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Frank Stanford – Contributions to Periodicals

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Section C:
This index includes contributions to periodicals; entries within years are listed alphabetically

1969

1. PREVIEW: 1968-1969, edited by Leon Stokesbury
Fayetteville: The University of Arkansas, 1969

Stanford contribution: “Living” [collected in Singing Knives]

1970

2. MILL MOUNTAIN REVIEW, Vol. 1, No. 2, edited by Irv Broughton
Roanoke: Mill Mountain Review, 1970

Stanford contribution: “The Professors” [uncollected], “The Solitude of Historical Analysis” [uncollected], “The Politicians” [uncollected], “Holy Night” [uncollected], “Living” [collected in The Singing Knives]

3. PREVIEW: THE LITERATURE, edited by Leon Stokesbury
Fayetteville: The University of Arkansas, 1970

Stanford contribution: “Elegy for My Father” [collected in The Singing Knives], “Remembering the Odor in the Jewish Dentist’s House Next Door, I Recall the Picture Show Next Door to the Stamp Store in Downtown Memphis” [uncollected], “The Gospel Bird” [collected in The Singing Knives], “The Albino” [collected in The Singing Knives]

4. TANSY, No. 1 , edited by John Moritz
Lawrence: Tansy, 1970

Stanford contribution: “Early Times In A Mississippi Liquor Store” [uncollected], “The Hole” [uncollected]

5. TANSY, No. 4 , edited by John Moritz
Lawrence: Tansy, n.d. [c. 1970-71]

Stanford contribution: “Tapsticks” [collected in The Singing Knives], “Chimera” [uncollected].

1971

6. ALDEBARAN REVIEW, No. 11, edited by John Oliver Simon
Berkeley: Noh Directions Press, 1971

Stanford contribution: “On Jesus Highway” [uncollected]

7. THE CHICAGO REVIEW, Vol. 23, No. 1, edited by Robert McKean
Chicago: University of Chicago Press, 1971

Stanford contribution: “Fish on the Trees (elegy)” [uncollected], “The Albino” [collected in The Singing Knives], “Remembering the Odor in the Jewish Dentist’s House Next Door, I Recall the Picture Show next door to the Stamp Store in Downtown Memphis” [uncollected]

8. KAYAK, No. 26, edited by George Hitchcock
Santa Cruz: Kayak Books Inc, 1971

Stanford contribution: “Wishing My Wife Had One Leg” [collected in The Singing Knives]

9. THE LITTLE REVIEW, Vol. 2, No. 2, Issue 4, edited by John McKernan
Huntington: Little Review Press, 1971

Stanford contribution: “The Kite”, [uncollected] “The Pump” [collected in The Singing Knives]

10. MILL MOUNTAIN REVIEW, Vol. 1, No. 3, edited by Irv Broughton
Roanoke, VA: Mill Mountain Review, 1971

Stanford contribution: “If I Should Wake” [collected in The Singing Knives], “The Bass” [collected in The Singing Knives], “The Doe” [uncollected], “The Minnow” [collected in The Singing Knives], “Cottonmouth” [uncollected]

11. MILL MOUNTAIN REVIEW, Vol. 1, No. 4, edited by Irv Broughton
Seattle: Mill Mountain Review, 1971

Stanford contribution: “Planning the Disappearance of Those Who Have Gone” [collected in The Singing Knives], “The Bandits” [uncollected], “Bergman the Burning Ship” [uncollected], “Bend Sinister” [uncollected], “The Mother of Yannis Ritsos” [uncollected], “The Men” [uncollected]

12. THE NATION, Vol. 213, No. 10
New York: Nation Associates Inc., October 1971

Stanford contribution: “Belladonna” [collected in The Singing Knives]

13. NEW AMERICAN REVIEW, No. 11, edited by Theodore Solotaroff
New York: New American Library, 1971

Stanford contribution: “The Gospel Bird” [collected in The Singing Knives]

14. WEST COAST REVIEW, Vol. 6, No. 2, edited by Frederick Candelaria
Burnaby: Simon Fraser University, 1971

Stanford contribution: “The Intruder” [collected in The Singing Knives], “The Quiver” [collected in The Singing Knives], “Friends of the House of Momus” [uncollected], “Momus” [uncollected], “White Feather” [uncollected], “Poet Manque” [uncollected], “Becoming the Unicorn” [collected in The Singing Knives], “The Tribade” [uncollected], “The Arena” [uncollected], “The Odor” [uncollected], “Solus” [uncollected], “Holy Night” [uncollected], “The Bandits” [uncollected], “The Smoking Mirrors” [uncollected], “Bergman the Burning Ship” [uncollected]

1972

15. OPEN PLACES, No. 11, edited by Eleanor M. Bender
Columbia: Stephens College, January 1972

Stanford contribution: “Strappado” [collected in The Singing Knives], “When the rain hits the snake in the head…” [uncollected], “Becoming the Unicorn” [collected in The Singing Knives], “Narcissus to Achilles” [collected in The Singing Knives]

16. HOLLINS CRITIC, Vol. 9, No. 1, edited by R.H.W. Dillard
Roanoke: Hollins College, 1972

Stanford contribution: “Chimera” [uncollected]

17. THE IOWA REVIEW, Vol. 3, No. 3, edited by Merle E. Brown
Iowa City: The University of Iowa, Summer 1972

Stanford contribution: “The Buried Sword” [uncollected], “Keeping the Lord’s Night Watch” [uncollected], “The Actresses of Night” [uncollected], “The Paramour” [collected in Ladies from Hell]

18. THE MASSACHUSETTS REVIEW, Vol. 13, No. 4
Amherst: University of Massachusetts, Autumn 1972

Stanford contribution: “Tapsticks” [collected in The Singing Knives]

19. POETRY: AUSTRALIA, No. 43, edited by Grace Perry
Sydney: South Head Press, 1972

Stanford contribution: Translation from the Spanish: “Twilight” by César Vallejo

1973

20. BOSTON AFTER DARK: THE BOSTON PHOENIX, Vol. 2, No. 51, Section 2
Boston: The Boston Phoenix, December 1973

Stanford contribution: excerpt “Blue Yodel of Poets of Times Past” [uncollected]

21. THE NEW YORK QUARTERLY, No. 15, edited by William Packard
New York: New York Quarterly Poetry Review, Summer 1973

Stanford contribution: “Death in the Cool Evening” [collected in Ladies from Hell]

1974

22. THE ARK RIVER REVIEW, Vol. 3, No. 1, edited by Jonathan Katz, A.G. Sobin, and Arthur Vogelsang
Haverford: The Ark River Review, 1974

Stanford contribution: “In Plain View” [collected in Shade], “Pasture Dream” [collected in Ladies from Hell]

23. DACOTAH TERRITORY, No. 8/9, edited by Mark Vinz
Moorehead: Moorhead State College, Fall-Winter 1974

Stanford contribution: “Suspect” [collected in Ladies from Hell], “Soybeans” [collected in Shade]

24. FIELD, No. 10, edited by Stuart Friebert and David Young
Oberlin: Oberlin College, Spring 1974

Stanford contribution: “Brothers on Sunday Night” [collected in Ladies from Hell], “Linger” [collected in Ladies from Hell]

25. FIELD, No. 11, edited by Stuart Friebert and David Young
Oberlin: Oberlin College, Fall 1974

Stanford contribution: “The Dead Man’s Fiddle” [collected in Crib Death], “The Home Movie of Those Who are Dead Now” [collected in Crib Death]

26. FIELD, 12, edited by Stuart Friebert and David Young
Oberlin: Oberlin College, Spring 1974)

Stanford contribution: “Blue Yodel of Her Feet” [uncollected], “Allegory of Death and Night” [uncollected], “Children at the Point of Death” [uncollected], “Knew it was Love, Felt it was Glory (after Pier Paolo Pasolini)” [collected in Crib Death]

27. THE IOWA REVIEW, Vol. 5, No. 2, edited by Merle E. Brown
Iowa City: The University of Iowa, Spring 1974

Stanford contribution: “Rooms” [collected in Constant Stanger], “Hidden Water” [collected in Ladies from Hell]

28. THE IOWA REVIEW, Vol. 5, No. 3, edited by Merle E. Brown
Iowa City: The University of Iowa, Summer 1974

Stanford contribution: “A Past: Wintered Like a Circus ” [uncollected]

29. IRONWOOD, No. 4, edited by Michael Cuddihy
Tucson: Ironwood, December 1974

Stanford contribution: “Handling Paper with Cold Hands” [collected in You], “Lost Recipe” [uncollected], “Crest” [uncollected], “Island Funeral” [collected in Crib Death], “Getting to Sleep” [collected in Ladies from Hell]

30. THE LITTLE REVIEW, Vol. 5, No. 1, Issue 9, edited by John McKernan
Dorchester: Little Review Press, 1974

Stanford contribution: “Blue Yodel of Those Who Were Always Telling Me” [uncollected]

31. POETRY: AUSTRALIA, No. 51, edited by Grace Perry
Sydney: South Head Press(1974)

Stanford contribution: Translation from the Spanish: “Message by Lorca Sent to Me in an Infant’s Casket” by Nicanor Parra

32. PRAIRIE SCHOONER, Vol. 48, No. 3, edited by Bernice Slote
Lincoln: University of Nebraska Press, Fall 1974

Stanford contribution: “Sudden Opera” [collected in Ladies from Hell]

1975

33. AMERICAN POETRY REVIEW, Vol. 4, No. 2, edited by Stephen Berg
Philadelphia: American Poetry Review, March-April 1975

Stanford contribution: “What About This” [uncollected], “They Really Do” [uncollected]

34. IRONWOOD, No. 6, edited by Michael Cuddihy
Tucson: Ironwood Press, 1975

Stanford contribution: “The Burial Ship” [uncollected], “The Wolves” [uncollected]

35. THE LITTLE REVIEW, Vol. 5, No. 2, Issue 10, edited by John McKernan
Dorchester: Little Review Press, 1975

Stanford contribution: “Blue Yodel” [collected in Arkansas Bench Stone], “Their Names Are Spoken” [collected in Arkansas Bench Stone], “Island” [collected in Arkansas Bench Stone], “Tale” [collected in Arkansas Bench Stone], “Will” [collected in Arkansas Bench Stone], “Shed” [collected in Arkansas Bench Stone], “Blue Yodel of the Quick and the Dead” [collected in Arkansas Bench Stone], “Lament of the Land Surveyor” [collected in Arkansas Bench Stone], “Monk’s Dog” [collected in Arkansas Bench Stone], “Women Singing When Their Husbands Are Gone” [collected in Ladies from Hell, “Lap” [collected in Arkansas Bench Stone], “Mouths Full of Spit” [collected in Arkansas Bench Stone]

1976

36. OUT THERE, No. 10, edited by Rose Lesniak
Chicago: Out There Press, (1976)

Stanford contribution: “Only One Set in The Singer’s Eyes” [collected in Crib Death], “Why The Moon is The Outhouse” [collected in Crib Death], “Porch Chair” [uncollected].

1977

37. BARATARIA, No. 3, edited by Ellen Gilchrist and Everette Maddox
New Orleans: The Barataria Press, Spring-Summer 1977

Stanford contribution: “Dreamt by a Man in a Field” [uncollected], “Between Love and Death” [collected in Crib Death], ”You” [uncollected], “Would You Like to Lie Down with the Light on and Cry” [collected in Crib Death], “Allegory of Youth” [uncollected]

38. BARATARIA, No. 4 , edited by Ellen Gilchrist and Everette Maddox
New Orleans: The Barataria Press, Fall 1977

Stanford contribution: “The Captain’s Desk” [uncollected]

39. IRONWOOD, 9, edited by Michael Cuddihy
Tucson: Ironwood Press, Spring 1977

Stanford contribution: “Taking Your Life” [collected in Crib Death], “Amaranth” [collected in Crib Death], “A Woman Driving a Stake into the Ground at Midnight” [collected in Crib Death], “Strange Roads before Light” [collected in Crib Death], “Only One Set in the Singer’s Eyes” [collected in Crib Death], “The Angel of Death” [collected in Crib Death], “Death and the Arkansas River” [collected in Constant Stranger]

1978

40. IRONWOOD, No. 12, edited by Michael Cuddihy
Tucson: Ironwood Press, Fall 1978

Stanford contribution: “The Light The Dead See” [collected in Crib Death], “In this House” [collected in Crib Death], “A Milk Truck Running into a Crazy Maid at the Corner of Getwell and Park” [collected in Crib Death], “The Boy Who Shot Weathercocks” [collected in Crib Death]

1979

41. AMERICAN POETRY REVIEW, Vol. 8, No. 2, edited by Stephen Berg
Philadelphia: World Poetry, March/April 1979

Stanford contribution: “The History of John Stoss” [collected in You], “Starving to Death” [uncollected], “Source” [uncollected], “Light Blue” [uncollected], “Death and Memory” [uncollected]

42. SUN & MOON: A JOURNAL OF LITERATURE & ART, No. 8, edited by Douglas Messerli and Howard Fox
College Park: Sun & Moon, Fall 1979

Stanford contribution: “The Angel of Death” [collected in Crib Death], “Freedom, Revolt, and Love” [uncollected]

1980s and beyond

43. IRONWOOD, No. 17, edited by Michael Cuddihy
Tucson: Ironwood Press, April 1981

Stanford contribution: “The Picture Show Next Door to The Stamp Store in Downtown Memphis” [collected in The Singing Knives], “The Pump” [collected in The Singing Knives], “Getting to Sleep” [collected in Ladies from Hell], “Lost Recipe” [collected in Crib Death], “Wind Blowing on a Sick Man”, “The Burial Ship”, “Everybody Who is Dead”, “Between Love and Death”, “Blue Yodel of the Lost Child”, “Allegory of Death and Night”, “A Milk Truck Running into a Crazy Maid at the Corner of Getwell and Park”, “The Battlefield Where The Moon Says I Love You”, Selections

44. IRONWOOD, No. 23, edited by Michael Cuddihy
Tucson: Ironwood Press, Spring 1984

Stanford contribution: “Crossed” [uncollected]

45. RACCOON, No. 24/25, Tenth Anniversary Issue.
Memphis: Ion Books, May 1987

Stanford contribution: “There Is No Where in You a Paradise That Is No Place and There You Do Not Enter Except Without a Story”

46. NEW LETTERS, Vol. 64, No. 3, edited by James McKinley
Kansas City: University of Missouri-Kansas City, Spring 1998

Stanford contribution: “Dead Child”

Unknown Contributions

ASK THE POET
BOSTON AFTER DARK
BOSTON PHOENIX
THE CIRCULAR RUINS [Scotland]
DE QUINCEY [England]
EDGE [Christchurch , New Zealand]
GHOST SHIP [Ireland]
THE HUNCHBACK IN THE PARK [Wales]
LA BELL ET LA BETE [France]
LA NOTTE [Italy]
THE LITTLE REVIEW
THE NATION, Vol. 213, No. 10 (1971)
THE PARTISAN REVIEW
POETRY NOW, Vol. 1, No. 2 (1975)
THE PORTABLE PLATEAU, Volume 1 Number 1 (1997)
ROAD APPLE REVIEW [Albuquerque]
SEEMS [DeKalb]
STINKTREE [Memphis]
VILLAGE

Piero Heliczer – Contributions to Periodicals

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SECTION C:
This index includes contributions to periodicals; chronological entries within years are approximate

1955

1. THE HARVARD ADVOCATE, Vol. 138, No. 4, edited by Eugene S. Dodd
Cambridge: The Harvard Advocate, March 1955

Heliczer contribution: “Guide to Ancient Sicily” [poem], “I Saw the Last One Fall” [poem]

2. I.E. THE CAMBRIDGE REVIEW, No. 3, edited by Robert Peirce
Cambridge: The Cambridge Review, Spring 1955

Heliczer contribution: “Dawn” [poem]

3. THE HARVARD ADVOCATE, Vol. 128, No. 1, edited by Eugene S. Dodd *
Cambridge: The Harvard Advocate, September 1955

Heliczer contribution: “The Salesmen in their Youth” [poem]

4. THE HARVARD ADVOCATE, Vol. 129, No. 2, edited by Eugene S. Dodd *
Cambridge: The Harvard Advocate, November 1955

Heliczer contribution: “The Tree of Knowledge Tree” [prose]

5. THE HARVARD ADVOCATE, Vol. 129, No. 3, edited by Eugene S. Dodd *
Cambridge: The Harvard Advocate, December 1955

Heliczer contribution: “Conduct Since Birth” [poem]

6. AUDIENCE, Vol. 2, No. 3, edited by Ralph Maud
Cambridge: Audience, October 1955

Heliczer contribution: “Odalisque, Choice of Disciplines” [poem], “Odalisque, No One’s Young Cat” [poem]

7. AUDIENCE, Vol. 2, No. 7-8, edited by Ralph Maud *
Cambridge: Audience, December 1955

Heliczer contribution: “Vegetable Bacchanal” [poem]

1956

8. AUDIENCE, Vol. 4, No. 5, edited by Anthony Cowan
Cambridge: Audience, [c. 1956]

Heliczer contribution: “Sunday” [poem]

9. I.E. THE CAMBRIDGE REVIEW, No. 5, edited by Robert Peirce
Cambridge: The Cambridge Review, March 1956

Heliczer contribution: “Antiepithalamion: The Archaic Smile as People Leave the Park” [poem]

1957

10. ACCENT, Vol. 17, No. 3, edited by Kerker Quinn, et al.
Urbana: Accent, Summer 1957

Heliczer contribution: “Rogan” [poem], “Poem Written with a Green Pencil” [poem]

Note: “Rogan” was collected in Best Poems of 1957: Borestone Mountain Poetry Awards (Stanford University Press, 1958).

