILENCES TO COME
San Francisco: Four Seasons Foundation, 1965
— a. First edition, stapled wrappers, 7.75″ x 9.75″, 16 pages, 1000 copies.
— b. First edition, stapled wrappers, 7.75″ x 9.75″, 16 pages, 26 lettered and signed copies.
Published as Writing 4
8. Kyger, Joanne. THE TAPESTRY AND THE WEB
San Francisco: Four Seasons Foundation, 1965
— a. First edition, paperback, 61 pages
— b. First edition, hardcover, 61 pages
Published as Writing 5
9. Olson, Charles. PROPRIOCEPTION
San Francisco: Four Seasons Foundation, 1965
First edition, saddle-stapled wrappers, 18 pages. Published as Writing 6
10. Snyder, Gary. RIPRAP & COLD MOUNTAIN POEMS
San Francisco: Four Seasons Foundation, 1965
First edition, stapled wrappers, 7.75″ x 9.75″, 50 pages. Published as Writing 7
11. Welch, Lew. HERMIT POEMS
San Francisco: Four Seasons Foundation, 1965
— a. First edition, saddle-stapled wrappers, 16 pages, 974 copies.
— b. First edition, saddle-stapled wrappers, 16 pages, 26 numbered and signed copies.
Published as Writing 8
Snyder, Gary. SIX SECTIONS FROM MOUNTAINS AND RIVERS WITHOUT END
San Francisco: Four Seasons Foundation, 1965
stapled wrappers, 42 pages, 1000 copies. Published as Writing 9
Koller, James. THE DOGS & OTHER DARK WOODS
San Francisco: Four Seasons Foundation, 1966
— a. stapled wrappers, 33 pages, 1000 copies
— b. hardcover, 33 pages, 26 copies, numbered signed
Published as Writing 10
McClure, Michael. LOVE LION BOOK
San Francisco: Four Seasons Foundation, 1966
— a. stapled wrappers, 24 pages, 1000 copies
— b. hardcover, 24 pages, 40 copies, numbered, signed
Published as Writing 11
Olson, Charles. STOCKING CAP: A STORY
San Francisco: Four Seasons Foundation, 1966
stapled wrappers, 15 pages
Published as Writing 13
Olson, Charles. IN COLD HELL, IN THICKET
San Francisco: Four Seasons Foundation, 1967
[Published as Writing 12 ?]
Brautigan, Richard. TROUT FISHING IN AMERICA
San Francisco: Four Seasons Foundation, 1967
paperback
Published as Writing 14
Hadley, Drummond. THE WEBBING
San Francisco: Four Seasons Foundation, 1967
stapled wrappers, 52 pages, 500 copies
Published as Writing 15
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
— a. First edition, saddle-stapled printed wrappers, 1200 copies, letterpress printed. Printed by Dave Haselwood.
— b. First edition, hardcover, 50 numbered and signed copies, letterpress printed. Printed by Dave Haselwood.
[Published as Writing 12 ?]
Olson, Charles. CAUSAL MYTHOLOGY
San Francisco: Four Seasons Foundation, 1969
— a. paperback, 40 pages
— b. hardcover, 40 pages
Published as Writing 16
Blaser, Robin. CUPS
San Francisco: Four Seasons Foundation, 1968
— a. First edition, saddle-stapled printed wrappers, 24 pages, 1000 copies, letterpress printed. Printed by Graham Mackintosh.
— b. First edition, hardcover, 24 pages, 40 numbered and signed copies, letterpress printed. Printed by Graham Mackintosh.
Published as Writing 17
McClure, Michael. GHOST TANTRAS
San Francisco: Four Seasons Foundation, 1969
paperback. [Published as Writing 18 ?]
Upton, Charles. TIME RAID
San Francisco: Four Seasons Foundation, 1969
stapled wrappers, 30 pages
Published as Writing 19
Brautigan, Richard. THE PILL VERSUS THE SPRINGHILL MINE DISASTER
San Francisco: Four Seasons Foundation, 1968
— a. First edition, perfect-bound photo-illustrated wrappers, 108 pages.
— b. First edition, hardcover, 108 pages, 50 numbered and signed copies.
Published as Writing 20
Brautigan, Richard. IN WATERMELON SUGAR
San Francisco: Four Seasons Foundation, 1968
— a. First edition, perfect-bound photo-illustrated wrappers, 5.25″ x 8″, 138 pages.
— b. First edition, hardcover, 138 pages, 50 numbered and signed copies.
