Tag Archives: little magazines

Charles Bukowski

buk

Section A: Books and Chapbooks
Section B: Broadsides
Section C: Contributions to Books and Anthologies
Section D: Contributions to Periodicals
Section E: Miscellaneous Prose

Henry Charles Bukowski (August 16, 1920 – March 9, 1994) was a German-born American poet, novelist, and short story writer.

His writing was influenced by the social, cultural, and economic ambiance of his home city of Los Angeles. His work addresses the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women, and the drudgery of work. Bukowski wrote thousands of poems, hundreds of short stories and six novels, eventually publishing over sixty books. The FBI kept a file on him as a result of his column, Notes of a Dirty Old Man, in the LA underground newspaper Open City. Bukowski published extensively in small literary magazines and with small presses beginning in the early 1940s and continuing on through the early 1990s.

Regarding Bukowski’s enduring popular appeal, Adam Kirsch of The New Yorker wrote, “the secret of Bukowski’s appeal. . . [is that] he combines the confessional poet’s promise of intimacy with the larger-than-life aplomb of a pulp-fiction hero.”

When Bukowski was 24, his short story “Aftermath of a Lengthy Rejection Slip” was published in Story magazine. Two years later, another short story, “20 Tanks from Kasseldown”, was published by the Black Sun Press in Issue III of Portfolio: An Intercontinental Quarterly, a limited-run, loose-leaf broadside collection printed in 1946 and edited by Caresse Crosby. Failing to break into the literary world, Bukowski grew disillusioned with the publication process and quit writing for almost a decade, a time that he referred to as a “ten-year drunk”. These “lost years” formed the basis for his later semi-autobiographical chronicles, although they are fictionalized versions of Bukowski’s life through his highly stylized alter-ego, Henry Chinaski.

During part of this period he continued living in Los Angeles, working at a pickle factory for a short time but also spending some time roaming about the United States, working sporadically and staying in cheap rooming houses. In the early 1950s, Bukowski took a job as a fill-in letter carrier with the U.S. Postal Service in Los Angeles but resigned just before he reached three years’ service.

By 1960, Bukowski had returned to the post office in Los Angeles where he began work as a letter filing clerk, a position he held for more than a decade.

Jon and Louise Webb, now recognized as giants of the post-war ‘small-press movement’, published The Outsider literary magazine and featured some of Bukowski’s poetry. Under the Loujon Press imprint, they published Bukowski’s It Catches My Heart in Its Hands in 1963 and Crucifix in a Deathhand in 1965.

Beginning in 1967, Bukowski wrote the column “Notes of a Dirty Old Man” for Los Angeles’ Open City, an underground newspaper. When Open City was shut down in 1969, the column was picked up by the Los Angeles Free Press as well as the hippie underground paper NOLA Express in New Orleans. In 1969 Bukowski and Neeli Cherkovski launched their own short-lived mimeographed literary magazine, Laugh Literary and Man the Humping Guns. They produced 3 issues over the next 2 years.

In 1969 Bukowski accepted an offer from Black Sparrow Press publisher John Martin and quit his post office job to dedicate himself to full-time writing. He was then 49 years old. As he explained in a letter at the time, “I have one of two choices – stay in the post office and go crazy … or stay out here and play at writer and starve. I have decided to starve.” Less than one month after leaving the postal service he finished his first novel, Post Office. As a measure of respect for Martin’s financial support and faith in a relatively unknown writer, Bukowski published almost all of his subsequent major works with Black Sparrow Press. An avid supporter of small independent presses, he continued to submit poems and short stories to innumerable small publications throughout his career.

Bukowski died of leukemia on March 9, 1994, in San Pedro, aged 73, shortly after completing his last novel, Pulp.

References consulted:

Debritto, Abel. “Cacoethes Scribendi: A Comprehensive Checklist of Charles Bukowski’s Earliest Publications, 1940-1969”, published in RESOURCES FOR AMERICAN LITERARY STUDY, Vol. 35, edited by Jackson R. Bryer and Richard Kopley
New York: AMS Press, September 2012

Dorbin, Sanford. A BIBLIOGRAPHY OF CHARLES BUKOWSKI
Los Angeles: Black Sparrow Press, 1969

Fogel, Al. CHARLES BUKOWSKI: A COMPREHENSIVE PRICE GUIDE & CHECKLIST — 1944-1999
Surfside: The Sole Proprietor Press, 1999

Krumhansl, Aaron. A DESCRIPTIVE BIBLIOGRAPHY OF THE PRIMARY PUBLICATIONS OF CHARLES BUKOWSKI
Santa Rosa: Black Sparrow Press, 1999

Online resources:
Collecting Bukowski
Bukowski.net
Wormwood Review

Wallace Berman

berman_arranged

Wallace Berman was born in 1926 in Staten Island, New York. In the 1930s, his family moved to the Jewish district (Boyle Heights) in Los Angeles. After being expelled from high school for gambling in the early 1940s, Berman immersed himself in the growing West Coast jazz scene. During this period, he briefly attended the Jepson Art School and Chouinard Art School, but departed when he found the training too academic for his needs.

In 1949, while working in a factory finishing antique furniture, he began to make sculptures from unused scraps and reject materials. By the early 1950s, Berman had become a full-time artist and an active figure in the beat community in Los Angeles and San Francisco. Many art historians consider him to be the ‘father’ of the California assemblage movement. Moving between the two cities, Berman devoted himself to his mail art publication SEMINA, which contained a sampling of beat poetry and images selected by Berman.

In 1963, permanently settled in Topanga Canyon in the Los Angeles area, Berman began work on verifax collages (printed images, often from magazines and newspapers, mounted in collage fashion onto a flat surface, sometimes with solid bright areas of acrylic paint). He continued creating these works, as well as rock assemblages, until his death in 1976.

Wallace Berman Checklist:

Section A: Solo and Select Group Exhibitions
Section B: Posters and Prints
Section C: Cover and Book Art
Section D: Semina

Further Reading and Reference:

ART AS A MUSCULAR PRINCIPLE, 10 Artists and San Francisco 1950-1965, edited by Merril Greene and Alix Meier
Mount Holyoke: John and Norah Warbeke Gallery, 1975

ART IN LOS ANGELES: SEVENTEEN ARTISTS IN THE SIXTIES, edited by Maurice Tuchman
Los Angeles: Los Angeles County Museum of Art, 1981

ASSEMBLAGE IN CALIFORNIA: WORKS FROM THE LATE 50’S AND EARLY 60’S
Irvine: Art Gallery, University of California, 1968

DIFFERENT DRUMMERS, edited by Frank Gettings
Washington DC: Smithsonian Hirshhorn Museum and Sculpture Garden, 1988

LA POP IN THE SIXTIES, edited by Anne Ayres
Newport Beach: Newport Harbor Art Museum, 1989

SAN FRANCISCO RENAISSANCE PHOTOGRAPHS OF THE ’50S AND ’60S, edited and with an introduction by Merril Greene
New York: Gotham Book Mart Gallery, 1975

SECRET EXHIBITION: SIX CALIFORNIA ARTISTS OF THE COLD WAR ERA, edited by Rebecca Solnit
San Francisco: City Lights, 1990

SUPPORT THE REVOLUTION, edited by Tosh Berman, Michael McClure, David Meltzer, Colin Gardner, Walter Hopps, Christopher Knight, Eduardo Lipschutz-Villa, Charles Brittin
Amsterdam: Institute of Contemporary Art, 1992

THIRD RAIL, Issue 9, edited by Uri Hertz
Los Angeles: Third Rail, 1988

UTOPIA AND DISSENT: ART, POETRY, AND POLITICS IN CALIFORNIA, by Richard Cándida Smith
Berkeley: University of California Press, 1995)

Online Resources:

· Art Net – Wallace Berman
· Kohn Gallery – Wallace Berman
· Ubuweb – Wallace Berman
· University of Delaware – Wallace Berman and Semina

Collaborators:

· Robert Alexander
· Cameron
· Jay De Feo
· Bobby Driscoll
· Dave Haselwood
· Michael McClure
· David Meltzer
· Dean Stockwell ( D.·. )
· Russ Tamblyn

Kent Taylor: Contributions to Periodicals

>> return to Kent Taylor main page >>

Section C:
This index includes contributions to periodicals
(Note: sequence within years is alphabetical)

1. THE ALPHA MUSELETTER, Vol. 27, No. 5
Delaware, February 1959
Taylor contribution: “Why”, “Peace” [Taylor’s first appearance]

2. OWL (Ohio Wesleyan Literary Magazine), No. 2
Delaware, n.d. [1961]
Taylor contribution: “Presence”

3. FENN COLLEGE POETRY FORUM WORKSHEETS, No. X
Cleveland, November 1963
Taylor contribution: “A Part of Time”

4. FENN COLLEGE POETRY FORUM WORKSHEETS, No. XI
Cleveland: December 20, 1963
Taylor contribution: “A Part of Time”

5. FREE LANCE, Vol. 7, No. 2
Cleveland, 1963
Taylor contribution: “Duluth”

6. MOTHER, No. 8
Pittsburgh, c. 1963
Taylor contribution: “Alone”, “Again”

7. SILVER CESSPOOL, Vol. 1, edited by d.a. levy
Cleveland, 1963
Taylor contribution: “Jewelry”, “Trite Things”, “Flotsam”, “To D.B.”, “Changing”, “Visions”

8. FREE LANCE, Vol. 8, No. 1
Cleveland, 1964
Taylor contribution: “Foreign”, “Still Times”

9. INPUT, Vol. 1, No. 3
New York, September 1964
Taylor contribution: “Ashes of the Phoenix”

10. INPUT, Vol. 1, No. 4
New York, December 1964
Taylor contribution: “Open Can in a Storm”, “Oct. 19”, “Cleveland Manifesto” (prose)