11. AUDIENCE, A QUARTERLY REVIEW OF LITERATURE AND THE ARTS, Vol. 5, No. 1, edited by Peter Michael Wyman
Cambridge: The Audience Press, May 1957

Heliczer contribution: “White Strawberries” [play], “A Letter” [prose]

1958

12. QUARTERLY REVIEW OF LITERATURE, Vol. 9, No. 3, edited by T. Weiss and Renée Weiss
Annandale-on-Hudson: Bard College, 1958

Heliczer contribution: “Mame” [poem], “Poem Written with a White Pencil” [poem], “Sixth or Seventh Prelude” [poem], “Third Chorus from Antigone” [poem]

13. ACCENT, Vol. 18, No. 2, edited by Kerker Quinn, et al.
Urbana: Accent, Spring 1958

Heliczer contribution: “The Tomb of Henry James (ii)” [play]

14. AUDIENCE, A QUARTERLY REVIEW OF LITERATURE AND THE ARTS, Vol. 5, No. 2, edited by Peter Michael Wyman
Cambridge: The Audience Press, Spring 1958

Heliczer contribution: “Dirge for the Poet’s Mother” [poem]

15. PATTERNS, Vol. 2, No. 3, edited by Gladys LaFlamme and J.R. Brownfield *
Burlington: Patterns, Spring 1958

Heliczer contribution: “Music for Oboe and Guitar”

16. THE EDITOR, No. 2, edited by Gerald Bunker and Stephen Kaye
Cambridge and Providence: The Editor, Fall 1958

Heliczer contribution: “Memories” [poem], “In Mourning” [poem], “Unpoem Number One” [poem]

17. PATTERNS, Vol. 2, No. 4, edited by Gladys LaFlamme and J.R. Brownfield
Burlington and Chicago: Patterns, Fall 1958

Heliczer contribution: “Betrothals” [poem], “My Body” [poem]

18. BARBARBER, No. 2, edited by Gerard Bron, Frits Jacobsen, Henk J. Marsman, and Gerard Stigter *
Amsterdam: Barbarber, (c. 1958)

Heliczer contribution: “Introduction” [autobiography], “FVGA xiii” [poem], “Girl Body” [poem]

1959

19. AUDIENCE, A QUARTERLY OF LITERATURE AND THE ARTS, Vol. 6, No. 2, edited by Firman Houghton
Cambridge: Audience, Spring 1959

Heliczer contribution: “December Music in April” [poem]

20. LEFT BANK THIS MONTH, Vol. 2, No. 1, edited by Ronald Sheridan *
Dover: Sheridan Publications, (c. 1959)
Heliczer contribution: “Girl Body” [poem]

21. NEW DEPARTURES, No. 1, edited by Michael Horovitz
Oxford: New Departures, Summer 1959

Heliczer contribution: “Paris, A Scenario for a Silent Movie” [poem]

22. THE EDITOR, No. 3, edited by Gerald Bunker and Stephen Kaye
Cambridge and Providence: The Editor, Summer 1959

Heliczer contribution: “Broom” [poem]

23. GADFLY, No. 2, edited by Sara Dakin and Olivier Bernier
Cambridge: Gadfly, December 1959

Heliczer contribution: “Harvard Academic” [prose]

1960

24. SENS PLASTIQUE, REVUE MENSUELLE, No. 11, edited by Jean-Jacques Leveque *
Pierrefitte-sur-Seine: Sens Plastique, January 1960

Heliczer contribution: “Hundertwasser” [prose]

Note: According to BeatBooks catalog #86, Sens Plastique was closely associated with the bookshop-gallery, Le Soleil Dans La Tete, where Heliczer held Dead Language readings.

25. TOMORROW, No. 3, edited by Ian Hamilton
Keble College, Oxford: Tomorrow, February – March 1960

Heliczer contribution: “Yesterday is an Avenue of Faith” [poem]

26. NEW DEPARTURES, No. 2/3, edited by Michael Horovitz
London: New Departures, June 1960

Heliczer contribution: “Wm Byrd” [prose]

27. ISIS, No. 1381, edited by John Spicer *
Oxford: Isis, November 1960

Heliczer contribution: “Live Nude Letter to the Mass Aged Isles” [poem]

Note: The Isis Magazine is a student publication at the University of Oxford, where the magazine was established in 1892. Traditionally a rival to the student newspaper Cherwell, Isis was finally acquired by the latter’s publishing house, Oxford Student Publications Limited, in the late 1990s. The two publications are named after the two rivers in Oxford, “Isis” being the local name for the River Thames.

28. AUDIENCE QUARTERLY REVIEW OF LITERATURE & THE ARTS, Vol. 7, No. 1, edited by Firman Houghton
Cambridge: The Audience Press, Winter 1960

Heliczer contribution: “How Body of Angel is Maden” [poem], “Suicide for Three Harps and Hand Drum” [poem], “Antiaubade Nymphomania” [poem], “Bedtime Story Incessament” [poem], “A Blue Saint with Uncle Eyes” [poem]

1961

29. DE TAFELRONDE, No. 2/3, edited by Paul de Vree
Antwerp: De Tafelronde, January 1961

Heliczer contribution: “Yesterday is a Faith Strike” [poem]

Note: poem has been translated to Dutch

30. OUTBURST, No. 1, edited by Tom Raworth
London: Outburst, 1961

Heliczer contribution: “From Wyatt A Play” [poem]

31. POOR OLD TIRED HORSE, No. 7, edited by Ian Hamilton Finlay
Edinburgh: The Wild Hawthorn Press, 1961

Heliczer contribution: “Epilogue” [poem]

32. RHINOZEROS, No. 5, edited by Klaus-Peter Dienst & Rolf-Gunter Dienst
Hamburg: Langer Peter Verlag, 1961

Heliczer contribution: “Bateau” [poem], “Shuffle” [poem]

1962

33. LOCUS SOLUS, No. 5, edited by John Ashbery, Kenneth Koch, Harry Mathews and James Schuyler
Lans-en-Vercors: Locus Solus, 1962

Heliczer contribution: “The Beautiful Ambush” [poem], “The Diving Bell” [poem]

34. MICA, No. 6, edited by Helmut Bonheim and Raymond Federman
Santa Barbara: Mica, June 1962

Heliczer contribution: “Bateau” [poem]

1963

35. AUDIENCE, A QUARTERLY OF LITERATURE & THE ARTS, Vol. 8, No. 4, Issue 50, edited by Firman Houghton
Cambridge: Audience Associates, February 1963

Heliczer contribution: “The Street Photographer” [prose]

36. DAS NETZ, No. 2, edited by Peter Maurer and Claus Bohn
Tuttlingen: Young-Press, 1963

Heliczer contribution: “Ornithology for Love Cyclops” [poem]

37. NUL, No. 7, edited by Dirk Claus
Sint Niklaas, Belgium: Paradox Press, 1963

Heliczer contribution: “Leadbelly (A.D. 1882 to 1949)” [poem], “How Body of Angel is Maden” [poem], “The Hermit Mistress” [poem]

38. OUTBURST, No. 2, edited by Tom Raworth
London: Outburst, 1963

Heliczer contribution: “Buckingham Palace” [poem]

1964

39. NIGHT TRAIN, edited by Johnny Byrne, Lee Harwood, Roger Jones, and Miles
London: Night Train, May 1964

Heliczer contribution: “America” [prose]

40. NIAGARA FRONTIER REVIEW, No. 1, edited by Charles Olson
New York: Frontier Press, Summer 1964

Heliczer contribution: “Llanto por Lucas Carnach” [poem]

41. POETS AT LE METRO, Vol. 17, edited by Dan Saxon *
New York, October 1964

Heliczer contribution: “Some Thing Good” [poem]

42. JOGLARS, Vol. 1, No. 2, edited by Clark Coolidge and Michael Palmer
Providence: Joglars, Winter 1964

Heliczer contribution: from “The Peacock Vow” [prose]

1965

43. PODIUM, Vol. 19, No. 4, edited by Remco Campert
Amsterdam: Podium Foundation, May 1965

Heliczer contribution: “America” [poem]

44. NADADA, No. 2, edited by Timothy Baum
New York: Nadada Inc, October 1965

Heliczer contribution: “Mantis” [poem]

45. THE SPERO, Vol. 1, No. 1, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1965

Heliczer contribution: “Victorian Era” [poem]

46. UNIVERSITY OF TAMPA POETRY REVIEW, No. 4, edited by Duane Locke
Tampa Poetry Review, 1965

Heliczer contribution: “Victorian Era” [poem]

1966

47. THE GREAT SOCIETY, No. 1, edited by Robert J. Rickin and Ira Cohen
New York: Tompkins Square Books, 1966

Heliczer contribution: “The Death of Stephen Ward” [poem]

1967

48. THE GREAT SOCIETY, No. 2, edited by Robert J. Rickin and Ira Cohen
NY: A Heddaoua Publication, 1967

Heliczer contribution: “Tattoo” [poem]

49. GROWING HAND, edited by Vincent J. Cresciman
San Francisco: Growing Hand, 1967

Heliczer contribution: “Harunobu” [play]

50. THE PARIS MAGAZINE, No. 1, edited by George Whitman
Paris: Shakespeare & Co., October 1967

Heliczer contribution: “Bedtime Story” [poem]

1968

51. THE WORLD, No. 12, edited by Anne Waldman *
New York: The Poetry Project, June 1968

Heliczer contribution: “Trois Poemes Damour” [poem]

52. INTRANSIT THE ANDY WARHOL – GERARD MALANGA MONSTER ISSUE, edited by Andy Warhol and Gerard Malanga
Eugene: Toad Press, 1968

Heliczer contribution: “Poem Number One” [poem], “Sunday Night in Victoria Station” [poem], “How Body of Angel is Maiden” [poem]

53. THE ANT’S FOREFOOT, No. 3, edited by David Rosenberg *
Toronto: The Coach House Press, Winter 1968-1969

Heliczer contribution: “Abdication of the Throne of Hell 1662” [poem]

1969

54. MISTLETOE
np: Mephistopheles Publications, 1969

Heliczer contribution: [untitled] “it is said that a magician…” [poem]

55. EXTENSIONS, No. 2, edited by Suzanne Zavrian and Joachim Neugroschel
New York: Extensions, 1969

Heliczer contribution: “Chinatown (for wm burroughs who got into the trolley didnt pay no fare going to chinatown)” [poem]

56. ROOTS FORMING, No. 1, edited by Jeff Woodward.
Monroe: Roots Forming, Summer 1969

Heliczer contribution: “None of This is Going to be Really There (for irene)” [poem]

57. THE ANT’S FOREFOOT, No. 4, edited by David Rosenberg *
Toronto: The Coach House Press, Fall 1969

Heliczer contribution: “Elegy for the Avenue B Cinema, for Jack Smith” [prose], “Girl Body” [poem]

1970

58. EXTENSIONS, No. 4, edited by Suzanne Zavrian and Joachim Neugroschel.
New York: Extensions, 1970

Heliczer contribution: “America” [prose]

1970+

59. THE ANT’S FOREFOOT, No. 8, edited by Gerard Malanga *
Toronto: The Coach House Press, Winter-Spring 1971

Heliczer contribution: “Elle” [poem]

60. TELEPHONE, No. 8, edited by Maureen Owen
New York: Telephone, 1973

Heliczer contribution: “Longtemps Je Me Suis Couche De Bonne Heure Alphabet Soup” [poem], “Poem for Marshall McLuhan” [poem]

61. THE WORLD, No. 26, edited by Anne Waldman *
New York: The Poetry Project, Winter 1973

Heliczer contribution: “Abdication of the Throne of Hell 1662” [poem]

62. MANDALA, No. 1, edited by Harry Hoogstraten, Han Henuat, Peter H. van Lieshout, and Jos Knipscheer *
Amsterdam: In De Knipscheer, 1975

Heliczer contribution: “Leadbelly” [poem]

63. MANDALA, No. 7, edited by Harry Hoogstraten, Jos Knipscheer, Peter H. van Lieshout, Franco Beltrametti *
Amsterdam: In De Knipscheer, 1977

Heliczer contribution: “Prevent the Political Assassination of Artists” [prose]

64. POETRY REVIEW, Vol. 67, Nos. 1 & 2, edited by Eric Mottram
London: The Poetry Society, 1977

Heliczer contribution: “On a Woodcut by Andrew Vesalius” [poem], “I Don’t Want to Try” [poem]

65. MANDALA, No. 8, edited by Harry Hoogstraten and Jos Knipscheer *
Amsterdam: In De Knipscheer, 1978

Heliczer contribution: “Letter to H.M. Queen Juliana” [prose]

66. IN SESSIE, No. 1 *
Amsterdam: Insessie Magazine, late 70’s

Heliczer contribution: “Fuga XIII” [poem]

—

Judson Crews: Contributions to Periodicals

>> return to Judson Crews main page >>

SECTION C:
This index includes contributions to periodicals; entries within years are listed alphabetically

1948

BERKELEY: A Journal of Modern Culture, No. 4, edited by James Schevill
Berkeley: Bern Porter, 1948

1950

GRYPHON, No. 1, edited by Richard Rubenstein
San Francisco: Gryphon, Spring 1950
“The Asphodel’s Rebuttal”

1951

BELOIT POETRY JOURNAL, edited Chad Walsh and Robert H. Glauber
Beloit: Beloit College, Spring 1951

EPOS, Vol. 3, No. 1, edited by Will and Evelyn Thorne
Branson: Epos, Fall 1951

1952

GOLDEN GOOSE, Vol. 4, No. 5, edited by Richard Wirtz Emerson and Frederick Eckman
Sausalito: Golden Goose Press, October 1952
“Desolate Condor” [poem]

1953

DIFFERENT, Vol. 7, No. 7, edited by Lilith Lorraine
Long Island: Avalon World Arts Academy, Winter 1953

1954

THE ARCHER, Vol. 4, No. 2, edited by Wilfred Brown and Elinor Henry Brown
North Hollywood: Summer (Aug) 1954
“No Weal Like Mighty Adam Gave” [poem]

EMBRYO, No. 1, edited by E. E. Walters
Louisville: Spring 1954

ZEBRA: A Monthly Collection of Original Writing, No. 10
Bristol, November 1954

POETRY, Vol. 83, No. 5, edited by Karl Shapiro
Chicago: Modern Poetry Association, February 1954

1955

CLIMAX, Vol. 1, No. 1, edited by Robert Cass
New Orleans: The Climax Jazz, Art & Pleasure Society of Lower Bourbon Street, 1955