Published as Writing 21
Creeley, Robert. A Quick Graph: Collected Notes & Essays
San Francisco: Four Seasons Foundation, 1969
— a. First edition, perfect-bound photo-illustrated wrappers, 365 pages, 1000 copies
— b. hardcover, 365 pages
— c. hardcover in dust jacket, 365 pages
Published as Writing 22.
Creeley, Robert. THE CHARM: EARLY AND UNCOLLECTED POEMS
San Francisco: Four Seasons Foundation, 1969
— a. First edition, perfect-bound photo-illustrated wrappers, 97 pages
— b. First edition, hardcover, 97 pages
— c. First edition, hardcover, 97 pages, 100 numbered and signed copies,
Published as Writing 23
Whalen, Philip. SEVERANCE PAY
San Francisco: Four Seasons Foundation, 1970
— a. paperback, 51 pages
— b. paperback, 51 pages, 50 copies, numbered, signed
Published as Writing 24
Lamantia , Philip. THE BLOOD OF THE AIR
San Francisco: Four Seasons Foundation, 1970
— a. paperback, 45 pages
— b. hardcover, 45 pages, 50 copies, numbered, signed
Published as Writing 25
Millward, Pamela. MOTHER: A NOVEL OF REVOLUTION
San Francisco: Four Seasons Foundation, 1970
paperback, 57 pages
Published as Writing 26
Olson, Charles. POETRY AND TRUTH: THE BELOIT LECTURES
San Francisco: Four Seasons Foundation, 1971
— a. paperback, 75 pages
— b. hardcover, 75 pages
Published as Writing 27
Schaff, David. THE MOON BY DAY
San Francisco: Four Seasons Foundation, 1971
paperback, 114 pages
Published as Writing 28
Herd, Dale. EARLY MORNING WIND AND OTHER STORIES
Bolinas: Four Seasons Foundation, 1972
paperback
Published as Writing 29
Snyder, Gary. MANZANITA
San Francisco: Four Seasons Foundation, 1972
paperback
Creeley, Robert. CONTEXTS OF POETRY: INTERVIEWS 1961-1971
Bolinas: Four Seasons Foundation, 1973
First edition, perfect-bound photo-illustrated wrappers, 214 pages.
Published as Writing 30
Conze, Edward. THE PERFECTION OF WISDOM IN EIGHT THOUSAND LINES AND ITS VERSE SUMMARY
Bolinas: Four Seasons Foundation 1973
Published as Wheel Series, 1
Olson, Charles. ADDITIONAL PROSE: A BIBLIOGRAPHY ON AMERICA, PROPRIOCEPTION, & OTHER NOTES & ESSAYS
Bolinas: Four Seasons Foundation, 1974
— a. paperback, 109 pages
— b. hardcover, 109 pages
Published as Writing 31
Lamantia, Philip. TOUCH OF THE MARVELOUS
Bolinas: Four Seasons Foundation, 1974
— a. paperback, 47 pages
— b. hardcover, 47 pages
Published as Writing 32
Whalen, Philip. THE KINDNESS OF STRANGERS: POEMS 1969-1974
Bolinas: Four Seasons Foundation, 1976
paperback, 57 pages
Published as Writing 33
Dorn, Edward. THE COLLECTED POEMS 1956-1974
Bolinas: Four Seasons Foundation, 1975
— a. paperback, 277 pages
— b. hardcover, 277 pages
Published as Writing 34
Olson, Charles. MUTHOLOGOS; COLLECTED LETTERS & INTERVIEWS
Bolinas: Four Seasons Foundation, 1979
— a. paperback, 230 pages, 2 volumes
— b. hardcover, 230 pages, 2 volumes
Published as Writing 35
Olson, Charles. THE FIERY HUNT AND OTHER PLAYS
Bolinas: Four Seasons Foundation, 1977
paperback, 125 pages
Published as Writing 36
Whalen, Philip. OFF THE WALL: INTERVIEWS WITH PHILIP WHALEN
Bolinas: Four Seasons Foundation, 1978
paperback, 88 pages
Published as Writing 37
Dorn, Edward. INTERVIEWS
Bolinas: Four Seasons Foundation, 1980
paperback, 117 pages
Published as Writing 38
Creeley, Robert. WAS THAT A REAL POEM & OTHER ESSAYS
Bolinas: Four Seasons Foundation 1979