11. KAURI, No. 2, edited by Will Inman
New York, June-July 1964
Taylor contribution: letter excerpt

12. KAURI, No. 3, edited by Will Inman
New York, July-Aug. 1964
Taylor contribution: [untitled] “Listening for buttons…”, letter excerpt

13. MARRAHWANNA QUARTERLY, Vol. 1, No. 2, edited by d. a. levy
Cleveland, 1964-65
Taylor contribution: “Grandfather’s Speeches”, untitled print

14. RADICAL VOICE, Vol. 1, No. 2
Cleveland, 1964
Taylor contribution: book review

15. SILVER CESSPOOL, Vol. 2, edited by d.a. levy
Cleveland, 1964
Taylor contribution: “Shapes”

16. SILVER CESSPOOL, Vol. 3, edited by d.a. levy
Cleveland, 1964
Taylor contribution: “To The Suicides of the Golden Gate Bridge”

17. SILVER CESSPOOL, Vol. 5, edited by d.a. levy
Cleveland, 1964
Taylor contribution: [untitled] “We watch sponges…”, book review

18. TAMPA POETRY REVIEW, No.3, edited by Duane Locke
Tampa, 1964
Taylor contribution: [untitled] “Razor calling…”

19. 15¢, No. 1
Cleveland, 1965
Taylor contribution: “Dampness”, “Ifs”

20. 15¢, No. 2
Cleveland, 1965
Taylor contribution: “Cleveland”

21. FINE ARTS, Vol. 12, No. 577
Cleveland, 27 June 1965
Taylor contribution: “Duluth”

22. FREE LANCE, Vol. 9, No. 2
Cleveland, 1965
Taylor contribution: “Aug. 31, 1965”, “May 22, 1965”, “Tones” [Note: these last two poems (“May 22, 1965” and “Tones”) were mistakenly printed as one]

23. GOOSEBERRY, No. 2
Cleveland, 1965
Taylor contribution: “15527 Madison”, [untitled] “Well usually…”, “For d.a. levy and John Cornillon”

24. KAURI, No.8, edited by Will Inman
NY, May-June 1965
Taylor contribution: [untitled] “Yes we must…”, letter excerpt

25. OLE, No. 3, edited by Douglas Blazek
Bensenville, 1965
Taylor contribution: [untitled] “My cat…”

26. PODIUM, Vol. 1, No. 1, edited by Jau Billera
Cleveland, 1965
Taylor contribution: [untitled] “The cliff…”, [untitled] “Oh the face…”

27. POET MEAT, No. 9/10, edited by Dave Cunliffe and Tina Morris
Blackburn, Summer 1965
Taylor contribution: [untitled] “Things are breaking…”

28. TAMPA POETRY REVIEW, No. 4, edited by Duane Locke
Tampa, 1965
Taylor contribution: “Bud”, [untitled] “If the radio…”

29. TAMPA POETRY REVIEW, No. 5, edited by Duane Locke
Tampa, 1965
Taylor contribution: “April 4”

30. TAMPA POETRY REVIEW #6, edited by Duane Locke
Tampa, 1965
Taylor contribution: “March 25, 1965”, “March 15, 1965”

31. BEGINNING, No. 1 , edited by Joe Walker
Cleveland, 1966
Taylor contribution: “Prospect Avenue”, “December 1-2, 1965”, “Events: Oct 15, 1965 , Cleveland”

32. EARTH, No. 2
Santa Monica, 1966
Taylor contribution: [untitled] “Books of numbers…”, [untitled] “The time the things…”

33. EIGHT PAGER, Series 1, Part 2, edited by D.r. Wagner
New York, 1966
Taylor contribution: [untitled] “Memories crushing…”, “January 10, 1966”, “Feb. 10, 1966”

34. HIKA, Vol. 29, No. 1
Gambier, Fall 1966
Taylor contribution: “8-27-66”, “9-19-66”

35. KAURI, No. 12, edited by Will Inman
NY, January-February 1966
Taylor contribution: letter excerpt

36. MARRAHWANNA QUARTERLY, Vol. 2, No. 1, edited by d. a. levy
Cleveland, 1966
Taylor contribution: “May 6, 1965”, “November 18, 1965”, “Aug. 22, 1965”

37. MARRAHWANNA QUARTERLY, Vol. 2, No. 3, edited by d. a. levy Cleveland, 1966
Taylor contribution: [untitled] “Boohoo…” [Joan Taylor co-author]

38. MOONSTONES, Vol. 1, No. 2, edited by D.r. Wagner
Sacramento, 1966
Taylor contribution: “7-13-66” [Taylor guest edited the Cleveland section]

39. POETS AT THE GATE, Vol. 1, No. 1, edited by d. a. levy
Cleveland, March 1966
Taylor contribution: [untitled] “My poems are…”, [untitled] “Tonight some…”

40. POETS AT THE GATE, Vol. 1, No. 2, edited by d. a. levy
Cleveland, April 1966
Taylor contribution: [untitled] “Pieces of me…”

41. POETS AT THE GATE, Vol. 1, No. 4, edited by d. a. levy
Cleveland, July 1966
Taylor contribution: “A Call to Arms”

42. POTPOURRI, No. 7/8
Milwaukie, Summer 1966
Taylor contribution: “Road Land”

43. SUM, No. 1, edited by Carl Woideck
Lakewood, 1966
Taylor contribution: “Aug 2, 1965″, [untitled] “Pressures in the head…”, [untitled] “Chimney apartments…”

44. SUM, No. 2, edited by Carl Woideck
Lakewood, 1966
Taylor contribution: “John Handy’s Spanish Lady”

45. TAMPA POETRY REVIEW, No. 7, edited by Duane Locke
Tampa, 1966
Taylor contribution: [untitled] “Tables and eternity…”, “June 30, 1965”

46. TAMPA POETRY REVIEW, No. 8, edited by Duane Locke
Tampa, 1966
Taylor contribution: “Feb. 5, 1966”, “Feb. 14, 1966”, “December 25, 1965”

47. TAMPA POETRY REVIEW, No. 9, edited by Duane Locke
Tampa, 1966
Taylor contribution: “East to Cleveland”, “For the Living”, “3-5-66”, “3-25-66”, “The Seasonal Man”

48. WORMWOOD REVIEW, Vol. 6, No. 3, Issue 23, edited by Marvin Malone
Storrs/Stockton, August 1966
Taylor contribution: “Clear and Cold”, “Aug. 7, 1965”

49. ASSASSINATORS BROADSHEET, No. 1
Surrey, 1967
Taylor contribution: “7-13-66″, [untitled] “Panhandlers…”, [untitled] “Winter chimes…”

50. CONGRESS, No. 3, edited by Sam Seiffer
Bronx, 1967
Taylor contribution: [untitled] “My wife’s holier…”, “For K”, “4-5-67”

51. FREE LOVE PERIODICALLY, No. 1
Cleveland, 1967
Taylor contribution: “8-15-66”

52. FREE LOVE PERIODICALLY, No. 2
Cleveland, 1967
Taylor contribution: “Words”, “4-16-67”

53. GRIST, No. 10, edited by John Fowler
Lawrence, 1967
Taylor contribution: “4-11-66”

54. GRONK, No. 6/7, edited by bp Nichol
Toronto, 1967
Taylor contribution: untitled collage

55. MARRAHWANNA QUARTERLY, Vol. 3; No. 1, edited by d. a. levy
Cleveland, 1967
Taylor contribution: “11-30-66”, book review

56. MARRAHWANNA QUARTERLY, Vol. 3, No. 2, edited by d. a. levy
Cleveland, 1967
Taylor contribution: “Clear and Cold”, [untitled] “My cat caught…”, “East to Cleveland”, [untitled] “If the radio…”, “Atro-City”, “Road Land”, “A Call to Arms”, “I Feel Like Seven Days”, “9-4-66”

57. MARRAHWANNAH NEWSLETTER, No. 2, edited by d. a. levy
Cleveland, 1967
Taylor contribution: “Up Down Timothy Leary”, “Anti-Chant”

58. OLE, No. 7, edited by Douglas Blazek
Bensenville, 1967
Taylor contribution: seven book reviews

59. RUNCIBLE SPOON, edited by D.r. WAGNER and Barbara O’Connelly
Carmichael, 1967
Taylor contribution: “10-12-66”

60. RUNCIBLE SPOON, No. 7 , edited by D.r. WAGNER and Barbara O’Connelly
Carmichael, n.d. [c. 1967]
Taylor contribution: “Death of an Amusement Park”

61. SUM, No. 3, edited by Carl Woideck
Lakewood, 1967
Taylor contribution: “3-18-68 (for Jack Kerouac)”

62. TAMPA POETRY REVIEW, No. 10, edited by Duane Locke
Tampa, 1967
Taylor contribution: “The Change”, “9-4-66”

63. TAMPA POETRY REVIEW, No. 12, edited by Duane Locke
Tampa, 1967
Taylor contribution: “6-4-66”, “Visits”, “Cleveland Falling”

64. THE WILLIE, No. 1
San Francisco, Summer 1967
Taylor contribution: “8-29-66”, “11-3-66”

65. ASYLUM, No. 6
Bootle, October 1968
Taylor contribution: “4-22-68”, “8-13-67”

66. GRIST, No. 11, edited by John Fowler
Lawrence, 1968
Taylor contribution: “Trip to Niagara”

67. THE LITTLE MAG, Vol. 1, No. 1
Niagara Falls, [1968]
Taylor contribution: “2-4-68”, “9-27-67”

68. TAMPA POETRY REVIEW, No. 14, edited by Duane Locke
Tampa, 1968
Taylor contribution: [untitled] “Clouds like…”

69. THE WILLIE, No. 2
San Francisco, Spring 1968
Taylor contribution: “5-12-66”, “Trip to Niagara”, “4-15-67”, “8-7-67”

70. ASPHODEL BOOK SHOP CATALOGUE #22
Cleveland, May 1969
Taylor contribution: “The Western Poem”

71. FREE LANCE, Vol. 13, Nos. 1&2
Cleveland, 1969
Taylor contribution: “Adelaide Simon”

72. MEATBALL, No. 1, edited by Joel Deutsch
San Francisco, May 1969
Taylor contribution: “9-26-68”, “For J.”, “12-29-68 Cleveland”, “2-23-69”