FLAME, Vol. 2, No. 2, edited by Lilith Lorraine
Alpine: Flame Quarterly, Summer 1955

FLAME, Vol. 2, No. 4, edited by Lilith Lorraine
Alpine: Flame Quarterly, Winter 1955

SHEAF, No. 2, edited by E.V. Griffith
Eureka: Sheaf, November 1955
“Rounding the Horn” [poem], “Econdom Eccle Haine” [poem], “Dan Hatch Once T’Sung” [poem]

UNUSUAL, Vol. 1, No. 3
New York: Sidney E. Porcelain, 1955

WHETSTONE: A Literary Quarterly, Vol. 1, No. 1, edited by Jack Lindeman and Edgar H. Schuster
Philadelphia: Whetstone, Spring 1955

1956

POETRY, Vol. 88, No. 1, edited by Henry Rago
Chicago: The Modern Poetry Association, April 1956

1957

EXISTARIA, No. 7, edited by Carl Larsen
Hermosa Beach: Existaria, September-October 1957
“Tital-Tattle-Ation” [poem], “Of the Feather Floating There” [poem]

HEARSE, No. 1, edited by E.V. Griffith
Eureka: Hearse Press, 1957
“Pseudo Pleuronectes Americanus” [poem]

1958

CARAVEL: A Magazine of Verse, edited by Ben Hagglund
Palo Alto, First Quarter 1958

COASTLINES, Vol. 3, No. 3, Issue 11, edited by Gene Frumkin
Hollywood: California Quarterly, Autumn 1958

HEARSE, No. 3, edited by E.V. Griffith
Eureka: Hearse Press, 1958
“Within a High Building Overlooking the Brazos Valley” [poem]

ODYSSEY, Vol. 1, No. 1, edited by R.R. Cuscaden and Ronald Offen
Chicago: Odyssey Spring 1958

POETRY, Vol. 93, No. 3, edited by Henry Rago
Chicago: The Modern Poetry Association, December 1958

1959

COERCION, No. 2, edited by Clarence Major
Chicago: Coercion, Spring 1959
“Marina with Orange” [poem]

THE GALLEY SAIL REVIEW, Vol. 1, No. 2, edited by Stanley McNail
San Francisco: Galley Sail Publications, Spring 1959

THE GRECOURT REVIEW, Vol. 2, No. 2
Northampton: The Grecourt Review, February 1959
“The Complexion of Triumph”

VIGIL, Vol. 1 No. 2
Chicago: Roosevelt University, 1959

THE WHITE DOVE REVIEW, Vol. 1, No. 3, edited by Ron Padgett
Tulsa: White Dove Press, 1959
“An Unspecial Mirth” [poem], “Spots of Lone West” [poem]

1960

FRESCO, Vol. 1, No. 1, edited by William F. Dwyer and Jeorme L. Mazzaro
Detroit: University of Detroit, 1960

INLAND, edited by John Rackham
Salt Lake City: Inland, Autumn 1960
“Aquacade” [poem]

TARGETS, No. 4, edited by W.L. Garner
Sandia Park: Targets, December 1960
“Cut-Throat in Terror Reign” [poem]

1961

HEARSE, No. 6, edited by E.V. Griffith
Eureka: Hearse Press, 1961
“Fair Thoughtful Be Good” [poem], “Leave It In” [poem]

HEARSE, No. 7, edited by E.V. Griffith
Eureka: Hearse Press, 1961
“A Leopard Sleek as Night” [poem]

THE OUTSIDER, No. 1, edited by Jon Edgar and Gypsy Lou Webb
New Orleans: Loujon Press, Fall 1961
“Pastoral” [poem], “Rel Bore Speng Lule” [poem]

TARGETS, No. 5, edited by W.L. Garner
Sandia Park: Targets, April 1961
“A Ribbon of Callow Gain” [poem]

THE WORMWOOD REVIEW, Vol. 1, No. 3, edited by Marvin Malone and Alexander Taylor
Storrs: Wormwood Review Press, 1961
“Seeker” [poem], “The Mountain Penial” [poem]

THE WORMWOOD REVIEW, Vol. 1, No. 4, edited by Alexander Taylor and Marvin Malone
Storrs: Wormwood Review Press, 1961
“Love Poem” [poem]

1962

BITTEROOT
Fall 1962

MICA, No. 6, edited by Helmut Bonheim and Raymond Federman
Santa Barbara: Mica, June 1962
“The Cross Let Captive” [poem]

RENAISSANCE, Vol. 1, No. 2, edited by John Bryan
San Francisco: Renaissance Publications, January 1962
“Staid” [poem]

SIGNET, Vol. 4, No. 11, edited by S.T. Friedman
Alamo: Signet, November 1962

TARGETS, No. 10, edited by W.L. Garner
Sandia Park: Targets, June 1962
“Long Lost Precisions” [poem]

THE WORMWOOD REVIEW, Vol. 2, No. 3, Issue 7, edited by Marvin Malone and Alexander Taylor
Storrs: Wormwood Review Press, 1962
“We Have Known” [poem]

1963

THE BLACK CAT REVIEW, No. 2, edited by Neeli Cherry
San Bernardino: The Black Cat Review, March 1963
“Exploratory” [poem], “No Poor Loss Like This” [poem]

EVERGREEN REVIEW, Vol. 7, No. 28, edited by Barney Rosset
New York: Grove Press, 1963

GENESIS WEST, Vol. 1, No. 3, edited by Gordon Lish
Burlingame: Chrysalis West Foundation, Spring 1963
“Of Deathless Law” [poem]

SUM, No. 1, edited by Fred Wah
Albuquerque: Sum, December 1963
“Slade Slatter in a Down-Draft Drizzle” [poem], “Sutter’s Canyon in Half Day Light” [poem]

TARGETS, No. 14, edited by W.L. Garner
Sandia Park: Targets, June 1963
“I Heard Her Song” [poem]

WILD DOG, No. 2, edited by Geoffrey Dunbar
Pocatello: Wild Dog, April 1963
“A Wattle” [poem], “Coast at Clear” [poem], “The Bridal Path” [poem]

WILD DOG, No. 4, edited by John Hoopes
Pocatello: Wild Dog, July 1963
“A Fortification” [poem], “Dorm Dorm the Winter Grain” [poem]

THE WORMWOOD REVIEW, Vol. 3, No. 2, Issue 10, edited by Marvin Malone and Alexander Taylor
Storrs: The Wormwood Review Press, 1963
“Lobotomy” [poem], “The Lash” [poem], “Winter Vacation” [poem]

1964

ANTE, No. 1, edited by William Harris
Los Angeles: Echo Press, Summer 1964

A POETRY NEWSLETTER, No. 2, edited by Richard Morris
Albuquerque: Desert Review Press, 1964

BLUE BEAT, No. 1, edited by George Montgomery and Erik Kiviat
New York: Yowl Publications, March 1964
“Love Without Courage” [poem], “Wake” [poem]

THE DESERT REVIEW, No. 1, edited by Ward Abbott and Bryant Cashion
Albuquerque: The Desert Review Press, Spring 1964
“Concerning Particulars” [poem], “Epithalmia” [poem], “Mountain Winter” [poem], “She Loves Me Not” [poem]

THE FIDDLEHEAD, No. 62
Fredericton: University of New Brunswick, Fall 1964

GRANDE RONDE REVIEW, No. 1, edited by Michael Andrews and Ben L. Hiatt
La Grande: Grande Ronde Review, Fall 1964
“Contemporary Ballad” [poem], “Thing and Essence” [poem]

GRIST, Vol. 1, No. 4, edited by Robert Rusk and John Fowler
Lawrence: Abington Book Shop, December 1964
“Red Cunning and Creme de Minthe” [poem], “The Blood on Our Hands” [poem]

INTREPID, No. 3, edited by Allen De Loach
New York: Intrepid, July 1964
“Spring Betime” [poem]

KAURI, No. 3, edited by Will Inman
New York: Kauri, July-August 1964
“Pastoral” [poem]

KAURI, No. 4, edited by Will Inman
New York: Kauri, August-September 1964
“A Day in the Sun” [poem], “Please Court Dumb” [poem]

KAURI, No. 5, edited by Will Inman
New York: Kauri, November-December 1964

MARRAHWANNAH QUARTERLY, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1964
“Medical Science” [poem]

OLE, No. 1, edited by Douglas Blazek
Bensenville: The Mimeo Press, 1964
“A Leopard Sleek as Night” [poem], “Abe Went with the Roman Clan” [poem]

POETRY REVIEW, No. 2, edited by Duane Locke
Tampa: University of Tampa, August 1964
“To Put a Rose Upon It” [poem]

POTPOURRI, No. 2, edited by Carlos Reyes
Seattle: Body Press, 1964

THE SILVER CESSPOOL, No. 4, edited by d.a. levy
Cleveland: Renegade Press, 1964
“The Brain in the Weather” [poem], “Thoughts on Returning” [poem]

SUM, No. 2, edited by Fred Wah
Albuquerque: Sum, February 1964
“Fruit Juice” [poem]

THEO, Vol. 1, No. 1, edited by Frank Murphy and Jonas Kover
New York: Theo Publications, 1964
“Kind, No Winsome Maid Would Question” [poem], “Whisper No Loon is Gear” [poem]

THEO, Vol. 1, No. 2, edited by Frank Murphy and Jonas Kover
New York: Theo Publications, Fall 1964
“Rime Upon the Runic

WILD DOG, No. 7, edited by Drew Wagnon and Ed Dorn
Pocatello: Wild Dog, April 1964
“Where the Will Resides” [poem], “Wrest Over” [poem]

WILD DOG, No. 8, edited by Drew Wagnon and Ed Dorn
Pocatello: Wild Dog, May 1964
“Reth for Wreath for Ever” [poem]

WILD DOG, No. 11, edited by Gino Clays and Drew Wagnon
Salt Lake City: Wild Dog, October 1964
“Purity” [poem], “The Horse with the Cokleburs in Its Fetlocks” [poem]

THE WORMWOOD REVIEW, Vol. 4, No. 1, Issue 13, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1964
“Being Thankless” [poem], “Japenese Garden” [poem]

YOWL, No. 6, edited by George Montgomery and Erik Kiviat
New York: Bluebeat Publications, May 1964
“Shut the Bud Blooming in Holy” [poem]

YOWL, No. 7, edited by George Montgomery and Erik Kiviat
New York: Bluebeat Publications, September 1964
“The Dream” [poem]

1965

THE BLACK CAT REVIEW, No. 3, edited by Neeli Cherry
San Bernardino: The Black Cat Review, June 1965
“Judas: A Funeral Lilt” [poem]

BLITZ, No. 2, edited by Bobby Watson and Mel Buffington
La Grande: Mad Virgin Press,1965
“Millenium” [poem], “Vilely I Have Taken” [poem]

CAMELS COMING, No. 1, edited by Richard Morris
Reno: Camels Coming, August 1965
“Flaunting Eagles, I Beseech You” [poem]

CAMELS COMING, No. 3, edited by Richard Morris
Reno: Camels Coming, October 1965
“Pierre, Submerged and Floating” [poem]

FROM A WINDOW, No. 3, edited by Paul Malanga and Bobby Byrd
Tucson: From a Window, October 1965
“Benadam Hick Pat” [poem], “I Have Sat” [poem], “The Clue of the Motionless Gander” [poem], “To Clean Out a Tunnel” [poem]

THE GOODLY COMPANY, No. 2, edited by G. Russell Morgan
Kalamazoo: Goodly Co, April 1965
“Born-A-Lier Bulltoven” [poem]

THE GOODLY COMPANY, No. 4, edited by G. Russell Morgan
Kalamazoo: Goodly Co, December 1965
“Bulltoven’s Other Brother” [poem], “When Since” [poem]

GRANDE RONDE REVIEW, No. 3, edited by Ben L. Hiatt
La Grande: Grande Ronde Review, Summer 1965
“Concert of Happy Myth” [poem], “Deed Oh Moon Kept Come” [poem], “Lief in Barenfolded Gain” [poem]

GRIST, No. 5, edited by John Fowler
Lawrence: Abington Book Shop, April 1965
“Dirge without Calla Lillies” [poem], “Sprung in Plummet in Plume” [poem], “Time Diversion” [poem]

ILLUMINATIONS, No. 1, edited by Norman Moser
San Francisco: Illimination Press, Summer 1965

JACARANDA, No. 6, edited by Joel Climenhaga
Canton: Transient Press, February 1965
“If But for The Queen” [poem], “Evaporation” [poem], “Mortal Cone in Muddle Brain” [poem], “Sin the Seemly Cannonade” [poem]

MAGAZINE, No. 2, edited by Kirby Congdon
New York: Crank Books, 1965
“The Goddess” [poem]

MOTIVE, Vol. 25, No. 5, edited by B.J. Stiles
February 1965

THE WORMWOOD REVIEW, Vol. 5, No. 2, Issue 18, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1965
“Reductio as Absurdum” [poem], “Some Sight of Maybe Moon” [poem]

THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 19, edited by Marvin Malone
Storrs: The Wormwood Review Press, 1965
“A Feather Duster” [poem], “Abiding Time” [poem], “An Asinine Observance” [poem], “An Interlude” [poem], “Cuculiform” [poem], “Did Ever” [poem], “Early Bird” [poem], “Fall Is With Us” [poem], “From the Virgin Islands” [poem], “I Lighted a Fire” [poem], “In My Life” [poem], “Letter to Bill” [poem], “Past a Sunlit Terrace” [poem], “Seeing Suddenly” [poem], “So Her” [poem], “Stated Simply” [poem], “Time for Prayer” [poem]

1966

EARTH, No. 2, edited by Steve Richmond
Santa Monica: Earth Books & Gallery, 1966
“An Evening in December” [poem]

THE GOODLY COMPANY, No. 7, edited by G. Russell Morgan
Kalamazoo: Goodly Co, November 1966
“The Distances” [poem]

GRIST, No. 8, edited by John Fowler
Lawrence: Abington Book Shop,1966
“To Wring Some Water Out” [poem]

INTREPID, No. 6, edited by Allen De Loach
New York: Intrepid, 1966
“Essence” [poem], “Now Beholden” [poem], “Some Family Relations” [poem]

IT, No. 5, edited by J.D. Whitney
Detroit: It, May 1966
“What Are You” [poem]

OUTCAST, No. 1, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, 1966
“Perception” [poem]

OUT OF SIGHT, Vol. 1, No. 1, edited by Gino Clays
San Francisco: Kamikaze Press, 1966
“From Youth” [poem], “Sloe Tree, Bushed and Spangled” [poem]

SHOWCASE, No. 2, edited by James Gove
Barstow: Showcase, November-December 1966
“Withold” [poem], “The Power Engine” [poem]

SHOWCASE, No. 3, edited by James Gove
Barstow: Showcase, July 1966
“Cruel and Any Kind” [poem], “Lemon Mayoley” [poem]

SYMPTOM, edited by David Tammer
University Park: Symptom, Spring 1966

1967

THE GOODLY COMPANY, No. 9, edited by G. Russell Morgan
Kalamazoo: Goodly Co, June 1967
“White” [poem]

THE GOODLY COMPANY, No. 10, edited by G. Russell Morgan
Kalamazoo: Goodly Co, November 1967
“Even If” [poem], “Fiesta Brava” [poem], “Stalemate” [poem]

GRANDE RONDE REVIEW, No. 7, edited by Ben L. Hiatt
La Grande: Grande Ronde Review, 1967
“Cosmic Geography” [poem], “Once and For All” [poem], “The Barber’s Apprentice” [poem]

INTREPID, No. 7, edited by Allen De Loach
New York: Intrepid, March 1967
“A Poet’s Breath” [poem], “Burst Forth” [poem], “Canonical” [poem], “Hope Scape Bish-Bop” [poem], “Muse Over” [poem], “Some Finality or Other” [poem]

LATITUDES, No. 2, edited by Robert Bonazzi
Houston, Summer 1967

THE OTHER, No. 4, edited by Richard Mangelsdorff
Milwaukee: The Other, 1967
“Delayed Voyage” [poem], “To Rid the Stable” [poem]