— a. paperback, 149 pages
— b. hardcover, 149 pages
Published as Writing 39
Dorn, Edward. VIEWS
Bolinas: Four Seasons Foundation, 1980
— a. paperback, 142 pages
— b. hardcover, 142 pages
Published as Writing 40
Gluck, Robert. ELEMENTS OF A COFFEE SERVICE
San Francisco: Four Seasons Foundation, 1982
paperback, 97 pages
Published as Writing 41
Whalen, Philip. HEAVY BREATHING: POEMS 1967-1980
San Francisco: Four Seasons Foundation, 1983
paperback, 207 pages
Published as Writing 42
Shurin, Aaron. THE GRACES
San Francisco: Four Seasons Foundation, 1983
paperback, 72 pages
Published as Writing 42
References consulted:
Bohn, Dave. OYEZ: THE AUTHORIZED CHECKLIST
Berkeley: n.p., 1997
Hawley, Bob. CHECKLISTS OF SEPARATE PUBLICATIONS OF POETS AT THE FIRST BERKELEY POETRY CONFERENCE 1965
Berkeley: Oyez/Cody’s, 1965
Johnston, Alastair. A BIBLIOGRAPHY OF THE AUERHAHN PRESS & ITS SUCCESSOR DAVE HASELWOOD BOOKS
Berkeley: Poltroon Press, 1976
Lepper, Gary M. A BIBLIOGRAPHICAL INTRODUCTION TO SEVENTY-FIVE MODERN AMERICAN AUTHORS
Berkeley: Serendipity Books, 1976
Ark
“ARK II, MOBY I, is the successor to THE ARK, a collection of verse, drawings, and articles published in San Francisco in 1947. This was probably the first coherent expression of a new aesthetic and social freedom, which as the years have gone by is now seen to be the characteristic approach of the post war II generation.
—from the introduction to ARK II, MOBY I
1. THE ARK, edited by Philp Lamantia, Robert Stock, and Sanders Russell
San Francisco: The Ark, Spring 1947
First edition, side-stapled and bound into illustrated wrappers, 5.5″ x 9.75″, 72 pages, letterpress printed, artwork by Ronald Bladen.
“The Ark is printed by voluntary labor on a small press belonging to the magazine. The editorial board is open to all interested in active work on the Ark, the future of which depends on continued and new interest in what we are doing.”
- Contents:
- Kenneth Patchen – “excerpt from Sleepers Awake”
Alison Boodson – “Three Poems”
Kenneth Rexroth – “Advent 1946”
James Laughlin IV – “Now Love Speaks”
Richard Eberhart – “At the End of War”
George Woodcock – “What is Anarchism?”
Robert Duncan – “Four Poems”
Paul Goodman – “The ‘Horace’ of Corneille”
William Everson – “If I Hide My Hand”
E. E. Cummings – “Four Poems”
Ammon A. Hennacy – “Christian Anarchism”
Sanders Russell – “Six Poems”
Philip Lamantia – “Another Autumn Coming”
Robert Stock – “Poem on Holy Saturday”
Christopher Rambo – “Peace To the Doomed Idol”
William Carlos Williams – “Inquest”
Sanders Russell – “E. E. Cummings and the Idea of Actuality”
Robert Duncan – “Reviewing View, an Attack”
Thomas Parkinson – “September Elegy”
Richard Moore – “A Mediation”
- Kenneth Patchen – “excerpt from Sleepers Awake”
2. ARK II, MOBY I, edited by Michael McClure and James Harmon
San Francisco: Ark/Moby, 1956-1957
First edition, saddle-stapled in printed wrappers, 6″ x 9″, 46 pages including advertisements for The Pocket Poets Series, Jargon, and Black Mountain Review, 1000 copies, letterpress printed at the Press of Villiers Publications, artwork by Ronald Bladen.
“This new gathering has concentrated on poetry and drawings because we feel that the social message has long since been taken for granted by those likely to be interested.”