73. QUIXOTE, Vol. 4, No. 8
Madison, Spring 1969
Taylor contribution: “10-8-67”, “9-6-68”

74. SATTVAS REVIEW, No. 1, edited by Franklin W. Osinski
Cleveland, Fall 1969
Taylor contribution: “5-26-68”, “8-19-68”, “9-23-68”, “1-10-69”, “2-15-69”, “2-8-69”

75. UP:JUT [AKA POTATO]
Seattle, January 1969
Taylor contribution: “4-29-68”, “7-26-68”, “11-9-68”

76. AMERICAN REVOLUTION, Part 2
Los Angeles, 1970
Taylor contribution: “3-18-68 (for Jack Kerouac)”

77. ANN ARBOR REVIEW, No. 8/9
Ann Arbor, 1970
Taylor contribution: “U.S. #1”, “Harbor Inn Blues”

78. SATTVAS REVIEW, No. 2, edited by Franklin W. Osinski
Cleveland, Spring 1970
Taylor contribution: “7-14-68”, “12-22-69”

79. SECOND AEON, No. 12, edited by Peter Finch
Cardiff, 1970
Taylor contribution: “5-26-70”, “1-27-70”

80. SHADED ROOM, No. 1
Pittsburgh, March 1970
Taylor contribution: “Driving to Meet My Son”, “6-24-69”, “10-26-69”, “5-8-69”, “1-29-69”

81. TAMPA POETRY REVIEW, No. 19, edited by Duane Locke
Tampa, 1970
Taylor contribution: [untitled] “Old pain…”

82. ASPHODEL BOOK SHOP CATALOGUE, No. 27
Cleveland, February 1971
Taylor contribution: “Postcard to a Friend and My Son”

83. GLASS ONION, No. 1, edited by Roger Edwards
Together Publications, [1971]
Taylor contribution: [untitled] “The years have…”

84. MEATBALL, No. 8, edited by Joel Deutsch
San Francisco, 1971
Taylor contribution: “8-30-69”, “Lines Written a Few Hours before Learning that d.a. levy Had Shot Himself to Death”

85. SECOND AEON, No. 13, edited by Peter Finch
Cardiff, 1971
Taylor contribution: “The Western Poem”

86. ASPHODEL BOOK SHOP CATALOGUE, No. 31
Cleveland, February 1972
Taylor contribution: “Poem for a Wilting Flower”

87. SECOND AEON, No. 14, edited by Peter Finch
Cardiff, 1972
Taylor contribution: “6-7-70”, “10-25-70”

88. ASPHODEL BOOK SHOP CATALOGUE, No. 35
Burton, March 1973
Taylor contribution: “11-29-72”

89. SECOND AEON, No. 16/17, edited by Peter Finch
Cardiff, 1973
Taylor contribution: “San Jose – San Francisco”, “1-2-72”

90. INVISIBLE CITY, No. 16/17
Fairfax, June 1975
Taylor contribution: “To a Son Who Followed”

91. VAGABOND, No. 21, edited by John Bennett
Ellensburg, Nov. 1975
Taylor contribution: “The Academy Awards”, “Reunion”, “November 1974”, “2-7-74”, “5-28-72”

92. VAGABOND, No. 23/24, edited by John Bennett
Ellensburg, Spring 1976
Taylor contribution: “10-1-68”, “3-13-69”, “For Pam”, “11-10/11-25-73”, “Travel Notes”

93. VAGABOND, No. 25, edited by John Bennett
Ellensburg, Jan-Mar. 1977
Taylor contribution: “Round Trip from San Francisco”

94. VAGABOND, No. 27, edited by John Bennett
Ellensburg, Spring 1978
Taylor contribution: “3-17-78”, “1-2-78”, “Autumn”

95. ILHA DO DESTERRO, Vol. 1 , Nos. 2&3
Florianopolis, Brazil, 1979
Taylor contribution: “10-1-68”, plus commentary

96. SCREE, No. 13/14, edited by Kirk Robertson
Fallon, 1979
Taylor contribution: “9-23-77”, “To my Father”, “Enchantment with Plants”, “1-29-78”, “5-24-78”, “Ten Years Later”, “7-9-68”

97. VAGABOND, No. 29, edited by John Bennett
Ellensburg, Winter 1979
Taylor contribution: “The Cleveland Underground Poetry Scene: A Personal Reminiscence” (prose), “10-21-78”, “10-24-78”

98. PROCTOR BULLETIN, Vol. 3, No. 2
San Francisco, June 1980
Taylor contribution: “6-11-79”

99. PROCTOR BULLETIN, Vol. 3, No. 3
San Francisco, September 1980
Taylor contribution: “Dawn”

100. LIMBERLOST REVIEW, No. 9
Albuquerque, 1981
Taylor contribution: “3-31-69”

101. SUISUN VALLEY REVIEW, No. 1
Solano Community College, Spring 1981
Taylor contribution: “Silhouette”

102. UCSF JOURNAL, Vol. 5, No. 3
San Francisco, 1981
Taylor contribution: “Days of Smoke/Lightning Nights”, “Family Matters”

103. ALLY
Santa Cruz, 1982
Taylor contribution: “6-11-79”, “Lightning Nights”, “For My Mother”

104. TRANSOM, Vol. 2, No. 1
Metuchen, Spring 1982
Taylor contribution: “8-31-81”, “7-18-80”, “Contrivance for Bad Weather”, “Letter to Home”, “Star Shadows”

105. ALLY
Santa Cruz, 1983
Taylor contribution: “1-1-77”, “9-23-79”

106. SCREE, No. 22/23, edited by Kirk Robertson
Fallon, 1983
Taylor contribution: “Downtown”, “1-4-82”, “Delivery”, “Negatives”

107. ALLY
Santa Cruz, 1984
Taylor contribution: “Summer History”, “Cleveland”, [untitled] “Your unread pages…”

108. SYNAPSE, Vol. 28, No. 30
San Francisco, May 1984
Taylor contribution: “Silhouette”

109. ALLY
Santa Cruz, 1985
Taylor contribution: “Passage”

110. CREAM CITY REVIEW, Vol. 10, No. 1
Milwaukee, 1985
Taylor contribution: “Proofreader”

111. ABRAXAS, No. 34, edited by Ingrid Swanberg
Madison, 1986
Taylor contribution: “For the Destroyed Poets of Ohio”, “Family Matters”, “7-18-83”, “Heading North”, “A Belated Touche for d.a. levy”, “4 A.M.”

112. COW IN THE ROAD, Vol. 1, No. 1
San Jose, Winter 1986
Taylor contribution: “Survey”

113. COW IN THE ROAD, Vol. 1, No. 2
San Jose, Spring 1986
Taylor contribution: “Ode to Age 40”, “I-280”, “San Francisco/San Jose”

114. TAPROOT, First Series, No. 3
Cleveland Heights, 1986
Taylor contribution: “San Francisco Bus Depot”

115. ABRAXAS, No. 35/36, edited by Ingrid Swanberg
Madison: 1987
Taylor contribution: “Buying Groceries”, “Bay Bridge”, “N-Judah”

116. ASPHODEL BOOK SHOP CATALOGUE, No. 117
Burton, December 1987
Taylor contribution: “Returning to Cleveland with an Olive Branch”

117. WIDENER REVIEW, No. 4
PA , 1987
Taylor contribution: “Photograph of a Stranger”, “Graduation Postscript”, “To My Son”

118. PINCHPENNY, Vol. 9, No. 1
Sacramento, 1988
Taylor contribution: “Challenger”, brief commentary on VAGABOND magazine

119. THE QUARTERLY, No. 5, edited by Gordon Lish
New York, Spring 1988
Taylor contribution: “Escape”, “The Killer”, “For Janine at Six Months”, “Excuse”, “Dead Reckoning”

120. THE QUARTERLY, No. 6, edited by Gordon Lish
New York, Summer 1988
Taylor contribution: “What Happened to My Mother”, “Prisoner”

121. SWAMP ROOT, Vol. 1, No. 1, edited by Al Masarik
Jacksboro, January 1988
Taylor contribution: “Late Show”, “Art Pepper”, “Silhouette”

122. SWAMP ROOT, Vol. 1, No. 2/3
Jacksboro, December 1988
Taylor contribution: “Chasing Helen”, “Dancer”, “Silence”, “Pantomime at My Wife’s Grave”, “Solo”, “Ordinary Stars”, “April”, “Fugitive”, “Requiem”, “Lifelines”, “Returning to Cleveland with an Olive Branch”, “Carnival Masks”, “Passing Time”, “March” [Taylor is the featured poet for this issue.]