OUTCAST, No. 4, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, January 1967
“I Was Writing” [poem]

RUNCIBLE SPOON, Vol. loud, No. yes!, edited by D.r. Wagner and Barbara O’Connelly
Carmichael: The Runcible Spoon, 1967
“Fairey Islander” [poem]

THE WORMWOOD REVIEW, Vol. 7, Nos. 3-4, Issues 27-28, edited by Marvin Malone
Storrs: The Wormwood Review, 1967
“Because Of” [poem], “If God” [poem], “The Naming of Trees” [poem]

1968

ALDEBARAN REVIEW, No. 2, edited by John Oliver Simon
Berkeley: Aldeberan Review, 1968
“Mammoth of Earth” [poem], “Marsh Gut” [poem], “Summer is Over” [poem]

ILLUMINATIONS, No. 4, edited by Norman Moser
San Francisco: Illuminations Press, Winter 1968-69

MOTHER, No. 11, edited by Ronald Caplan
Pittsburgh: Mother Press, 1968
“Pill For” [poem], “The Mortification of Deacons” [poem]

WORDJOCK, No. 4, edited by Charles Tidler
West Layfayette: Wordjock, November 1968
“In Reed of Wound” [poem], “King Haul to Rome” [poem], “Petter Unsane Mal” [poem], “Swabbie Wan Satchel Ayne” [poem], “The Meathodical Sea Nymph”

THE WORMWOOD REVIEW, Vol. 8, No. 3, Issue 31, edited by Marvin Malone
Storrs: The Wormwood Review, 1968
“At the Tobacconist” [poem], “Delineation” [poem]

1969

ARX, Vol. 2, No. 11, edited by Bill B. Brooks
Austin: Arx Foundation, August 1969

ATOM MIND, Vol. 1, No. 4, edited by Gregory Smith
Albuquerque: Mother Road Publications, Spring 1969
[untitled] “I too / would cry out…” [poem]

ATOM MIND, Vol. 2, No. 6, edited by Gregory Smith
Albuquerque: Mother Road Publications, Fall 1969
“Well, Anyhow” [poem]

THE GOLIARDS, No. 7, edited by Jerry Burns
San Francisco: Goliards Press, 1969

ISINGLASS REVIEW, Vol. 3, No. 1
Burlington, Winter 1969

NOLA EXPRESS, Issue 44
New Orleans: Southern Louisiana Media Corporation, 1969
“Telegraph Pole” [poem]

OUTCAST, No. 15, edited by Jean and Veryl Rosenbaum
Santa Fe: Outcast, October 1969
“The Wild One” [poem]

QUIXOTE, Vol. 5, No. 4, edited by Morris Edelson
Madison: Quixote, 1969
“I Won’t” [poem], “The Legacy of War” [poem], “Herded” [poem]

SUMAC, Vol. 1, No. 2, edited by Dan Gerber and Jim Harrison
Fremont: Sumac Press, Winter 1969
“No Ultimate Sacrilege” [poem], “Season of Autumn Light” [poem]

THE WORMWOOD REVIEW, Vol. 9, No. 1, Issue 33, edited by Marvin Malone
Storrs: The Wormwood Review, 1969
“Senile” [poem], “She Was Waiting” [poem]

1970

ALDEBARAN REVIEW, No. 8, edited by John Oliver Simon
Berkeley: Aldeberan Review, January 1970
“No Stopping It” [poem]

CENTERING
Berkeley, CA: Mysterious Mountain Press, 1970

DESPERADO, Vol. 1, No. 2, edited by Kell Robertson
1970
“Cow Pens” [poem], “Faceless” [poem]

FOLIO, Vol 6, No. 1
Summer 1970

THE GOODLY COMPANY, No. 15, edited by G. Russell Morgan
Kalamazoo: Goodly Co, April 1970
“How Often” [poem], “Memory, Memory” [poem], “Pastrover” [poem]

NEW: AMERICAN AND CANADIAN POETRY, No. 12, edited by John Gill
Trumansburg: New: A & C Poetrry, April 1970

QUIXOTE, Vol. 6, No. 1, edited by Mossis Edelson
Lodz: Quixote, 1970
“So” [poem]

THE RAG, Vol. 4, No. 19
Austin, March 1970
“Easter Suite” [poem]

THE STONE, Vol. 3, Nos 1-2, edited by Mike Chervenak, Harvy Cording, and Richard Jorgensen
Pennington, Winter-Summer 1970

1971

ALDEBARAN REVIEW, No. 11, edited by John Oliver Simon
Berkeley: Aldeberan Review, December 1971
“Caged” [poem]

DESPERADO, No. 5, edited by Kell Robertson
June 1971
“Alone, You Say You Are?” [poem], “The Commode’s Weather” [poem]

THE GREENFIELD REVIEW, Vol. 1, No. 4, edited by Joseph Bruchac
Greenfield Center: Greenfield Review, 1971

GUM, No. 6, edited by Dave Morice
Iowa City: Gum, September 1971

HEY LADY, Nos. 4-5
Milwaukee: Morgan Press, 1971

THE HUMAN VOICE, Vol. 7, No. 3, edited by D.V. Smith
Homestead: Olivant Press, 1971

INTREPID, No. 18-19, edited by Allen De Loach
New York: Intrepid, Winter 1971
“For Shame in the Shadows” [poem], “The Exit” [poem], “The Returned Mariner” [poem]

LEMMING, No. 1, edited by Jim Gove
San Diego: Lemming, Winter 1971

PENUMBRA, No. 10, edited by Charles Haseloff
New York, Fall 1971
“Postmortem” [poem]

TOOTHPASTE, No. 5, edited by Allan Kornblum
Iowa City: Toothpaste Press, 1971
“Flock” [poem]

THE WORMWOOD REVIEW, Vol. 11, No. 3, Issue 43, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1971
“Bailey I Put” [poem], “Hobert Said” [poem]

1972

ASPHALT, No. 4, edited by Richard Paterson
Yellow Springs: Asphalt, 1972

DESPERADO, No. 7, edited by Kell Robertson
1972
“Goddesses” [poem], “She Had” [poem], “That He Should Live So Long” [poem]

LOCO MOTIVES, edited by Enrique R. Lamadrid and David Teodoro Benedetti
Albuquerque, NM: Peyote Puke Press / Associated Small Presses, 1972

PENUMBRA, No. 11, edited by Charles Haseloff
New York: Penumbra, Fall 1972
“The Lease of Ruin” [poem]

SECOND COMING, Vol. 1, No. 2, edited by A. D. Winans
San Francisco: Second Coming Press, Summer 1972
“In Fact” [poem]

ZAHIR, Vol. 1, Nos. 4-5, edited by Diane Kruchkow
Durham: Zahir, 1972
[untitled] “Classic in the deamoned service…” [poem]. “Eyes That” [poem], “I Wanted Even” [poem], “Is This” [poem]

1973

GRANDE RONDE REVIEW, [un-numbered issue], edited by Ben L. Hiatt
Folsom: Grande Ronde Press, Spring 1973
“She Shut” [poem], “The Wager” [poem], “When You Crouch” [poem]

WIND, No. 9, edited by Howard Quentin
Pikeville: Wind, 1973

THE WORMWOOD REVIEW, Vol. 13, No. 2, Issue 50, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1973
“Hard Times” [poem], “The Visitor” [poem], “You Would Like” [poem]

THE WORMWOOD REVIEW, Vol. 13, No. 4, Issue 52, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1973
“As Time Passes” [poem], “As You” [poem], “I Love Jane” [poem]

1974

EVERYMAN, edited by Christopher Franke
Cleveland: Cuyahoga Community College, Summer 1974

STONE COUNTRY, Vol. 74, No. 2, edited by Judy Neeld
Madison: Stone Country Press, 1974

STONE COUNTRY, Vol. 74, No. 3, edited by Judy Neeld
Madison: Stone Country Press, 1974

STONEY LONESOME, No. 4, edited by Richard Pflum, Roger Pfingston, and David Wade
Nosferatu Press 1974

WHITE ARMS MAGAZINE, No. 1, edited by Jim Jordan
Fort Wayne: White Arms Magazine, April 1974

1975

BLACK BEAR REVIEW: A Magazine of the Arts, Vol. 1, No. 3, edited by James Taylor
Taos: Black Bear Review, Fall 1975

THE COLDSPRING JOURNAL, No. 8, edited by Charles Plymell and Pamela Beach Plymell
August-September 1975
“As If All” [poem], “Seeing An” [poem]

SCREE, No. 3, edited by Kirk Robertson and nila northSun
Missoula: Porky Press for Duck Down Press, 1975

STONE COUNTRY, Vol. 75, No. 2, edited by Judy Neeld
Madison: Stone Country Press, 1975

TELEPHONE, No. 10, edited by Maureen Owen
New York: Telephone Books Press, 1975
“San Francisco” [poem]

WINE RINGS, Vol. 1, No. 2
1975
[untitled] “Where / It’s put / together…” [poem]

THE WORMWOOD REVIEW, Vol. 15, No. 2, Issue 58, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1975
“A Mangled” [poem], “As Knotty a Question” [poem], “Because You” [poem], “Bulltoven Once” [poem], “Cats All Day” [poem], “Conned Out” [poem], “Easter Suite” [poem], “Enraptured Nude” [poem], “Epi-Gratis” [poem], “Every Electrical” [poem], “Examining” [poem], “Holed Up Three Days” [poem], “I Haven’t Spoke” [poem], “I Should Not” [poem], “If My Fragmented” [poem], “It Was” [poem], “Jesus Ranch” [poem], “No, 1” [poem], “Open” [poem], “Sand-Blasting” [poem], “So I Know” [poem], “Suppose Tomorrow” [poem], “The Current” [poem], “The Floor Level” [poem], “The Plain Sun” [poem], “The Sins” [poem], “To Breathe” [poem], “Together” [poem], “We Danced Off” [poem], “When I” [poem], “With Remorse” [poem], “Your Cunt” [poem], “Your Existence” [poem]

THE WORMWOOD REVIEW, Vol. 15, No. 4, Issue 60, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1975
“In a Bar” [poem], “These Wheels” [poem], “To Carry” [poem]

1976

LA-BAS, No. 4, edited by Douglas Messerli
College Park: La-Bas, November 1976
“Pebble Barren Gain” [poem], “This Cunt of Yours” [poem], “Two Mangy, Poorly” [poem]

SCREE, No. 5, edited by Kirk Robertson and nila northSun
Missoula: Duck Down Press, 1976

STAR-WEB PAPER, No. 6, edited by Thomas Michael Fisher
Los Cruces: All This & Less Publishers, 1976

THE SUNSET PALMS HOTEL, Vol. 4, No. 7, edited by Colman Andrews, Michael C. Ford, and Bill Yaryan
Mt. Alverno Press, Winter 1976

WINE RINGS, Vol. 1, No. 5
1976
“Bike Tyre” [poem], “If You” [poem], “I’ve Not” [poem], “My Breathing” [poem]

ZAHIR, No. 8, edited by Diane Kruchkow
Durham: Zahir, 1976
“A Long Line” [poem], “Helmets” [poem]

1978

EL COQUI, No. 1, edited by E.W. Northnagel
Carolina, PR: Cíbola Studio, 1978

1979

BOSS, No. 5, edited by Reginald Gay
New York: Boss Books, 1979

SECOND COMING, Vol. 7, No. 1, edited by A.D. Winans
San Francisco: Second Coming Press, 1979
“Your Buck” [poem]

1980

PIG IRON, No. 8, edited by Jim Villani
Youngstown: Pig Iron, December 1980

THE WORMWOOD REVIEW, Vol. 20, No. 4, Issue 80, edited by Marvin Malone
Stockton: The Wormwood Review Press, 1980
“A Signature” [poem], “Assuming” [poem], ” Dumb, Dear” [poem], “Flowers” [poem], “If I Had” [poem], “If I Took” [poem], “Mad Dog” [poem], “The Place” [poem]

1981

ANOTHER CHICAGO MAGAZINE, Number 6, edited by Lee Webster
Chicago: Thunder Mouth Press, 1981

CENTER, No. 13, edited by Carol Berge
New York: Center, 1981
“Cochise” [prose]

WAVES, Vol. 1, No. 4, edited by Eric Torgersen
Central Michigan University, 1981

1982

LOST AND FOUND TIMES, No. 12, edited by John M. Bennett
Columbus: Luna Bisonte Productions, October 1982
“For Elephant Bamboo” [poem], “The Wall” [poem]

1983

ANOTHER CHICAGO MAGAZINE, Number 9, edited by Lee Webster
Chicago: Thunder Mouth Press, 1983

THE BELOIT POETRY JOURNAL, Vol. 33 No. 3, edited by David M. Stocking
Beloit Poetry Journal, Spring 1983

LUCKY STAR, Vol. 1, No. 3, edited by Henry Kranz
Oak Park: Erie Street Press, April 1983

1984

CENTER, No. 13, Final issue, edited by Carol Berge
New York: Center, 1984

ORO MADRE MAGAZINE, Vol. 2, No. 3-4, edited by Loss and Jan Glazier
Fremont: Ruddy Duck Press, 1984

STAR-WEB PAPER, No. 8, edited by Thomas Michael Fisher
Los Cruces: All This & Less Publishers, 1984

1986

SECOND COMING, Vol. 14, No. 1, edited by A.D. Winans
San Francisco: Second Coming Press, 1986

1989

LACTUCA, No. 12, edited by Mike Selender
Suffern: Lactuca, February 1989
“A Descent into the Depths Would Have Changed” [poem], “The Windows I have Stared Out of Looking” [poem], “Skin or Sheen as it Fails to Coalesce” [poem], “If He Swam at all It Was in a Religion” [poem], “A Black Sash Was All She Had” [poem], “If the Bark Comes off the Sheen of Branch” [poem], “I’ve Seen Worse, as They Say, Without Even” [poem]

LOST AND FOUND TIMES, No. 25, edited by John M. Bennett
Columbus: Luna Bisonte Productions, December 1989
“A Carnation Suggesting You Bruised” [poem]

NEW YORK QUARTERLY, No. 39, edited by William Packard
New York: The National Poetry Foundation, Summer 1989

1990

NEW YORK QUARTERLY, No. 43, edited by William Packard
New York: The National Poetry Foundation, Fall 1990

1991

LACTUCA, No. 14, edited by Mike Selender
Suffern: Lactuca, May 1991
“This Guarded Epiphany That Grabbed Me” [poem], “How Exquisite I Thought Ed Corbet’s” [poem], “Your Platinum Eyes and Bronze” [poem], “If Those Bodies Are Only Objects-” [poem], “If One Should Be Thought a Freak Because Of” [poem], “The Idea” [poem]

NEW YORK QUARTERLY, No. 44, edited by William Packard
New York: The National Poetry Foundation, 1991

NEW YORK QUARTERLY, No. 45, edited by William Packard
New York: The National Poetry Foundation, 1991

PEARL, No. 14, edited by Joan Jobe Smith and Marilyn Johnson
Fountain Valley: Pearl, Fall/Winter 1991

1992

ATOM MIND, Vol. 3, No. 9, edited by Gregory Smith
Albuquerque: Mother Road Publications, 1992

CHIRON REVIEW, Vol. 11, No. 1, edited by Michael Hathaway
St. John: Chiron Review, Spring 1992

Carl Larsen – Contributions to Periodicals

>> return to CARL LARSEN main page >>

SECTION C:
This index includes contributions to periodicals; entries within years are listed alphabetically

1956

1. NEW ATHENAEUM, No. 1, edited by Will Tullos
Lake Como: New Athenaeum Press, Summer 1956
Larsen contribution: “I Heard a Woman Weeping” [poem]

2. THE ARCHER, Vol. 6, No. 3, edited by Wilfred Brown and Elinor Henry Brown *
North Hollywood: The Archer, Autumn/Winter (Dec) 1956
Larsen contribution: “I Walked with the Rain” [poem]

3. COASTLINES, Vol. 2, No. 2, Issue 6, edited by Mel Weisburd
Los Angeles: Coastlines, Winter 1956
Larsen contribution: “Auto Da Fe” [poem]