- Contents:
- Denise Levertov – “Central Park, Winter, After Sunset”
Denise Levertov – “A Song”
Denise Levertov – “The Springtime”
Denise Levertov – “The Third Dimension”
Denise Levertov – “Laying the Dust”
Michael McClure – “Canoe: Explication”
Michael McClure – “Logos: Knout”
Louis Zukofsky – “Michtam”
Louis Zukofsky – “George Washington”
Kenneth Rexroth – “140 Syllables”
Sanders Russell – “Two Poems”
Robert Duncan – “The Law I Love is Major Mover”
Charles Olson – “As the Dead Prey Upon Us”
Jack Kerouac – “230th Chorus from Mexico City Blues”
Allen Ginsberg – “The Trembling of the Veil”
Gary Snyder – “Groves, 12 from Myths & Texts”
Jonathan Williams – “The Switch Blade (or, John’s Other Wife)”
Jonathan Williams – “Catullus: Carmen XVI”
Jonathan Williams – “Greque Musique d’Ameublement”
Stuart Perkoff – “The Recluses”
Robert Creeley – “Ballad of the Despairing Husband”
Edward Dorn – “The Revival”
Edward Dorn – “Lines from a Sitting Position”
Edward Dorn – “The Common Site”
Kenneth Patchen – “Another Hamlet is Heard From”
Kenneth Patchen – “The Most Hen”
Paul Cox – “Reclame”
Jess Collins and Christian Morgenstern – “Gallowbrother’s Song to Sophie; The Hangman’s Maiden”
Jess Collins and Christian Morgenstern – “Moonmatters”
Jess Collins and Christian Morgenstern – “Goat and Stalker”
Jess Collins and Christian Morgenstern – “How the Gallowschild Remembers the Names of the Months”
Philip Whalen – “Martyrdom of Two Pagans”
Lawrence Ferlinghetti – [untitled] “Constantly risking absurdity…”
Richard Eberhart – “Clocks”
Richard Eberhart – “Snow”
Clive Hawthorne – “Four Poems and Notes”
James Harmon – “Silver Fox Island”
James Harmon – “Hawk Inlet”
James Harmon – “The Wind on Market Street”
James Harmon – “For H. H.”
Gael Turnbull – “A Self-Portrait”
Gael Turnbull – “Why Don’t You Answer?”
- Denise Levertov – “Central Park, Winter, After Sunset”
3. ARK III, edited by James Harmon
San Francisco: Ark, Winter 1957
First edition, saddle-stapled in printed wrappers, 6″ x 9″, 48 pages including advertisements for New Directions and City Lights Books, 500 copies, letterpress printed at the Press of Villiers Publications.
- Contents:
- Louis Zukofsky – “Barely and Widely”
Thomas Parkinson – “Two Vineyards”
Kenneth Rexroth – [untitled] “I am fifty-two years old…”
Clive Hawthorne – “Greeting, Sweets, The Dog”
Clive Hawthorne – “Art Blakey”
Clive Hawthorne – “Love Song”
Clive Hawthorne – “Night”
Clive Hawthorne – “Poem”
Donald Fall – “Caprice”
Donald Fall – “Eddy Street, San Francisco, 10.30 A.M.”
Donald Fall – “To H. L.”
Donald Fall – “A Respectful Statement on Sex in Unsettled Times”
Donald Fall – “Postcard”
Donald Fall – “Abstract Celebration”
Harry Roskolenko – “Images of Disorder”
Harry Roskolenko – “My Father’s Profession”
Harry Roskolenko – “The Streets of Home”
Harry Roskolenko – “Charlie”
Bruce Boyd – “Nocturne for the West”
Stuart Z. Perkoff – “Utter Fascinations”
Nicole Sanzenbach – “Consider Children in the Street”
Nicole Sanzenbach – “To Allen”
Philip Whalen – “A Dim View of Berkeley in the Spring”
Gary Snyder – “What I Think about When I Meditate”
Allen Ginsberg – “An Atypical Affair”
Allen Ginsberg – “A Typical Affair”
Allen Ginsberg – “How Come He Got Canned at the Ribbon Factory”
Jack Kerouac – “San Francisco Blues (two excerpts)”
William J. Margolis – “Use Your Imagination (no one else does)”
Lawrence Ferlinghetti – “Frame This Picture”
Philip Wallick – “My Apartment is a Pastoral Apartment”
Christopher Maclaine – “Three”
David Cornel DeJong – “Hour of Damnation”
David Cornel DeJong – “White Collar Class”
Gil Orlovitz – “The Beggar”
Mitchell Lifton – “Song”
David Galler – “Thoughts in the Ward”
Guy Wernham – “Nature Loves to Hide Herself”
Guy Wernham – “L’Homme Arraignee”
Carl Larsen – “The Work of Hands”
Richard Eberhart – “Hockey”
Richard Eberhart – “Dogs”
Laura Uronivitz – “How St. George Met The Dragon”
Jack Gilbert – “Who Cried Love”
Idell Tarlow Romero – “Message on a Tree Trunk”
Idell Tarlow Romero – “Written on a Curbstone”
Cid Corman – “Agamemnon”
Gael Turnbull – “October”
Gael Turnbull – “The War”
Lawrence Lipton – “End of The Nile”
- Louis Zukofsky – “Barely and Widely”
—