123. TOOK, Vol. 1, No. 16, edited by Ed Mycue
San Francisco, 1988
Taylor contribution: “8-3-81”, “February Song”, “7-18-80”

124. ABRAXAS, No. 37, edited by Ingrid Swanberg
Madison: 1989
Taylor contribution: “One-Way”, “Note to My Wife”

125. CANCER SUPPORT COMMUNITY NEWSLETTER
San Francisco, Fall 1989
Taylor contribution: “Silence”

126. PAINTED BRIDE QUARTERLY, No. 36
Philadelphia, 1989
Taylor contribution: “Lifelines”, “There was Too Much to Hold”, “Lightning Bugs”

127. SWAMP ROOT, Vol. 1, No. 4
Jacksboro, 1989
Taylor contribution: “Flooding the Labyrinth”, “Hide-and-Seek”

128. BEVEAVEMENT FAMILY SERVICES NEWSLETTER, Vol. 12, No. 3
Corte Madera, 1990
Taylor contribution: “Pantomime at My Wife’s Grave”

129. SWAMP ROOT, Vol. 1, No. 5
Jacksboro, Winter/Spring, 1990
Taylor contribution: “Calendar”, “Cleaning the Wound”

130. SWAMP ROOT, Vol. 1, No. 6
Jacksboro, Summer/Fall 1990
Taylor contribution: “Murmurs”, “Commentator In”, “Stupid Questions”

131. ABRAXAS, No. 40/41, edited by Ingrid Swanberg
Madison: 1991
Taylor contribution: “Creatures of Habit”, “Jamais Vu”

132. THE FOLD, No. 1
San Francisco, Winter 1991
Taylor contribution: “Between the Lines”, “No Plans”

133. ONTHEBUS, Issue 6/7
Los Angeles, Winter/Spring 1991
Taylor contribution: “Waiting for Morning”

134. PEARL, No. 13
Long Beach, Spring/Summer 1991
Taylor contribution: “View from a Junk-Food Emporium”

135. SNAKESKIN, edited by Angi Lowry
Chicago: Anaconda press, 1991
Taylor contribution: “Offering”

136. ASPHODEL BOOK SHOP CATALOGUE, No. 149
Burton, August 1992
Taylor contribution: “Fourth of July at Ocean Beach”

137. ASTARTE, Vol. 1, No. 1
Boulder, 1992
Taylor contribution: “Shedding a Chimera”

138. BOMBAY GIN, Vol. 2, No. 2
Boulder , Summer 1992
Taylor contribution: “March Breakdown”

139. LISTENING EYE, edited by Grace Butcher
Geauga, 1992
Taylor contribution: “December”

140. F/X, Vol. 1, No. 1
Fort Collins, 1993
Taylor contribution: “Occupational Hazard”, “Boomerang”

141. GRIST ON-LINE, No. 3
New York, December 1993
Taylor contribution: “Keeping up with the Jonses”, “Fourth of July at Ocean Beach”, “Trip to Niagara” [These poems appear in both print and on-line formats.]

142. LISTENING EYE, edited by Grace Butcher
Geauga, 1993
Taylor contribution: “Changing Weather”

143. MAN ALIVE!, No. 5
Calverton, 1993
Taylor contribution: transcription of taped comments on d.a.levy [many errors]

144. RAIN CITY REVIEW, Vol. 1, No. 2
Portland, Spring 1993
Taylor contribution: “Test Site”, “Drunk in the Loom”

145. RED CEDAR REVIEW OF COLORADO, No. 2
Louisville, 1993
Taylor contribution: “Blackout”, “Visitation”, “Spellbound”, “Monsters”

146. RED CEDAR REVIEW OF COLORADO, No. 3
Louisville, 1993
Taylor contribution: “Quick Change”

147. RED CEDAR REVIEW OF COLORADO, No. 5
Louisville, 1993
Taylor contribution: “Tabula Rasa”, “42 and Counting”

148. CAPRICE
Wichita, June 1994
Taylor contribution: “Rapture”, “Bargaining with the Millennium”

149. CORACLE POETRY, No. 1
Berkeley, Winter 1994
Taylor contribution: “Librarian”

150. LISTENING EYE, edited by Grace Butcher
Geauga, 1994
Taylor contribution: “A Plea to the Dead for Forgiveness”, “Jack-O-Lantern”

151. MA!, No. 6
Calverton, 1994 [formerly MAN ALIVE!]
Taylor contribution: “Keeping up with the Jonses”

152. RAIN CITY REVIEW, Vol. 2, No. 4
Portland, Spring/Summer 1994
Taylor contribution: “Full Disclosure”, “Bone Music”

153. ATOM MIND, Vol. 4, No. 16
Albuquerque, Spring 1995
Taylor contribution: “Billie Holiday”, “Inner Sunset”

154. LISTENING EYE, edited by Grace Butcher
Geauga, 1995
Taylor contribution: “Occupational Hazard”, “Night Physics” [original version]

155. THE QUARTERLY, No. 30, edited by Gordon Lish
New York, Summer 1995
Taylor contribution: “Night Physics” [edited version]

156. LISTENING EYE, edited by Grace Butcher
Geauga, 1996
Taylor contribution: “Brain Tumor”

157. ONE TRICK PONY, No. 2, edited by Louis McKee
Philadelphia, Fall 1997
Taylor contribution: “Sanctuary”, “Low Clouds along the Coast”

158. RAIN CITY REVIEW, Vol. 2, No. 8
Portland, Winter/Spring 1997-1998
Taylor contribution: “Boomerang”

159. ASPHODEL BOOK SHOP CATALOGUE, No. 192
Burton, October 1998
Taylor contribution: “Waiting for Weldon”

160. BARD, No. 6, 24-7 Magazine Supplement
Providence, 1998
Taylor contribution: “Out of Time”

161. LUCID MOON, No. 31
Hampton, March 1999
Taylor contribution: “Bone Music”, “Full Disclosure”, “Chasing Helen”, “Night Physics”
[Titles of last two poems reversed.]

162. RATTAPALLAX, No. 2, edited by George Dickerson
New York, 1999
Taylor contribution: “Outpost”

163. SAY YES, Vol. 1, No. 1
Sacramento, 1999
Taylor contribution: “Incident in the N-Judah Tracks”, “White Night Blues”

164. RATTAPALLAX, No. 3, edited by George Dickerson
New York, 2000
Taylor contribution: “Flying through a Storm with James Wright”

165. RATTAPALLAX, No. 4, edited by George Dickerson
New York, 2000
Taylor contribution: “Drawing Blood”

166. RATTLE, Issue 14, Vol. 6, No. 2, edited by Alan Fox
Sherman Oaks, Winter 2000
Taylor contribution: “Out of Time”, “Deficits”

167. ONE TRICK PONY, No. 6
Philadelphia, Fall 2001
Taylor contribution: “Talking to Helen”, “Reply to a Scented Letter”

168. RATTAPALLAX, No. 5, edited by George Dickerson
New York, 2001
Taylor contribution: “Turning 57”, “Late Show at the Starlight Laundry”

169. RATTLE, Issue 15, Vol. 7, No. 1, edited by Alan Fox
Sherman Oaks, Summer 2001
Taylor contribution: “Seeing Things”

170. BOOG CITY, Issue 3, edited by David Kirschenbaum
New York City, February-March 2002
Taylor contribution: “Not Quite Janine”

171. ONTHEBUS, Issue 17/18
Los Angeles, 2002
Taylor contribution: “Brain Tumor”

172. JEFF MASER – BOOKSELLER, List No. 36
Richmond, November 2004
Taylor contribution: “Wake”, “For Nick Gabaldon”

173. THEE FLAT BIKE, No. 1, edited by Matthew Wascovich
Cleveland, 2004
Taylor contribution: “The Opposite of Hallucinating”, “Waiting for Weldon”, “Up in the Air”, “Airmail”, “Signaling Jim”

174. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 48, edited by Michael Mann
St. Paul, November, 2004
Taylor contribution: “Vegas”

175. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 49, edited by Michael Mann
St. Paul, January, 2005
Taylor contribution: “Slow Learner”

176. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 50, edited by Michael Mann
St. Paul, March 2005
Taylor contribution: “Loose Ends”

177. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 53, edited by Michael Mann
St. Paul, October 2005
Taylor contribution: “Christmas”

178. UNARMED-ADVENTUROUS POETRY JOURNAL #55, edited by Michael Mann
St. Paul, October 2005
Taylor contribution: “Keeping Warm”

179. ABRAXAS, No. 44/45, edited by Ingrid Swanberg
Madison, 2006
Taylor contribution: “Flying through a Storm with James Wright”

180. BOTTLE, No. 4, edited by Bill Roberts
Dover, 2006
Taylor contribution: “Night Physics”

181. BOTTLE, No. 5, edited by Bill Roberts
Dover, 2007
Taylor contribution: “Calling Cards”

182. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 60, edited by Michael Mann
St. Paul, 2009
Taylor contribution: “Ready or Not”

183. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 61, edited by Michael Mann
St. Paul, 2009
Taylor contribution: “Lately”

184. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 63, edited by Michael Mann
St. Paul, April 2011
Taylor contribution: “Close Parenthesis”

185. MISER MAGAZINE, No. 5, edited by Nicole Hennessy and Lauren Dulay
Lakewood, June 2013
Taylor contribution: “What’s Left”

186. UNARMED-ADVENTUROUS POETRY JOURNAL, No. 66, edited by Michael Mann
St. Paul, February 2014
Taylor contribution: “What’s Left”

187. BIG HAMMER, #19, edited by Dave Roskos
Island Heights: Iniquity Press/Vendetta Books, February 2017
Taylor contribution: “Woman at a Mental Health Clinic” (haiku)

188. HAIKUS, NEARKUS, FAUXKUS, FUCKYOUS, #1, edited by Thom Bakelas
Taylor contribution: Denville NJ, Between Shadows Press, 2021
75 copies
Taylor contribution: “Ann’s Answer”, “Thinking Of Cuz”, “Actuarial Tables”

189. PERIODICALS, #1, edited by Lucy Wilkinson

Manchester/Glasgow, Death Of Workers Whilst Building Skyscrapers Press, 2022
250 copies

Taylor contribution: “Late Show At The Starlight Laundry”

d.a. levy: Contributions to Periodicals

>> return to d.a. levy main page >>

Section C:
This index includes contributions to periodicals
(Note: sequence within years is alphabetical by title)

1963

1. THE FREE LANCE, Vol. 7, No. 2, edited by Casper LeRoy Jordan
Cleveland: The Free Lance, 1963

levy contribution: “And Sappho’s Kiss”, [untitled] “They brought the dawn down…”, [untitled] “This strange little bird…”