4. EPOS, Vol. 8, No. 2, edited by Evelyn Thorne and Will Tullos
Lake Como: Epos, Winter 1956
Larsen contribution: “I Cannot Live” [poem]

1957

5. ARK, No. 3, edited by James Harmon
San Francisco: Ark, Winter 1957
Larsen contribution: “The Work of Hands: 8” [poem], “The Work of Hands: 11” [poem]

6. COASTLINES, Vol. 3, No. 1, Issue 9, edited by Mel Weisburd
Hollywood: Coastlines, Winter 1957-58
Larsen contribution: “Letter to Clarence Major” [prose]

7. DANSE MACABRE, Vol. 1, No. 1, edited by R.T. Baylor *
Manhattan Beach: Danse Macabre, 1957
Larsen contribution: “The Children Are Watching” [poem]

8. EMERGENT, Vol. 1, No. 1, edited by James M. Singer Jr.
Gardena: Henny Penny Press, Winter 1957
Larsen contribution: “An Account to the Best of My Memory of the Strange and Interesting Events Which Took Place on October 7” [prose]

9. THE FREE LANCE, Vol. 4, No. 2, edited by Adelaide Simon
Cleveland: The Free Lance, Last Half 1957
Larsen contribution: “The Right to Stand in Line” [poem], “Eating Subgum War Mein” [poem]

10. HEARSE, No. 1, edited by E. V. Griffith
Eureka: Hearse Press, 1957
Larsen contribution: “Prelude to the Big Blast” [poem]

11. THE NAKED EAR, No. 2, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
Larsen contribution: “Summer Song #2” [poem], “Song to Be Sung to the Tuna” [poem]

12. THE NAKED EAR, No. 5, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
Larsen contribution: “Patterns on a Sea Wall #32” [poem]

13. THE NAKED EAR, No. 8, edited by Judson Crews
Ranches of Taos: The Naked Ear, (1957)
Larsen contribution: “The Work of Hands: 7” [poem]

14. NEON, No. 3, edited by Gilbert Sorrentino
Brooklyn: Neon Magazine, 1957
Larsen contribution: “Three Rather Obvious Images from the Penultimate Morning” [poem], “Not Us We Love the Dirty ‘…’s”, ” [poem], “Pastels in Smoke and Liquid” [poem], “The Big Hoop-Hoop at 38th Street” [prose]

15. SIMBOLICA, No. 15, edited by Ignace Ingianni
San Francisco: Simbolica, (1957)
Larsen contribution: “Rondeau #3” [poem], “Rondeau #5” [poem], “Rondeau #7” [poem], “Rondeau #9” [poem]

1958

16. THE COERCION REVIEW, No. 1, edited by Clarence Major
Chicago: Coercion, Summer 1958
Larsen contribution: “I Lay My Dying Children” [poem]

17. EPOS, Vol. 9, No. 4, edited by Evelyn Thorne and Will Tullos
Lake Como: Epos, Winter 1958
Larsen contribution: “Mss. Found in a Baby” [poem]

18. HEARSE, No. 3, edited by E. V. Griffith
Eureka: Hearse Press, 1958
Larsen contribution: “Contemporary Silence” [poem]

19. THE MISCELLANEOUS MAN, No. 14, edited by William J. Margolis
San Francisco: The Miscellaneous Man, 1958
Larsen contribution: “Square Like The World” [prose], “Contemporary Impression No. 1” [poem], “Contemporary Impression No. 6” [poem], “Contemporary Impression No. 9” [poem]

20. WHETSTONE, Vol. 3, No. 1, edited by Jack Lindeman *
Philadelphia: Whetstone, 1958
Larsen contribution: “Salvation” [poem]

1959

21. THE COERCION REVIEW, No. 2, edited by Clarence Major
Chicago: Coercion, Spring 1959
Larsen contribution: “Ode to a Model 403 IBM Accounting Machine” [poem]

22. EPOS, Vol. 11, No. 1, edited by Evelyn Thorne and Will Tullos
Crescent City: Epos, Fall 1959
Larsen contribution: “The Transient Heart” [poem]

23. GALLOWS, No. 1, Jon T. Griffith
Eureka, October 1959
Larsen contribution: “Contemporary Impression #4” [poem]

24. WHITE DOVE REVIEW, Vol. 1, No. 3, edited by Ron Padgett
Tulsa: White Dove Press, 1959
Larsen contribution: “Crap and Cauliflower” [poem]

1960

25. COASTLINES, Vol. 4, Nos. 2-3, Issue 14-15, edited by Gene Frumkin
Los Angeles: Coastlines, Spring 1960
Larsen contribution: “Memo from an Untidy Little Universe: 1” [poem], “Memo from an Untidy Little Universe: 2” [poem]

26. ELEMENT, Vol. 1, No. 1, edited by Robert Vaughan
Glendora: Element, 1960
Larsen contribution: “Suspend This Instant” [poem]

27. IMPETUS, No. 4, edited by Guy Owen and William E. Taylor
Deland: Stetson University, Summer 1960
Larsen contribution: “Needle” [poem], “And Weeping with the Sea” [poem]

28. INLAND, Vol. 3, No. 3, edited by John Rackham
Salt Lake City: Inland, Winter 1960
Larsen contribution: “Death of a Single Thing” [poem]

29. NOMAD, No. 5-6, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Winter-Spring 1960
Larsen contribution: “A Modest Proposal or Nabokov’s Folly” [prose], “The Death of Johnny Peyote, from a novel-in-progress” [prose]

30. NOMAD, No. 7, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Summer 1960
Larsen contribution: “This End of the Sky: 5” [poem]

31. QUICKSILVER, Vol. 13, No. 1, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth : Quicksilver, Spring 1960
Larsen contribution: “I Ask to Lay My Soul” [poem]

32. QUICKSILVER, Vol. 13, No. 3, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth, Autumn 1960
Larsen contribution: “We Climb to Blank the Stars” [poem]

33. SAN FRANCISCO REVIEW, Vol. 1, No. 4, edited by R. H. Miller *
San Francisco: San Francisco Review, March 1960
Larsen contribution: “This End of the Sky: 3” [poem], “In Memory of Civilization” [poem]

34. SIMBOLICA, No. 18, edited by Ignace Ingianni
San Francisco: Simbolica, (1960)
Larsen contribution: “To the Negro Castrated for Looking at Scarlet O’Hara”

35. WHITE DOVE REVIEW, Vol. 2, No. 5 , edited by Ron Padgett
Tulsa: White Dove Press, Summer 1960
Larsen contribution: “An Age of Winter” [poem]

1961

36. BEATITUDE/EAST, No. 17, edited by C.V.J. Anderson
New York: Beatitude Press, 1961
Larsen contribution: “Patterns on a Sea Wall: 13” [poem], “Patterns on a Sea Wall: 14” [poem], “Patterns on a Sea Wall: 15” [poem], “Patterns on a Sea Wall: 16” [poem], “Patterns on a Sea Wall: 17” [poem], “Patterns on a Sea Wall: 18” [poem], “Patterns on a Sea Wall: 19” [poem], “Patterns on a Sea Wall: 21” [poem]

37. THE BELOIT POETRY JOURNAL, Vol. 11, No. 3, edited Chad Walsh *
Beloit: The Beloit Poetry Journal, Spring 1961
Larsen contribution: “Attack of the Giant Gnats” [poem]

38. THE FIDDLEHEAD, No. 47, edited by A.G. Bailey *
Fredericton: The Fiddlehead, Winter 1961
Larsen contribution: “The Work of Hands” [poem]

39. THE FREE LANCE, Vol. 6, No. 2, edited by Casper L. Jordan
Cleveland: The Free Lance, 1961
Larsen contribution: “God-love-country-mother-home” [poem]

40. THE GALLEY SAIL REVIEW, Vol. 3, No. 2, edited by Stanley McNail *
San Francisco: The Galley Sail Review, Fall 1961
Larsen contribution: “After the First Bombing” [poem]

41. LOST WORLD, No. 2, edited by Lorenzo Thomas
New York: Lost World, 1961
Larsen contribution: “The Sea at Times” [poem], “The Descent of Solomon” [poem]

42. MIDWEST, No. 2, edited by R.R. Cuscaden
Chicago: Midwest, Summer 1961
Larsen contribution: “Contemporary Impression: 11” [poem]

43. MUTINY, Vol. 3, No. 3, edited by Jane Esty and Paul Lett
Northport: Mutiny Press, Summer 1961
Larsen contribution: “From our Far-Flung Agents”

44. QUICKSILVER, Vol. 13, No. 3, edited by Grace Ross and Mabel M. Kuykendall
Fort Worth, Autumn 1961
Larsen contribution: “The Moral Observations of Edward Reed: 6” [poem]

45. SIMBOLICA, No. 20, edited by Ignace Ingianni
Tiburon: Simbolica, (1961)
Larsen contribution: “Notes for the Beginning of Things: 1” [poem]

46. SUN, No. 1, edited by Tracy Thompson
San Francisco: Sun, 1961
Larsen contribution: “The Sky Desterted” [poem]

47. TARGETS, No. 5, edited by W.L. Garner
Albuquerque, April 1961
Larsen contribution: “Bill, Feat Not Halitosis” [poem]

48. THE WORMWOOD REVIEW, Vol. 1, No. 4, Issue 4, edited by Marvin Malone
Storrs: The Wormwood Review, 1961
Larsen contribution: “There is a Little Balloon Coming out of My Head” [poem], “On a Hill Far Away Stood an Old Rugged Cha-Cha-Cha” [poem]

1962

49. BRAND X, No. 7, edited by Carl Larsen
New York: 7 Poets Press, July 1962
Larsen contribution: “In Unscheduled Ascent” [poem]

50. BRAND X, No. 10, edited by Carl Larsen
New York: 7 Poets Press, October 1962
Larsen contribution: “Poem Entitled October’s Bright Blue Weather” [poem], “The Good Folks Come to Burn Thee” [poem]

51. COASTLINES, Vol. 5, No. 3, Issue 19, edited by Curtis Zahn
Santa Monica: Coastlines, 1962
Larsen contribution: “O The Moon Shines Bright, It’s Radioactive” [poem]

52. LIBERATION, Vol. 6, No. 11, edited by Dave Dellinger
New York: Libertarian Press, January 1962
Larsen contribution: “The Work of Hands: 3” [poem]

53. OUTCRY, No. 1, edited by Lee Hollane and C.P. Galle
Washington D.C.: Poet’s Press, July 1962
Larsen contribution: “excerpts from The Book of Eric Hammerscoffer”

54. THE WORMWOOD REVIEW, Vol. 2, No. 3, Issue 7, edited by Marvin Malone
Storrs: The Wormwood Review, October 1962
Larsen contribution: “How I Got to Be 28 Years Old and All My Friends are a Success Except Me”, “Larsen’s Decameron”, “Clyde and Martha”

1963

55. BLACK CAT REVIEW, No. 2, , edited by Neeli Cherry
San Bernardino: The Cherry Press, March 1963
Larsen contribution: “Fugue for Tracy Thompson” [poem]

56. SCIAMACHY, No. 5, edited by Millea Levin
Winnetka: Sciamachy, 1963
Larsen contribution: “An Apology, a Face for Granted” [poem]

57. SCIMITAR AND SONG, Vol. 26, No. 4, edited by Lura Thomas McNair
Sanford: Scimitar and Song, October 1963
Larsen contribution: “Let Us Believe Together This” [poem]

58. THE WORMWOOD REVIEW, Vol. 3, No. 1, Issue 9, edited by Marvin Malone
Storrs: The Wormwood Review, 1963
Larsen contribution: “How I Discovered The Secrets of Nature and Met My Sad End Alas” [poem], “The Giant Gnats at the Hungry I” [poem]

59. THE WORMWOOD REVIEW, Vol. 3, No. 3, Issue 11, edited by Marvin Malone
Storrs: The Wormwood Review, 1963
Larsen contribution: special center-section titled Carl Larsen’s The Stainless Steel Incubus, in two parts: “Advertisement for an Android” [poem], “Leah” [poem]

60. THE WORMWOOD REVIEW, Vol. 3, No. 4, Issue 12, edited by Marvin Malone
Storrs: The Wormwood Review, 1963
Larsen contribution: “Anonymous Note, Among Camellias” [poem]

1964

61. COFFIN, No. 1, edited by E.V. Griffith
Eureka: Hearse Press, 1964
Larsen contribution: “Notes for The Beginning of Things: 4” [poem]

62. FERMENT, No. 4, edited by Joel Climenhaga *
Canton: Transient Press, July 1964
Larsen contribution: “Clyde and Martha (The Aging Beatniks)” [poem]

63. FERMENT, No. 5, edited by Joel Climenhaga *
Canton: Transient Press, October 1964
Larsen contribution: “Notes from Ground Zero” [poem]

64. JACARANDA, No. 4, edited by Joel Climenhaga *
Canton: Transient Press, December 1964
Larsen contribution: “The Toad King” [poem], “And no Concentric Crumbling Pyramid” [poem], “Upon Entering a Coffee House…” [poem], “Clyde and Martha (The Aging Beatniks)” [poem], “In Defense of the Senate Bill…” [poem]

65. GRIST, No. 4, edited by Robert Rusk and John Fowler
Lawrence: Abington Book Shop, December 1964
Larsen contribution: “Stand Back, Fellas; Let Me Beat That Poor Dead Horse Awhile” [poem]

66. KAURI, No. 5, edited by Will Inman
New York: Kauri, November- December 1964
Larsen contribution: “Life Cycle and Economy” [poem], “Theme Song Cheer Chant for July 4th 1964” [poem], “The Shelter” [poem]

67. THE MARRAHWANNA QUARTERLY, Vol. 1, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1964
Larsen contribution: “Clyde and Martha” [poem], “Slumscapes: 4” [poem]

68. OLE, No.1, edited by Douglas Blazek
Bensenville: The Mimeo Press, 1964
Larsen contribution: “Mss. Found Attached to a Harp-String Hanging from the Sky” [prose]

69. THE WORMWOOD REVIEW, Vol. 4, No. 1, Issue 13, edited by Marvin Malone
Storrs: The Wormwood Review, 1964
Larsen contribution: “Homage to Yevtushenko” [poem]

70. THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 15, edited by Marvin Malone
Storrs: The Wormwood Review, 1964
Larsen contribution: “The Way to a Woman’s Heart: An Exploratory Operation” [poem]

1965

71. BLACK CAT REVIEW, No. 3, edited by Neeli Cherry *
San Bernardino: The Cherry Press, June 1965
Larsen contribution: “Dock Dialogue” [poem]

72. INPUT, Vol. 2, No. 1, Issue 5, edited by Peter Salmansohn and Frank Roth
Valley Stream: Input, Spring 1965
Larsen contribution: “A River, Running to The Sea” [poem]

73. KAURI, No. 11, edited by Will Inman
New York: November-December, 1965
Larsen contribution: “Addenda to a Subway Sign” [poem]

74. SIMBOLICA, No. 24, edited by Ignace Ingianni
Tiburon: Simbolica, (1965)
Larsen contribution: “The Big Little White Bug Caper of Yesterday Afternoon” [prose], “The Red and the Black” [poem], “Open Letter to Provincetown, Mass.” [poem]

75. THE SPERO, Vol. 1, No. 1, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1965
Larsen contribution: “Meet Miss Subways” [prose]

76. THE WORMWOOD REVIEW, Vol. 5, No. 2, Issue No. 18, edited by Marvin Malone
Storrs: The Wormwood Review, 1965
Larsen contribution: “The Memoirs of the Most Successful 30 Year Old Model Boat Builder in the Whole Universe” [prose]

77. THE WORMWOOD REVIEW, Vol. 5, No. 3, Issue No. 19, edited by Marvin Malone
Storrs: The Wormwood Review, 1965
Larsen contribution: “A Little Play on Words Which I Have Modestly Entitled: Hamlet Prince of Denmark” [prose], “Memo to Bukowski” [poem], “Poem Entitled Untitled Poem” [poem]

1966

78. THE EIGHT PAGER, Series One, Part Four, edited by D.r. Wagner
Niagara Falls: Press Today Niagara, 1966
Larsen contribution: “Telethong” [poem]

79. ENTRAILS, No. 1, edited by Gene Bloom
New York: Whisper Shit Press, July 1966
Larsen contribution: “Dick and Jane at the Seashore, or Confessions of an Eternal Compulsion Engine” [prose]

80. HIKA, Vol. 28, No. 3, edited by Michael K. Berryhill and Michael Kirchberger
Gambier: Kenyon College, Spring-Summer 1966
Larsen contribution: “Wild Animals Couldn’t Keep Me Away from Africa: The Life and Hard Times of a Poem-Writer” [prose], “Tide Rising” [poem]

81. KAURI, No. 12, edited by Will Inman
New York: January-February, 1966
Larsen contribution: “Unwinding Walls” [poem]

82. KAURI, No. 15, edited by Will Inman
New York: Kauri, July-August 1966
Larsen contribution: “Text of the President’s Christmas Message as Reprinted from The New York Times, Dec. 25, 1995” [prose]

83. KAURI, No. 16, edited by Will Inman
New York: Kauri, Sep – Oct 1966
Larsen contribution: “Memo: Commit Suicide & See Pg. 1 of Notes” [prose]

84. THE MARY JANE QUARTERLY, Vol. 2, No. 1, edited by d.a. levy
Cleveland: Renegade Press, 1966
Larsen contribution: “Fractions of Light and Water, Fractions of Flesh” [poem]

85. THE SPERO, Vol. 1, No. 2, edited by Douglas and Kathy Casement
Chicago: Fenian Head Centre Press, 1966
Larsen contribution: “The World is Made of Snow” [prose]

86. THE WORMWOOD REVIEW, Vol. 6, No. 4, Issue No. 24, edited by Marvin Malone
Storrs: The Wormwood Review, 1966
Larsen contribution: “Eddie Reed and His Radio Rangers” [poem]

1967

87. CONGRESS, No.2, edited by Sam Seiffer
New York: Congress, 1967
Larsen contribution: “From This Familiar Room” [poem]

1972

88. THE WORMWOOD REVIEW, Vol. 12, No. 3, Issue 47, edited by Marvin Malone
Stockton: The Wormwood Review, 1972
Larsen contribution: “Red Cross” [poem], “Third Rail” [poem]

1975

89. SAMISDAT, Vol. 6 No. 4, Issue 15, edited by Merritt Clifton
Berkeley: Samisdat, Autumn 1975
Larsen contribution: “Idols” [prose]

90. SMALL PRESS REVIEW, Vol. 7, Nos. 10-11, Issue 34-35, edited by Len Fulton *
Paradise: Dust Books, Nov-Dec 1975

91. THE WORMWOOD REVIEW, Vol. 15, No. 2, Issue 58, edited by Marvin Malone
Stockton: The Wormwood Review, 1975
Larsen contribution: “Love Among The Silverware” [poem], “Road to Mecca” [poem]

1977

92. THE WORMWOOD REVIEW, Vol. 17, Nos. 1-2, Issues 65-66, edited by Marvin Malone
Stockton: The Wormwood Review, 1977
Larsen contribution: “Sands of Sorrow” [play]

1979

93. CENTER, No. 12, edited by Carol Bergé
Albuquerque: Center, 1979
Larsen contribution: “from: In The Museum of Oddities” [prose]

—

[* not in archive]

Small Press

Judson Crews

May 26, 2019 jason

Judson Crews, poet, editor, publisher, and book dealer, was born June 30, 1917, in Waco, Texas. Crews received both the B.A. (1941) and M.A. (1944) in Sociology from Baylor University, and during 1946-1947 studied fine arts at Baylor. In addition, Crews did graduate study at the University of Texas, El Paso in 1967. He has worked as an educator at Wharton County Junior College, New Mexico (1967-1970), the University of New Mexico, Gallup Branch (1971-1972), and at the University of Zambia (1974-1978). He has also been involved in social work. After two years in the U. S. Army Medical Corps during World War II, Crews moved his family and business, Motive Press, from Waco, Texas, to Taos, New Mexico, where he began his writing and publishing career in earnest.

He started the Este Es Press in 1946, which remained in operation until 1966. The little magazines with which he was involved from 1940 to 1966 include The Deer and Dachshund, The Flying Fish, Motive, The Naked Ear, Poetry Taos, Suck-Egg Mule: A Recalcitrant Beast, Taos: A Deluxe Magazine of the Arts, and Vers Libre.
(further reading…)

Michael McClure: Contributions to Periodicals

>> return to MICHAEL MCCLURE main page >>

Section C:
This index includes contributions to periodicals, and focuses primarily on the entries found in the Clements bibliography.

1. POETRY, Vol. 87, No. 4, edited by Henry Rago
Chicago: Poetry, January 1956

McClure contribution: “2 for Theodore Roetheke: Premonition”
(Clements C1)

Note: This is McClure’s first appearance in print.

2. SEMINA, No. 2, edited by Wallace Berman
Los Angeles: Wallace Berman, December 1957

McClure contribution: “I Wanted to Turn to Electricity”
(Clements C2)

3. ARK II / MOBY I, edited by Michael McClure and James Harmon
San Francisco: Ark, 1956-57

McClure contribution: “Canoe: Explication”, “Logos: Knout”
(Clements C3)

4. EVERGREEN REVIEW, Vol. 1, No. 2, edited by Barney Rosset and Donald Allen
New York: Grove Press, 1957

McClure contribution: “Night Words: The Ravishing”, “Cat’s Air”, “The Rug”, “The”, “Note”, “The Robe”
(Clements C5)

5. BLACK MOUNTAIN REVIEW, No. 7, edited by Robert Creeley
Black Mountain: Black Mountain College, Autumn 1957

McClure contribution: “Poem”
(Clements C6)

6. MEASURE, No. 2, edited by John Wieners
San Francisco: Measure, Winter 1958

McClure contribution: “The Magazine Cover”, “One & Two”
(Clements C7)

7. CHICAGO REVIEW, Vol. 12, No. 1, edited by Irving Rosenthal
Chicago: University of Chicago Press, Spring 1958

McClure contribution: “The Mess”, “7/26/57”, “Less Than Vanity”, “The Breech”
(Clements C8)

8. EVERGREEN REVIEW, Vol. 2, No. 6, edited by Barney Rosset and Donald Allen *
New York: Grove Press, Autumn 1958

McClure contribution: “Ode to Jackson Pollock”
(Clements C9)

9. YUGEN, No. 4, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1959

McClure contribution: “The Chamber”
(Clements C11)

10. JABBERWOCK, American Issue, edited by Alex Neish
Edinburgh: University Renaissance Society, 1959

McClure contribution: “For Artaud”, “A Fantasy and Courtly Poem”, “Ode for Soft Voice, for Jo Ann”
(Clements C12)

11. YUGEN, No. 5, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1959

McClure contribution: “Rant Block”
(Clements C13)

12. SEMINA, No. 4, edited by Wallace Berman
San Francisco: Wallace Berman, 1959

McClure contribution: “We’re in the Middle of a Deep Cloud”
(Clements C14)

13. BEATITUDE, No. 5, edited by John Kelly
San Francisco: John Kelly, June 1959

McClure contribution: “Lines from a Peyote Depression”
(not in Clements)

14. SEMINA, No. 5, edited by Wallace Berman
Larkspur: Wallace Berman, 1959

McClure contribution: “We are Impervious as the Skin of our Dreams”
(Clements C17)

15. THE GALLEY SAIL REVIEW, Vol. 2, No. 1, Issue No. 5, edited by David Rafael Wang
San Francisco: Galley Sail Publications, Winter 1959-1960

McClure contribution: “L’Etoile”
(Clements C15)

16. SIDEWALK, Vol. 1, No. 1, edited by Alex Neish
Edinburgh: Sidewalk, 1960

McClure contribution: “The Flower of Politics”
(Clements C16)

17. BIG TABLE, Vol. 1, No. 4, edited by Paul Carroll
Chicago: Big Table, Spring 1960

McClure contribution: “Two Poems from A Small Secret Book”
(Clements C18)

18. YUGEN, No. 6, edited by LeRoi Jones and Hettie Cohen
New York: Yugen, 1960

McClure contribution: “The Column”
(Clements C19)

19. BEATITUDE, No. 17, edited by Bob Kaufman
San Francisco: City Lights, Oct-Nov 1960

McClure contribution: “Oh Why Oh Why The Blasted Love The Huge Shape Change?” (from Dark Brown)
(Clements C20)

20. THE FLOATING BEAR, No. 1, edited by Diane Di Prima and LeRoi Jones *
New York: The Floating Bear, February 1961

McClure contribution: “The Smile shall not be More Mutable than the Final Extinction of Meat”
(Clements C21)

21. NOMAD, No. 9, edited by Donald Factor and Anthony Linick
Culver City: Nomad, Summer 1961

McClure contribution: “High”, “From a Notebook”
(Clements C22)

22. THE FLOATING BEAR, No. 14, edited by Diane Di Prima and LeRoi Jones
New York: The Floating Bear, October 1961

McClure contribution: “!The Feast!”
(Clements C24)

23. THE OUTSIDER, No. 1, edited by Gypsy Lou and Jon Webb
New Orleans: Loujon Press, Fall 1961

McClure contribution: “Spontaneous Hymn to Kundalini”
(Clements C25)

24. EVERGREEN REVIEW, Vol. 5, No. 20, edited by Barney Rosset *
New York: Evergreen Review, Sep-Oct 1961

McClure contribution: “On Seeing Through Shelley’s Eyes The Medusa”
(Clements C26)

25. JOURNAL FOR THE PROTECTION OF ALL BEINGS, No. 1, edited by Michael McClure, Lawrence Ferlinghetti, and David Meltzer
San Francisco: City Lights Books, 1961

McClure contribution: “Revolt”
(Clements C27)

26. KULCHUR, Vol. 2, No. 8, edited by Lita Hornick
New York: Kulchur Press, Winter 1962

McClure contribution: “Phi Upsilon Kappa”
(Clements C28)

27. FOOT, No. 2, edited by Richard Duerden and William Brown
San Francisco: Foot, 1962

McClure contribution: “The Surge”
(Clements C29)

28. PA’LANTE, No. 1, edited by Howard Schulman
New York: The League of Militant Poets, May 1962

McClure contribution: “Fidelio”, “Twigs”
(Clements C30)

29. EL CORNO EMPLUMADO, No. 3, edited by Sergio Mondragón and Margaret Randall
Mexico City: El Corno Emplumado, July 1962

McClure contribution: “Dear Jane”, “Drunk Writing”
(Clements C31)

30. ORIGIN, Second Series, No. 6, edited by Cid Corman
Kyoto: Cid Corman, July 1962

McClure contribution: “The Held Back Pain”
(Clements C32)

31. EVERGREEN REVIEW, Vol. 6, No. 25, edited by Barney Rosset
New York: Evergreen Review, Jul-Aug 1962

McClure contribution: “Drug Notes”
(Clements C33)

32. FUCK YOU / A MAGAZINE OF THE ARTS, No. 4, edited by Ed Sanders
New York: Fuck You Press, August 1962

McClure contribution: “The Mind Pain Comes Over Me and I Am Blunked”
(Clements C34)

33. TISH, No. 12, edited by Frank Davey
Vancouver: TISH, August 1962

McClure contribution: “Mad Sonnet”
(not in Clements)

34. THE NATION, Vol. 196, No. 3, edited by Carey McWilliams *
New York: The Nation, Jan 1963

McClure contribution: “The Human Face”
(Clements C35)

35. SEMINA, No. 8, edited by Wallace Berman
Los Angeles: Wallace Berman, 1963

McClure contribution: “Ghost Tantra (No. 14)”
(Clements C36)

36. THE OUTSIDER, No. 3, edited by Gypsy Lou and Jon Webb
New Orleans: Loujon Press, Spring 1963

McClure contribution: “Three Mad Sonnets”
(Clements C37)

37. POETRY, Vol. 102, No. 3, edited by Henry Rago
Chicago: Poetry, June 1963

McClure contribution: “The Child”, “Mad Sonnet”, “Mad Sonnet”
(Clements C38)

38. ARTFORUM, Vol II, No. 1, edited by John Irwin *
San Francisco: John Irwin, July 1963

McClure contribution: “Dog Star Man” [prose]
(Clements C39)

39. CITY LIGHTS JOURNAL, No. 1, edited by Lawrence Ferlinghetti *
San Francisco: City Lights Books, 1963

McClure contribution: “Notes on a Miniature Drama”
(Clements C40)

40. NORTHWEST REVIEW, Vol. 6, No. 4, , edited by Edward Van Aelstyn
Eugene: University of Oregon, Fall 1963

McClure contribution: “Artaud: Peace Chief”
(Clements C41)

41. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 4, edited by Ed Sanders
New York: Fuck You Press, c.1963

McClure contribution: “Fuck Essay”
(Clements C42)

42. NOW, No. 1, edited by Charles Plymell
San Francisco: Now, 1963

McClure contribution: “I, Michael McClure”, “Black and Yellow: Pansy”
(Clements C43)

43. EVERGREEN REVIEW, Vol. 8, No. 32, edited by Barney Rosset *
New York: Grove Press, Apr-May 1964

McClure contribution: “The Growl”
(Clements C44)

44. JOGLARS, Vol. 1, No. 1, edited by Clark Coolidge and George Palmer
Providence: Joglars, Spring 1964

McClure contribution: “Sanza 13” from Love Lion Book
(Clements C46)

45. FILM CULTURE, No. 32, edited by Jonas Mekas
New York: Film Culture, Spring 1964

McClure contribution: “Defense of Jayne Mansfield”
(Clements C47)

46. GNAOUA, No. 1, edited by Ira Cohen
Tangier: Gnaoua, Spring 1964

McClure contribution: “The Beast Sound: Nine Poems”
(Clements C48)

47. CLEFT, Vol. 1, No. 2, edited by Bill McArthur
Edinburgh: Cleft, May 1964

McClure contribution: “Ghost Tantra 50”
(Clements C49)

48. KULCHUR, Vol. 4, No. 14, edited by Lita Hornick
New York: Kulchur Press, Summer 1964

McClure contribution: “Reason”
(Clements C50)

49. IMAGO, No. 1, edited by George Bowering
Alberta: Imago, 1964

McClure contribution: “Three Poems from The Beast Sound”
(Clements C51)

50. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 7, edited by Ed Sanders
New York: Fuck You Press, Sep 1964

McClure contribution: “Airs from a Forgotten Book”
(Clements C52)

51. NOW NOW, [Now, No. 2], edited by Charles Plymell
San Francisco: Ari Publications, 1965

McClure contribution: “Love Lion, Lioness”
(Clements C53)

52. DIMAS, No. 3, edited by Alan Jay Arikian
Elmhurst: Dimas, Feb 1965

McClure contribution: “For Me”, “For a Drawing by Bruce Conner”, “Only Simplicity”, “The Convertible”
(Clements C54)

53. THE SAN FRANCISCO KEEPER’S VOICE, Vol. 1, No. 2, edited by Alexander Weiss
San Francisco: Alexander Weiss, Feb 1965

McClure contribution: “Ghost Tantra 15”
(Clements C55)

54. MY OWN MAG, No. 11, edited by Jeff Nuttall
Barnet: Jeff Nuttall, Feb 1965

McClure contribution: “Dream Tables, No. 1 & 2”
(Clements C56)

55. C, A JOURNAL OF POETRY, Vol. 1, No. 10, edited by Ted Berrigan
New York, Feb 1965

McClure contribution: “Ghost Tantra #9”
(Clements C57)

56. FUCK YOU / A MAGAZINE OF THE ARTS, No. 5, Vol. 8, edited by Ed Sanders
New York: Fuck You Press, March 1965

McClure contribution: “Poem Cards”
(Clements C58)

57. FUX!, No. 1, edited by Robert Branaman
San Francisco: Ari Publications, Spring 1965

McClure contribution: “Wondersmitten! Trancelike! Profound!”
(Clements C60)

58. SIGMA PORTFOLIO, No. 21, edited by Alexander Trocchi
London, 1965

McClure contribution: “Revolt”
(Clements C61)

—

[* not in archive]

Michael McClure: Books and Broadsides

>> return to MICHAEL MCCLURE main page >>

Section A:
This index includes books and broadsides, and focuses primarily on the entries found in the Clements bibliography.