Note: cover art by d.a. levy

1964

2. THE AMERICAN WEAVE, Vol. 28, No. 1, edited by Loring and Alice Crane Williams
Cleveland: American Weave Press, Spring and Summer 1964

levy contribution: “Centiparty”, “A Square Lady”

3. DIAMOND SANGHA, Vol. 4, No. 5 *
Honolulu: Koka An, September 1964

levy contribution: [untitled] “The sun crashes through…”, [untitled] “Hundreds of sparrows…”, [untitled] “I walked to the end…”

4. THE FREE LANCE, Vol. 8, No. 1, edited by Casper LeRoy Jordan
Cleveland: The Free Lance, 1964

levy contribution: [untitled] “Sun bleached desert skin…”

Note: cover art by d.a. levy

5. THE FREE LANCE, Vol. 8, No. 2, edited by Casper LeRoy Jordan
Cleveland: The Free Lance, 1964

levy contribution: “Ode to a Non-Union Truckdriver passing through Northeastern Ohio”

Note: cover art by d.a. levy

6. INPUT, Vol. 1, No. 4, edited by Peter Salmansohn and Frank Roth*
New York: Input, December 1964

levy contribution: “How to be a Poet and Influence People”

7. KAURI, No. 4, edited by Will Inman
New York: Kauri, August-September 1964

levy contribution: “Freedom”

8. KAURI, No. 5, edited by Will Inman
New York: Kauri, November-December 1964

levy contribution: “Surrealist Scene”

9. THE WORMWOOD REVIEW, Vol. 4, No. 3, Issue 15, edited by Marvin Malone
Storrs: The Wormwood Review, 1964

levy contribution: “Aleatoric Poem for the New Dominant”, “No Gamekeeper Shot a Luminous Owl”

1965

10. 15¢, No. 1, edited by Susan and John Cornillon *
Cleveland: n.p., n.d. [1965]

levy contribution: “The Suburban Prophets (for R.D.)”

11. BLITZ, No. 2, edited by Bobby Watson and Mel Buffington
La Grande: Blitz/Mad Virgin, 1965

levy contribution: “I Tell Myself a Story because I am Bored – Part 2 (from The Journal of Ugly Sundown)”

12. BORDER, Vol. 1, No. 3, edited by Wayne Philpott
Fort Smith: Border Press, July 1965

levy contribution: “Flamenca”

13. COERCION, No. 4, edited by Clarence Major
Omaha: Winter 1965

levy contribution: “Vaginal Visionaries”

Note: includes Clarence Major essay on the renegade press, “Another One of the Biggest Little Prospects”

14. EL CORNO EMPLUMADO, No. 15, edited by Sergio Mondragón and Margaret Randall
Mexico City: El Corno Emplumado, July 1965

levy contribution: “Van Gogh”

Note: includes one levy illustration

15. EARTH, No. 1, edited by Steve Richmond
Santa Monica: Earth Books & Gallery, 1965

levy contribution: “‘Dith”

16. THE FENN LITERARY OMNIBUS, Vol. 3, edited by Keith M. Davie*
Cleveland: Fenn College Writers’ Club, 1965

levy contribution: “Lady A”, “Necropolis”

Note: cover art by d.a. levy

17. THE FREE LANCE, Vol. 9, No. 1, edited by Casper LeRoy Jordan
Cleveland: The Free Lance, 1965

levy contribution: “Cleveland Undercovers #7”

Note: cover art by d.a. levy

18. THE FREE LANCE, Vol. 9, No. 2, edited by Casper LeRoy Jordan
Cleveland: The Free Lance, 1965

levy contribution: cover art by d.a. levy

19. GOOSEBERRY, No. 2, edited by John Cornillon and Susan Koppelman Cornillon
Cleveland: Gooseberry Publications, n.d. [c.1965]

levy contribution: “from The Destroyed Journal”

20. HEAD SECOND, edited by Erik Kiviat
Staatsburg: Head, n.p. [c.1965]

levy contribution: cover and illustrations by d.a. levy

21. INPUT, Vol. 2, No. 1, Issue 5, edited by Peter Salmansohn and Frank Roth
New York: Input, Spring 1965

levy contribution: “Cock Suck Poem”

22. KAURI, No. 7, edited by Will Inman
New York: Kauri, March-April 1965

levy contribution: “Poem for the Day I Decided I Would Rather be d.a. levy than a Great Poet”

23. MAGAZINE, No. 2, edited by Kirby Congdon
New York: Crank Books, 1965

levy contribution: “The Wandering White”

Note: includes a history and manifesto of the renegade press by d.a. levy.

24. OLE, No. 2, edited by Douglas Blazek
Bensenville: Open Skull Press, 1965

levy contribution: “Bourgeoisie Chant”

25. REGION, No. 4, edited by David Morton *
Minneapolis: Region Magazine, 1965

levy contribution: “Tantric Frontiers”, “Dark Moon”

26. TRACE, Vol. 6, No. 6, edited by James Boyer May
London: Villiers Publications, May 1965

levy contribution: “Fleuf Fiejd”, “Metropolis Complex Areolex”, “Rain is a Wild Horse”

27. UNIVERSITY OF TAMPA POETRY REVIEW, edited by Duane Locke
Tampa: Poetry Review, 1965

levy contribution: “Sunpoem”, “Bukowski Drinks a Lot”

1966

28. BLEW OINTMENT, Vol. 4, No. 1, edited by Bill Bissett *
Vancouver: blewointment press, 1966

levy contribution: “Visualized Prayer to the American God #2”, “Visualized Prayer to the American God #4”

29. DO-IT!, No. 1, edited by Matt Shulman
Omaha: Do-It, 1966

levy contribution: “The Suburban Prophets”, “Light on, The Old Test (for Charles Olson)”, “The Ballad of No Berets”

Note: cover art by d.a. levy

30. DO-IT!, Vol. 1, No. 2, edited by Matt Shulman
Omaha: Do-It, August 15, 1966

levy contribution: “A Mantra to Protect One from the Viet Cong (North and South)”, “A Non of Viet Nam Gothic for the Alamo”

31. DUST, No. 8, edited by Len Fulton
El Cerrito: Dust Books, Spring-Summer 1966

levy contribution: “Cleveland Undercovers #10”

32. THE EIGHT PAGER, A HAPPENING IN 8 PARTS, Series 1, Part 1
New York: press : today : niagara, 1966

levy contribution: “segment from A Destroyed Journal”, “from The North American Book of the Dead”, [untitled] “I always thought people…”

33. GANGLIA, No. 3, edited by David Aylward and BP Nichol *
Toronto: Ganglia Press, January 1966

levy contribution: “To Jim Lowells Goldfish”, No-Rooms (for Carol Bergé)”, “Haiku & Senryu”

34. GRIST, No. 8, edited by John E. Fowler and George Kimball
Lawrence: Abington Book Shop, 1966

levy contribution: “Himeros”, “For a Rainy Day”

35. GRIST, No. 9, edited by John E. Fowler and George Kimball
Lawrence: Abington Book Shop, 1966

levy contribution: [untitled] “I am moving…”

36. HIKA, Vol. 28, No. 3, edited by Michael K. Berryhill and Michael Kirchberger
Gambier: Kenyon College, Spring-Summer 1966

levy contribution: “If You Break an Iron Angels Wings”

37. INTREPID, No. 6, edited by Allen De Loach
New York: Intrepid Press, 1966

levy contribution: “Yes, Me Too”

LABRIS, No. 4-5, edited by Max Kazan, et al
Lier: Labris, July 1966

levy contribution: “Bourgeoisie Chant”

38. MAINLY, No. 3, edited by Lyndon Puw and Chrissie Smith
Brecon, Wales: Mainly, May 1966

levy contribution: [untitled] “She smiles quietly…”

39. MAINLY, No. 4 *
Brecon, Wales: Mainly, September 1966

levy contribution: “A Line for the Hawk Faced God who Carried the Sun at Dawn”, “Sappho”

40. MOONSTONES, Vol. 1, No. 2, edited by D.r. Wagner *
Niagara Falls: press:today:niagara, 1966

levy contribution: “Iron Cross of the Sun”

Note: back cover art by d.a. levy

41. POETRY NEWSLETTER, No. 9/10, edited by Wally Depew, Mike Perkins, and Linda Bandt
Sacramento: Poetry Newsletter, 1966

levy contribution: “American Opinion”, “Cleveland on the Picket Line…” [letter]

42. POETRY NEWSLETTER, No. 11, edited by Wally Depew and Linda Bandt
Scranton: Poetry Newsletter, 1966

levy contribution: “Revision #5”, “R.E. Vision #8 for W.E. Wyatt”

43. SPANISH FLEYE, No. 1, edited by David W. Harris
Toronto: Spanish Fleye, 1966

levy contribution: “Beret”, “Visualized Prayer to the American God”, “Hymn & Invocation for the American God”

44. SPERO, Vol. 1, Issue 2, edited by Douglas and Kathy Casement
Chicago: Spero, 1966

levy contribution: “New Ethnic Poem for the Beat Generation in Cleveland”

45. SUM, No. 2, edited by Carl Woideck
Lakewood: Sum, 1966

levy contribution: “They Have Stolen my Dream Time”

46. TLALOC, No. 13, edited by Cavan McCarthy
Leeds: Tlaloc, 1966

levy contribution: “Chalchihuitlicue No.13 (Rain Poem Concrete)”, “Chalchihuitlicue No.14 (Light Rain Poem Concrete)”, “The Para-Concrete Manifesto”

47. VINCENT, No. 1, edited by Frank Murphy
New York: Vincent, 1966

levy contribution: “The Ice Breaker”

1967

48. ASSASSINATORS BROADSHEET, No. 1, edited by Chris Torrance and Bill Wyatt *
Surrey: n.p., March 1967

levy contribution: “Sitting on a Bench Near T Square (for David Meltzer)”, “Poem for our Lady of Songs & Dimensions”, “The Suburban Prophets”

Note: flyer laid-in titled: “Project Bring Cleveland into the 20th Century” describing levy’s indictment written by rjs and appears to be an order form for UCANHAVYRFUKINCITIBAK

49. BLACK MASK, No. 8, edited by Ben Morea and Ron Hahne
New York: Black Mask, October – November 1967

levy contribution: [untitled] “… you see d.r. they are murdering the children we didnt have time to become…”

50. BLEWOINTMENT PRESS, Vol. 5, No. 1 *
Vancouver: blewointment press, January 1967

levy contribution: “Scarab #2”, “2/8/66 from The Book”, “Letter to Lady Bergé”, “The Para-Concrete Manifesto”, “Visualized Prayer to the American God #1”, “Visualized Prayer to the American God #2”, “Visualized Prayer to the American God #3”, “Visualized Prayer to the American God #4”, “Bourgeoisie Chant”

51. CONGRESS, No. 1, edited by Sam Seiffer *
Bronx: Congress, 1967

levy contribution: “Praps (1)”

Note: essay by Sam Seiffer titled, “The First Freedom” discusses the arrest and indictment of Jim Lowell and d.a. levy in Cleveland in 1966-7.