1. McClure, Michael. PASSAGE
First edition:
Big Sur: Jonathan Williams – Publisher, June 1956
Hand-sewn in printed wrappers, 7.25″ x 10.75″, 12 pages, 200 copies, letterpress printed by the Windhover Press. Cover by Jonathan Williams. Published as Jargon 20.
(Clements A1)

2. McClure, Michael. PEYOTE POEM
First edition:
(San Francisco): Wallace Berman, 1958.
Broadside folded and tipped into printed and photo-illustrated folder, 9″ x 12″, (200 copies), printed by Wallace Berman. Published as Semina 3.
(Clements A2)

3. McClure, Michael. FOR ARTAUD
First edition:
New York: Totem Press, June 1959
Saddle-stapled in printed and illustrated wrappers, 5.5″ x 8.5″, 12 pages, (750 copies). Published as Blue Plate #2.
(Clements A3)

4. McClure, Michael. WE’RE IN THE MIDDLE OF A DEEP CLOUD
First edition:
(San Francisco): (Wallace Berman), (1959)
Broadside, 3.5″ x 4.25″, letterpress printed by Wallace Berman. Laid into Semina 4.
(Clements C14)

5. McClure, Michael. HYMNS TO ST. GERYON AND OTHER POEMS
First edition:
San Francisco: Auerhahn Press, October 1959
Perfect-bound in printed and illustrated wrappers, 7.25″ x 10″, 62 pages, (950 copies), letterpress printed by Dave Haselwood. Cover illustration by McClure.
(Clements A4, Auerhahn 4)

6. McClure, Michael. FUCK DEATH *
First edition:
(San Francisco): privately printed, (1959)
Folded card, 5″ x 3.5″.
(Clements A5)

7. McClure, Michael. !THE FEAST!
First edition:
San Francisco: The Batman Gallery, 1960
Side-stapled printed sheets, 8.5″ x 11″, 14 pages, mimeograph [?] printed. A working script of the play performed at The Batman Gallery on Thursday, December 22, 1960.
(Clements A6)

8. McClure. Michael. WE ARE IMPERVIOUS…
First edition:
(Los Angeles): (Wallace Berman), (1960)
Broadside, 4″ x 6.25″, letterpress printed by Wallace Berman. Laid into Semina 5.
(Clements C17)

9. McClure, Michael. THE NEW BOOK / A BOOK OF TORTURE
First edition:
New York: Grove Press, August 1961
Perfect-bound in printed and illustrated wrappers, 64 pages, (4,000 copies). Photo of McClure on rear wrapper by Wallace Berman.
(Clements A7)

10. McClure, Michael. PILLOW *
First edition:
New York: New York Poets Theatre, October 1961
Side-stapled in printed wrapper, 8.5″ x 11″, 7 pages, photocopy printed. A working script of the play produced by the New York Poets Theatre at the Off-Bowery Gallery in New York City in October and November 1961.
(Clements A8)

11. McClure, Michael. SPONTANEOUS HYMN TO KUNDALINI
First edition:
(New Orleans): (Loujon Press), (Fall 1961)
Broadside, 5.75″ x 9″, letterpress printed by Jon and Louise Webb. An offprint from The Outsider, Vol. 1, No.1.
(not in Clements)

12. McClure, Michael. DARK BROWN
a. First edition, regular copies:
San Francisco: Auerhahn Press, Winter 1961
Perfect-bound in printed wrappers, 6″x 9″, 56 pages, 725 copies, letterpress printed by Dave Haselwood and Andrew Hoyem.
(Clements A9, Auerhahn 13)

b. First edition, numbered and signed copies:
San Francisco: Auerhahn Press, Winter 1961
Hardcover in gilt-stamped cloth-bound boards, 6″ x 9″, 56 pages, 25 numbered and signed copies, letterpress printed by Dave Haselwood and Andrew Hoyem, bound by the Schuberth Bindery. (Clements A9, Auerhahn 13)

c. Prospectus:
San Francisco: Auerhahn Press, (1961)
Postcard announcement, 6″ x 3.25″, letterpress printed.
(not in Clements)

13. McClure, Michael. MEAT SCIENCE ESSAYS
First edition:
San Francisco: City Lights Books, June 1963
Perfect-bound in printed and photo-illustrated wrappers, 84 pages, (3,000 copies). Author photo by Ettore Sotsass.
(Clements A10, Cook 41)

14. McClure, Michael. GRAHHR SHEET
First edition:
(San Francisco): privately printed, (1963)
Broadside, 6.25″ x 2″, letterpress printed.
(Clements A11)

Note: according to Clements, copies were given away by the author as tickets at readings in San Francisco and at the University of California at Berkeley. [These were used as tickets for the performance of ¡The Feast! at the Batman Gallery in 1960.]

15. McClure, Michael. TWO FOR BRUCE CONNER
First edition:
(San Francisco): Oyez Press, 1964
Broadside, 12″ x 17.5″, 500 copies, letterpress printed by Dave Haselwood at the Auerhahn Press. Published as Oyez #1.
(Clements A12)

16. McClure, Michael. POETRY IS A MUSCULAR PRINCIPLE
First edition:
(Los Angeles): privately printed, 1964
Broadside, 8.5″ x 5.5″. Photograph of McClure by Wallace Berman; make-up by Robert LaVigne. Beneath the photo is a statement by McClure beginning “Poetry is a muscular principle…”
(Clements A13)

17. McClure, Michael. BLUE-BLACK... *
First edition:
(Los Angeles): privately printed, (Summer 1964)
Broadside, 7.5″ x 2.5″. Contains one-line poem: “BLUE-BLACK SPACE RAINBOW GRAHHR”.
(Clements A14)

18. McClure, Michael. THE BLOSSOM: OR BILLY THE KID
First edition:
New York: American Theatre for Poets, 1964
Side-stapled sheets in printed cover, 8.5″ x 11″, 26 pages, mimeograph printed. A working script of the play.
(Clements A15)

19. McClure, Michael. GHOST TANTRAS
a. First edition, regular copies:
San Francisco: privately printed, 1964
Perfect-bound in printed and illustrated wrappers, 108 pages, 1480 copies, cover photo of McClure by Wallace Berman.
(Clements A16)

b. First edition, signed copies:
Hardcover in gilt-stamped cloth-bound boards in illustrated dust jacket, 109 pages, 20 numbered and signed copies, cover photo of McClure by Wallace Berman.
(Clements A16)

20. McClure, Michael. DOUBLE MURDER! VAHROOOOOOOHR!
First edition:
(Los Angeles): (Wallace Berman), 1964
Broadside, 3″ x 4.75″, (200 copies). Contained in a small manila envelope bearing an altered photograph of Jack Ruby at the point of murdering Lee Harvey Oswald. Published as Semina 9.
(Clements A17)

21. McClure, Michael. LOVE LION, LIONESS *
a. First edition, poster:
(San Francisco): privately printed, (1964)
Poster, 28″ x 22″, 350 copies printed in the style of a boxing poster.
(Clements A18)

b. First edition, flyer:
(San Francisco): privately printed, (1964)
Flyer, 11″ x 8.5″, 70 copies printed in black in the style of a boxing poster.
(Clements A18)

c. First edition, tickets:
(San Francisco): privately printed, (1964)
Tickets, 5.5″ x 2.25″, printed in the style of theater tickets for the fictitious event.
(Clements A18)

22. McClure, Michael. 13 MAD SONNETS
First edition:
Milan: East 128, 1964
Saddle-stapled and tipped in to printed dust jacket, 8.5″ x 11″, 28 pages, 299 numbered copies (plus 16 for the author’s use). Author photo by Ettore Sotsass Jr.
(Clements A19)

23. McClure, Michael. THE BEARD
First edition:
(San Francisco): privately printed, April 1965
Perfect-bound in printed and photo-illustrated wrappers, 8.5″ x 13″, 71 pages, 350 copies planned, 330 produced (only 75 for sale).
(Clements A20)

24. McClure, Michael. POISONED WHEAT
a. First edition, regular copies:
(San Francisco): (Oyez Press), April 1965
Saddle-stapled in printed and photo-illustrated wrappers, 5.75″ x 7.75″, 16 pages, 576 copies.
(Clements A21)

b. First edition, signed copies:
Hardcover in cloth-bound boards in photo-illustrated dust jacket, 5.75″ x 7.75″, 16 pages, 24 copies lettered alpha through omega and signed by the author. Bound by Dorothy Hawley.
(Clements A21)

25. McClure, Michael. UNTO CAESAR
First edition:
(San Francisco): (Dave Haselwood), (1965)
Hand-sewn in printed and collaged wrappers, 6.5″ x 4″, 24 pages, (60 copies), letterpress printed by Dave Haselwood.
(Haselwood 1)

26. McClure, Michael. DREAM TABLE
First edition:
San Francisco: Dave Haselwood, 1965
Thirty double-sided printed and illustrated cards, 2.5″ x 3.5″, 200 sets (30 signed), letterpress printed. Each card is illustrated with a Lion and a Tree on one side and two words on the other.
(Haselwood 5)

27. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
First edition:
(San Francisco): (Dave Haselwood), (1966)
Twenty-four printed and illustrated cards in printed envelope, cards measure 2″ x 2″, envelope measures 4.5″ x 5.75″. Each card is printed with four words one side and a “hallucinogram” by Bruce Conner on the other.
(Haselwood 10)

28. McClure, Michael and Bruce Conner. MANDALAS
First edition:
San Francisco: Dave Haselwood, 1966
Saddle-stapled in printed and illustrated wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. Printed announcement issued.
(Haselwood 11)

29. McClure, Michael. LOVE LION BOOK
a. First edition, regular copies:
San Francisco: Four Seasons Foundation, 1966
Saddle-stapled in printed wrappers, 5.5″ x 8.5″, 21 pages, 1000 copies. Published as Writing 11.

b. First edition, numbered and signed copies:
San Francisco: Four Seasons Foundation, 1966
Hardcover in printed paper-bound boards with gilt-stamped cloth backstrip, 6″ x 9″, 21 pages, 40 numbered and signed copies.
Published as Writing 11.

30. McClure, Michael. POISONED WHEAT
First edition, second printing:
San Francisco: Coyote, 1966
Saddle-stapled in illustrated wrappers. 5.75″ x 7.75″, 16 pages, 5000 copies. Distributed by City Lights Books.

31. McClure, Michael. MEAT SCIENCE ESSAYS
Second expanded edition:
San Francisco: City Lights Books, June 1966
Perfect-bound in printed and photo-illustrated wrappers, 120 pages.
(not in Cook)

Note: This expanded edition contains three essays not found in the 1963 publication: “Phi Upsilon Kappa”, “Defense of Jayne Mansfield”, and “Reason”.

32. McClure, Michael. THE BEARD *
a. First Coyote edition, regular copies:
San Francisco: Coyote, 1967
Perfect-bound in printed and photo-illustrated wrappers, 82 pages, 4960 copies, cover art by Wes Wilson, introduction by Norman Mailer.

b. First Coyote edition, numbered and signed copies:
Specially-bound, 82 pages, 40 numbered and signed copies, cover art by Wes Wilson, introduction by Norman Mailer.

33. McClure, Michael. THE BEARD *
First Grove Press edition:
New York: Grove Press/Black Cat, 1967
Perfect-bound in printed and photo-illustrated wrappers, 96 pages.

Note: two different covers were issued.

34. McClure, Michael. WAR IS DECOR IN MY CAVERN CAVE *
First edition:
San Francisco: Communication Company, 1967
Broadside, 8.5″ x 11″, mimeograph printed.

35. McClure, Michael. THE BLOSSOM, OR BILLY THE KID *
First edition:
Milwaukee: Great Lakes Books, 1967
Saddle-stapled in printed and illustrated wrappers, 32 pages, 500 numbered copies (the first 10 signed).

36. McClure, Michael. FREEWHEELIN FRANK
First edition:
New York: Grove Press, 1967
Hardcover in gilt-stamped cloth bound board in illustrated dust jacket, 7.75″ x 9.75″, 160 pages.

Note: First hand account of the Hell’s Angels as told by their secretary Frank Reynolds.

37. McClure, Michael. HAIL THEE WHO PLAY *
a. First edition, regular copies:
Los Angeles: Black Sparrow Press, August 1968
Perfect-bound in printed wrappers, 233 numbered and signed copies.

b. First edition, hardcover copies:
Los Angeles: Black Sparrow Press, August 1968
Hardcover in printed paper-bound boards with cloth backstrip with printed paper label, 75 numbered and signed copies, each with an original drawing by the author.

38. McClure, Michael. LITTLE ODES: Jan – March 1961 *
First edition:
New York: Poets Press, 1968
Hand-sewn in printed and illustrated wrappers, 150 numbered and signed copies.

39. McClure, Michael. THE SERMONS OF JEAN HARLOW AND THE CURSES OF BILLY THE KID
a. First edition, regular copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
Saddle-stapled in printed wrappers, 6″ x 9.25″, 24 pages, 1200 copies, letterpress printed by Dave Haselwood.
(Haselwood 17)

b. First edition, numbered and signed copies:
San Francisco: Four Seasons Foundation with Dave Haselwood Hardcover in printed paper-bound boards, 6″ x 9.25″, 24 pages, 50 copies signed.
(Haselwood 17)

40. McClure, Michael. MUSCLED APPLE SWIFT
First edition:
Los Angeles: Love Press, 1968
Hand-sewn in illustrated wrappers, 16 pages, 150 copies (63 of which are numbered and signed), cover art by George Herms.

41. McClure, Michael. GRAHHR APRIL GRHARRR APRIL
First edition:
(Buffalo): (Gallery Upstairs Press), (1968)
Broadside, 28.5″ x 21.25″, offset lithography printed.

42. McClure, Michael. GREETINGS
First edition:
London: Cape Goliard Press, 1968
Broadside, 11″ x 12″.

43. McClure, Michael. HYMNS TO ST. GERYON & DARK BROWN
a. First edition, regular copies:
London: Cape Goliard, 1969
Perfect-bound in printed wrappers.

b. First edition, hardcover copies:
London: Cape Goliard, 1969
Hardcover in gilt-stamped cloth-bound boards in illustrated dust jacket.

Note: two titles previously published by Auerhahn Press, published here dos-a-dos. Illustrated and with cover art by Wallace Berman.

44. McClure, Michael. LITTLE ODES AND THE RAPTORS *
a. First edition, regular copies:
Los Angeles: Black Sparrow Press, March 1969
Perfect-bound illustrated wrappers, 6.25″ x 9.25″, 43 pages, 1000 copies.

b. First edition, numbered copies:
Hardcover in paper-covered boards with cloth backstrip and paper label, 6.75″ x 9.5″, 43 pages, 200 copies numbered and signed.

c. First edition, lettered copies:
Hardcover in gold stamped leather-bound boards, 6.75″ x 9.5″, 43 pages, 26 copies lettered and signed with each with an original drawing by the author.

45. McClure, Michael. THE SURGE *
Columbus, OH: Frontier Press, 1969

46. McClure, Michael. LION FIGHT *
New York: Pierrepont Press, 1969

47. McClure, Michael. GHOST TANTRAS
San Francisco: Four Seasons Foundation, 1969

48. McClure, Michael. PLANE POMES *
New York: Phoenix Book Shop, 1969

49. McClure, Michael. THE SHELL *
London: Cape Goliard, 1969

50. McClure, Michael. MUSCLED APPLE SWIFT *
Sacramento: Runcible Spoon, 1969

51. McClure, Michael. TO JAMES B. RECTOR *
San Francisco: Privately Published, 1969

52. McClure, Michael. LIBERATION *
Oakland: Mills College Tape Music Center, 1969

—

[* not in archive]

Magazine Wars

R.C. Lion

August 17, 2017 jason

Envisioned as the monthly newsletter of The Rhymers Club at U.C. Berkeley, R.C. Lion ran for three issues from 1966 to 1967. Editors of the newsletter included Ron Loewinsohn, David Bromige, Sherril Jaffe, and David Schaff.