52. CONGRESS, No. 2, edited by Sam Seiffer *
Bronx: Congress, 1967

levy contribution: “Praps 1 (Three)”, “Censorship”, “Levy by Levy”

53. CONGRESS, No. 3, edited by Sam Seiffer
New York: Congress, 1967

levy contribution: “from The Tantric Strobe”, “from Kibbutz in the Sky Book 3”, “Spontaneous Contact in the Mind: Cancelled”

Note: d.a. levy is listed as the Cleveland editor, cover photo of the Be-In at the lagoon in front of the Cleveland Art Museum by Martin Szutter.

54. DIAMOND SANGHA, Vol. 7, Nos. 2 & 3 *
Honolulu: Koka An, March – June 1967

levy contribution: [untitled] “On the second trail…” (excerpt from The North American Book of the Dead, Part IV, 1966)

55. ENTRAILS, Vol. 3, edited by Gene Bloom and Mike Berardi
New York: Whispershit Press, February-March 1967

levy contribution: “R.E. Vision #10”, “Underground Advertisement #3”

56. EUPHORIA (FORMERLY TARGET), No. 5, edited by Paul J. Green
Peterborough: Euphoria, n.d. [c. 1967]

levy contribution: “Prosecutor, as Hired Gunslinger”, “P’er Aps 6 (We Wait for You Return)”

57. FAT FROG, No. 1, edited by Sharon Asselin
San Francisco: Steven Andrews Press, n.d. [c.1967]

levy contribution: “Notes/Variations on a Short Poem”

Note: page of ‘Defense Funds’ lists levy as a spokesman for ‘The Blood-and-Guts-Revolution-no-Nonsense-Poetry’

58. THE FLASH OF PASADENA, No. 5, edited by David Laidig
Pasadena: David Laidig Publishing, 1967

levy contribution: “What Can I Say?”, “Visualized Prayer for the American God #6”

59. FREE LOVE PERIODICALLY, No. 1, edited by RJS
Cleveland: Free Love Press, n.d. [c.1967]

levy contribution: “We are all Putting Out / But No-one is Receiving”, “Poem for Lama Ginsberg”

60. FREE LOVE PERIODICALLY, No. 2, guest-edited by Tom Kryss
Cleveland: Free Love Press, June 1967

levy contribution: “There Seems to be Some Discrepancy or Why is RJS in Jail?”, “What Can I Say?”, “Psychedelic Information Center”, “Visualized Prayer for the American God #5”

Note: cover by Dagmar [cover drawing was also used on the rear cover of Tom Kryss’ 13 Tricks To Set Free The Wind (Ghost Press, Cleveland, 1966)]

61. GRONK, No. 3, edited by David W. Harris, et al
Toronto: Fleye Press, March 1967

levy contribution: “Unmailed Letters to Ed Pederson and (the Mysterious) Annburgers”

62. HOW-TLALOC, edited by Cavan McCarthy
Leeds: Location Press, n.d. [c.1967]

levy contribution: “Chalchihuitlicue (for Carol Berge’.. 1965 & 1966)”

63. THE LAST TIMES, edited by Charles Plymell, Claude Pélieu, et al*
San Francisco: 1967

levy contribution: “Introduction”

64. MATRIX, No. 2, edited by Tony Dash and Brian Wake *
Bootle: Matrix, November 1967

levy contribution: “The Great Surrealist Dream Happening of the Asphodel & Other Ecstasies that were Still / Born in Cleveland (for Ptah Lowell)”, “Turner”

65. MOONSTONES, No. 3, edited by D.r. Wagner
Sacramento: Runcible Spoon, 1967

levy contribution: “Insulin Shock Letter”

66. OLE, No. 7, edited by Douglas Blazek
Bensenville: Open Skull Press, 1967

levy contribution: “Kaprow!”

67. ONSLAUGHT ’67, No. 1 *
Pepper Pike: Onslaught, April 1967

levy contribution: “The Bells of the Cherokee Ponies”

68. POLEMIC, Vol. 11, No. 2, edited by Walter E. Wadas
Cleveland: Western Reserve University, Spring 1967

levy contribution: “Road Road Go Away”

69. SUM, No. 3, edited by Carl Woideck
Sacramento: SUM, n.d. [c.1967]

levy contribution: [untitled] “The sunlight shining thru…”

70. TARGET, No. 3, edited by Paul J. Green *
Peterborough: Target, 1967

levy contribution: “Love Poem of a Lion”, “Mar 2 & 3”

71. THE WILLIE, No. 1, edited by William Hageman *
San Francisco: Manic Press, Summer 1967

levy contribution: “Cleveland Uber Alles”, “The Bells of the Cherokee Ponies”

Note: this version of “Cleveland Uber Alles” is different than the one that appears in Kibbutz in The Sky #1.

72. WINE BUTTON, edited by Dave Fraser, Robert Serling, Dick Sweeney
Highland Park: Wine Button, n.d. [c.1967]

levy contribution: “The Bells of the Cherokee Ponies”

1968

73. ASYLUM, No. 4, edited by Tony Dash and Brian Wake
Bootle: Asylum Publications, March 1968

levy contribution: “Praps i/7 (for j.s.)”

74. ASYLUM, No. 6, edited by Tony Dash
Bootle: Asylum Publications, October 1968

levy contribution: “A Fragment from the Destroyed Journal…”, “To Jim Lowell’s Goldfish”

Note: includes special supplement: Eleven Cleveland Poets section with an introduction by George Dowden including Dominique, Alex Gildzen, T.L. Kryss, d.a. levy, John Pitts, rjs, John Rose, Jeanne Sonville, Steve Slavik, Tammy, Kent Taylor.

75. AVALANCHE, No. 4, edited by Richard Krech
Berkeley: Undermine Press, 1968

levy contribution: “Additions to The North American Book of the Dead”

76. THE FREE LANCE, Vol. 12, Nos. 1 & 2, edited by Casper LeRoy Jordan and Russell Atkins
Cleveland: Free Lance, 1968

levy contribution: “Ode to a Non-Union Truckdriver Passing through Northeastern Ohio”, “World War III”, [untitled] “Sun bleached desert skin…”

77. INTRANSIT, edited by Gerard Malanga and Andy Warhol
Eugene: Toad Press, 1968

levy contribution: “Rebirth Blues”

78. THE MARIJUANA REVIEW, Vol. 1, No. 1, edited by Michael Aldrich & Ed Sanders
Buffalo: Lemar International, October-December 1968

Note: although there is no content attributed to d.a. levy, he is listed as the Cleveland Correspondent.

79. MOONSTONES, No. 4, edited by D.r. Wagner and Barbara O’Connelly *
Sacramento: Runcible Spoon, 1968

levy contribution: untitled illustration by d.a. levy

80. MOTHER, No. 11, edited by Ronald Caplan
Pittsburgh: Mother Press, n.d. [c.1968]

levy contribution: [untitled] “its the way she died…”.

81. NOLA EXPRESS, No. 14
New Orleans: NOLA Express, n.d. [c.1968]

levy contribution: cover collage by d.a. levy.

82. ORPHEUS, Vol. 2 No. 2, edited by Charlie Adrian, et al *
Phoenix: Orpheus, n.d. [c.1968]

levy contribution: “Mar 1”

83. RADICAL AMERICA, Vol. 2, No. 5, edited by Paul Buhle
Madison: Students for a Democratic Society, September – October 1968

levy contribution: “Visualized Prayer to the American God #2”

84. RADICAL AMERICA, Vol. 2, No. 6, edited by Paul Buhle
Madison: Students for a Democratic Society, November – December 1968

levy contribution: “Sitting on a Bench Near T Square”, “Suburban Monastery Death Poem, Part Six”, “R.E. Vision #2”

85. RENAISSANCE, OPEN CITY SECTION TWO, edited by Charles Bukowski
n.p.: Open City, n.d. [c.1968]

levy contribution: “Poem to Michael Solomon”

86. TOUCAN, Vol. 1, No. 2, edited by R.L. Carothers and Alex Gildzen *
Kent: Toucan, Winter 1968

levy contribution: “Warriors Rest”

87. WORDJOCK, Vol. 1, No. 3, edited by Charles Tidler
West Layfayette: Wordjock, May 1968

levy contribution: “Egyptian Sunset for D.R.”

88. THE WORMWOOD REVIEW, Vol. 8, No. 4, ISSUE 32, edited by Marvin Malone
Storrs: The Wormwood Review, 1968

levy contribution: “Hindu Strobe Book #2, Page 1”, “Song #236 by Milarepa”

1969

89. ALDEBARAN REVIEW, No. 6, edited by John Oliver Simon *
Berkeley: Noh Directions Press, August-September 1969

levy contribution: “Green Nettle Soup”, “On the Slaying of the Red Dragon Rock Demon”

90. AND, No. 5, edited by John Rowan and Bob Cobbing *
n.p.: Writers Forum, 1969

levy contribution: “Notice”, “Chalchihuitlice… (for Carol Berge)”, “Bread Vision”

91. THE BIG US
Cleveland: Outpost, January 1969

levy contribution: “R.E. Vision #2”

92. CAMELS COMING, No. 4, edited by Richard Morris
Reno: Camels Coming, February – March 1969

levy contribution: “Angela”

93. THE DRUNKEN BOAT, Vol. 1, No. 1, edited by Hugh Knox *
Piscataway, Scrotum Press, 1969

levy contribution: [untitled] “I want to go where…”

94. DUST, Vol. 3, No. 4, Issue 12, edited by Andrew Curry
Paradise, CA: Dustbooks, 1969

levy contribution: “A Non of Vietnam Gothic for The Alamo”, “Praps (1) Two”, “Road Road Go Away”

95. THE FREE LANCE, Vol. 13, Nos. 1 & 2, edited by Casper L. Jordan and Russell Atkins
Cleveland: The Free Lance, 1969

levy contribution: “The Magic Wheel (for Adelaide Simon)”

96. THE GOLIARDS, No. 7, edited by Jerry Burns
San Francisco: Goliards Press, June 1969

levy contribution: “The Burning of San Francisco – Summer 1968: ‘An Attempt to Silence the Neon Motherfucker'”

97. THE OUTSIDER, Vol. 2, Nos. 4 & 5, edited by Gypsy Lou and Jon Webb
New Orleans: Loujon Press, Winter 1968-69

levy contribution: “For the Pigs, Rats & Adorable other Beasts of Saintly Cleveland, O.”

98. PRO-JECT, No. 1, edited by Robert Serling and David Fraser *
Detroit: Pro-Ject, Winter-Spring 1969

levy contribution: “To D——“

99. QUIXOTE, Vol. 4, No. 5, edited by Morris Edelson
Madison: Quixote Press, March 1969

levy contribution: “For George”, “Letter from an Invisible Greek”

Note: mis-numbered issue is Vol. 4, No. 6

100. QUIXOTE, Vol. 4, No. 6a, edited by Morris Edelson
Madison: Quixote Press, January-March 1969

levy contribution: “The Madison Poems”, “Suburban Monastery Death Poem”, “7 Concrete Poems / Concrete Poems / Electric Greek Poems (For Bob Gabriner)”

101. QUIXOTE, Vol. 5, No. 4, edited by Morris Edelson
Madison: Quixote Press, 1969

levy contribution: two letters

102. RADICAL AMERICA, Vol. 3, No. 4, edited by Paul Buhle and Dale Tomich *
Madison: Students for a Democratic Society, July – August 1969

levy contribution: “R. E. Vivion #8 / part II – for Art Kleps”

103. RUNCIBLE FOLD, No. 3, edited by D.r. Wagner *
Sacramento: Runcible Spoon, n.d. [c.1969]

levy contribution: “Education of a Food Fadist”

104. SATTVAS REVIEW, Vol. 1, No. 1, edited by Franklin W.W. Osinski *
Cleveland: Sattvas Press, Fall 1969

levy contribution: “from Prose: On Poetry in the Wholesale Education And Culture System”

105. SECOND AEON, No. 7, edited by Peter Finch
Cardiff: Second Aeon, 1969

levy contribution: “Part Zero – Celebration with Rada Drums (from Suburban Monastery Death Poem)”

106. LARVAE DU GOLDEN GATE, Vol. 1, No. 2, edited by Leon Spiro
Sausalito: SB Gazette, n.d. [c. 1969]

levy contribution: “Blind Myth Doing a Death Dance on Ground Zero (for Willie)” [Reprinted from The Buddhist Third Class Junkmail Oracle Vol. 2, No. 2, Issue 14 (Cleveland, 1968) (T&H P-164).]

107. WASTE PAPER, No. 4, AN IRREGULAR HUNGRY GENERATION NEWSLETTER, edited by Tridib Mitra & Alo Mitra
Howrah: Waste Paper, September 1969

levy contribution: “Thinking of Rimbaud (for Thom Szuter)”

1970s

108. DAVKA, Vol. 1, No. 1, edited by Aron Manheimer *
Los Angeles: Davka, November – December 1970

levy contribution: “New Year”

109. FOURTH DIMENSION, No. 7, edited by P.J. Kemp *
Richford: Samisdat, n.d.[c. 1976]

levy contribution: “Tell Me About Yr Level of Consciousness”

110. INVISIBLE CITY, No. 8
Fairfax, CA: Red Hill Press, April 1973

levy contribution: [untitled] “Now, that’s why there are more poets…”

111. NOLA EXPRESS
New Orleans: NOLA Express, June 9-22 1972

levy contribution: “North American Book of the Dead, Part I”

112. PHOENIX, No. 3/4, edited by Leopold Reif
Berlin: Phoenix, 1970

levy contribution: “Part Zero – Celebration with Rada Drums (from Suburban Monastery Death Poem)”

113. QUIXOTE, Vol. 7, No. 5, edited by Morris Edelson
Madison: Quixote Press, 1973

levy contribution: “I Found It at the Movies (or) Hummed-Off in a Laundro-Mat (for Franklin Rosemont)”, “Its a Matter of Presentation”

114. QUIXOTE, Vol. 7, No. 69, edited by Morris Edelson *
Madison: Quixote Press, April 1973

levy contribution: “More Fun… with Your Guns” [collage]

[note cover has Vol.7, No. 96, but masthead reads Vol.7, No.93]

115. QUIXOTE, Vol. 8, No. 3, edited by Morris Edelson *
Madison: Quixote Press, 1974

levy contribution: “Night People”, “The Result is Always Circular, 2”, “Motion Poem”

116. RESPONSE, No. 8, edited by Bill Novak *
Waltham: Response, Fall 1970

levy contribution: “New Year”

117. RESPONSE, No. 10, edited by Bill Novak *
Waltham: Response, Spring 1971

levy contribution: “Poem to Michael Solomon”

118. THE SERIF, Vol. 8, No. 4, edited by Alex Glidzen and Dean H. Keller
Kent: Kent State University, December 1971

levy contribution: “The Bells of the Cherokee Ponies”

Note: contains Jim Lowell’s A Preliminary Checklist of the Writings of d.a. levy (1942-1968)

119. STONE COUNTRY, Vol. 74, No. 1, edited by Judy Neeld *
Madison: Stone Country Press, 1974

levy contribution: “Shell Stop”

120. VAGABOND, No. 10, edited by John Bennett *
San Francisco: Vagabond Press, 1971

levy contribution: “Third Quarter”

121. THE WHITES OF THEIR EYES: REVOLUTIONARY POEMS , CONSUMPTION, Vol. 3, Nos. 1 & 2, edited by Paul Hunter, Patti Parson, and Tom Parson
Seattle: Craft Associates, March 1970

levy contribution: “The Bells of the Cherokee Ponies”, “Bourgeoisie Chant”

1980s+

122. BOMBAY GIN, Vol. 2, No. 2
Boulder: Naropa Institute, Summer 1992

levy contribution: “This Game is Under Way!”

123. THE COVENTRY READER
Cleveland Heights: The Coventry Reader, Summer 1988

levy contribution: “Tombstone as a Lonely Charm”

124. THE COVENTRY READER
Cleveland Heights: The Coventry Reader, October 1988

levy contribution: “Prose: On Poetry in the Wholesale Education & Culture System”, “The River”, “Road, Road Go Away”, “Lady A-Bourgeoisie Chant”, “Lines for Lady Jane”, “Great Man Sleeping in a Closet”, “The Bells of the Cherokee Ponies”, “Maralien #1”, “Roses That”, “The New Ethnic Folk Poem for the Beat Generation in Cleveland”, “Songs for Dead Children”, “One Death in the Life of Julie, Concrete Poems: Electric Music”, “2 Censorship Poems”, “Impose it on Yourself”, “Visualized Prayer to the American God #3”, “Visualized Prayer to the American God #4”, “Sun Poem”, “Idol of Death”, “Original Light Rock”, “Film Village”

125. MINESHAFT, Number 12
Lewisburg: Mineshaft, October 2003

levy contribution: “She’ll Fight to the End for Dick (from The Madison Collages)”

126. PLANET DETROIT, Vol. 1 No. 1, edited by Kurt Nimmo
Detroit: Planet Detroit, 1984

levy contribution: “Lettre to Cleveland (from Kibbutz in the Sky)”

127. THE TULE REVIEW, Summer 1995, edited by Julia Connor and Mary Zeppa
Sacramento: The Sacramento Poetry Center, Summer 1995

levy contribution: “Night People”, “Mausoleums of the Ta Tsing Dynasty”, “Black Pony”, “When the Light Went On”, “Ode to David Hume”, “2 Censorship Poems”, “The Meat Rose”, “Sun Poem”, “Guatemala Tourist Commission”, “Logic 21”, “Interior Travel”, “Visualized Prayer To The American God #3”, “Visualized Prayer To The American God #4”

Note: cover art by d.a. levy

128. UNMUZZLED OX, edited by Michael Andre and Erika Rothenberg
New York: Unmuzzled Ox Foundation, 1981

levy contribution: “Maralien 1”, “Maralien 2”, “Maralien 3”

—

[* not in archive]

Bibliographic Checklists and Notes

Most of the work examined here is from the contemporary period with a particular focus on the post war period: the period in time from the end of World War II up until, roughly, the late 1960s and early 1970s.