The Club was open to all, “the hope being how a place might come into fact where a writer can give and take heart and impetus among his fellows, exchange information pertinent or otherwise, tell lies, insist on his visions, and hear readings, taped or live, by writers unlikely to be available.”

further reading…

Charles Bukowski: Contributions to Periodicals, 1970-1979

>> return to CHARLES BUKOWSKI main page >>

SECTION D-2:
This index includes contributions to periodicals of poems and stories from 1970 to 1979*.

* Note: This is a work in progress and as such the sequence within years is alphabetical until more data is available

– – – 1970 – – – >

ADAM, Vol. 14, No. 2 (1970)

ADAM, Vol. 14, No. 7 (1970)

CALIFORNIA LIBRARIAN, Vol. 31, No. 4, edited by Don Kunitz
Sacramento: California Librarian, October 1970
“The Poetry Reading”
[library photocopy]

CANDID PRESS (1970)

CHICAGO REVIEW, Vol. 22, No. 1, edited by Harry Foster
Chicago: Chicago Review, Autumn 1970
“All Right, so Camus Had to Give Speeches before the Academies and Get His Ass Killed in a Car-Wreck”, “The Old Woman”

COTYLEDON, No. 2
Traverse City: Coyteldon Press, 1970
“A Hero’s Death”, “A Little Bit of Excitement”, “An Interesting Night”, “Robert Ryan: American Matador”, “Song”, “The Virgins of The Bulls”, “Those Sons of Bitches”

EPOS, Vol. 22, No. 2, edited by Will Tullos and Evelyn Thorne
Crescent City: Epos, Winter 1970-71
“Blues Song”

EVERGREEN REVIEW, Vol. 14, No. 74, edited by Barney Rosset
New York: Evergreen Review, January 1970
“The Day We Talked about James Thurber”

EVERGREEN REVIEW, Vol. 14, No. 79, edited by Barney Rosset
New York: Evergreen Review, June 1970
“Soup, Cosmos and Tears”

FLING (1970)

GHOST DANCE, No. 12, edited by Hugh Fox
East Lansing: Ghost Dance Press, (1970)
“The Poet’s Muse”

HEARSE, No. 14, edited by E. V. Griffith
Eureka: Hearse Press, 1970
“Sheets”

JEOPARDY, Vol. 6, edited by Carl Waluconis
Bellingham: Jeopardy, March 1970
“The White Poets”, “The Black Poets”, “Excerpts from Short Non-Moon Shots to Nowhere”

KNIGHT, Vol. 7, No. 12
Los Angeles: Sirkay Publishing, 1970
“The Great Zen Wedding”

KNIGHT, Vol. 8, No. 5
Los Angeles: Sirkay Publishing, September 1970
“Nut Ward Just East of Hollywood”

KNIGHT, Vol. 8, No. 7
Los Angeles: Sirkay Publishing, 1970
“Registered Letter” (excerpt from Post Office)

NOLA EXPRESS, No. 45
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 49
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 54
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 55
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 57
New Orleans: Southern Louisiana Media Corp., Jun 12 to 27, 1970
“New Mexico”

NOLA EXPRESS, No. 60
New Orleans: Southern Louisiana Media Corp., 1970
“Love it or Leave it”

NOLA EXPRESS, No. 61
New Orleans: Southern Louisiana Media Corp., 1970
“All the Pussy We Want”

NOLA EXPRESS, No. 62
New Orleans: Southern Louisiana Media Corp., Aug 21-Sep 3, 1970
“Six Inches”

NOLA EXPRESS, No. 63
New Orleans: Southern Louisiana Media Corp., Sep 4-17, 1970
“I Think of the Little Men”

NOLA EXPRESS, No. 64
New Orleans: Southern Louisiana Media Corp., Sep 18-Oct 1, 1970
“An Evil Town”

NOLA EXPRESS, No. 67
New Orleans: Southern Louisiana Media Corp., 1970
“The Loner”

NOLA EXPRESS, No. 68
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 69
New Orleans: Southern Louisiana Media Corp., 1970

NOLA EXPRESS, No. 70
New Orleans: Southern Louisiana Media Corp., 1970
“The White Beard”

NORTON ANTHOLOGY OF POETRY (1970)

NOTES FROM UNDERGROUND, No. 3, edited by John Bryan
San Francisco: Underground Press, 1970
“Should We Burn Uncle Sam’s Ass?”

WHAT THERE IS LEFT TO UNDERSTAND ABOUT A LIGHT THAT IS NOT ABLE TO BE THERE
Sacramento: Runcible Spoon 1970
“Dooby Do Do Do”, “Shoot The Goat Through The Head And Paint The Bones Green”, “The Shit Shits”, “The Vast Area Of Space Nothingness With With Snakes Crawling Through You And Everything”

SOUNDINGS, Vol. 2, No. 1, edited by Donald E. Fitch
Santa Barbara: University of California, May 1970
“The Miracle”, “The Immortal Bombs, The Stinking Feet of God be Quiet”, “The Flower Lover”

SOUTHERN CALIFORNIA LIT SCENE, Vol. 1, No. 1, edited by William J. Robson
Long Beach: Southern California Lit Scene, December 1970
“The Wailing Wall”

STATEMENT, No. 28, edited by Roger Margolis
Los Angeles: California State College, May 1970
“On to Rome”

STEPPENWOLF, No. 4, edited by Philip Boatright
Omaha: Steppenwolf, Autumn, 1970
“Quits”

STOOGE, No. 5, edited by Laura Chester and Geoffrey Young
Oconomowoc Lake: Stooge, 1970
“An Answer to a Critic of Sorts”

WORMWOOD REVIEW, , Vol. 10, No. 1, Issue 37, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“One More Good One. Why Not?”, “Moonlight Ride”

WORMWOOD REVIEW, Vol. 10, No. 4, Issue 38, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“Down Like Stairways, Up Like Smoke”, “Another Academy”

WORMWOOD REVIEW, , Vol. 10, No. 4, Issue 39, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“A Correction To A Lady Of Poetry”, “A Warm Afternoon Just Off Sunset Boulevard”, “Boil Near Left Elbow”, “Yes”

WORMWOOD REVIEW, Vol. 10, No. 4, Issue 40, edited by Marvin Malone
Stockton: The Wormwood Review, 1970
“16 Jap Machine Gun Bullets”, “When All The Animals Lie Down”

– – – 1971 – – – >

ABYSS, Vol. 3, No. 1 (1971)

ADAM, Vol. 15, No. 3 (1971)

ADAM, Vol. 15, No. 5 (1971)

ADAM, Vol. 8, No. 11 (1971)

BEAR, No. 1, edited by A. P. Russo
Los Angeles: Bear, 1971
“The Answer”, “The Flu”

CRAZY HORSE, No. 9
Marshall: Southwest Minnesota State College, 1971
“That One”

EAST VILLAGE OTHER, Vol. 6, No. 11
New York: East Village Other Inc, 1971
“Swastika”

FLING, (1971)

FLING, Vol. 14, No. 4 (1971)

FLING, Vol. 14, No. 5 (1971)

HALF N’ HALF, (1971)

HANGING LOOSE, No. 15
Brooklyn: Hanging Loose Press, 1971
“A Threat to My Immortality”, “The Garbageman”

HARRISON STREET REVIEW, No. 2 (1971)

HEARSE, No. 15, edited by E. V. Griffith
Eureka: Hearse Press, 1971
“The End of The Funhouse”, “Vallejo”

INTREPID, No. 18/19, edited by Allen De Loach
Buffalo: Intrepid Press, 1971
“A Blurb”, “That Liberating Moment”

INVISIBLE CITY, No. 1, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“5 Men in Black Passing My Window”, “Ah”, “Here”, “Rolled Again”, “Songs of Death”, “Style”, “The Bums at Phillipe’s”, “The Last Days of The Suicide Kid”, “You Might As Well Kiss Your Ass Goodbye”, “Zoo”

INVISIBLE CITY, No. 2, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“A Most Dark Night In April”, “Drinking”, “Last Act”, “The American Flag Shirt”, “Upon 2 Deaths”

INVISIBLE CITY, No. 3, edited by Paul Vangelisti Paul and John McBride
Fairfax: Red Hill Press, 1971
“2 Carnations”, “Pleasure Song”, “The Shower”, “The Writer”

LAUGH LITERARY AND MAN THE HUMPING GUNS, Vol. 1, No. 3, edited by Charles Bukowski and Neeli Cherry
Los Angeles: Hatchetman Press, 1971
“Bukowski To Cherry”, “The Time I Knocked Out Ernest Hemingway And Was Discovered As A New Literary Giant”

LEMMING, No. 1 (1971)

MADRONA, No. 2, edited by J.K. Osborne, John Levy, and Vassilis Zambaras
Seattle: Gemini Press, 1971
“The Best Love Poem I Can Write at the Moment”

MANO MANO, No. 2, edited by Larry Lake
Denver, Colorado: Bowery Press, 1971
“Girl In A Miniskirt Reading The Bible Outside My Window”, “Ha Ha Ha Ha Ha, Ha Ha”, “The Angels Of Sunday”

MEATBALL, No. 8 (1971)

MEDITERRANEAN REVIEW, Vol. 1, No. 3, edited by Robert DeMaria
Orient: Mediterranean Review, 1971
“Poem For An X-Bank Clerk”, “The Wine And The Cantos”

NEW YORK QUARTERLY, No. 7 (1971)

NEW YORK QUARTERLY, No. 8 (1971)

NOLA EXPRESS, No. 71
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 73
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 77
New Orleans: Southern Louisiana Media Corp., 1971

NOLA EXPRESS, No. 78
New Orleans: Southern Louisiana Media Corp., Apr 1-15, 1971

NOLA EXPRESS, No. 81
New Orleans: Southern Louisiana Media Corp., 1971

PIX, Vol. 3 (1971)

PULSE, No. 4, edited by Norm Moser
Santa Fe: Illuminations Press, Summer-Fall 1971
“A Need For Glue”, “Cancer Of The Eyeball”, “The Grammar Of Life”

QUETZAL, Vol. 1, No. 3 (1971)

ROGUE, No. 29 (1971)

SECOND AEON, No. 13, edited by Peter Finch
Cardiff: Second Aeon Publications, 1971
“Poem For Dante”, “Slim Killers”, “The Conditions”

THE MT. ALVERNO REVIEW, (1971)

THE SERIF, Vol. 8, No. 4, edited by Alex Glidzen and Dean H. Keller
Kent: Kent State University, 1971
“Untitled Essay on d.a. levy”

THROB, No. 1, edited by F. A. Nettlebeck
Manhattan Beach: Horsehead Nebula Press, 1971
“Bug”, “Summer”, “The Elephants”

THROB, No. 2, edited by F. A. Nettlebeck
Manhattan Beach: Horsehead Nebula Press, 1971
“Charles Bukowski Answers 10 Easy Questions”

UNMUZZLED OX, Vol. 1, No. 1, edited by Michael Andre
New York: Unmuzzled Ox, 1971
“Poem”, “Tragedy Is My Bacon”

VAGABOND, No. 10, edited by John Bennett
San Francisco: Vagabond Press, 1971

VAGABOND, No. 11, edited by John Bennett
San Francisco: Vagabond Press, 1971

VAGABOND, No. 12, edited by John Bennett
Redwood City: Vagabond Press, 1971

WORMWOOD REVIEW, No. 41 (1971)

WORMWOOD REVIEW, No. 42 (1971)

WORMWOOD REVIEW, No. 43 (1971)

WORMWOOD REVIEW, No. 44 (1971)

– – – 1972 – – – >

ADAM, Vol. 16, No. 1 (1972)
AMPHORA, No. 8 (1972)
ANTHOLOGY OF L.A. POETS, (1972)
BACHY, Vol. 1, No. 1 (1972)
BALONEY STREET, No. 3/4 (1972)
BALONEY STREET, No. 3/4 (1972)
BARTLEBY’S REVIEW, Vol. 1, No. 1 (1972)
CALIFORNIA STATE POETRY SOCIETY QUARTERLY, Vol. 1, No. 2 (1972)
CHICAGO REVIEW, Vol. 24, No. 3 (1972)
CORDUROY, Vol. 1, No. 3 (1972)
DOGTOWN, No. 1 (1972)
EVENT, Vol. 1, No. 3 (1972)
EVENT, Vol. 2, No. 1 (1972)
EVENT, Vol. 2, No. 2 (1972)
FERVENT VALLEY, No. 1 (1972)
FERVENT VALLEY, No. 2 (1972)
FLING, No. 3 (1972)
FLING, No. 5 (1972)
FLING, Vol. 14, No. 6 (1972)
HALF N’ HALF, (1972)
HARRISON STREET REVIEW, No. 3 (1972)
HEARSE, No. 17 (1972)
INTREPID, No. 23/24 (1972)
INVISIBLE CITY, No. 4 (1972)
INVISIBLE CITY, No. 7 (1972)
KNIGHT, Vol. 9, No. 7 (1972)
LOS ANGELES FREE PRESS, (1972)
LOS ANGELES FREE PRESS, (1972)
MAG, No. 2 (1972)
MAG, No. 4 (1972)
MAGAZINE, No. 5 (1972)
MINDSCAPES, (1972)
NEW YORK QUARTERLY, No. 10 (1972)
NEW YORK QUARTERLY, No. 12 (1972)
NEW YORK QUARTERLY, No. 9 (1972)
NOLA EXPRESS, No. 103 (1972)
NOLA EXPRESS, No. 104 (1972)
NOLA EXPRESS, No. 108 (1972)
NOLA EXPRESS, No. 113 (1972)
NOLA EXPRESS, No. 115 (1972)
NOLA EXPRESS, No. 116 (1972)
NOLA EXPRESS, No. 117 (1972)
NOLA EXPRESS, No. 119 (1972)
NOLA EXPRESS, No. 99 (1972)
PEBBLE, No. 9 (1972)
PIX, Vol. 4, No. 5 (1972)
PIX, Vol. 4, No. 7 (1972)
PIX, Vol. 4, No. 8 (1972)
PURE SMUTTE, No. 1 (1972)
SAN FRANCISCO BOOK REVIEW, No. 22 (1972)
SECOND AEON, No. 14 (1972)
SECOND AEON, No. 16/17 (1972)
SECOND COMING, Vol. 1, No. 2 (1972)
SECOND COMING, Vol. 1, No. 3 (1972)
SILVER, (1972)
STONECLOUD, No. 1 (1972)
THE, No. 13 (1972)
THE LITTLE MAGAZINE, Vol. 6, No. 1 (1972)
THE LITTLE MAGAZINE, Vol. 6, No. 2 & 3 (1972)
THE VENICE POETRY COMPANY PRESENTS, (1972)
UNMUZZLED OX, Vol. 1, No. 2 (1972)
UNMUZZLED OX, Vol. 1, No. 4 (1972)
VAGABOND, No. 13 (1972)
VAGABOND, No. 15 (1972)
WORMWOOD REVIEW, No. 45 (1972)
WORMWOOD REVIEW, No. 46 (1972)
WORMWOOD REVIEW, No. 47 (1972)
WORMWOOD REVIEW, No. 48 (1972)

Magazine Wars

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February 14, 2016 jason

A member of the San Francisco Renaissance poetry movement, Richard Duerden founded the literary journals RIVOLI REVIEW and FOOT, which ran for 8 issues.

further reading…

verdant press

Tag Archives: little magazines

Frank Stanford – Contributions to Periodicals

Piero Heliczer – Contributions to Periodicals

Judson Crews: Contributions to Periodicals

Carl Larsen – Contributions to Periodicals

Judson Crews

Michael McClure: Contributions to Periodicals

Michael McClure: Books and Broadsides

R.C. Lion

Charles Bukowski: Contributions to Periodicals, 1970-1979

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verdant_press

a random walk through the open field…