The categorization of the writers, poets, artists, printers and their work here isn’t meant to be definitive, rather it’s a way to simply organize an enormous amount of information and help form some sort of story-line. Certainly there are folks here whose work started before some of the categories existed in the common lexicon and continued long after a ‘scene’ faded away. It’s not the intent of the work here to presuppose intent or oversimplify the efforts of these folks. As new pieces are added, parts will be reorganized, edited and rearranged… stay tuned…

* Aside from primary resources, references consulted can be found here

A brief history of the mimeograph “revolution”

+ California – The San Francisco Renaissance, some Beats, outsiders, hippies, and others

Artists:
· Robert Alexander
· Wallace Berman
· Cameron
· Jess Collins
· Bruce Conner
· Jay DeFeo
· George Herms
· Fran Herndon
· Robert Lavigne

Poets & Writers:
The Berkeley, then San Francisco Renaissance
· Helen Adam
· Robin Blaser
· Ebbe Borregaard
· Richard Duerden
· Robert Duncan
· William Everson
· Philip Lamantia
· Jack Spicer
· George Stanley
· Lew Welch

· Richard Brautigan
· Ron Loewinsohn
· Michael McClure
· David Meltzer
· Gary Snyder
· Philip Whalen

· Charles Bukowski
· Carl Larsen
· James M. Singer, Jr.

· Richard Krech

Presses:
· City Lights (1955-)
· Hearse Press (1957-1970)
· White Rabbit Press (1957-1972)
· Auerhahn Press (1958-1963)
· Enkidu Surrogate (1959)
· Oannes Press (1963)
· Oyez Press (1963-1968)
· Four Seasons Foundation (1964-1985)
· Black Sparrow Press (1966-2002)
· Capricorn Press (1969-1972)

Periodicals:
· Ark (Nos. 1-3, 1947-1957)
· Avalanche (Nos. 1-6, 1966-1969)
· Beatitude (Nos. 1-34, 1959-1987)
· Berkeley Miscellany (Nos. 1-2, 1948-1949)
· Change (No. 1, 1963)
· Circle (Nos. 1-10, 1944-1948)
· City Lights (Nos. 1-5, 1952-1955)
· City Lights Journal (Nos. 1-4, 1963-1966)
· Contour (Nos. 1-4, 1947-1948)
· Cow (Nos. 1-3, 1965-1966)
· Dust (Nos. 1-17
· Ephemeris (Nos. 1-3, c.1969-1970)
· Foot (Nos. 1-8, 1962-1980)
· Gryphon (Nos. 1-3, 1950-1951)
· Hearse (Nos. 1-17, 1957-1972)
· J (Nos. 1-8, 1959-1961)
· M (Nos. 1-2, 1962)
· Measure (Nos. 1-3, 1957-1962)
· Mithrander (No. 1, 1963)
· The Needle (Nos. 1-3, 1956)
· Now (Nos. 1-3, 1963-1965)
· Open Space (Nos. 0-12, 1964)
· Out of Sight (nos. 1-2, 1966)
· The Pacific Nation (Nos. 1-2, 1967-1969)
· R.C. Lion (Nos. 1-3, 1966-1967)
· Renaissance (Nos. 1-4, 1961-1962)
· The Rivoli Review (Nos. 1-2, 1963-1964)
· The San Francisco Capitalist Bloodsucker-N (No. 1, 1962)
· Semina (Nos. 1-9, 1955-1962)
· Wild Dog (Nos. 1-21, 1963-1966)

Galleries:
· Batman Gallery
· Dilexi Gallery
· Ferus Gallery
· Six Gallery

+ The Beats, The New York School(s), some outsiders, and others

Poets & Writers:
- · William S. Burroughs
  - – Brion Gysin
    - · Cut-up Method
  - – related periodicals:
    - · Big Table (Nos. 1-5, 1959-1960)
      · Bulletin from Nothing (Nos. 1-3, 1965)
      · Cleft (Nos. 1-2, 1963-1964)
      · Gnaoua (No. 1, 1964)
      · Insect Trust Gazette (Nos. 1-3, 1964-1968)
      · Locus Solus (Nos. 1-5, 1961-1962)
      · My Own Mag (Nos. 1-17, 1963-1966)
      · New Departures (Nos. 1-16, 1959-1984)
      · Project Sigma (Nos. 1-40 [?], 1964-1966)
      · Residu (Nos. 1-2, 1965-1966)
      · Rhinozeros (Nos. 1-10, 1960-1965)
      · San Francisco Earthquake (Nos. 1-5, 1967-1969)
      · Sidewalk (Nos. 1-2, 1960)
      · Spero (Nos. 1-2, 1965-1966)

- · Gregory Corso
  · Allen Ginsberg
  · Jack Kerouac

- The Tulsa School
  · Ted Berrigan
  · Joe Brainard
  · Dick Gallup
  · Ron Padgett

- · Tom Veitch

- · Piero Heliczer and The Dead Language
  · Angus Maclise
  · Ira Cohen

- · Bern Porter

Presses:
- · 0 To 9 (1967-1969)
  · Adventures in Poetry (1968-1976)
  · Angel Hair Books (1966-1978)
  · Big Sky (1971-1988)
  · Boke Press (1964-1971)
  · Corinth Books (1959-1973)
  · C Press (1963-1978)
  · Fuck You Press (1962-1965)
  · Grove Press (1948- )
  · Kulchur Press (1960-1989)
  · Lines (1965-1967)
  · New Directions (1936- )
  · Poets Press (1963-1969)
  · Siamese Banana (1972-1978)
  · Totem Press (1958-1962)
  · United Artists (1978-1983)
  · Z Press (1973-1987)

Periodicals:
- · 0 To 9 (Nos. 1-6, 1967-1969)
  · Adventures in Poetry (Nos. 1-12, 1968-1975)
  · Angel Hair (Nos. 1-6, 1966-1969)
  · Art and Literature (1-12, 1964-1967)
  · Big Sky (Nos. 1-11/12, 1971-1978)
  · Blue Beat (No. 1, 1964)
  · C: A Journal of Poetry (Nos. 1-14, 1963-1966)
  · The Censored Review (No. 1, 1963)
  · Chicago (Nos. 1-9, 1972-1974)
  · Elephant (Nos. 1-3, 1965)
  · Evergreen Review (Nos. 1-97, 1957-1973)
  · The Floating Bear (Nos. 1-37, 1961-1971)
  · Fuck You / A Magazine of the Arts (Nos. 1-13, 1962-1965)
  · The Great Society (Nos. 1-2, 1966-1967)
  · Kulchur (Nos. 1-20, 1960-1965)
  · Lines (Nos. 1-6, 1964-1965)
  · Locu Solus (Nos. 1-5, 1961-1962)
  · Mother (Nos. 1-9, 1964-1967)
  · Neon (Nos. 1-4, 1956-1959)
  · Once Series (Nos. 1-12, 1966-1968)
  · The Poetry Project Newsletter (Nos. 1- , 1972- )
  · Telephone (Nos. 1-18, 1969-1984)
  · United Artists (Nos. 1-18, 1977-1983)
  · The White Dove Review (Nos. 1-5, 1959-1960)
  · The World (Nos. 1-58, 1967-2002)
  · Yugen (Nos. 1-8, 1958-1962)
  · Z (Nos. 1-6, 1973-1977)

+ Black Mountain, Jargon Society

Poets & Writers:
· Charles Olson
· Robert Duncan [see also, San Francisco Renaissance]
· Denise Levertov
· Paul Blackburn
· Robert Creeley
· Paul Carroll
· Larry Eigner
· Edward Dorn
· Jonathan Williams
· Joel Oppenheimer

Objectivists
· Louis Zukofsky
· George Oppen
· Carl Rakosi
· Lorine Niedecker
· Charles Reznikoff

Presses:
· Black Mountain College Print Shop
· The Divers Press (1953-1955)
· The Jargon Society (1951- )
· Migrant Books (1957-1966)

Periodicals:
· Black Mountain Review (Nos. 1-7, 1954-1957)
· Migrant (Nos. 1-8, 1959-1960)
· Origin (First Series: Nos. 1-20, 1951-1957)

+ The so-called Cleveland School, and related poets, presses, and periodicals

Poets & Writers:
- · Russell Atkins
  · T.L. Kryss
  · d.a. levy
  · RJS
  · Kent Taylor
  · Douglas Blazek
  · D.r. Wagner

Presses:
- · 7 Flowers Press
  · 400 Rabbit Press
  · Ayizan Press
  · Black Rabbit Press
  · Broken Mimeo Press
  · The Free Lance Press
  · Ghost Press
  · Mimeo Press
  · Open Skull Press
  · press : today : niagara
  · Renegade Press
  · Runcible Spoon
  ·

Periodicals:
- · Do-It! (Nos. 1-3, 1966-1967)
  · The Eight Pager (Nos. 1-4, 1966)
  · Free Love Periodically (Nos. 1-2, 1966-1967)
  · Marrahwannah Newsletter (Nos. 1-4, 1967)
  · The Marrahwanna Quarterly (14 issues, 1964-1968)
  · Poets at the Gate (Nos. 1-4, 1966)
  · Quixote (1965-1984)
  · Shit Sheet (Nos. 1-2, 1966)
  · The Silver Cesspool (Nos. 1-5, 1963-1964)
  · Sum (Nos. 1-3, 1966-1968)

+ Concrete Poetry

· Ian Hamilton Finlay & The Wild Hawthorn Press
· Stuart Mills & Tarasque Press
· Cavan McCarthy & Tlaloc

+ Other places and people

· Judson Crews and company

· Frank Stanford

· Loujon Press
>>– The Outsider (Nos. 1-5, 1961-1968)

—

verdant press

Tag Archives: little magazines

Charles Bukowski

Wallace Berman

Kent Taylor: Contributions to Periodicals

d.a. levy: Contributions to Periodicals

1980s+

Bibliographic Checklists and Notes

verdant_press

a random walk through the open field…